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Wise, Howard - Zeidenberg, Olaf, Group Signature

Collection Creator:
Wagstaff, Samuel J.  Search this
Container:
Box 2, Folder 35
Type:
Archival materials
Date:
1963-1970, undated
Scope and Contents note:
Wise, Howard

Wolff, Christian

Wood, Charles B., III

Young, La Monte

Zawisa, Bernard

Zazeela, Marian

Zeidenberg, Olaf

Group Signature
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Samuel J. Wagstaff papers, circa 1932-1985. Archives of American Art, Smithsonian Institution.
See more items in:
Samuel J. Wagstaff papers
Samuel J. Wagstaff papers / Series 1: Correspondence / 1.1: Correspondence with Artists and Others
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901b53377-0241-46c9-bbbf-34b74143d67a
EDAN-URL:
ead_component:sova-aaa-wagssamu-ref92

Wise, Howard

Collection Creator:
Briggs, Ernest, 1923-  Search this
Container:
Box 1, Folder 24
Type:
Archival materials
Date:
1959-1982
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ernest Briggs papers, circa 1900-2013, bulk 1940-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Ernest Briggs papers
Ernest Briggs papers / Series 2: Correspondence / By Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ea08732e-227e-4fa5-ba98-72c9880aa95a
EDAN-URL:
ead_component:sova-aaa-brigerne-ref46

"All in Pennsylvania" by Wise, Howard E. Recreational Guide and Highway Map, and Miscellaneous Photographs

Collection Creator:
National Association of Civilian Conservation Corps Alumni  Search this
Ward, C.E.  Search this
Civilian Conservation Corps (U.S.)  Search this
Bidwell, Timothy  Search this
Bires, Andrew, G.  Search this
Container:
Box 142, Folder 5
Type:
Archival materials
Date:
undated
2003
1998
Collection Restrictions:
This collection is open for research use.

Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
See more items in:
Civilian Conservation Corps (CCC) Collection
Civilian Conservation Corps (CCC) Collection / Series 2: State Material / 2.37: Pennsylvania
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8354ad268-c5b5-42d7-ae03-c5be720a8b35
EDAN-URL:
ead_component:sova-nmah-ac-0930-ref396

Winn, William A. - Wohlinger, George

Collection Creator:
Catherine Viviano Gallery  Search this
Container:
Box 6, Folder 42
Type:
Archival materials
Date:
undated
1951-1969
Scope and Contents note:
Winn, William A.

Winter, Anne

Wise, Howard E.

Wisner, John B.

Wohlinger, George
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978. Archives of American Art, Smithsonian Institution.
See more items in:
Catherine Viviano Gallery records
Catherine Viviano Gallery records / Series 2: Correspondence / 2.1: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97b7e54e5-f129-432d-941a-af4f3bda0895
EDAN-URL:
ead_component:sova-aaa-cathvivi-ref633

Correspondence

Collection Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Type:
Archival materials
Date:
circa 1941-1984
Scope and Contents note:
Lee Krasner's correspondence spans over forty years, but the bulk of it ranges from 1970 to her death in 1984. Found here is correspondence with galleries and gallery owners that represented her, exhibited her work, or requested her work for potential exhibitions. Krasner was friends with many artists and art professionals and her personal correspondence includes many letters from artists such as Philip Johnson, Ray Eames, Cleve Gray, and Hans Namuth. She also corresponded with art historians and critics, curators, collectors, arts and social organizations, admirers, and family members. Additionally, this series includes fan mail, student inquiries, correspondence with journalists and publishers, requests for her to lecture, and business correspondence on the sale of her work. There are numerous letters and telegrams congratulating Krasner on exhibitions, such as the 1965 Whitechapel retrospective and extensive documentation of her 1958 commission to create a mural for Uris Brothers, Inc.

See Index for List of Notable Correspondents from Series 2.2
Arrangement note:
Letters are arranged chronologically and include both letters received by Krasner and handwritten or typed drafts sent by Krasner. Later in her life many of the drafts were written by her secretary.
Index: List of Notable Correspondents from Series 2.2:
List represents only a selection of correspondents.

Albright-Knox Art Gallery

American Federation of Arts

Appelhof, Ruth Ann

Asher, Elise

Australian National Gallery

Barron, Maida

Berkson, Bill

Collier, Oscar

Cooper Union

County of Nassau Office of Cultural Development

Diamonstein, Barbaralee

Dickler, Gerald

Eames, Ray

Englesmith, Tejas

Erskine, Halley

Forge, Andrew (Yale University)

Franklin Siden Gallery

Friedman, B. H.

Friedman, Sanford

Glaser, Bruce

Goodman, Naomi

Gray, Cleve

Gregory-Hood, Alex (Rowan Gallery)

Guggenheim Museum

Guild Hall

Holladay, Billie

Howard, Richard

Howell, Douglas Morse

Hubbard, E. W.

Janie C. Lee Gallery

Johnson, Philip

Landau, Ellen

Lauck, Anthony

Lloyd, Frank

Marlborogh Fine Art, Ltd.

Martha Jackson Gallery

Matter, Mercedes

McHenry, Barnabas (Barney)

Michael, Marjorie

Museum of Modern Art

Myers, John Bernard

Namuth, Hans

Nemser, Cindy

New York WPA Artists, Inc.

Nochlin, Linda

Novak, Barbara

O'Connor, Francis

Oppler, Ellen

Ossorio, Alfonso

Pace Gallery

Parrish Art Museum

Pavia, Philip

Pollock, Jay

Rago, Louise Elliott

Robert Miller Gallery

Robertson, Bryan

Rose, Barbara

Russell, Bertrand

Schilling, Marge

School of Visual Arts

Sidney Janis Gallery

Siegel, Adele

Smithsonian Institution

Spaeth, Elaine

Stasik, Andrew

Still, Clyfford

Stony Brook Foundation

Tate Gallery

Thaw, Eugene V.

Thayer, Jeanne

Valliere, James

Van Fossen, Ted

Whitechapel Art Gallery

Whitney, David

Whitney Museum of American Art

Wise, Howard
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.polljack, Subseries 2.2
See more items in:
Jackson Pollock and Lee Krasner papers
Jackson Pollock and Lee Krasner papers / Series 2: Lee Krasner Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96722ffd5-a9d8-4cac-9ac1-6be3b9b13fdb
EDAN-URL:
ead_component:sova-aaa-polljack-ref245

Correspondence

Collection Creator:
Spohn, Clay Edgar, 1898-1977  Search this
Extent:
(boxes 2-5, 4.7 linear feet)
Type:
Archival materials
Date:
1925-1981, undated
Scope and Contents note:
Correspondence is between Spohn and his colleagues, including two letters from Alexander Calder, eight letters from Mark Rothko, and twenty-eight letters from Clyfford Still.

