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Oral history interview with Marion Post Wolcott

Interviewee:
Wolcott, Marion Post, 1910-1990  Search this
Interviewer:
Doud, Richard Keith  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
United States. Farm Security Administration. Historical Section  Search this
Stryker, Roy Emerson, 1893-1975  Search this
Extent:
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 January 18
Scope and Contents:
An interview of Marion Post Wolcott conducted 1965 January 18, by Richard Doud, for the Archives of American Art, at the artist's home, in Mill Valley, California.
Wolcott speaks of her background in photography; experimenting with cameras; working as a photojournalist; joining the Farm Security Administration project; her first assignment photographing West Virginia coal miners; the camaraderie among the FSA photographers; the propagandistic aspects of the work; how the program was run and work assigned; her interest in landscapes; problems of being a woman photographer; the learning experience of meeting Americans all over the country; and the FSA project's long-term value. She recalls Roy Stryker.
Biographical / Historical:
Marion Post Wolcott (1910-1990) was a photographer from San Francisco, California.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 4 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Women photographers -- California -- San Francisco -- Interviews  Search this
Documentary photography  Search this
Photographers -- California -- San Francisco -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wolcot65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wolcot65

Woman's Building records

Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Names:
Feminist Studio Workshop  Search this
Women's Graphic Center (Los Angeles, Calif.)  Search this
Chicago, Judy, 1939-  Search this
Raven, Arlene  Search this
de Bretteville, Sheila Levant  Search this
Extent:
33.5 Linear feet
Type:
Collection descriptions
Archival materials
Slides
Artists' books
Date:
1970-1992
Summary:
The records of the Woman's Building feminist arts organization in Los Angeles measure 33.5 linear feet and date from 1970-1992. Originally founded by artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven in 1973, the Woman's Building served as an education center and public gallery space for women artists in southern California. The records document both the educational and exhibition activities and consist of administrative records, financial and legal records, publications, curriculum files, exhibition files, grant funding records and artist's works of arts and prints. A significant portion of the collection documents the Women's Graphic Center, a typesetting, design, and printing service operated by The Woman's Building.
Scope and Content Note:
The records of the Woman's Building measure 33.5 linear feet and date from 1970 to 1992. The organization played a key role as an alternative space for women artists energized by the feminist movement in the 1970s. The records document the ways in which feminist theory shaped the Building's founding core mission and goals. During its eighteen year history, the Building served as an education center and a public gallery space for women artists in Los Angeles and southern California; the records reflect both functions of the Building's activities.

The Administrative Files series documents the daily operations of the Building, with particular emphasis on management policies, budget planning, history, cooperative relationships with outside art organizations and galleries, special building-wide programs, and relocation planning. Included in this series are the complete minutes from most Building committees from 1974 through closing, including the Board of Directors and the Advisory Council. The General Publicity and Outreach series is particularly complete, containing publicity notices from most events, exhibits, and programs held at the Woman's Building, including brochures, announcements, programs, invitations, press releases, newspaper clippings, and magazine articles.

The Woman's Building's educational programs centered on courses offered by the Feminist Studio Workshop and the Extension Program. While the Workshop provided a two-year program for women interested in fully developing their artistic talent, the Extension Program offered a broad range of classes, specifically oriented to working women interested in art and art vocations. The records fully document both programs, focusing on the course development and descriptions, teacher contracts, class evaluations, budget planning, and scholarship programs. Although the Archives does not have the entire slide library, there are files concerning the establishment and administration of the library, as well as a few folders of slides.

The Gallery Programs series houses the records of the visual, performing, literary and video arts events held at the Woman's Building. Administrative files detail the daily operation of the gallery spaces. The files in the remaining subseries are primarily arranged by event and contain proposals, announcements, publicity, and artist biographies.

The Women's Graphic Center became a profit-making arm of the Woman's Building in 1981 but the typesetting and design equipment had been used by staff and students since 1975. The records in this series focus on the work produced at the Center, including general projects and artist designs and art prints. Many of the design and printing examples were produced for Woman's Building events and programs.

The Artist's Works of Art series includes artist books, resumes, correspondence, postcards, and samples of art in the form of sketches, drawings, and prints. There is also material related to Woman's Building projects. Especially noteworthy is the "What is Feminist Art?" project where artists gave their responses in various formats and mediums from text to pieces of artwork.

The Printed Materials series contains feminist and art publications not produced by or for the Woman's Building.
Arrangement:
The collection is arranged into 7 series.

Series 1: Administrative Files, circa 1970-1991 (Box 1-9, 32; 9 linear feet)

Series 2: Educational Programs, 1971-1991 (Box 10-14; 4.9 linear feet)

Series 3: Gallery Programs, 1973-1991 (Box 14-20, OV 54; 5.7 linear feet)

Series 4: Women's Graphic Center, circa 1976-1989 (Box 20-23, 32, OV 33-50; 5.6 linear feet)

Series 5: Artists' Works of Art, circa 1972-1990 (Box 24-25, OV 51-53; 1.7 linear feet)

Series 6: Grants, 1974-1992 (Box 25-30; 5.3 linear feet)

Series 7: Printed Material (Not Woman's Building), 1970-1983 (Box 30-31; 1.3 linear feet)
Historical Note:
In 1973, artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven founded the Feminist Studio Workshop (FSW), one of the first independent schools for women artists. The founders established the workshop as a non-profit alternative education center committed to developing art based on women's experiences. The FSW focused not only on the development of art skills, but also on the development of women's experiences and the incorporation of those experiences into their artwork. Central to this vision was the idea that art should not be separated from other activities related to the developing women's movement. In November of 1973 the founders rented workshop space in a vacated building in downtown Los Angeles and called it The Woman's Building, taking the name from the structure created for the 1893 World's Columbian Exposition in Chicago. The FSW shared space with other organizations and enterprises including several performance groups, Womanspace Gallery, Sisterhood Bookstore, the National Organization of Women, and the Women's Liberation Union.

