Skip to main content Smithsonian Institution

Search Results

Collections Search Center
2514 documents - page 1 of 126

Pork

Series Creator:
DeVincent, Sam, 1918-1997  Search this
Extent:
9 Items
Container:
Box 9, Folder AA
Type:
Archival materials
Date:
1924-1953
Scope and Contents note:
Also see Series 12, Plants and Animals, subseries 3, Animals (Pigs). Includes: "Daddy Brings Home the Bacon" and "Sidemeat and Cabbage."
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Sam DeVincent Collection of Illustrated American Sheet Music, Series 13: Agriculture, Business, and Law
Sam DeVincent Collection of Illustrated American Sheet Music, Series 13: Agriculture, Business, and Law / 13.2: Agriculture: Farming, Food, and Tobacco
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0300-s13-ref112

Esther Baldwin Williams and Esther Williams papers

Creator:
Williams, Esther Baldwin, 1867-1964  Search this
Names:
Grace Horne Galleries  Search this
Kraushaar Galleries  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Finck, Furman J., 1900-  Search this
Kroll, Leon, 1884-1974  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Williams, Esther, 1907-1969  Search this
Williams, Nadia, 1910-  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Sketchbooks
Sketches
Place:
Massachusetts -- Boston -- Description and Travel
France -- Paris -- Description and Travel
Date:
1887-1984
Summary:
The papers of Boston area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.
Scope and Content Note:
The papers of Boston and New York area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.

For clarity, Esther Baldwin Williams and Esther Williams are referred to by their proper names throughout this finding aid.

Biographical information includes a membership card to the Rockport Art Association for Esther Williams and a biographical sketch of Esther Baldwin Williams

Personal business records include receipts for purchases of artwork by Esther Baldwin Williams, banking documents, exhibition entry forms and sales receipts for Esther William's works.

Correspondence includes incoming letters and drafts of outgoing letters. The majority of the correspondence is that of Esther Williams, including a considerable amount of letters to her parents. There are letters to Esther Williams from her friends Louis Eilshemius, Furman J. Finck, and Leon Kroll, and both Grace Horne Galleries and Kraushaar Galleries. Esther Baldwin Williams' correspondence includes personal letters from Maurice Prendergast.

Writings and notes include two diaries kept by Esther Baldwin Williams that date from 1892 until 1902 and cover her life in Paris and later in Boston. Some of the diary pages are illustrated with sketches. The series also includes scattered notes, including Charles Prendergast's Notes on Formula of Ebonizing Technique.

There are four sketchbooks, likely by Esther Baldwin Williams, of pencil and watercolor sketches of cats, babies and children, orchestral scenes, portraits, and architecture.

Scattered printed materials include a copy of Cezanne's Studio given to Esther Baldwin Williams by Maurice Prendergast, a copy of a family history by Nadia Williams, exhibition announcements and catalogs, clippings, and miscellany.

There is one photograph of an unidentified work of art and a circa 1900 family photo album with mostly unidentified photos of babies, children, and family members.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Materials, 1942-1979 (2 folders; Box 1)

Series 2: Personal Business Records, 1893-1966 (9 folders; Box 1)

Series 3: Correspondence, 1887-1961 (0.7 linear feet; Boxes 1-2)

Series 4: Writings and Notes, 1892-1947 (0.2 linear feet; Box 2)

Series 5: Sketchbooks and Sketches, circa 1900 (0.2 linear feet; Boxes 2-3)

Series 6: Printed Material, 1883-1984 (0.2 linear feet; Box 3)

Series 7: Photographs, circa 1900-circa 1920 (0.3 linear feet; Boxes 3-4)
Biographical Note:
Esther Baldwin Williams (1867-1964) and her daughter Esther Williams (1907-1969) were painters active in Boston, Paris, and New York City.

Esther Baldwin Williams was born Esther Mabel Baldwin on December 11, 1867 to a prominent Boston family of artists. She began her art education under her uncle Joseph Foxcroft Cole and worked with her cousin Adelaide Chase Cole. Adelaide and Esther shared a studio in Greenwich Village in 1888. The two cousins also traveled to Paris in 1877 and 1891 to paint. Esther Baldwin concentrated on portraiture and often painted the women in her social circle.

Esther Baldwin became engaged to Oliver Williams in 1898. They married and moved to 96 Beacon Street in Boston where they raised their children, Oliver, Thomas, and Esther. Around 1900, the Williams met Maurice and Charles Prendergast. Esther became a friend and patron of Maurice and the two shared a studio for some time and exchanged letters. Esther Baldwin continued to work in portraiture, focusing her work on her children and relatives and did not pursue a professional career. In addition to painting, Esther Baldwin and Oliver Williams inspired a passion for music in their children.

