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Charlene Hodges Byrd collection

Creator:
Byrd, Charlene Hodges, 1929-2009  Search this
Names:
Morgan State College  Search this
Bearden, Romare, 1911-1988  Search this
Cummings, Ida R. (Ida Rebecca), 1868-1958  Search this
Douglass, Frederick, 1817?-1895  Search this
Grimké, Francis J. (Francis James), 1850-1937  Search this
Hodges, Joyce Ethel Cummings, 1903-1971  Search this
Shimm, Erminie F. (Erminie Florence), 1867-1936  Search this
Shimm, Sarah A., 1843-1885  Search this
Thomas, Elizabeth N. (Elizabeth Nelson), d. 1932  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
43 Linear feet (35 document boxes and 39 oversize boxes)
Type:
Collection descriptions
Archival materials
Place:
Washington (D.C.)
Date:
circa 1750-2009
bulk 1880-1960
Summary:
The Charlene Hodges Byrd collection measures 43 linear feet, and dates from circa 1750-2009, with the bulk of the material dating from 1880-1960. The collection documents the personal life and professional career of Charlene Hodges Byrd, an African American teacher from Washington, D.C., along with material for several related families from Pennsylvania, Maryland, and Washington, D.C. Family members prominently represented include Sarah A. Shimm, teacher and essayist under the name Faith Lichen; her daughters Erminie F. Shimm and Grace E. Shimm Cummings, both teachers; and Byrd's mother, Joyce Ethel Cummings Hodges, also a teacher. Correspondence and writings chiefly discuss family life, religion, race, education, and the relationship with Frederick Douglass and his family. The collection is arranged in 10 series: Biographical Material, Correspondence, Writings, Subject Files, Financial and Legal Records, Printed Material, Volumes, Memorabilia, Textiles, and Photographs.
Scope and Contents:
Series 1. Papers related to biographical and family histories of the Byrd, Cummings, Davage, Dews, Hodges, Shimm, Spruill, and Thomas families. Material includes family trees; school diplomas and certificates; programs; awards; marriage and divorce papers; funeral documents; and obituaries.

Series 2: Chiefly letters from family and friends regarding family news, financial matters, school, work, neighborhood affairs, church events, travel and the weather. The majority of the letters are addressed to Charlene Hodges Byrd, Grace E. Shimm Cummings, Ida R. Cummings, Elizabeth Dews Hodges, Joyce Ethel Cummings Hodges, Erminie F. Shimm, Sarah A. Shimm, and Elizabeth N. Thomas. Other correspondence includes letters from Booker T. Washington, Bessye Beardon, Charlotte Davage, Amelia Douglass, and Harrell S. Spruill. There are also a number of greeting cards, postcards, and empty envelopes.

Series 3. Writings include essays, speeches, papers written for school, teacher's notebooks, and a diary of Erminie F. Shimm, 1903. Topics include education, Frederick Douglass, religion, race, Africa, and the temperance movement.

Series 4. Subject files on Charlene Hodges Byrd's involvement with Alpha Kappa Alpha Sorority; Book Lovers of Charleston, West Virginia, a women's book club organized in 1923; Church Women United radio program; and The Links, Inc., a volunteer service organization. The papers on Liberia relate to missionary work, and were probably gathered by Erminie F. Shimm; and the Shimm-Thomas Collection are papers related to the deposit and later return of family items housed as a collection at Morgan State College.

Series 5. The financial and legal records include invoices and receipts, bank books, real estate tax assessments, deeds, and wills. There is also material related to the estate of Erminie F. Shimm.

Series 6. Printed materials includes books, pamphlets, newspapers, newsletters, clippings, invitations and programs. The books and pamphlets are chiefly school yearbooks and newspapers and other texts related to religion, politics, music, and poetry. Also included is a copy of Frederick Douglass's autobiography and a printed copy of his speech "The Race Problem." The clippings include obituaries, articles about Charlene Hodges Byrd and her husband Charles R. Byrd, essays by Sarah A. Shimm under the name Faith Lichen, and articles on the assassination of Martin Luther King, Jr. The invitations and programs are primarily for school graduations, weddings, social events, and funerals. Other printed material includes newsletters; business cards; calling cards; postage stamps, chiefly from Liberia; and blank postcards. The binder on Frederick Douglass was prepared by Byrd and her goddaughter for the West Virginia School Studies Fair, and includes copies of Byrd family artifacts.

Series 7. Autograph books, guest books, and scrapbooks. The autograph book of Grace E. Shimm Cummings includes autographs from Amelia Douglass, Lewis B. Douglass, Charles R. Douglass, W. H. Clair, and Francis J. Grimke. The scrapbook of Grace E. Shimm Cummings and Erminie F. Shimm consists primarily of clippings, and was assembled from an old teacher's book with a student registration and punishment pages still intact at the back.

Series 8. Miscellaneous items in the collection including artwork, a coin purse, a piece of handwoven cloth belonging to Catherine Nelson's great grandmother, and leather hair curlers.

Series 9: The textiles are chiefly christening gowns, children's garments, and an apron. Several garments belonged to Joyce Ethel Cummings Hodges, Charlene Hodges Byrd, and Elizabeth N. Thomas. There is also a doll that belonged to Amelia Douglass's niece, Kitty Cromwell.

Series 10. Photographs include pictures of Charlene Hodges Byrd, Joyce Ethel Hodges Cummings, Frederick Douglass, Elizabeth Dews Hodges, Charles Gilmor Cummings, Grace E. Shimm Cummings, Erminie F. Shimm, and other friends and relatives of the Byrd, Hodges, Cummings, Douglass, and Shimm families. Subjects are primarily portraits and candids, along with some wedding, baby, and school pictures. While some of the photographs are annotated, many of the individuals are unidentified. Included are vintage photographs, cabinet cards, cartes-de-visites, tintypes, daguerreotypes, and negatives.
Biographical / Historical:
The Shimm, Thomas, Cummings, Hodges, Davage, and related African American families chiefly lived in Virginia, Pennsylvania, Maryland, and Washington, D.C. Numerous family members worked as teachers, barbers, or in the service industry. They were active in local churches and service organizations, and had established friendships with local church leaders as well as with Frederick Douglass and his family.

The Shimm and Thomas families were located in Virginia, Pennsylvania, Maryland, and Washington, D.C. The Thomas family can be traced back to Philip Nelson, who owned property in Leesburg, Virginia and Philadelphia, Pennsylvania. Family genealogical papers list Nelson as a descendent of British Admiral Horatio Nelson. This lineage, however, is not supported in publically available family histories of Horatio Nelson. Philip Nelson and his wife Araminta had five children: Catherine (b. 1805?), William, Levi (b. 1820?), Henrietta, and Grayson.

Catherine Nelson married Elias E. Thomas (b. 1816?) of Virginia in 1840. They wed in Philadelphia and had five children: Levi Nelson (b. 1841), Sarah (1843-1885), Edward (b. 1844), Elizabeth (1848-1932), and Charles (b. 1851).

Sarah Thomas married William Y. Shimm (b. 1841), a barber in Reading, Pennsylvania, on July 26, 1863. They had 2 daughters, Erminie (1867-1936) and Grace (1865-1910). The Shimms lived in Pennsylvania and Ohio, but had moved to Washington, D.C., around 1871. Sarah was a teacher and a writer who published under the name "Faith Lichen." Her writings, primarily essays and commentaries about race and politics, were printed in several newspapers including The National Republican, The Celtic Weekly, The People's Advocate, and The Sunday Morning Gazette.

Sarah's sister Elizabeth was also a teacher in Maryland. Her brother Charles was a lawyer in Washington, D.C., and a graduate of the first class at Howard University's law school.

Erminie and Grace Shimm became teachers in the Washington, D.C., public school system. Erminie was active in her church and supportive of missionary work in Liberia. Grace married Charles Gilmor Cummings, a pastor in Alexandria, Virginia, on July 9, 1902. They had one daughter, Joyce Ethel (1903-1971), and second child in 1905 who died in infancy. Grace died in 1910 of heart failure. After her death, Grace's sister Erminie and Charles's family helped raise Joyce Ethel in Washington, D.C., and Baltimore, Maryland.

Joyce Ethel Cummings Hodges graduated from Morgan College in 1924, and received her master's degree from Howard University in 1931. She taught at Douglass High School in Baltimore from 1924-1964. Joyce Ethel married Charles E. Hodges (1900--975) in 1927 and they divorced in 1953. The couple had one daughter, Charlene (1929-2009).

Charlene Hodges Byrd grew up in Washington, D.C., but attended the Northfield School for Girls in East Northfield, Massachusetts, for high school, graduating in 1946. She received her bachelor's degree from Connecticut College in 1950, and her master's degree in English Language and Literature from the University of Chicago in 1951. She married Charles R. Byrd (1919-2004) in 1952. They had one son in 1954, but he died four days after birth. Byrd soon began a career as a teacher and education administrator, eventually working for Kanawha County Schools in Charleston, West Virginia. She was also active in her local community as a member of the Book Lovers of Charleston, West Virginia; Church Women United; and The Links, Inc.

Charles E. Hodges was born Bridgewater, Virginia, where his father was a minister. He graduated from Morgan College in 1923 and received his master's degree from the University of Pennsylvania in 1943. He was a teacher and served as principal of the North Street School in Hagerstown, Maryland. After he and Joyce Ethel divorced in 1953, he married Elizabeth Dews (1913-1999) in 1955.

Elizabeth Dews Hodges, born Elizabeth Virginia Waumbeeka, was adopted by James Edward (1889-1954) and Sarah Virginia Dews (1888?-1964) in Washington, D.C., in 1920. She graduated from Miner Teachers College in 1939, and worked as a teacher in Annapolis, Maryland, at Wiley H. Bates High School for 34 years. She was awarded a medal for her work there by the Freedom Foundation of Valley Forge in 1959. Elizabeth was active in local organizations in Maryland and Washington, D.C., including the SE/NE Friends of the Capitol View Branch Library; Eastern Star Chapter 4; Mount Ephraim Baptist Church; National Museum of Women in the Arts; National Association for the Advancement of Colored Peoples; and the Columbia Lighthouse for the Blind.

The Davage family is descended from Sidney Hall (b. 1818?) and Charles Davage (b. 1815?). Sidney was a former slave at the Perry Hall mansion in Baltimore, and was manumitted by 1840. She married Charles, a coachman, on April 12, 1842. They had five children: Eliza Jane (1843-1913), Sophia (b. 1847), Charlotte (b. 1849), Charles (b. 1854), and Hester (b. 1845). Their daughter Eliza Jane married Henry Cummings (b. 1830?). They had seven children: Harry Sythe (1866-1917), Charles Gilmor (1870-1924), William (b. 1882), Ida R. (1868-1958), Estelle (1874-1944), Carroll (b. 1875), Francis (b. 1872), and Aaron (1864?-1932).

