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MS 948 Kwakiutl texts with interlinear translations

Collector:
Boas, Franz, 1858-1942  Search this
Extent:
414 Pages
Culture:
Kwakiutl Indians  Search this
Indians of North America -- Northwest Coast of North America  Search this
Type:
Collection descriptions
Archival materials
Pages
Date:
1897
Scope and Contents:
Manuscript in black ink with red ink, blue and black pencil changes in unidentified handwriting.
Local Numbers:
NAA MS 948
Local Note:
autograph manuscript document
Topic:
Kwakiutl language  Search this
Language and languages -- Documentation  Search this
Kwakiutl (Kwakwaka'wakw)  Search this
Citation:
Manuscript 948, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS948
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms948
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Online Media:

Harlem Window, (painting)

Painter:
Hayden, Palmer 1890-1973  Search this
Medium:
Watercolor on paper
Culture:
African American  Search this
Type:
Paintings
Topic:
Cityscape--New York--New York City  Search this
Cityscape--New York--Harlem  Search this
Architecture exterior--Detail--Window  Search this
Figure group--Female & Child  Search this
Ethnic  Search this
Control number:
IAP 8F780033
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_470386

Untitled (Mother and Child, (painting)

Painter:
Kahn, Wolf 1927-2020  Search this
Medium:
Pastel on paper
Type:
Paintings
Owner/Location:
Dartmouth College Hood Museum of Art Hanover New Hampshire 03755 Accession Number: D.935.1.40
Date:
1959
Topic:
Figure group--Family--Mother & Child  Search this
Control number:
IAP 30661321
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_457346

Records, circa 1986-1988

Creator:
Smithsonian Institution Child Care Advisory Board  Search this
Subject:
Ellsworth, Gretchen Gayle  Search this
Smithsonian Early Enrichment Center  Search this
National Museum of Natural History (U.S.)  Search this
Smithsonian Child Care Center  Search this
National Museum of American History (U.S.)  Search this
Physical description:
1 cu. ft. (1 record storage box)
Type:
Books
Collection descriptions
Manuscripts
Drawings
Architectural drawings
Date:
1986
1986-1988
circa 1986-1988
Topic:
Child care  Search this
Day care centers  Search this
Educational planning  Search this
Museums--Educational aspects  Search this
Early childhood education  Search this
Local number:
SIA Acc. 97-164
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_252031

Ernst P. Boas Papers

Creator:
Boas, Ernst P. (Ernst Philip), 1891-1955  Search this
Names:
Montefiore Hospital for Chronic Diseases.  Search this
Goldschmidt, Ernst F. (Ernst Friedrich), b. 1892  Search this
Extent:
0.25 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Correspondence
Technical literature
Reprints
Date:
1927-1946
Summary:
The papers document Dr. Ernst P. Boas and his work with Benjamin Liebowitz and Dr. Ernst F. Goldschmidt to develop the cardiotachometer (US Patent 1,816,465), a device to measure patients' heart rates for long periods of time. Materials include Dr. Boas's correspondence, patient experiment data, articles, and reprints of journal articles authored by Dr. Boas and with others that relate to the development of the cardiotachometer.
Scope and Contents:
The papers document Dr. Ernst P. Boas and his work with Benjamin Liebowitz and Dr. Ernst F. Goldschmidt to develop the cardiotachometer (US Patent 1,816,465), a device to measure patients' heart rates for long periods of time. Boas and Liebowitz were also assisted in their work by by Dr. Alfred N. Goldsmith, Julius Weinberger, Theodore A. Amith, and George Rodwin of the Radio Corporation of America (RCA). The RCA team was able to work out the theoretical and practical solutions for the amplifier, an important aspect for the device.

The papers include Dr. Boas's correspondence, patient experiment data, articles, and reprints of journal articles authored by Dr. Boas and with others that relate to the development of the cardiotachometer.

Series 1, Cardiotachometer Materials, 1926-1948, consist of the US patent issued to Boas, correspondence and writings that relate to the development of the cardiotachometer

Subseries 1, Correspondence, 1926-1934, consists of correspondence, invoices, receipts, and business cards, that relate to the development of the cardiotachometer and responses from physicians about its use. The majority of the correspondence relates to the development of the cardiotachometer and documents Boas's communications with companies who supplied parts (relays, wiring, contact devices, counters) such as the Weston Electrical Instrument Corporation, Veeder Manufacturing Company, A. Wittnauer Company (watchmakers), C.H. Stoelting Company, and Radio Corporation of America.

Subseries 2, Writings, 1928-1935, consists of articles written by Boas and with others related to the cardiotachometer and heart issues. Most of the articles are reprints from medical journals such as American Journal of the Medical Sciences, Archives of Internal Medicine, American Medicial Association, Journal of Clinical Investigation, The American Heart Journal, and the Journal of Mount Sinai Hospital.

Series 2, Patient Experiment Files, 1928-1929, consists of cardiotachometer experiments Dr. Boas conducted at Montefiore Home and Hospital in New York. The documentation consists of data for 48 patients, but the experiment numbers which were assigned to each patient in the study indicate more patients participated. The majority of patients are male, and the series is arranged by experiment number.

The files contain an overall health history (name, occupation, education, marital status, hobbies, sex, birth date, family history, habits and hygiene (sleep, diet, bowels, and menstruation), and past illnesses; physical examination (addressing teeth, tonsils, heart, joints, liver, spleen, lungs, etc.); diet sheet (types of foods eaten along with average pulse rates); measurements (height, arm length, leg length), cardiotachometer data (time, counter reading, rate, body position, room temperature, and remarks), cardiotachometer tape readings, and in some instances correspondence. A follow-up survey form was sent to patients by Dr. Boas, who participated in the experiment. The survey questions included issues such as mental work, dreaming, morning wake time, and preferences for staying in bed.
Arrangement:
The collection is divided into three series.

