Search Results

Creator:

Cole, Max, 1937-  Search this

Extent:

9.2 Linear feet

Type:

Collection descriptions

Archival materials

Date:

circa 1940-2022

Scope and Contents:

The papers of painter Max Cole (1937- ) measure 9.2 linear feet and date from circa 1940-2022. Included are photographs, slides and negatives of Max Cole, her works of art, her studio, exhibition installations, and events; printed material consisting of exhibition catalogs, reviews, announcements, invitations, and posters; inventory lists and financial records; project files; biographical material; professional correspondence; lectures; writings; circa 500 DVDs and CDs of exhibition catalogs and files, interviews, photographs of installations, works of art and unidentified.

Biographical / Historical:

Max Cole (1937- ) is a painter based in Las Vegas, New Mexico.

Provenance:

Donated in 2022 by Max Cole.

Restrictions:

This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California  Search this

Topic:

Women artists  Search this

Women painters  Search this

Identifier:

AAA.colemax

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c4fae6da-3496-4ed9-8f4f-70f2563a28b2

EDAN-URL:

ead_collection:sova-aaa-colemax

Creator:

Hibi, Hisako, 1907-1991  Search this

Hibi, Matsusaburo George, 1886-1947  Search this

Extent:

3.3 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Date:

circa 1906-2000

Scope and Contents:

The papers of Japanes American artists Hisako Hibi and Matsusaburo "George" Hibi measure 3.3 linear feet and date from circa 1906-2000. These papers are mainly focused on Hisako Hibi's life and career, with some small elements related to Matsusaburo "George" Hibi. Included are biographical material consisting of immigration documents and interview transcripts; scrapbooks; photographs of family members; printed material including catalogs and newspaper clippings; personal and professional correspondence; records of works sold, loaned and donated; and few sketches. Also found is Matsusaburo's handwritten account of founding the art school at Topaz camp.

Biographical / Historical:

Hisako Hibi née Shimizu (1907-1991) was Japanese American an artist in Hayward and San Francisco, California. She was married to­ artist Matsusaburo "George" Hibi (1886-1947). Both artists were incarcerated at the Topaz relocation center in Utah during World War II.

Provenance:

Donated in 2022 by Ibuki Hibi Lee, Hisako and Matsusaburo "George" Hibi's daughter.

Restrictions:

This collection is temporarily closed to researchers due to archival processing. For more information, please contact Reference Services.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California -- San Francisco  Search this

Printmakers -- California -- San Francisco  Search this

Topic:

Women artists  Search this

Asian American artists  Search this

Japanese American artists  Search this

Japanese Americans -- Forced removal and internment, 1942-1945  Search this

Genre/Form:

Scrapbooks

Identifier:

AAA.hibihisa

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96ad4ec94-a26a-44a8-94e1-868fddd32f1d

EDAN-URL:

ead_collection:sova-aaa-hibihisa

Interviewee:

Tomkins, Margaret, 1916-2002  Search this

Interviewer:

Guenther, Bruce  Search this

Subject:

Fitzgerald, James  Search this

Artists Gallery (Seattle, Wash.)  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Margaret Tomkins, 1984 June 6. Archives of American Art, Smithsonian Institution.

Topic:

Abstract expressionism  Search this

Artists -- Northwestern States -- Interviews  Search this

Art, Modern -- Northwestern States  Search this

Women artists  Search this

Women painters  Search this

Record number:

(DSI-AAA_CollID)12308

(DSI-AAA_SIRISBib)212455

AAA_collcode_tomkin84

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212455

Creator:

Gray, Cleve, 1918-2004  Search this

Subject:

Richter, Hans  Search this

Marin, John  Search this

Lipchitz, Jacques  Search this

Pollock, Jackson  Search this

Grace, Louise N.  Search this

Gray, Francine du Plessix  Search this

Duchamp, Marcel  Search this

Dillenberger, Jane  Search this

Gabo, Naum  Search this

Ernst, Jimmy  Search this

Davis, Jim  Search this

Calder, Alexander  Search this

Barzun, Jacques  Search this

Weber, Nicholas Fox  Search this

Smith, David  Search this

Villon, Jacques  Search this

Pratt Institute  Search this

Rhode Island School of Design  Search this

Neuberger Museum of Art  Search this

Jacques Seligmann & Co  Search this

Betty Parsons Gallery  Search this

Connecticut. Commission on Arts, Tourism, Culture, History and Film  Search this

Princeton University  Search this

Berry-Hill Galleries  Search this

Type:

Poems

Articles

Photographs

Reviews (documents)

Notes

Illustrations

Notebooks

Sketches

Drafts (documents)

Video recordings

Sound recordings

Interviews

Manuscripts

Paintings

Prints

Watercolors

Drawings

Lectures

Citation:

Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.