Harry Sythe Cummings, a lawyer in Baltimore, became the city's first African American City Council member. He was first elected in 1890 and served intermittently until his death in 1917, often working on issues related to education. Cummings also delivered a speech at the Republican National Convention in 1904 seconding the presidential nomination of Theodore Roosevelt. He married Blanche Conklin in 1899, and they had three children: Harry S. Jr. (b. 1905), Lucille (d. 1906), and Louise.

Charles Gilmor Cummings graduated from Drew Theological Seminary in 1898, and was a pastor in Alexandria, Virginia and elsewhere. After the death of his wife Grace in 1910, he married Rosa Catherine Bearden, grandmother of artist Romare Bearden, in 1912.

Ida R. Cummings graduated from Morgan College in 1922, and was the first African American kindergarten teacher in Baltimore. She was also active in local organizations, and was president of the Colored Fresh Air and Empty Stocking Circle; chairman of the Woman's Section Council of Defense in Baltimore during the World War, 1914-1918; and president of the Woman's Campaign Bureau of the Colored Republican Voters' League of Maryland.
Provenance:
The Charlene Hodges Byrd collection was donated to the National Museum of African American History and Culture by Herbert S. Garten, co-personal representative of the Estate of Charlene H. Byrd, in 2010.
Restrictions:
Access to collection requires appointment.
Rights:
This collection is subject to all copyright laws.
Topic:
African Americans -- Maryland  Search this
African Americans -- Photographs  Search this
African American families  Search this
African Americans -- Pennsylvania  Search this
African American newspapers  Search this
African American -- Social life and customs  Search this
African American women journalists  Search this
African Americans -- Education  Search this
African American churches  Search this
African American educators  Search this
African Americans -- Washington (D.C.)  Search this
Citation:
Charlene Hodges Byrd collection, circa 1750-2009. National Museum of African American History and Culture, Smithsonian Institution.
Identifier:
NMAAHC.2010.26
See more items in:
Charlene Hodges Byrd collection
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_collection:sova-nmaahc-2010-26
Online Media:

Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
7.38 Cubic feet (consisting of 12 boxes, 2 folders, 11 oversize folders, 1 map case folder, 3 boxes (1 full, 2 partial), plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Advertising
Advertising fliers
Advertising cards
Advertising mail
Advertisements
Beverage labels
Business cards
Business letters
Business ephemera
Business records
Caricatures
Catalogues
Commercial catalogs
Commercial correspondence
Correspondence
Ephemera
Invoices
Illustrations
Labels
Instructional materials
Legal documents
Legislation (legal concepts)
Letterheads
Mail order catalogs
Manuals
Manufacturers' catalogs
Menus
Periodicals
Printed ephemera
Print advertising
Publications
Recipes
Receipts
Sales catalogs
Sales letters
Sales records
Signs (declaratory or advertising artifacts)
Trade catalogs
Trade cards
Trade literature
Date:
1743-1963
bulk 1846-1962
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents note:
In 1953, Warshaw launched a year-long collecting campaign, soliciting material on whiskey and wine. He expanded this effort to also include items related to the drinking habit of notable persons. This category was originally labeled "whiskey" but has been retitled as the content covers a wide variety of distilled beverages, spirits, liquors, liqueurs, and hard alcohol.

The bulk of the content is print material in the form of advertising, circulars, price lists, marketing and promotional items with also a sampling of business records consisting of transactional documents such as receipts, invoices, correspondence, and import/export paperwork. Some bottle labels and a couple of packaging examples are present, as are drink recipe booklets and entertainment/pairing guides. Only a small portion of this series covers regulatory aspects such as licensing and taxation, including a Prohibitionists' Text-Book from 1880. The rich volume of advertising provides much in the way of visuals regarding the culture of drinking and entertainment through several 19th and 20th Century eras.

The Warshaw Survey Campaign Records series provides insight to his collection building strategy. Samples of his outbound solicitations exist and to a greater extent, the inbound replies help demonstrate his process and some of the relationships he had with institutions, businesses, and individuals. Of particular note are some of the anecdotal responses, plus several essays and memoir pieces related to the effects of alcohol consumption; not always positive, not always negative.

See also Warshaw Collection of Business Americana, Series 2: Other Collection Divisions, Liquor & Wine Labels and Advertisements, 1893-1905, which contains two additional boxes of scrapbooks filled with printed advertisements, dealers' receipts, labels and drink recipe books.
Arrangement note:
Whiskey, Liquor, and Spirits is arranged in five subseries.

Business Records and Marketing Material

Genre

Subject

Warshaw's Whiskey and Wine Survey and Collecting Campaign Records

Oversize Material
Brand Name Index:
The following is a list of brand names for various alcoholic beverages and related names that appear on this list is a compilation of those found on materials in the vertical document boxes. It is not a complete list of all the brand names for whiskey.

Brand Name Index

Brand Name -- Manufacturer

Adam Schneider's Dutch -- Seagram Distillery

Alleghany -- Phoenix Mills Dist.Co.

Ambassador -- Taylor & Ferguson

Ancestor -- John Dewar & Sons

Anderson Co. Club -- Phoenix Mills Dist. Co.

Angostura Bitters -- Philip Goldberg

Antiquary -- Jas. Hardie

Apry -- Schieffein & Co.

Arkansas Traveler -- Seagram Distillers

B & B -- Wright & Taylor

Bailey' s -- Huey & Christ

Banquet -- Ginter Co.

Barton -- Revere Distilling Co.

Bay State -- Revere Distilling Co.

Beechwood -- Applegate & Sons

Beefeater -- Kobrand Corp.

Big Cat -- General Distillers Corp.

Black & White -- Fleischmann Dist.

Black Warrior, The -- Seagram Distillers

Blue Blood Club -- Kentucky Liquor Co.

Blue Ribbon -- Altschul Distilling Co.

Bombay -- A. M. Penrose

Bond & Lillard -- W.H. McBrayer

Bonnie Brae -- Cobb Hersey Co.

Bos -- Pease Son & Co.

Bottoms Up -- Brown-Forman Distillery Co.

Briar Mint -- Cincinnati Distillers

Briar Mint -- General Distillers Corp.

Brunswick Club -- H.& H.W. Catherwood

Buckingham -- Venable & Heyman

Burks Spring -- Thos. L. Smith & Sons

Cabinet -- Woodrow & George

Canadian Club -- Hiram Walker & Son

Cap'n Jack -- Cincinnati Distillers

Carioca -- Schenley Co.

Carstairs -- Stewart Distilling Co.

Cedar Brook -- Wm.H. McBrayer

Cedar Valley -- Weideman, Holmes & Co.

Cee Bee Sloe Gin -- Cook & Bernheimer Co.

Celery -- Cook & Bernheimer Co.

Charteuse -- Shieffein & Co.

Cherry Heering -- Schenley Import Co.

Chivas Regal -- General Wine & Spirits Co.

Churchill 88 -- Fleischmann Distilling Corp.

Clover Club -- Boyle & McGlinn

Club, The -- G.F. Heublein & Bros.

Club House -- M. Shaughnessy & Co.

Cold Spring Jockey Club -- John Kissel & Son

Commodore -- J. Brown & Co.

Commonwealth Club -- Cobb Hersey Co.

Corby's -- Jas. Barclay & Co.

Cordon Bleu -- Martell

Coates Plymouth -- Schiefflin & Co.

County Chairman -- General Distillers Corp.

Courvoisier -- W.A. Taylor & Co.

Crcaker Jack -- General Distillers Corp.

Creme Yvette -- Sheffield Co.

Cuckoo -- Rex Distilling Co.

Cutty Shark -- Berry Bros . & Rudd Ltd.

Dekuyper -- National Distillers Products

Dewey's Victory -- A.B. Sheaffer

Dews of Erin -- Cobb Hersey Co.

D.J.A. -- David & John Anderson Ltd.

D.O.M. Benedictine -- Julius Wile Sons

Drambuie -- W.A.Taylor & Co.

Drip Rock -- Cold Spring Distilling

Duff Gordon -- Munson G. Shaw Co.

Eagle Liqueur -- Rheinstrom Bros .

Early Times -- Brown-Forman Distillery

Gold Dust -- A.R. Champney Co.

El Bart -- Camberwell Distillery

Embassy Club -- Continental Distilling

Empire Club -- G.F. Coshland & Co.

Everett Spring -- Cobb Hersey Co.

Fairfax County -- Austin, Nichols & Co.

Fairview -- Schmidt & Ziegler, Ltd.

Fellsglen -- John E. Fells

Fenbrook -- Charles S. Gove Co.

Fig Rye -- F. Madlener

Four Roses -- Frankfort Distilleries

Fulton -- Myers & Co.

Fundador -- Canada Dry Import Co.

Gair Loch -- Stromness Dist. Co.

Galliano -- McKesson & Robbins

Gaston Fontaine's -- Cobb Hersey Co.

Geneva -- United Dist. Co.

George Mills -- Woodrow & George

Geyser -- Peoples Distilling Co.

Gilbey' s Gin -- National Distillers Prod.ucts

Gold Fax -- Clune & Torpy

Golden Seal -- W. Scott Gillespie

Golden Truth -- Despres Distilling Co.

Grand Marnier -- Carillon Importers Ltd.

Grant 63 -- Revere Distilling Co.

Grandpa' s Delight -- Pembrook Distilling Co.

Grant's Stand Fast -- Austin, Nichols & Co.

Green River -- McCulloch

Greensboro -- Cobb Hersey Co.

Grouse -- Seggerman Slocum

Harrisville -- Cobb Hersey Co.

Harvest Home -- Seagram Distillers

Hazel Dell -- Rheinstrom Bros.

Heather Blossom -- B.H.R. Distilling Co.

Hennessy -- Schieffein & Co.

Hillside -- Steinhardt Bros. & Co.

Hine Cognac -- 21 Brands Inc.

Hoffman House -- P.H. Hamburger

Holland Process -- Rosenberger Bros.

Home Comfort -- Max Stiner & Co.

House of Lords -- Wm.Whitely & Co.

House of Lords -- W.A. Taylor & Co.

Hunter -- Wm. Lanaham & Sons

Imperial -- Hiram Walker & Sons

Inverness Club -- J.W. Cheesman Co.

Irish Mist -- Munson G. Shaw Co.

Jackson Club -- O'Bryan Bros.

Jefferson -- Seagram Distillers

Jessie Moore -- General Distillers Corp

Joel Hill -- Woodrow & George

Jockey Club -- Excelsior Distilling Co.

