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The Fight to Free Angela Davis: Its Importance for the Working Class

Published by:
New Outlook Publishers, American  Search this
Written by:
Charlene Mitchell, American, born 1930  Search this
Medium:
ink on paper
Dimensions:
H x W: 7 1/2 x 5 1/16 in. (19 x 12.8 cm)
Type:
pamphlets
Date:
1972
Topic:
African American  Search this
Activism  Search this
Justice  Search this
Mass media  Search this
Political organizations  Search this
Politics  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the family of Dr. Maurice Jackson and Laura Ginsburg
Object number:
2010.55.101
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd58862d861-0b8f-49dc-a045-b883c627d851
EDAN-URL:
edanmdm:nmaahc_2010.55.101
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Online Media:

Art by Working Class

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 21, Folder 19
Type:
Archival materials
Date:
circa 1982-1985
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.2: Correspondence by Subject
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ee80144a-3c78-4bfc-9d11-61c8fdc6a414
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref2144

1951: Eddie Starr: We are the Working Class

Collection Musician:
Penn, Larry  Search this
McGee, Bobbie  Search this
Magpie  Search this
Killen, Louis  Search this
Collection Creator:
Collector Records  Search this
Glazer, Joe, 1918-2006  Search this
Type:
Archival materials
Scope and Contents note:
We are the working class -- The richest man in the universe -- One world celebration -- Everyone knows it -- Existence -- I am union and I'm proud -- The spoiled brat song -- The probation blues -- Warren County blues -- Organize-- make a stand -- Existence, part II.
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.

Restrictions may apply concerning the use, duplication, or publication of items in the Collector Records business records. Please consult the archivists for additional information about the materials and their use.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Collection Citation:
Collector Records business records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Collector Records business records
Collector Records business records / Series 7: Published Audiorecordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5c8778fe7-b4e4-4a8b-8048-6f241c3d7f4a
EDAN-URL:
ead_component:sova-cfch-coll-ref4167

American Working Class History Project, 1983

Container:
Box 3 of 8
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 94-092, National Museum of American History. Office of the Assistant Director for Academic Programs, Program Records
See more items in:
Program Records
Program Records / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa94-092-refidd1e1580

MEGA Collection - 1848 German Revolution & Working Class

Container:
Box 9 of 59
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 06-225, Smithsonian Institution. Office of Architectural History and Historic Preservation, Building Files
See more items in:
Building Files
Building Files / Box 9
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-225-refidd1e7859

Gutman, Herbert, American Working Class History Project, 1981

Container:
Box 61 of 108
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 334, National Museum of American History. Office of the Director, Subject Files
See more items in:
Subject Files
Subject Files / Box 61
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0334-refidd1e28030

"John Sloan's Working Class Women" Yale University Press (1996)

Collection Creator:
Hills, Patricia  Search this
Container:
Box 34, Folder 51
Type:
Archival materials
Date:
circa 1996-1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Collection Citation:
Patricia Hills Papers, circa 1900-2019, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 8: Writings / 8.1: Essays, Articles, and Book Chapters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw997e4542e-51b1-4d84-b720-cb766aa1c3f7
EDAN-URL:
ead_component:sova-aaa-hillspat-ref1254

Writing, "John Sloan's Images of Working-Class Women." Manuscript

Collection Creator:
Hills, Patricia  Search this
Container:
Box 9, Folder 21
Type:
Archival materials
Date:
circa 1979
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Collection Citation:
Patricia Hills Papers, circa 1900-2019, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 2: Project Files / John Sloan
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw951f3c5cf-7ad1-4154-b671-694d4f12d420
EDAN-URL:
ead_component:sova-aaa-hillspat-ref318

Writing, "John Sloan's Images of Working Class Women," (1981)