Series 1, Cardiotachometer Materials, 1926-1948

Subseries 1, Correspondence, 1926-1948 (bulk 1926-1934)

Subseries 2, Writings, 1928-1935

Series 2, Patient Experiment Files, 1928-1929
Biographical / Historical:
Ernst Philip Boas was born on February 4, 1891 in Worcester, Massachusetts where his father, Franz Boas, held a docentship in anthropology at Clark University. Later, the family (including Ernst Boas's mother, Marie Krackowizer Boas; his three sisters, Helene, Gertrude, and Franziska; and his brother, Henry, moved to the New York City area.

Boas attended the Ethical Culture School through high school and then went on to receive his B.S. from Columbia University in 1910. He remained at Columbia to receive his M.A. in 1912 and his M.D. in 1914, the latter from the College of Physicians and Surgeons, where he graduated first in his class.

After some trouble finding an internship, apparently because of anti-Semitism, Boas became an intern at The Mount Sinai Hospital from 1914 to 1916. In 1917, he was appointed Instructor in Pathology at the College of Physicians and Surgeons of Columbia University. On August 6, 1917, he was drafted into the Army as First Lieutenant in the Medical Section of the Officers' Reserve Corps and was appointed Captain on April 20, 1918. While in the Army (including some duty in France), he served as a cardiovascular specialist.

When Boas was honorably discharged from the Army on 24 May 1919, he began his first private practice from an office in his home on West 96th Street in New York City. He practiced there until 1921 when he joined the staff of the Montefiore Hospital for Chronic Diseases as Medical Director. From 1920 to 1921, Boas was Instructor in Physiology at the College of Physicians and Surgeons of Columbia University. Later, from 1926 to 1951, he taught post-graduate courses in diseases of the heart at the College of Physicians and Surgeons.

In 1929, Boas left the medical directorship of Montefiore Hospital but retained the position of Attending Physician there for one year, from 1929 to 1930. Also in 1929, Boas moved to The Mount Sinai Hospital, where he was Associate Physician until 1951, at which time he became a consultant to the hospital.

Meanwhile, Boas resumed his private practice in 1929 (he was certified as a cardiovascular disease specialist by the American Board of Internal Medicine in 1941), opening an office at 41 West 83rd Street. He later established a permanent office at 1185 Park Avenue, where he entered into a partnership with Hyman Levy in 1949. One of Boas's sons, Norman F. Boas (also a physician), was his assistant from 1949 to 1951. Some of Boas's famous patients included William Laurence, science editor of the New York Times; Charles C. Burlingham, New York lawyer and politician; Sidney Hillman, President of the Amalgamated Clothing Workers of America; Henry A. Wallace, a United States cabinet official and presidential candidate; Karl Menninger, founder of the Menninger Clinic; and Dr. Felix Adler, founder of the Ethical Culture Society.

From 1937 to 1943, Boas was a Special Lecturer at the Teacher's College of Columbia University where he specialized in the education of the handicapped. From 1938 to 1951, he was Assistant Clinical Professor of Medicine at the College of Physicians and Surgeons.

Boas was a prolific writer of articles and books on scientific topics (such as cardiology), as well as on topics in the popular media, such as geriatrics and chronic illness. Many of his publications advocate compulsory national health insurance. He served as Associate Editor of Modern Hospital from 1923 to 1929. Some of his books include Treatment of the Patient Past Fifty, The Unseen Plague--Chronic Disease, and The Heart Rate. This latter book grew out of Boas's research with Ernst F. Goldschmidt in developing the cardiotachometer, an electronic device that measures the heart rate continuously over many hours. Other research included his discovery of the calcification of the pineal gland; studies of neurocirculatory asthenia in soldiers in World War I; studies of the physiology of capillaries; and studies on cholesterol and its role in the pathogenesis of arteriosclerosis.

Boas also served as a medical consultant to numerous organizations and health care institutions, including Beth Israel Hospital of Passaic, New Jersey; the Group Health Cooperative, Inc.; the New York Guild for the Jewish Blind; the Sidney Hillman Health Center (where he directed a large research program on atherosclerosis); Irvington House; Lexington Hospital; Long Beach Hospital; Moosehaven; the New York Metal Trades Council and Hotel Association; and the Workmen's Circle.

Boas was involved with city, state, and federal organizations that dealt with health care. He was Chairman of the Committee on Chronic Illness of the Welfare Council of the City of New York. His work with this committee encouraged the construction of the Municipal Hospital for Chronic Diseases (now called Goldwater Memorial Hospital) on Welfare Island, as well as the elimination of many of the almshouses there. He also served on the Advisory Council of the New York City Department of Health and on the General Advisory Committee for the Cardiac Program of the New York State Department of Health. He was a consultant to the Social Security Board of the United States Federal Security Agency. He also testified in compensation hearings to show that heart attacks may result from unusual effort or trauma.

Besides his purely medical work, Boas was deeply involved in social causes. He worked with such agencies as the China Aid Council, Inc.; the Emergency Committee in Aid of Displaced Foreign Medical Scientists (serving as Secretary in 1945); the Committee of Physicians for the Improvement of Medical Care, Inc.; the National Committee for Resettlement of Foreign Physicians; the Physicians Committee of the National Refugee Service (serving as Chairman in 1943), and the United Service for New Americans, Inc. He founded The Physicians Forum, Inc., in 1939, to study and discuss health care issues, resist McCarthyism, and counter the American Medical Association's opposition to national health insurance. He also continued to work against discrimination in any form and was instrumental in the appointment of African-American physicians and nurses to hospital staffs.