J.& F. Martell's Brandy -- G.S.Nicholas & Co.

Kenton Belle -- Simon Kenton Co.

Kentucky Favorite -- United Dist. Co.

Kentucky Gentleman -- Barton Distilling Co.

Kentucky Nectar -- General Distillers Corp

Kentucky Tavern -- Glenmore Distillers

Keuka Club -- O'Dea Home Supply Co.

Keystone -- Wm.H.Graham & Co.

Kilty -- R.Thorne & Sons, Ltd.

King -- Brown-Forman Distillery

King's Ransom -- Edradour Distillery

King's Ransom -- Wm. Whitely & Co.

Kuban -- General Distillers Corp

Laganda Club -- Altschul Distilling Co

Lamplighter -- J.& w . Nicholson Co.

Latonia Club -- Sheldon Co.

La Rojena (Jose Cuervo) -- Young' s Market

Lechmere -- Doyle, F.M. & Co.

Lemon Hart -- Julios Wile Sons

Lick Run -- General Distillers Co.

Lindenwood -- Spiess & Bachenheimer

London Dry -- Sir Robert Burnett & Co

London Gin -- Wm. Reed

Lorraine Club -- Felix Coblentz & Co.

MacNaughton -- Schenley Co.

Maker' s Mark -- Star Hill Distilling Co

Mammoth Cave Springs -- Seagram Distillers

Manhattan Club -- Mac Stiner & Co.

Maryland Club -- John Belt & Co.

Mentor -- Ginter Co.

Monitor -- J.C. Childs & Co.

Mosaic -- People's Distilling Co.

Mount Vernon -- Cook & Bernheimer

Mount Vernon -- Mannis Distilling

Mouquin -- Austin, Nichols & Co.

Myers -- General Wine & Spirits Co. Thos. Smith Co.

M & Z -- Thos. Smith Co.

Nectar -- Woodrow & George

Nelson County -- Wm.S.Turner Dist.Co.

Novena -- Rheinstrom Bros.

Number 30 -- General Distillers Corp.

O.F.C. -- Geo. T. Stagg Co.

O.F.C. -- Schenley Co.

Old Amor Rye -- H.W .Huguley Co.

Old Angus -- Train & Mcintrye, Ltd.

Old Anvil -- General Distilleries Corp.

Old Benton -- Excelsior Distilling C

Old Boone -- Wm.S.Turner Dist.Co.

Old Charter -- Wright & Taylor

Old Chuck -- General Distilleries Corp.

Old Crow -- Hermitage Distillery

Old Crow -- H.B.Kirk & Co.

Old Elk -- Stoll, Vanatta & Co.

Old Fitzgerald -- Stitzel-Wellwe Distillery

Old Forester -- Brown-Forman Distillery Co.

Old Goodenough -- United Distributing Co.

Old Grain Belt -- Pure Food Dist. Co.

Old Grist Mill -- John F.Gillespie

Old Hickory Hollow -- Wm. S.Turner Dist.Co.

Old Homestead -- Seagram Distillers

Old Home Still -- Sheldon co. Cocktail

Old Hundred -- Wm.S.Turner Dist.Co.

Old Judge -- Altschul Distilling Co.

Old Lanark -- York Distilling

Old Maid -- Irene Parker Co.

Old Maysville -- Manufacturer Unknown

Old Minden -- Revere Distilling

Old Pilgrim -- Revere Distilling Co.

Old Prentice -- J.T.S.Brown & Sons

Old Pugh -- R.S.Strader & Son

Old Rampart -- General Distillers Corp.

Old Richmond -- Thos. L. Smith Co

Old Rip -- J.C. Childs & Co

Old Saratoga -- Rosskam, Gerstley & Co.

Old '67 Rye -- Wm.S.Turner Dist. Co

Old Star -- A & G J.Caldwell

Old Talent -- Cobb Hersey Co

Old Time -- John N.Thomas & Co.

Old Tom -- Wm.Reed

Old Tom Gin -- DuVivier & Co.

Old Underoof -- Chas.Dennehy & Co

Old Valley -- Woodrow & George

Owl Club -- Wm.S.Turner

Oxford -- Simon Kenton Co.

Paddy -- Cork Distributer

Paddy -- York Distilleries

Paddy -- Austin, Nichols & Co

Paul Jones -- Frankfort Distilleries

Perfection -- D.& J. Mc Callum's

Pernod -- Julius Wile Sons

Pilgrimage -- W.H.McBrayer

Pioneer, The -- Seagram Distillers

Pimm's Cup -- Julius Wile Sons

Pointer -- Gottschalk Co.

Pot Still Gin -- Milshire

Prince Hurbert Polignac -- Dennis & Hippert

Private Stock -- Cincinnati Distillers

Queen Louise -- Rose City Importing Co

Ramshead -- Hannah & Hogg

Red Top Rye -- Ferdinand Westheimer & Sons

Remy Martin -- Renfield Importers Ltd

Richwood -- W.H. McBrayer

Robin Olg -- Geo. Beer & Son

Rock Hill -- Wm.S.Turner

Rock Spring -- Dudley P.Ely

Rock & Rye -- Sheldon co.

Rogers -- United Distributing Co

Ronrico -- General Wine & Spirits Co

Rose Annoo -- Henry Hollander

Rosebud -- Applegate & Sons

Rose Wood -- General Distillers Corp.

Royal Club -- John N.Thomas & Co.

Secrestat Bitters -- G.S.Nicholas & Co.

Sheridan Club -- Despres Distilling Co

Silver Lake -- Seagram Distillers

Silver Thistle -- Hannah & Hogg

Stag -- A.M. Bininger & Co

Stand Fast -- Grant's

Standard -- Steinhardt Bros. & Co.

Sterling -- Steinhardt Bros, & Co.

Storm King -- J.C. Childs & Co.

Strega -- Canada Dry Imprt Co.

Summerfield -- Cobb Hersey Co.

Sunbeam -- Cobb Hersey Co

Sunny Valley -- Revere Distilling Co.

Susquehanna -- W.H. McBrayer

Swan Gin -- Ferd.Ruttman & Son

Sweet Home -- Altschul Distilling Co

Tea Kettle -- W.H.McBrayer

Tia Maria -- W.A.Taylor & Co.

Trimble -- White, Hentz & Co.

Tullamore Dew -- Munson G.Shaw Co.

Upper Ten -- H.& H.W Catherwood

Usher's Whiskey -- G.S.Nicholas & Co.

Virginia Gentleman -- Austin, Nichols & co.

Waterfill & Frazier -- W.H. McBrayer

Whipple Creek -- General Distillers Corp

White Dove -- Revere Distilliing Co.

White Label -- John Krissel & Son

White Label -- John Dewar & Sons

White Lily -- Cobb Hersey Co.

White Horse -- Mackie & Coy

White Seal -- Carstairs

Wild Cat -- Seagram Distillers

Wolf Creek -- Frankfort Distilleries

Woodland -- Crigler and Crigler

w.w.w -- Angela Myers
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Whiskey, Liquor, and Spirits is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising -- Alcoholic beverages  Search this
advertising -- Beverages  Search this
Alcohol  Search this
Alcoholism  Search this
Bars (Drinking establishments)  Search this
Beverages  Search this
Beverages -- 20th century  Search this
Beverages -- advertising -- 1940-1990  Search this
Consumer goods -- Catalogs  Search this
Dining  Search this
Distilleries  Search this
Drinking of alcoholic beverages -- Law and legislation  Search this
Drinking behavior  Search this
Food  Search this
Labels -- Alcoholic beverages  Search this
Labels -- Design  Search this
Medicine  Search this
Restaurants  Search this
Retail trade  Search this
Restaurants -- United States  Search this
Taverns (Inns)  Search this
Trade associations  Search this
Genre/Form:
Advertising
Advertising fliers
Advertising cards
Advertising mail
Advertisements
Beverage labels
Business cards
Business letters
Business ephemera
Business records
Caricatures
Catalogues
Commercial catalogs
Commercial correspondence
Correspondence
Ephemera
Invoices
Illustrations
Labels
Instructional materials
Legal documents
Legislation (legal concepts)
Letterheads
Mail order catalogs
Manuals
Manufacturers' catalogs
Menus
Menus -- 20th century
Menus -- 21st century
Menus -- 1940-1950
Periodicals
Printed ephemera
Print advertising
Publications
Publications -- Business
Recipes
Receipts
Sales catalogs
Sales letters
Sales records
Signs (declaratory or advertising artifacts)
Trade catalogs
Trade cards
Trade literature
Citation:
Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Whiskey
See more items in:
Warshaw Collection of Business Americana Subject Categories: Whiskey, Liquor, and Spirits
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-whiskey
Online Media:

Warshaw Collection of Business Americana Subject Categories: Women

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
1.45 Cubic feet (consisting of 3 boxes, 2 folders, 2 oversize folders, 1 map case folder, plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Speeches
Monographs
Newsclippings
Fliers (printed matter)
Clippings
Newspaper clippings
Books
Realia
Magazines (periodicals)
Plates (illustrations)
Programs
Application forms
Illustrations
Concert programs
Signs (declaratory or advertising artifacts)
Booklets
Publications
Transcriptions
Certificates
Pamphlets
Date:
1787-1964
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The subject category Women documents the Suffrage Movement within the United States, as well as aspects of women's lives and societal contributions. This includes information about women's social lives, fashion, health, occupations, as well as commentary about the roles and expectations of many women in society. There is a notable shortage of material related to women of color.

Women includes newslippings, and material related to pro and anti-Suffrage efforts such as fliers, speeches, monographs, and realia. Outside of Suffrage-related topics, Women also includes artistic prints and images of women, poems about women, and serial publications related to women's issues or oriented towards an audience of women.

Women includes a span of subject materials related to more specfic aspects of women's lives and social commentary. This includes historical overviews of notable women's lives, guides to aspects of womanhood, fashion documentation, literature to promote good health, and background about the role of women in varied trades.

No single subtopic is explored in particular depth, though Women offers general information about various aspects of women's lives and varied social and political environments.
Arrangement:
Women is arranged in three subseries.