When the building they were renting was sold in 1975, the FSW and a few other tenants moved to a three-story brick structure, originally designed to be the administrative offices of the Standard Oil Company in the 1920s. In the 1940s, it had been converted into a warehouse and consisted of three floors of open space, conducive to publically available extension classes and exhibitions offered by the Woman's Building staff and students. By 1977, the majority of the outside tenants had left the Woman's Building, primarily because they were unable to sustain business in the new location. The new building was more expensive to maintain and the FSW staff decided to hire an administrator and to create a board structure to assume the financial, legal, and administrative responsibility for the Building. The funds to operate came from FSW tuition, memberships, fund-raising events, and grant monies.

In 1981, the Feminist Studio Workshop closed, as the demand for alternative education diminished. The education programs of the Building were restructured to better accommodate the needs of working women. The Woman's Building also began to generate its own artistic programming with outside artists, including visual arts exhibits, performance art, readings, and video productions. That same year, the Woman's Building founded the Women's Graphic Center Typesetting and Design, a profit-making enterprises designed to strengthen its financial base. Income generated from the phototypesetting, design, production, and printing services was used to support the educational and art making activities of the Building.

When the graphics business closed in 1988, the Woman's Building suffered a financial crisis from which it never fully recovered. The Building closed its gallery and performance space in 1991.
Related Material:
Among the other resources relating to the Woman's Building in the Archives of American Art is an oral history with Suzanne Lacy on March 16, 1990, March 24, 1990, and September 24, 1990. While not credited as a founding member, Lacy was among the first group of staff of the Woman's Building which she discusses in her interview.

The Getty Research Institute also holds a large collection on the Woman's Building which includes a wide range of material relating to its exhibitions, activities, and projects.
Separated Material:
The Archives of American Art donated 5 boxes of video tape from the collection to the Long Beach Museum of Art, Video Annex in 1994. According to documentation, this was the desire of Sandra Golvin and the Board of Directors of the Woman's Building.
Provenance:
The Woman's Building records were donated to the Archives of American Art in 1991 by Sandra Golvin, President of the Board of Directors. An small addition of a set of "Cross Pollination" posters was donated in 2019 by by ONE Archives at University of Southern California Libraries via Loni Shibuyama, Archives Librarian.
Topic:
Works of art  Search this
Art -- Study and teaching -- California -- Los Angeles  Search this
Women artists -- California  Search this
Feminism and art  Search this
Arts organizations -- California -- Los Angeles  Search this
Function:
Nonprofit organizations -- California -- Los Angeles
Genre/Form:
Slides
Artists' books
Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.womabuil
See more items in:
Woman's Building records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-womabuil
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Online Media:

Oral history interview with Imogen Cunningham

Interviewee:
Cunningham, Imogen, 1883-1976  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Kurabi, Louise Katzman, 1949-  Search this
Names:
Group f.64  Search this
Adams, Ansel, 1902-1984  Search this
Curtis, Edward S., 1868-1952  Search this
Dixon, Maynard, 1875-1946  Search this
Lange, Dorothea  Search this
Partridge, Roi, 1888-1984  Search this
Van Dyke, Willard  Search this
Weston, Edward, 1886-1958  Search this
White, Minor  Search this
Extent:
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 June 9
Scope and Contents:
An interview of Imogen Cunningham conducted 1975 June 9, by Louise Katzman and Paul Karlstrom, for the Archives of American Art, in Cunningham's home. [Note: A photograph of Cunningham taken by Katzman at the time of the interview has been cataloged separately.]
Cunningham speaks of her training in Germany, working in Edward Curtis' studio, her childhood art classes, her husband Roi Partridge, the f.64 group, platinum prints, her early interest in photography, and the differences between West Coast and East Coast photographers. She discusses magazine photography, her work as a portrait photographer, collectors, and her professional and personal relationships with Ansel Adams, Maynard Dixon, Dorothea Lange, Willard Van Dyke, Edward Henry Weston, Minor White, and others.
Biographical / Historical:
Imogen Cunningham (1883-1976) was a photographer from San Francisco, California.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Photographers -- California -- San Francisco -- Interviews  Search this
Photography, Artistic  Search this
Women photographers -- California -- San Francisco -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cunnin75
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cunnin75

Oral history interview with Judy Dater

Interviewee:
Dater, Judy  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Welpott, Jack, 1923-  Search this
Extent:
29 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2000 June 2
Scope and Contents:
An interview of Judy Dater conducted 2000 June 2, by Paul Karlstrom, for the Archives of American Art,
The interview took place in Dater's home, Berkeley, California. Dater focuses on her experiences photographing the nude. Dater discusses the early influence on her of Thomas Hart Benton's "Persephone," a work that she says affected her on an emotional level; how voyeurism depicted informs "looking," a basic activity of the photographer and of many other artists; her collaboration with husband, Jack Welpott, working from the same nude model, and the differences in their objectives; her main interest is human energy, male or female; finding it easier to work with women; her feminism in connection with the subject of the nude and issues of power that arise.
Biographical / Historical:
Judy Dater (1941- ) is a photographer and photography model from Berkeley, California. Among Dater's best-known images is one of Imogen Cunningham photographing Twinka Thiebaud, Wayne Theibaud's daughter, at a field workshop in Yosemite. Dater also posed for Cunningham, Wynn Bullock, Ruth Bernhard, and, as a graduate student at San Francisco State University, her teacher and husband-to-be, Jack Welpott.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 2 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding provided by Bente and Gerald E. Buck Collection.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Artists' models -- California  Search this
Topic:
Photographers -- California -- Interviews  Search this
Women photographers -- California -- Interviews.  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.dater00
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dater00

