Recorded in: Washington (D.C.), United States, June 27, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
104 Jibaro Music / Cuerdas de Borinquen (Musical group). Bongo,Guitar,Guiro,Cuatro,Trovador. Spanish language.
Local Numbers:
FP-1989-CT-0161
General:
tape 1/3
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Jibaro Music / Cuerdas de Borinquen (Musical group). Guiro,Trovador,Cuatro,Guitar.
102 Cuban Son / Grupo Changüí de Guantánamo. Bongo,Percussion instruments,Tres (Musical instrument),Maraca. Spanish language.
Local Numbers:
FP-1989-CT-0164
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Jibaro Music / Cuerdas de Borinquen (Musical group). Guiro,Trovador,Cuatro,Guitar.
102 Puerto Rican Bomba and Plena / Marcial Reyes y Sus Pleneros. Percussion instruments. Spanish language.
103 Cuban Son / Grupo Changüí de Guantánamo. Percussion instruments,Bongo,Tres (Musical instrument),Maraca. Spanish language.
Local Numbers:
FP-1989-CT-0165
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, July 1, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Puerto Rican Bomba and Plena / Marcial Reyes y Sus Pleneros. Percussion instruments.
102 Cuban Son / Cuarteto Patria, Compay Segundo. Guitar.
Local Numbers:
FP-1989-CT-0169
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
102 Jibaro Music / Cuerdas de Borinquen (Musical group). Guitar,Guiro,Trovador,Cuatro.
103 Cuban Son / Grupo Changüí de Guantánamo. Bongo,Percussion instruments,Tres (Musical instrument),Maraca. Spanish language.
Local Numbers:
FP-1989-CT-0170
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Cuban Son / Grupo Changüí de Guantánamo. Bongo,Percussion instruments,Tres (Musical instrument),Maraca.
102 Puerto Rican Bomba and Plena / Marcial Reyes y Sus Pleneros. Percussion instruments.
Local Numbers:
FP-1989-CT-0171
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Puerto Rican Bomba and Plena / Marcial Reyes y Sus Pleneros. Percussion instruments.
102 Cuban Son / Grupo Changüí de Guantánamo. Percussion instruments,Bongo,Tres (Musical instrument),Maraca.
Local Numbers:
FP-1989-CT-0172
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
102 Puerto Rican Bomba and Plena / Gabriel Mondlane, Marcial Reyes. Percussion instruments. Spanish language.
103 Jibaro Music / Cuerdas de Borinquen (Musical group). Guitar,Guiro,Trovador,Cuatro. Spanish language.
Local Numbers:
FP-1989-CT-0384
General:
Kumina Group: Elijah Alexander, Aaron Bailey, Mytyle Bailey, James Jonothan, Bertram Kelly, Clinton Kennedy, Imogene "Queenie" Kennedy; Marcial Reyes y sus Pleneros: Antonio Bones, Jose Calderon, Eva Hernandez, Enrique Martinez, Milagros Mojita, Jose Ramirez, Marcial Reyes, Jose Figueroa, Ricardo Hernandez, Eduardo Walker; Cuerdas de Borinquen: Conrado Torres, Anibel Negron, Edicelio Santiago, Martin Rodriguez, Edwin Rodriguez, Victor Figueroa, Juan Cruz, Elvin Matos
tape 2A
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Music and Tourism / Ray Kanee, Elodia Kane. Slack key (Guitar playing).
102 Percussion Workshop / Calvin Hoe, Isaac Ken Hokama, James Maeda. Sanshin,Percussion instruments.
Local Numbers:
FP-1989-CT-0251
General:
"Music And Tourism", Raymond Kane, Elodia Kane; "Percussion Workshop", Jay Junker (P), Calvin Hoe, Edie Mckinzie, Isaac Hokama, Harry Nakasone, Jimmy Maeda, Marcial Ayala
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
2 Copies (Two copies: one bound and one loose., 29 x 22 cm.)
Type:
Collection descriptions
Archival materials
Copies
Reports
Photographs
Place:
China
Japan
Angkor Wat (Cambodia)
Date:
1915
Scope and Contents:
A report prepared by archaeologist and art historian Langdon Warner on his travels of 1913-1914 to investigate the founding of an American school of Chinese archaeology to be established in Beijing. Warner's travels included Europe, Japan, Korea, China and Indo-China. Warner spoke with scholars, administrators and officials, and travelled to museums and archaeological sites. Warner traveled with his wife. The report contains two parts; the first being a summary of his travels, and the second, a series of recommendations for the proposed school.
Biographical / Historical:
Langdon Warner was an archaeologist and historian of Asian art in the first half of the 20th century. He was born on August 1, 1881 in Cambridge, Massachusetts and educated at Harvard University, which he graduated from in 1903. Between acting in various positions at museums across the country, most notably the Museum of Fine Arts, Boston, the Nelson-Atkins Museum, the Philadelphia Museum of Art, the Cleveland Museum of Art, and the Harvard Fogg Museum of Art, he travelled extensively in Asia. Including an 1913-14 trip sponsored by the Smithsonian Institution to explore the possibility of founding an American School of Chinese Archaeology in Beijing. Accompanied by his wife, their journey included visits to Europe, Japan, Korea, China, and Indochina. He spoke with scholars, administrators, and officials, and travelled to museums and archaeological sites. He compiled a two-part report: a summary of his travels and a series of recommendations for the proposed school.