Collection Creator:
Hills, Patricia  Search this
Container:
Box 29, Folder 14
Type:
Archival materials
Date:
circa 1979-1981
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Collection Citation:
Patricia Hills Papers, circa 1900-2019, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 2: Project Files / John Sloan
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93fda3bbb-82b9-4914-b5c3-b84726721c5d
EDAN-URL:
ead_component:sova-aaa-hillspat-ref870

Smith College: The New Labor History and the New England Working Class Symposium, 1979

Container:
Box 3 of 8
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 94-092, National Museum of American History. Office of the Assistant Director for Academic Programs, Program Records
See more items in:
Program Records
Program Records / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa94-092-refidd1e1368

"Anti-Fascist Demonstration / New York City - 1934." 5" x 4" copy negative, untrimmed. Crowd and prominent sign: "Industrial Unionism Spells Greater Working Class Power." Adequate exposure and focus

Collection Creator:
Rivers, Charles, 1904-1993  Search this
Container:
Box 4, Envelope 9X
Type:
Archival materials
Photographs
Collection Restrictions:
Collection is open for research.
Collection Rights:
Archives Center claims copyright. Rights were conveyed to the Archives Center through a Deed of Gift signed by the donor.
Collection Citation:
Charles Rivers Photographs, 1929-1963, Archives Center, National Museum of American History
See more items in:
Charles Rivers Photographs
Charles Rivers Photographs / Series 5: Other Subjects
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8243933da-1fb2-4ea5-ac33-220ab0f380ca
EDAN-URL:
ead_component:sova-nmah-ac-0360-ref137

Red Spiral Sketchbook

Collection Creator:
Metchewais [McLain], Kimowan  Search this
Container:
Box 23
Type:
Archival materials
Date:
2002-2004
Scope and Contents:
Notebook contains journal entries with thoughts on teaching for the first time and his student's work, class planning, exhibit planning for Without Ground, notes on his performance pieces, sketches of figures, portraits, doodles, logo design for a catering company, thoughts on Edmonton trip, among others.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Kimowan Metchewais [McLain] Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Kimowan Metchewais [McLain] collection
Kimowan Metchewais [McLain] collection / Series 3: Sketchbooks
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4e7972f8f-c008-459a-a685-9b67e64e6a39
EDAN-URL:
ead_component:sova-nmai-ac-084-ref417

Oral history interview with Harold Ricker

Names:
Birney Elementary School  Search this
Extent:
1 Sound recording ((1 sound disk CD-R (00:27:25). digital, 16-bit 44.1 KhZ))
1 Sound recording ((1 data disk DVD-R digital, 24-bit 96kHz WAV. )))
1 Sound recording ((1 sound cassette (00:27:25)))
Container:
Box 2, Tape 37
Type:
Archival materials
Sound recordings
Scope and Contents note:
An interview of Harold Ricker conducted in 1975 for the Anacostia Oral History Project through the Center for Anacostia Studies and the Anacostia Community Museum.; Harold Ricker recalls life in Anacostia as he was growing up, from public schools like Ketchum and Birney schools to community organizations like churches and Anacostia Lodge. Ricker also talks about the racial makeup of the neighborhood and the occupations held by its residents, which were mostly government or working class jobs.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Citation:
Anacostia Oral History Project, Anacostia Community Museum Archives, Smithsonian Institution
See more items in:
Anacostia Oral History Project, 1975
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7c4b2b26a-4084-43fa-93b2-48f09a0183bb
EDAN-URL:
ead_component:sova-acma-09-006-ref31

