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Nancy Spero papers, 1940s-2009

Creator:
Spero, Nancy, 1926-2009  Search this
Subject:
Golub, Leon  Search this
Mendieta, Ana  Search this
Sosa, Irene  Search this
A.I.R. Gallery (New York, N.Y.)  Search this
Galerie Lelong (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Video recordings
Documentary films
Motion pictures
Citation:
Nancy Spero papers, 1940s-2009. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Political aspects  Search this
Feminism and art  Search this
Women artists  Search this
Women printmakers  Search this
Women painters  Search this
Theme:
Women  Search this
Audio - Visual  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)8559
(DSI-AAA_SIRISBib)210738
AAA_collcode_spernanc
Theme:
Women
Audio - Visual
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210738
Online Media:

Nancy Spero papers

Creator:
Spero, Nancy, 1926-2009  Search this
Names:
A.I.R. Gallery (New York, N.Y.)  Search this
Galerie Lelong (New York, N.Y.)  Search this
Golub, Leon, 1922-2004  Search this
Mendieta, Ana, 1948-1985  Search this
Sosa, Irene  Search this
Extent:
26.4 Linear feet
19.12 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Video recordings
Documentary films
Motion pictures
Date:
1940s-2009
Summary:
The papers of painter, collage artist, and printmaker Nancy Spero measure 26.4 linear feet and 19.12 GB and are dated 1940s-2009. Biographical material, correspondence and other files documenting Spero's personal and professional relationships, interviews and writings, records of Spero's many exhibitions and projects, files highlighting the major subjects that galvanized her, business records, printed and photographic material, and digital and video recordings, offer detailed insight into the career of one of the earliest feminist artists.
Scope and Contents:
The papers of painter, collage artist, and printmaker Nancy Spero measure 26.4 linear feet and 19.12 GB and are dated 1940s-2009. Biographical material, correspondence and other files documenting Spero's personal and professional relationships, interviews and writings, records of Spero's many exhibitions and projects, files highlighting the major subjects that galvanized her, business records, printed and photographic material, and digital and video recordings, offer detailed insight into the career of one of the earliest feminist artists.

Biographical material includes biographical notes and curricula vitae, as well as several video recordings of documentaries about Spero by Patsy Scala and Irene Sosa which feature original footage of Spero at work. Correspondence is personal and professional, and includes letters from artists including Judy Chicago and Ana Mendieta, writers and curators such as Deborah Frizzell and Susanne Altmann, regarding Spero exhibition catalogs, monographs, and articles, and personal news from family members such as Spero's sons, and correspondence related to other aspects of Spero's career.

Interviews of Spero include transcripts, published interviews, and video recordings. Writings include many of Spero's statements about her work, as well as notes, published versions of articles written by Spero, and video recordings of talks and panel discussions she participated in.

Exhibition files for over 75 shows document the extent to which Spero's work has been widely exhibited in her lifetime with numerous solo exhibitions, including major retrospectives in London, Paris, Barcelona, and Madrid, and dozens of group exhibitions in which she participated over the course of her career.

Gallery and museum files supplement the exhibition files by further documenting Spero's dealings with numerous galleries and museums, including Galerie Lelong, which represents Spero's estate, Barbara Gross Galerie, the first gallery in Germany to represent Spero, the Museum of Fine Arts, Boston, the National Gallery of Canada, and many others. The series also documents Spero's involvement with A.I.R. Gallery, the first independent women's art venue in the United States.

Professional files document other aspects of Spero's career including, but not limited to, awards she received, organizations she participated in or contributed to, publishing projects related to her work, and individual projects she executed such as an installation at the Harold Washington Library in Chicago and the Artemis, Acrobats, Divas & Dancers mosaic tiles she created for the Metropolitan Transit Authority for the 66th Street/Lincoln Center subway station. Also included here are files related to works of art such as Codex Artaud, and Notes in Time.

Subject files, contents of which were presumably used as source material for Spero, document subjects of interest to her, many of which were incorporated into her work and consists primarily of printed material. Broad subject categories include animal rights and conservation, feminism, war, and women. One set of folders documents "museum and political actions" undertaken by Spero and other activists during the 1960s-1970s to fight for equal representation of women in the arts and challenge the male-dominated hierarchy of the art world. Subject files include multiple news articles on torture, rape, and other atrocities committed particularly against women during wartime and by repressive and autocratic political regimes, and also include source material on the archetypal images of women that were fundamental to her interpretation of the female experience.

Printed material documents Spero's entire career from the late 1950s on. Announcements, exhibition catalogs, invitations, news clippings, and periodicals provide comprehensive coverage of her many exhibitions and other events. Printed material also documents the activities of a few other artists, primarily from the 2000s, and includes periodicals, primarily about art, and video recordings of documentaries about art and various other subjects.

