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Ida Jervis papers, 1963-1970

Creator:
Jervis, Ida  Search this
Subject:
Now Festival  Search this
Type:
Scrapbooks
Topic:
Art festivals  Search this
Artists -- Washington D.C. -- Photographs  Search this
Artists -- Washington Metropolitan Area -- Photographs  Search this
Women artists  Search this
Women photographers  Search this
Record number:
(DSI-AAA_CollID)6573
(DSI-AAA_SIRISBib)215870
AAA_collcode_jervida
Theme:
Women
Communities, Organizations, Museums
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215870
Online Media:

Berenice Abbott : portraits of modernity / curator, Estrella de Diego ; editor, Diana M. Davies ; translator, Kate Major

Title:
Portraits of modernity
Photographer:
Abbott, Berenice 1898-1991  Search this
Author:
Abbott, Berenice 1898-1991 Photographs Selections  Search this
Writer of added commentary:
Diego, Estrella de  Search this
Hoffman, Cara  Search this
Van Zante, Gary  Search this
Writer of supplementary textual content:
Martín, Carlos  Search this
Editor:
Davies, Diana M.  Search this
Translator:
Major, Kate  Search this
Host institution:
Casa Garriga Nogués  Search this
Sala Recoletos  Search this
Huis Marseille (Amsterdam, Netherlands)  Search this
Fundación Mapfre  Search this
Subject:
Abbott, Berenice 1898-1991  Search this
Abbott, Berenice 1898-1991 Criticism and interpretation  Search this
Abbott, Berenice 1898-1991 Themes, motives  Search this
Physical description:
263 pages : illustrations (some color), photographs, portraits ; 31 cm
Type:
Exhibitions
Pictorial works
Criticism, interpretation, etc
Essays
Exhibition catalogs
Exhibition, pictorial works
Photobooks
Portraits
Place:
Ohio
New York (N.Y.)
Date:
2019
20th century
Topic:
Photography, Artistic  Search this
Street photography  Search this
Architectural photography  Search this
Portrait photography  Search this
Black-and-white photography  Search this
Women photographers  Search this
Lesbian photographers  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1109973

Dorothea Lange, documentary photography, and twentieth-century America : reinventing self and nation / Carol Quirke

Author:
Quirke, Carol  Search this
Physical description:
xviii, 211 pages ; 23 cm
Type:
Biography
History
Place:
United States
Date:
2019
20th century
Topic:
Women photographers  Search this
Women--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1105370

Nina Howell Starr papers

Creator:
Starr, Nina Howell  Search this
Names:
International Women's Art Festival  Search this
Museum of American Folk Art  Search this
Photographic Historical Society of New York  Search this
Professional Women's Photographers, Inc.  Search this
Sharon Arts Center  Search this
Southern Regional Council  Search this
Brandt, Helene, 1936-  Search this
Cohen, Stephenie  Search this
Coke, Van Deren, 1921-  Search this
Connor, Linda  Search this
Daitz, Evelyne Z.  Search this
DiSpirito, Henry, 1898-1995  Search this
Evans, Minnie, 1892-  Search this
Evans, Walker, 1903-1975  Search this
Ghent, Henri, 1926-  Search this
Kanaga, Consuelo, 1894-  Search this
Kernan, Margo, 1927-  Search this
Kruger, Louise, 1924-  Search this
Lippard, Lucy R.  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Mainardi, Patricia  Search this
Morgan, Barbara Brooks, 1900-1992  Search this
Putnam, Wallace, 1899-1989  Search this
Ringgold, Faith  Search this
Rose, Ruth Starr, 1887-1965  Search this
Savage, Naomi, 1927-2005  Search this
Sherwood, Maggie, 1922-1984  Search this
Siskind, Aaron  Search this
Strand, Paul, 1890-1976  Search this
Szarwarski, John  Search this
Uelsmann, Jerry, 1934-  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Date:
circa 1933-1996
Summary:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.
Scope and Contents:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

Biographical materials are scattered and include grant and publication applications, curriculum vitae, lists of artwork, and miscellany.

Starr's lectures, writings, and project files are arranged into one series. They include Starr's student writings, a notebook about Civil Rights, files documenting her work on a Florida public housing project, the Southern Regional Council, and the League of Women Voters. A few files of general writings and lectures mostly concern folk artist Minnie Evans and the exhibition Women Photograph Men, held at the International Women's Arts Festival in 1976.

Subject files on artists, art history topics, photographers and photography (including Starr's work), and on folk artist and friend Minne Evans comprise the bulk of the collection. The files are a mix of collated materials and primary sources created by Starr and others and many contain correspondence, notes, photographs, and a few sketches and orginal prints. Also included are materials related to professional and organizational groups in which Starr was involved, including the Professional Women's Photographers, Inc., the Photographic Historical Society of New York, and the Museum of American Folk Art; files on several of Starr's exhibitions; and files on artists that contain printed materials, correspondence, and photographs. The file on Ruth Starr Rose contains prints and drawings. There are also photographs taken by Stephanie Cohen. Particularly rich files are found for Stephanie Cohen; Van Deren Coke, Director of the George Eastman Company; Evelyn Daitz, Director of the Witkin Gallery; Henry DiSpirito; Walker Evans; the Fotofolio printing company; curator Henri Ghent; photographer Consuelo Kanaga and husband Wallace Putnam; Margot Starr Kernan; Lucy Lippard; Stanton Mac-Donald Wright; Sharon Arts Center; photographer Paul Strand; curator John Szarwarski; and photographer Jerry Uelsman.

