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Matilda Jane Fischer

Alternate Title:
Unidentified mother and child
Possible attribution:
James Van Dyck, active 1825 - 1844  Search this
Sitter:
Unidentified Woman  Search this
Unidentified Child  Search this
Formerly identified as:
Matilda Jane Fisher, 19th century  Search this
Medium:
Oil on canvas
Dimensions:
91.4 × 76.2cm (36 × 30")
Type:
Painting
Date:
c. 1835
Topic:
Costume\Jewelry\Necklace  Search this
Costume\Jewelry\Earring  Search this
Costume\Jewelry\Brooch  Search this
Costume\Jewelry\Ring  Search this
Costume\Jewelry\Necklace\Bead  Search this
Costume\Jewelry\Ring\Wedding Band  Search this
Costume\Headgear\Hat\Bonnet  Search this
Toy\Rattle  Search this
Costume\Dress Accessory\Bow  Search this
Human Figures\Baby  Search this
Costume\Jewelry\Brooch\Cameo  Search this
Costume\Dress Accessory\Belt  Search this
Unidentified Woman: Female  Search this
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
UNL01744
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4e8a78caa-8d7b-4440-907f-19bf3b888e2b
EDAN-URL:
edanmdm:npg_UNL01744

Mrs. Daniel Strobel, Jr. (Anna Church Strobel) and Her Son George

Alternate Title:
Mrs. Edward Church and Child
Artist:
John Vanderlyn, 15 Oct 1775 - 23 Sep 1852  Search this
Sitter:
Anna Church Strobel, 18th - 19th Century  Search this
George Strobel, ? - 1874  Search this
Formerly identified as:
Sarah Russell Church, 1790? - 1890?  Search this
Medium:
Chalk and white lead on paper
Dimensions:
21.3 x 16.2cm (8 3/8 x 6 3/8")
Type:
Painting
Date:
c. 1799
Topic:
Costume\Jewelry\Earring  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Sarah Russell Church: Female  Search this
Anna Church Strobel: Female  Search this
George Strobel: Male  Search this
George Strobel: Religion and Spirituality\Clergy\Priest  Search this
George Strobel: Politics and Government\Diplomat\Consul  Search this
Portrait  Search this
Credit Line:
Owner: The Metropolitan Museum of Art
Website: https://www.metmuseum.org/
Object number:
17.134.3 MMA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm44dfa816f-0925-43c7-9513-7745df735ee5
EDAN-URL:
edanmdm:npg_17.134.3_MMA

Child Asleep

Alternate Title:
The Rosebud
Formerly thought to be Francis Thomas Sully Darley
Artist:
Thomas Sully, 19 Jun 1783 - 5 Nov 1872  Search this
Formerly identified as:
Francis Thomas Sully Darley, 1833 - 22 Aug 1914  Search this
Sitter:
Unidentified Boy  Search this
Medium:
Oil on canvas
Dimensions:
60.7cm x 92.7cm (23 7/8" x 36 1/2")
Type:
Painting
Date:
1841
Topic:
Home Furnishings\Furniture\Bed  Search this
Nature & Environment\Plant\Flower\Rose  Search this
Home Furnishings\Blanket  Search this
Home Furnishings\Pillow  Search this
Unidentified Boy: Male  Search this
Francis Thomas Sully Darley: Male  Search this
Francis Thomas Sully Darley: Performing Arts\Performer\Musician\Composer  Search this
Francis Thomas Sully Darley: Performing Arts\Performer\Musician\Organist  Search this
Francis Thomas Sully Darley: Performing Arts\Performer\Musician\Composer\Opera  Search this
Portrait  Search this
Credit Line:
Owner: The Metropolitan Museum of Art
Website: https://www.metmuseum.org/
Object number:
14.126.6 MMA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4b09e69e3-bb5d-4e9c-9331-127391e4e209
EDAN-URL:
edanmdm:npg_14.126.6_MMA

