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Clarice Smith Distinguished Lecture with Artist Elizabeth Peyton

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2011-11-07T16:12:41.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_G3L3I1Tf5XU

Design Talks: Mack Scogin Merrill Elam

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2013-05-30T00:03:31.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_jMjZ9z29Vtc

Charline von Heyl ‘Making a Painting More Alive’ – Hirshhorn Museum

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2018-12-19T20:50:33.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_6CRd0H2o5uY

Portrait of Vartoosh

Artist:
Arshile Gorky, American, b. Khorkom, Armenia, 1904–1948  Search this
Medium:
Oil on canvas
Dimensions:
20 1/4 × 15 1/8 in. (51.3 × 38.4 cm)
Type:
Painting
Date:
(1933-1934)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.2148
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py20f36d98a-627b-4085-bc6a-533d8ba6e8d4
EDAN-URL:
edanmdm:hmsg_66.2148

Bust of a Man (Josep Fondevila)

Artist:
Pablo Picasso, Spanish, b. Málaga, 1881–1973  Search this
Medium:
Bronze
Dimensions:
6 5/8 X 9 X 4 5/8 IN. (16.8 X 22.9 X 11.7 CM.)
Type:
Sculpture
Date:
(1906)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4047
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Spanish Modernism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py28943bda9-2640-4dcf-bf72-0109baf3664f
EDAN-URL:
edanmdm:hmsg_66.4047

Cold Mountain 2

Artist:
Brice Marden, American, b. Bronxville, New York, 1938  Search this
Medium:
Oil on linen
Dimensions:
108 1/8 × 144 1/4 in. (274.5 × 366.4 cm)
Type:
Painting
Date:
1989-1991
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Holenia Purchase Fund, in memory of Joseph H. Hirshhorn, 1992
Accession Number:
92.22
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Contemporary American Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py23b70aa22-c640-422f-b519-99357960dd34
EDAN-URL:
edanmdm:hmsg_92.22

Bill's Design Talks: Graphic Design— Now in Production

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2012-06-29T00:13:57.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt__BFJN62hZp0

George Washington (Porthole type)

Artist:
Rembrandt Peale, 22 Feb 1778 - 3 Oct 1860  Search this
Sitter:
George Washington, 22 Feb 1732 - 14 Dec 1799  Search this
Medium:
Oil on canvas
Dimensions:
90.1cm x 72.7cm (35 1/2" x 28 5/8"), Sight
Type:
Painting
Date:
c. 1824
Topic:
George Washington: Male  Search this
George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
George Washington: Politics and Government\Statesman\Colonial statesman  Search this
George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this
George Washington: Military and Intelligence\Army\Officer\General  Search this
George Washington: Politics and Government\President of US  Search this
George Washington: Science and Technology\Surveyor  Search this
George Washington: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
Owner: Walker Art Center
Object number:
78.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm43d74ed35-afa8-404d-be9c-4b73f38e21ea
EDAN-URL:
edanmdm:npg_78.1

George Washington

Artist:
James Peale, 1749 - 24 May 1831  Search this
Other attribution:
Charles Willson Peale, 15 Apr 1741 - 22 Feb 1827  Search this
Sitter:
George Washington, 22 Feb 1732 - 14 Dec 1799  Search this
Medium:
Oil on canvas
Dimensions:
74.7cm x 62.2cm (29 7/16" x 24 1/2"), Sight
Type:
Painting
Date:
c. 1780-90
Topic:
Exterior  Search this
Symbols & Motifs\Flag  Search this
George Washington: Male  Search this
George Washington: Military and Intelligence\Army\Officer\Revolutionary War Army officer  Search this
George Washington: Politics and Government\Statesman\Colonial statesman  Search this
George Washington: Natural Resource Occupations\Agriculturist\Farmer  Search this
George Washington: Military and Intelligence\Army\Officer\General  Search this
George Washington: Politics and Government\President of US  Search this
George Washington: Science and Technology\Surveyor  Search this
George Washington: Congressional Gold Medal  Search this
Portrait  Search this
Credit Line:
Owner: Walker Art Center
Object number:
X484
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm443200a98-5949-4624-aad7-783562a35ee8
EDAN-URL:
edanmdm:npg_X484