The collection also documents the friendship between painter Minnie Evans and Starr, and Starr's business dealings on Evans' behalf. There is correspondence about and with Evans, several sound recordings of interviews conducted by Starr and others with Evans, many with transcripts, financial documents, publications about Evans including exhibition catalogs, clippings, journal articles and monographs, two posters, a scrapbook, and one sketch by Evans.

Printed material includes published articles, exhibition catalogs and announcements, and clippings about Starr.

Photographic materials are extensive and include photographs and slides taken by Starr of friends, family, artwork by Minnie Evans, events, exhibition openings, world travels, and folk art, especially roadside. Prominent artists and art historians photographed include: photographers Maggie Sherwood, Naomi Savage, Barbara Morgan, Linda Connor, Aaron Siskind, Consuelo Kanaga, Faith Ringgold, and Walker Evans; sculptors Louise Kruger and Helene Brandt; feminist and art historian Pat Mainardi; and curators Henri Ghent and John Szarkowski. Starr's artistic photographic work is also represented, and includes two silver gelatin prints of Minnie Evans, and subject studies on hands, people, and nature, among others.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical material, 1954-circa 1990 (8 folders; Box 1)

Series 2: Writings, Speeches and Projects, 1933-1995 (1.1 linear feet; Boxes 1-2)

Series 3: Subject Files, circa 1939-1996 (8.3 linear feet; Boxes 2-10)

Series 4: Minnie Evans, 1962-1996 (3.7 linear feet; Boxes 10-13, 23, OV 24)

Series 5: Printed Material, 1936-1995 (2.7 linear feet; Boxes 13-16, 23)

Series 6: Photographic Material, circa 1939-1993 (5.4 linear feet; Boxes 16-23, OV 24)
Biographical / Historical:
Nina Howell Starr (1903-2000) was a photographer, art dealer, and art historian who worked primarily in New York City. Born in Newark, New Jersey in 1903 as Cornelia Margaret Howell, Starr attended Wellesley College and graduated from Barnard in 1926. Also in 1926, she married Nathan Comfort Starr, an English professor, and, over the years the couple lived in Massachusetts, Maryland, Florida, and New York City.

In 1963, at the age of 60, Starr received the first M.F.A. in photography granted by the University of Florida. Starr exhibited widely in both solo and group exhibitions, including Magic Lantern (Photographer's Gallery, London, 1976), and the Strength of Women (Witken Gallery, 1991), and numerous shows featuring photographs of outsider art. Her "New Yorker" project became an exhibition in 2016. Her work is owned by several prominent museums, including the Metropolitan Museum of Art and the George Eastman House International Museum of Photography.

As art historian, self-proclaimed critic, and civil rights and feminist advocate, Starr lectured widely, wrote articles and letters to editors, and corresponded with many notable art world figures. She became especially interested in outsider and folk art. Starr met outsider artist Minnie Evans in 1962 and became Evans' lifelong friend, advocate, and representative dealer. She wrote about Evans and introduced Evans' works to galleries and other exhibition spaces in New York, including the Whitney Museum, where she guest-curated an exhibition of Evans' work in 1975.

Starr was an active member of professional organizations including the Photographic Historical Society of New York, Professional Women's Photographers, Inc., and the Museum of American Folk Art where she served on the Advisory Committee.

Nina Howell Starr died in 2000 in Connecticut at the age of 97.
Provenance:
The Nina Howell Starr papers were donated by Nina Howell Starr in 1996.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Nina Howell Starr papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Folk art -- United States  Search this
Civil rights  Search this
Art historians -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
African American art  Search this
Folk art -- Photographs  Search this
Women photographers  Search this
Photography  Search this
Photographers -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.starnina
See more items in:
Nina Howell Starr papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-starnina
Online Media:

Jay DeFeo papers, circa 1940s-1970s

Creator:
DeFeo, Jay, 1929-1989  Search this
Subject:
Hedrick, Wally  Search this
Berman, Wallace  Search this
Peterson, Margaret  Search this
McClure, Michael  Search this
Remington, Deborah  Search this
Sinton, Nell  Search this
Lobdell, Frank  Search this
Terrill, Ruth  Search this
Berman, Shirley  Search this
Blum, Irving  Search this
Conner, Bruce  Search this
Type:
Photographs
Topic:
Photography -- California -- San Francisco Bay Area  Search this
Photographers -- California -- San Francisco Bay Area  Search this
Women artists  Search this
Works of art  Search this
Photography -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)7417
(DSI-AAA_SIRISBib)209575
AAA_collcode_defejay
Theme:
Women
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209575
Online Media:

