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En Amérique souvenirs de voyage et notes scientifiques par Henry de Varigny

Author:
Varigny, Henry de 1855-  Search this
Subject:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Physical description:
2 preliminary leaves, 300 pages 19 cm
Type:
Books
Place:
United States
Date:
1894
Topic:
Travel  Search this
Description and travel  Search this
Call number:
E168 .V37 1894
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1040683

MS 4689 Matilda Coxe Stevenson Papers

Creator:
Stevenson, Matilda Coxe, 1850-1915  Search this
Stevenson, James, 1840-1888  Search this
Evans, Alexander H.  Search this
Correspondent:
Anderson, Larz, 1866-1937  Search this
Avery, Rachel Foster  Search this
Baird, Spencer Fullerton, 1823-1887  Search this
Curtis, Edward S., 1868-1952  Search this
Douglass, William Boone  Search this
Eagle, Mary K.  Search this
Gill, Mary W.  Search this
Goode, G. Brown (George Brown), 1851-1896  Search this
Hodge, Frederick Webb, 1864-1956  Search this
Holmes, Oliver Wendell, Jr., 1841-1935  Search this
Holmes, William Henry, 1846-1933  Search this
Hornaday, W.T.  Search this
Leidy, Joseph  Search this
McGee, Anita Newcomb, 1864-1940  Search this
Meredith, Virginia C.  Search this
Moseley, A.N.  Search this
Nordhoff-Jung, Sophie  Search this
Pollard, Henry L.  Search this
Powell, John Wesley, 1834-1902  Search this
Putnam, F. W. (Frederic Ward), 1839-1915  Search this
Schweizer, Herman  Search this
Sherman, William Tecumseh Lieut. General  Search this
True, Clara D.  Search this
Tylor, Edward Burnett  Search this
Walcott, Charles D. (Charles Doolittle), 1850-1927  Search this
Bourke, John Gregory, 1846-1896  Search this
Names:
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Depicted:
Carson, Kit  Search this
Darwin, Charles  Search this
Dickens, Charles, 1812-1870  Search this
Hayden, F. V. (Ferdinand Vandeveer), 1829-1887  Search this
Longfellow, Henry Wadsworth, 1807-1882  Search this
Sherman, William Tecumseh Lieut. General  Search this
Extent:
5 Linear feet
Culture:
Pueblo Indians  Search this
Indians of North America -- Southwest, New  Search this
Type:
Collection descriptions
Archival materials
Date:
ca. 1870-1910
Scope and Contents:
Most of Stevenson's scientific notes are included as separate items in the series of numbered manuscript and the papers of John Peabody Harrington. This particular set of materials is made up of papers that passed into the hands of the executor of her estate. It consists of a miscellany of letters, notes, legal documents, cartographic materials, genealogical materials, photographs, newspaper clippsing, other printed material, and other types of documents. Although tehc ollection largely concerns Stevenson, it also includes some material of her husband, James Stevenson, and members of her family, especially her father, Alexander H. Evans, a Washington, D.C. attorney.
Many of the documents concern Stevenson's field work among the Pueblo Indians and other official duties with the Smithsonian. some material relates to her activities with the World's Columbian Exposition and the Louisiana Purchase Exposition. A few items concern her membership in scientific organizations. Still other documents are of a personal nature, and some are mementoes, especially of James Stevenson. A significant group of documents concern Matilda CoxeStevenson's friendly and, later, very difficult relationship with Clara True.
The photographs include some items of ethnographic interest but it consists largely of portraits of James andMatilda Stevensonand Mrs. Stevenson's relatives. Also included are images in albums apparently gathered by Stevenson as a collector of photographs. They include images of Kit Carson, Charles Darwin, Charles Dickens, Ferdinand Vandiveer Hayden, Henry Wadsworth Longfellow, and William Tecumseh Shermn. In the albums are also a nubmer of photographic portraits with unidentified subjects, many of whom appear to be actors and actresses.
Local Numbers:
NAA MS 4689
Occupation:
Actors -- depicted  Search this
Citation:
Manuscript 4689, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4689
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms4689