Born in 1907, Esther Williams inherited her mother's interest in the arts. Unlike her mother, she desired a professional career as a painter. She first studied at the Museum of Fine Arts School, Boston in 1925 and later went to Paris to study under Andre Lhote. Upon returning to the United States, she moved to New York City and enrolled with the Art Students League. She married Roland Joseph McKinney, director of the Baltimore Museum of Art and the Los Angeles County Museum.

Esther Williams is known for her portraits, paintings of flowers, circus and orchestra scenes, and for her impressionistic style. She was represented by Grace Horne Gallery in the 1930s and switched to Kraushaar Galleries in 1940.

Esther Baldwin Williams died in 1964. Her daughter, Esther Williams died shortly thereafter in 1969.
Related Material:
Among the holdings of the Archives of American Art are the papers of Esther William's husband Roland Joseph McKinney.
Provenance:
The Esther Baldwin Williams and Esther Williams papers were donated in two installments by Peter McKinney, step-son of Esther Williams in 1974 and by Nadia Williams, Esther Baldwin William's daughter-in-law in 1985.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Esther Baldwin Williams and Esther Williams papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Expatriate painters -- France -- Paris  Search this
Women painters -- Massachusetts  Search this
Women painters -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Art -- Study and teaching -- France -- Paris  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Sketches
Citation:
Esther Baldwin Williams and Esther Williams papers, 1887-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.willesth
See more items in:
Esther Baldwin Williams and Esther Williams papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-willesth
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Esther Baldwin Williams and Esther Williams papers digital asset number 1
Online Media:

Andrew Dasburg and Grace Mott Johnson papers

Creator:
Dasburg, Andrew, 1887-1979  Search this
Names:
Carlson, John F., 1874-1945  Search this
Cramer, Florence Ballin, 1884-1962  Search this
Davidson, Florence Lucius, d. 1962  Search this
Davidson, Jo, 1883-1952  Search this
Frankl, Walter  Search this
Hartley, Marsden, 1877-1943  Search this
Howard, Lila  Search this
Johnson, Grace Mott, 1882-1967  Search this
Kuhn, Vera, d. 1961  Search this
Lockwood, Ward  Search this
Luhan, Mabel Dodge, 1879-1962  Search this
McFee, Henry Lee, 1886-1953  Search this
Riley, Mary G., 1883-1939  Search this
Simonson, Lee, 1888-  Search this
Sterling, Lindsey, 1876-1931  Search this
Wright, Alice Morgan, 1881-1975  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Poetry
Diaries
Sketchbooks
Photographs
Date:
1833-1980
bulk 1900-1980
Summary:
The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.
Scope and Content Note:
The papers of painter Andrew Dasburg and sculptor Grace Mott Johnson date from 1833 to 1980, with the bulk of the materials dating from 1900 to 1980, and measure 8.8 linear feet. The collection is divided into the papers of Andrew Dasburg (6 linear feet) and the papers of Grace Mott Johnson (2.8 linear feet), and documents each artist's career and personal lives, including their brief marriage, and friendships with many notable artists in New Mexico and New York art colonies during the early twentieth century. Found are scattered biographical, legal, and financial materials. Extensive correspondence (particularly in Dasburg's papers) is with family, friends, and fellow artists, such as John F. Carlson, Florence Ballin Cramer, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, Vera Spier Kuhn, and Ward Lockwood. Dasburg's papers also include letters to Johnson and his two later wives.

Johnson's correspondence is also with numerous artist friends and others, including John F. and Margaret Carlson, Florence Ballin Cramer, Jo Davidson, Florence Lucius, Walter Frankl, Lila Wheelock Howard, Henry Lee McFee, Mary Riley, Lee Simonson, Lindsey Morris Sterling, Alice Morgan Wright, Mabel Dodge Luhan, and Vera Spier Kuhn. Letters to her son Alfred are quite detailed and revealing. Writings are by Dasburg, Johnson, and others. Johnson's writings include a very brief diary and her poetry. Writings by others are about the Taos and New Mexico art communities. Printed materials about both artists include clippings and exhibition catalogs. There are numerous photographs of Dasburg and Johnson, individually and together, and with friends and family. Of note are a group photograph of Birge Harrison's art class in Woodstock, New York, which includes Johnson and Dasburg, and a photograph of Dasburg with friends Konrad Cramer and John Reed. Dasburg's papers also include snapshots of Florence Lucius, Konrad and Florence Ballin Cramer, Frieda and D. H. Lawrence, and Mabel Dodge Luhan. Original artwork by the two artists include two sketchbooks by Johnson and three prints and two drawings by Dasburg.
Arrangement:
The collection is arranged into 2 series of each artist's papers:

Series 1: Andrew Dasburg Papers, circa 1900-1980 (Box 1-7; 6.0 linear feet)

Series 2: Grace Mott Johnson Papers, 1833-1963 (Box 7-10; 2.8 linear feet)
Biographical Note:
Andrew Michael Dasburg (1887-1979) was born in Paris, France, to German parents. After his father died and when he was five, Dasburg and his mother moved to New York City. In 1902 Dasburg started attending classes at the Art Students' League and studied with Kenyon Cox and Frank Du Mond. He also took night classes with Robert Henri. In 1907 he received a scholarship to the Art Students' League summer school in Woodstock, New York and spent three summers studying there in Birge Harrison's painting class. While in school he became friends with many young artists, including Morgan Russell and his future wife, Grace Mott Johnson.

Grace Mott Johnson (1882-1967) was born in New York City. She began drawing when she was four years old, and when the family moved to a farm in 1900 she enjoyed sketching horses and other farm animals. At the age of 22 she left home to study at the Art Students' League with sculptors Gutzon Borglum and James Earle Fraser, and also attended Birge Harrison's painting class in Woodstock. Throughout her career she would sculpt animals from memory, and would often attend circuses and farms for inspiration.

In 1909 Johnson and Dasburg went to Paris and joined the modernist circle of artists living there, including Morgan Russell, Jo Davidson, and Arthur Lee. During a trip to London that same year they were married. Johnson returned to the United States early the next year, but Dasburg stayed in Paris where he met Henri Matisse, Gertrude and Leo Stein, and became influenced by the paintings of Cezanne and Cubism. He returned to Woodstock, New York in August and he and Johnson became active members of the artist community. In 1911 their son Alfred was born. Both Dasburg and Johnson showed several works at the legendary Armory Show in 1913, and Dasburg also showed at the MacDowell Club in New York City, where he met the journalist and activist John Reed who later introduced him to Mabel Dodge (Luhan), a wealthy art patron and lifelong friend. In 1914 Dasburg met Alfred Stieglitz and became part of his avant-garde circle. Using what he had seen in Paris, Dasburg became one of the earliest American cubist artists, and also experimented with abstraction in his paintings.

Dasburg and Johnson lived apart for most of their marriage. By 1917 they had separated and Dasburg began teaching painting in Woodstock and in New York City. In 1918 he was invited to Taos, New Mexico by Mabel Dodge, and returning in 1919, Johnson joined him there for a period of time. Also in 1919, Dasburg was one of the founding members of the Woodstock Artists Association with John F. Carlson, Frank Swift Chase, Carl Eric Lindin, and Henry Lee McFee. In 1922 Dasburg and Johnson divorced, and also at that time he began living most of the year in Santa Fe with Ida Rauh, spending the rest of the year in Woodstock and New York City. Dasburg became an active member of the Santa Fe and the Taos art colonies, befriending many artists and writers living in these communities, and remaining close friends with Mabel Dodge Luhan. Here he moved away from abstraction, and used the southwestern landscape as the inspiration for his paintings.

In 1928 he married Nancy Lane. When that marriage ended in 1932, he moved permanently to Taos, and with his third wife, Marina Wister, built a home and studio there. Dasburg periodically taught art privately and at the University of New Mexico. In 1937 he was diagnosed with Addison's disease, which left him unable to paint again until 1946. In 1945 he and his wife Marina separated. Dasburg was recognized for his career as an artist in a circulating retrospective organized by the American Federation of Arts in 1959. He also had retrospectives in Taos in 1966 and 1978. His artwork influence several generations of artists, especially in the southwest, and he continued creating art until his death in 1979 at the age of 92.

