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John Davis Hatch papers

Creator:
Hatch, John Davis  Search this
Names:
St. John's College (Annapolis, Md.) -- Students  Search this
University of Massachusetts -- Faculty  Search this
University of Oregon -- Faculty  Search this
Bluemner, Oscar, 1867-1938  Search this
Browne, Henry Kirke  Search this
Callahan, Kenneth, 1905-1986  Search this
Clark, Ezra  Search this
Cranch, John, 1807-1891  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Darley, Felix Octavius Carr, 1822-1888  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Granger, C. H.  Search this
Guy, Seymour J., 1824-1910  Search this
Harvey, George W., 1855-  Search this
Hatch, Olivia Stokes  Search this
Henry, Edward Lamson, 1841-1919  Search this
Inman, Henry, 1801-1846  Search this
McNeill, Lloyd  Search this
Peale, Rembrandt, 1778-1860  Search this
Scott, Julian  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Extent:
24.9 Linear feet
Type:
Collection descriptions
Archival materials
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Date:
1790-1995
Summary:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Scope and Content Note:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.

Scattered biographical materials include an invitation to the Hatch's anniversary party in 1964, short biographical sketches and resumes, certificates, report cards, a silhouette of the Hatch Family circa 1904, and a typecript of a diary written by Olivia Hatch as a child.

Correspondence includes professional correspondence between Hatch and colleagues; letters from family and friends; and some materials regarding exhibitions from the Hatch Collection. The bulk of correspondence spans Hatch's professional career although there are scattered letters from 1915-1943 from Hatch to his parents. Also found are letters addressed to an unidentified "Henry." Correspondence is also found in the research files.

Personal business and financial records consist of inventories, bills, receipts, and other records for artworks purchased, loaned, or donated by Hatch. Also found are records from the J. D. Hatch Associates Cultural Consultants, a draft of Hatch's will, stock and tax materials, and travel papers and passports.

Scattered diaries and journal fragments and a transcript date from 1925-1965. Thirteen "Daily Reflection Journals" date from 1975-1987.

Research files on artists and subjects are extensive, comprising one-half of the collection. Files are varied and may include primary research materials, correspondence, printed materials, notes, and writings. Some of the artists' letters and other materials dated from 1790-early 1800s may have been purchased by Hatch. Among many other items, there is an illustrated letter written by Oscar Bluemner and photographs of Bluemner; primary research materials dating from the early 1800s on John Vanderlyn including a will, receipts, and correspondence; a letter from Rembrandt Peale dated 1830, and an autograph letter from John Trumbull dated 1790. Also found is an index card file.

Organization files contain files and records related to Hatch's affiliations with many cultural organizations. A small amount of teaching and education files consist of Hatch's notes and lectures from the University of Oregon and the University of Massachusetts, and from his continuing education courses he took at St. John's College. Writings and notes include short essays by Hatch, mostly concerning art, exhibitions and museum administration; book reviews; general notes, lists, and reports.

Printed Materials are comprised of exhibition catalogs and announcements, including those from the American Drawing Annual in the 1940s-1950s; printed articles annotated by Hatch; clippings; pricelists; and published works.

A small number of photographs are of Hatch, some by Dorothy Frazer; of his family and friends; and of artists. The bulk of the photographs are of works of art including those owned by Hatch.

Artwork includes two sketchbooks - one by Kenneth Callahan and another by Lloyd McNeill; and additional drawings and sketches by Julian Scott, Henry Kirke Browne, Kenneth Callahan, Ezra Clark, John Cranch, Jasper Francis Crospey, F. O. C. Darley, C. H. Granger, Seymour J. Guy, George Harvey, Edward Lamson Henry, Henry Inman, as well as unsigned or illegible names.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Information, circa 1900-1980s (Box 1; 8 folders)

Series 2: Correspondence, 1903-1990s (Box 1-3; 2 linear feet)

Series 3: Personal Business and Legal Records, Date (Box 3; 0.3 linear feet)

Series 4: Diaries and Journals, 1925-1987 (Box 3, 23; 1.2 linear feet)

Series 5: Research Files, 1790-1992 (Box 3-13, 20-21, 24; 12.7 linear feet)

Series 6: Organization Files, 1930s-1990s (Box 13-14; 1.0 linear feet)

Series 7: Teaching and Education Files, 1930s-1993 (Box 14-15; 1.0 linear feet)

Series 8: Writings and Notes, 1936-1990s (Box 15; 0.3 linear feet)

Series 9: Printed Material, 1870s-1990s (Box 15-19, 22, 25-26, OV1; 5.9 linear feet)

Series 10: Photographs, circa 1900-1990s (Box 22; 0.2 linear feet)

Series 11: Artwork, 1851-1973 (Box 22; 0.3 linear feet)
Biographical Note:
Art historian, collector, educator, and museum administrator John Davis Hatch (1907-1996) worked in the Boston and New England area, as well as the Pacific Northwest, and New York state. Hatch served as director of the Art Institute of Seattle, the Isabella Stewart Gardner Museum, the Albany Institute of Art and History, and the Norfolk Museum of Art and Sciences.

John Davis Hatch was born in San Francisco, California in 1907. His father, grandfather, and great-grandfather were architects and Hatch studied landscape architecture at the University of California, Berkeley. He served as an apprentice to Lockwood de Forest. After abandoning landscape architecture, he accepted a position as director of the Seattle Fine Arts Society (1928-1931) at the age of twenty-one and taught art history courses at the University of Washington.

In 1932, Hatch accepted the position of assistant director of the Isabella Stewart Gardener Museum in Boston, Massachusetts. He also directed the federal Public Works of Art Project in New England. Additionally, Hatch served from 1940-1948 as director of the Albany Institute of Art and History and from 1950-1959 of the Norfolk Museum of Arts and Sciences. Hatch worked as an art advisor for exhibitions at five historically African-American colleges in Atlanta and in San Simeon in California. He founded the American Drawing Annual exhibition.

Hatch conducted extensive research on artists Oscar Bluemner and John Vanderlyn, American silverwork, and American drawing. In addition, Hatch collected American drawings and later donated many of works of art from his personal collection to the National Gallery in Washington, D.C. Aside from his early teaching in Washington state, Hatch taught at the University of Massachusetts and the University of Oregon. He was a member of numerous professional arts-related organizations.

In 1939, Hatch married Olivia Stokes with whom he had four children: Sarah, John, Daniel and James. He died in 1996.
Related Material:
The Archives of American Art holds two oral history interviews with John Davis Hatch: June 8, 1964 conducted by H. Wade White and 1979-1980 conducted by Robert F. Brown. Also found is a separately cataloged photograph of Hatch and Henry Francis Taylor from 1933.

Additional research materials complied by Hatch are located in the Albany Institute of History and Art, the Metropolitan Museum, the library of the National Gallery of Art, and the Senate House, Kingston, New York.

Hatch donated two hundred and seventy American drawings to the National Gallery of Art in Washington, D.C.
Separated Material:
Four books annotated by Bluemner, a letter from Bluemner, a letter from A. Stieglitz to Bluemner, photographs of works of art, and exhibition materials were removed from the papers and merged with the Oscar Bluemner papers at the Archives of American Art.
Provenance:
John Davis Hatch and the John Davis Hatch estate donated his papers to the Archives of American Art in several installments between 1960-1996. Many of the primary materials relating to John Vanderlyn were acquired by Hatch from a photographer in Kingston, New York who received them from a niece of Vanderlyn. Robert Graham of James Graham and Sons gave Vanderlyn's will to Hatch.
Restrictions:
Use of originals requires an appointment.
Rights:
The John Davis Hatch papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Drawing, American  Search this
Art, American  Search this
Artists -- United States  Search this
Art historians -- Massachusetts  Search this
Art -- Collectors and collecting  Search this
Art, American -- Study and teaching  Search this
Genre/Form:
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Citation:
John Davis Hatch, 1790-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hatcjohn
See more items in:
John Davis Hatch papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hatcjohn

Dr. Joseph Underwood Hall, Jr. Papers

Donor:
Downs, Darian  Search this
Downs, Darian  Search this
Creator:
Hall, Joseph Underwood, Jr.  Search this
Extent:
3 Cubic feet (12 boxes and 1 oversize folder)
Type:
Collection descriptions
Archival materials
Date:
undated
undated
Summary:
The collection primarily documents the personal life and medical career of Joseph Underwood Hall Jr. Hall was among the first to use the new X-ray technology and built his own X-ray machine.
Scope and Contents:
The collection primarily documents the personal life and medical career of Dr. Joseph Underwood Hall Jr. There is a significant amount of material relating to both his paternal and maternal families and collateral relatives. The collection is arranged into two series. Series one contains the personal papers of Dr. Joseph Underwood Hall Jr. Series two documents the lives of his family.
Arrangement:
The collection is arranged into two series.

Series 1: Dr. Joseph Underwood Hall Jr., 1868-1967, undated

Series 2: Hall, White and Montague Families, 1780-1976, undated
Biographical / Historical:
Dr. Joseph Underwood Hall Jr. was born on February 9, 1868 at Gold Hill, Story County, Nevada, the second child of Dr. Joseph Underwood Hall Sr. (1822-1898) and Katherine Bess White (1844-1918). Hall received his primary education at Gold Hill High School where he graduated in 1883 at the age of fifteen. Upon graduation, he left Nevada and travelled to San Francisco, California where he worked at a drug store while pursuing an education at the University of California School of Pharmacy. Following this phase of his education, he acquired a position at the Quicksilver Mining Company in New Almaden, California as a clerk and druggist for the Miners Fund Dispensary. In 1886, Hall studied medicine under Dr. S. E. Winn and assisted him in visiting patients, prescribing treatments and performing surgical procedures. In 1887, Hall attended Cooper Medical College and served as chief assistant at Dr. L. C. Lane's private clinic. Upon completion of this course of study, he moved to Philadelphia to attend Jefferson Medical College where he received his medical degree in April 1889.