Suffrage Movement

Genre

Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Women is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, and it was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published since Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Fashion -- United States -- History -- 20th century  Search this
Women iron and steel workers  Search this
Fashion -- 20th century  Search this
Women laborers  Search this
United States-Social life and customs  Search this
Health  Search this
Suffragists  Search this
Religion  Search this
Women musicians  Search this
Composers  Search this
Women -- Social life and customs -- 19th century  Search this
Children  Search this
Industry  Search this
Labor  Search this
Childbirth  Search this
Dress  Search this
Fashion design  Search this
Marriages  Search this
Steel industry and trade  Search this
Women -- Political activity  Search this
Journalism  Search this
Social interaction  Search this
Industry -- U.S.  Search this
Women -- Employment  Search this
Women -- Civil rights  Search this
Women -- Health and hygiene  Search this
Children and childbirth  Search this
Clubs  Search this
Women's music  Search this
Social norms  Search this
Women -- Organizations  Search this
Clothing and dress  Search this
Women  Search this
Women's suffrage -- United States  Search this
Composers -- 20th century  Search this
Women's rights  Search this
Child rearing  Search this
Musical performances  Search this
Women employees  Search this
Women's rights -- United States  Search this
Marriage and family -- women, status of  Search this
Marriage  Search this
Women -- Suffrage  Search this
Mental health  Search this
Banking  Search this
Women in music  Search this
Marriage and family  Search this
Women -- Societies and clubs  Search this
Hygiene  Search this
Fashion  Search this
War  Search this
Banks and banking, American -- 19th century  Search this
Music  Search this
Health education  Search this
Women -- Education  Search this
Journalists  Search this
Genre/Form:
Speeches
Monographs
Newsclippings
Fliers (printed matter)
Clippings
Newspaper clippings
Books
Realia
Magazines (periodicals)
Plates (illustrations)
Programs
Application forms
Illustrations
Concert programs
Signs (declaratory or advertising artifacts)
Booklets
Publications
Transcriptions
Certificates
Pamphlets
Citation:
Warshaw Collection of Business Americana Subject Categories: Women, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0060.S01.01.Women
See more items in:
Warshaw Collection of Business Americana Subject Categories: Women
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-women
Online Media:

Mrs. Daniel Strobel, Jr. (Anna Church Strobel) and Her Son George

Alternate Title:
Mrs. Edward Church and Child
Artist:
John Vanderlyn, 15 Oct 1775 - 23 Sep 1852  Search this
Sitter:
Anna Church Strobel, 18th - 19th Century  Search this
George Strobel, ? - 1874  Search this
Formerly identified as:
Sarah Russell Church, 1790? - 1890?  Search this
Medium:
Chalk and white lead on paper
Dimensions:
21.3 x 16.2cm (8 3/8 x 6 3/8")
Type:
Painting
Date:
c. 1799
Topic:
Costume\Jewelry\Earring  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Sarah Russell Church: Female  Search this
Anna Church Strobel: Female  Search this
George Strobel: Male  Search this
George Strobel: Religion and Spirituality\Clergy\Priest  Search this
George Strobel: Politics and Government\Diplomat\Consul  Search this
Portrait  Search this
Credit Line:
Owner: The Metropolitan Museum of Art
Website: https://www.metmuseum.org/
Object number:
17.134.3 MMA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm44dfa816f-0925-43c7-9513-7745df735ee5
EDAN-URL:
edanmdm:npg_17.134.3_MMA

John Davis Hatch papers

Creator:
Hatch, John Davis  Search this
Names:
St. John's College (Annapolis, Md.) -- Students  Search this
University of Massachusetts -- Faculty  Search this
University of Oregon -- Faculty  Search this
Bluemner, Oscar, 1867-1938  Search this
Browne, Henry Kirke  Search this
Callahan, Kenneth, 1905-1986  Search this
Clark, Ezra  Search this
Cranch, John, 1807-1891  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Darley, Felix Octavius Carr, 1822-1888  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Granger, C. H.  Search this
Guy, Seymour J., 1824-1910  Search this
Harvey, George W., 1855-  Search this
Hatch, Olivia Stokes  Search this
Henry, Edward Lamson, 1841-1919  Search this
Inman, Henry, 1801-1846  Search this
McNeill, Lloyd  Search this
Peale, Rembrandt, 1778-1860  Search this
Scott, Julian  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Extent:
24.9 Linear feet
Type:
Collection descriptions
Archival materials
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Date:
1790-1995
Summary:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Scope and Content Note:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.

Scattered biographical materials include an invitation to the Hatch's anniversary party in 1964, short biographical sketches and resumes, certificates, report cards, a silhouette of the Hatch Family circa 1904, and a typecript of a diary written by Olivia Hatch as a child.

Correspondence includes professional correspondence between Hatch and colleagues; letters from family and friends; and some materials regarding exhibitions from the Hatch Collection. The bulk of correspondence spans Hatch's professional career although there are scattered letters from 1915-1943 from Hatch to his parents. Also found are letters addressed to an unidentified "Henry." Correspondence is also found in the research files.

Personal business and financial records consist of inventories, bills, receipts, and other records for artworks purchased, loaned, or donated by Hatch. Also found are records from the J. D. Hatch Associates Cultural Consultants, a draft of Hatch's will, stock and tax materials, and travel papers and passports.

Scattered diaries and journal fragments and a transcript date from 1925-1965. Thirteen "Daily Reflection Journals" date from 1975-1987.

Research files on artists and subjects are extensive, comprising one-half of the collection. Files are varied and may include primary research materials, correspondence, printed materials, notes, and writings. Some of the artists' letters and other materials dated from 1790-early 1800s may have been purchased by Hatch. Among many other items, there is an illustrated letter written by Oscar Bluemner and photographs of Bluemner; primary research materials dating from the early 1800s on John Vanderlyn including a will, receipts, and correspondence; a letter from Rembrandt Peale dated 1830, and an autograph letter from John Trumbull dated 1790. Also found is an index card file.

Organization files contain files and records related to Hatch's affiliations with many cultural organizations. A small amount of teaching and education files consist of Hatch's notes and lectures from the University of Oregon and the University of Massachusetts, and from his continuing education courses he took at St. John's College. Writings and notes include short essays by Hatch, mostly concerning art, exhibitions and museum administration; book reviews; general notes, lists, and reports.

Printed Materials are comprised of exhibition catalogs and announcements, including those from the American Drawing Annual in the 1940s-1950s; printed articles annotated by Hatch; clippings; pricelists; and published works.

A small number of photographs are of Hatch, some by Dorothy Frazer; of his family and friends; and of artists. The bulk of the photographs are of works of art including those owned by Hatch.

Artwork includes two sketchbooks - one by Kenneth Callahan and another by Lloyd McNeill; and additional drawings and sketches by Julian Scott, Henry Kirke Browne, Kenneth Callahan, Ezra Clark, John Cranch, Jasper Francis Crospey, F. O. C. Darley, C. H. Granger, Seymour J. Guy, George Harvey, Edward Lamson Henry, Henry Inman, as well as unsigned or illegible names.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Information, circa 1900-1980s (Box 1; 8 folders)

Series 2: Correspondence, 1903-1990s (Box 1-3; 2 linear feet)

Series 3: Personal Business and Legal Records, Date (Box 3; 0.3 linear feet)

Series 4: Diaries and Journals, 1925-1987 (Box 3, 23; 1.2 linear feet)

Series 5: Research Files, 1790-1992 (Box 3-13, 20-21, 24; 12.7 linear feet)

Series 6: Organization Files, 1930s-1990s (Box 13-14; 1.0 linear feet)

Series 7: Teaching and Education Files, 1930s-1993 (Box 14-15; 1.0 linear feet)

Series 8: Writings and Notes, 1936-1990s (Box 15; 0.3 linear feet)

Series 9: Printed Material, 1870s-1990s (Box 15-19, 22, 25-26, OV1; 5.9 linear feet)

Series 10: Photographs, circa 1900-1990s (Box 22; 0.2 linear feet)

Series 11: Artwork, 1851-1973 (Box 22; 0.3 linear feet)
Biographical Note:
Art historian, collector, educator, and museum administrator John Davis Hatch (1907-1996) worked in the Boston and New England area, as well as the Pacific Northwest, and New York state. Hatch served as director of the Art Institute of Seattle, the Isabella Stewart Gardner Museum, the Albany Institute of Art and History, and the Norfolk Museum of Art and Sciences.

John Davis Hatch was born in San Francisco, California in 1907. His father, grandfather, and great-grandfather were architects and Hatch studied landscape architecture at the University of California, Berkeley. He served as an apprentice to Lockwood de Forest. After abandoning landscape architecture, he accepted a position as director of the Seattle Fine Arts Society (1928-1931) at the age of twenty-one and taught art history courses at the University of Washington.

In 1932, Hatch accepted the position of assistant director of the Isabella Stewart Gardener Museum in Boston, Massachusetts. He also directed the federal Public Works of Art Project in New England. Additionally, Hatch served from 1940-1948 as director of the Albany Institute of Art and History and from 1950-1959 of the Norfolk Museum of Arts and Sciences. Hatch worked as an art advisor for exhibitions at five historically African-American colleges in Atlanta and in San Simeon in California. He founded the American Drawing Annual exhibition.

Hatch conducted extensive research on artists Oscar Bluemner and John Vanderlyn, American silverwork, and American drawing. In addition, Hatch collected American drawings and later donated many of works of art from his personal collection to the National Gallery in Washington, D.C. Aside from his early teaching in Washington state, Hatch taught at the University of Massachusetts and the University of Oregon. He was a member of numerous professional arts-related organizations.

In 1939, Hatch married Olivia Stokes with whom he had four children: Sarah, John, Daniel and James. He died in 1996.
Related Material:
The Archives of American Art holds two oral history interviews with John Davis Hatch: June 8, 1964 conducted by H. Wade White and 1979-1980 conducted by Robert F. Brown. Also found is a separately cataloged photograph of Hatch and Henry Francis Taylor from 1933.

Additional research materials complied by Hatch are located in the Albany Institute of History and Art, the Metropolitan Museum, the library of the National Gallery of Art, and the Senate House, Kingston, New York.

Hatch donated two hundred and seventy American drawings to the National Gallery of Art in Washington, D.C.
Separated Material:
Four books annotated by Bluemner, a letter from Bluemner, a letter from A. Stieglitz to Bluemner, photographs of works of art, and exhibition materials were removed from the papers and merged with the Oscar Bluemner papers at the Archives of American Art.
Provenance:
John Davis Hatch and the John Davis Hatch estate donated his papers to the Archives of American Art in several installments between 1960-1996. Many of the primary materials relating to John Vanderlyn were acquired by Hatch from a photographer in Kingston, New York who received them from a niece of Vanderlyn. Robert Graham of James Graham and Sons gave Vanderlyn's will to Hatch.
Restrictions:
Use of originals requires an appointment.
Rights:
The John Davis Hatch papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Drawing, American  Search this
Art, American  Search this
Artists -- United States  Search this
Art historians -- Massachusetts  Search this
Art -- Collectors and collecting  Search this
Art, American -- Study and teaching  Search this
Genre/Form:
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Citation:
John Davis Hatch, 1790-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hatcjohn
See more items in:
John Davis Hatch papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hatcjohn

Dr. Joseph Underwood Hall, Jr. Papers

Donor:
Downs, Darian  Search this
Downs, Darian  Search this
Creator:
Hall, Joseph Underwood, Jr.  Search this
Extent:
3 Cubic feet (12 boxes and 1 oversize folder)
Type:
Collection descriptions
Archival materials
Date:
undated
undated
Summary:
The collection primarily documents the personal life and medical career of Joseph Underwood Hall Jr. Hall was among the first to use the new X-ray technology and built his own X-ray machine.
Scope and Contents:
The collection primarily documents the personal life and medical career of Dr. Joseph Underwood Hall Jr. There is a significant amount of material relating to both his paternal and maternal families and collateral relatives. The collection is arranged into two series. Series one contains the personal papers of Dr. Joseph Underwood Hall Jr. Series two documents the lives of his family.
Arrangement:
The collection is arranged into two series.

