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Wilmarth, Christopher

Collection Creator:
Rosa Esman Gallery  Search this
Container:
Box 6, Folder 20
Type:
Archival materials
Date:
1974-1980
Collection Restrictions:
Two folders comprised of Rosa Esman Gallery legal files, 1989-1991, in Box 15 are access restricted. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rosa Esman Gallery and Tanglewood Press Inc records, circa 1922-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Rosa Esman Gallery and Tanglewood Press Inc. records
Rosa Esman Gallery and Tanglewood Press Inc. records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99081e6b5-8751-4a8d-aa1f-b3f8d1941cd8
EDAN-URL:
ead_component:sova-aaa-rosaesmg-ref117

Wilmarth, Christopher, Photographic Materials

Collection Creator:
Rosa Esman Gallery  Search this
Container:
Box 6, Folder 21
Type:
Archival materials
Date:
circa 1970s
Collection Restrictions:
Two folders comprised of Rosa Esman Gallery legal files, 1989-1991, in Box 15 are access restricted. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rosa Esman Gallery and Tanglewood Press Inc records, circa 1922-1998. Archives of American Art, Smithsonian Institution.
See more items in:
Rosa Esman Gallery and Tanglewood Press Inc. records
Rosa Esman Gallery and Tanglewood Press Inc. records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e965b193-d351-466c-afe2-90ea8764db79
EDAN-URL:
ead_component:sova-aaa-rosaesmg-ref118

Wilmarth, Christopher - Sculptor

Collection Creator:
Candido, Anthony, 1924-  Search this
Container:
Box 1, Folder 21
Type:
Archival materials
Date:
1978-1986
Collection Restrictions:
The collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Anthony Candido papers, 1950-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Anthony Candido papers
Anthony Candido papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98690adcb-3456-41c4-9780-8e7ee51168aa
EDAN-URL:
ead_component:sova-aaa-candanth-ref47

Oral history interview with Flora Mace and Joey Kirkpatrick, 2005 August 17-18

Interviewee:
Mace, Flora, 1949-  Search this
Interviewer:
Herman, Lloyd E  Search this
Subject:
Kirkpatrick, Joey  Search this
Anderson, Dale  Search this
Anderson, Doug  Search this
Benglis, Lynda  Search this
Ben Tré, Howard  Search this
Borenstein, Joan  Search this
Chihuly, Dale  Search this
Dehoff, Bill  Search this
Dehoff, Sarah  Search this
Littleton, Harvey K.  Search this
Moore, Ben  Search this
Morris, William  Search this
Pfaff, Judy  Search this
Pilloff, Bensen  Search this
Pilloff, Francine  Search this
Rooney, Alice  Search this
Rosenfield, Betsy  Search this
Royal, Rich  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo  Search this
Shirley, Jon  Search this
Shirley, Mary  Search this
Statom, Therman  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil  Search this
Welch, Ann  Search this
Wilmarth, Christopher  Search this
Wolff, Ann  Search this
Zynsky, Toots  Search this
Foster/White Gallery  Search this
Habatat Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Rhode Island School of Design  Search this
Walla Walla Foundry  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Flora Mace and Joey Kirkpatrick, 2005 August 17-18. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Glass art  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11940
(DSI-AAA_SIRISBib)255912
AAA_collcode_mace05
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_255912
Online Media:

Oral history interview with Flora Mace and Joey Kirkpatrick

Interviewee:
Mace, Flora, 1949-  Search this
Kirkpatrick, Joey  Search this
Interviewer:
Herman, Lloyd E.  Search this
Names:
Foster/White Gallery  Search this
Habatat Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Rhode Island School of Design -- Students  Search this
Walla Walla Foundry  Search this
Anderson, Dale, 1944-  Search this
Anderson, Doug, 1943-  Search this
Ben Tré, Howard, 1949-2020  Search this
Benglis, Lynda, 1941-  Search this
Borenstein, Joan  Search this
Chihuly, Dale, 1941-  Search this
Dehoff, Bill  Search this
Dehoff, Sarah  Search this
Littleton, Harvey K.  Search this
Moore, Ben  Search this
Morris, William, 1957-  Search this
Pfaff, Judy, 1946-  Search this
Pilloff, Bensen  Search this
Pilloff, Francine  Search this
Rooney, Alice, 1926-2019  Search this
Rosenfield, Betsy  Search this
Royal, Rich  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo, 1932-2001  Search this
Shirley, Jon, 1938-  Search this
Shirley, Mary  Search this
Statom, Therman, 1953-  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil, 1938-  Search this
Welch, Ann  Search this
Wilmarth, Christopher  Search this
Wolff, Ann  Search this
Zynsky, Toots, 1951-  Search this
Extent:
5 Items (Audio: 5 wav files (3 hrs., 17 min.), digital)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
2005 August 17-18
Scope and Contents:
An interview of Flora Mace and Joey Kirkpatrick conducted 2005 August 17-18, by Lloyd E. Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artists' home and studio, in Seattle, Washington.
They discuss their first meeting at Pilchuck Glass School in Stanwood, Washington, in 1979; the structure of classes and teaching philosophies at Pilchuck in the late '70s and early '80s; the change in equipment and the growth of the Pilchuck campus through the years; their first projects together, which were wire drawings made by Flora and based on Joey's sketches; leaving Pilchuck after the summer session and moving together to Waterville, New Hampshire, where they worked in a studio at the Rhode Island School of Design with Dale Chihuly; building up a body of work and then having to decide whose work it was, at a time when collaborating and co-signing was not standard practice; going back to Pilchuck every summer for 14 years after first meeting there in 1979; beginning to teach as a collaborative team at Pilchuck in 1981, the first women to teach glass blowing at that school; building their house together on the grounds of Pilchuck, a design which was then emulated for dormitories at the school; convincing Dale Chihuly to lower the class size at Pilchuck to 10, down from 20, to allow teachers to work more closely with the students; early shows of their work at Habatat Galleries in Royal Oak, Michigan, Ivor Kurland Gallery in Los Angeles, California, and Foster-White Galleries in Seattle, Washington; the support of their sisters and families throughout the years, mostly in providing them a place to stay as they traveled cross country; their relationships with collectors; what each artist brings to the partnership, including vision, inspiration, and technique; the influence of water on their work, as both artists are drawn to the sea and the tides; the purpose of their work, and what they feel it can bring to the viewer; the challenge given to the artists by Joan Borenstein to make 30 glass goblets, all with different fruits and vegetables; having their work cast at the Walla Walla Foundry; and the ideas behind various bodies of work, including the "Bird Pages" and the large latticino fruit. A more in-depth discussion of each artist's childhood, education, and artistic experiences prior to their meeting at Pilchuck can be found in the individual artist's interviews. They recall Italo Scanga, Bill Morris, Ben Moore, Rich Royal, Howard Ben Tre, Toots Zynsky, Therman Statom, Harvey Littleton, Lino Tagliapetra, Chris Wilmarth, Judy Pfaff, Lynda Benglis, Alice Rooney, Bertil Vallien, Ann Wolff, Betsy Rosenfield, George and Dorothy Saxe, Doug and Dale Anderson, Jon and Mary Shirley, Sarah and Bill Dehoff, Francine and Benson Pilloff, George Stroemple, Ann Welch, and others.
Biographical / Historical:
Joey Kirkpatrick (1952- ) and Flora Mace (1949- ) are glass artists from Seattle, Washington. Lloyd E. Herman (1936- ) is a curator and former director of the Smithsonian American Art Museum's Renwick Gallery of Art and is currently from Seattle, Washington. Mace and Kirkpatrick have been working collaboratively on glass since the late 1970s.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 3 hrs., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Glass art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mace05
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98d0bff3c-9050-48a3-b06f-e1e6ab7ef3f1
EDAN-URL:
ead_collection:sova-aaa-mace05
Online Media:

Wilmarth, Christopher

Collection Creator:
Ashton, Dore  Search this
Container:
Box 37, Folder 13
Type:
Archival materials
Date:
circa 1970-1995
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dore Ashton papers, 1849, circa 1928-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Dore Ashton papers
Dore Ashton papers / Series 8: Addition to the Dore Ashton Papers / 8.4: Writing Project and Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9be7ec906-1343-4cdf-bfec-ba311c7f3172
EDAN-URL:
ead_component:sova-aaa-ashtdore-ref1592

Standing Deeps L.A.

Artist:
Christopher Wilmarth, American, b. Sonoma, California, 1943–1987  Search this
Medium:
Etched glass and steel
Dimensions:
glass sheet: 78 3/4 x 55 x 3/8 in. (200 x 139.7 x 1 cm) metal sheet: 78 3/4 x 55 1/4 x 3 in. (200 x 140.3 x 7.6 cm) (1/4 in. thick sheet)
Type:
Sculpture
Date:
1973
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Thomas M. Evans, Jerome L. Greene, Joseph H. Hirshhorn, and Sydney and Frances Lewis Purchase Fund, 1985
Accession Number:
85.31
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Post-Minimal Sculpture
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py28b110430-b588-4672-8bd8-a918247eee27
EDAN-URL:
edanmdm:hmsg_85.31