Katharine Lane Weems papers

Creator:
Weems, Katharine Lane, 1899-  Search this
Names:
Brookgreen Gardens  Search this
World's Columbian Exposition (1893 : Chicago, Ill.) -- Photographs  Search this
Cornell, Katharine, 1893-1974  Search this
Cresson, Margaret French, 1889-1973  Search this
Gildersleeve, Basil L. (Basil Lanneau), 1831-1924  Search this
Grafly, Charles, 1862-1929  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Kroll, Leon, 1884-1974  Search this
Lane, Gardiner M., 1859-1914  Search this
Lane, Katharine Ward, 1862-1893  Search this
Manship, Paul, 1885-1966  Search this
Marans, Moissaye, 1902-1977  Search this
Monjo, Enric, 1895-1976  Search this
Putnam, Brenda, 1890-1975  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Wong, Anna May, 1905-1961  Search this
Extent:
14.8 Linear feet
3 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Sketchbooks
Video recordings
Place:
Saranac Lake N.Y. -- Photographs
Date:
1865-1989
Scope and Contents:
Biographical material, extensive diaries, correspondence, notes, writings, business records, sketchbooks and drawings, project files, scrapbooks, printed materials, photographs and slides, motion picture film, and videotape relating to Weem's education and career as a sculptor. Also included are ca. 1 foot of papers of Weems' aunt, watercolorist Katharine Ward Lane (1862-1893), including letters, diaries, sketchbooks and photographs.
REEL 724: Biographical sketch, 1974; letters from Frederic Bartlett, George Demetrios, Walker Hancock, Leon Kroll, Lee Lawrie, Moissaye Marans, Adolph Alexander Weinman, and others; four sketchbooks, 1954-1965, containing pencil drawings of animals; a scrapbook of clippings, 1924-1941; and printed material.
UNMICROFILMED: Biographical material includes sketches and documents, and biographical information on Weems grandfather, Basil Lanneau Gildersleeve, and father, Gardiner Lane. Diaries (74 v.), 1906-1983, contain entries relating to art studies and her development as a sculptor; some include clippings and photographs. Correspondence, 1898-1989, includes letters from Gifford Beal, Margaret French Cresson, Charles Grafly, John Gregory, Walker Hancock, Malvina Hoffman, Anna Hyatt-Huntington, Paul Manship, Brenda Putnam, Gurdon Tarbox, and Adolph Weinman, discussing Weems' work and participation in various sculpture organizations. There are four notebooks on art history; recipes for clay and plaster; notes on patinas for bronze; lecture notes; lists of Weems' works and exhibitions; an exhibition guest book, 1931-1957; poems, 1933-1981; invoices and receipts, 1919-1981; copyright records, 1928-1978; and art work, including 15 v. of sketchbooks, 1913-1964, drawings and tracings of animal figures. and a copper printing plate mounted on a wood block.
Fourteen project files contain letters, drawings, photographs, and printed material on: an enlarging machine, the Saltus Medal for Merit, the frieze and Rhinoceros sculpture for the Biological Laboratories at Harvard, 1930-1942, including 7 reels of 16mm motion picture film (with script transferred to VHS), the Lotta Fountain, 1939-1974, Legion of Merit Medal, 1949-1952, War Department project, 1946, Goodwin Medal, 1949-1952, Wallace Goodrich Plaque, 1954, Hospital Teaching Clinic, 1955, Boston Museum of Science, 1964-1965, "Dolphins by the Sea" for the New England Aquarium, 1969-1979, Heredities Limited, 1971-1974, and the Museum School, 1977.
Included are two scrapbooks, one of clippings about the work of other artists and one containing poems, clippings of landscapes, animals, works by others, and autographed photographs of actresses Katharine Cornell and Anna May Wong and sculptor Brenda Putnam. Printed material includes clippings, 1911-1989; exhibition announcements and catalogs, 1922-1981; bulletins, programs, brochures on artists, organizations, Brookgreen Gardens, and supplies; reproductions of art works, and the books, Odds Were Against Me (1985, Weems autobiography, and Enrique Monjo (1955), inscribed by Mongo.
Photographs and slides, 1902-1988, are of Weems, family members, artists Charles Grafly, Walker Hancock, and Anna Hyatt-Huntington, Weems' house "The Chimneys," her studio, gardens, animals, works of art by Weems and others, exhibit installations, and views of New York City, Washington, D.C., Monticello, the University of Virginia, and Brookgreen Gardens. Nine albums, 1920-1980, contain photographs of an art class, Weems in her studio, her home, her friends, scenic views, and works of art. Videos and film include a videotape (5 min., U-matic) of an interview of Weems; a film, "From Clay to Bronze," showing the creation of Weems' sculpture "Dark Warrier" (transferred to VHS); motion picture film of the making of the sculpture "Rhinoceros" (transferred to digital betacam, VHS and DVD), and a home movie of a day at the beach, circa 1935.
The papers' of Weems' aunt, Katharine "Kitty" Ward Lane (d. 1893), include Lane's letters, 1898-1893, to her brother (Weems' father) and to other family members; a travel diary from Germany, 1886; notes; financial records, 1891-1892; 10 sketchbooks; printed material; and photographs, 1865-1893, of Lane, early views of Saranac Lake, and 9 views of the Columbia Exposition, 1893.
Biographical / Historical:
Sculptor; Boston, Mass. Died 1989. Specialized in animal sculpture. Studied at the School of the Museum of Fine Arts, Boston under Charles Grafly, Anna Hyatt-Huntington, George Demetrios, and Brenda Putnam. She married F. Carrington Weems in 1947. Named after her aunt, watercolor painter Katharine Ward Lane, who died in 1893.
Provenance:
Material on reel 724 lent for microfilming by Weems, 1974. The four sketchbooks on reel 724 were subsequently donated in 1989. Unmicrofilmed papers were donated 1975 and 1982 by Weems, and in 1989 by her estate. Eighteen diaries (1961-1965, 1967-1976 [1969 not included], 1978, and 1981-1983) and an apppointment book for 1966 donated by the Schlesinger Library, Radcliffe College, 1991.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Watercolorists -- Massachusetts -- Boston  Search this
Topic:
Women sculptors -- Massachusetts -- Boston  Search this
Animal sculpture -- United States  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Sketchbooks
Video recordings
Identifier:
AAA.weemkath
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weemkath

Japan [trade card]

Topic:
Ethnic Imagery Project, Archives Center
Advertiser:
Singer Manufacturing Company  Search this
Printer:
J. Ottomann Lith. Co.  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
1 Item (Ink on paper.)
Culture:
Japanese  Search this
Type:
Archival materials
Trade cards
Place:
Japan -- History
Scope and Contents:
Image of Japanese woman using Singer Sewing Machine to sew a brown Western men's jacket. Woman wears purple kimono with yellow and red undershift. Back contains brief text on the history of Japan. Card probably used at the Chicago World Exposition of 1893.
Local Numbers:
AC0060-0000160-1.tif (AC Scan No.)

AC0060-0000160-2.tif (AC Scan No.)
General:
Sewing Machines, Box 3, Folder 1.
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
advertising  Search this
World expositions  Search this
Sewing machines  Search this
Kimonos  Search this
Genre/Form:
Trade cards -- 19th century
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Sewing Machines, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Sewing Machines
Warshaw Collection of Business Americana Subject Categories: Sewing Machines / Series 1: Manufacturers and Distributors of Sewing Machines / Singer Sewing Manufacturing Company
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-sewing-ref532
Online Media:

Portfolio of the World's Columbian Exposition to be held in Chicago, United States of America, 1893

Author:
Graham, C  Search this
Winters Art Lithographing Company  Search this
Subject:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Physical description:
[37] p. col. ill. 16 x 24 cm
Type:
Books
Pictorial works
Place:
West (U.S.)
Date:
1893
Call number:
T500.C1G7
T500.C1 G7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_171640

Portfolio of the World's Columbian Exposition to be held in Chicago, United States of America, 1893 [microform]