Oral history interview with Dorothea Lange, 1964 May 22

Interviewee:
Lange, Dorothea, 1895-1965  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Evans, Walker  Search this
Rothstein, Arthur  Search this
Stryker, Roy Emerson  Search this
Vachon, John  Search this
Vanderbilt, Paul  Search this
United States  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Documentary photography -- United States  Search this
Photographers -- California -- Interviews  Search this
Women artists  Search this
New Deal art  Search this
Record number:
(DSI-AAA_CollID)11757
(DSI-AAA_SIRISBib)213615
AAA_collcode_lange64
Theme:
New Deal
Women
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213615
Online Media:

Hugo Weber papers

Creator:
Weber, Hugo, 1918-1971  Search this
Names:
Clair Fox Gallery  Search this
Howard Wise Gallery  Search this
Arp, Jean, 1887-1966  Search this
Cajori, Charles, 1921-2013  Search this
Callahan, Eleanor  Search this
Coleman, Ornette  Search this
Greenbaum, Jack  Search this
Hall, Robert D.  Search this
Held, Annet  Search this
Hervochon, Yves  Search this
Kerouac, Jack, 1922-1969  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Moholy-Nagy, László, 1895-1946  Search this
Siskind, Aaron  Search this
Ward, Cora Kelley, 1920-1989  Search this
Weber, Anne  Search this
Photographer:
Callahan, Harry M.  Search this
Crane, Barbara, 1928-  Search this
Siegel, Arthur S.  Search this
Woelffer, Dina, 1907-  Search this
Extent:
6.2 Linear feet ((partially microfilmed on 9 reels))
Type:
Collection descriptions
Archival materials
Date:
1932-1971
Scope and Contents:
Correspondence; photographs and photograph albums; diaries; writings; sketches and sketchbooks; biographical data; catalogs; material relating to the Artists Tenants Association; clippings; and miscellany.
REEL D388: Correspondence, 1945-1966; photographs; sketches; and clippings.
REELS N70-9-N70-10: 75 photographs by Weber and photographer Harry Callahan of Mies van der Rohe, taken from 1961-1964, with occasional photos of Weber, his studio, Laszlo Moholy-Nagy and other friends, including one of Moholy-Nagy by Arthur Siegel, 1946. Also included are 30 letters from Clair Fox Gallery, Howard Wise Gallery, Harry Callahan, Jack Kerouac and other friends; and 2 sketchbooks, 1962.
REEL 671: 9 photograph albums and ca. 200 photographs of Weber, friends, family (including his artist wife, Anne Weber), studios, and his works of art. Among them are one of Weber by Barbara Crane, ca. 1960, a contact sheet of photographs of Laszlo Moholy-Nagy, and many photographs by Harry Callahan, Aaron Siskind, Cora Ward, Robert D. Hall, Annet Held and Yves Hervochon, including photos of Charles Cajori and Jack Greenbaum by Cora Ward, and Ornette Coleman by Callahan.
REELS 841-845: Correspondence, 1932-1971; 3 diaries (written in German), 1941-1944, April 1942, and April to August 1964; poetry by Weber; writings on art, 1951-1968; writings on other artists; sketchbooks and drawings, 1945-1971; biographical material; material on the Artists Tenants Association; catalogs; clippings; and miscellany.
UNMICROFILMED: Three photos by Harry Callahan, including one each of Eleanor Callahan, Weber, and "Drawing in Space with a Flashlight"; and one of Jean (Hans) Arp by Dina Woelffer, 1957. One photo of Ludwig Mies Van der Rohe taken by Aaron Siskind, ca. 1950.
Biographical / Historical:
Painter; New York, N.Y.; b. 1918 in Basel, Switzerland; d. August 15, 1971.
Provenance:
Material on reel D388 and N70-9 (portion) lent for microfilming 1969 by Hugo Weber; and material on reel N70-9 (portion)-N70-10, 671 & 841-845 donated 1971 by Anne Weber, ex-wife of Hugo Weber.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Painting, American  Search this
Artists' studios -- Photographs  Search this
Women photographers  Search this
Identifier:
AAA.webehugo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-webehugo

