Skip to main content Smithsonian Institution

Search Results

Collections Search Center
11 documents - page 1 of 1

Yale University Student Records

Collection Creator:
Falk, Gary M., 1954-1986  Search this
Container:
Box 1, Folder 17
Type:
Archival materials
Date:
1973-1975
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Gary Falk papers, circa 1955-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Gary Falk papers
Gary Falk papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw965b0c398-55e2-46e2-8b8a-2d1ef35f99d4
EDAN-URL:
ead_component:sova-aaa-falkgary-ref22

[Jackson, MS; Fall/Winter 1963]

Collection Creator:
McNamara, Norris  Search this
Moon, Moses  Search this
Container:
Box 10, Item AC0556-OT_N63
Type:
Archival materials
Scope and Contents:
Content (continued from previous tape: James Forman Hollis Watkins leads "Oh Freedom" Announcements about the "Freedom election" John Lewis, national chairman of SNCC Bob Moses "I've Been Buked"

Digital reference copy in Smithsonian Digital Asset Management System (DAMS).
Collection Restrictions:
Collection is open for research. Reference copies must be used. Tapes noted in the container list have digital reference copies in the Smithsonian Institution Digital Asset Management System (DAMS).
Collection Rights:
Collection items available for reproduction, but copyright status unknown. Contact Archives Center staff for additional information. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Moses Moon Civil Rights Movement Audio Collection, 1963-1964, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Moses Moon Civil Rights Movement Audio Collection
Moses Moon Civil Rights Movement Audio Collection / Series 1: Original Tapes
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b1fae7d1-7020-4558-9a8c-62617fbfc199
EDAN-URL:
ead_component:sova-nmah-ac-0556-ref91
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View [Jackson, MS; Fall/Winter 1963] digital asset number 1

Jack Stewart papers

Creator:
Stewart, Jack, 1926-2005  Search this
Names:
New York City Transit Authority  Search this
World Trade Center (New York, N.Y.)  Search this
Yale University -- Students  Search this
Baxter, Violet  Search this
Egan, Charles, 1911-  Search this
Gold, Nancy  Search this
Goulet, Lorrie, 1925-  Search this
Kahn, Wolf, 1927-  Search this
Romano, Clare  Search this
Thomas, Steffen, 1906-  Search this
Toney, Anthony  Search this
Townsend, Rodman  Search this
Walker, Herbert Brooks, 1927-  Search this
Weiner, Sam  Search this
Extent:
9.9 Linear feet
7.31 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Sound recordings
Paintings
Sketchbooks
Interviews
Transcripts
Video recordings
Date:
1926-2010
Summary:
The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.
Scope and Content Note:
The Jack Stewart papers are dated 1926-2010 and measure 9.9 linear feet and 7.31 GB. A significant portion of the collection concerns Stewart's dissertation, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989), related research, writings, and exhibitions on the subject. Biographical materials, correspondence, writings, printed and digital material, artwork, sketchbooks, and photographic materials document his career as a painter, muralist, designer, educator and administrator.

Biographical materials include a "Video Archive" in digital format, consisting mainly of Jack Stewart being interviewed on several occasions by Nancy Gold for her television show, "What It Takes." In addition to discussions about Stewart's career, the shows include examples of his paintings and murals along with views of him at work.

Correspondence mostly documents Stewart's artistic career and work as an educator and administrator; there is some personal correspondence, as well. Of particular note are letters to Rodman Townsend who commissioned a mural about the human brain; they discuss the details of the project and its evolution, brain research, and subsequent exhibitions of related paintings. Illustrated letters and greeting cards with original artwork are from Violet Baxter, Lorrie Goulet, Wolf Kahn, Clare Romano, Anthony Toney, and Sam Weiner. Herbert Brooks Walker sent several pieces of mail art and, while in Italy, collected graffiti information for Stewart. Letters Stewart wrote to his mother span decades; the best represented periods are the years he served in the U.S. Army and studied at Yale University.

Writings and notes consist of Stewart's dissertation ("Subway Graffiti: An Aesthetic Study of Graffiti on the Subway"), miscellaneous writings and notes, and art and architecture notebooks. Dissertation documentation includes the manuscript, drafts, and related records. Among the miscellaneous writings and notes - published and unpublished - are shorter pieces, articles, student papers, and teaching notes. Of particular interest are notes/instructions for a performance piece titled "Endless Subway," "Memories of Steffan Thomas" and "My Recollection of Charles Egan." Also found are minutes of Cooper Union adjunct faculty meetings (1965-1966), and reports written when provost of the Rhode Island School of Design. Art and architecture notebooks (5 volumes) were compiled while at Yale University.