Rose Hathorne Hassam and Sister

Artist:
Childe Hassam, 17 Oct 1859 - 27 Aug 1935  Search this
Sitter:
Cora Doane Cotton  Search this
Kathleen Maude Doane Hassam  Search this
Formerly identified as:
Rose Hathorne Hassam, 1840 - 1940?  Search this
Medium:
Oil on canvas
Dimensions:
23.8 x 14.3cm (9 3/8 x 5 5/8")
Type:
Painting
Date:
1889
Topic:
Interior  Search this
Music\Musical instrument\Piano  Search this
Nature & Environment\Plant\Flower\Flowers  Search this
Artwork\Painting  Search this
Home Furnishings\Furniture\Seating\Chair\Armchair  Search this
Printed Material\Papers  Search this
Costume\Dress Accessory\Glove\Gloves  Search this
Container\Vase  Search this
Costume\Footwear\Shoes  Search this
Home Furnishings\Lighting Devices\Candle  Search this
Home Furnishings\Lighting Devices\Candlestick  Search this
Rose Hathorne Hassam: Female  Search this
Kathleen Maude Doane Hassam: Female  Search this
Cora Doane Cotton: Female  Search this
Portrait  Search this
Credit Line:
Owner: Terra Foundation for American Art
Website: www.terraamericanart.org
Object number:
1992.40 Terra
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm42ff2dc77-92fc-4f68-a4df-bbdb8db9c053
EDAN-URL:
edanmdm:npg_1992.40_Terra

Sketch of a Child: Helen

Artist:
William Merritt Chase, 1 Nov 1849 - 25 Oct 1916  Search this
Sitter:
Helen Valazquez Chase, 1895 - ?  Search this
Formerly identified as:
Dorothy Brémond Chase, 1891 - 1953  Search this
Medium:
Oil on wood
Dimensions:
25.3cm x 14.6cm (9 15/16" x 5 3/4"), Accurate
Type:
Painting
Date:
1898-1899
Topic:
Dorothy Brémond Chase: Female  Search this
Helen Valazquez Chase: Female  Search this
Portrait  Search this
Credit Line:
Owner: Rhode Island School of Design Museum of Art
Website: risdmuseum.org/
Object number:
13.919 RISD
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4dcb9c5df-296e-4db2-9a88-4816893de6c4
EDAN-URL:
edanmdm:npg_13.919_RISD

Kate Frances Meade and Henry Almon Meade

Artist:
Meade Brothers Studio, active c. 1840 - c. 1869  Search this
Sitter:
Kate Frances Meade, 19 Mar 1852 - 1921  Search this
Henry Almon Meade, Apr 1853 - 1930  Search this
Medium:
Sixth-plate daguerreotype
Dimensions:
Image/Sight: 6.7 × 5.5 cm (2 5/8 × 2 3/16")
Mat: 8 × 6.7 cm (3 1/8 × 2 5/8")
Case open: 9.4 × 17 × 2.3 cm (3 11/16 × 6 11/16 × 7/8")
Case closed: 9.4 × 8.5 × 1.9 cm (3 11/16 × 3 3/8 × 3/4")
Type:
Photograph
Date:
c. 1854
Topic:
Costume\Jewelry\Necklace  Search this
Interior  Search this
Cased object  Search this
Kate Frances Meade: Female  Search this
Henry Almon Meade: Male  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Mr. and Mrs. Dudley Emerson Lyons
Object number:
S/NPG.85.256
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4e3e0a8f0-bb6b-4252-82c8-3ea6c9c08196
EDAN-URL:
edanmdm:npg_S_NPG.85.256
Online Media:

Unidentified Woman and Child

Artist:
Unidentified Artist  Search this
Other attribution:
Joseph Blackburn, flourished 1752 - 1774  Search this
Sitter:
Unidentified Woman  Search this
Unidentified Child  Search this
Formerly identified as:
Joseph Henry Brown, 1755 - 1855?  Search this
Mrs. Brown, 1730 - 1830?  Search this
Medium:
Oil on canvas
Dimensions:
127cm x 101.5cm (50" x 39 15/16"), Accurate
Type:
Painting
Date:
c. 1760
Topic:
Unidentified Woman: Female  Search this
Mrs. Brown: Female  Search this
Joseph Henry Brown: Male  Search this
Portrait  Search this
Credit Line:
Owner: Daughters of the American Revolution Museum
Website: www.dar.org/museum
Object number:
67.268
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm43dc8812e-29b5-4da7-ba27-eed67d374872
EDAN-URL:
edanmdm:npg_67.268

