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Tribal Child Support Enforcement

Collection Creator:
Medicine, Beatrice  Search this
Container:
Box 23
Type:
Archival materials
Date:
2002
Collection Restrictions:
Materials relating to student grades, letters of recommendation, and evaluations have been restricted.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Beatrice Medicine papers, National Anthropological Archives, Smithsonian Institution.
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Beatrice Medicine papers
Beatrice Medicine papers / Series 8: Conference Material / Gender, Women, and Family Issues Conferences
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw37b1531b2-bcc5-4428-a83b-d79ad0131544
EDAN-URL:
ead_component:sova-naa-1997-05-ref632

"Finished Papers": Sue Armitage Edits Paper on Child Socialization in Lakota (Sioux) Culture

Collection Creator:
Medicine, Beatrice  Search this
Container:
Box 3
Type:
Archival materials
Date:
1984
Collection Restrictions:
Materials relating to student grades, letters of recommendation, and evaluations have been restricted.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Beatrice Medicine papers, National Anthropological Archives, Smithsonian Institution.
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Beatrice Medicine papers
Beatrice Medicine papers / Series 9: Correspondence
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw38212be45-f9d8-455a-bed8-55664fb197ee
EDAN-URL:
ead_component:sova-naa-1997-05-ref66

"Manuscripts finished," Manuscripts on child Socialization, Lakota Women, Native Americans Languages, and "Traditional Religion"

Collection Creator:
Medicine, Beatrice  Search this
Container:
Box 34
Type:
Archival materials
Date:
bulk 1982-1984
Collection Restrictions:
Materials relating to student grades, letters of recommendation, and evaluations have been restricted.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Beatrice Medicine papers, National Anthropological Archives, Smithsonian Institution.
See more items in:
Beatrice Medicine papers
Beatrice Medicine papers / Series 16: Manuscripts
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3cc8b5601-5597-47c8-b684-e8cf3c553ac9
EDAN-URL:
ead_component:sova-naa-1997-05-ref875

Esther Baldwin Williams and Esther Williams papers

Creator:
Williams, Esther Baldwin, 1867-1964  Search this
Names:
Grace Horne Galleries  Search this
Kraushaar Galleries  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Finck, Furman J., 1900-  Search this
Kroll, Leon, 1884-1974  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Williams, Esther, 1907-1969  Search this
Williams, Nadia, 1910-  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Sketchbooks
Sketches
Place:
Massachusetts -- Boston -- Description and Travel
France -- Paris -- Description and Travel
Date:
1887-1984
Summary:
The papers of Boston area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.
Scope and Content Note:
The papers of Boston and New York area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.

For clarity, Esther Baldwin Williams and Esther Williams are referred to by their proper names throughout this finding aid.

Biographical information includes a membership card to the Rockport Art Association for Esther Williams and a biographical sketch of Esther Baldwin Williams

Personal business records include receipts for purchases of artwork by Esther Baldwin Williams, banking documents, exhibition entry forms and sales receipts for Esther William's works.

Correspondence includes incoming letters and drafts of outgoing letters. The majority of the correspondence is that of Esther Williams, including a considerable amount of letters to her parents. There are letters to Esther Williams from her friends Louis Eilshemius, Furman J. Finck, and Leon Kroll, and both Grace Horne Galleries and Kraushaar Galleries. Esther Baldwin Williams' correspondence includes personal letters from Maurice Prendergast.

Writings and notes include two diaries kept by Esther Baldwin Williams that date from 1892 until 1902 and cover her life in Paris and later in Boston. Some of the diary pages are illustrated with sketches. The series also includes scattered notes, including Charles Prendergast's Notes on Formula of Ebonizing Technique.

There are four sketchbooks, likely by Esther Baldwin Williams, of pencil and watercolor sketches of cats, babies and children, orchestral scenes, portraits, and architecture.

Scattered printed materials include a copy of Cezanne's Studio given to Esther Baldwin Williams by Maurice Prendergast, a copy of a family history by Nadia Williams, exhibition announcements and catalogs, clippings, and miscellany.