Dr. Hall returned to California, in the summer of 1889, where he served as resident physician to the Quicksilver Mining Company in New Almaden, California, and remained there until 1894. He then pursued more medical training in Chicago and New York before returning to San Jose, California. He married Grace May Spencer (1871-1954), the daughter of Judge Francis Elias Spencer (1835-1898) and Mary Catherine Pray (1838-1903) on December 27, 1894 and opened a medical practice. To this union four children were born: Francis Spencer Hall (1896-1998), Joseph Underwood Hall III (1906-1907), Marshall Spencer Hall (1908-1990), and Marian Catherine Hall (1910-2003).

It was during this time that the doctor began working with the O'Connor Sanitarium and remained an important force for twenty-five years. On September 17, 1917, the United States Army appointed him Captain in the medical section of the Officer's Reserve Corps. He served on active duty at Fort Riley, Kansas until December 15, 1918. Upon his discharge, he opened a medical office in San Francisco, California. He continued to open offices throughout California during his medical career serving the local communities well. Dr. Hall's significance to the medical profession is his use of the new X-ray technology and the creation of his own X-ray machine, which is documented in in this collection.

Dr. Joseph Underwood Hall Jr. died on October 25, 1946 at the age of seventy-eight in San Francisco, California as the result of a rare type of bone cancer. He had assisted others for fifty-seven years in his medical practice.
Provenance:
The collection was donated to the Archives Center in 2014 by Dr. Hall's granddaughter, Darian Downs.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Mining -- California  Search this
X-rays  Search this
Physicians -- California  Search this
Citation:
Dr. Joseph Underwood Hall Jr. Papers, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1317
See more items in:
Dr. Joseph Underwood Hall, Jr. Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1317
Online Media:

William Page and Page Family papers

Creator:
Page, William, 1811-1885  Search this
Names:
National Academy of Design (U.S.)  Search this
Beecher, Henry Ward, 1813-1887  Search this
Beecher, Thomas Kinnicut, 1824-1900  Search this
Briggs, Charles F. (Charles Frederick), 1804-1877  Search this
Curtis, George William, 1824-1892  Search this
Cushman, Charlotte, 1816-1876  Search this
Fenton, Rueben  Search this
Garrison, William Lloyd, 1805-1879  Search this
Hicks, Thomas, 1823-1890  Search this
Lowell, James Russell, 1819-1891  Search this
O'Donovan, William Rudolph, 1844-1920  Search this
Olmstead, Bertha  Search this
Olmstead, Mary  Search this
Page, Sophia Stevens, 1827-1892  Search this
Page, William, 1811-1885  Search this
Perry, E. W. (Enoch Wood), 1831-1915  Search this
Phillips, Wendell, 1811-1884  Search this
Scranton, William Walker  Search this
Shaw, Francis George, 1809-1882  Search this
Stark, William, 1825-1873  Search this
Sumner, Charles, 1811-1874  Search this
Tilton, Theodore, 1835-1907  Search this
Wilmarth, Lemuel Everett, 1835-1918  Search this
Extent:
11.06 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Poems
Drawings
Diaries
Date:
1815-1947
bulk 1843-1892
Summary:
The papers of the portraitist and art theorist William Page and the Page family measure 11.06 linear feet and date from 1815 to 1947, bulk 1843-1892. In addition to the papers of William Page, the papers include documents related to Page's wife's career as a writer and records documenting their personal lives and the lives of their family members. Types of documents found include personal documents and artifacts, correspondence, essays, lectures, diaries, poems, notes and notebooks, financial records, legal records, published works, clippings, catalogs, photographs, and artwork.
Scope and Content Note:
The papers of the painter William Page and the Page family measure 11.06 linear feet and date from 1815 to 1947, with the bulk of papers dating from 1843 to 1892. Papers contain records related to the life and career of William Page, president of the National Academy of Design from 1871 to 1873 and prominent portraitist and art theorist of his day. Also found are records related to his wife's career as a writer and records documenting their personal lives and the lives of their family members. Types of documents found include personal documents and artifacts, correspondence, essays, lectures, diaries, poems, notes and notebooks, financial records, legal records, published works, clippings, catalogs, photographs, and artwork.

Correspondence includes the personal and professional correspondence of William and Sophia Page, and their parents, siblings, and children. Significant correspondents include Thomas Hicks, Enoch Wood Perry, William Stark, Theodore Tilton, Lemuel Wilmarth, Wendell Phillips, William Walker Scranton, Francis G. Shaw; James Russell Lowell, Charles Frederick Briggs, George W. Curtis, Charlotte Cushman, Thomas K. Beecher, Mary Olmsted, and Bertha Olmsted.

Writings include the essays and lectures of William Page, as written by him and revised by Sophia Page in the late 1870s, as well as Sophia's writings as a columnist in Europe in the 1850s. Notes, notebooks, diaries, and poems are also found. Personal Business Records include business records related to the sale and exhibition of artwork as well as financial and legal documents. A small number of memoranda and documents related to Page's work at the National Academy of Design are also found. Printed Materials include exhibition catalogs, published works by William and Sophia Page, and clippings and articles about Page.

Photographs consist mainly of portraits, most of them mounted cabinet photographs or cartes-des-visites, some of which appear to have been used as studies for Page's painted portraits. Among those pictured are William Page, James Russell Lowell, Henry Ward Beecher, Reuben Fenton, Wendell Phillips, Charles Sumner, William R. O'Donovan, and William Lloyd Garrison. Many of the photographic portraits are unidentified. Artwork includes sketches, drawings, prints, and a small number of notes made by Page in the course of painting portraits.
Arrangement:
The collection is arranged into 7 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Materials and Artifacts, 1847-1917 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1815-1942 (Boxes 1-4, 9-10; 3.2 linear feet)

Series 3: Notes and Writings, 1839-1888, 1949 (Boxes 4-5, OV 10; 1.3 linear feet)

Series 4: Personal Business Records, 1848-1932 (Boxes 5 and 9; 0.2 linear feet)

Series 5: Printed Materials, 1845-1938 (Boxes 5-7, 9, OV 11; 1.6 linear feet)

Series 6: Photographs, 1845-1947 (Boxes 7-9, OV 12, MGP 5-6; 1.4 linear feet)

Series 7: Artwork, 1856-1874 (Box 8, OV 13-16, rolled documents 17-19; 0.6 linear feet and 3 rolled documents)
Biographical Note:
The painter William Page was born in 1811 in Albany, NY. He attended public schools in New York City, and after working briefly in the law firm of Frederick de Peyster, was placed in the studio of the painter/engraver James Herring in 1825, where he received his first formal art training. He took classes at the National Academy of Design the year it was formed, in 1826, under Samuel F.B. Morse, and in 1827 he was awarded one of the National Academy's first annual student prizes.

Page joined the Presbyterian church and attended Phillips Academy and Amherst with the intention of becoming a minister, but his artistic ability won out, and by 1830 he was painting commissioned portraits in Albany, Rochester, and New York. He married Lavinia Twibill in 1833, and they had three daughters between 1834 and 1839. He joined the American Academy and served on its board of directors in 1835. He exhibited at the American Academy, the National Academy of Design, the Boston Athenaeum, and other venues throughout the 1830s. Favorable reviews brought steady portrait commissions, including John Quincy Adams and the New York governor William L. Marcy. He was made a full member of the National Academy in 1837.

In the 1840s, Page's reputation and maturity as a painter grew. His first wife left him around 1840, and in 1843 he married Sarah Dougherty. The couple moved to Albany, Boston, and back to New York seeking portrait commissions and patronage. He became friends with the poet James Russell Lowell and the writer and publisher Charles Frederick Briggs, two writers and editors who helped to promote his artwork in Boston and New York and published his theoretical writings. In 1844, Lowell dedicated his first published book of poetry to Page, and the following year, Briggs published a series of articles by Page in the Broadway Journal, entitled "The Art of the Use of Color in Imitation in Painting." The series described Page's arduous experiments with color and glazes, and his ideas about correspondences between spirituality and the natural world as expressed in art.

In 1850, Page traveled to Florence, Italy, where he painted several copies of the works of Titian in the galleries of the Uffizi and Pitti palaces, studying his use of color and further developing his own experimental techniques. He became friends with the sculptor Hiram Powers, who introduced him to the writings of Emmanuel Swedenborg, a Christian metaphysician whose ideas fueled Page's interest in the spiritual aspects of art. In 1852, Page moved to Rome, a city with an international artists' community and a strong market for art. Page found a loyal following in Rome's large circle of American ex-patriates, including the sculptors Thomas Crawford and Harriet Hosmer, the actress Charlotte Cushman, and the poets Robert and Elizabeth Barrett Browning, all of whom sat for portraits by Page.

In 1854, Page's second wife left him amidst public scandal, and he sank deep in debt to his bankers at Packenham and Hooker, an English firm that by 1856 had a lien on all the paintings in his studio. That same year Page met Sophia Stevens Hitchcock, an American widow traveling in Rome with Bertha Olmsted, Frederick Law Olmsted's sister. Hitchcock was from Barnet, Vermont and came to Europe after her first husband died in 1852 after only a year of marriage. She traveled to England and Paris, where she wrote regular columns on local customs and events for the New York Tribune that were published under the by-line "An American Woman in Paris." She and Page met in Rome in 1856, and in October 1857, after Page traveled back the United States to obtain a divorce from Sarah Dougherty, he and Sophia married.