He was a member of the American Heart Association, the American Medical Association, the American Society for the Study of Arteriosclerosis (founding member), the Authors' Guild, the Child Study Association of America, the Committee for the Nation's Health, the Committee of Citizens Against the Feinberg Law (a law to eliminate subversives from the New York state public school system), the Harvey Society, the Medical Society of the County of New York, the National Medical Committee of the NAACP, the New York Academy of Medicine, the New York Heart Association, Inc. (founding member and Chairman), the New York Tuberculosis and Health Association (Chairman of the Heart Committee), and the United States Committee, Inc. (founding member), an organization created in support of the World Medical Association. He also belonged to the honorary societies of Alpha Omega Alpha, Phi Beta Kappa, and Pi Gamma Mu.

Boas died on March 9, 1955 in New York City of pancreatic cancer. He was survived by his wife, Helene Tuthill Sisson Boas, and his children, Donald P. Boas, Norman F. Boas, and Barbara G. Crutchley.

References

Biographical note courtesy of the Ernst Boas Papers, American Philsophical Society.
Related Materials:
Materials in the Archives Center, National Museum of American History

Del Mar Avionics Holter Monitor Records (AC1249)

Materials in the Division of Medicine and Science, National Museum of American History

The Division of Medicine and Science holds artifacts related to this collection. See accession #1984.0638.04.

Materials in Other Organizations

American Philosophical Society, Ernst P. Boas Papers, circa 1907-1955
Provenance:
The collection was donated by Norman F. Boas on December 14, 1974.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Medical innovations  Search this
Medicine -- Research  Search this
Cardiology  Search this
Cardiotachometer  Search this
Physicians  Search this
Medical instruments and apparatus  Search this
Medical sciences  Search this
Genre/Form:
Correspondence -- 20th century
Technical literature
Reprints
Citation:
Ernst P. Boas Papers, 1927-1946, Archives Center, National Museum of American History. Gift of Norman F. Boas.
Identifier:
NMAH.AC.0881
See more items in:
Ernst P. Boas Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0881

T- Z Titles

Series Creator:
DeVincent, Sam, 1918-1997  Search this
Extent:
39 Items
Container:
Box 3, Folder H
Type:
Archival materials
Scope and Contents note:
Includes: "They Hung Up the Old 'Cordeen," "When Mozart Was a Child," and "Zig-zagging."
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 21: Musical Instruments
Sam DeVincent Collection of Illustrated American Sheet Music, Series 21: Musical Instruments / 21.1: Accordion / Arrangements for Accordion
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0300-s21-ref30

ACC MSS File No.3 Opus 700-764 Year 1988-1990 (Nov)

Collection Creator:
Clarke, Arthur C., Sir (Arthur Charles), 1917-2008  Search this
Container:
Box 141, Folder 2
Type:
Archival materials
Text
Scope and Contents:
File copies. Includes summary of "Child of the Sun," video voiceovers, messages, memorandums, book review, forewords/prefaces/intros, afterword's, addresses, lecture.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Permissions Requests
Collection Citation:
Arthur C. Clarke Collection of Sri Lanka, Acc. 2015-0010, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur C. Clarke Collection of Sri Lanka
Arthur C. Clarke Collection of Sri Lanka / Series 2: Original Writing / 2.3: Stories, Articles
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2015-0010-ref1838

ACC MSS File No.4 Opus 764-899 Year 1991-1995

Collection Creator:
Clarke, Arthur C., Sir (Arthur Charles), 1917-2008  Search this
Container:
Box 141, Folder 4
Type:
Archival materials
Text
Scope and Contents:
File copies. Includes story idea?, novel/movie outlines, articles?, prefaces, addresses, book reviews, tributes, foreword, sleeve notes, "Child of the Sun" materials.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Permissions Requests
Collection Citation:
Arthur C. Clarke Collection of Sri Lanka, Acc. 2015-0010, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur C. Clarke Collection of Sri Lanka
Arthur C. Clarke Collection of Sri Lanka / Series 2: Original Writing / 2.3: Stories, Articles
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2015-0010-ref1839

ACC MSS File No.4 Opus 764-899 Year 1991-1995

Collection Creator:
Clarke, Arthur C., Sir (Arthur Charles), 1917-2008  Search this
Container:
Box 141, Folder 5
Type:
Archival materials
Text
Scope and Contents:
File copies. Includes story idea?, novel/movie outlines, articles?, prefaces, addresses, book reviews, tributes, foreword, sleeve notes, "Child of the Sun" materials.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Permissions Requests
Collection Citation:
Arthur C. Clarke Collection of Sri Lanka, Acc. 2015-0010, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur C. Clarke Collection of Sri Lanka
Arthur C. Clarke Collection of Sri Lanka / Series 2: Original Writing / 2.3: Stories, Articles
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2015-0010-ref1840

ACC MSS File No.4 Opus 764-899 Year 1991-1995

Collection Creator:
Clarke, Arthur C., Sir (Arthur Charles), 1917-2008  Search this
Container:
Box 141, Folder 6
Type:
Archival materials
Text
Scope and Contents:
File copies. Includes story idea?, novel/movie outlines, articles?, prefaces, addresses, book reviews, tributes, foreword, sleeve notes, "Child of the Sun" materials.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Permissions Requests
Collection Citation:
Arthur C. Clarke Collection of Sri Lanka, Acc. 2015-0010, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur C. Clarke Collection of Sri Lanka
Arthur C. Clarke Collection of Sri Lanka / Series 2: Original Writing / 2.3: Stories, Articles
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2015-0010-ref1841