Topic:

Art, Modern -- 20th century -- United States  Search this

Vietnam War, 1961-1975 -- Protest movements -- United States  Search this

Designers  Search this

Women artists  Search this

Women painters  Search this

Women sculptors  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9567

(DSI-AAA_SIRISBib)211768

AAA_collcode_grayclev

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211768

Creator:

Selinger, Emily Harris Mcgary, 1848-1927  Search this

Selinger, Jean Paul, 1850-1909  Search this

Citation:

Emily and Jean Paul Selinger papers, 1882-1918. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)7044

(DSI-AAA_SIRISBib)209177

AAA_collcode_seliemil

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209177

Creator:

Schulte, Antoinette E., 1897-1981  Search this

Citation:

Antoinette Schulte papers, 1923-1973. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8623

(DSI-AAA_SIRISBib)210803

AAA_collcode_schuanto

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210803

Creator:

Sharrer, Madeleine Ellen Sachs  Search this

Subject:

Sharrer, Honoré  Search this

Citation:

Madeleine Sharrer papers, 1968-1990. Archives of American Art, Smithsonian Institution.

Topic:

Portrait painting  Search this

Women artists  Search this

Women painters  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8650

(DSI-AAA_SIRISBib)210830

AAA_collcode_sharmade

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210830

Creator:

Shibley, Gertrude, 1912-2006  Search this

Citation:

Gertrude Shibley papers, 1941-1975. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8652

(DSI-AAA_SIRISBib)210832

AAA_collcode_shibgert

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210832

Creator:

Shiras, Myrna, 1936-  Search this

Type:

Interviews

Citation:

Myrna Shiras papers, 1954-1976. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8653

(DSI-AAA_SIRISBib)210833

AAA_collcode_shirmyrn

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210833

Creator:

Shore, Lily  Search this

Citation:

Lily Shore papers, 1939-1976. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women sculptors  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8712

(DSI-AAA_SIRISBib)210893

AAA_collcode_shorlily

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210893

Creator:

Soho 20 (Gallery)  Search this

Subject:

Bumby, Noreen  Search this

Goldring, N. (Nancy)  Search this

Place:

SoHo (New York, N.Y.)

Citation:

Soho 20 records, 1972-1979. Archives of American Art, Smithsonian Institution.

Topic:

Feminism and art  Search this

Women artists  Search this

Theme:

Women  Search this

Art Gallery Records  Search this

Art organizations  Search this

Record number:

(DSI-AAA_CollID)8755

(DSI-AAA_SIRISBib)210936

AAA_collcode_soho20

Theme:

Women

Art Gallery Records

Art organizations

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210936

Creator:

Schwalb, Claudia  Search this

Subject:

Saret, Alan  Search this

Type:

Interviews

Citation:

Claudia Schwalb papers, 1984-1996. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women authors  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6648

(DSI-AAA_SIRISBib)215963

AAA_collcode_schwclau

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_215963

Creator:

Abad, Pacita, 1946-2004  Search this

Garrity, Jack  Search this

Type:

Sound recordings

Video recordings

Citation:

Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Asian American artists  Search this

Filipino American artists  Search this

Theme:

Asian American  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)17426

(DSI-AAA_SIRISBib)385006

AAA_collcode_abadpaci

Theme:

Asian American

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_385006

Creator:

Cash, Marie Romero, 1942-  Search this

Type:

Sketchbooks

Citation:

Marie Romero Cash papers, 1981-2021. Archives of American Art, Smithsonian Institution.