Do Not Go Gently

Artist:
Christopher Wilmarth, American, b. Sonoma, California, 1943–1987  Search this
Medium:
Bronze and steel
Dimensions:
55 3/4 X 17 1/8 X 7 1/8 IN. (141.5 X 43.5 X 18.0 CM.)
Type:
Sculpture
Date:
1987
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Robert Lehrman, in honor of Agnes Gund, 1991
Accession Number:
91.26
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Post-Minimal Sculpture
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py244528610-a0eb-4a2e-ad23-69e607845616
EDAN-URL:
edanmdm:hmsg_91.26

Susan Walked In

Artist:
Christopher Wilmarth, American, b. Sonoma, California, 1943–1987  Search this
Medium:
Bronze and acidized glass, with steel wire
Dimensions:
60 1/4 X 59 1/4 X 31 1/4 IN. (153.0 X 150.5 X 79.4 CM.)
Type:
Sculpture
Date:
1972
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Lannan Foundation, 1997
Accession Number:
97.18
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
American Post-Minimal Sculpture
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2add59fd0-3afe-4bc2-980e-3ef3740c97c7
EDAN-URL:
edanmdm:hmsg_97.18

Christopher Wilmarth [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Hirshhorn Museum and Sculpture Garden Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_32406

Christopher Wilmarth papers, 1956-1987

Creator:
Wilmarth, Christopher, 1943-1987  Search this
Subject:
André Emmerich Gallery  Search this
Cooper Union for the Advancement of Science and Art. Art School  Search this
Studio for the First Amendment  Search this
Citation:
Christopher Wilmarth papers, 1956-1987. Archives of American Art, Smithsonian Institution.
Topic:
Artists' contracts  Search this
Minimal sculpture  Search this
Sculpture -- Exhibitions  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9598
(DSI-AAA_SIRISBib)211802
AAA_collcode_wilmchri
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211802

Christopher Wilmarth letters to Allen Rosenbaum, 1987

Creator:
Rosenbaum, Allen  Search this
Wilmarth, Christopher, 1943-1987  Search this
Subject:
Wilmarth, Christopher  Search this
Citation:
Christopher Wilmarth letters to Allen Rosenbaum, 1987. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA_CollID)22045
AAA_collcode_rosealle
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_22045

Peter Forakis, Bernie Kirschenbaum, Paula Cooper, and Chris Wilmarth

Subject:
Cooper, Paula  Search this
Forakis, Peter  Search this
Kirschenbaum, Bernard Edwin  Search this
Wilmarth, Christopher  Search this
Type:
Photographs
Date:
between 1964 and 1967
Citation:
Peter Forakis, Bernie Kirschenbaum, Paula Cooper, and Chris Wilmarth, between 1964 and 1967. Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records, 1961-2006. Archives of American Art, Smithsonian Institution.
Topic:
Art galleries, Commercial  Search this
Artists in groups  Search this
Contemporary artists  Search this
Exhibitions  Search this
Record number:
(DSI-AAA)7909
See more items in:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records, 1961-2006
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7909

Everly

Subject:
Wilmarth, Christopher  Search this
Type:
Photographs
Date:
1970
Citation:
Everly, 1970. Christopher Wilmarth papers, 1956-1987. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture  Search this
Record number:
(DSI-AAA)8328
See more items in:
Christopher Wilmarth papers, 1956-1987
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_8328
Online Media:

Wilmarth, Christopher

Collection Creator:
James Graham & Sons  Search this
Container:
Box 61, Folder 6
Type:
Archival materials
Date:
1968-1970
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
See more items in:
James Graham & Sons records
James Graham & Sons records / Series 3: Artists' Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99c35a2f6-a2a3-42d6-9c9e-2198d2a9c92b
EDAN-URL:
ead_component:sova-aaa-jamegras-ref1528

Wilmarth, Christopher

Collection Creator:
James Graham & Sons  Search this
Container:
Box 92, Folder 7
Type:
Archival materials
Date:
circa 1967-1968
Series Restrictions:
Artwork Files (Boxes 63-71, 94-95) and some photographic materials (Boxes 93 and 101) are ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
See more items in:
James Graham & Sons records
James Graham & Sons records / Series 10: Photographic Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9242b9646-0f5a-4a56-a322-8c4dcea7d04c
EDAN-URL:
ead_component:sova-aaa-jamegras-ref2162

Wilmarth, Christopher - Wilmington Society of the Fine Arts

Collection Creator:
Tworkov, Jack  Search this
Container:
Box 4, Folder 69
Type:
Archival materials
Date:
1959-1969
Scope and Contents note:
Wilmarth, Christopher