Oral history interview with Judy Chicago

Interviewee:
Chicago, Judy, 1939-  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
ACA Galleries  Search this
LewAllen Contemporary (Gallery)  Search this
Bergen, Jeffrey, 1955-  Search this
Bullard, E. John(Edgar John), 1942-  Search this
Copeland, John  Search this
Dobbins, Norman  Search this
Dobbins, Ruth  Search this
Flack, Audrey  Search this
Hopkins, Henry, 1928-2009  Search this
LaMonte, Karen, 1967-  Search this
Lemon, Jack  Search this
LewAllen, Arlene  Search this
Lu, Jie, 1958-  Search this
Lucie-Smith, Edward  Search this
Marisol, 1930-  Search this
McFadden, David Revere  Search this
Neel, Alice, 1900-1984  Search this
Perkins, Flo  Search this
Pruitt, Tom  Search this
Rodee, Susannah  Search this
Rosenberg, Harold, 1906-1978  Search this
Saint-Phalle, Niki de, 1930-2002  Search this
Schneemann, Carolee, 1939-  Search this
Semmel, Joan, 1932-  Search this
Taylor, Mary, 1947-  Search this
Thompson, Viki D., 1947-  Search this
Woodman, Donald  Search this
Youdelman, Nancy, 1948-  Search this
Extent:
74 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 August 7-8
Scope and Contents:
An interview of Judy Chicago conducted 2009 August 7 and 8, by Judith Olch Richards, for the Archives of American Art, at Chicago's home and studio, in Belen, New Mexico.
Chicago speaks of her work since the late 1980s, having previously discussed her early life and works; printmaking projects with various print studios around the country; giving archived documents to important museums; creating a foundation with her husband Donald Woodman to protect the legacy of their art; the non-profit organization she started in 1978, Through the Flower; her studio practices and her most practiced techniques; keeping a regular schedule; her interest in collaborative projects such as The Dinner Party [1974-1979], the Birth Project [1980-1985], the Holocaust Project [1985-1993] and Resolutions: A Stitch in Time [1994-2000]; working with various textile and glass artists; feeling a kin with other female artists, like Nikki de Saint Phalle and Marisol Escobar; the responsibility she feels to share underrepresented information; her enjoyment of the process of making art and the hope that she creates art that is not bound by time; her relationships with galleries though the years including the ACA Galleries in New York and LewAllen Contemporary in Santa Fe; her intention in making art was not create proactive or controversial art; various teaching positions; her interest in combining text and images in works like Song of Songs [1997-1999]; her more current interest in glass; experimenting with the techniques of casting and etching to achieve her desired images; her want to change institutional policies that underrepresent women artists in museums and the absence of images of women by women artists. Chicago also recalls Henry Hopkins, Mary Ross Taylor, Susannah Rodee, John Bullard, Jack Lemon, Alice Neel, Edward Lucie-Smith, John Copeland, Harold Rosenberg, Carolee Schneemann, Jeffery Bergen, Audrey Flack, Joan Semmel, Nancy Youdelman, David McFadden, Viki Thomson Wylder, Tom Pruitt, Arlene LewAllen, Flo Perkins, Norman and Ruth Dobbins, Karen LaMonte, Lu Jie and others.
Biographical / Historical:
Interviewee Judy Chicago (1939- ) is a feminist artist and author who lives and works in Belen, New Mexico. Interviewer Judith Olch Richards (1947- ) is former executive director of iCI in New York, New York.
General:
Originally recorded on 4 compact discs. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Women sculptors -- New Mexico -- Interviews  Search this
Feminism and art  Search this
Women painters -- New Mexico -- Interviews  Search this
Women photographers -- New Mexico -- Interviews  Search this
Art -- Technique  Search this
Glass artists -- New Mexico -- Interviews  Search this
Women printmakers -- New Mexico -- Interviews  Search this
Function:
Artists' studios -- New Mexico
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chicag09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chicag09

Hugo Weber papers

Creator:
Weber, Hugo, 1918-1971  Search this
Names:
Clair Fox Gallery  Search this
Howard Wise Gallery  Search this
Arp, Jean, 1887-1966  Search this
Cajori, Charles, 1921-2013  Search this
Callahan, Eleanor  Search this
Coleman, Ornette  Search this
Greenbaum, Jack  Search this
Hall, Robert D.  Search this
Held, Annet  Search this
Hervochon, Yves  Search this
Kerouac, Jack, 1922-1969  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Moholy-Nagy, László, 1895-1946  Search this
Siskind, Aaron  Search this
Ward, Cora Kelley, 1920-1989  Search this
Weber, Anne  Search this
Photographer:
Callahan, Harry M.  Search this
Crane, Barbara, 1928-  Search this
Siegel, Arthur S.  Search this
Woelffer, Dina, 1907-  Search this
Extent:
6.2 Linear feet ((partially microfilmed on 9 reels))
Type:
Collection descriptions
Archival materials
Date:
1932-1971
Scope and Contents:
Correspondence; photographs and photograph albums; diaries; writings; sketches and sketchbooks; biographical data; catalogs; material relating to the Artists Tenants Association; clippings; and miscellany.
REEL D388: Correspondence, 1945-1966; photographs; sketches; and clippings.
REELS N70-9-N70-10: 75 photographs by Weber and photographer Harry Callahan of Mies van der Rohe, taken from 1961-1964, with occasional photos of Weber, his studio, Laszlo Moholy-Nagy and other friends, including one of Moholy-Nagy by Arthur Siegel, 1946. Also included are 30 letters from Clair Fox Gallery, Howard Wise Gallery, Harry Callahan, Jack Kerouac and other friends; and 2 sketchbooks, 1962.
REEL 671: 9 photograph albums and ca. 200 photographs of Weber, friends, family (including his artist wife, Anne Weber), studios, and his works of art. Among them are one of Weber by Barbara Crane, ca. 1960, a contact sheet of photographs of Laszlo Moholy-Nagy, and many photographs by Harry Callahan, Aaron Siskind, Cora Ward, Robert D. Hall, Annet Held and Yves Hervochon, including photos of Charles Cajori and Jack Greenbaum by Cora Ward, and Ornette Coleman by Callahan.
REELS 841-845: Correspondence, 1932-1971; 3 diaries (written in German), 1941-1944, April 1942, and April to August 1964; poetry by Weber; writings on art, 1951-1968; writings on other artists; sketchbooks and drawings, 1945-1971; biographical material; material on the Artists Tenants Association; catalogs; clippings; and miscellany.
UNMICROFILMED: Three photos by Harry Callahan, including one each of Eleanor Callahan, Weber, and "Drawing in Space with a Flashlight"; and one of Jean (Hans) Arp by Dina Woelffer, 1957. One photo of Ludwig Mies Van der Rohe taken by Aaron Siskind, ca. 1950.
Biographical / Historical:
Painter; New York, N.Y.; b. 1918 in Basel, Switzerland; d. August 15, 1971.
Provenance:
Material on reel D388 and N70-9 (portion) lent for microfilming 1969 by Hugo Weber; and material on reel N70-9 (portion)-N70-10, 671 & 841-845 donated 1971 by Anne Weber, ex-wife of Hugo Weber.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Painting, American  Search this
Artists' studios -- Photographs  Search this
Women photographers  Search this
Identifier:
AAA.webehugo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-webehugo