Robinson's Progressive Primary Arithmetic, For Primary Classes in Public and Private Schools by Horatio N. Robinson

Physical Description:
cloth (binding material)
pasteboard (boards material)
thread (binding material)
paper (text block material)
ink (text material)
graphite (inscriptions material)
Measurements:
overall: 1/4 in x 4 1/2 in x 6 1/2 in; .635 cm x 11.43 cm x 16.51 cm
Object Name:
book
Place made:
United States: New York, New York City
United States: Illinois, Chicago
Place used:
United States: Pennsylvania
Date made:
1881
ID Number:
DL.62.0299B
Catalog number:
62.0299B
Accession number:
240815
See more items in:
Cultural and Community Life: Domestic Life
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ae-1873-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1461809
Online Media:

Pathfinder Physiology No. 1. Child’s Health Primer for Primary Classes with Special Reference to Effects of Alcohol Drinks Stimulants, and Narcotics Upon the Human System

Publisher:
American Book Company  Search this
Physical Description:
paper (overall material)
ink (overall material)
printed (overall production method/technique)
Measurements:
overall: 7 1/4 in x 5 in x 1/2 in; 18.415 cm x 12.7 cm x 1.27 cm
Object Name:
book
Object Type:
instructional materials
Place made:
United States: New York, New York City
Date made:
1889
Credit Line:
Gift of Dr. Richard Lodish American School Collection
ID Number:
2017.3049.26
Nonaccession number:
2017.3049
Catalog number:
2017.3049.26
See more items in:
Cultural and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-b22c-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1922748

Robinson's Progessive Primary Arithmetic for Primary Classes in Public and Private Schools by Horatio Nelson Robinson

Physical Description:
cloth (binding material)
pasteboard (boards material)
thread (binding connector/connecting technique)
tan (outside color)
paper (text pages material)
ink (text pages material)
Measurements:
overall: 16.9 cm x 11.4 cm x .9 cm; 6 21/32 in x 4 1/2 in x 11/32 in
Object Name:
book
Place made:
United States: New York, New York City
Date made:
1873
Credit Line:
Gift of Dr. Richard Lodish American School Collection
ID Number:
2017.0095.004
Accession number:
2017.0095
Catalog number:
2017.0095.004
See more items in:
Cultural and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-78d9-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1842658
Online Media:

The International Negro Workers' Review Vol. 1 No. 1

Published by:
The Negro Worker, 1928 - 1937  Search this
Issued by:
International Trade Union Committee of Negro Workers, founded 1928  Search this
Medium:
ink on paper
Dimensions:
H x W: 9 1/16 x 6 5/16 in. (23 x 16 cm)
Type:
pamphlets
Place made:
Hamburg, Germany, Europe
Place depicted:
Russia, Asia
South Africa, Africa
North Africa, Africa
Liberia, West Africa, Africa
Caribbean, North and Central America
Gambia, West Africa, Africa
Nigeria, West Africa, Africa
England, Europe
Date:
1931
Topic:
African American  Search this
International affairs  Search this
Mass media  Search this
Political organizations  Search this
Politics (Practical)  Search this
United States--History--1919-1933  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the family of Dr. Maurice Jackson and Laura Ginsburg
Object number:
2010.55.20
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Memorabilia and Ephemera-Political and Activist Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd584084f60-d31b-4449-a5a0-8f7ca61e1490
EDAN-URL:
edanmdm:nmaahc_2010.55.20
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The International Negro Workers' Review Vol. 1 No. 1</I> digital asset number 1

The Negro Worker Vol. 2 No. 6

Published by:
The Negro Worker, 1928 - 1937  Search this
Edited by:
George Padmore, Trinidadian, 1903 - 1959  Search this
Subject of:
Communist International, 1919 - 1943  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 7/8 x 6 5/16 in. (22.5 x 16 cm)
Type:
pamphlets
Place depicted:
South Africa, Africa
Guyana, Caribbean, South America
Trinidad and Tobago, Caribbean, South America
Jamaica, Caribbean, North and Central America
Liberia, West Africa, Africa
Kenya, Africa
Place made:
Hamburg, Germany, Europe
Date:
1932
Topic:
African American  Search this
International affairs  Search this
Labor  Search this
Mass media  Search this
Photography  Search this
Political organizations  Search this
Politics (Practical)  Search this
United States--History--1919-1933  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the family of Dr. Maurice Jackson and Laura Ginsburg
Object number:
2010.55.6
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Memorabilia and Ephemera-Political and Activist Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5dfd877c2-c600-4962-995e-594a795e9f8c
EDAN-URL:
edanmdm:nmaahc_2010.55.6
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Negro Worker Vol. 2 No. 6</I> digital asset number 1
  • View <I>The Negro Worker Vol. 2 No. 6</I> digital asset number 2