Grace Mott Johnson lived in the Johnson family home in Yonkers, New York during the 1920s and later moved to Pleasantville, New York. In 1924 she went to Egypt to study ancient Egyptian sculpture. During the 1930s she became a civil rights activist. She produced very little art during the last twenty years of her life.
Related Material:
Also found in the Archives of American Art are two oral history interviews with Andrew Dasburg, July 2, 1964 and March 6, 1974. Additional related collections at other repositories include the Andrew and Marina Wister Dasburg Papers at the New Mexico State Archives, the Andrew Dasburg Papers at Syracuse University Library, and the Grace Mott Johnson Papers at the Beinecke Rare Book and Manuscript Library, Yale University.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 2803 contains photocopies of ten Morgan Russell letters to Dasburg. Reels 4276-4278 include biographical material, subject files, photographs, correspondence, writings, and exhibition material. The photocopies on reel 2803 were discarded after microfilming, and the items on 4276-4278 were returned to the lender. This material is not described in the collection container inventory.
Provenance:
The Andrew Dasburg and Grace Mott Johnson papers were donated by their son, Alfred Dasburg, in 1980. Syracuse Univresity lent materials for microfilming in 1978 and 1989.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Andrew Dasburg and Grace Mott Johnson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artist colonies -- New York (State)  Search this
Artist colonies -- New Mexico  Search this
Painters -- New Mexico  Search this
Works of art  Search this
Sculptors -- New York (State)  Search this
Painters -- New York (State)  Search this
Genre/Form:
Poetry
Diaries
Sketchbooks
Photographs
Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dasbandr
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Andrew Dasburg and Grace Mott Johnson papers digital asset number 1
Online Media:

[Miscellaneous Sites in Switzerland]: a house and vegetable garden in an unidentified location.

Photographer:
Sears, Thomas Warren, 1880-1966  Search this
Collection Creator:
Sears, Thomas Warren, 1880-1966  Search this
Sears & Wendell  Search this
Olmsted Brothers  Search this
Harvard University  Search this
American Society of Landscape Architects  Search this
Collection Donor:
Tibbetts, Eleanor Sears  Search this
Extent:
1 glass negative (black-and-white, 5 x 7 in.)
Type:
Archival materials
Glass negatives
Place:
Switzerland
Date:
1906 Aug.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Cabbage  Search this
Vegetable gardening  Search this
Fences -- wooden  Search this
Climbing plants  Search this
Houses  Search this
Gardens -- Switzerland  Search this
Genre/Form:
Glass negatives
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.
Identifier:
AAG.SRS, Item SWTZ001024
See more items in:
Thomas Warren Sears photograph collection
Thomas Warren Sears photograph collection / Series 1: Photographic Images / International / Switzerland / SWTZ001: Miscellaneous Sites in Switzerland
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-srs-ref3270

Spark!Lab Activity: Create Your Own pH Indicator

Creator:
Lemelson Center, National Museum of American History  Search this
Type:
Youtube videos
Uploaded:
2011-05-25T15:57:14Z
Topic:
American History  Search this
Youtube Category:
Education  Search this
See more by:
LemelsonCenter
YouTube Channel:
LemelsonCenter
Data Source:
Lemelson Center, National Museum of American History
EDAN-URL:
edanmdm:yt_IfWGPKeKFC4

Why Design Now?: Cabbage Chair

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Youtube videos
Uploaded:
2010-05-06T23:56:20Z
Topic:
Design  Search this
Youtube Category:
Education  Search this
See more by:
cooperhewitt
YouTube Channel:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:yt_WWheQeG8v2c

Ernest Stoneman - "Bile 'em Cabbage Down"

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Youtube videos
Uploaded:
2009-03-30T17:47:43Z
Topic:
Cultural property  Search this
Youtube Category:
Entertainment  Search this
See more by:
smithsonianfolkways
YouTube Channel:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:yt_DKblc4CX4_Q

Kinsman's Asthmatic Powder

Maker:
Capital Drug Co., Inc.  Search this
Physical Description:
metal (container material)
stramonium, .25% (drug active ingredients)
lobelia herb (drug active ingredients)
ephedra (drug active ingredients)
skunk cabbage (drug active ingredients)
grindelia (drug active ingredients)
cascarilla (drug active ingredients)
Measurements:
overall: 3 1/4 in x 2 5/8 in; 8.255 cm x 6.6675 cm
Object Name:
otc preparation
Place Made:
United States: Maine, Augusta
ID Number:
2010.0213.010
Accession number:
2010.0213
Catalog number:
2010.0213.010
2010.0213.010
See more items in:
Medicine and Science: Medicine
Balm of America
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-37ae-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1396093
Online Media:

Kinsman's Asthmatic Powder

Maker:
Capital Drug Co., Inc.  Search this
Physical Description:
metal (container material)
stramonium, .25% (drug active ingredients)
lobelia herb (drug active ingredients)
ephedra (drug active ingredients)
skunk cabbage (drug active ingredients)
grindelia (drug active ingredients)
cascarilla (drug active ingredients)
Measurements:
overall: 3 1/4 in x 2 5/8 in; 8.255 cm x 6.6675 cm
Object Name:
otc preparation
Place Made:
United States: Maine, Augusta
ID Number:
2010.0213.011
Accession number:
2010.0213
Catalog number:
2010.0213.011
2010.0213.011
See more items in:
Medicine and Science: Medicine
Balm of America
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-37af-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1396095
Online Media:

Trask's Ointment

Maker:
D. Ransom, Son & Co.  Search this
Physical Description:
paper (container material)
lobelia (drug active ingredient)
leaf tobacco (drug active ingredient)
skunk cabbage (drug active ingredient)
smart weed (drug active ingredient)
Measurements:
overall: 7.2 cm x 5.3 cm x 5.3 cm; 2 13/16 in x 2 1/16 in x 2 1/16 in
overall: 3 in x 2 1/8 in x 2 1/8 in; 7.62 cm x 5.3975 cm x 5.3975 cm
Object Name:
otc preparation
Object Type:
OTC Preparation
Place made:
United States: New York, Buffalo
Canada: Ontarian, Fort Erie
Date made:
after 1945
Credit Line:
Gift of Richard W. Pollay
ID Number:
2008.0018.096
Catalog number:
2008.0018.096
Accession number:
2008.0018
See more items in:
Medicine and Science: Medicine
Balm of America
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-3743-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1339265
Online Media:

Ransom's Syrup Compound

Maker:
Myers Laboratories  Search this
Physical Description:
tartar emetic (overall active ingredients)
white squill (overall active ingredients)
lobelia (overall active ingredients)
senega root (overall active ingredients)
skunk cabbage (overall active ingredients)
tolu (overall active ingredients)
glass (bottle material)
metal (cap material)
cardboard (box material)
Measurements:
overall: 5 in x 2 in x 1 in; 12.7 cm x 5.08 cm x 2.54 cm
bottle: 4 5/8 in x 1 7/8 in x 1 in; 11.7475 cm x 4.7625 cm x 2.54 cm
Object Name:
otc preparation
Object Type:
OTC Preparation
Place Made:
United States: Pennsylvania, Warren
Date made:
March, 1949 or after
Credit Line:
Gift of Richard W. Pollay
ID Number:
2008.0018.193
Catalog number:
2008.0018.193
Accession number:
2008.0018
See more items in:
Medicine and Science: Medicine
Balm of America
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-a1a1-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1348773
Online Media:

Vegetables

Maker:
Scholten & Baijings, (Amsterdam, Netherlands, founded 2000)  Search this
Medium:
Dyed and stitched textile
Type:
Exhibitions
Red Cabbage Final Art Piece and Leaf Samples
Object Name:
Red Cabbage Final Art Piece and Leaf Samples
Made in:
Amsterdam, Netherlands
Date:
2009
Credit Line:
Courtesy Scholten & Baijings
Accession Number:
s-e-2980
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4d6489026-b737-4fdb-bb89-535c94370c0a
EDAN-URL:
edanmdm:chndm_s-e-2980

August

Collection Creator:
Cornell, Joseph  Search this
Container:
Box 6, Folder 55
Type:
Archival materials
Date:
1956
Scope and Contents note:
Includes references to: Joseph Weitz visit to cellar, Lois Smith, Portraits of Women, Frumkin visit, Etchika Choureau (French actress), evocation of Lawrence homestead and GC 44, phenomenon of overemotionalism, Chopin "Etudes," Wanamaker's demolition, Bird Room project, "find" in biography of Merrimee about 12 year-old ballerina, Sylvia Lijou, clue to Cerrito experience, and Pasta and cabbages.
Collection Restrictions:
Use of the original papers requires an appointment.
Collection Rights:
The Joseph Cornell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.
See more items in:
Joseph Cornell papers
Joseph Cornell papers / Series 3: Diaries / 3.1: Diary Entries
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cornjose-ref358

January-February

Collection Creator:
Cornell, Joseph  Search this
Container:
Box 7, Folder 7
Type:
Archival materials
Date:
1958
Scope and Contents note:
Includes references to: Gozzoli, GC 44 sorting, Pasta and cabbages, new global box called Trade Winds, the impact of familiar faces, breaking the gallery "slavery," and feeling of emptiness in readying for Stable exhibit.
Collection Restrictions:
Use of the original papers requires an appointment.
Collection Rights:
The Joseph Cornell papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.
See more items in:
Joseph Cornell papers
Joseph Cornell papers / Series 3: Diaries / 3.1: Diary Entries
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cornjose-ref380