Series 1: Dr. Joseph Underwood Hall Jr., 1868-1967, undated

Series 2: Hall, White and Montague Families, 1780-1976, undated
Biographical / Historical:
Dr. Joseph Underwood Hall Jr. was born on February 9, 1868 at Gold Hill, Story County, Nevada, the second child of Dr. Joseph Underwood Hall Sr. (1822-1898) and Katherine Bess White (1844-1918). Hall received his primary education at Gold Hill High School where he graduated in 1883 at the age of fifteen. Upon graduation, he left Nevada and travelled to San Francisco, California where he worked at a drug store while pursuing an education at the University of California School of Pharmacy. Following this phase of his education, he acquired a position at the Quicksilver Mining Company in New Almaden, California as a clerk and druggist for the Miners Fund Dispensary. In 1886, Hall studied medicine under Dr. S. E. Winn and assisted him in visiting patients, prescribing treatments and performing surgical procedures. In 1887, Hall attended Cooper Medical College and served as chief assistant at Dr. L. C. Lane's private clinic. Upon completion of this course of study, he moved to Philadelphia to attend Jefferson Medical College where he received his medical degree in April 1889.

Dr. Hall returned to California, in the summer of 1889, where he served as resident physician to the Quicksilver Mining Company in New Almaden, California, and remained there until 1894. He then pursued more medical training in Chicago and New York before returning to San Jose, California. He married Grace May Spencer (1871-1954), the daughter of Judge Francis Elias Spencer (1835-1898) and Mary Catherine Pray (1838-1903) on December 27, 1894 and opened a medical practice. To this union four children were born: Francis Spencer Hall (1896-1998), Joseph Underwood Hall III (1906-1907), Marshall Spencer Hall (1908-1990), and Marian Catherine Hall (1910-2003).

It was during this time that the doctor began working with the O'Connor Sanitarium and remained an important force for twenty-five years. On September 17, 1917, the United States Army appointed him Captain in the medical section of the Officer's Reserve Corps. He served on active duty at Fort Riley, Kansas until December 15, 1918. Upon his discharge, he opened a medical office in San Francisco, California. He continued to open offices throughout California during his medical career serving the local communities well. Dr. Hall's significance to the medical profession is his use of the new X-ray technology and the creation of his own X-ray machine, which is documented in in this collection.

Dr. Joseph Underwood Hall Jr. died on October 25, 1946 at the age of seventy-eight in San Francisco, California as the result of a rare type of bone cancer. He had assisted others for fifty-seven years in his medical practice.
Provenance:
The collection was donated to the Archives Center in 2014 by Dr. Hall's granddaughter, Darian Downs.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Mining -- California  Search this
X-rays  Search this
Physicians -- California  Search this
Citation:
Dr. Joseph Underwood Hall Jr. Papers, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1317
See more items in:
Dr. Joseph Underwood Hall, Jr. Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1317
Online Media:

Sam DeVincent Collection of Illustrated American Sheet Music

Creator:
DeVincent, Sam, 1918-1997  Search this
Names:
WOWO (radio station).  Search this
Extent:
260 Cubic feet (approximately 1244 boxes)
Type:
Collection descriptions
Archival materials
Lithographs
Sound recordings
Phonograph records
Papers
Photographic prints
Sheet music
Photographs
Date:
1790-1980s
Summary:
Primarily published sheet music, plus some related ephemera. Originally included 781 boxes of American sheet music and assorted clippings, articles, photographs, etc.; also 93 boxes of 33-1/3 RPM phonograph records, 30 boxes of 45 RPM records, and 20 boxes of 78 RPM records
Scope and Contents:
Sam DeVincent organized his collection topically and the present organization is built upon his basic system. In the course of processing this huge collection organized into hundreds of topics, a set of more encompassing topical headings have been developed. For example, the series designation "transportation" gathers together DeVincent's topical headings of "automobiles," "railroads," "bicycles," etc. Each of these larger, conceptual, headings is considered a series and is given a series number. Transportation is series number 1. Each series will be described separately and a composite index will lead researchers into the appropriate series. Terminology is consistent with Library of Congress Subject Headings whenever possible.

Within each series, the topical headings used by DeVincent, or a heading of similar level and type, receive sub-series numbers. For example, "railroads" is part of series 1, transportation, and is given the sub-series number 7. Therefore, "railroads" is designated as 1.7.

All of the sheet music has been placed in folders (from 1 to 45 items per folder) and given a letter of the alphabet. Within each folder, the music is arranged alphabetically by song title. A researcher searching the index for the song Wabash Cannonball (note that very few song titles are indexed) would be directed to "1.7 V." The researcher would then turn to the railroad section of the container list (1.7) and look for folder V and read the folder description.

Most of the sheet music is either a solo piano or a piano/vocal arrangement. There are very few orchestral or band parts and very little music for instruments other than piano. When the word "instrumental" is used in folder descriptions and titles, the music referred to has no lyrics and is for solo piano. Music for other instruments or ensemble parts will be mentioned explicitly in the folder description and usually indexed. Also, duplicates have not been kept in the file unless the sheet is particularly old or fragile (in which case one duplicate was kept if available). Sheets with slightly different covers, different ink colors, or variations in advertising matter are not considered duplicates.

In addition to the sheet music, the collection includes ephemera files corresponding to each series. These files contain items such as lists of sheet music, DeVincent's correspondence with other collectors, wire service printouts received at the radio station where he worked, his notes to be used for cross-indexing ("see also" references), and miscellaneous items relating to the topic. Some materials kept by DeVincent have not been incorporated into the ephemera files, for example most of the popular magazines, Fort Wayne Indiana newspaper clippings about non-musical topics, and some advertising matter.

The ephemera files are numbered with the same series and sub-series numbers as the sheet music. For example bicycles are 1.3 in both the music and ephemera files. A description of the ephemera file follows the sheet music container list. It is followed by an index to the entire series. Many topical headings not directly concerned with the topic of the series are indexed (for example "Women, images of" is an important topic in the bicycle sub-series). The author of each series description made the decisions about topics for indexing.
Series 1: Transportation:
Dates -- circa 1800-1980

Contents -- Series 1: Transportation contains circa 3,900 pieces of sheet music documenting the development of and popular attitudes towards transportation technology in the United States.1.1: Aeronautics1.2: Automobiles1.3: Bicycles1.4: Boats and Boating1.5: Horse-Drawn Vehicles1.6: Motorcycles1.7: Railroads1.8: Urban Transportation1.9 Ephemera
Series 2: Armed Forces:
Dates -- circa 1810-1980

Contents -- Series 2: Armed Forces contains circa 3,400 pieces of sheet music and song folios documenting the military history of the United States; there are only a handful of foreign imprints. 2.1: Pre-Civil War2.2: Civil War2.3: Pre-World War I2.4: World War I2.5: World War II2.6: Post -World War2.7: Naval History2.8: Marine CorpsEphemera
Series 3: African-American Music:
Dates -- circa 1828-1980

Contents -- Series 3: African-American Music contains circa 7,800 pieces of sheet music and folios dating from the 1820s to the 1980s; most of the material dates from after 1890. 3.1: Minstrel Shows and Blackface Entertainers3.2: Uncle Tom's Cabin3.3: African-American Folk-songs and Spirituals3.4: Songs about African-American/Vocal Ragtime3.5: Instrumental and Ragtime Music3.6: Ragtime Composers and Publishers3.7: Blues and Jazz Music3.8: Composers and PerformersEphemera
Series 4: Songwriters:
Dates -- 1817-1982

Contents -- Series 4: Songwriters: The song sheets associated with each songwriter in this series are generally arranged in the following order: General Songs; Ethnic Songs; Armed Conflict Songs or other Topical Headings; Ragtime; Instrumental; Musical Theater Production Songs; Motion Picture Production Songs; Specialized Song Sheets/Editions; Professional/Artist Copy Song Sheets; and Folios/Volumes. List: 4.1 - 4.217Ephemera
Series 5: Politics and Political Movements:
Dates -- circa 1817-1982

Contents -- Series 5: Politics and Political Movements contains circa 1,565 pieces of sheet music and song folios documenting the political history of the United States. 5.1: Patriotic Music5.2: Politicians and Political Figures5.3: Politics and Political Parties5.4: Ku Klux Klan5.5: Prohibition and Temperance5.6: Trade Union5.7: Women's RightsEphemera
Series 6: Moving Pictures and Movie Stars:
Dates -- 1911-1986

Contents -- Series 6: Moving Pictures and Movie Stars: 6.1 Academy Award Songs6.2 Child Stars6.3 Dance Folios6.4 Disney Productions and Other Cartoon Movies6.5 Female Stars6.6 Male Stars6.7 Movie Music6.8 Silent Films6.9 Songs About the MoviesEphemera
Series 7: Sports:
Dates -- 1834-1983

Contents -- Series 7: Sports contains 1,254 pieces of sheet music and song folios. Most of the sheet music is either piano or piano/ vocal arrangements. 7.1: Baseball, 1860-19767.2: Boxing, 1893-19827.3: Fishing, 1847-19627.4: Football, 1894-1978; undated7.5: Gambling and Games of Chance, 1891-19807.6: Golf, 1893-19537.7: Horse Racing, 1899-19687.8: Hunting, 1834-19517.9: Ice Skating, 1861 -1978; undated7.10: Olympics, 1932-19837.11: Ping Pong, 1901-19027.12: Roller Skating, 1871-1980; undated7.13: Skiing, 1908-19717.14: Sleighs and Sledding, 1846- 1967; undated7.15: Sports, Miscellaneous, 1866-19777.16: Tennis, 1893-1914, 1951Ephemera
Series 8: Geography:
Dates -- 1794-1987