Nina Howell Starr papers

Creator:
Starr, Nina Howell  Search this
Names:
International Women's Art Festival  Search this
Museum of American Folk Art  Search this
Photographic Historical Society of New York  Search this
Professional Women's Photographers, Inc.  Search this
Sharon Arts Center  Search this
Southern Regional Council  Search this
Brandt, Helene, 1936-  Search this
Cohen, Stephenie  Search this
Coke, Van Deren, 1921-  Search this
Connor, Linda  Search this
Daitz, Evelyne Z.  Search this
DiSpirito, Henry, 1898-1995  Search this
Evans, Minnie, 1892-  Search this
Evans, Walker, 1903-1975  Search this
Ghent, Henri, 1926-  Search this
Kanaga, Consuelo, 1894-  Search this
Kernan, Margo, 1927-  Search this
Kruger, Louise, 1924-  Search this
Lippard, Lucy R.  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Mainardi, Patricia  Search this
Morgan, Barbara Brooks, 1900-  Search this
Putnam, Wallace, 1899-1989  Search this
Ringgold, Faith  Search this
Rose, Ruth Starr, 1887-1965  Search this
Savage, Naomi, 1927-2005  Search this
Sherwood, Maggie, 1922-1984  Search this
Siskind, Aaron  Search this
Strand, Paul, 1890-1976  Search this
Szarwarski, John  Search this
Uelsmann, Jerry, 1934-  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Date:
circa 1933-1996
Summary:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.
Scope and Contents:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

Biographical materials are scattered and include grant and publication applications, curriculum vitae, lists of artwork, and miscellany.

Starr's lectures, writings, and project files are arranged into one series. They include Starr's student writings, a notebook about Civil Rights, files documenting her work on a Florida public housing project, the Southern Regional Council, and the League of Women Voters. A few files of general writings and lectures mostly concern folk artist Minnie Evans and the exhibition Women Photograph Men, held at the International Women's Arts Festival in 1976.

Subject files on artists, art history topics, photographers and photography (including Starr's work), and on folk artist and friend Minne Evans comprise the bulk of the collection. The files are a mix of collated materials and primary sources created by Starr and others and many contain correspondence, notes, photographs, and a few sketches and orginal prints. Also included are materials related to professional and organizational groups in which Starr was involved, including the Professional Women's Photographers, Inc., the Photographic Historical Society of New York, and the Museum of American Folk Art; files on several of Starr's exhibitions; and files on artists that contain printed materials, correspondence, and photographs. The file on Ruth Starr Rose contains prints and drawings. There are also photographs taken by Stephanie Cohen. Particularly rich files are found for Stephanie Cohen; Van Deren Coke, Director of the George Eastman Company; Evelyn Daitz, Director of the Witkin Gallery; Henry DiSpirito; Walker Evans; the Fotofolio printing company; curator Henri Ghent; photographer Consuelo Kanaga and husband Wallace Putnam; Margot Starr Kernan; Lucy Lippard; Stanton Mac-Donald Wright; Sharon Arts Center; photographer Paul Strand; curator John Szarwarski; and photographer Jerry Uelsman.

The collection also documents the friendship between painter Minnie Evans and Starr, and Starr's business dealings on Evans' behalf. There is correspondence about and with Evans, several sound recordings of interviews conducted by Starr and others with Evans, many with transcripts, financial documents, publications about Evans including exhibition catalogs, clippings, journal articles and monographs, two posters, a scrapbook, and one sketch by Evans.

Printed material includes published articles, exhibition catalogs and announcements, and clippings about Starr.

Photographic materials are extensive and include photographs and slides taken by Starr of friends, family, artwork by Minnie Evans, events, exhibition openings, world travels, and folk art, especially roadside. Prominent artists and art historians photographed include: photographers Maggie Sherwood, Naomi Savage, Barbara Morgan, Linda Connor, Aaron Siskind, Consuelo Kanaga, Faith Ringgold, and Walker Evans; sculptors Louise Kruger and Helene Brandt; feminist and art historian Pat Mainardi; and curators Henri Ghent and John Szarkowski. Starr's artistic photographic work is also represented, and includes two silver gelatin prints of Minnie Evans, and subject studies on hands, people, and nature, among others.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical material, 1954-circa 1990 (8 folders; Box 1)

Series 2: Writings, Speeches and Projects, 1933-1995 (1.1 linear feet; Boxes 1-2)

Series 3: Subject Files, circa 1939-1996 (8.3 linear feet; Boxes 2-10)

Series 4: Minnie Evans, 1962-1996 (3.7 linear feet; Boxes 10-13, 23, OV 24)

Series 5: Printed Material, 1936-1995 (2.7 linear feet; Boxes 13-16, 23)

Series 6: Photographic Material, circa 1939-1993 (5.4 linear feet; Boxes 16-23, OV 24)
Biographical / Historical:
Nina Howell Starr (1903-2000) was a photographer, art dealer, and art historian who worked primarily in New York City. Born in Newark, New Jersey in 1903 as Cornelia Margaret Howell, Starr attended Wellesley College and graduated from Barnard in 1926. Also in 1926, she married Nathan Comfort Starr, an English professor, and, over the years the couple lived in Massachusetts, Maryland, Florida, and New York City.

