Interview of John Walter Stephan, conducted by Robert F. Brown for the Archives of American Art, at Newport, Rhode Island, on May 20, 1986 and May 7, 1987.
Stephan speaks of Chicago childhood and adolescence; life during the Depression; the Art Institute of Chicago; the 1930s Chicago leftist movement; the WPA and PWAP; The Tiger's Eye art magazine; Rome artistic and literary society; the New York School of artists; Betty Parsons Gallery; the Surrealists; teaching at Fairleigh Dickenson University; Hunter College; and his critiques of Pop and contemporary artists. Stephan also recalls Ruth Walgreen, Dart Stephan, Rainey Bennett, Clyfford Still, Juan de Diego, Caleb Harrison, Aaron Bohrod, Dudley Crafts Watson, Jack Jones, George Constant, Connie Moran, CJ Bulliet, Rudolph Weisenborn, Inez Cunningham, Eva Watson-Schütze, Jesus Torres, Edgar Miller, Katherine Kuh, Increase Robinson, Peterpaul Ott, Mitchell Siporin, Raymond Breinin, Holger Cahill, John Fabian, Eddie Millman, Winn Nathanson, Fairfield Porter, Norman MacLeish, Ossip Zadkine, Betty Parsons, Alfonso Ossorio, Max Ernst, Julien Levy, Peggy Guggenheim, Bill de Kooning, Mark Rothko, Franz Kline, Barney Newman, Nicolas Calas, Bob Motherwell, Monroe Wheeler, Myra Shapiro, Clement Greenberg, Harold Rosenberg, Alfred Knopf, Robert Flaherty, Jaime Sebartés, Frederick Kiesler, Robert Matta, Mario Praz, Bill Denby, Ben Johnson, Milton Gendel, Walter Auerbach, Jerry Wilhelm, Eugene Goossens, and others.
Biographical / Historical:
John Walter Stephan (1906-1995) was a painter.
Originally recorded on 6 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 6 hr., 54 min.
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
The C. J. Bulliet papers, circa 1888-1959. Archives of American Art, Smithsonian Institution.
Interview of Ellen Lanyon conducted by James Crawford for the Archives of American Art.
Lanyon speaks of family background; interests in art and music and collecting objects and antiques; her early art education; remembrances of 1933 Chicago World's Fair; Art Institute; Oxbow Summer School of Painting; her work and techniques; exhibitions; Institute of Design; marriage and move to University of Iowa; Iowa art department, Iowa print group; Fulbright to England; travel in France and Italy; return to Chicago; founding of graphic workshop; Hairy Who group; The Imagists; Seven and Up exhibitions; Red Grooms in Chicago; and commissions. She recalls George Buehr, Margo Hoff, Dudley Crafts Watson, Vera Berdich, Joseph Hirsch, Carl Schneiwind, Kathleen Blackshear, Mauricio Lasansky, Gertrude Abercrombie, Julius Carleback, Roland Ginzel, and Edgar Rupprecht.
Biographical / Historical:
Ellen Lanyon (1926- ) is a painter and printmaker in New York and Chicago, Ill.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Letters; a journal, 1908-1922, 1939-1940; a record of Dawson's painting and sculpture, 1904-1963; and an exhibition catalog.
REEL 64: Letters received including, 11 from Walter Pach of the Association of American Painters and Sculptors, 7 from Dudley Crafts Watson as Director of the Milwaukee Art Society, and letters from Jerome Blum, from Chicago journalist Hi Simousy, and from G. G. Wing, president of the Ludington State Bank, for which Dawson painted a mural. Also included is a xerox of a journal, 1908-1922, 1939-1940, in which Dawson comments on: work as a draftman for Holabird and Roche, Chicago, and other architectural firms, meetings with Gertrude Stein, Arthur Davies, Dudley Watson and Walter Pach; the Armory Show, the Montross Gallery Show and the subsequent tour; meetings with Margaret Anderson and Jane Heap. Entries after 1914 record domestic affairs on Dawson's farm in Ludington, with intermittent comments on his painting and sculpture.
REEL 2428: Dawson's record of paintings and sculpture, 1904-1963; and an exhibition catalog of the Milwaukee Art Society, 1914.
Material on reel 64 donated 1969 by Manierre Dawson. Material on reel 2428 donated 1982 by Marianne Gedo, who was doing research on Dawson.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.