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Agnes Pelton papers

Creator:
Pelton, Agnes, 1881-1961  Search this
Names:
Annixter, Jane  Search this
Extent:
1.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Sketchbooks
Scrapbooks
Date:
1885-1989
Summary:
The papers of painter Agnes Pelton measure 1.8 linear feet and date from 1885-1989. Found within the papers are biographical materials; business and personal correspondence, many addressed to Jane Levington Comfort; writings; printed material; 3 mixed media scrapbooks; artwork, including loose sketches and 9 sketchbooks; and photographs of Pelton, her family and friends, and her work.
Scope and Contents:
The papers of painter Agnes Pelton measure 1.8 linear feet and date from 1885-1989. Found within the papers are biographical materials; business and personal correspondence, many addressed to Jane Levington Comfort; writings; printed material; 3 mixed media scrapbooks; artwork, including loose sketches and 9 sketchbooks; and photographs of Pelton, her family and friends, and her work.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Materials, 1898-1989 (2 folders; Box 1)

Series 2: Correspondence, 1930-1980 (0.4 linear feet; Box 1)

Series 3: Writings, 1913-1956 (8 folders; Box 1)

Series 4: Printed Material, 1913-1955 (6 folders; Box 1)

Series 5: Scrapbooks, 1911-1950 (0.4 linear feet; Box 1)

Series 6: Artwork, 1885-1957 (0.5 linear feet; Boxes 2-3)

Series 7: Photographic Material, 1886-1955 (0.4 linear feet; Box 3)
Biographical / Historical:
Painter Agnes Pelton (1881-1961) lived and worked in Long Island, New York, and Cathedral City, California, and is known for her desert landscapes, portraits, and abstract paintings.

Born in Stuttgart, Germany to William and Florence Pelton, Pelton and her mother relocated to New York after her father's death in 1890. Her mother, who had studied music at the Stuttgart Conservatory, opened the Pelton School of Music in Brooklyn, which remained in operation for 30 years. Pelton began her art studies at the Pratt Institute in 1895 and continued working with one of her instructors, Arthur Dow, at his summer school in Ipswich, Massachusetts after her graduation in 1900. She later worked with William Langson Lathrop and Hamilton Field, and traveled abroad to attend the British Academy in Rome in 1910 and 1911.

In 1912, after seeing her work in an exhibition in Hamilton Field's studio in Ogunquit, Maine, Walt Kuhn invited Pelton to participate in the 1913 Armory Show. During her early career, Pelton created works that were primarily influenced by Davies's philosophy on the effect of natural light, and which she termed "Imaginative Paintings." After a visit to New Mexico in 1919, Pelton began shifting to another style of painting, focusing on Southwestern landscapes and figurative portraits, which she continued from her studios in New York City and Long Island. In 1932, Pelton moved to Cathedral City, California and began painting abstract works in a new stylistic phase, which were visual explorations of her growing interest in spirituality and philosophy. In 1938, she became a founding member of the Transcendental Painting Group, which included Raymond Jonson and Emil Bisttram. Pelton died in Cathedral City in 1961.
Provenance:
The Agnes Pelton papers were assembled by Cornelia and Irving Sussman for a biography of Agnes Pelton. They were donated to the Archives by gallery director Jan Rindfleisch on behalf of the Sussmans, in 1984. In 1997, circa 162 letters from Agnes Pelton to Jane Levington Comfort, that are now part of this collection, were bequeathed to Cornelia and Irving Sussman by Jane Levington Comfort through Joan Crisci, the executor of Comfort's estate, and donated to the Archives.
Restrictions:
Use of original papers requires an appointment and is limited to the Archvies' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Topic:
Women artists -- California  Search this
Genre/Form:
Photographs
Sketches
Sketchbooks
Scrapbooks
Citation:
Agnes Pelton papers, 1885-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.peltagne
See more items in:
Agnes Pelton papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-peltagne
Online Media:

Ilene Segalove papers

Creator:
Segalove, Ilene, 1950-  Search this
Names:
University of California, Santa Barbara  Search this
Darling, Lowell  Search this
Extent:
4.4 Linear feet
6.06 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Sketchbooks
Drawings
Date:
1964-2017
Summary:
The papers of feminist, conceptual, video, and performance artist Ilene Segalove measure 4.4 linear feet and 6.06 gigabytes and date from 1964 to 2017. The collection contains a small amount of biographical material including resumes, certificates, and address lists; correspondence with family and friends; writings; and teaching files from the University of California, Santa Barbara. The bulk of the collection consists of project and exhibition files for both solo works and works in collaboration with Lowell Darling, and printed material. Also included are photographic materials such as snapshots of exhibition openings and slides of artwork; and artwork, primarily artist notebooks and video art.
Scope and Contents:
The papers of feminist, conceptual, video, and performance artist Ilene Segalove measure 4.4 linear feet and 6.06 gigabytes, and date from 1964 to 2017. The collection contains a small amount of biographical material including resumes, certificates, and address lists; correspondence with family and friends; writings; and teaching files from the University of California, Santa Barbara. The bulk of the collection consists of project and exhibition files for both solo works and works in collaboration with Lowell Darling, and printed material. Also included are photographic materials such as snapshots of exhibition openings and slides of artwork; and artwork, primarily artist notebooks and video art.
Arrangement:
The collection is arranged as eight series.

Series 1: Biographical Material, circa 1977-1987, 2014 (Box 1, Box 6; 5 folders)

Series 2: Correspondence, 1975-2005 (Box 1; 1 folder)

Series 3: Writings, 1970s-1980s (Box 1; 0.1 linear feet)

Series 4: Teaching Files, 2012-2013 (Box 1; 2 folders)

Series 5: Project and Exhibition Files, 1971-1991, 2004-2013 (Boxes 1-2, Box 6, OV 7; 1.3 linear feet; 2.50 GB; ER01)

Series 6: Printed Material, 1972-2017 (Boxes 2-4, Box 6; 1.9 linear feet)

Series 7: Photographic Material, 1964, circa 1970s-1990s (Box 4, Box 6; 0.2 linear feet)

Series 8: Artwork, 1974-2013 (Boxes 4-5, Box 6, Box 8; 0.5 linear feet; 3.56 GB, ER02-ER04)
Biographical / Historical:
Ilene Segalove (1950-) is a feminist, conceptual, video, and performance artist in Santa Barbara, California. She studied fine arts at the University of California, Santa Barbara and communication arts at Loyola Marymount University. In much of her work, Segalove examines "familiar things," making quasi-documentaries about her experiences and her family. She has been featured in several exhibitions, particularly in California and New York, and her works are included in collections of institutions such as the Metropolitan Museum of Art, the Jewish Museum, the Los Angeles County Museum of Art, and the Museum of Fine Arts in Houston.
Provenance:
The Ilene Segalove papers were donated to the Archives of American Art by Ilene Segalove in 2018 and 2019.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies, and use requires advanced notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conceptual artists -- California  Search this
Video artists -- California  Search this
Performance artists -- California  Search this
Topic:
Feminists  Search this
Women performance artists  Search this
Women artists -- California  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Drawings
Citation:
Ilene Segalove papers, 1964-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.segailen
See more items in:
Ilene Segalove papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-segailen
Online Media:

Invisible, visible : twenty-one artists

Author:
Long Beach Museum of Art  Search this
Physical description:
59 p. : chiefly ill. ; 22 cm
Type:
Books
Date:
1972
Topic:
Women artists--California--Exhibitions  Search this
Call number:
N8354.I5.1972
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_635716

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