In 1963, at the age of 60, Starr received the first M.F.A. in photography granted by the University of Florida. Starr exhibited widely in both solo and group exhibitions, including Magic Lantern (Photographer's Gallery, London, 1976), and the Strength of Women (Witken Gallery, 1991), and numerous shows featuring photographs of outsider art. Her "New Yorker" project became an exhibition in 2016. Her work is owned by several prominent museums, including the Metropolitan Museum of Art and the George Eastman House International Museum of Photography.

As art historian, self-proclaimed critic, and civil rights and feminist advocate, Starr lectured widely, wrote articles and letters to editors, and corresponded with many notable art world figures. She became especially interested in outsider and folk art. Starr met outsider artist Minnie Evans in 1962 and became Evans' lifelong friend, advocate, and representative dealer. She wrote about Evans and introduced Evans' works to galleries and other exhibition spaces in New York, including the Whitney Museum, where she guest-curated an exhibition of Evans' work in 1975.

Starr was an active member of professional organizations including the Photographic Historical Society of New York, Professional Women's Photographers, Inc., and the Museum of American Folk Art where she served on the Advisory Committee.

Nina Howell Starr died in 2000 in Connecticut at the age of 97.
Provenance:
The Nina Howell Starr papers were donated by Nina Howell Starr in 1996.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Nina Howell Starr papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Folk art -- United States  Search this
Civil rights  Search this
Art historians -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
African American art  Search this
Folk art -- Photographs  Search this
Women photographers  Search this
Photography  Search this
Photographers -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.starnina
See more items in:
Nina Howell Starr papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-starnina
Online Media:

Lenore Seroka photographs

Creator:
Seroka, Lenore  Search this
Names:
Andrews, Benny, 1930-2006  Search this
Artschwager, Richard, 1923-2013  Search this
Bearden, Romare, 1911-1988  Search this
Bishop, Isabel, 1902-1988  Search this
Bourgeois, Louise, 1911-2010  Search this
Cavallon, Giorgio, 1904-1989  Search this
Chamberlain, John, 1927-2011  Search this
Christo, 1935-  Search this
Close, Chuck, 1940-  Search this
De Creeft, José, 1884-1982  Search this
Estes, Richard, 1932-  Search this
Ferber, Herbert, 1906-1991  Search this
Flavin, Dan, 1933-  Search this
Freilicher, Jane, 1924-  Search this
Gikow, Ruth, 1915-1982  Search this
Golub, Leon, 1922-2004  Search this
Goodhough, Robert, 1917-  Search this
Goulet, Lorrie, 1925-  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Greene, Balcomb, 1904-1990  Search this
Gwathmey, Robert, 1903-1988  Search this
Hirsch, Joseph, 1910-1981  Search this
Hirschfeld, Al  Search this
Johnson, Ray, 1927-1995  Search this
Katz, Alex, 1927-  Search this
Krasner, Lee, 1908-1984  Search this
Lassaw, Ibram, 1913-2003  Search this
Levine, David, 1926-2009  Search this
Levine, Jack, 1915-2010  Search this
Lichtenstein, Roy, 1923-1997  Search this
Lipton, Seymour, 1903-1986  Search this
Neel, Alice, 1900-1984  Search this
Nesbitt, Lowell, 1933-1993  Search this
Pearlstein, Philip, 1924-  Search this
Resika, Paul  Search this
Rivers, Larry, 1925-2002  Search this
Rockburne, Dorothea  Search this
Rosenquist, James, 1933-  Search this
Segal, George, 1924-2000  Search this
Snelson, Kenneth, 1927-2016  Search this
Solman, Joseph, 1909-2008  Search this
Soyer, Raphael, 1899-1987  Search this
Wesselmann, Tom, 1931-2004  Search this
Youngerman, Jack, 1926-2020  Search this
Extent:
0.3 Linear feet ((51 items))
Type:
Collection descriptions
Archival materials
Date:
1977-1984
Scope and Contents:
Photographs of artists taken by Seroka.
Biographical / Historical:
Photographer; Great Neck, N.Y.
Provenance:
Donated 1984 by Lenore Seroka.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
Authorizatin to publish, quote or reproduce must be obtained from Lenore Seroka.
Occupation:
Photographers -- New York (State) -- Great Neck  Search this
Topic:
Photography, Artistic -- Photographs  Search this
Women photographers -- New York (State) -- Photographs  Search this
Portrait photography -- Photographs  Search this
Identifier:
AAA.seroleno
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-seroleno

Marva Marrow photographs relating to Inside the L.A. Artist

Creator:
Marrow, Marva, 1948-  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1986-1988
Scope and Contents:
Marva Marrow photographs relating to Inside the L.A. Artist meaures 2.3 linear feet and dates from 1986-1988. The collection contains Marrow's photographs and negatives, including outtakes taken for her book Inside the L.A. Artist, 1988, which includes images of and statements by 82 Los Angeles artists. Also included in the collection are a biographical statement by Marrow and a copy of the book annotated by the artists. Artists include James Turrell, Betye Saar, Masami Teraoka, Gronk, Frank Romero, Carols Alvarez, Alexis Smith, Robert Irwin, William Brice, Richard Diebenkorn, Sam Francis, Mary Corse, Lita Albuquerque, and many more, including Charles Garabedian and Robert Graham, who do not appear in the book.
The donor retains all intellectual property rights, including copyright, to that which they may own.
Biographical / Historical:
Marva Marrow (1948- ) is a professional photographer, author and singer-songwriter in Hesperia, California.
Provenance:
The collection was donated in 2020 by Marva Marrow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Photographers -- California  Search this
Topic:
Artists -- California -- Los Angeles  Search this
Women photographers  Search this
Identifier:
AAA.marrmarv
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marrmarv