See Appendix for an alphabetical list of correspondents from Series 2.2.
Appendix: Alphabetical List of Correspondents in 2.2:
Abend, George and Kitty Parker Abend (artists): 1950-1960 (4 letters)

Abingdon Square Painters: 1958 (1 letter)

Addison Gallery of American Art: 1958 (2 letters)

American Artists' Congress: 1938 (1 letter)

American Library of Color Slides: 1941 (1 letter)

Anderson, Claude J. K.: 1958 (1 letter)

Anderson, Wendell (poet): 1955-1956 (2 letters)

Archives of American Art: 1964 (4 letters)

Art Academy of Cincinnati: 1958-1959 (3 letters)

Art Association of Newport: 1958 (1 letter)

Art Career School: 1958 (1 letter)

Artists Equity Association: 1950 (1 letter)

Arts and Architecture: 1963 (1 letter)

Art Students League: 1958-1964 (2 letters)

Art Times: 1959 (1 letter)

Art Workshop of the Rivington Neighborhood Asociation, Inc.: 1958 (1 letter)

Ashton, Dore: 1969 (1 letter)

Ayer, Phyllis: 1956 (1 letter)

Bachels, Andrew: 1969 (1 letter)

Barnett, Rici: 1973 (1 letter)

Barron, John N.: 1966 (1 letter)

Beasley, David and Viola: 1963-1978 (11 letters)

Bender: Albert M. Bender Memorial Trust: 1947-1951 (2 letters)

Bethers, Peggy: 1940 (1 letter)

Blesh, Rudi: 1960 (1 letter)

Board of Education, City of New York: 1958-1965 (2 letters)

Booth, James W. (family friend): 1943-1956 (7 letters)

Borgenight: Grace Borgenight Gallery, Inc.: 1965 (1 letter)

Boru, Sorcha: 1932-1933 (12 letters)

Brandenburg, Helen: 1970 (1 letter)

Braunstein/Quay Gallery: 1977 (1 letter)

Briggs, Ernie: 1967-1977 (2 letters)

Bright, Beatrice: 1971-1973 (2 letters)

Brock, Midu: 1954 (1 letter)

Brooklyn Society for Ethical Culture: 1966 (1 letter)

Brown, Lesley: 1955 (1 letter)

Burke, Bob: 1971 (1 letter)

Burnham, Janet B.: 1950 (1 letter)

Bute, Janey: 1971 (1 letter)

Calcagno, Lawrence: 1969-1977 (5 letters)

Calder, Alexander: 1970-1972 (2 letters)

California Palace of the Legion of Honor: 1964 (1 letter)

California School of Fine Arts: 1955-1964 (2 letters)

California: University of California at Berkeley: 1940 (1 letter)

California: University of California at Santa Clara: 1975-1976 (2 letters)

Carewe, Sylvia: 1969 (1 letter)

Carr, James F.: 1967 (1 letter)

Chase Manhattan Bank: 1971 (2 letters)

Chisholm, Stuart (landscape architect): 1925 (1 letter)

Clayton, Janice: undated and 1965-1974 (6 letters)

Clifton, Jim and Mary (owners of a Spohn painting): 1956 (1 letter)

College Art Association: 1949 (1 letter)

Colorado Springs Fine Arts Center: 1952-1970 (4 letters)

Cooke, Regina: 1955 (1 letter)

Cooley, Anne: 1941 (1 letter)

Corbett, Ed and Steff, and Rosamond Tirana: undated and 1951-1977(47 letters, including a 1962 wedding announcement for Corbett and Tirana, and a letter dated Mar 21, 1963 enclosing a photograph of Ed with an amputated foot)

Craig, Jeanne: 1963 (2 letters)

Crawford, Jane and Ernie: 1958 (3 letters)

Crehan, Hub and Anne: 1960 (1 letter)

Crewe, Sylvia: 1969 (1 letter)

Crews, Judson and Mildred (publishers of poetry magazine in Taos): 1952-1969 (4 letters)

Cumming, Ann (and Jennifer Sutcliffe): 1956 (1 letter)

Cunningham, Ben: 1950 (1 letter)

D'Arcangelo, Allan and Sylvia: 1965 (1 letter)

Dasburg, Andrew: 1961 (1 letter)

DePuy, John: 1964 (1 letter)

Diebenkorn, Richard: 1951 (1 letter)

Dilexi Gallery (L. James Newman): 1965 (1 letter)

Dixon, Budd (J.B.) and Peggy: 1954-1970 (5 letters)

Dowell-Kahl Gallery (Leone Kahl, director): 1963 (1 letter)

Drumm, Steve: 1953 (1 letter)

Durham, Charlotte: 1968-1970 (3 letters)

D'Vorzon, Berenice and Randal Goya: 1965 (1 letter)

East Hampton Gallery: undated (1 letter)

Edwards, Tom L.: 1945-1974 (2 letters)

Egri, Ted and Kit: 1958-1971

Elster, Grace-Marion: 1926 (1 letter)

Ely, Georgette and Wolcott: 1958-1969 (38 letters)

Finichel, Lilly: 1954 (1 letter)

Forster, Bertrand Dixon: 1961 (1 letter)

Forster, Paul and Else: undated and 1943-1974 (15 letters)

Fort Worth Art Center Museum: 1971 (1 letter)

Foss, Florence: 1958 (1 letter)

Fran, Ford: 1971 (1 letter)

Fryworth, Teressa (Terry) (Registrar at California School of Fine Arts): 1950-1978 (72 letters)

Fuller, Mary: see McChesney, Mary

Fuller, Patti (Ed Corbett's niece): 1955 (2 letters)

Furse, Roger: 1928-1953 (4 letters)

Gallery of Modern Art, Taos, N.M.: 1972 (1 letter)

Garcia, Enos: 1954 (1 letter)

Georgiadis, Alex: 1951 (1 letter)

Gettell, Mrs. Richard Glenn: 1958 (an invitation to meet Col. George Lincoln)

Gluck, Heidi: 1977 (1 letter)

Gomez, Dorothy Massey (mother of anthropologist Bill Massey): 1950 (1 letter)

Gomez, Joe: undated and 1971 (2 letters)

Grant, Bob: 1953-1972 (2 letters)

Grant, Carolyn: 1969 (1 letter)

Great Neck Board of Education: 1960 (1 letter)

Grimm, Marjorie: 1973 (1 letter)

Grossmann, Nancy: 1966 (1 letter)

Guggenheim: John Simon Guggenheim Memorial Foundation: 1953-1954 (2 letters)

Harwood Foundation: 1953-1956 (2 letters)

Harris, Roger: 1973 (1 letter)

Hawley, W. R.: 1977 (1 letter enclosing an exhibition catalog "Unemployed Wizards")

Heischman, R. L.: undated (1 letter)

Hill, Dorothy: 1967 (2 letters)

Hocks, Fred: 1952 (1 letter)

Howard, Ellen and Galen: 1957 (1 letter)

Howard, Robert Boardman and Adaline Kent (San Francisco sculptors): 1951-1955 (2 letters)

Howard, Madge Knight and Charles H.: 1946-1954 (21 letters)

Hultburg, John and Lynne: 1959-1974 (5 letters)

Huntsville Museum of Art: see Braunstein/Quay Gallery

Hurst, Tricia: 1977 (1 letter)