Ben Benn papers

Creator:
Benn, Ben, 1884-  Search this
Names:
Artists' Gallery (New York, N.Y)  Search this
Harry Salpeter Gallery  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Walker Art Center  Search this
Whitney Museum of American Art  Search this
Benn, Velida  Search this
Bluemner, Oscar, 1867-1938  Search this
Force, Juliana, 1876-1948  Search this
Geist, Sidney  Search this
Van Dine, S. S.  Search this
Extent:
6.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Illustrated letters
Sketches
Scrapbooks
Sketchbooks
Date:
1905-1993
Summary:
The papers of modernist painter Ben Benn measure 6.3 linear feet and date from 1906 through 1977, with the bulk of the papers dating from circa 1920 - circa 1970. The collection includes correspondence between Benn and his wife Velida Benn and letters from Oscar Bluemner, Max Weber, Joseph Stella, and other artists. Also found are sketches, sketchbooks, diaries, scrapbooks, personal business records, clippings, photographs, exhibition catalogs, art journals, and auction catalogs. Some of the printed material is quite rare.
Scope and Content Note:
The papers of modernist painter Ben Benn measure 6.3 linear feet and date from 1906 through 1977, with the bulk of the papers dating from circa 1920 - circa 1970. The collection includes correspondence between Benn and his wife Velida de Benn and letters from Oscar Bluemner, Max Weber, Joseph Stella, and other artists. Also found are biographical materials, sketches, sketchbooks, diaries, scrapbooks, personal business records, clippings, photographs, exhibition catalogs, art journals, and auction catalogs. Some of the printed material is quite rare.

The bulk of the collection consists of correspondence files dating from 1906 through 1993, and includes personal, professional, and family correspondence of Ben Benn and wife Velida Benn, as well as personal correspondence between the Benn's. Much of the professional correspondence relates to exhibitions and other projects and is with museums, galleries, and art associations, including the Whitney Museum of American Art, The Artists' Gallery, and the College Art Association. Additional correspondence contains letters from friends and colleagues including Alfred Barr, Oscar Bluemner, Rita Benton, Holger Cahill, Juliana Force, Sidney Geist, Kaj Klitgaard, Audrey McMahon, Julio Osma, Harry Salpeter, Hugh Stix, Hudson D. Walker, and Marguerite Zorach, among others. Letters exchanged between Ben Benn and Velida Benn primarily relate to Benn's activities in Woodstock, N.Y., Gloucester, Ma., and St. Augustine, Fla., places he visited during the early part of his career. Many of Benn's letters are illustrated. Velida Benn's correspondence includes letters from her brother Bernard Lopez, William M. Fisher (Metropolitan Museum of Art), Bessie Beatty, Rita Benton, Sidney Geist, and Julio Osma. Also found are brief notes from Joseph Stella, Max Weber, and Marsden Hartley.

Diaries (1943-1977) contain entries by Velida Benn and reflect her activities and personal observations; also found are numerous references to Benn's exhibitions and projects. Three scrapbooks (1915-1972) document Benn's exhibitions and include copies of correspondence, announcements, checklists, price lists, and clippings; many of the items are annotated. Artwork (1937-1974) consists of sketchbooks and various loose sketches of portraits, figures, and still lifes; also included are fashion sketches by Velida Benn.

Printed material (1905-1991, bulk 1930s-1970s) includes exhibition announcements and catalogs, newspaper and magazine clippings, printed programs, reproductions, and monographs. Of particular interest are Artists' and Writers' Chap Books (1933-1935) that include the work of Ben and Velida Benn. Photographs (1920-1969) contain images of works of art, of Ben Benn, individually and with Velida, and exhibition installation shots.
Arrangement:
The collection is arranged into seven series based primarily on type of material. Material within each series is arranged chronologically.

Missing Title

Series 1: Biographical Material, 1983, undated (Box 1; 2 folders)

Series 2: Correspondence, 1906-1993, undated (Boxes 1-4; 4.0 linear ft.)