ACC MSS File No.3 Opus 700-764 Year 1988-1990 (Nov)

Collection Creator:
Clarke, Arthur C., Sir (Arthur Charles), 1917-2008  Search this
Container:
Box 141, Folder 1
Type:
Archival materials
Text
Scope and Contents:
File copies. Includes summary of "Child of the Sun," video voiceovers, messages, memorandums, book review, forewords/prefaces/intros, afterword's, addresses, lecture.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Permissions Requests
Collection Citation:
Arthur C. Clarke Collection of Sri Lanka, Acc. 2015-0010, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur C. Clarke Collection of Sri Lanka
Arthur C. Clarke Collection of Sri Lanka / Series 2: Original Writing / 2.3: Stories, Articles
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2015-0010-ref571

ACC MSS File No.4 Opus 764-899 Year 1991-1995

Collection Creator:
Clarke, Arthur C., Sir (Arthur Charles), 1917-2008  Search this
Container:
Box 141, Folder 3
Type:
Archival materials
Text
Scope and Contents:
File copies. Includes story idea?, novel/movie outlines, articles?, prefaces, addresses, book reviews, tributes, foreword, sleeve notes, "Child of the Sun" materials.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Permissions Requests
Collection Citation:
Arthur C. Clarke Collection of Sri Lanka, Acc. 2015-0010, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur C. Clarke Collection of Sri Lanka
Arthur C. Clarke Collection of Sri Lanka / Series 2: Original Writing / 2.3: Stories, Articles
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2015-0010-ref573

Oral history interview with Abraham Walkowitz

Interviewee:
Walkowitz, Abraham, 1880-1965  Search this
Interviewer:
Cowdrey, Mary Bartlett, 1910-1974  Search this
Lerner, Abram, first director and curator  Search this
Names:
"291" (Gallery)  Search this
Armory Show (1913 : New York, N.Y.)  Search this
Society of Independent Artists (New York, N.Y.)  Search this
Bliss, Lizzie P. (Lizzie Plummer), 1864-1931  Search this
Boswell, Peyton, 1904-  Search this
Chase, William Merritt, 1849-1916  Search this
Cox, Kenyon, 1856-1919  Search this
Cézanne, Paul, 1839-1906  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Duncan, Isadora, 1877-1927  Search this
Epstein, Jacob, Sir, 1880-1959  Search this
Hassam, Childe, 1859-1935  Search this
Kuhn, Walt, 1877-1949  Search this
Monet, Claude, 1840-1926  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pach, Walter, 1883-1958  Search this
Weber, Max, 1881-1961  Search this
Extent:
66 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1958 December 8-22
Scope and Contents:
An interview of Abraham Walkowitz conducted by Abram Lerner and Mary Bartlett Cowdrey for the Archives of American Art.
Walkowitz discusses his childhood and schooling; travelling abroad; influence of Claude Monet exhibit; his book, "Artists of Walkowitz: 100 Portraits"; Paul Cezanne's death; meeting artists in Europe; his 1908 exhibition of modern art at the Julius Haas Gallery, New York; getting Max Weber a show at the Haas Gallery; Steiglitz and his "291" Gallery; the Armory Show, especially the roles of Arthur B. Davies, Walt Kuhn, and Walter Pach; reactions to Nude Descending a Staircase; the Society of Independent Artists; thoughts on criticism of his work; his relationship with the critic Peyton Boswell; the importance in his work of dancer Isadora Duncan; opinions on American art, modern art, art schools, students and patrons; good art versus bad art; and the role of critics. Among others he recalls are Lizzie Bliss, William Merritt Chase, Kenyon Cox, The Eight, Jacob Epstein, Childe Hassam, and Georgia O'Keeffe.
Biographical / Historical:
Abraham Walkowitz (1880-1965) was a painter in New York, New York.
General:
Sound has been lost on tape reels; reels discarded.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art critics  Search this
Topic:
Art, American  Search this
Art, Modern -- 20th century  Search this
Eight (Group of American artists)  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.walkow58
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-walkow58

Oral history interview with Richard Tuttle

Creator:
Tuttle, Richard, 1941-  Search this
McElhinney, James, 1952-  Search this
Extent:
3 Items (sound files (4 hrs., 4 min.), digital, wav)
59 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2016 November 14-17
Scope and Contents:
An interview with Richard Tuttle conducted 2016 November 14 and 17, by James McElhinney, for the Archives of American Art, at Tuttle's home in New York, New York.
Tuttle recalls early memories at the Metropolitan Museum of Art; his mother's influence; family background from Pennsylvania, and Celtic ancestry; discussion of Calvinism; philosophies of art schools; discussion of Japanese language, literature and philosophy; designing book covers for Graham Greene; joining the air force and being honorably discharged; friendship with Agnes Martin; observations about the landscapes and geology of New Mexico and the Lascaux caves; thoughts on Humboldt and other German philosophers, Husserl, Philipp Otto Runge, and others; Travel in Peru, and his recent exhibitions in Lima, Peru; discussion of religion, art, senses; discussion of philosophy: Epicurus, Lucretius. Tuttle speaks of his childhood; he describes his siblings and his brother serving in the Vietnam War; discussion of creativity, education and difficulty with teachers, and being a creative child; influence of his grandparents; influence of religion and German background; teachers and relationship to his childhood schools; discussion of the 2016 elections and comparison to Republican Rome and Julius Caesar; engagement in theater, and writing at Trinity College in Hartford, Connecticut; influence of Sam Wagstaff; Interest in Allan Kaprow; comparing Picasso and Matisse; discussion of the cultural history of Hartford; visiting New York City in high school and college and the encouragement of his high school teacher; early artworks and creation of Paper Cubes; briefly attending Cooper Union; working in the library at the Cooper Hewitt Museum; discussion of Beat poetry and Abstract Expressionism; discussion of Betty Parsons and speaking about the "invisible" in art; thoughts about color and eidos in respect to Gaugin; working at Parsons; the importance of Ad Reinhardt's work; discussion of Romanticism. Tuttle also recalls Betty Parsons, Agnes Martin, Mark Rothko, Sam Wagstaff, A. Everett Austin, Herbert Vogel, Allen Ginsberg and others.
Biographical / Historical:
Richard Tuttle (1941- ) is a postminimalist artist and author in New York, N.Y. James McElhinney (1952- ) is a painter and educator of New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Artists -- New York (State) -- New York -- Interviews  Search this
Installations (Art) -- New York -- New York  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.tuttle16
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tuttle16