Stickin' with the Union: Songs from Wisconsin Labor History

Performer:
Penn, Larry  Search this
Holter, Darryl  Search this
Collection Musician:
Penn, Larry  Search this
McGee, Bobbie  Search this
Magpie  Search this
Killen, Louis  Search this
Collection Creator:
Collector Records  Search this
Glazer, Joe, 1918-2006  Search this
Extent:
1 Sound cassette (analog.)
Culture:
Americans  Search this
Type:
Archival materials
Sound cassettes
Place:
Minnesota
United States
United States -- History
Date:
1989
Contents:
Fifty years ago / Joe Glazer (2:35) -- Babies in the mill / Dorsey Dixon (2:41) -- The ghosts of Bay View / Larry Penn (2:00) -- Saturday night / Darryl Holter (3:32) -- Frozen in time (3:11) ; So long partner (1:18) ; Willie the scab (2:14) / Larry Penn -- Which side are you on / Florence Reece (2:23) -- Cowboy days / Larry Penn & tradition (4:40) -- The wreck of the Carl D. Bradley / Larry Penn (5:07) -- Love and the shorter work week / Darryl Holter (1:37) -- Putting the blame / Tom Juravich (2:21) -- So long it's been good to know ya / Woody Guthrie ; additional lyrics by Darryl Holter (3:26) -- Union maid / Woody Guthrie (2:46).
Track Information:
101 Fifty Years Ago / Larry Penn, Darryl Holter. Guitar.

102 Babies in the Mill / Larry Penn, Darryl Holter. Guitar.

103 Ghosts of Bay View / Larry Penn, Darryl Holter. Guitar.

104 Saturday Night / Larry Penn, Darryl Holter. Guitar.

105 Frozen In Time / Larry Penn, Darryl Holter. Guitar.

106 So Long Partner / Larry Penn, Darryl Holter. Guitar.

107 Willie the Scab / Larry Penn, Darryl Holter. Guitar.

108 Which Side Are You On / Larry Penn, Darryl Holter. Guitar.

109 Cowboy Days / Larry Penn, Darryl Holter. Guitar.

110 Wreck of the Carl D. Bradley / Larry Penn, Darryl Holter. Guitar.

111 Love and the Shorter Work Week / Larry Penn, Darryl Holter. Guitar.

112 Putting the Blame / Larry Penn, Darryl Holter. Guitar.

113 So Long It's Been Good to Know Ya / Larry Penn, Darryl Holter. Guitar.

114 Union Maid / Larry Penn, Darryl Holter. Guitar.
Local Numbers:
FP-COLL-CT-1948-7

Collector.1948
Publication, Distribution, Etc. (Imprint):
Silver Spring, MD Collector 1989
General:
Commercial

booklet donated by Darryl Holter, 10/09. Cookie Man Music: C-M-LHS (in booklet: CM-WHS). Originally released on cassette (Collector Records 1948-C) in 1989. Compact disc. Accompanied by song lyrics and short historical narratives for each song ([32] p. : ill. ; 21 cm.). The history of the struggles of workers in Wisconsin, is replete with examples of outrageous working conditions and violence directed towards strikers, countered by the courage and determination of the union workers, often strikers. This history is chronicled by Larry Penn and Darryl Holter singing songs of their own composition, as well as songs by Woody Guthrie and others. Joe Glazer said of Larry Penn: "[He] is walking in the footsteps of Joe Hill and Woody Guthrie." However, Larry (born in 1941) did not always aspire to be a folk musician. A truck driver for 40 years, he started playing folk music after stumbling upon an old Lead Belly recording. Darryl Holter, originally from Minneapolis, first became a union organizer while a student at the University of Minnesota. He is still musically active - a CD he recorded in 2010 was reviewed in SingOut magazine.
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Labor unions. -- Songs and music  Search this
Working class -- Songs and music  Search this
Topical songs  Search this
Folksong revival  Search this
Folk songs -- United States  Search this
Guitar  Search this
Function:
Labor unions
Collection Citation:
Collector Records business records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.COLL, Item FP-COLL-CT-1948-7
See more items in:
Collector Records business records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk50200934d-b579-4740-a8cb-8182e54cec97
EDAN-URL:
ead_component:sova-cfch-coll-ref1457