Margery Mann files on photography

Creator:
Mann, Margery  Search this
Names:
Group f.64  Search this
Bullock, Wynn  Search this
Graham, Martha  Search this
Ruscha, Edward  Search this
Photographer:
Connor, Linda, 1944-  Search this
Cunningham, Imogen, 1883-1976  Search this
Dater, Judy  Search this
Heinecken, Robert, 1931-  Search this
Noggle, Anne, 1922-  Search this
Rice, Leland, 1940-  Search this
Swedlund, Charles  Search this
Tress, Arthur  Search this
Uelsmann, Jerry, 1934-  Search this
Walker, Todd  Search this
Welpott, Jack, 1923-  Search this
Weston, Brett  Search this
Extent:
8.2 Linear feet ((on 14 microfilm reels))
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1955-1978
Scope and Contents:
Over 600 subject files containing Mann's research on the history of photography; and an extensive interview conducted by Mann with Imogen Cunningham.
REELS 1860-1872: 630 files cover photographers, photo exhibitions, societies, publications, and collections and contain biographical information, correspondence, published and unpublished transcripts by Mann, exhibition catalogs and announcements, price lists, photographs, organization records, clippings and printed material along with Mann's interviews of Wynn Bullock, Imogen Cunningham (partial), and Edward Ruscha. Photographs are by Linda Connor, Imogen Cunningham (includes one of dancer Martha Graham), Judy Dater (of Cunningham), Robert Heinecken, Anne Noggle, Leland Rice, Charles Swedlund, Arthur Tress, Jerry Uelsmann, Todd Walker, Jack Welpott, and Brett Weston.
REEL 5051 (fr. 390-600): Interview (232 p. transcript from 3 sound reels, 3 in.) of Imogen Cunningham conducted by Mann, 1960-1973, in preparation for her book, Imogen Cunningham: Photographs. Cunningham speaks of the sale and exhibition of her prints; being a "darkroom slave"; portrait photography; photographs as documents; the "soft-focus era"; teaching; and the f/64 Group. Cunningham comments on 104 of her photographs, including her portraits of Edward Weston and Margrethe Mather, Martha Graham, Cary Grant, Alfred Stieglitz, Upton Sinclair, Adedee Ozenfant, Frieda Kahlo Rivera, Getrude Stein, Shen Yao, Lyonel Feininger, Morris Graves, Anna Freud, and Minor White. She recalls Diane Arbus, Arthur Fellig, Paul Strand, and others.
Biographical / Historical:
Photographer, photography historian and critic; Davis, Calif.
Provenance:
The Cunningham interview was donated by Mann in 1975; the remainder by Mann's husband, Thomas K. Vasey, 1978.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- United States  Search this
Art critics  Search this
Art historians  Search this
Photographers  Search this
Topic:
Photography, Artistic  Search this
Portrait photography  Search this
Photography -- History -- Sources  Search this
Women photographers -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mannmarg
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mannmarg

Photographs of Imogen Cunningham

Creator:
Kurabi, Louise Katzman, 1949-  Search this
Names:
Cunningham, Imogen, 1883-1976 -- Photographs  Search this
Extent:
12 Items
Type:
Collection descriptions
Archival materials
Date:
1975
Scope and Contents:
Eleven black and white and color photographs of Imogen Cunningham taken in her home in San Francisco on the occasion of Paul Karlstrom's and Louise Katzman Kurabi's (Archives of American Art) interview with her and one CD of the images.
Biographical / Historical:
Louise Katzman Kurabi (1949- ) is a photographer in Bellevue, Washington.
Provenance:
One photograph donated 1975 by Louise Katzman Kurabi. Additional prints and the images on CD donated 2016 by Kurabi.
Topic:
Photographers -- California -- San Francisco -- Photographs  Search this
Women artists  Search this
Women photographers  Search this
Identifier:
AAA.kuraloui
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kuraloui

Focus Gallery records

Creator:
Focus Gallery  Search this
Names:
George Eastman House  Search this
Torren Gallery  Search this
Abbott, Berenice, 1898-1991  Search this
Adams, Ansel, 1902-1984  Search this
Brandt, Bill  Search this
Bullock, Wynn  Search this
Caponigro, Paul, 1932-  Search this
Cunningham, Imogen, 1883-1976  Search this
Dater, Judy  Search this
Heinecken, Robert, 1931-  Search this
Hosoe, Eikō, 1933  Search this
Johnston, Helen, 1916-1989  Search this
Leibovitz, Annie, 1949-  Search this
Porter, Eliot, 1901-  Search this
Siskind, Aaron  Search this
Uelsmann, Jerry, 1934-  Search this
Weston, Brett  Search this
Extent:
11.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1963-1987
Summary:
The records of San Francisco Focus Gallery measure 11.8 linear feet and date from 1963-1987. The bulk of the collection consists of exhibition files. There are also artists files, sales information, correspondence, and scattered records of the gallery's companion bookshop.
Scope and Contents:
The records of San Francisco's Focus Gallery measure 11.8 linear feet and date from 1963-1987. The bulk of the collection consists of exhibition files. There are also artists files, sales information, correspondence, and scattered records of the gallery's companion bookshop.

Exhibition files comprise the bulk of the collection and generally contain a wide range of materials including correspondence, short biographies, forms requesting artists' background information, flyers, booklets, brochures, checklists, loan agreements, sales records, news releases, and photographs and negatives. Among the many photographers exhibited were Ansel Adams, Berenice Abbott, Bill Brandt, Wynn Bullock, Paul Caponigro, Imogen Cunningham, Judy Dater, Robert Heinecken, Eikoh Hosoe, Annie Leibovitz, Eliot Porter, Aaron Siskind, Jerry Uelsmann, and Brett Weston.

A relatively small amount of general business correspondence includes orders and payments for photographic prints, books, and magazine subscriptions, some personal notes, and requests for information about how to submit for exhibitions and for exhibition schedules. Correspondents include customers, photographers, publishers, law firms, museum, and colleges and universities. Correspondence from the founding year contains Johnston's letters to various venues prominent in art photography, such as George Eastman House. There is also a letter to Ansel Adams requesting prints to sell or for a small opening exhibit.