Author:
Graham, C  Search this
Winters Art Lithographing Company  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Subject:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Physical description:
37 p. : ill., map ; 16 x 24 cm
Type:
Microforms
Pictorial works
Place:
West (U.S.)
Date:
1893
Call number:
mfm 003107.117.5
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_484382

Photographs of Dakota (and Chippewa ?) Indians in the vicinity of Carrington and Fort Totten, North Dakota

Photographer:
Putnam, Clara  Search this
Putnam, T. N., Mrs  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Extent:
28 Prints
Culture:
Sioux  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Prints
Date:
ca. 1898-1900
Scope and Contents:
Catalog Number 4792: (1)-(11) Tribe: Dakota Description: Dances and games at Devils Lake, near Fort Totten, North Dakota Photographer: Clara Putnam Date: ca. 1898-1900. (12)-(15) Dakota Indians camped at Devils Lake, near Fort Totten, North Dakota Photographer: Clara Putnam Date: ca. 1898-1900. (16) Non-Indian Group of white men, women, and children picnicking at Devils Lake, near Fort Totten, North Dakota ca. 1898-1900. (17)-(20) Dakota Camp scene at Devils Lake (?), near Fort Totten, North Dakota Clara Putnam ca. 1898-1900. (21)-(23) Dakota Group at Devils Lake, near Fort Totten North Dakota Clara Putnam ca. 1898-1900. (24) Non-Indian Two White men, and a woman aboard a boat on Devils Lake, near Fort Totten, North Dakota Clara Putnam ca. 1898-1900. (25) Non-Indian Group of White men at Devils Lake, near Fort Totten, North Dakota Clara Putnam ca. 1898-1900. (26) Dakota Two women at Clara Putnam's house in Carrington, North Dakota Clara Putnam ca. 1898-1900. (27) Dakota Three women and a girl at Clara Putnam's house (?) in Carrington, North Dakota Clara Putnam ca. 1898-1900. (28) Non-Indian Scene at World's Columbian Exposition (?) in Chicago in 1893 Clara Putnam 1893.
Biographical / Historical:
Mr F. L. Putnam stated that when he was a boy his family camped every year at the opposite end of Devils Lake N. W. of Fort Totten, and that the Indians came from the reservation at Fort Totten and from Fort Berthold and held games and dances at the "other" end of the lake. The pictures were taken by his mother, Clara Putnam, who developed the plates herself. Mrs Clara Putnam was the wife of T. N. Putnam, who owned a lumber company in Carrington. Mr F. L. Putnam stated that other photos in the Putnam collection show buildings and scenes in Carrington, and some views taken in California in 1893 and at the World's Columbian Exposition in Chicago in 1893.
Local Numbers:
NAA MS 4792
Local Note:
Prints made 5/67 from 4" x 5" glass negatives lent by F. L. Putnam, 402 Fontaine Street, Alexandria, Virginia, the son of the photographer. Glass negatives returned 7/3/67.)
Filed: Original Prints, Dakota.
Topic:
Photographs  Search this
Dakota Indians  Search this
Dance  Search this
Dakota Indians  Search this
Toys and games  Search this
Dakota Indians  Search this
Camps  Search this
Sioux  Search this
North Dakota  Search this
Citation:
Manuscript 4792, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4792
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms4792