Contents -- Series 8: Geography is divided into three sections: the United States, Foreign Countries, and Natural Features. The more than 13,000 sheets date from 1830-1987 and include undated sheets that are probably earlier. The series comprises 33 cu. ft. 8.1-8.49: United States, 1830-1987 (States)8.50-8.51: United States, 1830-1987 (U. S. Regions)8.53-8.89: Foreign Countries, 1794-1982 (Afghanistan - Italy)8.90-8.126: Foreign Countries, 1794-1982 (Japan - Vietnam) & (Foreign Regions)8.127-8.128: Natural Features, 1834-1980Ephemera
Series 9: Domestic and Community Life:
Dates -- 1827-1986; undated

Contents -- Series 9: Domestic and Community Life documents family, love, marriage, home, and social organizations. It does not include Health or Business items, which are included in separate series. Certain issues, such as women's rights, are in Series 2: Politics and Political Movements. 9.1: Adult Family Members, 1836-1985; undated9.2: Children, 1855-1971; undated9.3: Dolls, Stories, Toys, 1860-1984; undated9.4: Songs About and Images of Men and Women, 1828-1972; undated9.5: Home, Neighborhood, and Immigrants/Refugees, 1830-1980; undated9.6: Love, 1827-1982; undated9.7: Marriage, 1829-1976; undated9.8: Friendship and Social Organizations, 1838-1982; undated9.9: Age, Death, and Dying, 1834-1951; undated9.10: Domestic Art and Clothing, 1843-1978; undated9.11:Albums, Lockets, and Memories, 1857-1952; undatedEphemera
Series 10: Sacred Music and Religious Themes:
Dates -- 1822-1986, undated

Contents -- Series 10: Sacred Music and Religious Themes contains approximately 4,000 pieces of sheet music, much of which is traditional Christian music, but also documents popular attitudes towards religion in the United States. Note that the Christmas and Easter subseries include their secular aspects. 10.1, Adam, Eve, and Eden, 1882-197110.2, Angels, 1849-1961, undated10.3, Bells and Chimes, 1848-1956, undated10.4, Biblical Characters and Stories, 1876-1986, undated10.5, Cathedral, Chapel, Church, 1866-1966, undated10.6, Choir, 1880-193710.7, Christmas, 1828-1984, undated10.8, Devil and Satan, 1865-1979, undated10.9, Easter, 1872-1975, undated10.10, Evolution, 1925-196310.11, Heaven, 1866-1975, undated10.12, Inspirational Singers, 1868-197710.13, Madonna, The Virgin Mary, 1855-1953, undated10.14, Miracles, 1929-195910.15, Mormons, 1895-1933, undated10.16, Paradise, 1900-1925, undated10.17, Pilgrim, 1868-1938, undated10.18, Psalms, 1884-1980, undated10.19, Quakers, 1899-1940, undated10.20, Rosary, 1897-195310.21, General Sacred Songs, 1822-1982, undatedEphemera, 1899-1986
Series 11: Entertainment:
Dates -- 1841-1984, undated

Contents -- Series 11: Entertainment contains more than 12,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards entertainers and entertainment in the United States. Note that movies and some musical entertainment are also covered in Series 6, Moving Pictures and Movie Stars, and in Series 16, Country, Western, and Folk Music. Blind musicians and performers are in Series 17. 11.1: Early Troupes & Bandmasters, 1841-1944, undated11.2: Dance Bands and Orchestras, 1905-1964, undated11.3: Novelty Bands, 1901-195211.4: Male Singers (Individual), 1846-198111.5: Female Singers (Individual), 1845-197111.6: Duos and Groups (Male and Mixed), 1903-198111.7: Female Duos and Groups, 1896-196611.8: Child Entertainers, 1852-1927, undated11.9: Impersonators, 1904-198211.10: Actors and Comedians, 1853-198211.11: Theater, 1873-1973, undated11.12: Juke Box, Nickelodeon, 1923-198111.13: Phonograph, Records, Tapes, 1878-197111.14: Radio, Transistor, Wireless, 1898-198411.15: Television, 1931-198711.16: Circus, Fair, Zoo
Series 12: Plants and Animals:
Dates -- 1831-1984, undated

Contents -- Series 12: Plants and Animals contains approximately 4,000 pieces of sheet music and other materials documenting the development of and popular attitudes towards plants and animals in the United States. 12.1, Trees, 1833-1969, undated12.2, Plants and Flowers, 1840-1979, undated12.3, Animals, 1831-1984, undated12.4, Fish, Mermaids, and Aquatic Species, 1832-1978, undated12.5, Birds, 1834-1976, undated12.6, Insects and Spiders, 1853-1968, undated
Series 13: Agriculture, Business, and Law:
Dates -- 1827-1985, undated

Contents -- Series 13, Agriculture, Business, and Law contains approximately 3,300 pieces of sheet music and other materials documenting the development of and popular attitudes towards business, commerce, farming and food, finances, labor, law, and social order in the United States. The series comprises nine cubic feet, plus two boxes of ephemera. 13.1, Business and Jobs, 1927-1982, undated13.2, Farming, Food, and Tobacco, 1836-1986, undated13.3, Finances and Valuables, 1841-1982, undated13.4, Law and Social Order, 1858-1972, undated13.5, Public Services and Utilities, 1836-1984, undatedEphemera, 1901-1987, undated
Series 14: Calendar, Time, and Weather:
Dates -- 1811-1980, undated

Contents -- Series 14, Calendar, Time, and Weather contains approximately 1,800 pieces of sheet music, documenting attitudes toward and consequences of natural events. The four seasons comprise the larger part. 14.1, Years, 1880-1945, undated14.2, Seasons, 1850-1978, undated14.3, Months, 1855-1978, undated14.4, Days of the Week, 1853-196514.5, Clocks and Time, 1844-1967, undated14.6, Weather, 1911-1980, undatedEphemera, 1952-1982, undated
Series 15: Holidays and Celebrations:
Dates -- 1847-1982, undated

Contents -- Series 15, Holidays and Celebrations contains approximately 500 pieces of sheet music and other materials documenting the development of and popular attitudes towards holidays, celebrations, and travel in the United States. Note that Christmas items are in Series 10, Sacred Music and Religious Themes, subseries 7. 15.1, Holiday, Travel, Vacation, 1866-198215.2, Carnival, 1847-1937, undated15.3, Mardi Gras, 1892-1958, undated15.4, Masquerade, 1900-1973, undated.15.5, Halloween, 1853-1962, undated.15.6, Thanksgiving, 1853-1974, undated.15.7, New Year, 1852-1970, undated15.8, Park, 1869-1969, undated15.9, Picnic, 1854-1964, undated15.10, Rolling Chairs, 1905-1923, undatedEphemera
Series 16: Country, Western, and Folk Music:
Dates -- 1839-1986, undated

Contents -- Series 16: Country, Western, and Folk Music, contains approximately 11,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards country, western, and folk music in the United States. The dates always refer to copyright of the music and not to the subject on the cover, songwriter's life, or other events. There are 78 boxes of sheet music and 16 boxes of ephemera. 16.1, Individual Male Entertainers, 1911-1983, undated16.2, Individual Female Entertainers, 1902-1986, undated16.3, Duos and Groups, 1910-1981, undated16.4, The West, 1939-198416.5, Barn Dance, Fiddle Tunes, and "Turkey in the Straw," 1878-197516.6, Blues, Feuding, Hillbilly, Honky Tonk, and Yodeling, 1885-1975, undated16.7, Miscellaneous Songs, 1913-198316.8, Folios, 1914-1969Ephemera --subseries 1-7 and subseries 9-10
Series 17: The Human Condition--Physical, Mental, Behavioral:
Dates -- 1833-1987

Contents -- Series 17, The Human Condition--Physical, Mental, Behavioral contains approximately 1,000 pieces of sheet music and other materials documenting the development of and popular attitudes towards the human condition in the United States. 17.1, Physical Health, 1833-1982, undated17.2, Happiness, 1845-1978, undated17.3, Crazy, Foolish, 1904-1973, undated17.4, Rubes, 1888-1938Ephemera
Series 18: Dance:
Dates -- 1812-1978, undated

Contents -- Series 18, Dance contains approximately 3,330 pieces of sheet music and other materials documenting the development of and popular attitudes towards dance in the United States. 18.1, General Songs about Dance, 1882-1967, undated18.2, Ballroom Dancers and Dance Institute, 1840-1951, undated18.3, Charleston, 1923-196418.4, Fox Trot, 1913-193218.5, Galop, 1842-1924, undated18.6, Gavotte, 1874-1978, undated18.7, Jigs and Reels, 1891-1951, undated18.8, Lancers, 1857-1903, undated18.9, Maxixe, 1913-1914, undated18.10, Mazurka, 1854-1940, undated18.11, Minuet, 1875-1968, undated18.12, One Step, 1910-192118.13, Polka, 1845-1975, undated18.14, Quadrilles, 1831-1883, undated18.15, Redowa, 1853-1908, undated18.16, Schottische, 1850-1944, undated18.17, Skirt Dance, 1891-1893, undated18.18, Square Dance, 1926-196418.19, Tango, 1909-195218.20, Three Step, 1903-191318.21, Two Step, 1894-192518.22, Varsova, 1851-1917, undated18.23, Waltz, 1812-1968, undated18.24, Folios, 1888-1953, undatedEphemera
Series 19: Art and Literature:
Dates -- 1830-1977, undated

Contents -- Series 19, Art and Literature contains approximately 860 pieces of sheet music and other materials documenting popular attitudes towards art and literature in the United States. 19.1, Art and Artists, 1839-1977, undated19.2, Cover Artists and Early Lithograph Covers, 1830-1931, undated19.3, Photography, 1848-196619.4, Carving and Whittling, 1906-194719.5, Books, Diary, and Stories, 1849-198319.6, Poets and Poetry, 1836-1969, undated Ephemera Index
Series 20: Newspapers:
Dates -- 1844-1968, undated

Contents -- Series 20, Newspapers, 1844-1968, contains materials documenting the business of and popular attitudes towards newspapers in the United States. 20.1, Songs about Advertising, the News and the Press20.2, Songs published by Newspapers or about serialized stories20.3, Songs about Newsboys and Newsgirls20.4, Cartoons, Cartoonists, and Comics20.5, Newspaper and Magazine SupplementsEphemera
Series 21: Musical Instruments:
Dates -- 1824-1981 and undated