Photographic material includes photographs of Nancy Spero from the 1940s on, photos of Spero with family and friends, and photographs of artwork including the heads of Spero's 2007 Maypole: Take No Prisoners which was the last major work completed before her death, originally realized for the Venice Biennale. Also found are a few installation shots and prints, slides, and digital images of Notes in Time at A.I.R. Gallery in 1979.
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1950-2009 (Box 1, FC 30; 0.85 linear feet, ER01-ER04; 9.58 GB)

Series 2: Correspondence, 1946-2009 (Boxes 1-4, 27; 2.75 linear feet)

Series 3: Interviews, 1973-2007 (Boxes 4-5; 0.6 linear feet)

Series 4: Writings, 1950-2007 (Boxes 5-6; 1 linear foot)

Series 5: Exhibition Files, circa 1976-2009 (Boxes 6-9, 27, OV 28; 3.3 linear feet, ER09-ER10, ER14-ER17; 1.5 GB)

Series 6: Gallery and Museum Files, 1972-2009 (Boxes 9-14; 5.1 linear feet; ER05-ER08, ER12-ER13; 2.962 GB)

Series 7: Professional Files, circa 1967-2008 (Boxes 14-17, RD 29; 3.5 linear feet; ER15; 0.74 GB)

Series 8: Subject Files, 1950s-2009 (Boxes 17-19, 27, OV 28; 2.4 linear feet)

Series 9: Business Records, circa 1976-2008 (Boxes 19-20; 0.7 linear foot)

Series 10: Printed Material, 1949-2009 (Boxes 20-25, 27, OV 28; 5.5 linear feet)

Series 11: Photographic Material, 1940s-2009 (Boxes 25-27; 0.7 linear foot; ER18-ER19; 0.151 GB)
Biographical / Historical:
Nancy Spero (1926-2009) was a figurative painter, printmaker, and collage artist based in New York City whose work was executed primarily on paper from the 1960s on, and often incorporated text. Spero was among the first feminist artists and a political activist whose convictions were expressed relentlessly in her work. Using archetypal representations of women to examine the range of female experience, Spero centered "woman as protagonist" whilst simultaneously examining the suffering women have long been subjected to through structural inequality, the systematic abuses of repressive political regimes, and the atrocities of war.

Born in Cleveland, Nancy Spero lived in Chicago from the time she was a very young child until completing her studies at the School of the Art Institute of Chicago (BFA 1949) where she met her future husband, painter Leon Golub (1922-2004). Spero studied briefly in Paris and lived in New York City, returning to Chicago after her marriage in 1951. The couple and their two sons lived in Italy from 1956 to 1957. In 1959, after a few years in New York, the family moved to Paris where Spero developed an interest in existentialism and produced a series of black paintings. Spero and Golub returned to New York in 1964 with their three sons.

Nancy Spero was strongly affected by the war in Vietnam and the many social changes of the period. She became an activist and feminist, joined various organizations, and participated in a variety of demonstrations. Work such as the War series began to include political and sexual imagery, and Spero's work from here on was primarily executed on paper.

Spero was among the founding members of the women's cooperative A.I.R. Gallery established in 1972. In the 1970s archetypal representations of women in mythology, history, art, and literature became predominant in her work. Included in this vein are major series and installations, among them Torture of Women, Notes in Time on Women, The First Language, and her 66th Street/Lincoln Center subway station mosaic mural Artemis, Acrobats, Divas and Dancers.

Spero exhibited in the 1950 Salon des Independents and her first solo exhibition (in tandem with Leon Golub) was held at Indiana University in 1958. Thereafter, she showed sporadically until nearly 30 years later when her career flourished and she enjoyed international stature. Beginning in 1986, each year brought multiple solo exhibitions at galleries and museums in the United States and internationally. In addition, she continued to participate in group shows such as "Documenta" and the Venice Biennale. Her work is included in the permanent collections of museums throughout the world.

Awards and honors included the Skowhegan Medal for Works on Paper (1995), Hiroshima Art Prize shared with Leon Golub (1996), The Women's Caucus for Art award for Outstanding Achievement in Visual Arts (2003), and The Women's Caucus for Art Distinguished Artist Award for Lifetime Achievement (2005). Spero was awarded honorary Doctorates of Fine Arts by The School of the Art Institute of Chicago (1991) and Williams College (2001), and was elected a member of the American Academy of Arts and Letters (2006).

After several years of declining health, Nancy Spero died from heart failure in New York City, October 18, 2009.
Related Materials:
Also among the holdings of the Archives of American Art are an interview with Nancy Spero conducted 2008 Februay 6-July 24, by Judith Olch Richards, and the papers of Spero's husband, Leon Golub.
Provenance:
Following a gift of materials by Nancy Spero in 1979, the majority of the collection was donated by Spero's sons, Stephen Golub, Philip Golub, and Paul Golub, in 2013.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Collagists -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Art -- Political aspects  Search this
Feminism and art  Search this
Women artists  Search this
Women printmakers  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Video recordings
Documentary films
Motion pictures
Citation:
Nancy Spero papers, 1940s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.spernanc
See more items in:
Nancy Spero papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ee586015-b282-427f-88a2-0768b0b0e79b
EDAN-URL:
ead_collection:sova-aaa-spernanc
Online Media:

Aline Fruhauf papers

Creator:
Fruhauf, Aline, 1909-1978  Search this
Names:
Calder, Alexander, 1898-1976  Search this
Cecil, David, Lord, 1902-  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Huxley, Aldous, 1894-1963  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Longworth, Alice Roosevelt, 1884-1980  Search this
Ravel, Maurice, 1875-1937  Search this
Zorach, William, 1887-1966  Search this
Extent:
62 Items ((on 5 partial reels of microfilm))
Type:
Collection descriptions
Archival materials
Date:
1926-1976
Scope and Contents:
Photographs of works of art and of friends; scrapbooks; clippings; exhibition materials; typescripts; greeting cards; and correspondence.
REEL 682: 29 photographs of Fruhauf, her "Making Faces" exhibition, 1968, and her caricature drawings; photographs of a painting by Louis Eilshemius, photographs of caricatures of Fruhauf by William Zorach, Alexander Calder, and Raphael Soyer; a photograph of a Christmas card from Maurice Ravel; 12 rough caricature drawings including one of Yasuo Kuniyoshi by Fruhauf; typescripts of conversations with Lord David Cecil and Alice Roosevelt Longworth, and notes on Aldous Huxley.
REEL 1119: Nine scrapbooks containing published caricatures of theatrical and musical personalities from newspapers and magazines; Christmas cards designed by Fruhauf; and clippings, exhibition announcements, and miscellaneous printed materials.
REEL 1816: A typescript of Fruhauf's 307 page autobiography "MAKING FACES: MEMOIRS OF A CARICATURIST," 1966; a press release regarding an exhibition of her works at the Smithsonian Institution in 1966, and a list of her work in the exhibition; and 62 reproductions of caricatures.
REEL 2803: a printed musical score "Six Musical Moods for the Piano" by Louis Michel Eilshemius (1897), autographed "Wedding Bells for Aline Vollmer, best wishes Louis M. Eilshemius 1934."
REEL 2812: Two undated letters to Fruhauf from Louis Eilshemius. In one he affirms that he hates to see nudes "in kitchen chairs," and remarks that a reproduction of his "Nymphs" would clarify this statement for her. A sketch, "Idyllness" is drawn on this letter. In the other letter he mentions Fruhauf's caricature of him, talks about his health and about their mutual friend [Harry] Salpeter.
Biographical / Historical:
Caricaturist and lithographer. Date of birth also given as 1907.
Other Title:
Louis Michel Eilshemius (microfilm title reel 2803)
Provenance:
Material on reels 682, 1119 and 1816 lent for microfilming 1970-1976; and material on reels 2803 and 2812 donated 1970 and 1980 all by Aline Fruhauf.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Caricaturists -- Washington (D.C.)  Search this
Lithographers -- Washington (D.C.)  Search this
Topic:
Caricatures and cartoons  Search this
Women artists  Search this
Women printmakers  Search this
Identifier:
AAA.fruhalin
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c1cf89a5-dd8e-49d2-9ce6-74e0c767d4cf
EDAN-URL:
ead_collection:sova-aaa-fruhalin

Oral history interview with Ester Hernández, 2021 November 1517

Interviewee:
Hernandez, Ester, 1944-  Search this
Interviewer:
San Miguel, Melissa, 1986-  Search this
Type:
Interviews
Video recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ester Hernández, 2021 November 1517. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women printmakers  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)22182
AAA_collcode_hernan21
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_22182

Oral history interview with Ester Hernández

Interviewee:
Hernandez, Ester, 1944-  Search this
Interviewer:
San Miguel, Melissa, 1986-  Search this
Extent:
2 Items (audiovisual files (3 hrs., 35 min.), digital, mp4)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
2021 November 15–17
Scope and Contents:
An interview with Ester Hernández conducted 2021 November 15–17, by Melissa L. San Miguel for the Archives of American Art, at Hernandez's home in San Francisco, California.
Biographical / Historical:
Ester Hernández (1944-) is a San Francisco, California-based printmaker known for her activist works that highlight agricultural and farm labor issues in California, especially in the San Joaquin Valley as related to Mexican and Yaqui workers.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- California -- San Francisco  Search this
Topic:
Women artists  Search this
Women printmakers  Search this
Latino and Latin American artists  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.hernan21
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c61016fd-6f41-4aa4-a065-24252614f63f
EDAN-URL:
ead_collection:sova-aaa-hernan21

Maryette Charlton papers

Creator:
Charlton, Maryette  Search this
Names:
American University of Beirut -- Faculty  Search this
Art Institute of Chicago -- Faculty  Search this
Chicago Public School Art Society  Search this
Container Corporation of America  Search this
University of Iowa, Museum of Art  Search this
Andres, Jo  Search this
Bishop, Elizabeth, 1911-1979  Search this
Cage, Xenia  Search this
Calder, Alexander, 1898-1976  Search this
Court, Paula  Search this
Elliott, Leone  Search this
Elliott, Owen  Search this
Fujitomi, Yasuo, 1928-  Search this
Habachy, Nimet  Search this
Hadzi, Dimitri, 1921-2006  Search this
Haskins, Sylvia Shaw Judson, 1897-  Search this
Hoff, Margo  Search this
Kiesler, Frederick  Search this
Kiesler, Lillian, 1910?-2001  Search this
Lubar, Cindy  Search this
MacIver, Loren, 1909-  Search this
Matisse, Pierre, 1900-1989  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Nevelson, Louise, 1899-1988  Search this
Purdy, James  Search this
Reynal, Jeanne, 1903-  Search this
Smith, Kiki, 1954-  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Von Brockdorff, Louise Medbery  Search this
Extent:
80.6 Linear feet
0.34 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Date:
circa 1890-2013
Summary:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.
Scope and Contents:
The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and 0.34 gigabytes and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and video recordings, motion picture film, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.