Additional records include artists' files; sales and inventory records containing print and bookshop inventories, general pricing information and receipts for photographs; and printed materials including flyers and brochures, bookshop catalogs and news releases. There are also scattered administrative records, including gallery history, a file on the Toren Gallery and five owner's notebooks, as well as The Imogen Cunningham Trust files documenting Focus Gallery's interactions with the trust before and after Cunningham's death regarding photographs printed and signed by her; financial and legal files; and guest books.

Documents in the collection that pre-date the founding of the gallery are found in the Toren Gallery file and a few of the exhibition files.
Arrangement:
The collection is arranged as 8 series.

Series 1: Administrative Records, 1963-1985 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1966-1987 (Boxes 1-2; 1 linear foot)

Series 3: Exhibition Files, 1966-1985 (Boxes 2-10; 8.5 linear feet)

Series 4: Artists Files, 1966-1978 (Boxes 10-11; 0 .5 linear feet)

Series 5: Financial and Legal Files, 1966-1987 (Box 11; 0 .2 linear feet)

Series 6: Sales and Inventories, 1966-1987 (Box 11; 0.4 linear feet)

Series 7: Printed Materials, 1966-1987 (Boxes 11-12; 0.3 linear feet)

Series 8: Guest Books, 1966-1970, 1978-1985 (Boxes 12-13; 0.6 linear feet)
Biographical / Historical:
Focus Gallery was founded by Helen Head Johnson (1916-1989) in 1966 on Union Street in San Francisco. The gallery exhibited and sold primarily art photographs and other contemporary art.

Helen Head Johnston believed that photography deserved its own exhibition space. As stated in the gallery's first press release, "in seeking to encourage print collecting it (the gallery) offers not only a show place but also a market place for photographers." While retaining an emphasis on Bay Area photographers, the gallery's exhibitions soon became international in scope, featuring little known and well-established photographers through both solo and group exhibitions. With few exceptions, the gallery's policy was to feature an artist only once. To help keep the gallery going in its early days, Johnston started a bookshop mail-order business. At the time of its closing in August 1985, Focus Gallery was the longest continuously operating photography gallery in the country. The bookshop continued in another location for an additional two years.

The collection is arranged as 8 series

Series 1: Administrative records, 1963-1985, (Box 1 8 folders)

Series 2: Correspondence, 1966-1987, undated (Box 1-2 1 linear foot)

Series 3: Exhibition files, 1966-1985 (Box 2-10 8.5 linear feet)

Series 4: Artists files, 1966-1978, undated (Box 10-11, 9 folders)

Series 5: Financial and Legal files, 1966-1987 (Box 11 6 folders)

Series 6: Sales and Inventories, 1966-1987, undated (Box 11 11 folders)

Series 7: Printed Materials, 1966-1987, undated (Box 11 and Hol 12 7 folders)

Series 8: Guest Books, 1966-1985 (Hol 12-13 6 folders)
Related Materials:
Among the holding of the Archives of American Art is an untranscribed interview of Helen Johnston by Louise Katzman or Irene Borger in the collection Interviews of California Photographers 1981 Jun.-Nov.20.

Helen Johnston left her private photography collection to the de Saisset Museum, the Oakland Museum of California, and the San Francisco Museum of Modern Art.
Provenance:
The Focus Gallery records were donated by the estate of owner Helen Johnston, care of Gerald O'Conner, executor.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Focus Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Visitors' books  Search this
Women photographers  Search this
Photography -- Exhibitions  Search this
Photography, Artistic  Search this
Photographic art galleries -- California -- San Francisco  Search this
Photographers -- United States  Search this
Gallery owners -- local  Search this
Art galleries, Commercial -- California -- San Francisco  Search this
Art dealers -- California -- San Francisco  Search this
Genre/Form:
Photographs
Citation:
Focus Gallery records, 1963-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.focugall
See more items in:
Focus Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-focugall
Online Media:

Sonja Eisenberg papers

Creator:
Eisenberg, Sonja  Search this
Names:
Delevante, Sidney, 1894-  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1947-2007
Scope and Contents:
Correspondence, writings, photographs, works of art, financial records, and printed material regarding Eisenberg's career as a painter and photographer.
Correspondence includes letters and e-mails with painter Sidney Delevante, family members, and others regarding Eisenberg's work, exhibition, website and activities; a manuscript of "Essay"and an unpublished memoir "Soon", undated; excerpts from a journal, 1978; 49 slides of Eisenberg's work; photographs of family and friends. Works of art include three watercolors, two ink drawings, one small oil painting on paper, and two designs.
Biographical / Historical:
Painter, photographer; New York, N.Y. Eisenberg was born in Berlin, Germany.
Provenance:
Donated 1979, 1998 and 2007 by Sonja Eisenberg.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Watercolorists -- New York (State) -- New York  Search this
Topic:
Women artists -- New York (State) -- New York  Search this
Women photographers -- New York (State) -- New York  Search this
Identifier:
AAA.eisesonj
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-eisesonj

Renee V. Cox papers

Creator:
Cox, Renee., 1960-  Search this
Extent:
6.7 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1966-2016
Scope and Contents:
The papers of photographer Renee V. Cox measure 6.7 linear feet and date from 1966-2016. Included are museum and gallery studio administrative files; diaries; calendars; sketchbooks; photobooks by Cox; printed material lincluding magazines featuring Cox's photography, newspaper and magazine clippings, exhibition catalogs and invitations.
Biographical / Historical:
Renee V. Cox (1956- ) is a photographer in New York, N.Y.
Provenance:
The papers were donated in 2019 by Renee V. Cox as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
African American photographers  Search this
Women photographers  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.coxrenee
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-coxrenee