The Union Jack, New York, April Morning

Artist:
Childe Hassam, American, b. Boston, Massachusetts, 1859–1935  Search this
Medium:
Oil on canvas
Dimensions:
36 X 30 1/8 IN. (91.3 X 76.5 CM.)
Type:
Hologram
Date:
1918
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2402
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Impressionism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py231d24193-5b68-499a-b018-13845d994d80
EDAN-URL:
edanmdm:hmsg_66.2402

At the Seashore

Artist:
Will Barnet, American, 1911 - 2012  Search this
Medium:
Woodblock in black ink on paper
Type:
figures
Print
Object Name:
Print
Date:
1939
Credit Line:
Gift of Will Barnet
Accession Number:
1974-64-2-a
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq481939387-aa1a-46c0-b09f-7be361ee1fad
EDAN-URL:
edanmdm:chndm_1974-64-2-a

Cover Design, Illustration for McClure's Magazine (Christmas edition, 1900)

After:
Kenyon Cox, American, 1856–1919  Search this
Publisher:
McClure's Magazine, 1893–1929  Search this
Object Name:
Print
Type:
Print
Made in:
USA
Date:
1900
Credit Line:
Gift of Allyn Cox
Accession Number:
1959-69-331
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4bba99924-8e3f-4ef3-90f1-520a0e4ffcc9
EDAN-URL:
edanmdm:chndm_1959-69-331

Child and Cat

Artist:
Leon Auerbach, American, 1928 - 2016  Search this
Student at:
Cooper Union Art School  Search this
Medium:
Woodcut in three colors on paper
Type:
figures
Print
Object Name:
Print
Made in:
USA
Date:
1951-52
Credit Line:
Gift of Cooper Union Art School
Accession Number:
1952-71-2
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4976fac65-fc67-4ad1-a5d7-b6a9e9cb9370
EDAN-URL:
edanmdm:chndm_1952-71-2

Study for Cartoon, "Editor's Easy Chair"

Artist:
Thomas Nast, American, b. Germany, 1840–1902  Search this
Medium:
Graphite on paper
Type:
figures
Drawing
Object Name:
Drawing
Made in:
USA
Date:
1870
Credit Line:
Gift of Cooper Union Library
Accession Number:
1953-10-47
Restrictions & Rights:
CC0
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq462d05e1f-06b9-4a80-bfae-940015564de2
EDAN-URL:
edanmdm:chndm_1953-10-47
Online Media:

Vose Galleries of Boston records

Creator:
Vose Galleries of Boston  Search this
Names:
Arthur U. Newton Galleries  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Ehrich Galleries (New York, N.Y.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Jill Newhouse (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Milch Galleries  Search this
Norton Gallery and School of Art  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Hassam, Childe, 1859-1935  Search this
Hoffman, Malvina, 1887-1966  Search this
Jonniaux, Alfred, b. 1882  Search this
Ladd, Anna Coleman, 1878-1939  Search this
Norton, William E., 1843-1916  Search this
Sargent, John Singer, 1856-1925  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Vose, Robert Churchill, 1873-  Search this
Extent:
25.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Manuscript
Date:
circa 1876
1890s-1996
bulk 1920-1940
Summary:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.
Scope and Contents note:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

Correspondence of note is with artists Childe Hassam, Malvina Hoffman, Alfred Jonniaux, and John Singer Sargent; galleries Ehrich Galleries, Clapp & Graham Co., M. Knoedler & Co., Macbeth Galleries, Milch Galleries, Newhouse Galleries, Arthur U. Newton Galleries, Norton Galleries, and Howard Young Galleries; the estates of Anna Coleman Ladd and William E. Norton; and the family of Abbott H. Thayer.