Topic:

Santeros  Search this

Latino and Latin American artists  Search this

Women artists  Search this

Women sculptors  Search this

Theme:

Latino and Latin American  Search this

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)17505

(DSI-AAA_SIRISBib)390313

AAA_collcode_cashmari

Theme:

Latino and Latin American

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_390313

Creator:

Fuller, Diana Burgess  Search this

Names:

Fuller Goldeen Gallery  Search this

Fuller Gross Gallery  Search this

Hansen Fuller Goldeen Gallery  Search this

Hansen Galleries  Search this

Hansen-Fuller Gallery  Search this

Brown, Joan, 1938-1990  Search this

De Forest, Roy, 1930-2007  Search this

Holland, Tom, 1936-  Search this

Levine, Marilyn, 1935-2005  Search this

Wiley, William T., 1937-2021  Search this

Extent:

67.9 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1958-2004

Summary:

The Diana Fuller papers and gallery records measure 67.9 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.

Scope and Contents:

The Diana Fuller papers and gallery records measure 67.9 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.

Administrative files include job descriptions, inventories of artwork, addresses, and contact lists; papers relating to foundries, photographers, framers, and printers; advertising records, property records, travel files, and one gallery guestbook. Correspondence files document the galleries' relationship with collectors, clients, art organizations, and consultants. The files include some sales records, agreements, printed material, and photos of artwork as well. Artists' files include biographical information, artist statements, correspondence, client lists, exhibition materials, loan and consignment records, and more. Among the artists featured extensively is Beth Van Hosen, William T. Wiley, Roy DeForest, Robert Arneson, Tom Holland, Robert Hudson, Marilyn Levine, and Joan Brown.

Exhibition and event files shed light on solo and group shows held at Fuller galleries, Art Unlimited and Hansen Gallery, and outside galleries, museums, and institutions; art fairs held in the U.S. and abroad, and auctions. Files related to film screenings, tours, luncheons, and other special events held at Fuller galleries are also present. Dealer and institution files consist of correspondence, loan and consignments records, bills of sale, commission agreements and contracts, printed material, price lists, and some photographic materials. Financial records contain account ledgers, invoices and receipts, gallery checks, and sales records. Also present are donation records, appraisal reports, and some financial records from Arts Unlimited and Hansen Gallery.

Diana Fuller's papers include project files, appraisal records, membership records, correspondence, and photographic materials. Records related to the Bay Area Consortium for the Visual Arts consist of administrative records, project files, grant applications, 1989 earthquake disaster relief material, and organization finances. Files relating toParallels and Intersections and its accompanying exhibition contain artist files, author files, correspondence, publishing agreements, drafts, cassette tapes, DVDs, and more.

Arrangement:

The collection is arranged as 7 series.

Series 1: Administrative Records, 1969-1992 (Box 1-3; 2.2 linear feet)

Series 2: Correspondence Files, 1963-1993 (Box 3-8; 5.5 linear feet)

Series 3: Artists' Files, 1959-1993 (Box 8-37; 28.5 linear feet)

Series 4: Exhibition and Event Files, 1967-1993, 2001 (Box 37-45; 8.3 linear feet)

Series 5: Dealer and Institution Files, 1965-1992 (Box 45-51; 6.3 linear feet)

Series 6: Financial Records, 1958-1990 (Box 51-58, 68-70; 7.9 linear feet)

Series 7: Diana Fuller Personal and Professional Papers, 1970s-2004 (Box 58-67; 9.2 linear feet)

Biographical / Historical:

The Diana Fuller galleries were contemporary art galleries in San Francisco, California, from 1969 to 1990. During this period, the gallery changed name and ownership on several occasions: Hansen-Fuller Gallery (1969-1979), Hansen-Fuller-Goldeen Gallery (1979-1982), Fuller-Goldeen Gallery (1982-1986), and Fuller-Gross Gallery (1987-1990). The three gallerists who partnered with Fuller were Wanda Hansen, Dorothy Goldeen, and Brian Gross. Among the artists represented by Fuller galleries were Beth Van Hosen, William T. Wiley, Roy DeForest, Robert Arneson, Tom Holland, Robert Hudson, Marilyn Levine, and Joan Brown. Fuller galleries held performance and conceptual art exhibitions, music performances, screened films, and rented its space out for luncheons and other special events. The gallery also exhibited at art fairs in the U.S. and Europe.