Hutchinson, Mrs. D. H.: 1925 (1 letter)

Illinois: University of Illinois at Urbana: 1952 (2 letters)

Jackson: Martha Jackson Gallery: 1965 (1 letter)

Jacobson, Art (artist) and Ursula: 1950-1960 (9 letters)

Jonson Gallery: 1969-1970 (2 letters)

Kadish, Reuben: 1958 (1 letter)

Kahl: Leone Kahl Gallery: 1964 (1 letter)

Karnes, Marion Watson: undated and 1947-1954 (80 letters from Spohn)

Keeney, James: 1963 (1 letter)

Kieve, Rudolph: 1971 (3 letters)

King, Vivie and Rufus: 1977 (1 letter)

Kingman, Dong: undated calling card

Kuhlman, Walt: 1957 (2 letters)

Kultberg, Lynne and John: 1965 (1 letter)

Labaudt, Lucien: 1943 (1 letter)

Labaudt, Marcelle: 1956 (1 letter)

Landgren, Paula: undated (1 letter)

Lannan, J. Patrick (The Susquehanna Corporation/ The Lannan Foundation): 1966-1971 (4 letters); see Personal Business Records for correspondence pertaining to the Foundation's support of Spohn, 1961-1962

LaPlante, John (Stanford University): 1949 (1 letter)

Lazarus, Rosalind: 1960 (1 letter)

LeBow-Gould Associates: 1958 (3 letters)

Lee, Martha: 1957 (1 letter)

Lehman, Margarett: 1957 (1 letter)

Letter Shop: 1956 (1 letter)

Library of Congress Copyright Office: 1932 (1 letter concerning the trisection of an arbitrary angle)

Lippincott, Janet (artist): 1955-1956 (5 letters)

Lockwood, Ward: 1952 (1 letter)

MacAgy, Douglas and Betty: undated and 1945-1973 (13 letters)

MacAgy, Jermayne (Jerry): 1945-1948 (2 letters)

Macdowell Colony: 1975 (1 letter)

Machcinski, Barbara: 1971 (1 letter)

MacIntyre, Carlyle F.: 1945 (1 letter)

Maes, Virginia: 1941 (1 letter)

Mare, Doris and Emil: 1969 (1 letter)

Marse, John J.: 1962 (1 letter)

Marter, Joan: 1977 (3 letters)

Martin, Agnes: 1958-1975 (3 letters)

Massey, Ellen DeSelms: 1940 (2 letters)

McCarthy, Francis Joseph (AIA): 1950 (1 change of address card)

McChesney, Mary (Fuller) and Mac: 1952-1977 (62 letters, including one dated May 21, 1968 decorated with a lizard skin, one dated Jun 08, 1973 enclosing a wooden Yalalag Indian good luck charm, and one dated May 26, 1976 enclosing a photograph of group and McChesney art work at Temko mansion in Berkeley)

McCormick, Herbert: 1951 (1 letter)

McDonald, Katharyn: 1963-1964 (2 letters)

Merlin Development Company: 1962 (1 letter)

Merrick, Barbara: 1975 (1 letter)

Meyer, Fleur Cowler: 1968 (1 letter)

Miller, Dorothy (Museum of Modern Art): 1952-1977 (8 letters)

Moore Dry Dock Company: 1942 (2 letters)

Murphy, Jack W. and Dori (owners of some of Spohn's work): 1951-1976 (7 letters)

Mygatt, Tony: 1954 (1 letter)

National Collection of Fine Arts: 1977 (1 letter)

Neininger, Urban and Jeanne: 1950-1976 (48 letters)

New Mexico Highlands University: 1958-1969 (3 letters)

New Mexico: Museum of New Mexico Art Gallery: 1952-1957 (3 letters)

New Mexico: University of New Mexico at Albuquerque: 1957-1970 (2 letters)

New York City Transit Authority: 1962-1963 (2 letters)

New York Saucer Information Bureau: 1962-1965 (2 letters)

New York University: 1958-1960 (3 letters)

Oakland Museum (Terry St. John): 1970-1977 (33 letters)

O'Connor, Francis V.: 1979 (1 letter)

Ohio State University: 1958 (1 letter)

Oldfield, Otis: 1942 (1 letter of recommendation for Spohn for Albert M. Bender Grants-in-Aid)

Olmsted, Frederick: 1943 (1 letter)

Oregon: University of Oregon: 1974-1975 (2 letters)

Ortman, George: 1964 (2 letters)

Otto, Curtis, Roberta, and Adrienne: 1957 (1 letter)

Oxford University Press: 1949 (1 letter)

Parrett, Fred C.: undated and 1954 (2 letters)

Peale, Norman Vincent (office of): 1975 (1 letter)

Pepsi-Cola Annual Art Competition: 1947 (2 letters)

Peterson, Arline? and Pete: 1955-1957 (2 letters)

Petrovo, Miriam: 1961-1971 (11 letters)

Pitney, Peggy and Ed: 1948 (1 letter)

Queens College: 1958 (2 letters)

Ramsay, Anna R.: 1954 (1 letter)

Rankine, Vivie (Mrs. Paul Scott Rankine): 1964-1981 (5 letters)

Remington, Deborah: 1963 (1 letter)

Reminick, Harry: 1954 (1 letter)

Reynal, Jeanne: 1941 (an invitation to a reception for Arshile Gorky) and 1952 (1 letter)

Ribak, Louis and Bea: 1954-1976 (5 letters)

Richards, Tally: 1971-1980 (5 letters)

Ridiman, Bob: 1963-1970 (4 letters)

Rogoway, Marjorie and Rog: undated and 1953-1968 (15 letters)

Rosebury, Amy and Ted: 1954 (1 letter)

Rosen, Michael: 1970-1974 (4 letters)

Roswell Museum and Art Center: 1977-1978 (6 letters)

Rothko Foundation: 1971-1975 (4 letters)

Rothko, Mark and Mell: 1946-1958 (8 letters)

Rusnell, Wesley: 1972-1979 (13 letters)

Sachs Gallery: undated and 1968 (2 letters)

St. John's College: 1969 (1 letter)

Salzer, Oscar: 1955 (1 letter)

Sanders, Una and John: 1975-1977 (6 letters)

Sands, Louis: 1948 (1 letter)

San Francisco Art Association: 1939-1955 (19 letters)

San Francisco Museum of Art: 1949-1977 (18 letters)

Saxe, Suzanne: 1972-1973 (2 letters)

Scarpitta, Pat and Sal: 1968 (1 letter)

Schneiderwirth, Joan (friend of Ed Corbett): 1955 (1 letter)

School of Visual Arts: 1964-1970 (86 letters)

Schubart, Pauline: 1950 (1 letter)

Shoemaker, Peter (former student of Spohn): 1955-1958 (5 letters)

Shiras, Mary: 1958-1965 (10 letters)

Sihvonen, Oli: 1953-1977 (66 letters)

Slivka, David: 1954 (1 letter)

Smith, Hassel: 1948 (1 letter)

Spoerri, John: 1965-1977 (10 letters)