The couple stayed in Rome until 1860. His wife's three brothers, all businessmen, helped to promote his artwork in Europe and America. Page's paintings of this period include several Venus subjects, one of which was championed by his most loyal patrons, who raised $3000 by subscription to buy the painting for the Boston Athenaeum. A later Venus painting was rejected from the Paris salon for indecency, a controversy that was later leveraged for publicity in a touring exhibition in the United States.

The Pages returned to the United States in 1860 and settled in Tottenville, New York. They had six children between 1858 and 1870. Page had a studio at Eagleswood, NJ, and later in the Studio Building on 10th Street in Manhattan, where he held a large exhibition in 1867. In the 1860s, he painted a self-portrait and a companion portrait of Sophia set in Rome, as well as a series of civil war heroes including Robert Gould Shaw, Winfield Scott, and David Farragut. Photographs played a consistent part in Page's technique of portraiture, and he is known to have worked with the photographer Matthew Brady, who attended art classes early on with Page, as well as the photographers Sarony and Charles Williamson, who taught classes on drawing from enlarged photo-transparencies. Brady photographs taken for Page include David Farragut and Reuben Fenton.

Page lectured frequently on Titian and Venetian art, a subject in which he was considered an expert, and on painting technique and his philosophical ideas about nature, art, and spirituality. In 1871, Page was elected the president of the National Academy of Design, a post he held until 1873, but his poor health following a collapse in 1872 limited his accomplishments in office. Despite these limitations, he continued to paint, including portraits of General Grant, an idealized portrait of the president based on early photographs and Charles Sumner. He also became interested in portraiture of William Shakespeare around this time, and his studies resulted in a book, Shakespeare's Portraits, a bust based on existing portraiture, and a full-length portrait entitled "Shakespeare Reading," based on Page's measurements of a supposed death mask in Darmstadt, Germany, which he went to inspect against the advice of his doctor in 1874.

In 1877, another collapse left Page incapacitated for the remainder of his life. Sophia Page tried editing and publishing his writings and lectures, but with little success. Page died in 1885. A life marked by personal scandal ended the same, when two of his daughters from his first marriage contested his will, tying up his estate in a lengthy and public probate trial. Their suit was dismissed in 1889, and Sophia Page died in 1892.

This biography relies heavily on Joshua Taylor's William Page: The American Titian (1957).
Separated Material:
The Archives of American Art also holds materials lent for microfilming (reel 1091) including letters from Elizabeth Barrett and Robert Browning, Lydia Maria Child, Charlotte Cushman, James Russell Lowell, Charles A. Dana, and others. Lent material was returned to the donor and is This material is not described in the container listing of this finding aid.
Provenance:
A portion of the collection was donated to the Archives of American Art by Mrs. Lesslie S. (Pauline Page) Howell, William Page's grandaughter, in 1963. William S. Page, Pauline Page Howell's nephew, donated additional papers in 1964 and 1973. Pauline Page Howell and William S. Page also loaned a group of letters to the Archives in 1964 which were microfilmed on reel 1091 and then returned to the donors. Mrs. Howell's son, William Page Howell, donated material in 1980.

Letters of Charles F. Briggs to James Russell Lowell (Series 2.2) were a part of Pauline Page Howell's 1963 donation to the Archives of American Art. They had been given to Mrs. Howell by Charlotte Briggs, daughter of Charles F. Briggs, because of her father's lifelong friendship with William Page. Letters from Lowell to Briggs are in the James Russell Lowell papers in Houghton Library at Harvard University.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The William Page and Page Family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Portrait painters -- New York (State) -- New York  Search this
Portrait painting -- 19th century -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sketches
Poems
Drawings
Diaries
Citation:
William Page and Page Family papers, 1815-1947, bulk 1843-1892. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pagewill
See more items in:
William Page and Page Family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pagewill
Online Media:

Sam DeVincent Collection of Illustrated American Sheet Music, Series 9: Domestic and Community Life

Creator:
DeVincent, Sam, 1918-1997  Search this
Extent:
66 Boxes
Type:
Collection descriptions
Archival materials
Date:
1827-1986; undated
Summary:
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age.

Series 9: Domestic and Community Life documents family, love, marriage, home, and social organizations.

An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
Scope and Contents note:
The Domestic and Community Life series documents family, love, marriage, home, and social organizations. It does not include Health or Business items, which are included in separate series. Certain issues, such as women's rights, are in Series 2: Politics and Political Movements.

The material dates from the early 1800s (probably earlier) to the 1980s. Most pre-1840 imprints are not dated. Estimates have been made for the dates of many early imprints by checking publisher and address of the publisher in the "Index of Publishers, Engravers and Printers" in Volume III of Richard Wolfe's Secular Music in America 1801-1825: A Bibliography and in Oscar Sonneck's A Bibliography of Early Secular American Music. Several sheets that appear to be very old could not be dated by this method.

This series has 11 subseries:

Subseries 9.1: Adult Family Members, includes songs and instrumental compositions about Mother, Motherhood, Mother's Day, Mother-in-law, Father, Grandmother, Grandfather, and Great Grandfather, Aunts, Uncles, Sisters, Brothers, and Cousins. Close to 65% of this subseries is about Mothers.

Subseries 9.2: Children, includes songs and instrumental compositions about Babies and Children, including kidnapped, lost, homeless, orphan, and poor children. This subseries also includes Lullabies and "Sandman" music. Researchers looking for mother/child relationship music will want to look at both of these first two subseries. Songs about children dying are in Subseries 9.9.

Subseries 9.3: Dolls, Stories, and Toys, includes music about Cinderella, Jack and Jill, Little Red Riding Hood, Rip Van Winkle, Robinson Crusoe, and other storybook characters, and Dolls, Teddy Bears, Puppets, Marionettes, and Manikins.

Subseries 9.4: Songs about and Images of Men and Women, focuses on the cover image more than the lyrics. Note the Christy and Manning covers in Folder H. There are a great many more sheets about women than men, with women having close to 90% of the attention. Songs and instrumental compositions include Girl/Gal, Lady, and Women titles, and Bloomer Girl, Gibson Girl and Gibson man, Flapper, Vamp, and women's and men's Names.

i Subseries 9.5: Home, Neighborhood, Immigrants/Refugees, includes music about Bungalows, Cabins, Castles, Chateaux, Cottages, Home, House, Huts, Mansions, and Shacks; City, Neighborhood, and Town; Alley, Avenue, Highway, and Streets; and Immigrants and Refugees. Titles naming specific cities and towns are in Series 8: Geography, under their respective states or countries. More music about emigration is also in Series 8: Geography, especially under the Germany, Ireland, and Scotland subseries.

Subseries 9.6: Love, accounts for 18% of the entire series. Highlighted titles are Angel, Cupid, Darling, Dream, Flirting, Heaven, Jealousy, Kiss, Loveland, Sweetie/Sweetheart, Valentine, and Bachelor/Spinster. By far the largest section in this Subseries are general love songs.

Subseries 9.7: Marriage, accounts for 9% of the entire series. Highlighted subjects are Courting, Wedding, Wedding Rings, Bride/Bridegroom, Honeymoon, Married Life (often about the less blissful aspects), Anniversary, Widows, and Alimony/Divorce.

Subseries 9.8: Friendship and Social Organizations, includes songs and instrumental compositions about Friends, Buddies, Companions, Comrades, Mates, Pals, and Playmates. The Social Organization section includes music about the Boy, Girl, and Cub Scouts, and Campfire Girls, as well as the YMCA, American Legion, and numerous fraternal organizations such as the Eagles, Elks, Kiwanis, Lions, Masons, Odd Fellows, and Shriners.

Subseries 9.9: Age, Death, and Dying, includes music about growing old, being old, and dying. Also see Subseries 9.1 for some references to "old mother."

Subseries 9.10: Domestic Arts and Clothing, includes songs and instrumentals about home activities, such as Knitting, Sewing, Spinning, and Washing; and about clothing, such as Bonnets, Hats, and Footwear.

Subseries 9.11: Albums, Lockets, and Memories, contains songs and instrumentals that, for the most part, refer to family members or love interests. Music about photography is in a separate series.
Arrangement note:
Arranged in 12 subseries.

9.1: Adult Family Members

9.2: Children

9.3: Dolls, Stories, and Toys

9.4: Songs about and Images of Men and Women

9.5: Home, Neighborhood, and Immigrants/Refugees

9.6: Love

9.7: Marriage

9.8: Friendship and Social Organizations

9.9: Age, Death & Dying

9.10: Domestic Arts, Clothing

9.11: Albums, Lockets, and Memories

9.12: Ephemera
Materials in Other Organizations:
Sam DeVincent Collection of American Sheet Music, Lilly Library, Indiana University, Bloomington, Indiana

This collection contains duplicates of materials in the Smithsonian collection, as well as materials acquired by Mr. DeVincent after the donation to the Smithsonian. The phonograph records described above were transferred to the University of Missouri at Kansas City.
Materials in the Archives Center, National Museum of American History:
Donald J. Stubblebine Collection of Musical Theater and Motion Picture Sheet Music and Reference Material, 1843-2010 (AC1211)
Forms Part Of:
Series 9: Domestic and Community Life forms part of the Sam DeVincent Collection of Illustrated American Sheet Music .