Contents -- Series 21, Musical Instruments, 1824-1981, undated, contains approximately 4,900 pieces of sheet music and other materials documenting the development of and popular attitudes towards the playing of music in the United States. Numerous teaching manuals are included.21.1, Accordion, 1902-1964, undated21.2, Banjo, 1853-1975, undated21.3, Cello, 1891-1935, undated21.4, Clarinet, 1905-1958, undated21.5, Concertina, 1905-1941, undated21.6, Cornet, 1848-1924, undated21.7, Double Bass, 1939-195521.8, Drums, 1867-1971, undated21.9, Fiddle, 1893-1981, undated21.10, Flute, 1847-1936, undated21.11, Guitar, 1824-1977, undated21.12, Harmonica, 1904-1974, undated21.13, Harp, 1866-1976, undated21.14, Hurdy Gurdy, 1899-196921.15, Mandolin, 1843-1954, undated21.16, Music Boxes, 1848-1979, undated21.17, Organ, 1856-1973, undated21.18, Saxophone, 1907-195321.19, Tambourine, 1854-196021.20, Trombone, 1906-195721.21, Trumpet, 1904-1945, undated21.22, Ukulele, 1915-1964, undated21.23, Violin, 1843-1957, undated21.24, Zither, 1970-1951, undated21.25, Various Instruments, 1835-1968, undatedEphemera
Series 22: American Indian:
Contents -- Series 22: American Indian

Dates -- 1899-1975
Series 23: Universe:
Contents -- Series 23: Universe

Dates -- 1842-1970
Series 24: Education:
Contents -- Series 24: Education

Dates -- 1834-1964
Series 25: Vocal:
Contents -- Series 25: Vocal
Series 26: General Sheet Music:
Contents -- Series 26: General Sheet Music
Series 27: Gypsies:
Contents -- Series 27: Gypsies
Series 28: Opera:
Contents -- Series 28: Opera
Series 29: Piano:
Contents -- Series 29: Piano
Series 30: Marches and Quicksteps:
Contents -- Series 30: Marches and Quicksteps
Series 31: Dialects:
Contents -- Series 31: Dialects
Series 32: Christopher Columbus:
Contents -- Series 32: Christopher Columbus
Series 33: Reveries:
Contents -- Series 33: Reveries
Series 34: Indiana Publishers:
Contents -- Series 34: Indiana Publishers
Series 35: Sam DeVincent Personal Papers:
Contents -- Series 35: Sam DeVincent Personal Papers
Series 36: Folios and Songbooks:
Contents -- Series 36: Folios and Songbooks
Series 37: Other Materials:
Contents -- Series 37: Other Materials

Dates -- 1853-1976
Additional Topical Series:
An updated list of DeVincent topical series is available via the Smithsonian finding aid portal.
Arrangement:
The collection is arranged into topical series.
Biographical note:
Sam DeVincent was born January 8, 1918 and lived in Fort Wayne, Indiana for most of his life. DeVincent collected sheet music and related materials during most of his lifetime. His interest included both the music and the cover art. Because he had little money to support his collecting, DeVincent gathered most of his material through careful searches and travel.

DeVincent and his wife used much of the music he collected in their musical group "Nancy Lee and the Hilltoppers." The group performed regularly on radio station WOWO in Fort Wayne, Indiana, from 1945 to 1955. After 1955 (and the emergence of rock and roll), "Nancy Lee and the Hilltoppers" played only once a week on the radio station. At this time, Mr. DeVincent worked as an all-night disc jockey at WOWO. In 1960 he became music director and music librarian at the station. His position as music librarian helped him to add to his collection, especially the phonograph recordings (many promotional copies are included).

DeVincent retired from WOWO in 1983. He and his wife continued to perform publicly including a weekly radio show on WOWO. The National Museum of American History acquired the DeVincent collection in the spring of 1988. Sam DeVincent passed away November 29, 1997.
Materials in Other Organizations:
Sam DeVincent Collection of American Sheet Music, Lilly Library, Indiana University, Bloomington, Indiana

The Sam DeVincent Collection of American Sheet Music contains approximately 24,000 pieces of sheet music, songbooks, and folios. DeVincent arranged his collection into categories based on either personal names of musicians or performers or on subjects he defined that were as diverse as the American Red Cross and Halloween. The Lilly Library has maintained this arrangement.

All the sheet music in the DeVincent collection is listed in the IN Harmony: Sheet Music from Indiana: Lilly Library web site. Digitized images are available for some items.
Materials in the Archives Center, National Museum of American History:
Donald J. Stubblebine Collection of Musical Theater and Motion Picture Sheet Music and Reference Material, 1843-2010 (AC1211)
Provenance:
This collection was purchased by the Smithsonian Institution in 1988 from Sam and Nancy Lee DeVincent.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical revue, comedy, etc  Search this
Music -- United States  Search this
Music -- Performance  Search this
Transportation -- Music  Search this
Ragtime music  Search this
Musicians  Search this
Armed Forces -- Music  Search this
Country music  Search this
Music -- 20th century  Search this
Music -- African-American  Search this
Music -- 18th century  Search this
Music -- 19th century  Search this
Politics -- Music  Search this
Genre/Form:
Lithographs
Sound recordings
Phonograph records
Papers
Photographic prints
Sheet music
Photographs -- 19th century
Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0300
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0300
Online Media:

Mary K. McGuigan and John F. McGuigan Jr. artists' letters collection

Creator:
McGuigan, Mary K.  Search this
Names:
Pennsylvania Academy of the Fine Arts  Search this
Beard, W. H. (William Holbrook), 1824-1900  Search this
Bierstadt, Albert, 1830-1902  Search this
Boughton, George Henry, 1834-1905  Search this
Carey, Mathew, 1760-1839  Search this
Church, Frederic Edwin, 1826-1900  Search this
Colman, Samuel, 1832-1920  Search this
Copley, John Singleton, 1738-1815  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Darley, Felix Octavius Carr, 1822-1888  Search this
French, Daniel Chester, 1850-1931  Search this
Greenough, Horatio, 1805-1852  Search this
Harding, Chester, 1792-1866  Search this
Hassam, Childe, 1859-1935  Search this
Inman, Henry, 1801-1846  Search this
Inness, George, 1825-1894  Search this
McGuigan, John F., Jr. (John Fuller)  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Neagle, John, 1796-1865  Search this
Palmer, Erastus Dow, 1817-1904  Search this
Peale, Rembrandt, 1778-1860  Search this
Peale, Rubens, 1784-1865  Search this
Tanner, Henry Ossawa, 1859-1937  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
White, Stanford, 1853-1906  Search this
Whittredge, Worthington, 1820-1910  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1794-1938
Summary:
The collection of artists' letters compiled by Mary and John McGuigan Jr. measure 0.6 linear feet and date from 1794-1938. The collection is comprised of a group of letters, writings, and signed documents to and from a variety of artists, art administrators, art critics, historians, and art-related organizations assembled from multiple sources. It also includes associated printed material with some documents and a few photographs, including carte de visites and cabinet cards.
Scope and Contents:
The collection of artists' letters compiled by Mary and John McGuigan Jr. measure 0.6 linear feet and date from 1794-1938. The collection is comprised of a group of letters, writings, and signed documents to and from a variety of artists, art administrators, art critics, historians, and art-related organizations assembled from multiple sources. It also includes associated printed material with some documents and a few photographs, including carte de visites and cabinet cards.

Item descriptions included in the container listing were provided by Mary and John McGuigan and illuminate the wide range of artists and types of material represented in the collection. While some of the letters document routine transactions such as responses to requests for information, and transmittals of autographs, others document specific artist commissions and projects, exhibition and financial arrangements, business relationships, family events, and travels. The collection includes documentation of portrait painters, including Chester Harding and Rembrandt Peale; nineteenth century landscape artists and artists of the Hudson River School including Albert Bierstadt, George Henry Boughton, Samuel Colman, Jasper Francis Cropsey, and George Inness; sculptors including Daniel Chester French whose letters include sixty-three letters to Charles Dupuy, the caretaker of French's summer home in Massachusetts; publishers such as Mathew Carey, in letters from John Neagle; and the activities of arts institutions such as the Pennsylvania Academy of Fine Arts.

In addition to those mentioned above, letters and signed documents are from Washington Allston, William Holbrook Beard, Eugene Benson, William Tilden Blodgett, Jr., James Renwick Brevoort, Frederic Edwin Church, James Claghorn, John Singleton Copley, Kenyon Cox, F.O.C. Darley, Joseph DeCamp, Frank Duveneck, John Mackie Falconer, Horatio Greenough, Childe Hassam, Ignaz Michael Marcel Gaugengigl, George Healy, George Hollingsworth, William Morris Hunt, Daniel Huntington, Anna Vaughn Hyatt Huntington, Henry Inman, Hugh Bolton Jones, Thomas Dow Jones, Louis Ashton Knight, Charles Robert Leslie, Will Low, Frederick William MacMonnies, Frank Blackwell Mayer, Samuel F. B. Morse, Erastus Dow Palmer, Rubens Peale, Elizabeth Robins Pennell, Tobias (Toby) Edward Rosenthal, John Singer Sargent, George Henry Smillie, Marie Spartali Stillman, William James Stillman, Henry Ossawa Tanner, Abbott Handerson Thayer, Charles Yardley Turner, Stephen Arnold Douglas Volk, William Walcutt, Henry Antonio Wenzler, Benjamin West, Stanford White, Worthington Whittredge, and others.

The collection also includes a friendship album belonging to William Tilden Blodgett, Jr., with poems, sketches, and botanical watercolors, eight photographs including carte de visites and cabinet cards with images of George Hollingsworth, Thomas Dow Jones, Louis Ashton Knight, Henry Antonio Wenzler, and William Walcutt, and two photographs of a model used by Francis Blackwell Mayer when painting The Burning of the Peggy Stewart.
Arrangement:
The collection is arranged as 1 series.
Biographical / Historical:
Mary K. McGuigan and John F. McGuigan Jr. are art historians and collectors in Milford, Pennsylvania.
Provenance:
John F. McGuigan Jr. and Mary K. McGuigan purchased these letters and generously donated them to the Archives of American Art between 2000 and 2019. The McGuigans have purchased and donated additional archival materials to the Archives, including a portion of the Douglas Volk and Leonard Wells Volk papers. In 2017 the McGuigans donated an addition to the Sylvester Rosa Koehler papers, including sixty-nine letters from A. Barry, Truman Howe Bartlett, William Merritt Chase, Timothy Cole, Edward Henry Clement, Cyrus Edwin Dallin, Robert Swain Gifford, George Inness, Anna Lea Merritt, Stephen Parrish, John Sartain, Francis Hopkinson Smith, and Frederic Porter Vinton.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Historians  Search this
Topic:
Arts administrators  Search this
Art critics  Search this
Artists  Search this
Citation:
Mary K. McGuigan and John F. McGuigan Jr. artists' letters collection, 1794-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mcgumary
See more items in:
Mary K. McGuigan and John F. McGuigan Jr. artists' letters collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mcgumary