Biographical materials consist of material on Maryette Charlton and her family. The subseries on Maryette Charlton includes a biographical chronology, passports, records of her marriage to Hall Winslow, information on studio spaces, school transcripts, and other material. Family files include genealogical charts and files of family members containing correspondence, writings, printed material, sound and video recordings, and photographs. The bulk of the family files are for Charlton's parents, Etna and Shannon, and her husband and son, Hall and Kirk Winslow.

Extensive correspondence is with family, friends, artists, and colleagues. Family correspondence is with her husband and son, parents, and extended family. Personal correspondence is with friends and colleagues, many of whom were famous artists. Named correspondence files and chonological correspondence files contain exchanges with Jo Andres, Elizabeth Bishop, Xenia Cage, Paula Court, Yasuo Fujitomi, Dimitri Hadzi, Margo Hoff, Sylvia Shaw Judson, Lillian Kiesler, Cindy Lubar, Loren MacIver, Pierre Matisse, Nimet (Saba Habachy), Henri Seyrig, Robert Wilson, and many others. There is also correspondence with colleges, museums, and universities.

Writings include academic papers and college class notes, titled essays, a notebook with sketches, and miscellaneous notes. Thirty diaries cover the period 1943 - 2001 and document a wide variety of topics, from film projects to travels to the art world in New York City. Some diaries are illustrated, including one illustrated by Alexander Calder at a party with Maryette, Ellsworth Kelly, and actress Delphine Seyrig. Journals from 1978-1979 tell of Charlton's experiences while appearing in films made by avant-garde director Richard Foreman. There is also one diary of Maryette's mother Etna Barr Charlton.

Teaching files document Charlton's career as an instructor at the Art Institute of Chicago and as the founder of and instructor at the American University of Beirut's art department. Files include appointment calendars, schedules, notes, lectures, news releases, printed material, and photographs.

Professional and project files consist of material related to Maryette Charlton's professional work at the University of Iowa Museum of Art, as a lecturer at the Chicago Public School Art Society, color analyst at the Container Corporation of America, executor of the estate of artist Louise Medbery von Brockdorff, fellowships, conferences, organizations, and the filming industry in general. There are files for the screening of Zen in Ryoko-In. The University of Iowa Museum of Art subseries consists of correspondence with fellow co-founders Leone and Owen Elliott, files on art donations, museum administration, annual reports, printed material, photographs, and sound and video recordings.

Artist research files consist of books, articles, and clippings collected by Charlton for research. Notable artists chronicled include Alexander Calder, James Purdy, Louise Nevelson, Kiki Smith, and Toshiko Takaezu.

Major film project files document Maryette Charlton's films about or with artists Frederick Kiesler (Trienniale, The Universal Theater and Kiesler on Kieseler), Lenore Tawney, Dorothy Miller, Loren MacIver, and Jeanne Reynal. The files for Frederick Kiesler also contain materials about his wife Lillian Kiesler, with whom Charlton had a long relationship and collaborated with on film projects. Individual film project files contain a wide variety of research and production documentation, including correspondence, writings, printed material, research files, exhibition catalogs, photographic materials, sound recordings of interviews and lectures, and Charlton's documentation about the creation and producation of each film, such as contracts, scripts, and distribution information. The film project files for Kiesler and Dorothy Miller are particularly rich, containing substantial amounts of primary source materials not found elsewhere. Sound and video recordings are found throughout the series, as well as 4 film reels.

Files documenting Maryette Charlton's group and solo exhibitions include catalogs and announcements, publicity, printed material, mailing lists, art inventory, sales lists, correspondence, and other material.

Printed materials include other exhibition catalogs, books, posters, magazines, and clippings. There are many books on color theory from Maryette Charlton's job as a color analyst and substanial printed material on Frederick Kiesler. Scrapbooks document Maryette Charlton's personal life from high school, college, and summer camp, as well as exhibitions of her own work, and miscellaneous subjects.

Artwork includes sketches and drawings by Maryette Charlton, some drawings by Lillian Kiesler and others, and mail art created by various artists. There are also 22 sketchbooks filled with pencil, ink, and crayon drawings and sketches, with occasional annotations.

Photographic materials include photographs, slides, negatives, and photograph albums. There are photographs of Maryette Charlton, her travels, family, friends, and artists. Photographs are also found throughout other series.

Sound and video recordings which could not be merged with other series were arranged in an audiovisual series. There are recordings of radio programs and performances Maryette Charlton attended or participated in as well as miscellaneous recordings of artists and events.

The 2014 addition to the Maryette Charlton papers consists of biographical materials, journals, correspondence, subject files, printed materials, and a small number of photographs.
Arrangement:
This collection is arranged as 16 series.