Diana Burgess Fuller is a curator, editor, and filmmaker who was previously a gallerist and art dealer. Diana Burgess worked at Saks Fifth Avenue when she married author Blair Fuller in 1965. Around 1967, she began working for Wanda Hansen's contemporary art gallery, which changed names from Art Unlimited to Hansen Galleries (sometimes Gallery). In 1969, Fuller and Hansen opened the Hansen-Fuller Gallery. That same year, Blair Fuller and novelist Oakley Hall started the Community of Writers at Squaw Valley. Diana Fuller has been involved with Squaw Valley since its inception, and currently serves as director of its screenwriting program. Fuller continued in the retail art business for a short period after closing the gallerey in 1990. In the late 1990s, Fuller began working on the seminal exhibition and book catalog, Art/Women/California, 1950-2000: Parallels and Intersections (2002), documenting more than 90 women artists working in California in the second half of the twentieth century. Fuller was the former president of the Film Arts Foundation and former chair of the Roxie Theater; she currently serves on the board of Artists in Residence Program at Recology.

Related Materials:

Also found in the Archives of American Art is the Dorothy Goldeen Gallery records.

Provenance:

The collection was donated by Diana Fuller, 1991-1995 and 2022.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art, Modern -- 20th century -- California -- San Francisco  Search this

Function:

Art galleries, Commercial -- California

Citation:

Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.fulldian

See more items in:

Diana Fuller papers and gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw990eb0854-d635-4089-b6e7-735e8b68cb2d

EDAN-URL:

ead_collection:sova-aaa-fulldian

Creator:

Soho 20 (Gallery)  Search this

Names:

Bumby, Noreen  Search this

Goldring, N. (Nancy)  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Place:

SoHo (New York, N.Y.)

Date:

1972-1979

Summary:

Soho 20 records measure 0.2 linear feet and date from 1972 to 1979. The collection includes exhibition ephemera, clippings, membership lists and mailers, two artists' files, a Soho 20 artist booklet, press releases, and scant photographic materials.

Scope and Contents:

Soho 20 records measure 0.2 linear feet and date from 1972 to 1979. The collection includes exhibition announcements and catalogs, a Soho 20 artist booklet, press releases, membership lists and mailers, and clippings. Also included are writings, bibliographic information, exhibition ephemera, and clippings pertaining to Nancy Goldring; and photos of artist Noreen Bumb, her artwork, and installations.

Arrangement:

Due to the small size of this collection the records are arranged as one series.

Biographical / Historical:

Soho 20 is an artist-run gallery founded in 1973 in New York. The gallery's founding members are Elena Borstein, Cynthia Mailman, Barbara Coleman, Maureen Conner, Mary Ann Gillies, Joan Glueckman, Eunice Golden, Margaret Helenchild, Marion Ranyak, Rachel Rolon De Clet, Marilyn Raymond, Halina Rusak, Lucy Sallick, Morgan Sanders, Rosalind Shaffer, Sylvia Sleigh, Eileen Spikol, May Stevens, Suzanne Weisberg, and Sharon Wybrants-Lynch. Soho 20's mission is to provide women and other marginalized artists with resources and opportunities. The gallery became a legal non-profit in 1989.

Provenance:

The collection was donated in 1979 by Rachel Rolon de Clet, a director of the gallery.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Feminism and art  Search this

Women artists  Search this

Function:

Artist-run galleries -- New York (State)

Citation:

Soho 20 records, 1972-1979. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.soho20

See more items in:

Soho 20 records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94f23f063-eed9-4f85-87f9-be86639308fd

EDAN-URL:

ead_collection:sova-aaa-soho20

Creator:

Cash, Marie Romero  Search this

Extent:

0.7 Linear feet

Type:

Collection descriptions

Archival materials

Sketchbooks

Date:

1981-2021

Summary:

The Marie Romero Cash papers measure 0.7 linear feet and date from circa 1981 to 2021. The papers document Cash's career as an artist through sketches (some annotated), a sketchbook, photographs, and printed material documenting Cash's sculptures and paintings in the Santera tradition. This also includes the originial illustrations for Santera-based book projects and one fully realized, hand-painted artist book, 'The Book of Tobit.' The book comes in a tin container, with designs in relief created by the artist. Also included is 1 CD containing an episode of 'The Muse,' an arts-based interview program produced by Boss Productions; 1 CD documenting Cash's wooden sculpture 'The Chicken Bus'; and 1 CD labeled "photos: David Alfaya for Marie Cash".