Margery Mann files on photography

Creator:
Mann, Margery  Search this
Names:
Group f.64  Search this
Bullock, Wynn  Search this
Graham, Martha  Search this
Ruscha, Edward  Search this
Photographer:
Connor, Linda, 1944-  Search this
Cunningham, Imogen, 1883-1976  Search this
Dater, Judy  Search this
Heinecken, Robert, 1931-  Search this
Noggle, Anne, 1922-  Search this
Rice, Leland, 1940-  Search this
Swedlund, Charles  Search this
Tress, Arthur  Search this
Uelsmann, Jerry, 1934-  Search this
Walker, Todd  Search this
Welpott, Jack, 1923-  Search this
Weston, Brett  Search this
Extent:
8.2 Linear feet ((on 14 microfilm reels))
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1955-1978
Scope and Contents:
Over 600 subject files containing Mann's research on the history of photography; and an extensive interview conducted by Mann with Imogen Cunningham.
REELS 1860-1872: 630 files cover photographers, photo exhibitions, societies, publications, and collections and contain biographical information, correspondence, published and unpublished transcripts by Mann, exhibition catalogs and announcements, price lists, photographs, organization records, clippings and printed material along with Mann's interviews of Wynn Bullock, Imogen Cunningham (partial), and Edward Ruscha. Photographs are by Linda Connor, Imogen Cunningham (includes one of dancer Martha Graham), Judy Dater (of Cunningham), Robert Heinecken, Anne Noggle, Leland Rice, Charles Swedlund, Arthur Tress, Jerry Uelsmann, Todd Walker, Jack Welpott, and Brett Weston.
REEL 5051 (fr. 390-600): Interview (232 p. transcript from 3 sound reels, 3 in.) of Imogen Cunningham conducted by Mann, 1960-1973, in preparation for her book, Imogen Cunningham: Photographs. Cunningham speaks of the sale and exhibition of her prints; being a "darkroom slave"; portrait photography; photographs as documents; the "soft-focus era"; teaching; and the f/64 Group. Cunningham comments on 104 of her photographs, including her portraits of Edward Weston and Margrethe Mather, Martha Graham, Cary Grant, Alfred Stieglitz, Upton Sinclair, Adedee Ozenfant, Frieda Kahlo Rivera, Getrude Stein, Shen Yao, Lyonel Feininger, Morris Graves, Anna Freud, and Minor White. She recalls Diane Arbus, Arthur Fellig, Paul Strand, and others.
Biographical / Historical:
Photographer, photography historian and critic; Davis, Calif.
Provenance:
The Cunningham interview was donated by Mann in 1975; the remainder by Mann's husband, Thomas K. Vasey, 1978.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- United States  Search this
Art critics  Search this
Art historians  Search this
Photographers  Search this
Topic:
Photography, Artistic  Search this
Portrait photography  Search this
Photography -- History -- Sources  Search this
Women photographers -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mannmarg
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mannmarg

Oral history interview with Imogen Cunningham, 1975 June 9

Interviewee:
Cunningham, Imogen, 1883-1976  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Adams, Ansel  Search this
Curtis, Edward S.  Search this
Dixon, Maynard  Search this
Lange, Dorothea  Search this
Partridge, Roi  Search this
Van Dyke, Willard  Search this
Weston, Edward  Search this
White, Minor  Search this
Group f.64  Search this
Type:
Sound recordings
Interviews
Topic:
Photographers -- California -- San Francisco -- Interviews  Search this
Photography, Artistic  Search this
Women photographers -- California -- San Francisco -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12850
(DSI-AAA_SIRISBib)216482
AAA_collcode_cunnin75
Theme:
Photography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216482
Online Media:

Oral history interview with Imogen Cunningham

Interviewee:
Cunningham, Imogen, 1883-1976  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Kurabi, Louise Katzman, 1949-  Search this
Names:
Group f.64  Search this
Adams, Ansel, 1902-1984  Search this
Curtis, Edward S., 1868-1952  Search this
Dixon, Maynard, 1875-1946  Search this
Lange, Dorothea  Search this
Partridge, Roi, 1888-1984  Search this
Van Dyke, Willard  Search this
Weston, Edward, 1886-1958  Search this
White, Minor  Search this
Extent:
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 June 9
Scope and Contents:
An interview of Imogen Cunningham conducted 1975 June 9, by Louise Katzman and Paul Karlstrom, for the Archives of American Art, in Cunningham's home. [Note: A photograph of Cunningham taken by Katzman at the time of the interview has been cataloged separately.]
Cunningham speaks of her training in Germany, working in Edward Curtis' studio, her childhood art classes, her husband Roi Partridge, the f.64 group, platinum prints, her early interest in photography, and the differences between West Coast and East Coast photographers. She discusses magazine photography, her work as a portrait photographer, collectors, and her professional and personal relationships with Ansel Adams, Maynard Dixon, Dorothea Lange, Willard Van Dyke, Edward Henry Weston, Minor White, and others.
Biographical / Historical:
Imogen Cunningham (1883-1976) was a photographer from San Francisco, California.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Photographers -- California -- San Francisco -- Interviews  Search this
Photography, Artistic  Search this
Women photographers -- California -- San Francisco -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cunnin75
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cunnin75

Margery Mann files on photography, 1955-1978

Creator:
Mann, Margery, 1919-1977  Search this
Subject:
Graham, Martha  Search this
Connor, Linda  Search this
Cunningham, Imogen  Search this
Dater, Judy  Search this
Heinecken, Robert  Search this
Noggle, Anne  Search this
Rice, Leland  Search this
Swedlund, Charles  Search this
Tress, Arthur  Search this
Uelsmann, Jerry  Search this
Walker, Todd  Search this
Welpott, Jack  Search this
Weston, Brett  Search this
Bullock, Wynn  Search this
Ruscha, Edward  Search this
Group f.64  Search this
Type:
Sound recordings
Interviews
Topic:
Photography, Artistic  Search this
Portrait photography  Search this
Photography -- History -- Sources  Search this
Women photographers -- Interviews  Search this
Record number:
(DSI-AAA_CollID)7982
(DSI-AAA_SIRISBib)210151
AAA_collcode_mannmarg
Theme:
Art Theory and Historiography
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210151