Correspondence to and from Brumbaugh, Thomas B

Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Gibbs, Wolcott, 1902-1958  Search this
Faulkner, Barry, 1881-1966  Search this
Hardin, Louis  Search this
Lassaw, Ibram, 1913-2003  Search this
Rosin, Harry  Search this
Soyer, Isaac, 1902-1981  Search this
Names:
Barnes Foundation  Search this
Greenough, Horatio, 1805-1852  Search this
Rox, Henry  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
White, Nelson C.  Search this
Collection Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Extent:
10 Items (Letters, written in ink, ball point, graphite, typewritter)
Type:
Archival materials
Correspondence
Date:
1941-1970
Scope and Contents:
This collection is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in this folder are letters between the collector, Thomas Brumbaugh, and various artists, including American playwright and writer Oliver Wolcott Gibbs, mural artist Barry Faulkner, and Louis Hardin.
Arrangement:
Organized chronologically.
Biographical / Historical:
Beginning in his youth Thomas Brumbaugh collected autographed correspondence. Mr. Brumbaugh's collecting instincts resulted in a unique collaborative collection providing a glimpse into the lives of a variety of 19th and 20th century American artists, such as Abbott Thayer. Brumbaugh was a professor of fine arts at Vanderbilt University in Nashville, and author of many articles on American art and artists.
Oliver Wolcott Gibbs was an American playwright and writer who lived in New York City. He wrote for The New Yorker and worked as a humorist and theatre critic. Gibbs was a direct descendent of President Martin Van Buren.
Barry Faulkner was an American artist who studied with Abbott H. Thayer, George de Forest Brush, and Augustus Saint-Gaudens. Along with sculptor Sherry Edmundson Fry, Faulkner organized artists to train as camouflage specialists. Faulkner was born in New Hampshire, traveled to Europe as he studied art, and then returned to New York, where he began work as a mural artist. He completed "The Constitution" and "The Declaration" in 1936 for the Rotunda for the Charters of Freedom at the National Archives.
Isaac Soyer was a social realist painter from New York City who used working-class and unemployed people as the subjects in his paintings. He also painted portraits for friends, and used his friends and family as models for his work.
Louis Hardin, commonly known as "Moondog," was a blind American composer and poet who lived on the streets of New York for a large portion of his life. He wore clothes inspired by the Norse god Thor, giving him the epithet, "The Viking of 6th Avenue." Moondog was influenced by ambient noises in his environment, and Native American music.
Henry Rox was a German artist who studied in Berlin and Paris before settling in the United States in 1938, where he taught at many universities, including Mount Holyoke College. He is known for fruit and vegetable photo-sculptures.
Ibram Lassaw was an American sculptor in the 20th century. Born in Egypt to Russian parents, Lassaw grew up in Brooklyn, New York. He was influenced by Alexander Calder and Wassily Kandinsky. Lassaw created open-space sculptural abstractions with metal, and helped abstract art grow in the United States.
Harry Rosin was an American sculptor born in Philadelphia, Pennsylvania. After working around the area following his studies at the Pennsylvania Academy of Fine Arts, he traveled to Tahiti, where he married his wife. He is known for his iron sculptures.
Local Numbers:
FSA A2009.06 3
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American  Search this
Busts  Search this
Runes  Search this
Genre/Form:
Correspondence -- 19th century
Correspondence -- 20th century
Identifier:
FSA.A2009.06, Series FSA A2009.06 3
See more items in:
The Brumbaugh Collection of Artist Letters
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc31267edea-4152-4518-85be-12a164d9331e
EDAN-URL:
ead_component:sova-fsa-a2009-06-ref1

Jiménez, Luis, Sculptor,

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(3 folders, 1 bound volume)
Container:
Box 14, Folder 49-52
Type:
Archival materials
Date:
undated, 1969-1996
Scope and Contents note:
(postcard of Jiméz' art; clippings; photocopies from catalogs; catalogs; press releases; activity book for children, Laguna Gloria Art Museum, Austin Texas, 1983; catalog, Luis Jimémez: Working-Class Heroes: Images from the Popular Culture, Exhibits USA, Kansas City, Missouri, 1997; catalog, Man on Fire: Luis Jiménez, Albuquerque Museum, Albuquerque, New Mexico, 1994)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9184337be-b0c7-43dd-b09b-8624d85165c5
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref941