Stables Art Gallery (Leone Kahl, director): 1956-1965 (14 letters)

Stanford University: 1946 (1 letter)

Stephens, Dick and Carolyn: 1960-1965 (3 letters)

Stevens: Arthur Stevens Book Club: 1968 (1 letter)

Still, Clyfford: 1948-1968 (28 letters, including one dated Nov 1950 to Ed Corbett, and one dated Nov 29, 1963 enclosing a hand-drawn map to Still's home)

Strehler, Allen (Sociologist): 1954 (1 letter)

Summers, Al: 1952 (1 letter)

Sutcliffe, Jennifer (beautiful English girl who passed through Taos with Ann Cumming): 1956 (2 letters)

Sznajderman, Marius: 1967 (1 letter)

Taggart, Bill, Sandy, and Sean: 1968 (1 letter)

Taos Artist's Association (Taos Art Association): 1956-1964 (6 letters)

Taos Realty: 1968-1969 (3 letters)

Tatarsky, Hy and Muriel: 1952-1957 (2 letters)

Tatarsky, Stephanie: 1963-1964 (7 letters)

Taylor, Gene: 1925 (letter of introduction to Erskine Gwynne)

Temianka, Henri: 1941 (1 letter)

Tensan, Keith and Gene: 1957 (1 letter)

Terrain Gallery: 1960 (1 letter)

Terry Art Institute: 1951-1952 (7 letters)

Third Street Gallery (Helen Kaye, Director): 1950 (1 letter)

Thomas, Corine (owner of a Spohn painting): 1954-1957 (7 letters)

Tirana, Rosamond: undated and 1958-1962 (10 letters); see Corbett, Edward for additional letters

Van Duren, Allan and Betsy: 1953 (1 letter)

Van Ingen, Pat: 1973 (2 letters)

Varda, Yantoo?: 1949 (1 letter)

Visual Arts Gallery: 1967 (2 letters)

Vollmer, George A.: 1945-1948 (3 letters)

Von Herberg, Charlotte: 1950-1958 (2 letters)

Wakefield, Ruth Cravath: 1943 (1 letter of recommendation for Spohn)

Wandell, Walt and Doreen: 1958 (1 letter)

Wasley, Emily (aunt) and Sarah Rhoads (cousin): 1946-1955 (14 letters)

Wehrer, Anne: 1974 (1 letter)

Whaley, Bill: 1974 (1 letter)

White, Minor: 1963 (1 letter)

Who's Who In American Art: 1952-1969 (5 letters)

Who's Who In The Midwest: 1959 (1 letter)

Who's Who In The West: 1959 (1 letter)

Willard, Charlotte: 1960-1967 (3 letters)

Williams, Matilda A.: 1958 (1 letter)

Wilmans, Margery and Steve: 1974 (1 letter)

Winston, James W.: 1941 (1 letter)

Wise: Howard Wise Gallery: 1962 (1 letter)

Woelffer, Emerson and Diana: 1955-1958 (5 letters)

Wood, Ralph: 1960-1970 (5 letters)

Wright, Dorothy: 1926 (1 letter)

Wurlitzer: Helene Wurlitzer Foundation: 1954-1957 (3 letters)

Young-Hunter, Mrs. John: 1959 (1 letter)
Collection Restrictions:
The collection is open for research. Use of unfilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Clay Spohn Papers, circa 1862-1985, bulk 1890-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.spohclay, Subseries 2.2
See more items in:
Clay Spohn papers
Clay Spohn papers / Series 2: Clay Spohn Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e4ccaf20-7ae8-4ab6-91de-de112065866d
EDAN-URL:
ead_component:sova-aaa-spohclay-ref47

Waddell Gallery records

Creator:
Waddell Gallery  Search this
Names:
Art Dealers Association of America  Search this
Finch College. Museum of Art  Search this
Whitney Museum of American Art  Search this
Abrams, Harry N.  Search this
Barnet, Will, 1911-2012  Search this
Baschet, Bernard  Search this
Baschet, Francois, 1920-2014  Search this
Bergmann-Michel, Ella, 1896-1972  Search this
Canaday, John, 1907-1985  Search this
Clague, John, 1928-  Search this
Costa, Toni, 1935-  Search this
Dallègret, François, 1937-  Search this
Franck, Frederick, 1909-  Search this
Genauer, Emily, 1910-2002  Search this
Giobbi, Edward  Search this
Harloff, Guy, 1933-  Search this
Healey, John, b. 1894  Search this
Hein, Piet, 1905-  Search this
Hoeydonck, Paul van, 1925-  Search this
Jacquet, Alain, 1939-  Search this
Kanovitz, Howard  Search this
Kawashima, Takeshi, 1930-  Search this
Liikala, Bob  Search this
Lucien, Frank  Search this
Machlin, Sheldon M., 1918-1975  Search this
Mallory, Ronald  Search this
Michel, Robert, 1897-1983  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Mueller, George Ludwig, 1929-  Search this
Neuberger, Roy R.  Search this
Nicola, 1934-  Search this
Perry, Charles O., 1929-  Search this
Reiback, Earl  Search this
Scarfe, Gerald  Search this
Schoffer, Nicolas, 1912-  Search this
Simons, Vera  Search this
Ungerer, Tomi, 1931-  Search this
Vansier, Boris  Search this
Waddell, Richard H., d. 1974  Search this
Wise, Howard  Search this
Extent:
6.5 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Date:
1961-1978
Summary:
The records of the Waddell Gallery, a contemporary art gallery that was located in New York City, date from 1961 to 1978 and measure 6.5 linear feet. The records include administrative files, correspondence, artists' files, and sales and stock records.
Scope and Contents:
The records of the Waddell Gallery, a contemporary art gallery that was located in New York City, date from 1961 to 1978 and measure 6.5 linear feet. The records include administrative files, correspondence, artists' files, and sales and stock records.

Administrative files consist of employment applications, event guest lists, leases and agreements, printed materials, publicity, schedules, typography samples, and scattered photographs of Richard Waddell with curator Dorothy Miller, artists Francois Baschet and Will Barnet, and art dealer Howard Wise.

Correspondence is with art collectors, art critics, art writers, organizations, colleges and museums, publications, and others. Correspondents include Harry Abrams, Art Dealers Association, John Canaday, Finch College Museum of Art, Frank Lucien, Emily Genauer, Roy Neuberger, Howard Wise, Whitney Museum, among many others.

Artists' files also include correspondence, in addition to printed materials, shipping and loan information, photographs, exhibition material, and resumes. Files are found for Will Barnet, Bernard Baschet, John Clague, Toni Costa, Francois Dallegret, Frederick Franck, Edward Giobbi, Guy Harloff, John Healey, Piet Hein, Alain Jacquet, Howard Kanovitz, Aleksandra Kasuba, Takeshi Kawashima, Bob Liikala, Sheldon Machlin, Ronald Mallory, Robert Michel and Ella Bergmann, George Mueller, Nicola, Charles Perry, Earl Reiback, Gerald Scarfe, Nicolas Schöffer, Vera Simons, Paul Van Hoeydonck, Boris Vansier, and Tomi Ungerer, among others.