Wilmington Society of the Fine Arts
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Reels N70-38 and 62: Authorization to publish, quote, or reproduce requires written permission from Helen Tworkov or Hermine Ford. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jack Tworkov papers, 1926-1993. Archives of American Art, Smithsonian Institution.
See more items in:
Jack Tworkov papers
Jack Tworkov papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93a6c983d-6de5-4c71-8588-f32874ecfdbc
EDAN-URL:
ead_component:sova-aaa-tworjack2-ref460

Wilmarth, Christopher

Collection Creator:
Lipman, Howard, 1905-1992  Search this
Container:
Box 7, Folder 17
Type:
Archival materials
Date:
1968-1978, undated
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Howard W. and Jean Lipman papers, 1848, 1916-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Howard W. and Jean Lipman papers
Howard W. and Jean Lipman papers / Series 2: Howard and Jean Lipman Art Collection / 2.2: Sculpture Collection Purchases
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b6da564-1b30-451c-8a9d-a0e9339f3020
EDAN-URL:
ead_component:sova-aaa-lipmhowa-ref257

Artist Inventory Cards

Collection Creator:
André Emmerich Gallery  Search this
Type:
Archival materials
Date:
circa 1954-1998
Scope and Contents note:
Inventory cards track artwork entering and leaving the gallery. Each card lists a work's artist, title, date, media, and measurements. Most cards include a photograph of the artwork, and most cards further list the ultimate action taken regarding the work (sold, returned to artist or gallery, consigned, etc.), the list price or paid price, exhibition and catalog history, and the history of price quotes given for the work. The gallery used a number of abbreviations for the transactions on the inventory cards:

NFS - Not For Sale

RTA - Returned to Artist

o/c - On Consignment (from)

o/a - On Approval

OOG - Out of Gallery

O/L - On Loan (from)

TGF - Top Gallant Farm

There are no inventory cards tracking pre-Columbian art and artifacts in the collection. The cards represent works from both the New York gallery and Zurich gallery.

The cards are arranged into ten overlapping groups established by the gallery representing transactions, such as sales and consignments, loans, returns, and other general art movement. Within each category, most of the cards are alphabetized by artist and thereafter by title, but occasionally an artist's work is divided into categories (for example by media) before being arranged alphabetically by title:

Returned to Artist

Sold (pre-1993)

Sold

Sold and/or Returned to Artist

Returned to Artist

Sold

Old Top Gallant Farm Sculptures

Emmerich Private Sold

Last Active Inventory and Sales

Additional Cards

See Appendix for a list of artists' names represented by the Artist Inventory Cards in Series 8.1.
Appendix: Artists' Names Represented in Artist Inventory Cards in Series 8.1.:
Aakre, Richard

Abbott, Berenice

Abercrombie, Douglas

Adams, Ansel

Adams, Robert

Africano, Nicholas

Albers, Josef

Alechinsky, Pierre

Altoon, John

Amerine, Wayne

Andre, Carl

Annesley, David

Appel, Karel

Arakawa

Arbus, Diane

Arman

Arp, Jean (Hans)

Ashbaugh, Dennis

Atget, Eugene

Atkins, Anna

Audubon, J.J.

Avery, Milton

Bacon, Francis

Bailey, William

Baldus, Edouard

Ball, Lillian

Balthus

Bannard, Walter Darby

Barlett, Jennifer

Barth, Frances

Barth, Wolf

Bartolini, Luciano

Basquiat, Jean-Michel

Baziotes, William

Beasley, Barth

Bireline, George

Bleckner, Ross

Blossfeldt, Karl

Bocklin, Arnold

Boisseu

Boisson, L.

Bolotowsky, Ilya

Bolus, Michael

Bonnard, Pierre

Bonnet, Phi

Bradley, Peter

Beasley, Bruce

Becher, Bernd and Hillar

Bellocq, E.J.

Benazzi, Raffael

Benton, Fletcher

Best, Mary Ellen

Beuys, Joseph

Bill, Max

Boepple, Willard

Bogart, Bram

Borofsky, John

Boxer, Stanley

Botero, Fernardo

Boudin, Eugene

Bourke-White, Margaret

Brach, Paul

Brancusi, Constantin

Braque, George

Brassaï

Breed, Charles

Brui

Brush, Daniel

Buchwald, Howard

Buckley, Stephen

Bucklow, Christopher

Bush, Jack

Butterfield, Deborah

Calder, Alexander

Callahan, Harry

Cascella, Andrea

Caracciolo, Roberto

Caro, Anthony

Cezanne, Paul

Chadwick, Lynn

Chagall, Marc

Chamberlain, John

Chase, Louisa

Chillida, Eduardo

Christensen, Dan

Christo

Clifford, Charles

Close, Chuck

Cohen, Elaine Lustig

Conlon, William

Contino, Leonard

Crile, Susan

cummings, e.e.