Larry Zim World's Fair Collection

Collector:
Cultural History, Division of (NMAH, SI).  Search this
Cooper-Hewitt Museum.  Search this
Zim, Larry (Larry Zimmerman), 1931-1987  Search this
Cultural History, Division of (NMAH, SI).  Search this
Names:
Alaska-Yukon-Pacific Exposition (1909 : Seattle, Wash.)  Search this
Appalachian Exposition. (Knoxville, Tennessee: 1911)  Search this
Art and Techniques Exposition (Paris, France: 1937)  Search this
British Empire Exhibition (London, England : 1924-1925)  Search this
British Empire Exposition (Glasgow, Scotland: 1938)  Search this
Bronx International Exposition (New York, New York: 1917-1918)  Search this
Brussels International (1910 )  Search this
California Midwinter International Exposition (1894 : San Francisco, Calif.)  Search this
California-Pacific International Exposition (San Diego, California: 1935-1936)  Search this
Canadian National Exposition (1937)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Centennial Exposition of the Ohio Valley and Central States (1888 : Cincinnati, Ohio)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Chicago Autumn Festival (1899)  Search this
Cincinnati Industrial Exposition (1882 : Cincinnati, Ohio)  Search this
Cotton States Exposition (1895 : Atlanta, Ga)  Search this
Esposizione Internationale (1911 : Turin, Italy)  Search this
Esposizione Internationale D'Arte (Venice, Italy: 1910)  Search this
Esposizione Internazionale d'Arte (1895 : Venice, Italy)  Search this
Exhibition of Art Treasures (1857 : Manchester, England)  Search this
Exhibition, Massachusetts Charitable Mechanic Association (1878 : Boston, Massachusetts)  Search this
Expo 67 (Montréal, Québec)  Search this
Exposicion Centro-Americana (1897 : Guatemala City, Guatemala)  Search this
Exposition Coloniale Internationale (Paris, France: 1931)  Search this
Exposition International (1894 : Lyons, France)  Search this
Exposition International Coloniale Maritime et d'Art Flammand (Antwerp, Belgium: 1930)  Search this
Exposition International de Liege (1930)  Search this
Exposition Internationale Maritime (1887 : Le Havre, France)  Search this
Exposition Nationale Belge (1880 : Belgium)  Search this
Exposition Universelle (1885 : Antwerp, Belgium)  Search this
Exposition Universelle de Paris (1855 : Paris, France)  Search this
Exposition Universelle de Paris (1878 : Paris, France)  Search this
Exposition universelle de 1867 (Paris, France)  Search this
Exposition universelle de 1889 (Paris, France)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Fiera di Milano (1939)  Search this
Foreign Exhibition (1883 : Boston, Massachusetts)  Search this
Franco-British Exhibition (London, England: 1908)  Search this
Franklin Institute Exhibition (1874 : Philadelphia, Pennsylvania)  Search this
Gewerbe Austellung (1896 : Berlin, Germany)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
Great Exhibition of 1851 (London, England)  Search this
Great Industrial Exhibition (1853 : Dublin, Ireland)  Search this
Great Lakes Exposition (Cleveland, Ohio: 1936-1937)  Search this
Hemisfair '68 (San Antonio, Texas: 1968)  Search this
Hudson-Fulton Celebration (1909)  Search this
Imperial International Exhibition (London, England: 1909)  Search this
International Exhibition (1897 : Brussels, Belgium)  Search this
International Exhibition of 1862 (London, England)  Search this
International Exhibition of 1871 (London, England)  Search this
International Exhibition of 1872 (London, England)  Search this
International Exhibition of Arts and Manufactures (1865: Dublin, Ireland)  Search this
International Exposition (Barcelona, Spain: 1929-1930)  Search this
International Exposition (Brussels, Belgium: 1935)  Search this
International Exposition of Decorative Arts and Modern Industries (1925 : Paris, France)  Search this
International Exposition on the Environment (Spokane, Washington: 1974)  Search this
International Fire Exhibition 1903 : London, England)  Search this
International Marine Exhibition of Marine Hygiene and Exhibition of the Italian Glories (Genoa, Italy: 1914)  Search this
International Ocean Exposition (Okinawa, Japan: 1975)  Search this
Interstate and West Indian Exposition (Charleston, South Carolina: 1901-1902)  Search this
Italian Exposition (1904 : London, England)  Search this
Jamestown Tercentennial Exposition (Hampton Roads, Virginia: 1907)  Search this
Japan World Exposition (Osaka, Japan: 1970)  Search this
Japan-British Exhibition (London, England: 1910)  Search this
Knoxville International Energy Exposition (1982)  Search this
Lewis and Clark Centennial Exposition (1905 : Portland, Or.)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Ecuadorian Exposition (Quito, Ecuador: 1909)  Search this
National Export Exposition (1899 : Philadelphia, Pennsylvania)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
New York World's Fair (1964-1965)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Scottish National Exposition (Edinburgh, Scotland: 1908)  Search this
Sesqui-Centennial International Exposition (1926 : Philadelphia, Pa.)  Search this
Sydney International Exhibition (Sydney, Australia: 1879)  Search this
Texas Centennial Central Exposition (Dallas, Texas: 1936)  Search this
Universal Exhibition (1873 : Vienna, Austria)  Search this
Western Pennsylvania Exposition (1915 : Pittsburgh, Pennsylvania)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
World's Industrial and Cotton Centennial Exposition (1884-1885 : New Orleans, La.)  Search this
Extent:
46 Cubic feet (123 boxes and 148 map-folders)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music
Posters
Shopping bags
Photographs
Stereographs
Menus
Place:
Disneyland (California)
Date:
1841-1988
Scope and Contents:
Memorabilia of fairs and World's Fairs throughout history, both in the United States and abroad, including photographs, stereographs, panoramas and slides; printed materials; postcards; sheet music; philatelic material; stationery and greeting cards; menus and food service items; posters; shopping bags; motion picture films; and other items.
Arrangement:
The collection is divided into three series.

Series 1: World's Fair Materials, 1841-1988

Series 2: Reference and Miscellaneous Materials

Series 3: Larry Zim Materials

Series 4: Oversize Materials, 1909-1968
Biographical / Historical:
Larry Zim, whose actual name was Larry Zimmerman, was an industrial designer, a historian of World's Fairs who wrote extensively on the subject, and a collector of World's Fair memorabilia.
Provenance:
Collection by bequest of Larry Zim.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Crystal Palace -- (New York, New York)  Search this
Exhibitions  Search this
Genre/Form:
Motion pictures (visual works)
Postcards
Greeting cards
Stationery
Panoramas
Sheet music -- 20th century
Posters
Shopping bags
Photographs -- 19th century
Sheet music -- 19th century
Stereographs
Menus
Citation:
Larry Zim World's Fair Collection, 1841-1988, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0519
See more items in:
Larry Zim World's Fair Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0519
Online Media:

MS 1981 Letters regarding the Guatemalan project, "Por los Aborígenes" at the World's Columbian Exposition

Addressee:
Solís, Ignacio, 1839-1912  Search this
Names:
Chicago World's Fair 1892  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Extent:
62 Sheets
Type:
Collection descriptions
Archival materials
Sheets
Date:
undated
Scope and Contents:
Regarding the Guatemalan Commission, Chicago in 1892, at the World's Fair. Mostly addressed to the Secretary of the Commissioner, Senor Solis, from various individuals in Mexico.

Includes project proposal.
Local Numbers:
NAA MS 1981
Topic:
Guatemala  Search this
Citation:
Manuscript 1981, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS1981
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms1981

Domestic Life Stereograph and Photograph Collection

Creator:
Centennial Photographic Co.  Search this
Roth, Rodris  Search this
Myers, Susan H.  Search this
Source:
Cultural History, Division of (NMAH, SI).  Search this
Names:
Appalachian Exposition. (Knoxville, Tennessee: 1911)  Search this
California-Pacific International Exposition (San Diego, California: 1935-1936)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Exposition universelle de 1867 (Paris, France)  Search this
International Exhibition of 1862 (London, England)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Former owner:
Cultural History, Division of (NMAH, SI).  Search this
Extent:
2 Cubic feet (9 boxes)
Type:
Collection descriptions
Archival materials
Stereographs
Place:
Sturbridge (Mass.)
Date:
circa 1862-1920
Summary:
Hundreds of stereographs and other photographic imagery, especially a large number of the 1876 Centennial Exhibition in Philadelphia; other subjects include: the World's Columbian Exhibition (1893); the Louisiana Purchase Exposition, the Great Sanitary Fair; a large number on Massachusetts, including a set of images from Old Sturbridge; buildings and scenery; miscellaneous other subjects.
Scope and Contents note:
The collection is composed largely of photographs related to world's fairs, especially the Philadelphia Centennial Exposition, particularly in the form of stereographs. Other photographs document Williamsburg, Old Sturbridge, Mass., and other locations.
Arrangement:
Collection is arranged into one series. Arranged geographically and topically.
Historical:
Stereographs were employed to document and popularize the great world's fairs of the second half of the nineteenth century and the early years of the twentieth century in the United States and Europe. The Centennial Photographic Company, in particular, was formed essentially to disseminate information about the 1876 fair and to profit from its "educational" products. More generally, the three-dimensional photographic medium was considered an ideal way to provide views of regional attractions in the United States. This collection contains both subjects.
Provenance:
Collection donated by Susan Myers.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Rights situation uncertain. Probably in public domain, applicable copyrights expired.
Topic:
Exhibitions  Search this
Exhibitions -- Missouri  Search this
World's fairs  Search this
Genre/Form:
Stereographs
Citation:
Domestic Life Stereograph and Photograph Collection, circa 1862-1920, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0725
See more items in:
Domestic Life Stereograph and Photograph Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0725
Online Media:

Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives

Printer:
MacCormack, Forrest (intern)  Search this
Talman, Hugh (photographer)  Search this
Photographer:
Smillie, T. W. (Thomas William), 1843-1917  Search this
Johnston, Frances Benjamin, 1864-1952  Search this
Collector:
Domestic Life, Division of (NMAH, SI).  Search this
Domestic Life, Division of (NMAH, SI).  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.) -- Photographs  Search this
Extent:
2 Cubic feet (7 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Contact prints
Place:
White House (Washington, D.C.)
Washington (D.C.) -- 1890-1900
Chicago Ill. -- 1890-1900
Date:
1993 - 1993
circa 1888-1899, 1906
Summary:
Twenty glass plate negatives and reference copy prints of the images taken between the late 1880s and the early 1900s by Frances Benjamin Johnston and Thomas W. Smillie. The images depict the skyline of Washington D.C., views from the 1893 World's Fair: Columbian Exposition, blueprints for the Smithsonian Arts and Industries Building, and an unidentified orchestra.
Scope and Contents:
The collection consists of twenty glass plate negatives and associated reference copy prints depicting scenes from the 1893 World's Fair: Columbian Exposition in Chicago, Illinois as well as images of the Washington D.C. skyline dating from between 1888 and 1899. The glass plate negatives range in size from 17" x 20" to 20" x 24" while the silver gelatin, resin-coated paper prints are all 20" x 24". All the images are black and white.

Series 1, Glass Plate Negatives, 1893, 1906, circa 1888-1899, is arranged by a numbering system, possibly assigned by the Smithsonian Office of Printing and Photographic Services (OPPS). The numbers were etched or written on the negatives, for example 3107. The series begins with the numbered images from Washington DC (#3101-#3107), followed by images without identifying numbers. The numbered images from the 1893 Columbian Exposition (non-inclusive #11302-11359) come next, followed by the images without identifying numbers.

The images of Washington D.C., when arranged in the following sequence, form a panorama of the Washington D.C. city: #3103, #3107, #3104, #3101, #3106, #3105, #3102. The images were taken from the tower of the Smithsonian Castle facing north, beginning with a view of the United States Capitol Building in the east (#3102) and ending with a view of the incomplete Washington Monument in the west (#3103). An unnumbered image of the United States Capitol taken after 1899 from the tower of the Old Post Office and Clock Tower looking down Pennsylvania Avenue is included. Two unnumbered blueprints dated July 19, 1906 show the second and third floor layouts of the Smithsonian Arts and Industries Building.

The images of the 1893 World's Fair: Columbian Exposition show various buildings built for the event as well as a replica of the Battleship Illinois which was constructed to illustrate advances in naval technology. Exterior views of the Administration Building, Government Building, Palace of Fine Arts, Manufactures and Liberal Arts Building as well as an interior view of the World's Fair Post Office in the Government Building are found among the negatives. A number of the images appear to have been taken from atop some of the buildings looking down.

One unnumbered and unidentified picture of a musical orchestra sitting on stage is included at the end of the series.

Series 2, Copy prints, 1993, include duplicate or, in some instances triplicate, photographic copy prints of the images from the glass plate negatives. In the case of #11311 and #11359, no copy prints exist. The silver gelatin prints on resin-coated paper were created in the fall of 1993.
Arrangement:
The collection is arranged in two series.

Series 1: Glass Plate Negatives, 1893, 1906, circa 1888-1899

Series 2: Copy prints (reference copies), 1993
Biographical / Historical:
While the origin and provenance of some of the glass plate negatives is uncertain, it is likely that the images were created by Smithsonian photographer and curator Thomas W. Smillie and by Frances Benjamin Johnston, a prominent female photographer who was a protege of Smillie's.

Thomas W. Smillie was born in Edinburgh, Scotland in 1843 and emigrated to the United States when he was five years old. He attended Georgetown University, where he studied medicine and chemistry. Shortly thereafter he became a photographer for the Smithsonian and remained with the institution until his death in 1917. In 1896 he was named "custodian" of photography for the Institution, in essence becoming its first photography curator. He staged photographic exhibits and actively collected both images and equipment related to photography.

Frances Benjamin Johnston was an early pioneer for women in the field of photography and photojournalism. Born in 1864 in Grafton, West Virginia, Johnston studied art in Maryland and later at the Académie Julien in Paris. Her high-profile family connection with the Eastman family as well as her insatiable appetite for knowledge about photographic processes quickly propelled her to a formidable professional career. Her work appeared in publications such as The Ladies' Home Journal, Harper's Weekly, and Cosmopolitan, among others. As an apprentice to Thomas W. Smillie, Johnston was engaged to photograph the 1893 World's Fair: Columbian Exposition in Chicago. She made Washington D.C. her home and had the opportunity to photograph a large number of high profile individuals and government officials, including five United States presidents. Her photography often documented mundane and commonplace aspects of life rather than spectacular or prominent ones. Later in her career she focused her photography on colonial architecture, with images of houses, barns, and other buildings that intentionally showed everyday life in the United States South rather than high profile structures which had already been well-documented. She moved to New Orleans in 1940 and died in 1952.
Related Materials:
Materials at the Smithsonian Institution