An ongoing, updated list of DeVincent topical series is available via the Smithsonian finding aid portal.
Provenance:
This collection was purchased by the Smithsonian Institution in 1988 from Sam and Nancy Lee DeVincent.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0300.S09
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 9: Domestic and Community Life
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0300-s09
Online Media:

Sam DeVincent Collection of Illustrated American Sheet Music

Creator:
DeVincent, Sam, 1918-1997  Search this
Names:
WOWO (radio station).  Search this
Extent:
260 Cubic feet (approximately 1244 boxes)
Type:
Collection descriptions
Archival materials
Lithographs
Sound recordings
Phonograph records
Papers
Photographic prints
Sheet music
Photographs
Date:
1790-1980s
Summary:
Primarily published sheet music, plus some related ephemera. Originally included 781 boxes of American sheet music and assorted clippings, articles, photographs, etc.; also 93 boxes of 33-1/3 RPM phonograph records, 30 boxes of 45 RPM records, and 20 boxes of 78 RPM records
Scope and Contents:
Sam DeVincent organized his collection topically and the present organization is built upon his basic system. In the course of processing this huge collection organized into hundreds of topics, a set of more encompassing topical headings have been developed. For example, the series designation "transportation" gathers together DeVincent's topical headings of "automobiles," "railroads," "bicycles," etc. Each of these larger, conceptual, headings is considered a series and is given a series number. Transportation is series number 1. Each series will be described separately and a composite index will lead researchers into the appropriate series. Terminology is consistent with Library of Congress Subject Headings whenever possible.

Within each series, the topical headings used by DeVincent, or a heading of similar level and type, receive sub-series numbers. For example, "railroads" is part of series 1, transportation, and is given the sub-series number 7. Therefore, "railroads" is designated as 1.7.

All of the sheet music has been placed in folders (from 1 to 45 items per folder) and given a letter of the alphabet. Within each folder, the music is arranged alphabetically by song title. A researcher searching the index for the song Wabash Cannonball (note that very few song titles are indexed) would be directed to "1.7 V." The researcher would then turn to the railroad section of the container list (1.7) and look for folder V and read the folder description.

Most of the sheet music is either a solo piano or a piano/vocal arrangement. There are very few orchestral or band parts and very little music for instruments other than piano. When the word "instrumental" is used in folder descriptions and titles, the music referred to has no lyrics and is for solo piano. Music for other instruments or ensemble parts will be mentioned explicitly in the folder description and usually indexed. Also, duplicates have not been kept in the file unless the sheet is particularly old or fragile (in which case one duplicate was kept if available). Sheets with slightly different covers, different ink colors, or variations in advertising matter are not considered duplicates.

In addition to the sheet music, the collection includes ephemera files corresponding to each series. These files contain items such as lists of sheet music, DeVincent's correspondence with other collectors, wire service printouts received at the radio station where he worked, his notes to be used for cross-indexing ("see also" references), and miscellaneous items relating to the topic. Some materials kept by DeVincent have not been incorporated into the ephemera files, for example most of the popular magazines, Fort Wayne Indiana newspaper clippings about non-musical topics, and some advertising matter.

The ephemera files are numbered with the same series and sub-series numbers as the sheet music. For example bicycles are 1.3 in both the music and ephemera files. A description of the ephemera file follows the sheet music container list. It is followed by an index to the entire series. Many topical headings not directly concerned with the topic of the series are indexed (for example "Women, images of" is an important topic in the bicycle sub-series). The author of each series description made the decisions about topics for indexing.
Series 1: Transportation:
Dates -- circa 1800-1980

Contents -- Series 1: Transportation contains circa 3,900 pieces of sheet music documenting the development of and popular attitudes towards transportation technology in the United States.1.1: Aeronautics1.2: Automobiles1.3: Bicycles1.4: Boats and Boating1.5: Horse-Drawn Vehicles1.6: Motorcycles1.7: Railroads1.8: Urban Transportation1.9 Ephemera
Series 2: Armed Forces:
Dates -- circa 1810-1980

Contents -- Series 2: Armed Forces contains circa 3,400 pieces of sheet music and song folios documenting the military history of the United States; there are only a handful of foreign imprints. 2.1: Pre-Civil War2.2: Civil War2.3: Pre-World War I2.4: World War I2.5: World War II2.6: Post -World War2.7: Naval History2.8: Marine CorpsEphemera
Series 3: African-American Music:
Dates -- circa 1828-1980

Contents -- Series 3: African-American Music contains circa 7,800 pieces of sheet music and folios dating from the 1820s to the 1980s; most of the material dates from after 1890. 3.1: Minstrel Shows and Blackface Entertainers3.2: Uncle Tom's Cabin3.3: African-American Folk-songs and Spirituals3.4: Songs about African-American/Vocal Ragtime3.5: Instrumental and Ragtime Music3.6: Ragtime Composers and Publishers3.7: Blues and Jazz Music3.8: Composers and PerformersEphemera
Series 4: Songwriters:
Dates -- 1817-1982

Contents -- Series 4: Songwriters: The song sheets associated with each songwriter in this series are generally arranged in the following order: General Songs; Ethnic Songs; Armed Conflict Songs or other Topical Headings; Ragtime; Instrumental; Musical Theater Production Songs; Motion Picture Production Songs; Specialized Song Sheets/Editions; Professional/Artist Copy Song Sheets; and Folios/Volumes. List: 4.1 - 4.217Ephemera
Series 5: Politics and Political Movements:
Dates -- circa 1817-1982

Contents -- Series 5: Politics and Political Movements contains circa 1,565 pieces of sheet music and song folios documenting the political history of the United States. 5.1: Patriotic Music5.2: Politicians and Political Figures5.3: Politics and Political Parties5.4: Ku Klux Klan5.5: Prohibition and Temperance5.6: Trade Union5.7: Women's RightsEphemera
Series 6: Moving Pictures and Movie Stars:
Dates -- 1911-1986

Contents -- Series 6: Moving Pictures and Movie Stars: 6.1 Academy Award Songs6.2 Child Stars6.3 Dance Folios6.4 Disney Productions and Other Cartoon Movies6.5 Female Stars6.6 Male Stars6.7 Movie Music6.8 Silent Films6.9 Songs About the MoviesEphemera
Series 7: Sports:
Dates -- 1834-1983

Contents -- Series 7: Sports contains 1,254 pieces of sheet music and song folios. Most of the sheet music is either piano or piano/ vocal arrangements. 7.1: Baseball, 1860-19767.2: Boxing, 1893-19827.3: Fishing, 1847-19627.4: Football, 1894-1978; undated7.5: Gambling and Games of Chance, 1891-19807.6: Golf, 1893-19537.7: Horse Racing, 1899-19687.8: Hunting, 1834-19517.9: Ice Skating, 1861 -1978; undated7.10: Olympics, 1932-19837.11: Ping Pong, 1901-19027.12: Roller Skating, 1871-1980; undated7.13: Skiing, 1908-19717.14: Sleighs and Sledding, 1846- 1967; undated7.15: Sports, Miscellaneous, 1866-19777.16: Tennis, 1893-1914, 1951Ephemera
Series 8: Geography:
Dates -- 1794-1987

Contents -- Series 8: Geography is divided into three sections: the United States, Foreign Countries, and Natural Features. The more than 13,000 sheets date from 1830-1987 and include undated sheets that are probably earlier. The series comprises 33 cu. ft. 8.1-8.49: United States, 1830-1987 (States)8.50-8.51: United States, 1830-1987 (U. S. Regions)8.53-8.89: Foreign Countries, 1794-1982 (Afghanistan - Italy)8.90-8.126: Foreign Countries, 1794-1982 (Japan - Vietnam) & (Foreign Regions)8.127-8.128: Natural Features, 1834-1980Ephemera
Series 9: Domestic and Community Life:
Dates -- 1827-1986; undated

Contents -- Series 9: Domestic and Community Life documents family, love, marriage, home, and social organizations. It does not include Health or Business items, which are included in separate series. Certain issues, such as women's rights, are in Series 2: Politics and Political Movements. 9.1: Adult Family Members, 1836-1985; undated9.2: Children, 1855-1971; undated9.3: Dolls, Stories, Toys, 1860-1984; undated9.4: Songs About and Images of Men and Women, 1828-1972; undated9.5: Home, Neighborhood, and Immigrants/Refugees, 1830-1980; undated9.6: Love, 1827-1982; undated9.7: Marriage, 1829-1976; undated9.8: Friendship and Social Organizations, 1838-1982; undated9.9: Age, Death, and Dying, 1834-1951; undated9.10: Domestic Art and Clothing, 1843-1978; undated9.11:Albums, Lockets, and Memories, 1857-1952; undatedEphemera
Series 10: Sacred Music and Religious Themes:
Dates -- 1822-1986, undated

Contents -- Series 10: Sacred Music and Religious Themes contains approximately 4,000 pieces of sheet music, much of which is traditional Christian music, but also documents popular attitudes towards religion in the United States. Note that the Christmas and Easter subseries include their secular aspects. 10.1, Adam, Eve, and Eden, 1882-197110.2, Angels, 1849-1961, undated10.3, Bells and Chimes, 1848-1956, undated10.4, Biblical Characters and Stories, 1876-1986, undated10.5, Cathedral, Chapel, Church, 1866-1966, undated10.6, Choir, 1880-193710.7, Christmas, 1828-1984, undated10.8, Devil and Satan, 1865-1979, undated10.9, Easter, 1872-1975, undated10.10, Evolution, 1925-196310.11, Heaven, 1866-1975, undated10.12, Inspirational Singers, 1868-197710.13, Madonna, The Virgin Mary, 1855-1953, undated10.14, Miracles, 1929-195910.15, Mormons, 1895-1933, undated10.16, Paradise, 1900-1925, undated10.17, Pilgrim, 1868-1938, undated10.18, Psalms, 1884-1980, undated10.19, Quakers, 1899-1940, undated10.20, Rosary, 1897-195310.21, General Sacred Songs, 1822-1982, undatedEphemera, 1899-1986
Series 11: Entertainment:
Dates -- 1841-1984, undated