Trask's Ointment

Maker:
Myers Laboratories  Search this
Physical Description:
lobelia (overall active ingredients)
leaf tobacco (overall active ingredients)
skunk cabbage (overall active ingredients)
smart weed (overall active ingredients)
cardboard (box material)
glass (jar material)
metal (cap material)
Measurements:
box: 2 7/8 in x 2 1/8 in x 2 1/8 in; 7.3025 cm x 5.3975 cm x 5.3975 cm
bottle: 2 3/8 in x 2 in; 6.0325 cm x 5.08 cm
Object Name:
otc preparation
Object Type:
OTC Preparation
Place Made:
United States: Pennsylvania, Warren
Date made:
on or after September, 1945
Credit Line:
Gift of Richard W. Pollay
ID Number:
2008.0018.196
Catalog number:
2008.0018.196
Accession number:
2008.0018
See more items in:
Medicine and Science: Medicine
Balm of America
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-a1a3-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1348777
Online Media:

Trask's Ointment

Maker:
D. Ransom, Son & Co.  Search this
Physical Description:
lobelia; leaf tobacco; skunk cabbage; smart weed (overall material)
Measurements:
box: 3 in x 1 5/8 in x 1 5/8 in; 7.62 cm x 4.1275 cm x 4.1275 cm
jar: 2 3/4 in x 1 3/8 in; 6.985 cm x 3.4925 cm
Object Name:
otc preparation
Place made:
United States: New York, Buffalo
Credit Line:
Gift of Robert Grodanz, David's Pharmacy, Philadelphia, Pennsylvania
ID Number:
2002.0138.013
Accession number:
2002.0138
Catalog number:
2002.0138.013
See more items in:
Medicine and Science: Medicine
Balm of America
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-a153-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1215584
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
de Hauke, César  Search this
Seligmann, Jacques  Search this
Seligmann, René  Search this
Parker, Theresa D.  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Schiff, Mortimer L.  Search this
Haardt, Georges  Search this
La Fresnaye, Roger de  Search this
Seligman, Germain  Search this
Arenberg  Search this
Seligmann, Arnold  Search this
Trevor, Clyfford  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Topic:
Art  Search this
World War, 1939-1945  Search this
Art, European  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art galleries, Commercial  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

Capitellidae

Collector:
A. Schoener  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean  Search this
Preparation:
Alcohol (Ethanol)
Place:
Berry Islands, Cabbage Cay, Bahamas, North Atlantic Ocean
Collection Date:
20 Apr 1974
Common name:
Polychaetes
USNM Number:
51702
See more items in:
Invertebrate Zoology
Annelida
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3206b8cd7-a09e-4e06-ac23-6327cd522e43
EDAN-URL:
edanmdm:nmnhinvertebratezoology_863934

Pulliella armata

Collector:
A. Schoener  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean  Search this
Preparation:
Alcohol (Ethanol)
Place:
Berry Islands, Cabbage Cay, Bahamas, North Atlantic Ocean
Collection Date:
20 Apr 1974
Common name:
Polychaetes
Published Name:
Pulliella armata Fauvel, 1929
USNM Number:
51703
See more items in:
Invertebrate Zoology
Annelida
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3db657f35-4981-4153-a4bc-d1a7532904c2
EDAN-URL:
edanmdm:nmnhinvertebratezoology_863923

Vi-San Therapeutic Food Supplement

Physical Description:
Mycozyme; papain; rice polishings; rose hips; egg shell; oyster shell; prune concentrate; sea salt trace minerals; sea lettuce; mint leaves; sulfur; citrus peel and infusion; wheat germ; chlorophyll; montmorillonite; rutin; cabbage; parsley; watercress; alfalfa; boron; nickel (product ingredients)
Measurements:
overall: 1 1/4 in x 5 1/4 in x 3 5/8 in; 3.175 cm x 13.335 cm x 9.2075 cm
Object Name:
vitamin coll object
vitamin product
nutritional product
ID Number:
MG.274347.240
Catalog number:
274347.240
M-12140
Accession number:
274347
See more items in:
Medicine and Science: Medicine
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ac-d889-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1371157

Modify Your Search







or


Narrow By