Research files on graffiti contain many sound recordings and some transcripts of interviews with graffiti writers, voluminous lists of graffiti writers' names/tags, correspondence, notes, photographs, and a wide variety of printed material. Some of the material is in digital format. Stewart began collecting these materials as his interest in graffiti developed. They were used for his dissertation and material continued to be added after the dissertation was completed.

Printed material mentioning Stewart or containing reproductions of his work includes exhibition catalogs, posters, and newsletters.

Artwork by Jack Stewart consists of drawings, paintings, and one etching; also found are designs and plans for tables, murals, and other projects. Drawings include figure studies, heads, and landscapes; most are in pencil and some in ink. The small number of paintings are oil on canvas (removed from stretchers), and gouache on paper and board. Sketchbooks (44 volumes) contain mostly pencil drawings and sketches, and a few studies for paintings and murals. Two volumes include writings about travels and events; of particular interest are "Notes on Kline's funeral May 1962," "Visit to Roman Bronze Art Foundry," and "Notes on My Development."

Photographic materials consist mainly photographs, but also include digital images and 35-mm color slides. Images of Stewart include views of him with paintings and working in his studio. Identified individuals with whom he appears are: Regina Stewart (wife), Brandon Stewart (son), Lil Stewart (mother), Ninalee Craig, Irving Sandler, and students in Urbino, Italy. Photographs of artwork document murals such as Raw Material (composed of shirt labels), and Versailles Hotel in Miami Beach; among the paintings documented are State of the Union, Icons of Western Art and Revelation XVI-16 (both with keys to individuals portrayed). Exhibition openings and installations are shown in photographs, color slides, and video recordings. Also found are photographs of the World Trade Center site taken by Stewart in December 2001.
Arrangement:
The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Materials, 1926-circa 2009 (Boxes 1,11; 0.6 linear foot, ER01-ER02, 3.92 GB)

Series 2: Correspondence, 1944-2009 (Boxes 1-2; 0.7 linear foot)

Series 3: Writings and Notes, circa 1947-2003 (Boxes 2-5; 3.1 linear foot)

Series 4: Research Files on Graffiti, 1972-2010 (Boxes 5-7,11; 2.8 linear foot, ER03-ER05, 3.18 GB)

Series 5: Printed Material, circa 1945-2002 (Boxes 8, 11, OV 13; 0.7 linear foot)

Series 6: Scrapbooks, circa 1990-2003 (Box 8; 0.2 linear foot)

Series 7: Artwork, 1946-2000 (Boxes 8, 11, OV 12; 0.3 linear foot)

Series 8: Sketchbooks, 1951-2004 (Boxes 8-9; 1.3 linear foot)

Series 9: Photographic Materials, circa 1950s-2010 (Boxes 10-11; 0.4 linear foot, ER06-ER07, 0.208 GB)
Biographical Note:
Jack Stewart (1926-2005) was a painter, muralist, designer, educator and administrator in New York City. After developing an interest in graffiti in the 1970s, Stewart eventually wrote a dissertation on the subject, "Subway Graffiti: An Aesthetic Study of Graffiti on the Subway" (New York University, 1989) and was recognized as an expert on mass transit art.

Jack Stewart began studying art at the High Museum School in his hometown of Atlanta when he was 10 years old. At age 14, he began a 4 year apprenticeship with painter and sculptor Steffen Thomas. After serving in World War II, he enrolled at Yale University (B.F.A. 1951) as a sculpture student, but soon switched to the painting department where he studied with Josef Albers and Willem de Kooning. After graduation, Stewart began receiving mural commissions and enrolled in classes at Columbia University School of Architecture (1951-1953). His interest in architecture was tied to understanding how to work effectively with architects on mural projects. Later, Stewart developed an interest in graffiti which he pursued through graduate study at New York University (M.A., 1975 and Ph.D., 1989).