Robert Sperry papers

Creator:
Sperry, Robert, 1927-1998  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of Washington -- Faculty  Search this
Warashina, Patti, 1940-  Search this
Extent:
13.6 Linear feet
0.907 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Motion pictures (visual works)
Transcripts
Interviews
Sketches
Drawings
Photographs
Scrapbooks
Videotapes
Date:
1951-2002
Summary:
The papers of ceramicist Robert Sperry measure 13.6 linear feet and 0.907 GB and date from 1951-2002. The collection documents Sperry's career as an artist, teacher, and filmmaker through biographical information, correspondence, exhibition files, gallery files, material on projects and workshops, writings, a scrapbook, financial files, printed and digital material, photographs, moving image materials, and artwork.
Scope and Content Note:
The papers of ceramicist Robert Sperry measure 13.6 linear feet and 0.907 GB and date from 1951-2002. The collection documents Sperry's career as an artist and teacher through biographical information, correspondence, exhibition files, gallery files, material on projects and workshops, writings, a scrapbook, financial files, printed and digital material, photographs, video recordings, films, and artwork.

Biographical files contain items outlining Sperry's career including resumes, teaching evaluations, awards, and interviews. Correspondence includes general correspondence with family, friends, colleagues, schools, galleries, art organizations, and publications as well as named files for those with whom Sperry exchanged a significant amount of correspondence over a long period of time. The Exhibition Files contain materials on group and solo exhibitions Robert Sperry participated in, while Gallery Files hold material, such as correspondence and contracts, related to the galleries which exhibited Sperry's work primarily after 1979. The Project and Workshop Files in Series 5 contain material related to public commissions he completed and workshops he gave during the 1980s and 1990s.

Writings encompass writings by Sperry and others. Sperry's writings vary greatly and include drafts of articles, a family history, poetry, notes and a screenplay, while writings by others are primarily essays on art. Within this series Sperry's event calendars are also found. Sperry compiled a scrapbook which spans 1955 to 1964 and includes correspondence and printed material about exhibitions and newspaper clippings which feature his artwork. He and his wife, Patti Warashina, also compiled Financial Records primarily of their business and living expenses from 1976 to 1984 and earnings as artists and professors at the University of Washington.

The largest series in this collection, Printed Material, provides information largely on Sperry's career through press clippings, exhibition announcements, catalogs, and publications, and also includes other materials on ceramics in general. The Photographs series contains both photos and negatives from Sperry's trip to Japan to film "Village Potters of Onda" as well as photographs of his artwork and his family. Also found in this collection are a few sketches and drawings by Sperry and one drawing by Patti Warashina. Moving image material includes video recordings and motion picture film with a wide range of content, including documentaries about Sperry, studio footage, and experimental and narrative films created by Sperry in a range of styles and genres, including animation such as the animated film "Henry," hand colored film, live action footage, abstract design, and narrative short films by Sperry. There are digital research copies of some of the films.
Arrangement:
The Robert Sperry papers are arranged as thirteen series, according to type of material. Each series is arranged either in rough chronological or alphabetical order.

Series 1: Biographical Files, 1954-circa 2000, undated (Box 1; 0.3 linear feet)

Series 2: Correspondence Files, 1951-2000, undated (Boxes 1-2; 0.9 linear feet)

Series 3: Exhibition Files, 1963-1999, undated (Boxes 2-3; 1.2 linear feet)

Series 4: Gallery Files, 1960-2000, undated (Boxes 3-4; 0.8 linear feet)

Series 5: Project and Workshop Files, 1967-1996, undated (Box 4; 0.4 linear feet)

Series 6: Writings, 1966-1990, undated (Box 5; 0.5 linear feet)

Series 7: Scrapbook, 1955-1964 (Box 5; 8 folders)

Series 8: Financial Records, 1961-1995, undated (Boxes 5-6; 1.0 linear feet)

Series 9: Miscellaneous Subject Files, 1975-1998, undated (Box 6; 0.2 linear feet)

Series 10: Printed Material, 1955-2002, undated (Boxes 6-10; 3.4 linear feet)

Series 11: Photographs, 1963, undated (Box 10; 0.2 linear feet)

Series 12: Sketches and Drawings, 1984, undated (Box 10; 2 folders)

Series 13: Moving Image Material, circa 1962-1998, undated (Boxes 10-12, FC 13-18; 3.1 linear feet, ER01; 0.907 GB)
Biographical Note:
Robert Sperry was born in Bushnell, Illinois, in 1927. He grew up on his family's farm in Druid, Saskatchewan, Canada, and in 1945 was drafted into the U.S. Army, where he first developed an interest in art. After serving in the military, he returned home and completed his B.A. at the University of Saskatchewan in 1950 and a B.F.A. at the Art Institute of Chicago in 1953. While working on his B.A. he met and married Edyth MacDonald and they had one child, Van, in 1950. Sperry spent one summer as Artist in Residence at the Archie Bray Foundation, in Helena, Montana, and then moved his family to Seattle so that he could complete his M.F.A. at the University of Washington. After graduating in 1955 he stayed at the University and became a professor, teaching ceramics until retiring in 1982. During this time, Sperry widely exhibited his clay vessels in both group and solo exhibitions and was active in the American Craft Council.