Dahl-Wolfe, Louise

David, Michael

Davis, Gerald

Davis, Lynn

Davis, Ronald

de Amaral, Olga

de Chirico, Giorgio

de Clercq, Louis

de Kooning, Willem

Degas, Edgar

Dehner, Edgar

Delaunay, Robert

Delaunay, Sonia

Dembiczak, J.G.

de Valdivia, Marco

di Suvero, Mark

Diebenkorn, Richard

Dill, Guy

Dill, Lesley

Diller, Burgoyne

Dine, Jim

Disderi

Dorazio, Piero

Downes, Rackstraw

Drapell, Joseph

Drentwett

Dubuffet, Jean

Duchamp, Marcel

Duck-Hyun, Cho

Dufy, Raoul

Du Maine, H.

Durandelle, Louis-Emille

Durrant, Jennifer

Dzubas, Friedel

Edgerton, Dr. Harold

Egger, Marc

Eggleston, William

Embry, Norris

Ellis, Stephen

Emmerich, Tobias

Ernst, Max

Evans, Walker

Fautrier, Jean

Feeley, Paul

Feist, Harold

Ferber, Herbert

Ferrara, Jackie

Fessler, Cristina

Fischl, Eric

Flavin, Dan

Fleming, Linda

Fontana, Corsin

Fontana, Lucio

Ford, Hermine

Fornier, Paul

Foster, John

Fournier, Paul

Francis, Sam

Francis, Sherron

Franck

Frank, Robert

Frankenthaler, Helen

Freud, Lucian

Friedberg, Richard

Freres, Henry

Friedlander, Lee

Fuger

Funakoshi, Katsura

Fuss, Adam

Galanin, Igor

Giacometti, Alberto

Gibbons, Arthur

Gilliam, Sam

Ginnever, Charles

Giordani, Patrice

Glarner, Fritz

Gliko, Carl

Gonzalez, Julio

Goodnough, Robert

Gorchov, Ron

Gordon, Harry

Gorky, Arshile

Gossweiler, Christoph

Gottlieb, Adolph

Graffin, Daniel

Graham, John

Graubner, Gotthard

Graves, Nancy

Green, June

Greenleaf, Ken

Griefen, John Adams

Grill

Gris, Juan

Groover, Jan

Guston, Philip

Gutman, John

Hacklin, Alan/Allan

Hagemeyer, Johan

Hall, Lee

Hantai, Simon

Haring, Keith

Harman, Maryann

Hartley, Marsden

Hartung, Hans

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Held, Al

Hendler, Raymond

Hennessy, Richard

Hepworth, Barbara

Herdeg, Christian

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Highstein, Jene

Hirschfeld

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Hockney, David

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Hollega, Wolfgang

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Hope, Polly

Hopper, Edward

Horne, Bernard Shea

Hosiasson, Philippe

Hoyland, John

Hoyningen-Heune, George

Hughto, Darryl

Hughto, Margie/Marjorie

Humphrey, Ralph

Hutchinson, Jay

Hutchinson, Jaqueth

Indiana, Robert

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Jensen, Bill

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On Consignment from Peter Marks

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Quisgard, Liz Whitney

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Rauschenberg, Robert

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Recanati, Dina

Reddinger

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Richter, Gerhard

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Robbins, Bruce

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Rockburne, Dorothea

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de Saint Phalle, Niki

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Signac, Paul

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Willis, Thornton

Wilmarth, Christopher

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Witkin, Isaac

Witkin, Joel-Peter

Woelfli, Adolf

Wofford, Philip

Wolfe, James

Wols, Alfred Otto Wolfgang

Wonner, Paul

Woodman, Betty

Woolf, Paul

Wotruba, Fritz

Yokoi, Teruko

Youngerman, Jack

Yunkers, Adja

Zerbe, Karl

Zimmerman, Daniel

Zox, Larry
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.andremmg, Subseries 8.1
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 8: Inventory Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9de192fb0-9bff-4766-807c-db3d89d0d932
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3791

Wilmarth, Christopher: Sculpture, AEG 5th, 1978 September 12-October 4

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 227, Folder 42
Type:
Archival materials
Date:
1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 16: Photographic Materials / 16.3: Installations
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97812d4a3-0849-488c-a836-01f89f6a755a
EDAN-URL:
ead_component:sova-aaa-andremmg-ref8061

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