Missing Title

Series 1: Biographical Material, 1896-2005 (3.4 linear feet; Boxes 1-4, 80)

Series 2: Correspondence, 1930-2010 (23.3 linear feet; Boxes 4-27, 80)

Series 3: Writings, 1942-1999 (1 linear feet; Boxes 27-28)

Series 4: Diaries, 1943-2001 (2.1 linear feet; Boxes 28-30)

Series 5: Teaching Files, 1946-1997 (3.6 linear feet; Boxes 30-33, 80)

Series 6: Professional and Project Files, 1923-1998 (7.6 linear feet; Boxes 34-41, 81, OV 87)

Series 7: Artist Research Files, 1949-circa 2000 (1.8 linear feet; Boxes 41-43, FCs 88-89)

Series 8: Major Film Projects, 1904-2007 (18.8 linear feet, 0.34 GB; Boxes 43-61, 81-82, OV 87, FC 90-91, ER01)

Series 9: Exhibition Files, 1950-2000 (0.8 linear feet; Boxes 61-62)

Series 10: Printed Material, 1924-2000 (3.2 linear feet; Boxes 62-65, 82, OV 87)

Series 11: Scrapbooks, 1939-2010 (0.8 linear feet; Box 65, 82-83)

Series 12: Artwork, 1950-1998 (0.9 linear feet; Boxes 65-66, 84)

Series 13: Sketchbooks, 1949-1996 (0.5 linear feet; Box 66)

Series 14: Photographic Materials, circa 1890-circa 2010 (7.8 linear feet; Boxes 67-74, 84-86)

Series 15: Sound and Video Recordings, circa 1953-2008 (1.2 linear feet; Boxes 74-75, 86)

Series 16: Addition to Maryette Charlton papers, 1951-2013 (3.7 linear feet; Boxes 75-79, 86)
Biographical / Historical:
Maryette Charlton (1924-2013) was a painter, printmaker, photographer, filmmaker and arts advocate based in Chicago, Illinois, and New York, New York.

Maryette Charlton was born in Manchester, Iowa on May 18, 1924. Her parents were Shannon and Etna Charlton and she had 2 siblings. Charlton pursued her undergraduate studies at Monticello College and Northwestern University in Illinois, Antioch College in Ohio, and the University of Colorado before receiving a B.F.A. from Pratt Institute in Brooklyn, New York in 1947. She continued her studies in Chicago, Illinois with Laszlo Moholy-Nagy and Hugo Weber at the Institute of Design and Art Institute of Chicago. From 1948 to 1952, she was a Department of Education lecturer at the Art Institute of Chicago museum galleries and also gave talks at schools for the Chicago Public School Art Society.

Between 1942-1951, Maryette Charlton worked as a color analyst for the Container Corporation of America. In 1952, Charlton founded the Art Department of the American University of Beirut and taught there as an assistant professor until 1956. While in Beirut, Charlton married photographer Hall Winslow in 1953 and their only child Kirk Winslow was born in 1955. Winslow and Charlton later divorced in 1973.

Charlton moved to New York City in 1955. She began a master's program at Columbia University and graduated with a M.F.A in film and printmaking in 1958.

Charlton made numerous documentary films, mostly about American artists including Alexander Calder, e. e. cummings, Jeanne Reynal, Dorothy Miller, Pierre Matisse, Lenore Tawney, and Loren MacIver. She also worked tirelessly to promote the work of sculptor, architect, and set designer Frederick Kiesler. She was the camera woman for Kiesler's Kiesler's Universal Theater which aired on CBS in 1962. She became close friends with Kiesler's widow, Lillian, and they collaborated on the film Kiesler on Kiesler and numerous other film and art projects, supporting the work of young artists. Charlton also worked on commissioned films, including The Mosaics of Jeanne Reynal and Zen in Ryoko-in. Charlton befriended many artists in the visual, literary, and film worlds, including Elizabeth Bishop, Dimitri Hadzi, Margo Hoff, James Purdy, and Delphine Seyrig.

A performer in her own right, Charlton appeared in the works of Richard Foreman, Jo Andres, and others. She also played the part of Helen Keller in the film Ghostlight (2003).

An Iowa native, Charlton founded the University of Iowa Museum of Art together with Leone and Owen Elliott. She maintained a close relationship with the Iowa Museum over many years as a donor and chronicler.

Charlton died in New York City on November 25, 2013.
Related Materials:
The Houghton Library at Harvard University and the University of Iowa Museum of Art also hold papers and artwork by Maryette Charlton. The Museum of Modern Art, New York, houses the film Kiesler on Kiesler, created by Maryette Charlton.

The Archives of American Art also has the papers of Frederick and Lillian Kiesler, a portion of which was donated by Charlton.
Provenance:
The Maryette Charlton papers were donated in multiple accretions from 1998-2011 by Maryette Charlton, and in 2013-2014 by the Maryette Charlton estate via Jo Andres, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Filmmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Art teachers -- New York (State) -- New York  Search this
Topic:
Museums -- Administration  Search this
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women printmakers  Search this
Women educators  Search this
Art -- Study and teaching  Search this
Color  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Sketches
Interviews
Scrapbooks
Sound recordings
Scripts (documents)
Drawings
Mail art
Motion pictures (visual works)
Video recordings
Citation:
Maryette Charlton papers, circa 1890-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.charmary
See more items in:
Maryette Charlton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw914a42bb1-d069-466f-8948-94f4bf257230
EDAN-URL:
ead_collection:sova-aaa-charmary
Online Media:

Oral history interview with Ellen Lanyon

Interviewee:
Lanyon, Ellen  Search this
Interviewer:
Crawford, James, 1944-  Search this
Names:
Ox-Bow Summer School of Painting  Search this
Abercrombie, Gertrude, 1909-1977  Search this
Berdich, Vera, 1915-2003  Search this
Blackshear, Kathleen, 1897-1988  Search this
Buehr, George Frederick, 1905-1983  Search this
Carleback, Julius  Search this
Ginzel, Roland, 1921-  Search this
Grooms, Red  Search this
Hirsch, Joseph, 1910-1981  Search this
Hoff, Margo  Search this
Lasansky, Mauricio, 1914-  Search this
Rupprecht, Edgar A.  Search this
Schniewind, Carl Oscar, 1900-1957  Search this
Watson, Dudley Crafts, 1885-  Search this
Extent:
5 Sound tapes (5 in.)
214 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tapes
Pages
Sound recordings
Interviews
Date:
1975 Dec. 5
Scope and Contents:
Interview of Ellen Lanyon conducted by James Crawford for the Archives of American Art.
Lanyon speaks of family background; interests in art and music and collecting objects and antiques; her early art education; remembrances of 1933 Chicago World's Fair; Art Institute; Oxbow Summer School of Painting; her work and techniques; exhibitions; Institute of Design; marriage and move to University of Iowa; Iowa art department, Iowa print group; Fulbright to England; travel in France and Italy; return to Chicago; founding of graphic workshop; Hairy Who group; The Imagists; Seven and Up exhibitions; Red Grooms in Chicago; and commissions. She recalls George Buehr, Margo Hoff, Dudley Crafts Watson, Vera Berdich, Joseph Hirsch, Carl Schneiwind, Kathleen Blackshear, Mauricio Lasansky, Gertrude Abercrombie, Julius Carleback, Roland Ginzel, and Edgar Rupprecht.
Biographical / Historical:
Ellen Lanyon (1926- ) is a painter and printmaker in New York and Chicago, Ill.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Muralists -- Illinois -- Chicago  Search this
Painters -- Illinois -- Chicago  Search this
Printmakers -- Illinois -- Chicago  Search this
Topic:
Mural painting and decoration  Search this
Art, American  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women educators  Search this
Women muralists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lanyon75
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97fd52325-f0b9-474d-b6fa-40cd5ed41bdd
EDAN-URL:
ead_collection:sova-aaa-lanyon75

Jane Freilicher papers, 1952-1996

Creator:
Freilicher, Jane, 1924-  Search this
Citation:
Jane Freilicher papers, 1952-1996. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8132
(DSI-AAA_SIRISBib)210303
AAA_collcode_freijane
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210303

Florence Forst papers regarding Sue Fuller, 1958-1994

Creator:
Fuller, Sue, 1914-2006  Search this
Subject:
Forst, Florence  Search this
Citation:
Florence Forst papers regarding Sue Fuller, 1958-1994. Archives of American Art, Smithsonian Institution.
Topic:
Feminism and art  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6516
(DSI-AAA_SIRISBib)215775
AAA_collcode_fullsue
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215775

Jane Freilicher papers

Creator:
Freilicher, Jane, 1924-2014  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1952-1996
Summary:
The scattered papers of painter Jane Freilicher measure 0.7 linear feet and date from 1952 to 1996. Found are biographical material, correspondence, a guest book from various exhibitions, photographs, and printed material.
Scope and Contents:
The scattered papers of painter Jane Freilicher measure 0.7 linear feet and date from 1952 to 1996. Found are biographical material, correspondence, a guest book from various exhibitions, photographs, and printed material.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Jane Freilicher (1924-2014) was a painter and printmaker in New York City, New York. She is known for her urban scenes of Manhattan and rural landscapes on Long Island. Often, she exhibited her works at Tibor de Nagy Gallery and developed friendships with other artists and poets in Manhattan in the 1950s and 1960s.
Provenance:
Jane Freilicher donated her papers to the Archives of American Art in 1980 and 1997.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Citation:
Jane Freilicher papers, 1952-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.freijane
See more items in:
Jane Freilicher papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw980b8dc93-7d98-4db4-9a3b-21474ef06882
EDAN-URL:
ead_collection:sova-aaa-freijane

Florence Forst papers regarding Sue Fuller

Creator:
Fuller, Sue, 1914-  Search this
Names:
Forst, Florence  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1958-1994
Summary:
The Florence Forst papers regarding Sue Fuller measures 0.2 linear feet and date from 1958 to 1994. The bulk of the papers consist of letters written by Fuller to Forst and also include scattered biographical material, photographic material, and printed material.
Scope and Contents:
The Florence Forst papers regarding Sue Fuller measures 0.2 linear feet and date from 1958 to 1994. The bulk of the papers consist of letters written by Fuller to Forst and also include scattered biographical material, photographic material, and printed material.
Biographical / Historical:
Sue Fuller (1914-2006) was a sculptor and printmaker from Southampton, New York. She is known for her sculptural works created with string and thread.