Stewart created murals in ceramic tile, mixed media and stained glass. In addition to mosaic murals, he designed tables with mosaic tops. As an outgrowth of his mosaic work, Stewart developed a technique for laminating stained glass onto plate glass that, by eliminating the need for lead, opened new design possibilities. Mural commissions included work for Hamilton Hotel in Chicago, Versailles Hotel in Miami Beach, Public School 28 in New York City, and several ocean liners. The most unusual mural, Raw Material commissioned by Cluett Peabody and Company, was composed of shirt labels embedded in acrylic.

Beginning in 1950 Stewart participated regularly in group shows and enjoyed solo exhibitions mainly in the New York City area. He also showed in Philadelphia, Georgia, Rhode Island, Mexico and Italy, and was included in exhibitions circulated by the American Federation of Arts.

Stewart taught at the college level for nearly thirty years, including: The New School (art and architecture, 1953-1958); Pratt Institute (interior architectural design, 1955-1960); The Cooper Union for the Advancement of Science and Art (painting, drawing, human anatomy, art history, 1960-1976; Art Department Chairman, 1971-1976); International Center of Mythymna, American Division, Lesbos, Greece (summer school, 1962-1965); Columbia University (M.F.A. program instructor, 1966-1976); and New York University (drawing, 1967-1975). In 1976 he was appointed Vice President and Provost of the Rhode Island School of Design.

Stewart was active in several professional organizations. He served as New York Artists Equity Association Secretary (1986-1987) and President (1987-1989); President of the National Society of Mural Painters (1996-2000); member of the advisory board of the Steffen Thomas Museum and Archives, Buckhead, GA (1997- 2000s); and President of the Fine Arts Federation of New York (2003-2004). The National Academy of Design elected Jack Stewart an Academician in 1995.

Jack Stewart and Margot Schwarzhaupt, an artist, were married in 1947; they had one son, Brandon. Painter and arts administrator, Regina Serniak, became Jack Stewart's wife in 1976.

Jack Stewart died in New York City in 2005.
Related Materials:
Jack Stewart papers, 1926-2015, are located at Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library.
Provenance:
Donated in 2010 by Regina Stewart, widow of Jack Stewart.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. This collection is copyright restricted.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Topic:
Street art  Search this
Muralists -- New York (State) -- New York  Search this
Mail art  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Graffiti art  Search this
Designers -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Sound recordings
Paintings
Sketchbooks
Interviews
Transcripts
Video recordings
Citation:
Jack Stewart papers, 1926-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stewjack
See more items in:
Jack Stewart papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99c355e0c-59b2-47e7-ab80-c8ea7d8bf859
EDAN-URL:
ead_collection:sova-aaa-stewjack

On the basis of art 150 years of women at Yale introduction by Elisabeth Hodermarsky ; essays by Helen A. Cooper, Linda Konheim Kramer and Marta Kuzma ; and contributions by Emily Arensman [and fifteen others] ; with research assistance by Edi Dai

Title:
150 years of women at Yale
One hundred fifty years of women at Yale
Writer of introduction:
Hodermarsky, Elisabeth  Search this
Author:
Cooper, Helen A  Search this
Kramer, Linda Konheim  Search this
Kuzma, Marta  Search this
Contributor:
Arensman, Emily  Search this
Research team member:
Dai, Edi  Search this
Publisher:
Yale University Art Gallery  Search this
Subject:
Yale University School of Art Students  Search this
Yale University Students  Search this
Physical description:
307 pages illustrations (some color), portraits 28 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Catalogues d'exposition
Place:
Connecticut
New Haven
Date:
2021
Topic:
Women artists  Search this
Women artists--Education  Search this
Femmes artistes  Search this
Femmes artistes--Éducation  Search this
Students  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155653