Researchers should note that the records do not comprehensively span the gallery's history or operations. The bulk of the collection is correspondence from Robert C. Vose's era running the Robert C. Vose Galleries in the 1920s-1930s and, lesser so, under Robert C. Vose, Jr.'s direction in the 1970s. There is little material in the collection which dates before the 1910s or the 1950s-1960s, other than correspondence regarding Alfred Jonniaux and some financial records. There is a handful of correspondence which covers the period of R.C. & N.M. Vose Gallery. Records loaned for microfilming should be consulted for materials outside of the bulk dates of this collection, especially for materials from the late 1800s-early 1900s.
Arrangement note:
The collection is arranged as 5 series:

Series 1: Correspondence, 1895-1996 (Boxes 1-23; 22.6 linear feet)

Series 2: Customer Files, 1912-1946 (Boxes 23-24; 0.8 linear feet)

Series 3: Art-Related Files, circa 1876, 1890s-1947 (Box 24; 7 folders)

Series 4: Financial Records, 1911-1962, 1991 (Boxes 24-25; 1.8 linear feet)

Series 5: Printed Materials, circa 1904-1990 (Boxes 25-26; 0.4 linear feet)
Biographical/Historical note:
Vose Galleries is a long time family run art gallery based in the Boston, Mass. area.

In 1841, Joseph Vose purchased Westminster Art Gallery, a small Providence, Rhode Island art gallery founded by Ransom Hicks. At the age of 19 in 1850, Joseph's son Seth Morton Vose joined the gallery and five years later became director. The gallery's primary business until the late 1860s was frame making, gilding and art supplies. Seth Morton Vose had a passion for art, especially the French painters of the Barbizon School and he slowly began buying and exhibiting artwork. By 1882, the gallery regularly exhibited in Boston.

Seth's son Robert C. Vose joined the business in 1896, and managed the gallery's Boston office from 1897. Robert broadened the gallery's horizons by showing his fine stock of Barbizon, Dutch, English and American artists throughout America, while his younger brother, Nathaniel, and his cousin, Charles Thompson, handled the Boston gallery. During the next sixty-seven years, Robert C. Vose moved the gallery into a position of national prominence.

In 1924, Nathaniel left the gallery and established his own gallery in Providence. The Boston gallery's name changed to Robert C. Vose Galleries, and around the same time, took over the Carrig-Rohane framing company. In 1931-1932, Robert's three sons, Robert C. Vose, Jr., Seth Morton Vose II, and Herbert Vose, joined the firm. The gallery continued to show exhibitions in Boston, and the sons took turns joining their father on the road. The gallery's name was changed to Vose Galleries of Boston, Inc. in 1952. In 1963, Vose Galleries moved to their current location at 238 Newbury Street in Boston. Robert C. Vose passed away in 1964.

Robert C. Vose, Jr.'s sons, Abbot W. Vose and Robert C. Vose III, joined the gallery in 1968 and 1970, respectively. Robert C. Vose, Jr. passed away in 1998. The Vose Galleries of Boston continues to operate at Newbury Street under the direction of the sixth generation of the Vose family.
Related Archival Materials note:
The Archives of American Art holds several separately cataloged collections related to Vose Galleries of Boston, including the Carrig-Rohane Shop records (1903-1962); oral history interviews with Seth Morton Vose (July 24, 1986 - April 28, 1987) and Robert C. Vose, Jr. (June 27 - July 23, 1986); a sound recording and videotape of a Robert C. Vose, Jr. lecture at the Somerset Club (May 14, 1987); a sound recording of an interview with Robert C. Vose (March 1961); the Miscellaneous Art Exhibition Catalog collection containing Vose Galleries exhibition catalogs, circa 1900-1941; and, Robert C. Vose, Jr. typescripts and clippings, 1961, on microfilm reels 3480 and 4314.
Separated Materials note:
The Archives of American Art also holds material lent for microfilming.

Reel B1 contains a scrapbook compiled by Seth Vose and annotated by Robert Vose that contains clippings, 1886-1900, and an 1889 letter from author and critic Alfred Trumble; and a scrapbook compiled and annotated by Robert C. Vose spanning the years 1920-1940, 1897, and 1905, containing clippings and handwritten lists.