Unidentified partygoers

Type:
Photographs
Date:
not after 2000 Nov. 30
Topic:
Parties  Search this
Record number:
(DSI-AAA)13083
See more items in:
Colin de Land collection, 1968-2008, bulk 1980-2003
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13083

Nina Howell Starr papers, circa 1933-1996

Creator:
Starr, Nina Howell, 1903-2000  Search this
Subject:
Ghent, Henri  Search this
Uelsmann, Jerry  Search this
Morgan, Barbara Brooks  Search this
Evans, Walker  Search this
Savage, Naomi  Search this
Kanaga, Consuelo  Search this
Kernan, Margo  Search this
Connor, Linda  Search this
Brandt, Helene  Search this
Szarwarski, John  Search this
Mainardi, Patricia  Search this
Sherwood, Maggie  Search this
Ringgold, Faith  Search this
Daitz, Evelyne Z.  Search this
Coke, Van Deren  Search this
Cohen, Stephenie  Search this
Macdonald-Wright, Stanton  Search this
Kruger, Louise  Search this
Putnam, Wallace  Search this
Rose, Ruth Starr  Search this
Strand, Paul  Search this
Evans, Minnie  Search this
DiSpirito, Henry  Search this
Siskind, Aaron  Search this
Lippard, Lucy R.  Search this
International Women's Art Festival  Search this
Sharon Arts Center  Search this
Professional Women's Photographers, Inc.  Search this
Photographic Historical Society of New York  Search this
Southern Regional Council  Search this
Museum of American Folk Art  Search this
Type:
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Topic:
Folk art -- United States  Search this
Civil rights  Search this
Art historians -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
African American art  Search this
Folk art -- Photographs  Search this
Women photographers  Search this
Photography  Search this
Photographers -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)6053
(DSI-AAA_SIRISBib)216034
AAA_collcode_starnina
Theme:
African American
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216034
Online Media:

Focus Gallery records, 1963-1987

Creator:
Focus Gallery  Search this
Subject:
Uelsmann, Jerry  Search this
Siskind, Aaron  Search this
Hosoe, Eikō  Search this
Johnston, Helen  Search this
Leibovitz, Annie  Search this
Porter, Eliot  Search this
Bullock, Wynn  Search this
Caponigro, Paul  Search this
Adams, Ansel  Search this
Brandt, Bill  Search this
Abbott, Berenice  Search this
Weston, Brett  Search this
Heinecken, Robert  Search this
Cunningham, Imogen  Search this
Dater, Judy  Search this
Torren Gallery  Search this
George Eastman House  Search this
Type:
Photographs
Topic:
Visitors' books  Search this
Women photographers  Search this
Photography -- Exhibitions  Search this
Photography, Artistic  Search this
Photographic art galleries -- California -- San Francisco  Search this
Photographers -- United States  Search this
Gallery owners -- local  Search this
Art galleries, Commercial -- California -- San Francisco  Search this
Art dealers -- California -- San Francisco  Search this
Record number:
(DSI-AAA_CollID)10224
(DSI-AAA_SIRISBib)213302
AAA_collcode_focugall
Theme:
The Art Market
Photography
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213302
Online Media:

Imogen Cunningham papers, 1903-1991

Creator:
Cunningham, Imogen, 1883-1976  Search this
Subject:
Adams, Ansel  Search this
Mann, Margery  Search this
Moholy-Nagy, László  Search this
Newhall, Beaumont  Search this
Sheeler, Charles  Search this
Noskowiak, Sonya  Search this
Partridge, Roi  Search this
Schoener, Allon  Search this
Steichen, Edward  Search this
Steinert, Otto  Search this
Strand, Paul  Search this
Struss, Karl  Search this
Toklas, Alice B.  Search this
Van Dyke, Willard  Search this
Weston, Edward  Search this
Bissantz, Edgar  Search this
Andreson, Laura  Search this
Bristol, Horace  Search this
Bourke-White, Margaret  Search this
Butler, John Davidson  Search this
Bullock, Wynn  Search this
Feininger, Lyonel  Search this
Coburn, Alvin Langdon  Search this
Graves, Morris  Search this
Hellman, Lillian  Search this
Lange, Dorothea  Search this
Kanaga, Consuelo  Search this
O'Keeffe, Georgia  Search this
Aalto, Alvar  Search this
Newman, Arnold  Search this
Witkin, Lee D.  Search this
Zorach, William  Search this
White, Minor  Search this
George Eastman House  Search this
Group f.64  Search this
Henry Art Gallery  Search this
Witkin Gallery  Search this
Type:
Interviews
Illustrated letters
Photographs
Topic:
Photography, Artistic  Search this
Photographers -- California -- San Francisco Bay Area  Search this
Photographers  Search this
Women photographers  Search this
Portrait photography  Search this
Record number:
(DSI-AAA_CollID)9453
(DSI-AAA_SIRISBib)211651
AAA_collcode_cunnimog
Theme:
Women
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211651
Online Media:

Helga Teiwes photograph collection

Photographer:
Teiwes, Helga  Search this
Names:
Arizona State Museum  Search this
Gila River Indian Reservation (Ariz.)  Search this
Navajo Nation, Arizona, New Mexico & Utah  Search this
Extent:
3775 negatives (photographic)
3126 slides (photographs)
433 Photographic prints
196 Transparencies
16 Linear feet
Culture:
San Carlos Apache  Search this
Akimel O'odham (Pima)  Search this
Hopi Pueblo  Search this
Diné (Navajo)  Search this
Rarámuri (Tarahumara)  Search this
Tohono O'odham (Papago)  Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Slides (photographs)
Photographic prints
Transparencies
Photographs
Place:
Cuzco (Peru)
Machu Picchu Site (Peru)
Peru
Arizona
Mexico
New Mexico
Date:
1965-2002
Summary:
The Helga Teiwes photograph collection contains over 7,000 negatives, slides and prints made by Teiwes between 1965 and 2002. For over thirty years Teiwes worked as a staff photographer for the Arizona State Museum, photographing and documenting Native American communities across the American Southwest. During this time, Teiwes also privately took photographs and built personal relationships among members of the Akimel O'odham, Tohono O'odham, Apache, Diné (Navajo) and Hopi tribes. These photographs include portraits of artists at work, families in their homes, daily life on the reservation, special events and landscape photography. Additionally, the Teiwes collection includes photographs from a 1975 trip to Peru and photographs of the Tarahumara (Rarámuri) community in Chihuahua, Mexico.
Scope and Contents:
The Helga Teiwes photograph collection contains over 7,000 negatives, slides and prints made by Teiwes between 1965 and 2002 across the American Southwest, Mexico and Peru. The majority of the photographs document daily life and activities, artists at work, and special events among members of the Akimel O'odham, Tohono O'odham, Apache, Diné (Navajo) and Hopi tribes in Arizona and New Mexico. A smaller amount of photographs documents trips Teiwes made to Mexico to photograph the Tarahumara (Rarámuri) community in Chihuahua and a 1975 summer trip to Peru. The collection is arranged into seven series with additional subseries.

Series 1, Akimel O'odham (Pima), 1965-1993, 2001, contains photographs mostly taken among the Gila River Indian Community in Arizona. These include intimate portraits, landscape views and views of farming and agriculture. Of particular note are photographs of Patricia "Pat" Stone and her family and basket weaver Julia Francisco. The majority of the photographs in Series 2, Apache, 1973-1994, are from two San Carlos Apache coming of age ceremonies, or "Changing Woman" ceremonies, from 1992 and 1994. The 1992 ceremony for Leia Tenille Johnson was held in Whiteriver, Arizona and the 1994 ceremony for Vanessa Jordan of Bylas, Arizona. A selection of 50 photographic prints from these ceremonies were later exhibited in "Western Apache Sunrise Ceremony" at the University of Kansas Museum of Anthropology. The largest series, Series 3, Diné (Navajo), 1969-2002, is divided into seven subseries by topics. This includes artists and artisans, families and individuals across the Navajo Nation, industry and agriculture, trading posts and markets, places, schools, and other topics. Of particular note are the photographs of the Greyeyes family from Tsegi Canyon, Arizona. In addition to photographing matriarch Bessie Salt Greyeyes at home with family, weaving, cooking, shopping around town and herding sheep and goats, Teiwes accompanied Pete Greyeyes to work at the Peabody Coal Mining Company. Other places and events of note include photographs of Monument Valley, Window Rock, seat of the Navajo Nation, the Hubbell and Shonto trading posts and the 1990 graduation from Navajo Community College (Now Diné College).

Series 4, Hopi, 1968-2002, highlights the work and artistry of Hopi basket weavers. Many of the photographs in this series were included in Teiwes's 1996 book Hopi Basket Weaving: Artistry in Natural Fibers. Coiled basket weavers from the Second Mesa include Madeline Lamson, Joyce Ann Saufkie, Evelyn Selestewa and Bertha Wadsworth, among others. Wicker basket weavers from the Third Mesa include Eva Hoyungowa, Abigail Kaursgowva, Vera Pooyouma and Vernita Silas, among others. Teiwes also photographed additional artists and events on the Hopi reservation including Maechel Saufkie's 1995 wedding. Series 5, Peru, 1975 includes photographs from Teiwes's 1975 summer trip to Peru. Teiwes visited and photographed several pre-Colombian archaeological sites including Sacsahuaman and Machu Piccu in addition to photographing in larger cities such as Cuzco, Lima and Quito (Ecuador). A large number of photographs in this series are from the Inti Raymi parade and festival held in Cuzco during their winter solstice. Series 6, Tarahumara (Rarámuri), 1971, 1977-1979 contains photographs from three trips to Chihuahua, Mexico to photograph the Tarahumara (Rarámuri) people for an Arizona State Museum exhibition held in 1979. Also included are photographs from the exhibition opening in Arizona. Series 7, Tohono O'odham, 1969-1995, 2002 contains photographs of the saguaro cactus harvest in addition to other special events among the Tohono O'odham people. Teiwes documented Juanita Ahill, and later her niece Stella Tucker, throughout the process of harvesting and processing the saguaro cactus plant to make jam and ceremonial wine. Additional events photographed in this series include the San Xavier Elders parade and Tumacacori festival.