Oral history interview with Paulus Berensohn

Interviewee:
Berensohn, Paulus  Search this
Interviewer:
Shapiro, Mark, 1955-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Bennington College -- Students  Search this
Columbia University -- Students  Search this
Goddard College -- Students  Search this
Juilliard School -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
New York Philharmonic  Search this
Pendle Hill (School : Wallingford, Pa.) -- Faculty  Search this
Penland School of Crafts -- Faculty  Search this
Swarthmore College -- Faculty  Search this
Yale University -- Students  Search this
Anderson, Ian, 1947-  Search this
Bennion, Joseph W., 1952-  Search this
Brown, Carolyn  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Callahan, Harry M.  Search this
Charlip, Remy  Search this
Cowles, Fleur  Search this
Cunningham, Merce  Search this
Dunn, Robert G.  Search this
Ekman, June  Search this
Garfinkel, Ron  Search this
Graham, Martha  Search this
Karnes, Karen, 1925-2016  Search this
Kokis, George  Search this
Mendes, Jerry  Search this
Oliver, Mary, 1935-  Search this
Peterson, Mary  Search this
Pieser, Jane  Search this
Raine, Yvonne  Search this
Richards, Mary Caroline  Search this
Stanford, Verne  Search this
Stannard, Ann  Search this
Supree, Burton  Search this
Takaezu, Toshiko  Search this
Williams, Gerald, 1926-2014  Search this
Extent:
60 Pages (Transcript)
7 Items (Sound recording: 7 sound files (4 hr., 13 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
Date:
2009 March 20-21
Scope and Contents:
An interview of Paulus Berensohn conducted 2009 March 20-21, by Mark Shapiro, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Berensohn's home and studio, in Penland, North Carolina.
Berensohn speaks of growing up in New York City and his family; his brother Lorin Bernsohn, cellist with the New York Philharmonic; his problems with dyslexia as a child and yet his interest in reading and learning; an early interest in dance and the lack of support he received from his family; his admittance into Yale University, from where he quickly removed himself to attend Goddard College in Vermont; after Goddard attending Columbia University, Juilliard, and Bennington College while studying dance; studying under both Martha Graham and Merce Cunningham; his relationship with M.C. Richards; his first teaching job at Pendle Hill in Pennsylvania that lead to teaching at Swarthmore College for four years; his want to become a production potter while living on a farm in rural Pennsylvania where he created an artist commune; working with pinched pots and moving to Penland, North Carolina to teach workshops at the Penland School of Crafts; his book, "Finding Your Way With Clay," which started as a journaling and teaching project while at Penland; his interest in book art via his interest in journaling; the importance of clay as a healing material that connects humanity and the earth and his role as an advocate for clay; his work in and travels to Australia; recent photography projects and his busy and active schedule. Berensohn also recalls Remy Charlip, June Ekman, Fleur Cowles, John Cage, Robert Dunn, Yvonne Rainer, Carolyn Brown, Mary Oliver, Karen Karnes, Burt Supree, Toshiko Takaezu, Ann Stannard, Gerry Williams, George Kokis, Joe Bennion, Bill Brown, Jane Pieser, Ron Garfinkel, Jenny Mendes, Ian Anderson, Verne Stanford, Meg Peterson, and others.
Biographical / Historical:
Paulus Berensohn (1933-2017) was a poet, ceramic artist, dancer, and educator in Penland, North Carolina. Mark Shapiro (1955- ) is executive director of Lumina Art Gallery, in New York.
General:
Originally recorded on 4 SD memory cards. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 13 min.
Related Materials:
The Archives of American Art also holds the papers of Paulus Berensohn.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Artists' books  Search this
Ceramicists -- North Carolina -- Interviews  Search this
Communal living  Search this
Dance -- Study and teaching  Search this
Diaries -- Authorship  Search this
Dyslexia  Search this
Photography  Search this
Poets -- North Carolina -- Interviews  Search this
Ceramics  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.berens09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e6399d8a-79fe-4885-b26c-7221f925e076
EDAN-URL:
ead_collection:sova-aaa-berens09
Online Media:

Yale University, Student Paper

Collection Creator:
Rosenblum, Robert  Search this
Container:
Box 31, Folder 32
Type:
Archival materials
Date:
1966
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Rosenblum Papers
Robert Rosenblum Papers / Series 7: Teaching Files and Class Notes
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fd508da7-89e1-4078-a7cd-c824c9e4fe94
EDAN-URL:
ead_component:sova-aaa-roserobe-ref644