[Monroe County, MS; August 1, 1964]

Collection Creator:
McNamara, Norris  Search this
Moon, Moses  Search this
Container:
Box 6 (Reference)
Box 4, Item AC0556-OT_MO_1.4
Type:
Archival materials
Audio
Scope and Contents:
Alan Ribback accompanied by Norris McNamara and Jo Ann Bowman Interview from MO 1.3 continued -1961 riots in Monroe, Mississippi -Police intimidation/fears -Working class must organize -Monroe meetings -School segregation strike, march -Non-violence is not always the best method -Organized violence as a response to organized violence (police) -Bourgeois revolution – should be a proletariat revolution -Communist label -Develop Negro leadership Group of young poeple "Ain't Gonna Let Nobody Turn Me Around" "Keep Your Eyes on the Prize" "Freedom's Coming and it Won't Go Home" "I See Freedom in the Air"
Collection Restrictions:
Collection is open for research. Reference copies must be used. Tapes noted in the container list have digital reference copies in the Smithsonian Institution Digital Asset Management System (DAMS).
Collection Rights:
Collection items available for reproduction, but copyright status unknown. Contact Archives Center staff for additional information. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Moses Moon Civil Rights Movement Audio Collection, 1963-1964, Archives Center, National Museum of American History, Smithsonian Institution.
See more items in:
Moses Moon Civil Rights Movement Audio Collection
Moses Moon Civil Rights Movement Audio Collection / Series 1: Original Tapes
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8be4bd8fe-5f4f-4342-99f5-7e1123663b0b
EDAN-URL:
ead_component:sova-nmah-ac-0556-ref139

Dyakout 1, 2, 3, 4

Written by:
Félix Morisseau-Leroy, Haitian, 1912 - 1998  Search this
Published by:
Haitiana Publications, Inc., American  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 8 1/2 × 5 1/2 × 1/2 in. (21.6 × 14 × 1.3 cm)
Type:
paperbacks
Place printed:
Queens, New York City, Queens County, New York, United States, North and Central America
Cultural Place:
Haiti, Caribbean, Latin America, North and Central America
Date:
1990
Topic:
African American  Search this
African diaspora  Search this
International affairs  Search this
Language  Search this
Literature  Search this
Migrations  Search this
Poetry  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2021.1
Restrictions & Rights:
© Félix Morisseau-Leroy. Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd595266f27-5c16-4d4c-aec9-f1b4406799c7
EDAN-URL:
edanmdm:nmaahc_2021.1

Untitled (Swan Decoy from Delaware)

Artist:
Unidentified  Search this
Medium:
carved wood
Dimensions:
9 × 41 1/8 × 7 3/4 in. (22.9 × 104.5 × 19.7 cm)
Type:
Sculpture
Folk Art
Date:
ca. 1920
Topic:
Animal\bird\swan  Search this
Credit Line:
Smithsonian American Art Museum, The Margaret Z. Robson Collection, Gift of John E. and Douglas O. Robson
Object number:
2016.38.79
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7ed67df2d-21b6-4f77-bd0f-370532da200e
EDAN-URL:
edanmdm:saam_2016.38.79

Untitled (Figure with Hat)

Artist:
Unidentified  Search this
Medium:
cast iron
Dimensions:
15 × 7 1/2 × 6 1/4 in. (38.1 × 19.1 × 15.9 cm)
Type:
Sculpture
Folk Art
Date:
late 19th Century or early 20th Century
Topic:
Figure female\full length  Search this
Credit Line:
Smithsonian American Art Museum, The Margaret Z. Robson Collection, Gift of John E. and Douglas O. Robson
Object number:
2016.38.81
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk79f5c1087-0000-4121-adaa-838b506795e3
EDAN-URL:
edanmdm:saam_2016.38.81

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