There is one photograph of an unidentified work of art and a circa 1900 family photo album with mostly unidentified photos of babies, children, and family members.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Materials, 1942-1979 (2 folders; Box 1)

Series 2: Personal Business Records, 1893-1966 (9 folders; Box 1)

Series 3: Correspondence, 1887-1961 (0.7 linear feet; Boxes 1-2)

Series 4: Writings and Notes, 1892-1947 (0.2 linear feet; Box 2)

Series 5: Sketchbooks and Sketches, circa 1900 (0.2 linear feet; Boxes 2-3)

Series 6: Printed Material, 1883-1984 (0.2 linear feet; Box 3)

Series 7: Photographs, circa 1900-circa 1920 (0.3 linear feet; Boxes 3-4)
Biographical Note:
Esther Baldwin Williams (1867-1964) and her daughter Esther Williams (1907-1969) were painters active in Boston, Paris, and New York City.

Esther Baldwin Williams was born Esther Mabel Baldwin on December 11, 1867 to a prominent Boston family of artists. She began her art education under her uncle Joseph Foxcroft Cole and worked with her cousin Adelaide Chase Cole. Adelaide and Esther shared a studio in Greenwich Village in 1888. The two cousins also traveled to Paris in 1877 and 1891 to paint. Esther Baldwin concentrated on portraiture and often painted the women in her social circle.

Esther Baldwin became engaged to Oliver Williams in 1898. They married and moved to 96 Beacon Street in Boston where they raised their children, Oliver, Thomas, and Esther. Around 1900, the Williams met Maurice and Charles Prendergast. Esther became a friend and patron of Maurice and the two shared a studio for some time and exchanged letters. Esther Baldwin continued to work in portraiture, focusing her work on her children and relatives and did not pursue a professional career. In addition to painting, Esther Baldwin and Oliver Williams inspired a passion for music in their children.

Born in 1907, Esther Williams inherited her mother's interest in the arts. Unlike her mother, she desired a professional career as a painter. She first studied at the Museum of Fine Arts School, Boston in 1925 and later went to Paris to study under Andre Lhote. Upon returning to the United States, she moved to New York City and enrolled with the Art Students League. She married Roland Joseph McKinney, director of the Baltimore Museum of Art and the Los Angeles County Museum.

Esther Williams is known for her portraits, paintings of flowers, circus and orchestra scenes, and for her impressionistic style. She was represented by Grace Horne Gallery in the 1930s and switched to Kraushaar Galleries in 1940.

Esther Baldwin Williams died in 1964. Her daughter, Esther Williams died shortly thereafter in 1969.
Related Material:
Among the holdings of the Archives of American Art are the papers of Esther William's husband Roland Joseph McKinney.
Provenance:
The Esther Baldwin Williams and Esther Williams papers were donated in two installments by Peter McKinney, step-son of Esther Williams in 1974 and by Nadia Williams, Esther Baldwin William's daughter-in-law in 1985.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Painters -- Massachusetts -- Boston  Search this
Topic:
Expatriate painters -- France -- Paris  Search this
Painting -- Technique  Search this
Art -- Study and teaching -- France -- Paris  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Sketches
Citation:
Esther Baldwin Williams and Esther Williams papers, 1887-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.willesth
See more items in:
Esther Baldwin Williams and Esther Williams papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw993a92787-2cf6-410d-898b-0db3e93ba678
EDAN-URL:
ead_collection:sova-aaa-willesth
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Online Media:

Esther Williams to Her Parents

Collection Creator:
Williams, Esther Baldwin, 1867-1964  Search this
Container:
Box 1, Folder 12
Type:
Archival materials
Date:
1931-1932
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther Baldwin Williams and Esther Williams papers, 1887-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Esther Baldwin Williams and Esther Williams papers
Esther Baldwin Williams and Esther Williams papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw977f8b090-a15e-473f-89c7-d5a6e797de0a
EDAN-URL:
ead_component:sova-aaa-willesth-ref31
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Esther Williams to Her Parents

Collection Creator:
Williams, Esther Baldwin, 1867-1964  Search this
Container:
Box 1, Folder 13
Type:
Archival materials
Date:
1933
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther Baldwin Williams and Esther Williams papers, 1887-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Esther Baldwin Williams and Esther Williams papers
Esther Baldwin Williams and Esther Williams papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw914337b4e-d61f-467e-833c-f7dd1246aa7b
EDAN-URL:
ead_component:sova-aaa-willesth-ref32
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Alexander Alland, Sr., Photoprints