Reel 2380 includes numerous photographs, circa 1890-1964, of Seth Morton Vose, Robert C. Vose, Sr., artists, collectors, and dealers associated with Vose Galleries; a Macbeth Gallery "smoker" in honor of Emil Carlsen; a drawing of Charles Emil Heil by George F. Wing, and a charcoal drawing after Monticelli by Albion Harris Bicknell. Many of the photographs are annotated by Robert C. Vose.

Reels 3936-3940 are comprised of account books, 1871-1887; a journal, 1889-1903, a ledger, 1889-1901; invoice books, 1896-circa 1954, inventories of paintings and drawings in stock, 1884, 1892 and 1906; exhibition records, 1911-1982?; traveling exhibition records, 1915-1949; and a record of paintings sold, 1876-1894. Written permission is required to access these reels.

Reels 4593-4594 contain clippings, undated and 1891-1989, chiefly about purchases, sales and exhibitions, but also pertaining to art dealers, museums, artists, and art events.

Reel 4909 contains a scrapbook of clippings, announcements, programs, and other printed materials, 1882-1993.

Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
From 1965-1994, Vose Galleries of Boston loaned materials to the Archives of American Art for microfilming. Robert C. Vose, Jr. also donated records in several installments from 1974 to 1997.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Vose Galleries of Boston records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- United States -- Photographs  Search this
Picture frame industry -- Massachusetts -- Boston  Search this
Picture frames and framing  Search this
Art galleries, Commercial -- Rhode Island -- Providence  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Art, Modern -- 20th century -- Massachusetts -- Boston  Search this
Art, Modern -- 19th century -- Massachusetts -- Boston  Search this
Art dealers -- Massachusetts -- Boston  Search this
Genre/Form:
Video recordings
Manuscript
Citation:
Vose Galleries of Boston records, circa 1876, 1890s-1996, bulk 1920s-1930s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vosegall
See more items in:
Vose Galleries of Boston records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vosegall
Online Media:

John Coltrane Music Manuscript

Creator:
Guernsey's New York, New York  Search this
Coltrane, John, 1926-1967  Search this
Extent:
1 Item (1 folder)
Container:
Box 1, Folder 1
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1964
Summary:
The original manuscript for Coltrane's compositionA Love Supreme.
Scope and Contents:
The music manuscript is the original 1964 manuscript of A Love Supreme, a work that exalts the greatness, power, and love of God. The collection includes handwritten music, doodles, lyrics, and notes. A Love Supreme is thought to be one of the greatest jazz albums of all time.
Biographical / Historical:
John Coltrane was born September 23, 1926 in Hamlet, North Carolina. Surrounded and influenced by music from a young age, Coltrane trained in Philadelphia at Granoff Studios and the Ornstein School of Music. He went on to play in the U.S. Navy Band when he was called to military service during World War II.

When the war was over, Coltrane played with the likes of Jimmy Heath, the Eddie "CleanHead" Vinson Band, and Dizzy Gillespie. In 1958, he joined the Miles Davis Quintet and became famous for his three-on-one chord approach and "sheets of sound," a method of playing multiple notes a one time.

Coltrane formed his own quartet by 1960 with pianist McCoy Tyner, drummer Elvin Jones, and bassist Jimmy Garrison. It was with this group that he created his famous A Love Supreme, a work that discusses the greatness, power, and love of God. Coltrane believed that everyone should contribute positively to the world, and his way of doing so was creating positive thought patterns through his music.

Coltrane accumulated much recognition throughout his career, including a posthumous 1982 Grammy Award for Best Jazz Solo Performance for "Bye Bye Blackbird" and the organization's esteemed Lifetime Achievement Award. In 1995, he was honored by the United States Postal Service with a commemorative postage stamp. He also has a street named on the Universal Studios lot in his honor. Coltrane's former home has been turned into a National Historic Landmark to commemorate his influence on American culture.