When not teaching, Robert Sperry pursued his interest in photography and filmmaking and, in 1963, traveled to Japan to make "Village Potters of Onda," a project that included a documentary film and a collection of black and white photographs. Sperry continued experimenting with film and, in 1967, created a fictional film entitled, "Profiles Cast Long Shadows," which was shown at film festivals throughout the United States. After abandoning another film project in 1970 while going through a divorce, he returned to ceramics as his focus. During the 1970s Sperry developed his techniques, modifying glazes and moving away from the vessel shape. In 1976 Sperry married Patti Warashina, fellow ceramicist and professor at the University of Washington. He began producing murals, which led to several public commissions such as a mural for the IBM Field Engineering Educational Center in Atlanta, created in 1983. Robert Sperry: A Retrospective, was exhibited in 1985-1986 at the Bellevue Art Museum, however, Sperry would continue producing and exhibiting new work, and giving lectures and workshops for thirteen more years, until his death in 1998.
Related Material:
Also found in the Archives of American Art are the Patti Warashina papers, circa 1900-1991. An online finding aid is available.
Provenance:
The Robert Sperry papers were donated by Sperry's wife Patti Warashina in 2003 and 2004.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Robert Sperry papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Filmmakers  Search this
Potters -- Japan  Search this
Ceramicists -- Washington (State)  Search this
Ceramics -- Study and teaching  Search this
Genre/Form:
Motion pictures (visual works)
Transcripts
Interviews
Sketches
Drawings
Photographs
Scrapbooks
Videotapes
Citation:
Robert Sperry papers, 1951-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sperrobe
See more items in:
Robert Sperry papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sperrobe