Florence Forst (1919-2005) was a ceramicist from the Chicago, Illinois. She created experimental pottery which was shown at the Museum of Modern Art in 1946.
Related Materials:
The Archives of American Art also holds the Priscilla Cunningham papers regarding Sue Fuller, 1982-2006.
Provenance:
Donated 1994 by Florence Forst, a longtime friend of Fuller.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- Southhampton  Search this
Printmakers -- New York (State) -- Southhampton  Search this
Topic:
Feminism and art  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Citation:
Florence Forst papers regarding Sue Fuller, 1958-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fullsue
See more items in:
Florence Forst papers regarding Sue Fuller
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99738444d-3f94-4d23-9d33-70c41179757b
EDAN-URL:
ead_collection:sova-aaa-fullsue

Gladys Kashdin papers

Creator:
Kashdin, Gladys Shafran, 1921-  Search this
Names:
Arnason, H. Harvard  Search this
Brooks, James, 1906-1992  Search this
De Kooning, Willem, 1904-1997  Search this
Gottlieb, Adolph, 1903-1974  Search this
Guston, Philip, 1913-1980  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Motherwell, Robert  Search this
Rothko, Mark, 1903-1970  Search this
Seitz, William C. (William Chapin)  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
[ca.1948-1974]
Scope and Contents:
Research material, including; 12 slides of Adolph Gottlieb and his work; research files containing notes and printed material on James Brooks, Robert Motherwell, Philip Guston, Mark Rothko, Adolph Gottlieb, Conrad Marca-Relli, H. Harvard Arnason, Willem de Kooning, and abstract-expressionism; tape-recorded interviews with James Brooks, Robert Motherwell, Philip Guston, Adolph Gottlieb, and Conrad Marca-Relli; a microfilmed dissertation, "Abstract-Expressionist Painting in America: An Interpretation Based on the Work and Thought of Six Key Figures," by William Chapin Seitz.
Biographical / Historical:
Art historian, painter and educator; Temple Terrace, Fla. Author of: "Abstract expressionism+ an analysis of the movement based primarily upon interviews with seven participating artists" and "A comparison of nineteenth and twentieth century attitudes toward material."
Provenance:
Gift of Gladys Kashdin, November 9, 1981 and February 25, 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- Florida  Search this
Printmakers -- Florida  Search this
Art historians -- Florida  Search this
Educators -- Florida  Search this
Topic:
Painting, Abstract -- United States  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women art historians  Search this
Women educators  Search this
Genre/Form:
Interviews
Identifier:
AAA.kashglad
See more items in:
Gladys Kashdin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96123e703-466d-4c4a-8766-8b455057ee85
EDAN-URL:
ead_collection:sova-aaa-kashglad

Oral history interview with Anni Albers, 1968 July 5

Interviewee:
Albers, Anni, 1899-1994  Search this
Interviewer:
Fesci, Sevim  Search this
Subject:
Klee, Paul  Search this
Bauhaus  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Anni Albers, 1968 July 5. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women authors  Search this
Women educators  Search this
Women printmakers  Search this
Women textile artists  Search this
Decorative arts  Search this
Theme:
Women  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)12134
(DSI-AAA_SIRISBib)211924
AAA_collcode_albersa68
Theme:
Women
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211924
Online Media:

Oral history interview with Anni Albers

Interviewee:
Albers, Anni  Search this
Interviewer:
Fesci, Sevim  Search this
Names:
Bauhaus  Search this
Klee, Paul, 1879-1940  Search this
Extent:
20 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1968 July 5
Scope and Contents:
An interview of Anni Albers conducted 1968 July 5, by Sevim Fesci, for the Archives of American Art, in New Haven, Connecticut.
Albers speaks of her educational background; Paul Klee as a teacher; color in weaving; techniques and materials; Peruvian and European textiles; her "sound-absorbing" textile designed for the Bauhaus auditorium; and her weaving workshop at Black Mountain College. She reminisces about the Bauhaus in the 1920s.
Biographical / Historical:
Anni Albers (1899-1994) was a weaver from New Haven, Connecticut.
General:
Reformatted in 2010 as 2 digital wav files. Duration is 40 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art teachers -- Connecticut -- New Haven  Search this
Authors -- Connecticut -- New Haven  Search this
Printmakers -- Connecticut -- New Haven  Search this
Weavers -- Connecticut -- New Haven  Search this
Topic:
Women artists  Search this
Women authors  Search this
Women educators  Search this
Women printmakers  Search this
Women textile artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.albersa68
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91499ea5d-a113-4db4-901d-d969049c126e
EDAN-URL:
ead_collection:sova-aaa-albersa68
Online Media:

Nell Blaine letters to Robert A. Wilson

Creator:
Blaine, Nell, 1922-1996  Search this
Names:
Phoenix Book Shop  Search this
Wilson, Robert A.  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Date:
1962-2010
Summary:
The letters from artist Nell Blaine and her friend New York bookseller Robert A. Wilson measure 0.6 linear feet and date from 1962 to 2010. Additional material includes scattered business records, photographs, printed material, and a typescript of Blaine's journal.
Scope and Contents:
The letters from artist Nell Blaine and her friend New York bookseller Robert A. Wilson measure 0.6 linear feet and date from 1962 to 2010. Additional material includes scattered business records, photographs, printed material, and a typescript of Blaine's journal.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Nell Blaine (1922-1996) was a painter, printmaker, and illustrator active in New York City, New York.