Coltrane died of liver disease in July 1967. His music is still heard today in various avenues of popular culture, including movies and television shows. Coltrane and his wife Alice had one child, Ravi, a prominent jazz saxophonist.
Related Materials:
Materials in the Archives Center

William Claxton Photographs, 1955-1960 (NMAH.AC.0695)

Audrey Wells "Women in Jazz" Radio Series, 1981-1982 (NMAH.AC.0899)
Provenance:
Collection purchased at auction, 2005.
Restrictions:
Copy available for general research use. Original manuscript available by special request.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- 20th century -- United States  Search this
Jazz  Search this
Genre/Form:
Manuscripts -- Music -- 1960-1970
Citation:
John Coltrane Music Manuscript, 1964, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0903
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0903
Online Media:

John Davis Hatch papers

Creator:
Hatch, John Davis  Search this
Names:
St. John's College (Annapolis, Md.) -- Students  Search this
University of Massachusetts -- Faculty  Search this
University of Oregon -- Faculty  Search this
Bluemner, Oscar, 1867-1938  Search this
Browne, Henry Kirke  Search this
Callahan, Kenneth, 1905-1986  Search this
Clark, Ezra  Search this
Cranch, John, 1807-1891  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Darley, Felix Octavius Carr, 1822-1888  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Granger, C. H.  Search this
Guy, Seymour J., 1824-1910  Search this
Harvey, George W., 1855-  Search this
Hatch, Olivia Stokes  Search this
Henry, Edward Lamson, 1841-1919  Search this
Inman, Henry, 1801-1846  Search this
McNeill, Lloyd  Search this
Peale, Rembrandt, 1778-1860  Search this
Scott, Julian  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Extent:
24.9 Linear feet
Type:
Collection descriptions
Archival materials
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Date:
1790-1995
Summary:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Scope and Content Note:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.

Scattered biographical materials include an invitation to the Hatch's anniversary party in 1964, short biographical sketches and resumes, certificates, report cards, a silhouette of the Hatch Family circa 1904, and a typecript of a diary written by Olivia Hatch as a child.

Correspondence includes professional correspondence between Hatch and colleagues; letters from family and friends; and some materials regarding exhibitions from the Hatch Collection. The bulk of correspondence spans Hatch's professional career although there are scattered letters from 1915-1943 from Hatch to his parents. Also found are letters addressed to an unidentified "Henry." Correspondence is also found in the research files.

Personal business and financial records consist of inventories, bills, receipts, and other records for artworks purchased, loaned, or donated by Hatch. Also found are records from the J. D. Hatch Associates Cultural Consultants, a draft of Hatch's will, stock and tax materials, and travel papers and passports.

Scattered diaries and journal fragments and a transcript date from 1925-1965. Thirteen "Daily Reflection Journals" date from 1975-1987.

Research files on artists and subjects are extensive, comprising one-half of the collection. Files are varied and may include primary research materials, correspondence, printed materials, notes, and writings. Some of the artists' letters and other materials dated from 1790-early 1800s may have been purchased by Hatch. Among many other items, there is an illustrated letter written by Oscar Bluemner and photographs of Bluemner; primary research materials dating from the early 1800s on John Vanderlyn including a will, receipts, and correspondence; a letter from Rembrandt Peale dated 1830, and an autograph letter from John Trumbull dated 1790. Also found is an index card file.

Organization files contain files and records related to Hatch's affiliations with many cultural organizations. A small amount of teaching and education files consist of Hatch's notes and lectures from the University of Oregon and the University of Massachusetts, and from his continuing education courses he took at St. John's College. Writings and notes include short essays by Hatch, mostly concerning art, exhibitions and museum administration; book reviews; general notes, lists, and reports.

Printed Materials are comprised of exhibition catalogs and announcements, including those from the American Drawing Annual in the 1940s-1950s; printed articles annotated by Hatch; clippings; pricelists; and published works.

A small number of photographs are of Hatch, some by Dorothy Frazer; of his family and friends; and of artists. The bulk of the photographs are of works of art including those owned by Hatch.