Sales and stock records include appraisal documentation, inventories, price lists, shipping information and index cards and bound volumes of sales records, including a sales record of Andrew Wyeth's Uprooted Tree.
Arrangement:
The collection is arranged as 4 series.

Missing Title

Series 1: Administrative Files, 1966-1973 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1963-1973 (1.0 linear feet; Boxes 1-2)

Series 3: Artists' Files, 1961-1978 (3.2 linear feet; Boxes 2-5, OV 8)

Series 4: Sales and Stock Records, 1964-1973 (2.1 linear feet; Boxes 5-7)
Biographical / Historical:
The Waddell Gallery was established in 1963 by Richard Hughes Waddell in New York City, New York. The gallery represented contemporary American and European artists, notably Will Barnet. The gallery operated on 15 East 57th Street and later on 50 West 57th Street until 1973, one year before Waddell's untimely death in 1974. The gallery focused on representing contemporary American and European artists such as Will Barnet, Francois Dallegret, Edward Giobbi, Sheldon Machlin, and Paul Van Hoeydonck. Additionally, Waddell held benefits to support civil rights and served as a trustee of the Tuskegee Institute.
Provenance:
The Waddell Gallery records were donated in 1977 by the Estate of Richard Waddell, through Richard's father, Chauncey L. Waddell and brother, Theodore Waddell and in 1986 by Louise Tolliver Deutschman, former director of the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Gallery records
Citation:
Waddell Gallery records, 1961-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.waddgall
See more items in:
Waddell Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eed05dc2-292a-42db-ba88-43722cebec73
EDAN-URL:
ead_collection:sova-aaa-waddgall
Online Media:

Wise, Howard

Collection Creator:
Waddell Gallery  Search this
Container:
Box 2, Folder 28
Type:
Archival materials
Date:
1971-1973
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Waddell Gallery records, 1961-1978. Archives of American Art, Smithsonian Institution.
See more items in:
Waddell Gallery records
Waddell Gallery records / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw982977ae5-e090-44f8-a581-8ee498f060c3
EDAN-URL:
ead_component:sova-aaa-waddgall-ref182

Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art

Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H.  Search this
Names:
Acconci, Vito, 1940-  Search this
Anderson, David K., 1935-  Search this
Benglis, Lynda, 1941-  Search this
Benyon, Margaret, 1940-  Search this
Bochner, Mel, 1940-  Search this
Brooks, James, 1906-1992  Search this
Castelli, Leo  Search this
Chase, Doris, 1923-  Search this
Cross, Lloyd G.  Search this
Davis, Douglas  Search this
Dwan, Virginia  Search this
Feigen, Richard L., 1930-  Search this
Glimcher, Arnold B.  Search this
Gottlieb, Adolph, 1903-1974  Search this
Graham, Dan, 1942-  Search this
Hollander, Irwin  Search this
Insley, Will, 1929-2011  Search this
Jackson, Martha Kellogg  Search this
Janis, Sidney, 1896-1989  Search this
Kirby, Michael  Search this
Levine, Les, 1935-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Mazur, Michael, 1935-2009  Search this
Meyer, Ursula, 1915-  Search this
Nauman, Bruce, 1941-  Search this
O'Doherty, Brian  Search this
Parsons, Betty  Search this
Richter, Hans, 1888-1976  Search this
Siegelaub, Seth, 1941-  Search this
Smith, Tony, 1912-1980  Search this
Sonfist, Alan  Search this
Weiner, Sam  Search this
Wise, Howard  Search this
Extent:
20.9 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Date:
1943-1975
bulk 1964-1975
Summary:
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.
Scope and Contents:
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.

Administrative records include records relating to the general operation of the Contemporary Wing concerning fundraising, professional associations, budget, contact information for artists, donors, and lenders to exhibitions. Also found are records of the permanent collection of artworks acquired by the museum between 1964 and 1975 from contemporary artists and collectors of contemporary art.

Artist files contain basic biographical information on over 150 contemporary artists, with scattered correspondence, photographs, technical information about artworks, artist statements, and other writings. Artist files also include an incomplete run of artist questionnaires gathered by the New York Arts Calendar Annual for 1964.

Elayne Varian's personal papers include curatorial records, a course schedule and syllabus related to her teaching activities, and various writings. Curatorial projects documented in Varian's papers include three programs produced outside of Finch College, including a juried show at the New York State Fair in 1967, a film series at Everson Museum of Syracuse University, and an exhibition at Guild Hall in East Hampton in 1973. Several of Varian's writing projects involved interviews, which are also found in this series in the form of sound recordings and transcripts. Interview-based writing projects include individual profiles on Brian O'Doherty and Babette Newberger, and interviews conducted for an article on the artist-dealer relationship published in Art in America (January 1970). Dealers interviewed for the latter project include Leo Castelli, Virginia Dwan, John Gibson, Richard Feigen, Arnold Glimcher, Fred Mueller, Martha Jackson, Sidney Janis, Betty Parsons, Seth Siegelaub, and Howard Wise. Artists interviewed include Roy Lichtenstein, Adolph Gottlieb, and Charles Ross.

Exhibition files, comprising the bulk of the collection, document exhibitions held in the Contemporary Wing during its existence from 1964 to 1975. Types of records found in the series include exhibition catalogs, correspondence, loan agreements, lists, contact information, insurance valuations of artworks, photographs, biographical information on artists, clippings, posters, press releases, and other publicity materials. In addition to the rich textual and photographic records found for exhibitions, numerous audiovisual recordings are also found, some of which were made in preparation for an exhibition, some document mounted exhibitions, and others are artworks themselves or components of artworks exhibited in the galleries. Interviews with artists, dealers, and others involved in exhibitions include Alan Sonfist, Mel Bochner, Hans Richter, Ruth Richards, James Brooks and Janet Katz, Margaret Benyon, Irwin Hollander (transcript only), David Anderson, Doris Chase, Will Insley, Michael Kirby, Les Levine, Ursula Meyer, Brian O'Doherty, Charles Ross, Tony Smith, Douglas Davis, Jane Davis, Russ Connor, Les Levine, Michael Mazur, Paul Gedeohn, and physicists Lloyd G. Cross, Allyn Z. Lite, and Gerald Thomas Bern Pethick. Video artworks, recordings of performances, or components of multimedia artworks are found by artists Vito Acconci, Kathy Dillon, Douglas Davis, Dan Graham, Les Levine, Bruce Nauman, Michael Netter, Eric Siegel, and Robert Whitman. A film of the Art in Process: The Visual Development of a Structure (1966) exhibition is found, and video recordings of artists Lynda Benglis, Michael Singer, and Sam Wiener form as part of the documentation for the Projected Art: Artists at Work (1971) exhibition.
Arrangement:
The collection is arranged as 4 series.