Creator:
Ostroff, Eugene, d. 1999 (NMAH Curator)  Search this
Salo, Matt, Dr.  Search this
Haberstich, David E., 1941-  Search this
Ahlborn, Richard E., 1933-2015  Search this
Alland, Alexander, Sr. (Alexander Landschaft), 1902-1989  Search this
Names:
China Daily News -- 1930-1940 -- New York N.Y.  Search this
China Daily News -- Photographs  Search this
United States. Works Progress Administration  Search this
Davis, Earl  Search this
Kaslov, Steve, ca. 1888-1949 (King of the Red Bandanna Romany Gypsies )  Search this
Extent:
0.25 Cubic feet (4 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Oral history
Interviews
Audio cassettes
Place:
Virgin Islands -- 1930-1940
New York (N.Y.) -- 1930-1940
Bowery (New York, N.Y.) -- 1930-1940
Chinatown (New York, N.Y.) -- 1930-1940
St. Thomas (Virgin Islands) -- 1930-1940
Date:
1985 - 1986
1930 - 1943
Scope and Contents:
This collection contains 273 silver gelatin photoprints (Series 1), most of which apparently were made during the 1930s and early 1940s, contemporaneously with the original negatives. All are 8" x 10" or slightly smaller, unmounted except for flush mounted linen on the backs of some prints. The photographs were made primarily in two locations, New York City and the Virgin Islands. The Virgin Islands pictures were made as part of a special documentary project in 1939, as described above, whereas the New York photographs stem from Mr. Alland's largely self assigned documentation of various ethnic and religious groups in New York from approximately 1932 to 1943. The projects include photographs of the "Red Bandanna" Romany Gypsy group in the Bowery, a black Jewish congregation, Mohawk Indians in Brooklyn, and other groups, which required extensive exploration, research, and photographing over periods of many days or weeks. A variety of miscellaneous ethnic and religious groups are covered in the general "Other Religions" and "Nationalities" folders. The contents of the "Judaism" folder include primarily New York sites and people, but there are also additional views of a synagogue from the Virgin Islands project.

Series 2 of the collection contains four cassette tape recordings of two interviews with Mr. Alland, three made by Richard Ahlborn (with Eugene Ostroff and Matt Salo) in 1985, and one by David Haberstich and Richard Ahlborn, June 2-3, 1986 (at which time the photographs were donated). The tapes include readings from his autobiography, personal reminiscences on his experiences as an immigrant and a photographer, and commentary on the photographs.
Arrangement:
The collection is arranged into two series.

Series 1: Photoprints, 1930-1943

Series 2: Audiotape Cassettes, 1985-1986

The photographs are arranged topically and by nationality.
Biographical / Historical:
Alexander Alland, Sr., was born in Sevastopol, Crimea (formerly in the Soviet Union) on 6 August 1902. His last name originally was Landschaft, but he legally changed it to Alland following the birth of his son. Alland's interest in photography began at the age of twelve, when he helped a local photographer with darkroom work. He constructed his own camera from cardboard with a simple meniscus lens and exposed glass plate negatives with the device.

Toward the end of the Civil War in Russia in 1920, Alland relocated in Constantinople, Turkey, where he was hired as an apprentice by a graduate of the Vienna Academy of Photography. When the Union Nationale des Combatants Francais went on a pilgrimage to Gallipoli, a former battle zone on the Dardanelles, he was asked to accompany them in order to document events. After having his request for a pay increase refused, he left his employer two years later and opened his own portrait studio, "Photo d'Art Russe." When civil unrest threatened Constantinople in 1923, he decided to emigrate to the United States.

During his first years in the United States he worked in photo finishing businesses while engaged in home portraiture independently. He married in 1929 and a son, Alexander, Jr., was born. In the 1930s he became one of the best known photographers portraying the life of immigrants and various ethnic groups in New York. (1) In 1936 he was appointed supervisor of the Photo Mural section of the W.P.A. Federal Art Project, and worked as a free lance photographer for magazines and periodicals featuring the activities of various ethnic groups living in New York City. He specialized in making photomurals with montage techniques. (2)

In 1937 Alland became photography instructor at the American Artists' School and joined the American Artists Congress. In 1939, his first book, Portrait of New York, was published and he became president of the "Exploration Photo Syndicate" and went to the U.S. Virgin Islands as part of a project to produce a pictorial record of the West Indian Islands. His photographs appeared in publications and were exhibited at the New School for Social Research and at the Schomberg Collection. In 1942 he joined the staff of Common Ground magazine as photography editor and was appointed by the National Youth Administration to supervise their photography workshop. His book American Counterpoint appeared in 1943 and was selected as "One of the Fifty Best Books of the Year." The original prints from that book were exhibited at the Museum of the City of New York, which also exhibited a portfolio of his work on American Gypsies. In 1944 he became director of an agency, "Pictures for Democracy," and in 1945 his book The Springfield Plan was proclaimed another "One of the Fifty Best Books of the Year."