During World War II, Warner taught a course on Japanese language, culture, and history to Civil Affairs Officers and acted as a Special Consultant for the U.S. Army's Monuments, Fine Arts and Archives program, the so-called "Monuments Men." He created the Official List of Monuments for Japan, China, Korea, and Thailand. Warner spent the summer of 1946 working as an Expert Consultant to the Arts and Monuments Division of the Civil Information and Education Section under the Supreme Commander for the Allied Powers. Upon his return to Massachusetts, he resumed working at the Fogg Museum of Art until his retirement in 1950. During his career, he wrote numerous books on Asian art such as The Enduring Art of Japan, The Long Old Road in China, and Japanese Sculpture of the Tempyo Period: Masterpieces of the Eighth Century. Warner died on June 9, 1955 in Cambridge, Massachusetts and was posthumously awarded the Order of the Sacred Treasures by the Japanese government for his efforts to preserve Japanese art and monuments during and after the war.
Local Numbers:
FSA A1994.07
Other Archival Materials:
Landon Warner Papers, circa late 18th century-1987 (bulk 1900-1959). Houghton Library, Harvard University
Langdon Warner Photograph Collection, 1903-1950. Houghton Library, Harvard University.
Langdon Warner Records, 1916-1929 (bulk 1917-1923). Philadelphia Museum of Art Archives.
Collection of the Smithsonian National Museum of African American History and Culture, Anonymous Gift in memory of Ernest (Ernie) R. Smith, Jazz Historian
Object number:
2015.275.30.1a
Restrictions & Rights:
Restrictions likely apply. Proper usage is the responsibility of the user.
One envelope OVERSIZE ; Band instruments ; uniforms , uniform trimmings , and accessories ; musical instruments ; cornets ; reproductions of 1881 and 1891 catalogs ; contra basses ; "flügelhorns" ; trombones ; french horns ; slide trombones ; other horns ; piccolos ; "clarionets" or clarinets ; fifes ; bugles ; trumpets ; kettle drums ; snare drums ; bass drums ; cymbals ; cornet mutes ; repairs ; music stands ; drum accessories ; other instrument accessories ; "McCosh's Guide For Amateur Brass Bands: To Which is Added a Short Drum Major Tactics" , a handbook with a "How to March" section and practice exercises , and other instructional material ; organs ; music ; harps ; "orguinette" , "cabinetto" , and cabinet "orguinette" , semi-automatic reed instruments played by means of bellows or winding and perforated paper rolls ; pianos ; banjos ; "musical boxes" or music boxes ; violins , including information on Stradivarius violins and others in the R. D. Hawley collection ; zithers ; autoharps ; dulcimers ; "Washburn" guitars ; mandolins ; xylophones and other percussion instruments ; "musical novelties" ; musical cigar stand , decanter , and beer glass ; concertinas and "bandonions" ; "accordeons" or accordions ; harmonicas ; other musical instruments and accessories
Printed caption on recto reads: "Maroc (Scènes et Types) - Musiciens Arabes."
Translated caption reads: "Morocco (Scenes and Types) - Arab musicians."
Series number on recto: "162." Additional printed text on recto reads: "Edit. Kricorian, Casablanca."
Postmarked postage stamp on recto. Manuscript signature on verso.
Local Numbers:
EEPA MR-19-03
General:
Title source: Postcard caption.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Drumbeat to summon deities -- Guhyasamāja tantra -- A prayer of refuge -- Invocation of mGon-po -- Invocation of Mahakala -- Prayer of ablution and purification -- Selections from Guhyasamāja tantra, chap. 5 -- Prayer to mGon-po -- Prayer to HlaMo -- Prayer to Chos-rGyal -- Prayer for the preservation of BuddhaDharma -- Invocation of Mahakala -- Prayer to Mahakala.
Performed by the lamas of Gyume and Gyutö Monasteries, Ihasa, Tibet, now living in exile at Dalhousie, North India.
Date/Time and Place of an Event Note:
Recorded in: India, Dalhousie (India).
General:
Title on container: The music of Tibet : the Tantric rituals. Notes ([12] p. : ill.) bound in container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Tjak : choral singing (singers of Peliatan) --Janger : alternating choirs with instrumental acc. (musicians and singers of Teges) --Genggong : Jew's harp ensemble (genggong ensemble of Ubud) --Gandrangan : flirtation dance (gandrung ensemble of the banjar of Ketepian Kelod) --Suling duo : flute duet (I Titi ; I Kari) --Wayang kulit : shadow play orchestra (Dalang Ida Bagus Ngurah, from the village of Buduk).
203 Suling Duo / Suling (Musical instrument),Flute.
204 Wayang Kulit / Gamelan,Percussion instruments,Gender (Musical instrument).
Local Numbers:
FW-ASCH-LP-0022
EMI-Odeon.C064-17858
Publication, Distribution, Etc. (Imprint):
EMI-Odeon-3 1972
Date/Time and Place of an Event Note:
Recorded in: Ubud (Indonesia), Indonesia, Bali (Indonesia : Province).
General:
Field recordings by Jacques Brunet. Program notes in English and French on container and in Italian on leaf inserted.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Folio from a Khamsa (Quintet) by Nizami (d.1209); recto: Bilqis enthroned, left-hand half of a double-page; verso: Sarlawh and text unrelated to Khamsa (from the Shahnama of Firdawsi)
Folio from a Guy u Chawgan (The ball and the polo-mallet) by Arifi (d.1449); recto: text; verso: A polo game: the dervish and the shah on the polo field