Robert A. Wilson (1922-2016) was a bookseller and owner of Phoenix Book Shop in New York City, New York.
Related Materials:
The Archives of American Art also holds the Nell Blaine Papers, 1942-1985, and an oral history interviews with Blaine conducted 1967 June 15, by Dorothy Seckler, for the Archives of American Art.
Provenance:
The collection was donated in 1997 by Robert A. Wilson.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Diaries
Citation:
Nell Blaine letters to Robert A. Wilson, 1962-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blainell2
See more items in:
Nell Blaine letters to Robert A. Wilson
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99c724114-733f-49ce-9b1b-62e19ba771bd
EDAN-URL:
ead_collection:sova-aaa-blainell2
Online Media:

Vera Andrus papers

Creator:
Andrus, Vera Eugenia, 1895-1979  Search this
Names:
Robinson, Boardman, 1876-1952  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Drawings
Date:
1907-1990
Summary:
The papers of painter Vera Andrus measure 0.7 linear feet and date from 1907 to 1990. The scattered papers include artwork, correspondence, twelve diaries, photographs, printed material, and writing project files.
Scope and Contents:
The papers of painter Vera Andrus measure 0.7 linear feet and date from 1907 to 1990. The scattered papers include artwork, correspondence, twelve diaries, photographs, printed material, and writing project files, including a project on Boardman Robinson.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Vera Andrus (1895-1979) was a lithographer, painter, and author active in Dobbs Ferry, New York.

Andrus was born in Plymouth, Wisconsin in 1895. She studied at the Minnesota School of Architecture, the Minnesota Institute of Art, and the Art Students League. Throughout her career, she painted nautical and marine scenes and wrote and published multiple books.

She died in 1979 in Rockport, Massachusetts.
Provenance:
The collection was donated 1990 by Lura Andrus Crowther, Andrus's sister.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Lithographers -- New York (State)  Search this
Printmakers -- New York (State)  Search this
Authors -- New York (State)  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Diaries
Drawings
Citation:
Vera Andrus papers, 1907-1990. Archives of American Art, Smithsonain Institution.
Identifier:
AAA.andrvera
See more items in:
Vera Andrus papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95a6c15b0-8fda-459a-b520-8d5b10668566
EDAN-URL:
ead_collection:sova-aaa-andrvera
Online Media:

Daisy Marguerite Hughes sketchbooks and papers

Creator:
Hughes, Daisy Marguerite, 1882 or 3-1968  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1928-ca. 1968
Scope and Contents:
Eight sketchbooks containing pencil drawings from France and Massachusetts; a French art magazine supplement (1928); and an exhibition catalog in French (1928).
Biographical / Historical:
Painter, lithographer; Los Angeles, California. A life-long resident of Los Angeles, Hughes studied art at the Art Students League in New York in the mid 1920s. She exhibited locally and taught art in the public schools.
Provenance:
Donated 1995 by art historian Nancy Moure. She acquired the papers from Michael Tierney of La Crescenta, Calif. who purchased them at a flea market.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- California -- Los Angeles  Search this
Lithographers -- California -- Los Angeles  Search this
Art teachers -- California -- Los Angeles  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Women art teachers  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.hughdais
See more items in:
Daisy Marguerite Hughes sketchbooks and papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9aaf800aa-c5ea-4476-a852-a805eb4a89f6
EDAN-URL:
ead_collection:sova-aaa-hughdais

Oral history interview with Mary Dill Henry

Creator:
Henry, Mary, 1913-  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
McChesney, Mary Fuller  Search this
Names:
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Extent:
1 Sound tape reel (Sound recordings (1 hour), 5 in.)
27 Pages (Transcript)
1 Sound tape reel (Sound recordings (1 hour), 5 in.)
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 May 12
1964 May 12
Scope and Contents:
An interview of Mary Dill Henry conducted on 1964 May 12, by Mary McChesney for the Archives of American Art.
Henry speaks of getting on the WPA Federal Art Project in Oakland, California; working on mosaics and designing murals for California school buildings; the dispersal of the art work created by the Project; her opinions of federal support for the arts.
Biographical / Historical:
Designer, mosaicist; California.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Occupation:
Painters -- California  Search this
Designers -- California  Search this
Printmakers -- California  Search this
Mosaicists -- California  Search this
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Women artists  Search this
Women painters  Search this
Women designers  Search this
Women printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.henry64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d4a71b64-6212-46f8-ad9b-3274877b08c6
EDAN-URL:
ead_collection:sova-aaa-henry64
Online Media:

Oral history interview with Ruth Penington, 1983 Feb. 10-11

Interviewee:
Penington, Ruth E. (Ruth Esther), 1905-1998  Search this
Interviewer:
Harrington, LaMar, 1917-2005  Search this
Subject:
Rohde, Gilbert  Search this
Northwest Printmakers  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ruth Penington, 1983 Feb. 10-11. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Decorative arts  Search this
Women printmakers  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12828
(DSI-AAA_SIRISBib)212445
AAA_collcode_pening83
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212445
Online Media:

Oral history interview with Dorothy Dehner, 1965 October-1966 December

Interviewee:
Dehner, Dorothy, 1901-1994  Search this
Interviewer:
Krauss, Rosalind E  Search this
Subject:
McCoy, Garnett  Search this
Smith, David  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Dorothy Dehner, 1965 October-1966 December. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Women printmakers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13105
(DSI-AAA_SIRISBib)212623
AAA_collcode_dehner65
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212623
Online Media:

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