Scope and Contents:

The Marie Romero Cash papers measure 0.7 linear feet and date from circa 1981 to 2021. The papers document Cash's career as an artist through sketches (some annotated), a sketchbook, photographs, and printed material documenting Cash's sculptures and paintings in the Santera tradition. This also includes the originial illustrations for Santera-based book projects and one fully realized, hand-painted artist book, 'The Book of Tobit.' The book comes in a tin container, with designs in relief created by the artist. Also included is 1 CD containing an episode of 'The Muse,' an arts-based interview program produced by Boss Productions; 1 CD documenting Cash's wooden sculpture 'The Chicken Bus'; and 1 CD labeled "photos: David Alfaya for Marie Cash".

Arrangement:

The collection is arranged into one series

Series 1: Marie Romero Cash papers, 1981-2021 (0.7 linear feet; Box 1, OV 2-3, Artifact 4)

Biographical / Historical:

Marie Romero Cash (1942- ) is an artist and Santera (saint artist) living in Santa Fe, New Mexico. Cash has completed commissions for St. Francis Cathedral in Santa Fe, New Mexico, the Cathedral Church of St. John in Albuquerque, and for various other churches in New Mexico.

Provenance:

Donated 2017 and 2022 by Marie Romero Cash.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New Mexico -- Santa Fe  Search this

Topic:

Santeros  Search this

Latino and Latin American artists  Search this

Women artists  Search this

Women sculptors  Search this

Genre/Form:

Sketchbooks

Citation:

Marie Romero Cash Papers, 1981-2021. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.cashmari

See more items in:

Marie Romero Cash papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw932a73bb7-31b8-4b14-90df-87ce718f9f3c

EDAN-URL:

ead_collection:sova-aaa-cashmari

Creator:

Abad, Pacita  Search this

Garrity, Jack  Search this

Extent:

89.63 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Sound recordings

Video recordings

Date:

1984-2008

Summary:

The collection of audiovisual material relating to Pacita Abad measures 89.63 GB and dates from 1984 to 2008. All materials in this collection are in born-digital format and include video and audio recordings and presentations. The Biographical Materials series includes videos of Pacita Abad's life in the Washington, D.C., region, and several recordings of memorials and services after her passing in 2004. The Professional Materials series consists of videos of two workshops and two lectures given by Pacita Abad. The Interviews and Documentaries series consists of American and Asian TV programs, films, and radio interviews with and about Pacita Abad and her art. The Exhibitions and Artwork series has videos and presentations of Pacita Abad's art, and solo and group exhibitions.

Scope and Contents:

The collection of audiovisual material relating to Pacita Abad measures 89.63 GB and dates from 1984 to 2008. All materials in this collection are in born-digital format and include video and audio recordings and presentations. Several of the videos were transferred from VHS tapes. Some recordings in this collection are only partially transferred, and technical quality of both audio and video components varies. The Biographical Materials series includes videos of Pacita Abad's life in the Washington, D.C., region, and several recordings of memorials and services after her passing in 2004. The Professional Materials series consists of videos of two workshops and two lectures given by Pacita Abad. The Interviews and Documentaries series consists of American and Asian TV programs, films, and radio interviews with and about Pacita Abad and her art. The Exhibitions and Artwork series has videos and presentations of Pacita Abad's art, and solo and group exhibitions.

Arrangement:

The collection is arranged as four series.

Series 1: Biographical Material, 1994-2005 (19.39 GB; ER01-ER08)

Series 2: Professional Material, 1995-2000 (11.86 GB; ER09-ER11, ER42)

Series 3: Interviews and Documentaries, 1990-2004 (36.68 GB; ER12-ER29)

Series 4: Exhibitions and Artwork, 1984-2008 (21.70 GB; ER30-ER41)

Biographical / Historical:

Pacita Abad (1946-2004) was an Ivatan and Filipina painter based in New York, San Francisco, and Washington, D.C. Abad emigrated to the United States from the Philippines in 1970, and became a naturalized U.S. citizen in 1994.

Abad traveled in over 80 countries and different cultures had a profound influence on her artistic style. She developed a technique of trapunto painting, which entailed stitching and stuffing painted canvases to give them a three-dimensional, sculptural effect, and incorporating materials such as traditional cloth, mirrors, beads, shells, plastic buttons, and other objects into the surface of paintings. Abad crafted more than 5,000 artworks over a 30-year career. Her work has been featured in over 60 solo and group exhibitions at museums and galleries worldwide, and her art is held in private collections and cultural institutions in more than 70 countries.