During World War II Alland did technical photography for the War Department, receiving a commendation for this work. After another book My Dog Rinty was published, he left New York City to establish a school of photography, combined with a school of dance directed by his wife, Alexandra, a professional dancer and choreographer. (3) He then began to exhibit his own photographs and to collect glass plate negatives and vintage prints by significant photographers. He is perhaps best known for locating a collection of Jacob Riis negatives and making them available. In 1974 Aperture published his biography, Jacob A. Riis: Photographer and Citizen4. Because of his efforts in providing the Riis negatives to the Museum of the City of New York, that institution awarded a special commemorative medal to him in 1973. The Riis book was followed by two more studies of photographers, Jessie Tarbox Beals, First Woman News Photographer (5) and Heinrich Tonnies, Cartes de Visite Photographer Extraordinaire. (6)

Retrospective exhibitions of Alland's work were held in two major Danish museums in summer 1979 and he was honored for contributions to the cultural history of Denmark. In 1991 studies for his photomural work were included in an historical survey exhibition of American photomontage at the University of Maryland at College Park. (7).

Sources

1. My text is based upon the biographical information recorded on my taped interviews with Mr. Alland in this collection, but see also Bonnie Yochelson, The Committed Eye: Alexander Alland's Photography. New York: The Museum of the City of New York, Inc., 1991.

2. Merry A. Foresta, "Art and Document: Photography of the Works Progress Administration's Federal Art Project," in Official Images: New Deal Photography (essays by Foresta, Pete Daniel, Maren Stange, and Sally Stein), Washington: Smithsonian Institution Press, 1987, p. 153, based on an interview with Alland, January 1987.

3. Photographic historian Anne Peterson, contractor for three Archives Center photographic collection projects between 1986 and 1982, reports that she studied ballet as a child with Mrs. Alland.

4. Ibid.

5. Ibid.

6. Ibid

7. See catalog by Cynthia Wayne, Dreams, Lies, and Exaggeration: Photomontage in America. The Art Gallery, University of Maryland at College Park, 1991 (exhibition at the gallery Oct. 21 Dec. 20, 1991).
Related Materials:
Materials in the Archives Center

Carlos de Wendler Funaro Gypsy Research Collection (AC0161)

Contains additional Alland photographs. De Wendler Funaro also photographed Steve Kaslov, his family, and his Bowery coppersmith workshop.
Provenance:
Collection donated by Alexander Alland, June 3, 1986.
Restrictions:
Collection is open for research.
Rights:
Copyrighted material: photographs may not be reproduced without written permission from the Estate of Alexander Alland, Sr.
Topic:
Synagogues -- Photographs -- 1930-1940 -- New York, N.Y.  Search this
Newspapers -- Photographs -- 1930-1940 -- New York N.Y.  Search this
Muslims -- Photographs -- 1930-1940 -- New York N.Y.  Search this
Minorities -- Housing -- 1930-1940 -- New York (State) -- New York  Search this
Minorities -- Housing -- 1930-1940 -- Virgin Islands  Search this
Judaism -- Customs and practices  Search this
Housing -- Photographs -- 1930-1940 -- New York N.Y.  Search this
Immigrants -- 1930-1940 -- New York (State) -- New York  Search this
Housing -- 1930-1940 -- Virgin Islands  Search this
Buddhism -- Photographs -- 1930-1940 -- New York N.Y.  Search this
Catholic Church -- Liturgy  Search this
Chinese drama -- New York (State) -- New York  Search this
Churches -- Photographs -- 1930-1940 -- New York N.Y.  Search this
Clergy -- 1930-1940 -- United States  Search this
Coppersmiths -- 1930-1950  Search this
Ethnic costume  Search this
Ethnic groups -- Photographs -- 1930-1940 -- New York N.Y.  Search this
Falashas -- 1930-1940 -- New York (State) -- New York  Search this
Fortune-tellers -- Gypsies -- 1930-1940 -- United States  Search this
Pluralism  Search this
Poverty -- Photographs -- 1930-1940 -- Virgin Islands  Search this
Printing -- Photographs -- 1930-1940 -- New York N.Y.  Search this
Protestant churches -- Photographs -- 1930-1940 -- New York N.Y.  Search this
Religious and ecclesiastical institutions -- Photographs -- 1930-1940 -- New York N.Y.  Search this
Singers -- 1930-1950  Search this
Synagogues -- 1930-1940 -- Virgin Islands  Search this
Genre/Form:
Photographs -- 1900-1950
Oral history -- 1980-1990
Interviews -- 1980-2000
Audio cassettes -- 1980-1990
Citation:
Alexander Alland, Sr., Photoprints, 1932-1943, Archives Center, National Museum of American History. Gift of the artist.
Identifier:
NMAH.AC.0204
See more items in:
Alexander Alland, Sr., Photoprints
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8795050c9-502c-4bfa-afa7-3554b2c036d7
EDAN-URL:
ead_collection:sova-nmah-ac-0204
Online Media:

God Bless the Child

Collection Creator:
Carter, Benny, 1907-2003  Search this
Container:
Box 151, Folder 3
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Reproduction restricted due to copyright.
Collection Citation:
Benny Carter Collection, 1928-2000, Archives Center, National Museum of American History.
See more items in:
Benny Carter Collection
Benny Carter Collection / Series 1: Music Manuscripts / 1.7: 2004 Music Addenda
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e17a3ccd-497d-4ae2-b698-513e11ebe33b
EDAN-URL:
ead_component:sova-nmah-ac-0757-ref4102

Artwork

Collection Creator:
Bluemner, Oscar, 1867-1938  Search this
Extent:
4 Folders (Box 6)
Type:
Archival materials
Date:
1892-circa 1930s
Scope and Contents note:
This series contains two pen and ink drawings by Bluemner of the Cottage at Woodmere, a house he designed, as well as other miscellaneous artwork including a small painting of the Pergamon Museum and an ink sketch of the Bronx Court House. Also found is a small sketchbook containing ink sketches and watercolors, believed to have belonged to Bluemner, and two figure drawings by a child with "Julie" written on them. Numerous sketches and artwork are found in Bluemner's diaries, writings and notes, and art motifs.
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Oscar Bluemner papers, 1886-1939, 1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blueosca, Series 7
See more items in:
Oscar Bluemner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cc139bc3-4d9d-4bc9-9155-9355cf6a503e
EDAN-URL:
ead_component:sova-aaa-blueosca-ref169

Number 1, child-size sewing machine drawings with horizontal motor in base

Collection Creator:
Adler, Solomon, 1901-1989  Search this
Container:
Box 4, Folder 4
Type:
Archival materials
Graphic Materials
Date:
1938 July 1
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Solomon Adler Papers, dates, Archives Center, National Museum of American History
See more items in:
Solomon Adler Papers
Solomon Adler Papers / Series 2: Inventions / 2.2: Sewing Machine Inventions
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c164e409-3e77-4f35-9ae1-e71f249cdd70
EDAN-URL:
ead_component:sova-nmah-ac-1157-ref124

The Romantic Child: From Runge to Sendak

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 8, Folder 15
Type:
Archival materials
Date:
1989
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 3: Lectures, Writings, and Writing Project Files / Books
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99caee179-1888-4e9f-8d53-481cfa85aeaf
EDAN-URL:
ead_component:sova-aaa-roserobe-ref167

Letters to Parents

Collection Creator:
Loring, William Cushing, 1879-  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1901
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Cushing Loring papers, 1899-1961. Archives of American Art, Smithsonian Institution.
See more items in:
William Cushing Loring papers
William Cushing Loring papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f86c6000-df4a-4f53-a5e4-59926895edaa
EDAN-URL:
ead_component:sova-aaa-loriwill-ref18
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Letters to Parents

Collection Creator:
Loring, William Cushing, 1879-  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1902
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Cushing Loring papers, 1899-1961. Archives of American Art, Smithsonian Institution.
See more items in:
William Cushing Loring papers
William Cushing Loring papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94e1dc2a8-ab94-44c7-bed4-d8dfe159efb3
EDAN-URL:
ead_component:sova-aaa-loriwill-ref19
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Letters to Parents digital asset number 1
  • View Letters to Parents digital asset number 2