Oral history interview with Tony Vevers

Interviewee:
Vevers, Tony  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
City Center Gallery  Search this
Hans Hofmann School (New York, New York)  Search this
Operation Pied Piper  Search this
United States -- Montgomery G.I. Bill  Search this
United States. Army  Search this
Yale University -- Students  Search this
Avery, Milton, 1885-1965  Search this
Blagden, Tom  Search this
Calcagno, Lawrence, 1913-  Search this
Gottlieb, Adolph, 1903-1974  Search this
Halvorsen, Elspeth  Search this
Hartung, Hans, 1904-1989  Search this
Hofmann, Hans, 1880-1966  Search this
Keller, Deane, 1901-1992  Search this
Kline, Franz, 1910-1962  Search this
Levine, Jack, 1915-2010  Search this
Lippold, Richard, 1915-2002  Search this
Nevelson, Louise, 1899-1988  Search this
Oldenburg, Claes, 1929-  Search this
Pace, Stephen, 1918-2010  Search this
Picasso, Pablo, 1881-1973  Search this
Stieglitz, Alfred, 1864-1946  Search this
Vieira da Silva, 1908-  Search this
Weber, Max, 1881-1961  Search this
Zallinger, Rudolph F.  Search this
Extent:
2 Sound cassettes (Sound recording (2 hr., 49 min.), analog)
58 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Place:
Provincetown (Mass.)
Date:
1998 July 9-August 25
Scope and Contents:
Interview of Tony Vevers, conducted on August 25, 1998, by Robert F. Brown for the Archives of American Art, Smithsonian Institution, in Provincetown, Massachusetts.
Vevers speaks of being sent by his parents to the United States in 1940; secondary schooling in Madison, Connecticut and at the Hotchkiss School, Lakeville, Connecticut (1944); serving in the U.S. Army infantry in Europe, 1944-1946; attending Yale University on the GI Bill and graduating with a BA in painting and drawing, 1950; further art training in Florence, Italy and at the Hans Hofmann School, NYC (1950-1953); his marriage to Elspeth Halvorsen, fellow artist, 1953; his studies in Italy; the unexciting nature of contemporary Italian art; contemporary art in Paris, where Picasso impressed him but work of Hans Hartung and (Marie Elena) Vieira da Silva did not; studying with Hans Hofmann; working at the non-profit City Center Gallery, which was designed to give younger artists exposure through juried exhibitions; and living in poverty in NYC and Provincetown until 1963. Vevers also recalls Tom Blagden, Alfred Stieglitz, Deane Keller, Rudolph Zallinger, Claes Oldenburg, Stephen Pace, Lawrence Calcagno, Hans Hofmann, Milton Avery, Adolph Gottlieb, Jack Levine, Franz Kline, Louise Nevelson, Max Weber, Richard Lippold, and others.
Biographical / Historical:
Tony Vevers (1926-2008) was a painter from Provincetown, Massachusetts.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 49 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art teachers -- Interviews  Search this
Topic:
Art, French -- 20th century  Search this
Art, Italian -- 20th century  Search this
Art, Modern  Search this
Art -- Study and teaching -- Italy  Search this
Painters -- Massachusetts -- Provincetown -- Interviews  Search this
Poverty  Search this
World War, 1939-1945 -- United States  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.vevers98
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9895b7c6b-c510-442a-b997-8973a7d9279f
EDAN-URL:
ead_collection:sova-aaa-vevers98
Online Media:

Newspaper and Journal Articles: General

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 5, Folder 5
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 3: General materials of Hattie Meyers Junkin
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2f9c2563e-5c4a-47d6-abbb-276111be86a4
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref141
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Newspaper and Journal Articles: General digital asset number 1

Boola boola! A satirical peek at Yale, its foundations and other unmentionables

Author:
Dedman, Julien  Search this
Bookseller:
Smith, Ray DSI  Search this
Subject:
Yale University Students Caricatures and cartoons  Search this
Physical description:
[65] p. (chiefly illus.) 22 cm
Type:
Books
Date:
1950
C1950
Topic:
Education, Higher--Caricatures and cartoons  Search this
College wit and humor  Search this
American wit and humor, Pictorial  Search this
Call number:
N40.1.D291x D4 1950
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_510005

Women at Yale; liberating a college campus [by] Janet Lever & Pepper Schwartz

Author:
Lever, Janet  Search this
Schwartz, Pepper  Search this
Subject:
Yale University Students  Search this
Physical description:
274 p. illus. 22 cm
Type:
Books
Place:
Connecticut
New Haven
Date:
1971
[1971]
Topic:
Coeducation  Search this
Call number:
LD6337 .L4X
LD6337.L4X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_7584

The Yale Indian : the education of Henry Roe Cloud / Joel Pfister

Author:
Pfister, Joel  Search this
Subject:
Cloud, Henry Roe 1885-1950  Search this
Yale University Students  Search this
Physical description:
xviii, 259 p. : ill ; 25 cm
Type:
Biography
Place:
United States
Date:
2009
20th century
Topic:
Indians of North America--Education--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_926046

Modify Your Search







or


Narrow By