Smithsonian Institution Archives

Records, circa 1883-1984 (SIA RU000529)

Field Research Photographs, circa 1909-1924 (SIA Acc. 02-086)

Personnel Records, 1892-1952 (SIA Acc. 05-123)

Collected Registers, 1908-1912 and undated (SIA Acc. 06-138)

National Anthropological Archives

Glass Negatives of Indians (Collected by Bureau of American Ethnology)
Provenance:
Immediate source of acquisition unknown.
Restrictions:
The collection is open for research. Reference photograph copies should be used where possible. Gloves must be worn when handling unprotected photographs and negatives. Special care is required when handling the glass plate negatives both because of their large size and because some of the negatives are broken.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Washington Monument (Washington, D.C.)  Search this
Genre/Form:
Photographs -- Black-and-white negatives -- Glass -- 1890-1900
Contact prints -- 1950-2000
Citation:
Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives, 1888-1906, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0416
See more items in:
Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0416

MS 7217 List of figures and costumes for exhibition at World's Columbian Exposition in Chicago

Creator:
Bergmann, C.  Search this
Names:
Smithsonian Institution. United States National Museum. Department of Anthropology -- exhibit at Chicago, 1893  Search this
World's Columbian Exposition (1893 : Chicago, Ill.) -- Exhibits  Search this
Extent:
113 Pages
1 Notebook
Type:
Collection descriptions
Archival materials
Pages
Notebooks
Date:
undated
Scope and Contents:
Includes title of each case, articles of clothing and catalog numbers for each, collectors, and miscellaneous notes. At the end of the notebook are notes about losses and damages made at the end of the exposition and some notes on a shipment of material.
Local Numbers:
NAA MS 7217
Topic:
Exhibits  Search this
Citation:
Manuscript 7217, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7217
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7217

MS 2420 Photographs by unidentified photographer of cliff ruins, Rio Mancos, Colorado, and other Mesa Verde ruins, collected by H. Jay Smith when preparing the "Cliff Dwellers" exhibit at the Worldʹs Columbian Exposition, 1894

Creator:
Smith, H. Jay  Search this
Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Extent:
33 Prints
Culture:
American Indians -- Colorado  Search this
Type:
Collection descriptions
Archival materials
Prints
Date:
circa 1894
Scope and Contents:
No identifications on photographs.

Tentative identifications are: #500 Mesa Verde cliff dwelling. #501 Mesa Verde cliff dwellings. #508 Mesa Verde cliff dwelling: Spruce Tree. #509 Mesa Verde cliff dwellings. #511 Mesa Verde cliff dwellings: Cliff Palace. #514 Mesa Verde cliff dwellings. #515 Mesa Verde cliff dwellings. #516 Mesa Verde cliff dwellings. #520 Mesa Verde cliff dwellings. #525 Mesa Verde cliff dwellings: Cliff Palace. #527 Mesa Verde cliff dwellings. #532 Mesa Verde cliff dwellings. #533 Mesa Verde cliff dwellings. #536 Mesa Verde cliff dwellings. #537 Mesa Verde cliff dwellings. Mesa Verde cliff dwellings: Cliff Palace. #503 Hovenweep ruins. #504 Hovenweep ruins. #507 Hovenweep ruins. #510 Hovenweep ruins. #518 Hovenweep ruins. #700 Tower-like ruin. #512 Ruin on rock pinnacle, with man seated on top. #550 Ruin on rock pinnacle. #524 View of Colorado valley. #531 Pillar-like rock formation. #900 Group of unidentified Indian men.
Local Numbers:
NAA MS 2420
Topic:
Mesa Verde (Colorado) -- Archeology  Search this
Spruce Tree House (Mesa Verde, Colorado) -- Archeology  Search this
Cliff Palace (Mesa Verde, Colorado) -- Archeology  Search this
Hovenweep (Colorado) -- Archeology  Search this
Citation:
Manuscript 2420, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2420
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2420
Online Media:

Photograph depicting view of the World's Columbian Exposition

Names:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Extent:
1 Photographic print (b&w, 10 x 13 cm.)
Type:
Collection descriptions
Archival materials
Photographic prints
Date:
1893
Scope and Contents:
Photograph of a photograph pinned to a board, showing the central pool of the Exposition in Chicago.
General:
Date based on the year that the Exposition occurred.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Identifier:
AAA.worlcolum
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-worlcolum

World's Columbian Exhibition 1893 the art and architecture by William Walton

Title:
World's Columbian Exposition MDCCCXCIII
Art and architecture
Author:
Walton, William 1843-1915  Search this
Former owner:
De Moss, Matthew A. Mrs. DSI  Search this
Kaller, Myron DSI  Search this
Author:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Subject:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Physical description:
11 parts illustrations, plates, portraits 49 x 34 cm
Type:
Exhibitions
Pictorial works
Exhibition catalogs
Place:
Illinois
Chicago
Date:
1893
19th century
Topic:
Architecture  Search this
Architecture, Modern  Search this
Art  Search this
Art, Modern  Search this
Exhibitions  Search this
Painting  Search this
Painting, Modern  Search this
Call number:
N4500 .W24 1893e
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1036704

Emmet family papers

Creator:
Emmet family  Search this
Names:
Berkshire Museum  Search this
Danforth Museum  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Beaux, Cecilia, 1855-1942  Search this
Casals, Pablo, 1876-1973  Search this
De Glehn, Jane Erin Emmet, 1873-1961  Search this
De Glehn, Wilfrid-Gabriel, 1870-1951  Search this
Doyle, Nancy  Search this
Emmet, Julia Colt Pierson, 1829-1908  Search this
Emmet, Lydia Field, 1866-1952  Search this
Emmet, Robert, 1778-1803  Search this
Fontanne, Lynn  Search this
James, Henry, 1843-1916  Search this
La Farge, Bancel, 1865-1938  Search this
Lunt, Alfred  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Metcalfe, Susy  Search this
Millay, Edna St. Vincent, 1892-1950  Search this
Monod, Lucien  Search this
Morgan, Elizabeth Emmet, d. 1934  Search this
Ormond, Violet Sargent  Search this
Quilter, Roger, 1877-1953  Search this
Rand, Ellen Emmet, 1875-1941  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sargent, Emily, 1857-  Search this
Sargent, John Singer, 1856-1925  Search this
Sherwood, Robert E. (Robert Emmet), 1896-1955  Search this
Sherwood, Rosamond, 1899-  Search this
Sherwood, Rosina Emmet, 1854-1948  Search this
White, Stanford, 1853-1906  Search this
Extent:
9.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Date:
1792-1989
bulk 1851-1989
Summary:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.
Scope and Content Note:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators, whose artistic talents flourished during the late nineteenth through the mid-twentieth centuries.