Oral history interview with Boris Bally

Interviewee:
Bally, Boris  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Faculty  Search this
Carnegie-Mellon University (Pittsburgh, Pennsylvania) -- Students  Search this
Comedy Central (Firm)  Search this
Massachusetts College of Art -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Snyderman Gallery  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
Society of North American Goldsmiths  Search this
Tyler School of Art -- Students  Search this
Velvet da Vinci Gallery  Search this
Works Gallery  Search this
Agro, Elisabeth R.  Search this
Ballay, Joe, 1938-  Search this
Bonner, Jonathan, 1947-  Search this
Cianci, Vincent Albert, Jr., 1941-2016  Search this
Dahm, Johanna  Search this
Ebendorf, Robert, 1938-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gialamas, Rosemary, 1962-  Search this
Greenbaum, Toni  Search this
Holt, Steven, 1957-  Search this
Ilse-Neuman, Ursula  Search this
Kangas, Matthew  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Kowal, Dennis  Search this
Kumata, Carol  Search this
Künzli, Otto, 1948-  Search this
Lechtzin, Stanley, 1936-  Search this
Metcalf, Bruce, 1949-  Search this
Nasher, Patsy  Search this
Nasher, Raymond  Search this
Raab, Rosanne  Search this
Schaffner, Alexander  Search this
Simon, Marjorie  Search this
Skov, Mara Holt  Search this
Warhola, Paul  Search this
Wood, Joe, 1954-  Search this
Extent:
4 Sound discs (Sound recording (5 hr., 55 min.), digital)
109 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound discs
Pages
Interviews
Sound recordings
Place:
Haiti -- description and travel
Switzerland -- description and travel
Date:
2009 May 26-27
Scope and Contents:
An interview of Boris Bally conducted 2009 May 26-27, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Bally's home and studio, in Providence, Rhode Island.
The artists speaks of his current studio in Providence, Rhode Island; working without a studio assistant; the benefits of working with studio assistants without an art-school background; apprenticing with Swiss metalsmith Alexander Schaffner when Bally was 19; his own de facto apprenticeship program with his studio assistants; his parents as role models; his vision at age 19 for his career plan; his early interest in CAD; growing up with Swiss-born parents, both with art/design backgrounds; visiting Switzerland as a child; his father's studies with Buckminster Fuller in the late 1950s; his mother's class with L. Brent Kington, whom Bally later studied with; growing up in Pittsburgh, Pennsylvania; his first home metal shop at nine years old; his first formal metal class at about 14 years old; making and selling jewelry throughout his teens; informal apprenticeship with Jeff Whisner; his father's design firm, launched in his last year of high school; summer studying at the Pennsylvania Governor's School for the Arts; year-long apprenticeship in Switzerland; watching Schaffner make and sell a wide variety of objects, which later informed Bally's own perspective; his continuing relationship with Schaffner; undergraduate studies at Tyler School of Art, Philadelphia, Pennsylvania; studying with Daniella Kerner and Vickie Sedman at Tyler; transferring to Carnegie Mellon University, Pittsburgh, Pennsylvania, to study with Carol Kumata; making a "happiness machine"; transition from jewelry to larger sculptures; using found and scavenged materials; meeting Rosemary Gialamas (Roy) and their eventual elopement; moving to the Boston area; work as an industrial design model-maker; the New York art scene of the 1980s; representation with Archetype Gallery, New York, New York; slow but steady artistic recognition and commercial success of his functional objects; Sliding Perfections, flatware; teaching Gialamas metalsmithing and collaborative works by the two; early teaching experience in adult education classes in Cambridge, Massachusetts, then at Massachusetts College of Art, Boston; return to Pittsburgh in 1989, where Bally took a teaching position at Carnegie Mellon in the design department; studio on Bigelow Boulevard; difficulties in his marriage; a commission from the Society of Arts and Crafts, Boston, Massachusetts, and the beginnings of his traffic sign pieces in a collaborative piece with Gialamas; starting his platters series; the dissolution of his marriage to Gialamas in 1993; meeting Lynn, whom he later married; his love of teaching and his teaching philosophy; teaching at Penland School of Crafts, Penland, North Carolina; move to Providence, Rhode Island, to devote his time to studio work; the pros and cons of craft and arts schools versus university settings; the intersection of art, design, and industry: his Humanufactured line of products; functional work in the late '80s, and the influence of a trip to Haiti in the 1980s; bottle cork pieces; Trirod vessels; "More than One: Contemporary Studio Production" exhibition, American Craft Museum, New York, New York, 1992-94; philosophy of making; working in series form; truss pieces; perforation pieces and Vessel with a Silver Heart (1993); armform series; "Jewelries, Epiphanies" exhibition, Artists Foundation Gallery at Cityplace, Boston, Massachusetts, 1990; inclusion in One of a Kind: American Art Jewelry Today, by Susan Grant Lewin. (New York, NY: Harry N. Abrams, 1994); series Dig Wear and Eat Wear bracelets; Calimbo vessel and the Fortunoff prize; gold Tread Wear brooches in the mid-1990s; creating his first chair; moving from hand-made solo work to furniture and a design and production focus; starting to patent his designs in the mid-1990s; further exploration of design and technique in his chairs; "GlassWear: Glass in Contemporary Jewelry," Museum of Arts and Design, New York, New York, 2009; Pistol Chalice and work with the Pittsburgh gun buyback program; traveling exhibition for the project; Gun Totem; Brave necklace; BroadWay armchair; Subway chair; new techniques for graphics on the furniture; his relationship with former scrapyard Paul Warhola, brother to Andy Warhol; commission work, and the importance of commerce in his career and worldview; commission for Comedy Central television network; the changing craft market and the boom times of the 1980s; work with galleries, including: Patina, Santa Fe, New Mexico; Velvet da Vinci, San Francisco, California; Snyderman-Works, Philadelphia, Pennsylvania; Nancy Sachs Gallery, St. Louis, Missouri; the Society of Arts and Crafts, Boston, Massachusetts; seeing one of his pieces used on a set for a daytime television soap opera and in the movie Sex and the City ; the recent "green" (environmentally conscious) trend; blurring boundaries of design and art and craft; growing acceptance of artist-made and -designed multiples; pros and cons of computer technology in art and craft; the pros and cons of the DIY (do-it-yourself) craft movement; influential writers, including Rosanne Raab, Marjorie Simon, Steven Skov Holt and Mara Holt Skov, Bruce Metcalf, Toni Greenbaum, Matthew Kangas, Gail Brown; his involvement in the Society of North American Goldsmiths; making metal benches for his children. He also recalls Heather Guidero, Julian Jetten, Pam Moloughney, Dennis Kowal, Ursula Ilse-Neuman, Bob Ebendorf, Jason Spencer, Rob Brandegee and Ava DeMarco, Stefan Gougherty, Flo Delgado, L. Brent Kington, Curtis Aric, Ralph Düby, Steve Korpa, Joe Wood, Joe Ballay, Yves Thomann, Andy Caderas, James Thurman, Nicholas (Nico) Bally, Elena Gialamas, James Gialamas, Elvira Peake, Ronald McNeish, Johanna Dahm, Jerry Bennet, Kathleen Mulcahy, Nelson Maniscalco, Tom Mann, Otto Künzli, Stanley Lechtzin, Christopher Shellhammer, David Tisdale, Dean Powell, Daniel Carner, Donald Brecker, Robert Schroeder Phil Carrizzi, Lucy Stewart, Elisabeth Agro, Rachel Layton, Sarah Nichols, Peter Nassoit, Dan Niebels, Mary Carothers, Ward Wallau, Ivan Barnett and Alison Buchsbaum, Jonathan Bonner, Raymond and Patsy Nasher, Beth Gerstein, George Summers Jr., Pavel Opocensky, Buddy Cianci, David Cicilline.
Biographical / Historical:
Boris Bally (1961- ) is a metalsmith and designer who lives and works in Providence, Rhode Island. Bally was educated at Carnegie Mellon University and Tyler School of Art.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 5 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors  Search this
Topic:
Art -- New York (State) -- New York  Search this
Art and computers  Search this
Decorative arts  Search this
Designers -- Rhode Island -- Interviews  Search this
Furniture making  Search this
Jewelry making  Search this
Metal-work -- Study and teaching  Search this
Metal-workers -- Rhode Island -- Interviews  Search this
Models and modelmaking  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bally09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bally09

Will the day ever come [music]