Contents -- Series 11: Entertainment contains more than 12,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards entertainers and entertainment in the United States. Note that movies and some musical entertainment are also covered in Series 6, Moving Pictures and Movie Stars, and in Series 16, Country, Western, and Folk Music. Blind musicians and performers are in Series 17. 11.1: Early Troupes & Bandmasters, 1841-1944, undated11.2: Dance Bands and Orchestras, 1905-1964, undated11.3: Novelty Bands, 1901-195211.4: Male Singers (Individual), 1846-198111.5: Female Singers (Individual), 1845-197111.6: Duos and Groups (Male and Mixed), 1903-198111.7: Female Duos and Groups, 1896-196611.8: Child Entertainers, 1852-1927, undated11.9: Impersonators, 1904-198211.10: Actors and Comedians, 1853-198211.11: Theater, 1873-1973, undated11.12: Juke Box, Nickelodeon, 1923-198111.13: Phonograph, Records, Tapes, 1878-197111.14: Radio, Transistor, Wireless, 1898-198411.15: Television, 1931-198711.16: Circus, Fair, Zoo
Series 12: Plants and Animals:
Dates -- 1831-1984, undated

Contents -- Series 12: Plants and Animals contains approximately 4,000 pieces of sheet music and other materials documenting the development of and popular attitudes towards plants and animals in the United States. 12.1, Trees, 1833-1969, undated12.2, Plants and Flowers, 1840-1979, undated12.3, Animals, 1831-1984, undated12.4, Fish, Mermaids, and Aquatic Species, 1832-1978, undated12.5, Birds, 1834-1976, undated12.6, Insects and Spiders, 1853-1968, undated
Series 13: Agriculture, Business, and Law:
Dates -- 1827-1985, undated

Contents -- Series 13, Agriculture, Business, and Law contains approximately 3,300 pieces of sheet music and other materials documenting the development of and popular attitudes towards business, commerce, farming and food, finances, labor, law, and social order in the United States. The series comprises nine cubic feet, plus two boxes of ephemera. 13.1, Business and Jobs, 1927-1982, undated13.2, Farming, Food, and Tobacco, 1836-1986, undated13.3, Finances and Valuables, 1841-1982, undated13.4, Law and Social Order, 1858-1972, undated13.5, Public Services and Utilities, 1836-1984, undatedEphemera, 1901-1987, undated
Series 14: Calendar, Time, and Weather:
Dates -- 1811-1980, undated

Contents -- Series 14, Calendar, Time, and Weather contains approximately 1,800 pieces of sheet music, documenting attitudes toward and consequences of natural events. The four seasons comprise the larger part. 14.1, Years, 1880-1945, undated14.2, Seasons, 1850-1978, undated14.3, Months, 1855-1978, undated14.4, Days of the Week, 1853-196514.5, Clocks and Time, 1844-1967, undated14.6, Weather, 1911-1980, undatedEphemera, 1952-1982, undated
Series 15: Holidays and Celebrations:
Dates -- 1847-1982, undated

Contents -- Series 15, Holidays and Celebrations contains approximately 500 pieces of sheet music and other materials documenting the development of and popular attitudes towards holidays, celebrations, and travel in the United States. Note that Christmas items are in Series 10, Sacred Music and Religious Themes, subseries 7. 15.1, Holiday, Travel, Vacation, 1866-198215.2, Carnival, 1847-1937, undated15.3, Mardi Gras, 1892-1958, undated15.4, Masquerade, 1900-1973, undated.15.5, Halloween, 1853-1962, undated.15.6, Thanksgiving, 1853-1974, undated.15.7, New Year, 1852-1970, undated15.8, Park, 1869-1969, undated15.9, Picnic, 1854-1964, undated15.10, Rolling Chairs, 1905-1923, undatedEphemera
Series 16: Country, Western, and Folk Music:
Dates -- 1839-1986, undated

Contents -- Series 16: Country, Western, and Folk Music, contains approximately 11,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards country, western, and folk music in the United States. The dates always refer to copyright of the music and not to the subject on the cover, songwriter's life, or other events. There are 78 boxes of sheet music and 16 boxes of ephemera. 16.1, Individual Male Entertainers, 1911-1983, undated16.2, Individual Female Entertainers, 1902-1986, undated16.3, Duos and Groups, 1910-1981, undated16.4, The West, 1939-198416.5, Barn Dance, Fiddle Tunes, and "Turkey in the Straw," 1878-197516.6, Blues, Feuding, Hillbilly, Honky Tonk, and Yodeling, 1885-1975, undated16.7, Miscellaneous Songs, 1913-198316.8, Folios, 1914-1969Ephemera --subseries 1-7 and subseries 9-10
Series 17: The Human Condition--Physical, Mental, Behavioral:
Dates -- 1833-1987

Contents -- Series 17, The Human Condition--Physical, Mental, Behavioral contains approximately 1,000 pieces of sheet music and other materials documenting the development of and popular attitudes towards the human condition in the United States. 17.1, Physical Health, 1833-1982, undated17.2, Happiness, 1845-1978, undated17.3, Crazy, Foolish, 1904-1973, undated17.4, Rubes, 1888-1938Ephemera
Series 18: Dance:
Dates -- 1812-1978, undated

Contents -- Series 18, Dance contains approximately 3,330 pieces of sheet music and other materials documenting the development of and popular attitudes towards dance in the United States. 18.1, General Songs about Dance, 1882-1967, undated18.2, Ballroom Dancers and Dance Institute, 1840-1951, undated18.3, Charleston, 1923-196418.4, Fox Trot, 1913-193218.5, Galop, 1842-1924, undated18.6, Gavotte, 1874-1978, undated18.7, Jigs and Reels, 1891-1951, undated18.8, Lancers, 1857-1903, undated18.9, Maxixe, 1913-1914, undated18.10, Mazurka, 1854-1940, undated18.11, Minuet, 1875-1968, undated18.12, One Step, 1910-192118.13, Polka, 1845-1975, undated18.14, Quadrilles, 1831-1883, undated18.15, Redowa, 1853-1908, undated18.16, Schottische, 1850-1944, undated18.17, Skirt Dance, 1891-1893, undated18.18, Square Dance, 1926-196418.19, Tango, 1909-195218.20, Three Step, 1903-191318.21, Two Step, 1894-192518.22, Varsova, 1851-1917, undated18.23, Waltz, 1812-1968, undated18.24, Folios, 1888-1953, undatedEphemera
Series 19: Art and Literature:
Dates -- 1830-1977, undated

Contents -- Series 19, Art and Literature contains approximately 860 pieces of sheet music and other materials documenting popular attitudes towards art and literature in the United States. 19.1, Art and Artists, 1839-1977, undated19.2, Cover Artists and Early Lithograph Covers, 1830-1931, undated19.3, Photography, 1848-196619.4, Carving and Whittling, 1906-194719.5, Books, Diary, and Stories, 1849-198319.6, Poets and Poetry, 1836-1969, undated Ephemera Index
Series 20: Newspapers:
Dates -- 1844-1968, undated

Contents -- Series 20, Newspapers, 1844-1968, contains materials documenting the business of and popular attitudes towards newspapers in the United States. 20.1, Songs about Advertising, the News and the Press20.2, Songs published by Newspapers or about serialized stories20.3, Songs about Newsboys and Newsgirls20.4, Cartoons, Cartoonists, and Comics20.5, Newspaper and Magazine SupplementsEphemera
Series 21: Musical Instruments:
Dates -- 1824-1981 and undated

Contents -- Series 21, Musical Instruments, 1824-1981, undated, contains approximately 4,900 pieces of sheet music and other materials documenting the development of and popular attitudes towards the playing of music in the United States. Numerous teaching manuals are included.21.1, Accordion, 1902-1964, undated21.2, Banjo, 1853-1975, undated21.3, Cello, 1891-1935, undated21.4, Clarinet, 1905-1958, undated21.5, Concertina, 1905-1941, undated21.6, Cornet, 1848-1924, undated21.7, Double Bass, 1939-195521.8, Drums, 1867-1971, undated21.9, Fiddle, 1893-1981, undated21.10, Flute, 1847-1936, undated21.11, Guitar, 1824-1977, undated21.12, Harmonica, 1904-1974, undated21.13, Harp, 1866-1976, undated21.14, Hurdy Gurdy, 1899-196921.15, Mandolin, 1843-1954, undated21.16, Music Boxes, 1848-1979, undated21.17, Organ, 1856-1973, undated21.18, Saxophone, 1907-195321.19, Tambourine, 1854-196021.20, Trombone, 1906-195721.21, Trumpet, 1904-1945, undated21.22, Ukulele, 1915-1964, undated21.23, Violin, 1843-1957, undated21.24, Zither, 1970-1951, undated21.25, Various Instruments, 1835-1968, undatedEphemera
Series 22: American Indian:
Contents -- Series 22: American Indian

Dates -- 1899-1975
Series 23: Universe:
Contents -- Series 23: Universe

Dates -- 1842-1970
Series 24: Education:
Contents -- Series 24: Education

Dates -- 1834-1964
Series 25: Vocal:
Contents -- Series 25: Vocal
Series 26: General Sheet Music:
Contents -- Series 26: General Sheet Music
Series 27: Gypsies:
Contents -- Series 27: Gypsies
Series 28: Opera:
Contents -- Series 28: Opera
Series 29: Piano:
Contents -- Series 29: Piano
Series 30: Marches and Quicksteps:
Contents -- Series 30: Marches and Quicksteps
Series 31: Dialects:
Contents -- Series 31: Dialects
Series 32: Christopher Columbus:
Contents -- Series 32: Christopher Columbus
Series 33: Reveries:
Contents -- Series 33: Reveries
Series 34: Indiana Publishers:
Contents -- Series 34: Indiana Publishers
Series 35: Sam DeVincent Personal Papers:
Contents -- Series 35: Sam DeVincent Personal Papers
Series 36: Folios and Songbooks:
Contents -- Series 36: Folios and Songbooks
Series 37: Other Materials:
Contents -- Series 37: Other Materials

Dates -- 1853-1976
Additional Topical Series:
An updated list of DeVincent topical series is available via the Smithsonian finding aid portal.
Arrangement:
The collection is arranged into topical series.
Biographical note:
Sam DeVincent was born January 8, 1918 and lived in Fort Wayne, Indiana for most of his life. DeVincent collected sheet music and related materials during most of his lifetime. His interest included both the music and the cover art. Because he had little money to support his collecting, DeVincent gathered most of his material through careful searches and travel.