Joan Cassis album

Creator:
Cassis, Joan, 1952-1996  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1990
Scope and Contents:
An album created by Joan Cassis documenting her color photographic printing process.
Biographical / Historical:
Joan Cassis (1952-1996) was a photographer of Baltimore, Maryland.
Provenance:
The album was donated in 2002 by Joan Cassis's mother, Victoria Cassis, in memory of her daughter, via the Smithsonian American Art Museum which received the album along with sixteen works.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
Occupation:
Photographers -- Maryland -- Baltimore  Search this
Topic:
Women photographers -- Maryland -- Baltimore  Search this
Identifier:
AAA.cassjoan
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cassjoan

Martha Armstrong papers

Creator:
Armstrong, Martha, 1935-  Search this
Extent:
1 microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1977-1983
Scope and Contents:
Biographical data; exhibition announcements; catalogs; invitations; clippings; and 2 notebooks containing photographs from Armstrong's "Artists and Their Studios" project, 1977.
Biographical / Historical:
Painter and photographer; Houston, Texas.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Lent for microfilming 1983 by Martha Armstrong.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Texas -- Houston  Search this
Photographers -- Texas -- Houston  Search this
Topic:
Women painters  Search this
Women photographers  Search this
Function:
Artists' studios -- Texas -- Houston
Identifier:
AAA.armsmart
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-armsmart

Beverly Hallam papers, 1899-2013

Creator:
Hallam, Beverly Linney, 1923-  Search this
Subject:
Sarton, May  Search this
Smart, Mary-Leigh  Search this
Ogunquit Art Association  Search this
Type:
Sound recordings
Interviews
Video recordings
Sketchbooks
Motion picture film
Topic:
Airbrush art  Search this
Women painters  Search this
Educators  Search this
Acrylic painting  Search this
Printmakers  Search this
Photographers  Search this
Painters  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)9002
(DSI-AAA_SIRISBib)211191
AAA_collcode_hallbeve
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211191
Online Media:

Oral history interview with Imogen Cunningham, 1975 June 9

Interviewee:
Cunningham, Imogen, 1883-1976  Search this
Interviewer:
Kurabi, Louise Katzman, 1949-  Search this
Subject:
White, Minor  Search this
Curtis, Edward S.  Search this
Van Dyke, Willard  Search this
Adams, Ansel Easton  Search this
Weston, Edward  Search this
Taylor, Dorothea Lange  Search this
Dixon, Maynard  Search this
Partridge, Roi  Search this
Group f.64  Search this
Type:
Sound recordings
Interviews
Topic:
Women photographers  Search this
Photography, Artistic  Search this
Photographers  Search this
Record number:
(DSI-AAA_CollID)12850
(DSI-AAA_SIRISBib)216482
AAA_collcode_cunnin75
Theme:
Photography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216482
Online Media:

Oral history interview with Judy Chicago, 2009 August 7-8

Interviewee:
Chicago, Judy, 1939-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Subject:
LaMonte, Karen  Search this
Escobar, Maria Sol  Search this
LewAllen, Arlene  Search this
Schneemann, Carolee  Search this
Perkins, Flo  Search this
Flack, Audrey  Search this
Bullard, E. John (Edgar John),  Search this
Rosenberg, Harold  Search this
Hopkins, Henry T. (Henry Tyler)  Search this
Rodee, Susannah  Search this
Dobbins, Norman  Search this
Youdelman, Nancy  Search this
Pruitt, Tom  Search this
Lucie-Smith, Edward  Search this
Dobbins, Ruth  Search this
Copeland, John  Search this
Bergen, Jeffrey  Search this
Woodman, Donald  Search this
Semmel, Joan  Search this
Saint-Phalle, Niki de  Search this
Lu, Jie  Search this
Thompson, Viki D.  Search this
Neel, Alice  Search this
Taylor, Mary  Search this
Lemon, Jack  Search this
McFadden, David Revere  Search this
ACA Galleries  Search this
LewAllen Contemporary (Gallery)  Search this
Type:
Sound recordings
Interviews
Topic:
Art  Search this
Women painters  Search this
Women printmakers  Search this
Feminism and art  Search this
Glass artists  Search this
Women sculptors  Search this
Women photographers  Search this
Record number:
(DSI-AAA_CollID)15708
(DSI-AAA_SIRISBib)283567
AAA_collcode_chicag09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_283567
Online Media:

Lenore Seroka photographs, 1977-1984

Creator:
Seroka, Lenore  Search this
Subject:
Segal, George  Search this
Krasner, Lee  Search this
Andrews, Benny  Search this
Freilicher, Jane  Search this
Gikow, Ruth Levine  Search this
Flavin, Dan  Search this
Gwathmey, Robert  Search this
Artschwager, Richard Ernst  Search this
Lichtenstein, Roy  Search this
Cavallon, Giorgio  Search this
Snelson, Kenneth  Search this
Hirschfeld, Al  Search this
Graves, Nancy Stevenson  Search this
Resika, Paul  Search this
Goodhough, Robert  Search this
Chamberlain, John Angus  Search this
Rockburne, Dorothea  Search this
Johnson, Ray  Search this
Youngerman, Jack  Search this
Ferber, Herbert  Search this
Greene, Balcomb  Search this
Nesbitt, Lowell  Search this
Estes, Richard  Search this
Christo  Search this
Lassaw, Ibram  Search this
Close, Charles Thomas  Search this
Soyer, Raphael  Search this
Levine, Jack  Search this
Katz, Alex  Search this
Hirsch, Joseph  Search this
Stealingworth  Search this
Rivers, Larry  Search this
De Creeft, José  Search this
Solman, Joseph  Search this
Lipton, Seymour  Search this
Neel, Alice  Search this
Golub, Leon  Search this
Goulet, Lorrie H.  Search this
Pearlstein, Philip  Search this
Bourgeois, Louise  Search this
Bishop, Isabel  Search this
Levine, David  Search this
Bearden, Romare  Search this
Rosenquist, James  Search this
Topic:
Women photographers  Search this
Photography, Artistic  Search this
Portrait photography  Search this
Record number:
(DSI-AAA_CollID)7318
(DSI-AAA_SIRISBib)209471
AAA_collcode_seroleno
Theme:
Women
Audio - Visual
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209471

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