The photographs in this collection range all media types: 6x6cm color/black and white negatives; 35mm color/black and white negatives; 35mm and 6x6cm color slides; 6x6cm transparencies; contact sheets; and 3x5, 4x6, 8x10 and larger color/black and white photographic prints, some matted for sale or exhibition purposes. Teiwes did include handwritten notations on the backs of some photographs and slide mounts. There is also a small amount of paper documentation.
Arrangement:
This collection is arranged into seven series by culture group or location. Series 1: Akimel O'odham (Pima), Series 2: Apache, Series 3: Diné (Navajo), Series 4: Hopi, Series 5: Peru, Series 6: Tarahumara (Rarámuri), Series 7: Tohono O'odham.
Biographical / Historical:
Helga Kulbe Teiwes was born in Büderich, near Düsseldorf, in Germany in 1930. In 1950 Teiwes began a trade apprenticeship in photography under Master photographer Erna Hehmke-Winterer, a specialist in black and white portraiture, architectural and industrial photography. In 1957 Teiwes earned her master's degree in photography and worked as an industrial photographer in Düsseldorf until she emigrated to New York in 1960. During her four years in New York City, Teiwes worked as a darkroom worker, an assistant photographer for Cartier Jewelers and as a transparency retoucher. She also continued to build her portfolio through free-lance work. In 1964, a trip to Mesa Verde inspired Teiwes to seek work in the Southwest. The same year she was hired by Dr. Emil Haury of the University of Arizona to photograph his excavation of Snaketown on the Gila River Indian Reservation. Following Snaketown, Teiwes was hired as a museum photographer for the Arizona State Museum (ASM) at the University of Arizona in Tucson. She was also sought after for other archaeological projects during the 1960s and 1970s to take publication and studio shots. During this time, Teiwes developed a deep interest in the people and cultures of the Southwest and spent a significant amount of time on reservations building personal relationships among the Hopi, Apache, Tohono O'dham and Diné (Navajo) among others. Teiwes took a particular interest in documenting Native artists and the work they produced, including basket weavers, potters, jewelers and carvers. Teiwes also worked to capture everyday life among the Native people of the Southwest in addition to documenting special events like the Apache coming of age ceremony and the Tohono O'odham Saguaro Cactus harvest. Teiwes retired from the Arizona State Museum in 1993 but continued to work as a freelance photographer and writer in Tuscon.

Throughout her career Teiwes's photographs and essays were published nationally and internationally. Her photographic study Navajo was published by the Swiss publisher U. Bar Varlag in 1991 and published in English in 1993. Her books Kachina Dolls: The Art of the Hopi Carvers and Hopi Basket Weaving: Artistry in Natural Fibers were published by the University of Arizona Press in 1991 and 1996. From October 2003 to June 2004, the Arizona State Museum held an exhibition titled "With an Eye on Culture: The Photography of Helga Teiwes" highlighting the broad scope of her career.

In 2013, Teiwes donated her collection of personal photographs, not taken for the Arizona State Museum, to the National Museum of the American Indian, Archive Center. Teiwes's photographs taken for the Arizona State Museum are housed in the ASM's photographic archives.
Related Materials:
There is a large collection of photographs at the Arizona State Museum where Teiwes worked from 1964-1993. These photographs include harvesting of mesquite, cholla, and saguaro; traditional farming of corn at Hopi and of tepary beans among the Tohono O'odham; and craftspeople and their art in basketry, katsina carving, pottery, and weaving.
Provenance:
This collection was donated by Helga Teiwes in 2013.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Please contact the NMAI Archive Center (NMAIArchives@si.edu) regarding the use of this collection, donor restrictions apply.
Topic:
Navajo Indians -- Agriculture  Search this
Navajo artists -- Photographs  Search this
Changing Woman Ceremony (Apache rite)  Search this
Indians of North America -- Arizona -- Photographs  Search this
Basket making -- Hopi  Search this
Indians of North America -- New Mexico -- Photographs  Search this
Saguaro -- Arizona  Search this
Basket making -- Pima  Search this
Navajo Indians -- Social life and customs  Search this
Indians of North America -- Southwest -- Photographs  Search this
Hopi women -- Photographs  Search this
Genre/Form:
Negatives (photographic)
Photographic prints
Slides (photographs)
Photographs
Citation:
Identification of specific item; Date (if known); Helga Teiwes Photograph Collection, Box and Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.070
See more items in:
Helga Teiwes photograph collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-070
Online Media:

William C. Orchard collection of photographs, lantern slides and negatives

Creator:
Orchard, William C.  Search this
Museum of the American Indian, Heye Foundation  Search this
Names:
San Carlos Apache Tribe  Search this
Extent:
27 negatives (photographic) (black and white)
324 Photographic prints (black and white)
34 lantern slides (color)
Culture:
White Mountain Apache  Search this
Diné (Navajo)  Search this
A:shiwi (Zuni)  Search this
San Carlos Apache  Search this
White Mountain Apache  Search this
Hopi Pueblo  Search this
Ute  Search this
Isleta Pueblo  Search this
Sac and Fox (Sauk & Fox)  Search this
Laguna Pueblo  Search this
Apatohsipipiikani (Northern Piegan)  Search this
Seminole  Search this
Ohkay Owingeh (San Juan Pueblo)  Search this
Kwakwaka'wakw (Kwakiutl)  Search this
Maidu  Search this
Wixarika (Huichol)  Search this
Acoma Pueblo  Search this
Taos Pueblo  Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Lantern slides
Photographs
Black-and-white negatives
Place:
Colorado
San Juan Pueblo (N.M.)
New Mexico
Arizona
Date:
circa 1899-1937
bulk 1900-1902
Summary:
The majority of the images are individual and group portraits of Southwestern tribes, photographed between 1900-1902, including Laguna Pueblo, Hopi Pueblo, Zuni Pueblo, Taos Pueblo, San Juan Pueblo, White Mountain Apache, Ute, San Carlos Apache, and Navajo Indians.
Scope and Contents:
The Orchard collection consists overwhelmingly of informal single and group portraits made by Orchard in 1900 and 1902 of Diné (Navajo), Hopi Pueblo, Laguna Pueblo, A:shiwi (Zuni), and White Mountain Apache men and women. Among these are photographs of Native children standing before agency schools. In addition, there are informal single and group portraits of Jemez Pueblo, Isleta Pueblo, Ute, Uintah, San Carlos Apache, and Ohkey Owingeh (San Juan Pueblo) men and women; photographs of Walpi, Zuni, Toas, and Acoma villages; and a few landscape views made in the Rio Grande and Little Colorado River canyons. There are a few portraits of Mohawk men and Sac and Fox women. A few photographs date from 1926 and are of Seminole women performing household duties. There are also a few excavations photographs, including those taken of an 1918 excavation along Spuyten Duyvil Creek in New York. Orchard made the later photographs on behalf of the Museum of the American Indian, Heye Foundation. Some of the negatives are glass plate negatives and others are copy negatives made of the photographs.
Arrangement:
Prints Arranged by print number (P01319, P01678-P01679, P02767-P03191, P03217-P03319, P03217-P03319, P04165, P08369-P08373, P12703-P12706, P28311)

Lantern slides Arranged by image number (L00353-L00354, L00356-L00363, L00367-L00369, L00371-L00376, L00379-L00384, L00386, L00388, L00390-L00392, L00397, L00401-L00402, L00404-L00406, L00408-L00409)

Negatives Arranged by negative number (N03368-N03373, N03762, N11617, N13457-N13460, N13481, N14935, N14939, N14941, N21574, N21600, N35151-N35158, N35162, N37725, N37879)
Biographical/Historical note:
Born in England in the early 1860s, William C. Orchard moved to the United States around 1885. Before working privately for George G. Heye, he briefly held a position at the American Museum of Natural History in New York. After the Museum of the American Indian, Heye Foundation was established in 1916, Orchard became a museum preparator. In this position, he used his considerable artistic gifts to repair and restore specimens and to create models and dioramas for the Museum's exhibits. Orchard also published several books on porcupine-quill and beading techniques. He died in 1948.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Copyright: National Museum of the American Indian
Genre/Form:
Photographic prints
Lantern slides
Photographs
Black-and-white negatives
Citation:
William C. Orchard collection of photographs, lantern slides and negatives, circa 1899-1937, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
Identifier:
NMAI.AC.001.020
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-001-020

Negative Log Book Number 13, (80-20261 to 82-531)

Creator:
Smithsonian Institution Archives Smithsonian Photographic Services  Search this
Physical description:
Ink on paper
Type:
Logs (records)
Collection descriptions
Date:
1980
1980-1982
Topic:
Photography--History  Search this
Local number:
SIA Acc. 10-001 [SIA_10-001_NLB13]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_367110
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  • View Negative Log Book Number 13, (80-20261 to 82-531) digital asset number 1

Negative Log Book Number 20, (90-1 to 91-22194)

Creator:
Smithsonian Institution Archives Smithsonian Photographic Services  Search this
Physical description:
Ink on paper
Type:
Logs (records)
Collection descriptions
Date:
1990
1990-1991
Topic:
Photography--History  Search this
Local number:
SIA Acc. 10-001 [SIA_10-001_NLB20]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_367118
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Negative Log Book Number 20, (90-1 to 91-22194) digital asset number 1

Negative Log Book Number 21, (92-1 to 94-5200)

Creator:
Smithsonian Institution Archives Smithsonian Photographic Services  Search this
Physical description:
Ink on paper
Type:
Logs (records)
Collection descriptions
Date:
1992
1992-1994
Topic:
Photography--History  Search this
Local number:
SIA Acc. 10-001 [SIA_10-001_NLB21]
Restrictions & Rights:
No restrictions. All requests for duplication and use must be submitted in writing and approved by the Smithsonian Institution Archives. Contact SIA Reference Staff for further information (email photos@si.edu)
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_367119
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Negative Log Book Number 21, (92-1 to 94-5200) digital asset number 1

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