Selected letters from the Frank M. Etting Collection

Creator:
Etting, Frank M. (Frank Marx)  Search this
Extent:
2 Reels (ca. 100 items (on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
1767-1889
Scope and Contents:
Primarily artists' letters from the autograph section of the Etting collection, as well as 30 letters to Etting from artists or concerning art related matters. Letters to Etting are dated 1854-1889, from James R. Lambdin, Catherine A. Drinker, Edward D. Marchant, Edward Lamson Henry, William C. Sanders, Anna M. Lea, J.J. Sawyer, William B. Myers, George C. Lambdin, Peter F. Rothermel, Frank B. Mayer, and William A. Coffin. Items from the autograph section include: a receipt from Thomas Birch to Mr. Shippen, Nov. 7, 1811; letters to Robert Gilmore from William Dunlap, George Catlin, Henry Inman, John Gadsby Chapman, Thomas Cole, Thomas Doughty, Horatio Greenough, George Harvey and William Sidney Mount;
letters to Henry A. Wise from John Gadsby Chapman, Ferdinand Pettrich, and L. Walk; to G.C. Childs from William Kneass, John Neagle, and John Sully; and to Ben. Perley Poore from J.W. Osborne and Henry Stone. Additional items include letters of Pierre Eugene Du Simitiere, Charles Fraser, Alexander Galt, Sanford Robinson Gifford, Joseph Jefferson, Charles Robert Leslie, Charles Willson Peale, Rembrandt Peale, Thomas Sully, John Trumbull (to Sully), and Benjamin West; and a list of subscribers to procure a full-length painting by Thomas Sully of LaFayette for Independence Hall.
Provenance:
Microfilmed by the Historical Society of Pennsylvania for the Archives of American Art, 1955. Selected for microfilming by Frances Lichten.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Artists -- United States  Search this
Topic:
Art, Modern -- 19th century -- United States  Search this
Identifier:
AAA.ettifran
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ettifran

Female figure with child

Object Name:
pindi
Maker:
Mbala artist  Search this
Medium:
Wood, pigment
Dimensions:
H x W x D: 29.1 x 15.5 x 12.8 cm (11 7/16 x 6 1/8 x 5 1/16 in.)
Type:
Figure
Geography:
Democratic Republic of the Congo
Date:
19th century
Topic:
Leadership  Search this
Fertility  Search this
mother and child  Search this
male  Search this
female  Search this
Credit Line:
Museum purchase
Object number:
99-8-1
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7ab00d9b6-fd8d-446c-9d63-a7358b04c65d
EDAN-URL:
edanmdm:nmafa_99-8-1

Female figure, fragment of a slit gong

Maker:
Mbembe artist  Search this
Medium:
Wood, lead, pigment
Dimensions:
H x W x D: 68 x 48.5 x 50 cm (26 3/4 x 19 1/8 x 19 11/16 in.)
Type:
Figure
Geography:
Nigeria
Date:
19th-early 20th century
Topic:
leopard  Search this
mother and child  Search this
male  Search this
female  Search this
Credit Line:
Museum purchase
Object number:
85-1-12
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Exhibition:
Visionary: Viewpoints on Africa's Arts
On View:
NMAfA, Second Level Gallery (2193)
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7807aa20f-516d-4f71-b0ba-9d7c9bbdcbd4
EDAN-URL:
edanmdm:nmafa_85-1-12

Female figure with child

Object Name:
ntadi
Maker:
Kongo artist  Search this
Medium:
Stone
Dimensions:
H x W x D: 34.5 x 12 x 12 cm (13 9/16 x 4 3/4 x 4 3/4 in.)
Type:
Figure
Geography:
Boma region, Democratic Republic of the Congo
Date:
19th-early 20th century
Topic:
Funerary  Search this
Commemorative  Search this
mother and child  Search this
male  Search this
Credit Line:
Gift of Walt Disney World Co., a subsidiary of The Walt Disney Company
Object number:
2005-6-107
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Exhibition:
Visionary: Viewpoints on Africa's Arts
On View:
NMAfA, Second Level Gallery (2193)
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys729703613-8b91-4876-9e19-2f4741973d04
EDAN-URL:
edanmdm:nmafa_2005-6-107

Gong

Object Name:
eloundja
Maker:
Tetela artist  Search this
Nkutshu artist  Search this
Medium:
Iron
Dimensions:
H x W x D: 53.3 x 24.8 x 11 cm (21 x 9 3/4 x 4 5/16 in.)
Type:
Sculpture
Geography:
Democratic Republic of the Congo
Date:
19th-20th century
Topic:
male  Search this
Trade  Search this
Currency  Search this
Credit Line:
Gift of Tom Joyce and museum purchase with funds donated by Carl Jennings
Object number:
2002-10-23
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys7be47ca6f-1eba-4292-a9e8-a2a5c135b8f2
EDAN-URL:
edanmdm:nmafa_2002-10-23

Child with Guitar

Artist:
Unidentified Artist  Search this
Sitter:
Unidentified Child  Search this
Medium:
Oil on canvas
Dimensions:
91.4 × 72.7 cm (36 × 28 5/8")
Type:
Painting
Date:
early 19th Century
Topic:
Costume\Jewelry\Necklace\Bead  Search this
Music\Musical instrument\Guitar  Search this
Home Furnishings\Furniture\Carpet  Search this
Folk Art  Search this
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
1975.6
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm41057df08-90ef-461e-a77e-fb6d5ecb22eb
EDAN-URL:
edanmdm:npg_1975.6

Child in a Pink Dress Seated on a Red Cushion, with a Spaniel

Artist:
Ammi Phillips, 1788 - 1865  Search this
Sitter:
Unidentified Child  Search this
Medium:
Oil on canvas
Dimensions:
78.7 × 63.5cm (31 × 25")
Type:
Painting
Date:
n.d.a.
Topic:
Home Furnishings\Furniture  Search this
Nature & Environment\Animal\Dog  Search this
Portrait  Search this
Credit Line:
Owner: Art Dealer
Object number:
DLR01478
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4f47bd745-82ac-4845-bdd3-453c8f3ef432
EDAN-URL:
edanmdm:npg_DLR01478

Unidentified Child

Artist:
Charles Fraser, 1782 - 1860  Search this
Sitter:
Unidentified Child  Search this
Medium:
Watercolor on ivory
Dimensions:
3 1/4 x 2 1/2 inches
Type:
Painting
Date:
1800
Topic:
Miniature  Search this
Portrait  Search this
Credit Line:
Owner: Gibbes Museum of Art
Object number:
1958.010.0004 Gibbes
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm41d9acf36-31aa-4966-ab48-8b711e1de6c2
EDAN-URL:
edanmdm:npg_1958.010.0004_Gibbes

Child in Red Dress

Artist:
Justus Dalee, 1 Oct 1793 - 5 Jan 1878  Search this
Sitter:
Unidentified Child  Search this
Medium:
Watercolor with pen and pencil details
Dimensions:
Sight: 11.1 x 6.4cm (4 3/8 x 2 1/2")
Frame: 14 x 8.9cm (5 1/2 x 3 1/2")
Type:
Painting
Date:
19th Century
Topic:
Interior  Search this
Miniature  Search this
Portrait  Search this
Object number:
DLR01333
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm428ce9c80-ae5a-4e5f-bde4-4fdd2ebaa98d
EDAN-URL:
edanmdm:npg_DLR01333

Studies for " The Knatchbull Family": Mother and child/ and two children

Artist:
John Singleton Copley, 3 Jul 1738 - 9 Sep 1815  Search this
Sitter:
Unidentified Woman  Search this
Unidentified Child  Search this
Medium:
Black and white chalk on blue paper
Dimensions:
Sheet: 31.1 x 49.2 cm (12 1/4 x 19 3/8 in.)
Type:
Drawing
Date:
1800-1803
Topic:
Study  Search this
Unidentified Woman: Female  Search this
Portrait  Search this
Credit Line:
Owner: Museum of Fine Arts, Boston
Website: https://www.mfa.org/collections/search
Object number:
39.274a-b recto MFAB
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4fb110c61-6c74-443b-b3b4-78d687aecf04
EDAN-URL:
edanmdm:npg_39.274a-b_recto_MFAB

Studies for " The Knatchbull Family": Lady Knatchbull and child; two children playing

Artist:
John Singleton Copley, 3 Jul 1738 - 9 Sep 1815  Search this
Sitter:
Lady Knatchbull  Search this
Unidentified Child  Search this
Medium:
Black Chalk on blue paper
Dimensions:
Sheet: 31.1 x 49.2 cm (12 1/4 x 19 3/8 in.)
Type:
Drawing
Date:
1800-1803
Topic:
Study  Search this
Lady Knatchbull: Female  Search this
Portrait  Search this
Credit Line:
Owner: Museum of Fine Arts, Boston
Website: https://www.mfa.org/collections/search
Object number:
39.274a-b verso MFAB
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4626c8db6-8fe8-47a0-8ca6-b91f082e4f70
EDAN-URL:
edanmdm:npg_39.274a-b_verso_MFAB

Cadwallader Colden

Attribution:
Matthew Pratt, 23 Sep 1734 - 9 Jan 1805  Search this
Former attribution:
John Singleton Copley, 3 Jul 1738 - 9 Sep 1815  Search this
Sitter:
Cadwallader Colden, 1688 (?) - 1776  Search this
Unidentified Child  Search this
Medium:
Oil on canvas
Dimensions:
Sight: 122.2 × 99.5 cm (48 1/8 × 39 3/16")
Type:
Painting
Date:
late 18th Century
Topic:
Printed Material\Book  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Home Furnishings\Furniture\Seating\Chair\Armchair  Search this
Container\Basket  Search this
Home Furnishings\Furniture\Table\Writing table  Search this
Equipment\Drafting & Writing Implements\Writing implement\Pen\Quill  Search this
Equipment\Drafting & Writing Implements\Inkstand  Search this
Home Furnishings\Curtain  Search this
Home Furnishings\Furniture\Bookshelf  Search this
Interior\Domestic\Study  Search this
Home Furnishings\Globe\Celestial  Search this
Nature & Environment\Fruit\Cherries  Search this
Cadwallader Colden: Male  Search this
Cadwallader Colden: Health and Medicine\Physician  Search this
Cadwallader Colden: Science and Technology\Scientist  Search this
Cadwallader Colden: Business and Finance\Businessperson\Merchant  Search this
Cadwallader Colden: Politics and Government\Loyalist  Search this
Cadwallader Colden: Politics and Government\Lieutenant Governor\New York  Search this
Portrait  Search this
Credit Line:
Owner: Diana C. Titcomb
Object number:
L.91.17
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm453759045-c4d2-4b92-a73a-2523bd461b2a
EDAN-URL:
edanmdm:npg_L.91.17

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