DeVincent and his wife used much of the music he collected in their musical group "Nancy Lee and the Hilltoppers." The group performed regularly on radio station WOWO in Fort Wayne, Indiana, from 1945 to 1955. After 1955 (and the emergence of rock and roll), "Nancy Lee and the Hilltoppers" played only once a week on the radio station. At this time, Mr. DeVincent worked as an all-night disc jockey at WOWO. In 1960 he became music director and music librarian at the station. His position as music librarian helped him to add to his collection, especially the phonograph recordings (many promotional copies are included).

DeVincent retired from WOWO in 1983. He and his wife continued to perform publicly including a weekly radio show on WOWO. The National Museum of American History acquired the DeVincent collection in the spring of 1988. Sam DeVincent passed away November 29, 1997.
Materials in Other Organizations:
Sam DeVincent Collection of American Sheet Music, Lilly Library, Indiana University, Bloomington, Indiana

The Sam DeVincent Collection of American Sheet Music contains approximately 24,000 pieces of sheet music, songbooks, and folios. DeVincent arranged his collection into categories based on either personal names of musicians or performers or on subjects he defined that were as diverse as the American Red Cross and Halloween. The Lilly Library has maintained this arrangement.

All the sheet music in the DeVincent collection is listed in the IN Harmony: Sheet Music from Indiana: Lilly Library web site. Digitized images are available for some items.
Materials in the Archives Center, National Museum of American History:
Donald J. Stubblebine Collection of Musical Theater and Motion Picture Sheet Music and Reference Material, 1843-2010 (AC1211)
Provenance:
This collection was purchased by the Smithsonian Institution in 1988 from Sam and Nancy Lee DeVincent.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical revue, comedy, etc  Search this
Music -- United States  Search this
Music -- Performance  Search this
Transportation -- Music  Search this
Ragtime music  Search this
Musicians  Search this
Armed Forces -- Music  Search this
Country music  Search this
Music -- 20th century  Search this
Music -- African-American  Search this
Music -- 18th century  Search this
Music -- 19th century  Search this
Politics -- Music  Search this
Genre/Form:
Lithographs
Sound recordings
Phonograph records
Papers
Photographic prints
Sheet music
Photographs -- 19th century
Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0300
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0300
Online Media:

Mary K. McGuigan and John F. McGuigan Jr. artists' letters collection

Creator:
McGuigan, Mary K.  Search this
Names:
Pennsylvania Academy of the Fine Arts  Search this
Beard, W. H. (William Holbrook), 1824-1900  Search this
Bierstadt, Albert, 1830-1902  Search this
Boughton, George Henry, 1834-1905  Search this
Carey, Mathew, 1760-1839  Search this
Church, Frederic Edwin, 1826-1900  Search this
Colman, Samuel, 1832-1920  Search this
Copley, John Singleton, 1738-1815  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Darley, Felix Octavius Carr, 1822-1888  Search this
French, Daniel Chester, 1850-1931  Search this
Greenough, Horatio, 1805-1852  Search this
Harding, Chester, 1792-1866  Search this
Hassam, Childe, 1859-1935  Search this
Inman, Henry, 1801-1846  Search this
Inness, George, 1825-1894  Search this
McGuigan, John F., Jr. (John Fuller)  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Neagle, John, 1796-1865  Search this
Palmer, Erastus Dow, 1817-1904  Search this
Peale, Rembrandt, 1778-1860  Search this
Peale, Rubens, 1784-1865  Search this
Tanner, Henry Ossawa, 1859-1937  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
White, Stanford, 1853-1906  Search this
Whittredge, Worthington, 1820-1910  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1794-1938
Summary:
The collection of artists' letters compiled by Mary and John McGuigan Jr. measure 0.6 linear feet and date from 1794-1938. The collection is comprised of a group of letters, writings, and signed documents to and from a variety of artists, art administrators, art critics, historians, and art-related organizations assembled from multiple sources. It also includes associated printed material with some documents and a few photographs, including carte de visites and cabinet cards.
Scope and Contents:
The collection of artists' letters compiled by Mary and John McGuigan Jr. measure 0.6 linear feet and date from 1794-1938. The collection is comprised of a group of letters, writings, and signed documents to and from a variety of artists, art administrators, art critics, historians, and art-related organizations assembled from multiple sources. It also includes associated printed material with some documents and a few photographs, including carte de visites and cabinet cards.

Item descriptions included in the container listing were provided by Mary and John McGuigan and illuminate the wide range of artists and types of material represented in the collection. While some of the letters document routine transactions such as responses to requests for information, and transmittals of autographs, others document specific artist commissions and projects, exhibition and financial arrangements, business relationships, family events, and travels. The collection includes documentation of portrait painters, including Chester Harding and Rembrandt Peale; nineteenth century landscape artists and artists of the Hudson River School including Albert Bierstadt, George Henry Boughton, Samuel Colman, Jasper Francis Cropsey, and George Inness; sculptors including Daniel Chester French whose letters include sixty-three letters to Charles Dupuy, the caretaker of French's summer home in Massachusetts; publishers such as Mathew Carey, in letters from John Neagle; and the activities of arts institutions such as the Pennsylvania Academy of Fine Arts.

In addition to those mentioned above, letters and signed documents are from Washington Allston, William Holbrook Beard, Eugene Benson, William Tilden Blodgett, Jr., James Renwick Brevoort, Frederic Edwin Church, James Claghorn, John Singleton Copley, Kenyon Cox, F.O.C. Darley, Joseph DeCamp, Frank Duveneck, John Mackie Falconer, Horatio Greenough, Childe Hassam, Ignaz Michael Marcel Gaugengigl, George Healy, George Hollingsworth, William Morris Hunt, Daniel Huntington, Anna Vaughn Hyatt Huntington, Henry Inman, Hugh Bolton Jones, Thomas Dow Jones, Louis Ashton Knight, Charles Robert Leslie, Will Low, Frederick William MacMonnies, Frank Blackwell Mayer, Samuel F. B. Morse, Erastus Dow Palmer, Rubens Peale, Elizabeth Robins Pennell, Tobias (Toby) Edward Rosenthal, John Singer Sargent, George Henry Smillie, Marie Spartali Stillman, William James Stillman, Henry Ossawa Tanner, Abbott Handerson Thayer, Charles Yardley Turner, Stephen Arnold Douglas Volk, William Walcutt, Henry Antonio Wenzler, Benjamin West, Stanford White, Worthington Whittredge, and others.

The collection also includes a friendship album belonging to William Tilden Blodgett, Jr., with poems, sketches, and botanical watercolors, eight photographs including carte de visites and cabinet cards with images of George Hollingsworth, Thomas Dow Jones, Louis Ashton Knight, Henry Antonio Wenzler, and William Walcutt, and two photographs of a model used by Francis Blackwell Mayer when painting The Burning of the Peggy Stewart.
Arrangement:
The collection is arranged as 1 series.
Biographical / Historical:
Mary K. McGuigan and John F. McGuigan Jr. are art historians and collectors in Milford, Pennsylvania.
Provenance:
John F. McGuigan Jr. and Mary K. McGuigan purchased these letters and generously donated them to the Archives of American Art between 2000 and 2019. The McGuigans have purchased and donated additional archival materials to the Archives, including a portion of the Douglas Volk and Leonard Wells Volk papers. In 2017 the McGuigans donated an addition to the Sylvester Rosa Koehler papers, including sixty-nine letters from A. Barry, Truman Howe Bartlett, William Merritt Chase, Timothy Cole, Edward Henry Clement, Cyrus Edwin Dallin, Robert Swain Gifford, George Inness, Anna Lea Merritt, Stephen Parrish, John Sartain, Francis Hopkinson Smith, and Frederic Porter Vinton.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Historians  Search this
Topic:
Arts administrators  Search this
Art critics  Search this
Artists  Search this
Citation:
Mary K. McGuigan and John F. McGuigan Jr. artists' letters collection, 1794-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mcgumary
See more items in:
Mary K. McGuigan and John F. McGuigan Jr. artists' letters collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mcgumary

Selected art related documents from the Woodhouse collection in hte Historical Society of Pennsylvania