Series 3: Diaries, Notebooks, and Scrapbooks, 1915-1977, undated (Boxes 4-5; 11 folders)

Series 4: Personal Business Records, circa 1910-1979, undated (Box 5; 9 folders)

Series 5: Artwork, 1924-1974, undated (Box 5,7; 6 folders, 6 oversized items)

Series 6: Printed Material, 1911-1991, undated (Boxes 5-6; 2.0 linear ft.)

Series 7: Photographs and Negatives, 1920-1969, undated (Box 6; 6 folders)
Biographical Note:
New York painter Ben Benn was born in Russia in 1884 as Benjamin Rosenberg and died in 1983. Benn studied drawing and painting at the National Academy of Design from 1904-1908 and had his first exhibition, "Oils by Eight American Artists," at the Artists' Gallery in 1907. In 1916, Benn participated in the "Forum Exhibition of Modern American Painters" at the Anderson Galleries, along with artists Thomas Hart Benton, Oscar Bluemner, Arthur Dove, Marsden Hartley, John Marin, Man Ray, Abraham Walkowitz, and others. The exhibition was important in advancing the cause of modern art in American, particularly the American avant-garde and was recreated by the Whitney in 1983.

Best known as a modern painter who assimilated in his early style the influences of Matisse, Picasso, and Kandinsky, Benn's first one-man show was held at the J. B. Neumann Gallery in 1925. Portraits, still-lifes, and landscapes formed the core of Benn's subject themes and he often shifted between abstract and figurative images. He is known for his strong joyful colors, thick brush strokes and energetic paintings.

Benn was featured in over twenty one-man exhibitions and countless group shows. Major exhibitions included Abstract Painting in America (Whitney Museum, 1935), American Painting Today (Metropolitan Museum of Art, 1950), and Ben Benn, Painter (The Jewish Museum, 1965). The Smithsonian's Hirshhorn Museum in Washington, D.C. honored Benn with a one-man show on his ninetieth birthday (1974). His work is in permanent museum collections in both the U.S. and abroad including the Albany Institute of Art, the Smithsonian Institution's Hirshhorn Museum, the Knoxville Art Center, Metropolitan Museum of Art, Newark Museum, Whitney Museum of American Art, as well as the Museum of Arts, Ein-Harod in Israel and the Kröller-Müller Museum in Holland.

Ben Benn was a recipient of several awards for his achievement in painting. The Pennsylvania Academy of the Fine Arts honored Benn with the Henry Schiedt award (1952) and the Carol Beck Gold Medal (1965); Benn was also the recipient of the Knoxville Art Center Purchase Prize in 1961. In 1970 Benn was a beneficiary of the Childe Hassam Fund awarded through the American Academy of Arts and Letters.

Benn's work is in permanent museum collections in both the U.S. and abroad including the Albany Institute of Art, the Smithsonian Institution's Hirshhorn Museum, the Knoxville Art Center, Metropolitan Museum of Art, Newark Museum, Whitney Museum of American Art, as well as the Museum of Arts, Ein-Harod in Israel and the Kröller-Müller Museum in Holland.
Provenance:
The Ben Benn papers were donated by Benn's nephew Peter Rosenberg to the Archives of American Art in 1988.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Painting, American -- Economic aspects  Search this
Painting, American -- 20th century  Search this
Genre/Form:
Photographs
Illustrated letters
Sketches
Scrapbooks
Sketchbooks
Citation:
Ben Benn papers, 1905-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bennben
See more items in:
Ben Benn papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw928843ebf-2403-418a-a333-69b5b8d63fc4
EDAN-URL:
ead_collection:sova-aaa-bennben