Biographical material consists of family trees and family histories; individual biographical accounts, award certificates, and documentation for Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and Wilfrid de Glehn; a diary titled "Sedgemere Diary" containing drawings and entries primarily by Rosina Emmet Sherwood, and a smaller diary which mentions Rosina's son, future playwright Robert Sherwood; a documentary by Nancy B. Doyle on two VHS videocassettes, entitled The Emmets: Portrait of a Family; and artifacts comprising a rear-view optical device and locks of hair from an early nineteenth century generation of the Emmet family.

Correspondence forms the bulk of the collection and illustrates the interaction between members of this large and influential family and their colleagues and friends, offering a wide-ranging view of life in the late nineteenth through the mid-twentieth centuries, and through two World Wars. The series consists of letters between family members, primarily Julia Colt Pierson Emmet and her daughters, as well as cousins Henry James, Ellen "Bay" Emmet Rand, and Rosamond Sherwood, and friends Cecilia Beaux, Louis Bancel LaFarge, Frederick MacMonnies, Lucien Monod, Roger Quilter, Augustus Saint-Gaudens, Emily and John Singer-Sargent, Violet Sargent Ormond, and Stanford White. Topics include experiences of the Emmets while studying art in Paris, Rosina's presentation at Queen Victoria's court, Lydia's work at the Columbia Exposition, Jane's marriage to Wilfrid de Glehn and her friendship with John Singer Sargent, portrait painting activities, the troubles of their friend Susy Metcalfe in her marriage to Pablo Casals, and the activities of Rosina's son, playwright Robert Emmet Sherwood, and friends Alfred Lund and Lynn Fontanne.

Writings and notes consist of scattered manuscripts and poems by family members, two notebooks, one identified as belonging to Jane Erin Emmet de Glehn, and typescripts about Wilfrid de Glehn following his death. Also found is a book, Out of Town, written and illustrated by Rosina Emmet Sherwood, and Edna St Vincent Millay's poem "Autum Daybreak" written in Millay's handwriting.

Exhibition files document an exhibition held at the Berkshire Museum/Danforth Museum in Pittsfield/Farmingham, Massachusetts in 1982 entitled The Emmets: A Family of Women Painters, and include two audio cassettes of recordings from the "Art for Lunch" series at the Berkshire Museum discussing the exhibition.

Business records include account books belonging to Lydia Field Emmet and Rosina Emmet Sherwood, both of which document income from artwork and other sources, and expenses; a contract for the reproduction of Lydia Field Emmet's artwork; and a document concerning ownership of property, possibly of Emmet family ancestors.

Printed Material consists of clippings, exhibition announcements and catalogs, and reproductions of artwork by Emmet family members and others.

Two scrapbooks contain a combination of drawings, primarily by Rosina Emmet Sherwood, reproductions of artwork, and photographs.

Artwork includes drawings and sketchbooks by Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn Ellen Emmet Rand, and other Emmet relatives, illustrating the early development of their talent.

Photographs are of family members, including Julia Colt Pierson Emmet and William Jenkins Emmet, their daughters Lydia Field Emmet, Jane Erin Emmet de Glehn and husband Wilfrid de Glehn, Rosina Emmet Sherwood and husband Arthur Murray Sherwood, and Robert Emmet Sherwood as a young man. Also found are photos of friends Richard Harding Davis, Frederick MacMonnies, and Augustus Saint-Gaudens; a series of photographs of the installation at Arden Galleries, New York (1936) for the exhibition Paintings, Drawings and Sculptures by Five Generations of the Emmet Family; and photographs of artwork by Emmet family members.
Arrangement:
The Emmet family papers are arranged as nine series.

Series 1: Biographical Material, circa 1855-1988 (0.6 linear feet; Boxes 1, 10, OV 12)

Series 2: Correspondence, 1792-1985 (6.2 linear feet; Boxes 1-7)

Series 3: Writings and Notes, circa 1870s-1981 (11 folders; Box 7)

Series 4: Exhibition Files, 1947-1983 (0.3 linear feet; Boxes 7-8)

Series 5: Business Records, circa 1799-1945 (7 folders; Box 8)

Series 6: Printed Material, 1872-1989 (0.35 linear feet; Boxes 8, 10)

Series 7: Scrapbooks, 1870-1890 (0.2 linear feet; Boxes 8, 10)

Series 8: Artwork, circa 1850-circa 1920 (0.35 linear feet; Boxes 8, 10)

Series 9: Photographs, circa 1870s-circa 1950s (1 linear foot; Boxes 8-9, 11)
Biographical Note:
The Emmet family, descended from patriot Thomas Addis Emmet, brother of Irish martyr Robert Emmet, counts many physicians, lawyers, and writers (including cousin Henry James) among its ranks. Although evidence of artistic talent existed in several previous generations, it flourished during the later 19th through the mid-20th centuries in the professional portraiture of sisters Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and their cousin Ellen "Bay" Emmet Rand.

The eldest daughter of Julia Colt Pierson Emmet (1829-1908), herself a talented illustrator who had studied under Daniel Huntington, Rosina "Posie" Emmet (1854-1948) studied under William Merritt Chase at his Tenth Street Studio in New York and under Robert-Fleury at the Academie Julian in Paris. Before her marriage to Arthur Murray Sherwood in 1887, Rosina established a studio in New York and continued to submit illustrations to various publications. During her marriage, she slowed her creative activities, until financial reverses dictated her return to her career around the turn of the 20th century. Her daughter Rosamond Sherwood (1899-1990) was also a portrait painter. Her son, Robert Emmet Sherwood (1896-1955) became a four-time Pulitzer Prize-winning playwright.