Letters to Parents

Collection Creator:
Loring, William Cushing, 1879-  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
1903
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Cushing Loring papers, 1899-1961. Archives of American Art, Smithsonian Institution.
See more items in:
William Cushing Loring papers
William Cushing Loring papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f894f0ae-ae0e-4790-815e-a0a5d1d2f2b9
EDAN-URL:
ead_component:sova-aaa-loriwill-ref20
4 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Letters to Parents digital asset number 1
  • View Letters to Parents digital asset number 2
  • View Letters to Parents digital asset number 3
  • View Letters to Parents digital asset number 4

Letters to Parents

Collection Creator:
Loring, William Cushing, 1879-  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Date:
1904
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Cushing Loring papers, 1899-1961. Archives of American Art, Smithsonian Institution.
See more items in:
William Cushing Loring papers
William Cushing Loring papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b963774c-b752-4e6b-a5a9-ba668ee48beb
EDAN-URL:
ead_component:sova-aaa-loriwill-ref21
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Letters to Parents digital asset number 1
  • View Letters to Parents digital asset number 2
  • View Letters to Parents digital asset number 3

Letters to Stanton D. Loring

Collection Creator:
Loring, William Cushing, 1879-  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
1901
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Cushing Loring papers, 1899-1961. Archives of American Art, Smithsonian Institution.
See more items in:
William Cushing Loring papers
William Cushing Loring papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99abf0877-58a8-4f2b-809e-3753cf73ef01
EDAN-URL:
ead_component:sova-aaa-loriwill-ref22
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Letters to Stanton D. Loring digital asset number 1
  • View Letters to Stanton D. Loring digital asset number 2

Letters to Mrs. Stanton D. Loring

Collection Creator:
Loring, William Cushing, 1879-  Search this
Container:
Box 1, Folder 10
Type:
Archival materials
Date:
1899-1901
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Cushing Loring papers, 1899-1961. Archives of American Art, Smithsonian Institution.
See more items in:
William Cushing Loring papers
William Cushing Loring papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92d5c8622-7604-4303-8e30-8c584e51af79
EDAN-URL:
ead_component:sova-aaa-loriwill-ref28
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Letters to Mrs. Stanton D. Loring digital asset number 1
  • View Letters to Mrs. Stanton D. Loring digital asset number 2

Letters to Mrs. Stanton D. Loring

Collection Creator:
Loring, William Cushing, 1879-  Search this
Container:
Box 1, Folder 11
Type:
Archival materials
Date:
1901
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Cushing Loring papers, 1899-1961. Archives of American Art, Smithsonian Institution.
See more items in:
William Cushing Loring papers
William Cushing Loring papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b10de533-46f4-4ae5-a54e-9b87ec6a8dc4
EDAN-URL:
ead_component:sova-aaa-loriwill-ref29
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Letters to Mrs. Stanton D. Loring digital asset number 1

Letters to Mrs. Stanton D. Loring

Collection Creator:
Loring, William Cushing, 1879-  Search this
Container:
Box 1, Folder 12
Type:
Archival materials
Date:
1902
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Cushing Loring papers, 1899-1961. Archives of American Art, Smithsonian Institution.
See more items in:
William Cushing Loring papers
William Cushing Loring papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9866072cf-19e9-4d37-9984-ae5376402ff2
EDAN-URL:
ead_component:sova-aaa-loriwill-ref30
4 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Letters to Mrs. Stanton D. Loring digital asset number 1
  • View Letters to Mrs. Stanton D. Loring digital asset number 2
  • View Letters to Mrs. Stanton D. Loring digital asset number 3
  • View Letters to Mrs. Stanton D. Loring digital asset number 4

Letters to Mrs. Stanton D. Loring

Collection Creator:
Loring, William Cushing, 1879-  Search this
Container:
Box 1, Folder 13
Type:
Archival materials
Date:
1903
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Cushing Loring papers, 1899-1961. Archives of American Art, Smithsonian Institution.
See more items in:
William Cushing Loring papers
William Cushing Loring papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eb7b3aa0-c509-46cc-bdd5-4173fc57f275
EDAN-URL:
ead_component:sova-aaa-loriwill-ref31
5 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Letters to Mrs. Stanton D. Loring digital asset number 1
  • View Letters to Mrs. Stanton D. Loring digital asset number 2
  • View Letters to Mrs. Stanton D. Loring digital asset number 3
  • View Letters to Mrs. Stanton D. Loring digital asset number 4
  • View Letters to Mrs. Stanton D. Loring digital asset number 5

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