Artwork includes two sketchbooks - one by Kenneth Callahan and another by Lloyd McNeill; and additional drawings and sketches by Julian Scott, Henry Kirke Browne, Kenneth Callahan, Ezra Clark, John Cranch, Jasper Francis Crospey, F. O. C. Darley, C. H. Granger, Seymour J. Guy, George Harvey, Edward Lamson Henry, Henry Inman, as well as unsigned or illegible names.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Information, circa 1900-1980s (Box 1; 8 folders)

Series 2: Correspondence, 1903-1990s (Box 1-3; 2 linear feet)

Series 3: Personal Business and Legal Records, Date (Box 3; 0.3 linear feet)

Series 4: Diaries and Journals, 1925-1987 (Box 3, 23; 1.2 linear feet)

Series 5: Research Files, 1790-1992 (Box 3-13, 20-21, 24; 12.7 linear feet)

Series 6: Organization Files, 1930s-1990s (Box 13-14; 1.0 linear feet)

Series 7: Teaching and Education Files, 1930s-1993 (Box 14-15; 1.0 linear feet)

Series 8: Writings and Notes, 1936-1990s (Box 15; 0.3 linear feet)

Series 9: Printed Material, 1870s-1990s (Box 15-19, 22, 25-26, OV1; 5.9 linear feet)

Series 10: Photographs, circa 1900-1990s (Box 22; 0.2 linear feet)

Series 11: Artwork, 1851-1973 (Box 22; 0.3 linear feet)
Biographical Note:
Art historian, collector, educator, and museum administrator John Davis Hatch (1907-1996) worked in the Boston and New England area, as well as the Pacific Northwest, and New York state. Hatch served as director of the Art Institute of Seattle, the Isabella Stewart Gardner Museum, the Albany Institute of Art and History, and the Norfolk Museum of Art and Sciences.

John Davis Hatch was born in San Francisco, California in 1907. His father, grandfather, and great-grandfather were architects and Hatch studied landscape architecture at the University of California, Berkeley. He served as an apprentice to Lockwood de Forest. After abandoning landscape architecture, he accepted a position as director of the Seattle Fine Arts Society (1928-1931) at the age of twenty-one and taught art history courses at the University of Washington.

In 1932, Hatch accepted the position of assistant director of the Isabella Stewart Gardener Museum in Boston, Massachusetts. He also directed the federal Public Works of Art Project in New England. Additionally, Hatch served from 1940-1948 as director of the Albany Institute of Art and History and from 1950-1959 of the Norfolk Museum of Arts and Sciences. Hatch worked as an art advisor for exhibitions at five historically African-American colleges in Atlanta and in San Simeon in California. He founded the American Drawing Annual exhibition.

Hatch conducted extensive research on artists Oscar Bluemner and John Vanderlyn, American silverwork, and American drawing. In addition, Hatch collected American drawings and later donated many of works of art from his personal collection to the National Gallery in Washington, D.C. Aside from his early teaching in Washington state, Hatch taught at the University of Massachusetts and the University of Oregon. He was a member of numerous professional arts-related organizations.

In 1939, Hatch married Olivia Stokes with whom he had four children: Sarah, John, Daniel and James. He died in 1996.
Related Material:
The Archives of American Art holds two oral history interviews with John Davis Hatch: June 8, 1964 conducted by H. Wade White and 1979-1980 conducted by Robert F. Brown. Also found is a separately cataloged photograph of Hatch and Henry Francis Taylor from 1933.

Additional research materials complied by Hatch are located in the Albany Institute of History and Art, the Metropolitan Museum, the library of the National Gallery of Art, and the Senate House, Kingston, New York.

Hatch donated two hundred and seventy American drawings to the National Gallery of Art in Washington, D.C.
Separated Material:
Four books annotated by Bluemner, a letter from Bluemner, a letter from A. Stieglitz to Bluemner, photographs of works of art, and exhibition materials were removed from the papers and merged with the Oscar Bluemner papers at the Archives of American Art.
Provenance:
John Davis Hatch and the John Davis Hatch estate donated his papers to the Archives of American Art in several installments between 1960-1996. Many of the primary materials relating to John Vanderlyn were acquired by Hatch from a photographer in Kingston, New York who received them from a niece of Vanderlyn. Robert Graham of James Graham and Sons gave Vanderlyn's will to Hatch.
Restrictions:
Use of originals requires an appointment.
Rights:
The John Davis Hatch papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Drawing, American  Search this
Art, American  Search this
Artists -- United States  Search this
Art historians -- Massachusetts  Search this
Art -- Collectors and collecting  Search this
Art, American -- Study and teaching  Search this
Genre/Form:
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Citation:
John Davis Hatch, 1790-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hatcjohn
See more items in:
John Davis Hatch papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hatcjohn

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