Names:
Artists' Fund Society of the City of New York  Search this
Pennsylvania Academy of the Fine Arts  Search this
Meredith, William M. (William Morris), 1799-1873  Search this
Peale, Rembrandt, 1778-1860  Search this
Sully, Thomas, 1783-1872  Search this
Extent:
6 Items ((on 6 fr. of microfilm))
Type:
Collection descriptions
Archival materials
Date:
[1817-1843 and undated]
Scope and Contents:
An invitation to William Meredith for the eighth annual exhibition of the Artists' Fund Society "Private View," Apr. 3, 1843; circular letters, Mar. 13, 1834 and Oct. 1834, concerning the finances of the Pennsylvania Academy and the durability of the members. The first letter is signed by Joseph Hopkinson and the second by William Strickland, Henry Inman, Charles Graff, Cephas G. Childs, J. K. Kane, and Nathan Dunn. Also, correspondence between David Hosack and William Meredith, Jan. 12 and 18, 1817, about Thomas Sully's portrait of Gouverneur Morris; and a letter to Nicholas Biddle from Rembrandt Peale, concerning a portrait of Mr. Dennie and a copy for Biddle, with a note by Biddle at the bottom of the page.
Provenance:
Microfilmed by the Historical Society of Pennsylvania for the Archives of American Art, 1955.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Identifier:
AAA.histsocp
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-histsocp

Selected letters from the Frank M. Etting Collection

Creator:
Etting, Frank M. (Frank Marx)  Search this
Extent:
2 Reels (ca. 100 items (on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
1767-1889
Scope and Contents:
Primarily artists' letters from the autograph section of the Etting collection, as well as 30 letters to Etting from artists or concerning art related matters. Letters to Etting are dated 1854-1889, from James R. Lambdin, Catherine A. Drinker, Edward D. Marchant, Edward Lamson Henry, William C. Sanders, Anna M. Lea, J.J. Sawyer, William B. Myers, George C. Lambdin, Peter F. Rothermel, Frank B. Mayer, and William A. Coffin. Items from the autograph section include: a receipt from Thomas Birch to Mr. Shippen, Nov. 7, 1811; letters to Robert Gilmore from William Dunlap, George Catlin, Henry Inman, John Gadsby Chapman, Thomas Cole, Thomas Doughty, Horatio Greenough, George Harvey and William Sidney Mount;
letters to Henry A. Wise from John Gadsby Chapman, Ferdinand Pettrich, and L. Walk; to G.C. Childs from William Kneass, John Neagle, and John Sully; and to Ben. Perley Poore from J.W. Osborne and Henry Stone. Additional items include letters of Pierre Eugene Du Simitiere, Charles Fraser, Alexander Galt, Sanford Robinson Gifford, Joseph Jefferson, Charles Robert Leslie, Charles Willson Peale, Rembrandt Peale, Thomas Sully, John Trumbull (to Sully), and Benjamin West; and a list of subscribers to procure a full-length painting by Thomas Sully of LaFayette for Independence Hall.
Provenance:
Microfilmed by the Historical Society of Pennsylvania for the Archives of American Art, 1955. Selected for microfilming by Frances Lichten.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Artists -- United States  Search this
Topic:
Art, Modern -- 19th century -- United States  Search this
Identifier:
AAA.ettifran
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ettifran

Thomas Cole papers

Creator:
Cole, Thomas, 1801-1848  Search this
Names:
Adams, William Althorpe, 1797-1878  Search this
Ainsley, Samuel James, 1806-1874  Search this
Alexander, Francis, 1800-1880  Search this
Allen, Theodore, fl. 1800-1850  Search this
Allston, Washington, 1779-1843  Search this
Ashton, Thomas B., fl. 1835-1850  Search this
Bennet, Edwin Thomas  Search this
Bloodgood, S. DeWitt (Simeon DeWitt), 1799-1866  Search this
Bryant, William Cullen, 1794-1878  Search this
Carey, Edward L., 1806-1845  Search this
Childs, Cephas Grier, 1793-1871  Search this
Clark, Lewis Gaylord, 1808-1873  Search this
Cummings, Thomas Seir, 1804-1894  Search this
Dexter, Franklin, 1793-1857  Search this
Dunlap, William, 1766-1839  Search this
Durand, Asher Brown, 1796-1886  Search this
Gilmor, Robert, 1774-1848  Search this
Greene, George Washington, 1811-1883  Search this
Ingham, Charles Cromwell, 1796-1863  Search this
Leslie, Charles Robert, 1794-1859  Search this
Mason, Jonathan, 1795-1884  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Morton, John Ludlow, 1792-1871  Search this
Pratt, Henry Cheever, 1803-1880  Search this
Reed, Luman, d. 1836  Search this
Ridner, John P.  Search this
Spencer, Mark  Search this
Sturges, Jonathan, 1802-1874  Search this
Town, Ithiel, 1784-1844  Search this
Townsend, Isaiah  Search this
Trego, Charles B., 1794-1874  Search this
Van Rensselaer, William P.  Search this
Ver Bryck, Cornelius, 1813-1844  Search this
Wadsworth, Daniel, 1771-1848  Search this
Ward, Samuel Gray  Search this
Weir, Robert Walter, 1803-1889  Search this
Wright, Ambrose  Search this
Extent:
7 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Sketchbooks
Date:
1821-1863
Scope and Contents:
Notebooks; sketchbooks; drawings; letters; manuscript poems; catalogs; paintbrushes.
REEL D40: ca. 575 drawings.
REEL D6: Letters, manuscript poems, catalogs and a sketchbook dated March 10, 1832.
REEL D39: 2 v. of notebooks; 1825, and 18 v. of sketchbooks, 1827-1847. Cole sketches mainly in New York State, The White Mountains, England, Italy, and Catskill, N.Y.
REELS ALC 1- ALC 4: Correspondence with Cole, including letters from friends, family, artists, and others; journals; notes; essays; lectures; poetry; clippings; and financial records.
Correspondents include: William Althorpe Adams, Samuel James Ainsley, Francis Alexander, Theodore Allen, Washington Allston, Thomas B. Ashton, Edwin T. Bennet, Simeon D. Bloodgood, William C. Bryant, Edward L. Carey, Cephas G. Childs, Lewis G. Clark, Thomas S. Cummings, Franklin Dexter, William Dunlap, Asher B. Durand, Robert Gilmor, George W. Greene, Charles C. Ingham, Charles R. Leslie, Jonathan Mason, Samuel F. B. Morse, John L. Morton, Henry C. Pratt, Luman Reed, John P. Ridner, Jonathan Sturges, Ithiel Town, Isaiah Townsend, Charles B. Trego, William P. Van Rensselaer, Cornelius Ver Bryck, Daniel Wadsworth, Samuel Ward, Robert W. Weir, Ambrose Wright, and others.
Biographical / Historical:
Painter; Catskill, N.Y. Cole lived most of his life in New York City even though he studied abroad. He was elected member of National Academy in 1826.
Provenance:
Material on reels D6, D39, D40 lent for microfilming 1961 by the Detroit Institute of Art. Material on reels ALC 1-ALC 4 lent for microfilming 1964 by the New York State Library. Paintbrushes were discovered 1964 by S.J. Fishburne, Albany Institute restorer, in basement of Cole's house. He turned them over to the Institute's director, Janet MacFarlane, who donated them to AAA, 1965.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Landscape painting -- New York (State)  Search this
Hudson River school of landscape painting  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.colethom
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-colethom

Irving F. Burton papers

Creator:
Burton, Irving F. (Irving Frederick), 1918-  Search this
Names:
Gropper, William, 1897-1977  Search this
James McNeill Whistler, 1834-1903  Search this
Johnson, Eastman, 1824-1906  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Sargent, John Singer, 1856-1925  Search this
Sloan, John, 1871-1951  Search this
West, Benjamin, 1738-1820  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1816-1967
Scope and Contents:
Files on artists in Burton's collection; and letters, documents and printed material collected by him.
Files: 58 files on artists in Burton's collection primarily containing a few photographs of works of art. Also found in the files are photocopies of notes, letters from curators and dealers, and printed material. Artists include Thomas Anshutz, Claude Bentley, Albert Bierstadt, Albert Blakelock, Warren Brandy, Charles Burchfield, Rosalba Carriera, William M. Chase, Thomas Cole, Jasper F. Cropsey, Charles Culver, Stuart Davis, Charles Demuth, Roelof De Vries, Thomas W. Dewing, Asher B. Durand, George H. Durrie, Thomas Eakins, Lyonel Feininger, Morris Graves, William Harnett, Childe Hassam, Marsden Hartley, Martin Johnson Heade, Winslow Homer, Edward Hopper, Thomas Hovenden, George Inness, Eastman Johnson, James Kearns, John F. Kensett, Earl Krentzin, Le Gendre, John Marin, Reginald Marsh, Gari Melchers, Jerome Myers, George L. K. Morris, Guy Pène du Bois, John F. Peto, Maurice Prendergast, Constance Richardson, Theodore Robinson, John Singer Sargent, Sarkis Sarkisian, Ben Shahn, Charles Sheeler, Everett Shinn, Adam Silo, John Sloan, Tintoretto, Mark Tobey, John Vanderlyn, Elihu Vedder, Robert Vickery, Franklin Watkins, Max Weber, and James McNeill Whistler. These files are unmicrofilmed.
Letters and other manuscript materials include: a letter from William Gropper to Burton (1964) discussing a museum's purchase of Yasuo Kuniyoshi's portrait of Gropper, and mentioning Gropper's spatter technique; a letter from Eastman Johnson, dated June 8, 1985 to an unknown recipient; a document certifying an artist's shipment, signed by Benjamin West, July 20, 1819; and 3 letters written by John Singer Sargent to: S.H. Church, July 3, 1906, to Mr. Lull, June 15, 1922, and to Mrs. Winthrop Chandler, June 12, 1924. The letter to Church declines an invitation to the dedication of the new Carnegie Institute in spring 1907.
Printed materials include: a book REPORT OF THE SUPERINTENDENT OF THE U.S. COAST SURVEY FOR 1854 (published in 1855) with an engraving "View of the Eastern Extremity of Anacapa Island - From the Southward" by James McNeill Whistler in the margin of a map in the appendix; a book GIST OF ART by John Sloan (1944) inscribed "To an old friend J. K. Hulliung / John Sloan, Hotel Chelsea, April 1951," decoratively bound by Hulliung and held in a fur-covered box and containing 3 clippings about Sloan (1949-1951); a book AN ISLAND GARDEN by Celia Thaxter with illustrations by Childe Hassam (1894); a calendar, AMERICAN BLOCK PRINT CALENDAR with a print by a different artist for every week of the year (1937).
Biographical / Historical:
Art collector; Detroit, Mich. Dr. Burton's collection consisted of mainly 19th and 20th century American paintings. He started his collection in 1957. The first purchases were two paintings by Edward Hopper and Morris Graves, through a show sponsored by the Friends of Modern Art at the Detroit Institute of Arts. By 1966, the collection consisted of over 60 paintings, drawings and etchings, and over 100 objects such as pottery, bronzes, glass, etc.
Other Title:
John Singer Sargent papers (microfilm title)
Benjamin West papers (microfilm title)
Provenance:
Donated by Irving Burton, 1962-1997. Three books were placed in AAA's library.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Art -- Collectors and collecting -- United States  Search this
Art, American  Search this
Identifier:
AAA.burtirvi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-burtirvi