Composer:
Hunter, Alberta  Search this
Collection Creator:
Boatwright, Ruth Ellington, 1914-2004  Search this
Extent:
1 Item (copy score, 32 cm.)
Container:
Box 39, Folder 36
Type:
Archival materials
Copy scores
Manuscripts
Music
Piano vocal scores
Scope and Contents:
1 score
Will the day ever come is contained in one folder consisting of 1 three page piano vocal score in F Major concert -- in ink -- in unidentified hand (Whaley?).
Piano vocal score lyrics begin "When I was a child of three ...". -- from the Ruth Ellington Collection.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, Wayne Shirley, and Dr. Mark Tucker.
Condition: fair, tape.
Related Materials:
Ruth Ellington Collection Music Manuscripts (Series 3), 1940-1991
Collection Restrictions:
Collection is open for research. Researchers must handle unprotected photographs with gloves. Copyright restrictions. Contact staff for information. Only reference copies of audiovisual materials are available for use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Copy scores
Manuscripts
Music
Piano vocal scores
Collection Citation:
Ruth Ellington Collection, 1923-1992, Archives Center, National Museum of American History.
See more items in:
Ruth Ellington Collection of Duke Ellington Materials
Ruth Ellington Collection of Duke Ellington Materials / Series 1: Music Manuscripts, Scripts, and Compositional Materials / 1.1: Music Manuscripts
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0415-ref2420

Oral history interview with Alexis Smith

Creator:
Smith, Alexis, 1949-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Names:
Holly Solomon Gallery  Search this
Honor Fraser Gallery  Search this
Margo Leavin Gallery  Search this
Mizuno Gallery  Search this
Nicholas Wilder Gallery  Search this
University of California, Irvine -- Students  Search this
University of California, Los Angeles -- Faculty  Search this
Bell, Larry, 1939-  Search this
Burden, Barbara  Search this
Burden, Chris, 1946-  Search this
Celmins, Vija, 1938-  Search this
Chicago, Judy, 1939-  Search this
Coplans, John  Search this
Gehry, Frank O., 1929-  Search this
Grieger, Scott  Search this
Howard, Coy  Search this
Irwin, Robert, 1928-  Search this
Krull, Craig  Search this
Moses, Avilda  Search this
Ruppersberg, Allen, 1944-  Search this
Sedivy, Richard  Search this
Solomon, Jerry  Search this
Extent:
5 Items (Sound recording: 5 sound files (3 hr., 11 min.), digital, wav)
84 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
France -- description and travel
Date:
2014 January 24-April 14
Scope and Contents:
An interview with Alexis Smith conducted 2014 January 24 and April 14, by Hunter Drohojowska-Philp, for the Archives of American Art at Smith's studio, in Venice, California.
Ms. Smith discusses growing up in Southern California and her early years living with her parents on the grounds of Metropolitan State Hospital, a mental institution in Norwalk, California; her mother's death when Ms. Smith was 11; the family's time in Whittier and Palm Springs and being raised as an only child by her father; her early interest in French studies and travel to France as a student; her interest in studying art beginning with a John Coplans class at UC Irvine; her time at at UC Irvine in the early days of the university and her growing attraction to the life of an artist; the origin of her name Alexis Smith; and the encouragement of her fellow artists to continue pursuing her cut-up collages from literature, photos, magazines, and Hollywood ephemera. Ms. Smith also describes her time with her artist women's group in the 70s; her husband Scott Grieger; working for Frank Gehry; her showing with the Nicholas Wilder Gallery; her relationship with Chris Burden and her time with him during his period of performance pieces in the 70s; the Riko Mizuno Gallery; her work with terrazzo and its use for installations at the LA Convention Center, Ohio State University, and other installations; the appropriation of text and the assistance of Jerry Solomon utilizing custom frames in her artwork; the impact of women from history, media and literature on her art; her relationship with Coy Howard; the Holly Solomon Gallery; her Jane series; her On the Road series; her installation Snake Path at UC San Diego; her piece for SITE Santa Fe Red Carpet; teaching at UCLA; her installation of the piece Scarlet Letter at Las Vegas Central Library and its subsequent removal; her associations with Margo Leavin Gallery and Honor Fraser gallery; and the loss of her long-time studio space and the challenges of storing her artwork. Ms. Smith also recalls Judy Chicago, Robert Irwin, Vija Celmins, Larry Bell, Barbara Burden, Richard Sedivy, Avilda Moses, Craig Krull, and Allen Ruppersberg among others.
Biographical / Historical:
Alexis Smith (1949- ) is a collage, multimedia, and installation artist in Los Angeles, California. Hunter Drohojowska-Philp is an art critic and writer from Beverly Hills, California.
General:
Originally recorded as 5 sound files. Duration is 3 hr., 11 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Study and teaching  Search this
Collagists -- California -- Interviews  Search this
Installations (Art)  Search this
Multimedia (Art)  Search this
Multimedia installations (Art)  Search this
Women artists -- California -- Los Angeles -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.smith14
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smith14

D-G

Series Creator:
DeVincent, Sam, 1918-1997  Search this
Extent:
43 Items
Container:
Box 11, Folder KK
Type:
Archival materials
Scope and Contents note:
Includes: "Don't Shoot the Bartender (He's Half Shot Now)," "The Drunkard's Child," "Everybody Wants a Key to My Cellar," and "The Glorious Highball."
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 13: Agriculture, Business, and Law
Sam DeVincent Collection of Illustrated American Sheet Music, Series 13: Agriculture, Business, and Law / 13.2: Agriculture: Farming, Food, and Tobacco / General Songs about Drinking
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0300-s13-ref136

General Songs about Christmas, A -- G Titles

Series Creator:
DeVincent, Sam, 1918-1997  Search this
Container:
Box 10, Folder P
Type:
Archival materials
Date:
1833-1977
Scope and Contents note:
Includes: "Do You Hear What I Hear" and "For unto Us a Child Is Born" from Handel's Messiah. (60 items)
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 10: Sacred Music and Religious Themes
Sam DeVincent Collection of Illustrated American Sheet Music, Series 10: Sacred Music and Religious Themes / 10.7: Christmas
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0300-s10-ref87

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