Provenance:

Donated 2009 by Jack Garrity, Abad's husband and director of Pacita Abad Art Estate.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. This collection is open for research. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial,educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Washington (D.C.)  Search this

Topic:

Women artists  Search this

Asian American artists  Search this

Filipino American artists  Search this

Genre/Form:

Sound recordings

Video recordings

Citation:

Audiovisual material relating to Pacita Abad, 1984-2008. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.abadpaci

See more items in:

Audiovisual material relating to Pacita Abad

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99775ecb3-a651-4cd9-ba7e-cd3aa3107d95

EDAN-URL:

ead_collection:sova-aaa-abadpaci

Creator:

Selinger, Emily, 1848-1927  Search this

Selinger, Jean Paul, 1850-1909  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1882-1918

Summary:

The papers of painters Emily and Jean Paul Selinger measure 0.2 linear feet and date from 1882 to 1918. The collection provides scattered documentation of the lives and work of the Selingers through biographical materials, family correspondence, photographs, and printed material.

Scope and Contents:

The papers of painters Emily and Jean Paul Selinger measure 0.2 linear feet and date from 1882 to 1918. The collection provides scattered documentation of the lives and work of the Selingers through biographical materials, family correspondence, photographs, and printed material.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Emily Harris Mcgary Selinger (1848-1927) was a painter, author, and poet in Boston, Massachusetts and New Hampshire. Emily was originally from Wilmington, North Carolina, and was instrumental in establishing the Normal Art School in Louisville, Kentucky. She was known for her still-life and floral paintings.

Emily's husband, Jean Paul Selinger (1850-1909), was a landscape and portrait painter in Boston, Massachusetts and New Hampshire. He opened a summer studio in Glen House, in the White Mountains of New Hampshire in the mid-1880s.

Provenance:

A portion of the papers was donated in 1982 by Charles and Gloria Vogel when acquired through research on White Mountain artists. Additional material was donated in 1982 by Marion C. Keaney, through her grandparents, the D. H. Remingtons, who were neighbors of Emily Selinger's mother, Mrs. McGary.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New Hampshire  Search this

Painters -- Massachusetts -- Boston  Search this

Authors -- Massachusetts -- Boston  Search this

Authors -- New Hampshire  Search this

Landscape painters -- Massachusetts -- Boston  Search this

Landscape painters -- New Hampshire  Search this

Topic:

Women artists  Search this

Women painters  Search this

Function:

Artists' studios -- Massachusetts

Citation:

Emily and Jean Paul Selinger papers, 1882-1918. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.seliemil

See more items in:

Emily and Jean Paul Selinger papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9703c0f9e-6b9f-470a-a3d0-dfb9c979beb8

EDAN-URL:

ead_collection:sova-aaa-seliemil

Creator:

Schwalb, Claudia  Search this

Names:

Saret, Alan, 1944-  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Date:

1984-1996

Summary:

The scattered papers of New York painter and author Claudia Schwalb date from 1984-1996 and measure 0.2 linear feet. Papers include letters, artwork by Scwalb, a typescript of a writing including an interview with Alan Saret, photographs of individuals and works of art, negatives, and slides of artwork.

Scope and Contents:

The scattered papers of New York painter and author Claudia Schwalb date from 1984-1996 and measure 0.2 linear feet. Papers include letters, artwork by Scwalb, a typescript of a writing including an interview with Alan Saret, photographs of individuals and works of art, negatives, and slides of artwork.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

New York City, New York painter and author Claudia Schwalb has exhibited at Clocktower Gallery and the New Museum, and is currently a writer for whitehotmagazine.com.

After graduating from Pratt Institute, Schwalb apprenticed with painter Ron Gorchov and began writing for Cover Magazine and other art journals.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women authors  Search this

Genre/Form:

Interviews

Citation:

Claudia Schwalb papers, 1984-1996. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.schwclau

See more items in:

Claudia Schwalb papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw987418634-5d5b-46eb-b9c2-202652390bcc

EDAN-URL:

ead_collection:sova-aaa-schwclau