Young Child in Red Holding a Rattle

Artist:
William Matthew Prior, 16 May 1806 - 21 Jan 1873  Search this
Sitter:
Unidentified Child  Search this
Medium:
Oil on board
Dimensions:
31.8 × 25.4cm (12 1/2 × 10")
Type:
Painting
Date:
c. 1830 - 1870
Topic:
Interior  Search this
Toy\Rattle  Search this
Equipment\Rope  Search this
Home Furnishings\Curtain  Search this
Costume\Dress Accessory\Bow  Search this
Portrait  Search this
Object number:
DLR01809
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4886631ef-4dad-4812-a728-66e50af8bed6
EDAN-URL:
edanmdm:npg_DLR01809

Unidentified Child

Attribution:
James Reid Lambdin, 10 May 1807 - 31 Jan 1889  Search this
Sitter:
Unidentified Child  Search this
Medium:
Oil on canvas (?)
Dimensions:
Not available
Type:
Painting
Date:
1827
Topic:
Nature & Environment\Clouds  Search this
Exterior\Landscape  Search this
Exterior\Sky  Search this
Costume\Footwear\Shoes  Search this
Nature & Environment\Plant\Foliage  Search this
Nature & Environment\Plant\Flower\Rose  Search this
Nature & Environment\Rock  Search this
Nature & Environment\Plant\Grass  Search this
Costume\Dress Accessory\Ribbon  Search this
Portrait  Search this
Credit Line:
Owner: Middleton Place Foundation
Website: https:www.middletonplace.org
Object number:
SC120001
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4d7bd90fc-3494-4388-a55d-f1012105d668
EDAN-URL:
edanmdm:npg_SC120001

Child Seated

Alternate Title:
Unidentified Child
Artist:
Benjamin West, 10 Oct 1738 - 11 Mar 1820  Search this
Sitter:
Unidentified Child  Search this
Medium:
Graphite on medium, slightly textured, cream, laid paper
Dimensions:
Sheet (estimate): 15.9 × 9.7cm (6 1/4 × 3 13/16")
Type:
Drawing
Date:
c. 1760-1820
Topic:
Portrait  Search this
Credit Line:
Owner: Yale Center for British Art
Object number:
B1975.4.785
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4ad197a97-be28-4ad9-83d9-c6c9890dba1f
EDAN-URL:
edanmdm:npg_B1975.4.785

Colonel Thomas Taylor and a Grandchild

Artist:
James Deveaux, 12 Sep 1812 - 28 Apr 1844  Search this
James Bowman, 1793 - 1842  Search this
Sitter:
Thomas Taylor, 1743 - 1833  Search this
Unidentified Child  Search this
Medium:
Oil on canvas
Dimensions:
71.1 × 58.4cm (28 × 23")
Type:
Painting
Date:
c. 1830
Topic:
Exterior  Search this
Equipment\Smoking Implements\Pipe  Search this
Thomas Taylor: Male  Search this
Thomas Taylor: Military\Army\Officer\Colonel  Search this
Thomas Taylor: Politics and Government\State Legislator\South Carolina  Search this
Thomas Taylor: Natural Resources\Agriculturist\Landowner  Search this
Thomas Taylor: Military\Militia\Militiaman\Revolution  Search this
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
PC991968
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4e3ad35c8-88b0-4e2c-8dde-5c877a95fc19
EDAN-URL:
edanmdm:npg_PC991968

Two Children

Artist:
George Cooke, 1793 - 1849  Search this
Sitter:
Unidentified Child  Search this
Unidentified Boy  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher (estimate): 83.8 x 73.7cm (33 x 29")
Type:
Painting
Date:
c. 1830
Topic:
Symbols & Motifs\Medal  Search this
Nature & Environment\Animal\Cat  Search this
Unidentified Boy: Male  Search this
Portrait  Search this
Credit Line:
Owner: Dumbarton House, National Society of the Colonial Dames of America
Website: www.dumbartonhouse.org
Object number:
DH36.7
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm48c937a52-aab5-4616-8b11-7d373308f998
EDAN-URL:
edanmdm:npg_DH36.7

Unidentified Woman and Child

Artist:
Frederick W. Mayhew, 1785 - 1854  Search this
Sitter:
Unidentified Woman  Search this
Unidentified Child  Search this
Type:
Painting
Date:
1823
Topic:
Unidentified Woman: Female  Search this
Portrait  Search this
Credit Line:
Owner: Private Collection
Object number:
MA990194
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm493d64e7f-0f58-47c6-925c-01a9b1304dc8
EDAN-URL:
edanmdm:npg_MA990194

Child

Artist:
Clarissa Peters Russell, 1809 - 1854  Search this
Sitter:
Unidentified Child  Search this
Medium:
Watercolor on ivory
Dimensions:
6.5 x 5.3cm (2 9/16 x 2 1/16")
Type:
Painting
Date:
n.d.a.
Topic:
Miniature  Search this
Portrait  Search this
Credit Line:
Owner: The Metropolitan Museum of Art
Website: https://www.metmuseum.org/
Object number:
2006.235.191 MMA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm444b60be7-a376-462e-a56b-7c19e2c15c2a
EDAN-URL:
edanmdm:npg_2006.235.191_MMA

Unidentified Child

Attribution:
Gilbert Stuart, 3 Dec 1755 - 9 Jul 1828  Search this
Sitter:
Unidentified Child  Search this
Medium:
Oil on canvas
Dimensions:
127.3 x 102.2cm (50 1/8 x 40 1/4")
Type:
Painting
Date:
n.d.a.
Topic:
Exterior\Landscape  Search this
Nature & Environment\Plant\Tree  Search this
Nature & Environment\Animal\Dog  Search this
Portrait  Search this
Credit Line:
Owner: J. B. Speed Art Museum
Website: www.speedmuseum.org/
Object number:
KY010013
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4cd91e764-4f41-41ec-a8a6-71e5bed2da3d
EDAN-URL:
edanmdm:npg_KY010013

Family Group of Four on Sofa

Artist:
Unidentified Artist  Search this
Sitter:
Unidentified Group  Search this
Unidentified Woman  Search this
Unidentified Child  Search this
Unidentified Child  Search this
Unidentified Man  Search this
Medium:
Oil on canvas
Dimensions:
91.4 x 132.7cm (36 x 52 1/4")
Type:
Painting
Date:
c. 1830s
Topic:
Home Furnishings\Curtain  Search this
Home Furnishings\Furniture\Seating\Couch  Search this
Home Furnishings\Furniture\Seating\Couch  Search this
Unidentified Man: Male  Search this
Unidentified Woman: Female  Search this
Portrait  Search this
Credit Line:
Owner: The Metropolitan Museum of Art
Website: https://www.metmuseum.org/
Object number:
1970.283.4 MMA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4dae49aec-65ed-4668-ba5c-6b128565be45
EDAN-URL:
edanmdm:npg_1970.283.4_MMA

Mother and Son

Artist:
Henry Inman, 28 Oct 1801 - 17 Jan 1846  Search this
Sitter:
Unidentified Woman  Search this
Unidentified Child  Search this
Medium:
Oil on canvas
Dimensions:
55.9 x 40.3cm (22 x 15 7/8")
Type:
Painting
Date:
c. 1830
Topic:
Costume\Headgear\Hat  Search this
Exterior\Landscape  Search this
Architecture  Search this
Nature & Environment\Plant  Search this
Unidentified Woman: Female  Search this
Portrait  Search this
Credit Line:
Owner: The Nelson-Atkins Museum of Art
Website: www.nelson-atkins.org/
Object number:
33-4/2
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm416dea642-7339-4e0c-b382-aef01d8f9fc0
EDAN-URL:
edanmdm:npg_33-4_2

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