Lydia Field Emmet (1866-1952) studied under Collin, Bouguereau, MacMonnies, and Robert-Fleury at the Academie Julian. Upon her return to New York, Lydia continued her studies under Chase, Kenyon Cox, H. Siddons Mowbray, and Robert Reid at the Art Students League, as well as at Chase's Shinnecock Summer School of Art. She established her portrait studio in New York City and began spending summers at Stockbridge, Massachusetts, where she built her home, "Strawberry Hill," in 1905. Best known for her portraits of children, Lydia's subjects were members of the socially prominent families of New York, Boston, and Philadelphia.

The youngest sister, Jane Erin Emmet (1873-1961), also studied with Chase in New York, and in Paris. In 1904, she married British landscape painter Wilfrid Von Glehn, who had visited the United States with his friend John Singer Sargent. (The Von Glehns' surname was changed to De Glehn, in 1919.) Settling in London, Jane continued her painting, befriended many artists and composers, and accompanied her husband and Sargent on several art-related journeys through Europe.

The Emmet sisters' cousin, Ellen Gertrude "Bay" Emmet (1875-1941), studied in New York at the Art Students League and under Frederick MacMonnies in Paris, becoming a National Academician in 1934. She married William Blanchard Rand in 1911 and settled in Salisbury, Connecticut. After the stock market crash of 1929, Bay's portraits of prominent society figures provided most of her family's income.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4544) including one scrapbook, compiled by Rosina Emmet Sherwood, consisting of portrait sketches, drawings of her dogs, genre scenes, travel views, and photographs of travels, friends, actors, and the ship "Scythia,". Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1988-1991, the bulk of the Emmet family papers were donated by Rosamond Sherwood, daughter of Rosina Emmet Sherwood (via Katharine Emmet Bramwell of New York), by Rosamond Sherwood's estate (via F. Douglas Cochrane, executor, from Boston), and by Rosamond's nieces, Virginia Sherwood and Julia Shipway. Additionally, one scrapbook was lent for microfilming in 1990 and subsequently donated by Mrs. Earl Maize. Douglas Cochrane then loaned another scrapbook for microfilming (reel 4344) in 1991 which was returned to Mrs. Earl Maize.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Emmet family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- England -- London  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Works of art  Search this
Women painters -- New York (State)  Search this
Painting, American -- New York (State)  Search this
Illustrators -- New York (State)  Search this
Playwrights  Search this
Portrait painters -- New York (State) -- New York  Search this
Singers  Search this
World War, 1914-1918  Search this
World War, 1939-1945  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Citation:
Emmet family papers, 1792-1989 (bulk 1851-1989). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.emmefami
See more items in:
Emmet family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-emmefami
Online Media:

Geographical encyclopædia of New South Wales [microform] : including the counties, towns, and villages, within the colony, with the sources and courses of the rivers and their tributaries : ports, harbours, light-houses, and mountain ranges ... / by William Hanson

Author:
Hanson, William fl. 1880-1890  Search this
New South Wales Commissioners:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Subject:
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Physical description:
462 p. : map ; 25 cm
Type:
Microforms
Gazetteers
Place:
New South Wales
Date:
1892
Call number:
mfm 003107.106.10
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_484421

Great Exhibit of Seeds, Agricultural Building, World's Columbian Exposition

Publisher:
B.W. Kilburn Company  Search this
Photographer:
B.W. Kilburn Company  Search this
Names:
Henderson, Peter, 1822-1890  Search this
Extent:
1 Stereograph (b/w)
Container:
Box 4
Type:
Archival materials
Stereographs
General:
Historic Image #: 8718
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Exhibitions  Search this
Public buildings  Search this
Interior views  Search this
Flags  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic Gardens Stereograph Collection.
Identifier:
AAG.STR, Item STR053001
See more items in:
Historic gardens Stereograph collection
Historic gardens Stereograph collection / World's Fairs and Expositions / World's Columbian Exposition (1893, Chicago, IL) / IL159: Illinois -- Chicago -- World's Columbian Exposition
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-str-ref3583

The Three Fountains, Columbian Exposition

Publisher:
B.W. Kilburn Company  Search this
Photographer:
B.W. Kilburn Company  Search this
Extent:
1 Stereograph (b/w)
Container:
Box 4
Type:
Archival materials
Stereographs
Scope and Contents:
front: James M. Davis, New York, St. Louis, Liverpool, Toronto, Sydney
General:
Historic Image #: 8437
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Exhibitions  Search this
Fountains  Search this
Public buildings  Search this
Sculptures  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic Gardens Stereograph Collection.
Identifier:
AAG.STR, Item STR053002
See more items in:
Historic gardens Stereograph collection
Historic gardens Stereograph collection / World's Fairs and Expositions / World's Columbian Exposition (1893, Chicago, IL) / IL159: Illinois -- Chicago -- World's Columbian Exposition
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-str-ref3584

California Liberty Bell, Horticultural Hall, Columbian Exposition

Publisher:
B.W. Kilburn Company  Search this
Photographer:
B.W. Kilburn Company  Search this
Extent:
1 Stereograph (b/w)
Container:
Box 4
Type:
Archival materials
Stereographs
Scope and Contents:
front: James M. Davis, New York, St. Louis, Liverpool, Toronto, Sydney
General:
Historic Image #: 7979
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Exhibitions  Search this
Bells  Search this
Fruit  Search this
Floral decorations  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic Gardens Stereograph Collection.
Identifier:
AAG.STR, Item STR053003
See more items in:
Historic gardens Stereograph collection
Historic gardens Stereograph collection / World's Fairs and Expositions / World's Columbian Exposition (1893, Chicago, IL) / IL159: Illinois -- Chicago -- World's Columbian Exposition
Archival Repository:
Archives of American Gardens
EDAN-URL:
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