Missing Title

Series 1: Administrative Records, 1950-1975 (2 linear feet; Boxes 1-2, 22, OV 23)

Series 2: Artist Files, 1958-1975 (2.4 linear feet; Boxes 3-4, 22, OV 23, FC 27-28)

Series 3: Elayne Varian Personal Papers, 1965-1970 (1.3 linear feet; Boxes 5-6)

Series 4: Exhibition Files, 1943-1975 (14.9 linear feet; Boxes 6-22, OV 24-25, FC 26)
Biographical / Historical:
The Contemporary Study Wing of the Finch College Museum of Art, later called simply the "Contemporary Wing," was established in 1964 by the president of Finch College, Roland De Marco, as an extension the Finch College Museum of Art in New York City.

Its mission was to educate art history students at the Manhattan women's college who were interested in working with contemporary art. DeMarco, himself an art collector, hired Elayne Varian as director and curator of the contemporary wing. DeMarco met Varian in the New York office of the prominent international art dealership Duveen Brothers, where she had worked since the mid-1940s, most recently as an art dealer. Varian received her art education in Chicago, where she studied art history and education at the University of Chicago, and took classes in film at the Bauhaus and in fine art the Art Institute of Chicago. Sensitive to emerging art movements in galleries and studios around the city of New York, as the contemporary wing's curator, Varian quickly established a reputation for thoughtfully conceived, cutting-edge exhibitions which were consistently well-received by the press.

Under Varian, the Contemporary Wing carried out a dual mission of showing work of living artists and educating students and the public about the artwork and museum work in general. Varian used the galleries to provide practical training to students interested in a gallery or museum career throughout its existence. For several years, she also maintained an assistantship position for post-graduate museum professionals to gain experience in the field, many of whom went on to careers in museums across New York State.

The Contemporary Wing's best-known exhibitions formed a series of six shows called Art in Process, held between 1965 and 1972. Each of the Art in Process shows took a different medium, including painting, sculpture, collage, conceptual art, installation art, and serial art, and brought the process of art-making into the gallery with the artworks in various ways. For example, for Art in Process V (1972), the show about installation art, the galleries were open to the public for the entire process of its installation, allowing visitors to watch the works take shape. Another show entitled Documentation (1968) exhibited artworks with documentation such as artist's notes, sales records, and conservation records, bringing to light the value of record-keeping in the visual arts. Two exhibitions entitled Projected Art were also innovative, with the first (1966-1967) bringing experimental films from the cinema to the galleries, and the second (1971) showing artists' processes via footage and slides of artists working. Another show, Artists' Videotape Performances (1971), involved both screening of and creation of works in the gallery using a range of experiments with recent video technology. The museum also participated in an experimental broadcast of an artwork entitled Talk Out! by Douglas Davis, in which a telephone in the gallery allowed visitors to participate in its creation while it was broadcast live from Syracuse, NY. Other exhibitions that showcased experimentation in art included N-Dimensional Space (1970), on holography in art, Destruction Art(1968), on destructive actions being incorporated into contemporary art-making, and Schemata 7 (1967), a show about the use of environments in contemporary art, whose working title was "Walk-in Sculpture."

Other popular exhibitions at the Contemporary Wing included shows on Art Deco (1970) and Art Nouveau (1969). Several shows mined the private collections of prominent contemporary art collectors including Martha Jackson, Betty Parsons, George Rickey, Paul Magriel, Jacques Kaplan, Josephine and Philip Bruno, and Carlo F. Bilotti. A number of exhibitions featured contemporary art from overseas including Art from Belgium (1965), Art from Finland (1973), Seven Swedish Painters (1965), and Art in Jewelry (1966), which featured mainly international jewelry artists. Retrospective exhibitions of Hans Richter, Hugo Weber, and James Brooks were also held.

Hundreds of contemporary artists were shown at the Contemporary Wing in the eleven years of its existence, including many who came to be leading figures in contemporary art, and some who already were, including Andy Warhol, Roy Lichtenstein, Mel Bochner, Eva Hesse, Lynda Benglis, Bruce Nauman, Robert Morris, Lawrence Weiner, Robert Smithson, Sol Le Witt, Dan Flavin, Philip Pearlstein, and Yayoi Kusama, to name just a few.

The Contemporary Wing and the entire Finch College Museum of Art shut its doors in 1975, when Finch College closed due to lack of funds. The permanent collection was sold at that time, and the proceeds were used to pay Finch College employee salaries. Elayne Varian went on to the position of curator of contemporary art at the John and Mabel Ringling Museum in Sarasota, Florida. She died in 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with curator Elayne Varian conducted by Paul Cummings, May 2, 1975.
Provenance:
The Archives of American Art acquired these records from the Finch College Museum of Art after it closed permanently in June 1975.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Video artists -- New York (State) -- New York  Search this
Museum administrators -- New York (State) -- New York  Search this
Museum curators -- New York (State) -- New York  Search this
Topic:
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Gallery directors  Search this
Gallery owners  Search this
Genre/Form:
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.finccoll
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed5f13a2-eeb3-452a-8735-204ff25576b5
EDAN-URL:
ead_collection:sova-aaa-finccoll
Online Media:

Jack Tworkov papers

Creator:
Tworkov, Jack  Search this
Names:
Egan Gallery  Search this
Leo Castelli Gallery  Search this
Nancy Hoffman Gallery  Search this
Poindexter Gallery  Search this
Stable Gallery (New York, N.Y.)  Search this
Zabriskie Gallery  Search this
Ashbury, John  Search this
Ashton, Dore  Search this
Bartlett, Jennifer, 1941-  Search this
Blinken, Donald M., 1925-  Search this
Calfee, William H. (William Howard), 1909-1995  Search this
Cavallon, Giorgio, 1904-1989  Search this
Cézanne, Paul, 1839-1906  Search this
Demarco, Ricky  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Forge, Andrew  Search this
Hartigan, Grace  Search this
Herzbrun, Helene  Search this
Katz, Paul  Search this
Knaths, Karl, 1891-1971  Search this
Lindeberg, Linda, 1915-1973  Search this
Matter, Herbert, 1907-1984  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Michael  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Ponsold, Renate  Search this
Praeger, David A.  Search this
Rothko, Mark, 1903-1970  Search this
Summerford, Joe  Search this
Thorne, Joan, 1943-  Search this
Westenberger, Theo  Search this
Wheeler, Dennis  Search this
Wise, Howard  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
9.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Date:
1926-1993
Summary:
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.
Scope and Content Note:
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993, with the bulk from the period 1931-1982. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.

Biographical material includes Tworkov's citizenship certificate, awards, diplomas, a copy of Jack Tworkov: Video Portrait, produced by Electronic Arts Intermix, and a motion picture film, USA Artists: Jack Tworkov, produced by National Education Television.

Correspondence consists largely of incoming letters. It is both professional and personal in nature and often combines both spheres. Correspondents include artists Jennifer Bartlett, William H. Calfee, Giorgio Cavallon and Linda Lindeberg, Grace Hartigan, Helene Herzbrun (also named Helene McKinsey), Karl Knaths, Joe Summerford, Joan Thorne, and Adja Yunkers; cartoonist Robert C. Osborn; collectors Donald M. Blinken and David A. Praeger (who was also Tworkov's lawyer); illustrator Roger Dovoisin; critics Dore Ashton and Andrew Forge; critic and poet John Ashbury; galleries that represented Tworkov: Egan Gallery, Leo Castelli, Nancy Hoffman Gallery, Poindexter Gallery, Stable Gallery and Zabriskie Gallery; and many museums, arts organizations, colleges and universities.

Interviews with Tworkov include one with Ricky Demarco videotaped in 1979 and two conducted on video by Twokov's daughter Helen in 1975. The remaining interviews are sound recordings, one conducted by Grace Alexander for the show Artists in New York in 1967, one conducted by Michael Newman in 1980, and the remainder by unidentified interviewers. None have transcripts.

All writings are by Tworkov and include poems, an artist's statement, and documentation for two children's books by Tworkov illustrated by Roger Duvoisin. Two additional notebooks contain miscellaneous notes, teaching notes, and some specific to identified courses. Lectures exist as untranscribed sound recordings.

Tworkov's journals (33 volumes) span a period of 35 years, from 1947 until 1982, with the final entry dated a few weeks before his death. They record his reflections on painting, his challenges as a painter, aesthetics, the role of the artist in society, Jewish identity, painters he admired (especially Cézanne and Edwin Dickinson), politics, and teaching. They also recount everyday life: the comings and goings of friends and family members, social engagements, professional activities, illness, and travel.

The lone subject file concerns Mark Rothko and includes a photograph of Rothko and the guest list for the dedication of the Rothko Chapel in Houston.

Artwork consists of a small number of sketches by Tworkov in pencil and ink. Tworkov's sketchbooks (28 volumes) contain sketches and some finished drawings. Most are in pencil, but scattered throughout are a few pencil sketches embellished with colored marker or pastel, and a small number in ink.

Photographs are of people, places and events. Most photographs are of Tworkov alone and with others including Giogio Cavallon, though most friends and students are unidentified. Of note are views of Tworkov producing a series of prints at Tamarind Institute. Also found is an informal portrait of Wally Tworkov. Events recorded include the jurying of "Exhibition Momentum" in Chicago, 1956. Among the places shown are Tworkov's studios at Black Mountain College and in Provincetown. When known, photographers are noted; among them are Paul Katz, Herbert Matter, Arnold Newman, Renate Ponsold, Theo Westenberger, Dennis Wheeler, and Howard Wise.

A separate series of audiovisual recordings was established for those recordings that could not be readily identified to be arranged in other series. They consist of three videocassettes (2 VHS and 1 miniDV).
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1933-1981 (Boxes 1, 9, 11, FC 13; 0.7 linear ft.)

Series 2: Correspondence, 1926-1993 (Boxes 1-5; 3.8 linear ft.)

Series 3: Interviews, 1978-1982 (Boxes 5, 9-10; 1 linear ft.)

Series 4: Writings, Notes, and Lectures, 1955-1982 (Boxes 5, 9; 0.5 linear ft.)

Series 5: Journals, 1947-1982 (Boxes 5-7; 2.0 linear ft.)

Series 6: Subject File, 1961-1977 (Box 7; 1 folder)

Series 7: Printed Material, 1952-1981 (Box 7, OV 12; 0.1 linear ft.)

Series 8: Artwork, circa 1950s-1960s (Box 7: 3 folders)

Series 9: Sketchbooks, circa 1950s-1960s (Boxes 7-8, 11; 1.0 linear ft.)

Series 10: Photographic Materials, 1941-1981 (Boxes 8-9; 0.5 linear ft.)

Series 11: Audiovisual Recordings, 1961-1975 (Box 9; 0.1 linear ft.)
Biographical Note:
New York School painter Jack Tworkov (1900-1982), best known for his Abstract Expressionist paintings and as a highly regarded teacher, lived and worked in New York City and Provincetown, MA.

At age 13, Tworkov (born Yakov Tworkovsky) emigrated from Poland with his mother and sister to join his father already in the United States. In America, they chose to use the name of distant relatives, the Bernsteins, who were their sponsors. Eventually, Jack and his sister, Janice, reclaimed and shortened their name to Tworkov; later, she adopted the name of their hometown in Poland and became the painter Janice Biala.

As a high school student in New York City, Tworkov attended drawing classes. After graduating from Columbia University, where he had been an English major and considered becoming a writer, Tworkov instead turned to art. He studied with Ivan Olinsky at the National Academy of Design between 1923 and 1925, and from 1925 to 1926 attended painting classes taught by Guy Péne Du Bois and Boardman Robinson at the Art Students League. During his college years, Tworkov began visiting museums and became a great admirer of Cézanne. Tworkov's early paintings - still life, landscapes, and portraits - showed the influence of European modernism and Cézanne.

Tworkov spent his first summer in Provincetown while still a student and subsequently returned to study with Ross Moffet. In Provincetown he met and was greatly influenced by Karl Knaths and developed a lifelong friendship with Edwin Dickinson. By 1929, Tworkov was painting there year round. Over the years, Tworkov and his family continued to return for long stretches, and in 1958 he purchased a house in Provincetown.

During the Great Depression, Tworkov participated in the Treasury Department's Public Works of Art Project until 1934, and then moved to the easel division of the WPA Federal Art Project. He felt uncomfortable with the growing ideological and political influences on art and found it depressing to paint for the WPA rather than for himself, so he left the WPA in 1941. Tworkov, who had studied mechanical drawing while in high school, spent most of the War years employed as a tool designer and draftsman at an engineering firm with government contracts.

By the 1940s, Tworkov was painting in the Abstract Expressionist style. Between 1948 and 1953, he leased a studio on Fourth Avenue that adjoined that of his friend Willem de Kooning. During this time, they mutually influenced each other as they developed into mature Abstract Expressionists. At Yale in the 1960s, Tworkov became close friends with fellow student Josef Albers. Alber's influence on Tworkov resulted in a turn to geometric compositions of small, systematic, and repetitive strokes defined by a grid. He experimented with diagonal compositions, and later geometric work that featured large areas of color and soft texture.

Tworkov's first teaching experience was during 1930-1931 when he served as a part-time painting instructor at the Ethical Culture Fieldston School. His teaching career began in earnest when he joined the faculties of Queens College, 1948-1955, and Pratt Institute, 1955-1958. During the summers he taught at various schools, most notably Black Mountain College's 1952 summer session. Tworkov was a visiting artist at the Yale University School of Art and Architecture, 1961-1963, and became chairman of its Art Department from 1963 until his retirement in 1969. In retirement he lived in Provincetown and was a visiting artist for both short and extended periods at various universities and art schools.

An avid reader of literature and poetry, Tworkov also wrote poems and essays. He published essays in It Is, Art Digest, and Art In America; his most notable piece, "The Wandering Soutine," appeared in Art News, November 1950. Tworkov also kept a journal for 35 years (1947-1982) that recorded his thoughts on a wide range of subjects concerning professional, personal, and philosophical issues, as well as details of everyday life.

Tworkov was among the founders of the Artists' Club or The Club in 1949, and for a decade actively participated in the stimulating discussions for which the group was known. In 1968 he helped to establish the Fine Arts Work Center in Provincetown. Its residency program enabled younger artists and writers to advance their careers and kept Provincetown's historic artists' colony active year round.

He was the recipient of the William A. Clark Award and Corcoran Gold Medal from the Corcoran Gallery of Art, 1963; Skowhegan School of Art's Painter of the Year Award, 1974; and Distinguished Teaching of Art Award from College Art Association, 1976. Tworkov was appointed to serve on the Massachusetts Art Commission, 1970-1971, and in 1981 was named a Fellow of The Cleveland Museum of Art and of the Rhode Island School of Design.

Following his second divorce in 1935, Rachel (Wally) Wolodarsky became Tworkov's third wife and their marriage endured. They had two daughters. Hermine Ford (b. 1939) is an artist married to fellow painter Robert Moskowitz. Helen Tworkov (b. 1943) is the founder of Tricycle: The Buddhist Review and the author of a book about yoga.

Tworkov remained physically and intellectually active after a diagnosis of bone cancer around 1980, and continued to paint until shortly before his death in Provincetown on September 4, 1982.
Related Material:
Among the holdings of the Archives of American Art are two oral history interviews with Jack Tworkov, one conducted by Dorothy Seckler, Aug. 17, 1962, and another by Gerald Silk, May 22, 1981. There is also a small collection of three letters written by Jack Tworkov to friend Troy-Jjohn Bramberger.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel N70-38 and 62) including writings by Tworkov, notebooks, notes for teaching and talks, notes on art and miscellaneous subjects, poems, artist's statements, biographical data, the transcript of a 1970 interview with Tworkov conducted by Phyllis Tuchman, and a few letters and drafts of letters, 1950-1963. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jack Tworkov lent the Archives of American Art papers for microfilming in 1970-1971. Jack Tworkov's daughters, Hermine Ford and Helen Tworkov, donated the rest of the collection in 2009, which included some of the material from the original loan.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Reels N70-38 and 62: Authorization to publish, quote, or reproduce requires written permission from Helen Tworkov or Hermine Ford. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts  Search this
Topic:
Painting -- New York (State)  Search this
Painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Citation:
Jack Tworkov papers, 1926-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tworjack2
See more items in:
Jack Tworkov papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9345f5838-057f-4572-8063-0df7b8d00ad0
EDAN-URL:
ead_collection:sova-aaa-tworjack2
Online Media:

Oral history interview Howard Wise

Interviewee:
Wise, Howard  Search this
Interviewer:
Cummings, Paul  Search this
Extent:
48 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 February 22
Scope and Contents:
Interview of Howard Wise conducted 1971 February 22, by Paul Cummings, for the Archives of American Art.
Biographical / Historical:
Howard Wise (1903-1989) was an art administrator from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav files. Duration is 1 hr., 39 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wise71
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9beb9366e-27d1-4594-8918-7a2cf9aa5b6b
EDAN-URL:
ead_collection:sova-aaa-wise71

Winters, Helen C. - Woodstock Artists Association

Collection Creator:
Frank K. M. Rehn Galleries  Search this
Container:
Box 15
Reel 5868, Frame 1036-1125
Type:
Archival materials
Date:
1920-1967
Scope and Contents note:
Winters, Helen C.

Winton, Flora and Frank J.

Wise, Howard E.

Wislocki, George B.

Witherspoon, Mary Eleanor

Witte, Edward H., Jr.

Witte Memorial Museum/San Antonio Art League

Witter, Faith A.

Wolf, Ben and Ruth

Wolf, Stanley J.

Wolfe, William D.

Wolfert, Helen

Wolpin, Kay

Woman's Day -- Magazine

Woman's Home Companion

Women's American ORT

Women's Club

Wood, Franklin S.

Wood, Charles Erskine Scott

Wood, Robert W., Jr.

Ruby Ross Wood, Inc.

Woodhouse, Betty Burroughs (See also Burroughs, Betty)

Woodin, Mrs. William H.

Woodmere Art Gallery

Woodruff, Adele G.

Woodstock Artists Association
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Frank K. M. Rehn Galleries records
Frank K. M. Rehn Galleries records / Series 1: Correspondence, A-Z
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90e554cc4-3d5a-42ca-9522-b4d274368bc6
EDAN-URL:
ead_component:sova-aaa-franrehg-ref486

Jack Tworkov's studio in Provincetown

Photographer:
Wise, Howard, 1903-1989  Search this
Type:
Photographs
Date:
1974
Topic:
Artists' studios  Search this
Record number:
(DSI-AAA)14141
See more items in:
Jack Tworkov papers, 1926-1993
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14141
Online Media:

Paul Ryan letter to Howard Wise

Creator:
Ryan, Paul Louis, 1943-  Search this
Wise, Howard, 1903-1989  Search this
Subject:
Ryan, Paul Louis  Search this
Howard Wise Gallery  Search this
Type:
Correspondence
Place:
New York, N.Y.
Date:
1969 Mar. 2
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)9940
See more items in:
Paul Ryan papers, 1931-2009
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9940
Online Media:

Video portrait of Jack Tworkov

Creator:
Tworkov, Jack, 1900-1982  Search this
Wise, Howard, 1903-1989  Search this
Type:
Videorecording
Date:
1974 August 27
Record number:
(DSI-AAA)14333
See more items in:
Howard Wise Gallery records, 1943-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14333

Interview with Edwin Dickinson

Creator:
Dickinson, Edwin Walter, 1891-1978  Search this
Wise, Howard, 1903-1989  Search this
Type:
Videorecording
Date:
1973 August 28
Record number:
(DSI-AAA)14334
See more items in:
Howard Wise Gallery records, 1943-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14334

Interview with Marcel Breuer at his Wellfleet, Mass. cottage

Creator:
Breuer, Marcel, 1902-1981  Search this
Wise, Howard, 1903-1989  Search this
Type:
Videorecording
Date:
1973 August 30
Record number:
(DSI-AAA)14335
See more items in:
Howard Wise Gallery records, 1943-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14335

Interviews with Serge Chermayeff

Creator:
Chermayeff, Serge, 1900-1996  Search this
Wise, Howard, 1903-1989  Search this
Type:
Videorecording
Date:
1973 August 28 - 1974 September 3
Record number:
(DSI-AAA)14337
See more items in:
Howard Wise Gallery records, 1943-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14337

Interview with Marcel Breuer

Creator:
Breuer, Marcel, 1902-1981  Search this
Wise, Howard, 1903-1989  Search this
Type:
Videorecording
Date:
1974 August 14
Record number:
(DSI-AAA)14338
See more items in:
Howard Wise Gallery records, 1943-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14338

Panel discussions and speakers on board the S.S. Canberra

Creator:
Wise, Howard, 1903-1989  Search this
Type:
Videorecording
Date:
circa 1973
Record number:
(DSI-AAA)14339
See more items in:
Howard Wise Gallery records, 1943-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14339

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