De Hirsh Margules papers

Creator:
Margules, De Hirsh, 1899-1965  Search this
Names:
Babcock Galleries  Search this
Brooklyn Museum  Search this
Buffalo Fine Arts Academy  Search this
Feigl Gallery  Search this
Ferargil Galleries  Search this
Museum of Fine Arts, Boston  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Niveau Gallery (New York, N.Y.)  Search this
Solomon R. Guggenheim Museum  Search this
Walker Art Center  Search this
Whitney Museum of American Art  Search this
Worcester Art Museum  Search this
Beaudoin, Kenneth Lawrence, 1913-  Search this
Connick, Charles J., 1875-1945  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Frankel, Aaron  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gillespie, Al Lincoln, Jr.  Search this
Gilman, Esther  Search this
Grady, James  Search this
Higgins, Dick, 1938-  Search this
Horblit, Harrison D.  Search this
Horblit, Jean  Search this
Jensen, Alfred, 1903-1981  Search this
King, Alex  Search this
Kolin, Sacha, 1911-1981  Search this
Lechay, Myron, 1898-1972  Search this
Lehman, Herbert H. (Herbert Henry), 1878-1963  Search this
Lindsay, John V.  Search this
Mandel, Marieli Kailin  Search this
Margules, Blanche London  Search this
Marin, John, 1870-1953  Search this
Miller, Henry, 1891-  Search this
O'Brien, Lawrence F.  Search this
Schnitzler, Max, 1903-  Search this
Stieglitz, Alfred, 1864-1946  Search this
Weber, David A.  Search this
Extent:
5.5 Linear feet
Type:
Collection descriptions
Archival materials
Writings
Photographs
Notebooks
Sketchbooks
Sound recordings
Poems
Scrapbooks
Oil paintings
Collages
Date:
1888-2001
bulk 1923-1965
Summary:
The papers of painter De Hirsh Margules measure 5.5 linear feet and date from 1888-2001, with the bulk dating from 1923-1965. The papers contain biographical material, and business and personal correspondence, including letters from Alfred Stiegliz, John Marin, Henry Miller, Max Schnitzler, Charles J. Connick, Louis M. Eilshemius, Alex King, and Myron Lechay. Also found are writings, printed material, scrapbooks, photographs, works of art and audio recordings documenting Margules' personal life and professional career.
Scope and Content Note:
The papers of painter De Hirsh Margules measure 5.5 linear feet and date from 1888-2001, with the bulk dating from 1923-1965. The papers contain biographical material, and business and personal correspondence, including letters from Alfred Stiegliz, John Marin, Henry Miller, Max Schnitzler, Charles J. Connick, Louis M. Eilshemius, Alex King, and Myron Lechay. Also found are writings, printed material, scrapbooks, photographs, works of art and audio recordings documenting Margules' personal life and professional career.

Biographical material consists of Margules' curriculum vitae, address books, war ration books, press credentials, passports, naturalization documents, membership and social security cards, and memorial material on De Hirsh and Blanche Margules.

Correspondence of De Hirsh Margules covers both personal and business matters. Family correspondents include his wife Blanche London, her parents, De Hirsh's mother Rosa and his sister Sam. There is correspondence with Jean and Harrison Horblit, friends and business associates of the Margules, as well as correspondence with his girlfriend, Marieli Kailin Mandel. Other correspondents include Alfred Stieglitz, John Marin, Henry Miller, Max Schnitzler, Charles J. Connick, Louis M. Eilshemius, Alex King, Myron Lechay, and two letters from New York Governor Herbert H. Lehman. There are single letters from Sasha Kolin; New York City Mayor John V. Lindsay; Lawrence F. O'Brien, special assistant to President John F. Kennedy; Buckminster Fuller. This last letter was not addressed exclusively to Margules. Other personal correspondence includes letters, postcards and greeting cards from family members and friends. Other business correspondents include galleries and museums such as Babcock Galleries, Museum of Modern Art, Whitney Museum of American Art, Niveau Gallery, Museum of Fine Arts Boston, Brooklyn Museum, Buffalo Fine Arts Academy, Ferargil Gallery, Feigl Gallery, Guggenheim Museum, Worcester Art Museum and Walker Art Center.

Writings consist mostly of poems by De Hirsh Margules, sometimes appearing in multiple draft forms, as well as a longer work titled "Mulberry Bend." Also included within the series are notebooks filled with poems and works of prose, the latter expounding upon his theories and ideas. Writings by other authors range from poetry to works of prose, criticism and biography, including A. Lincoln Gillespie, Jr., Kenneth Lawrence Beaudoin, David Weber, Aaron Frankel, James Grady, Dick Higgins, and Esther Gilman, among others. There are three illustrated writings by Alfred Jensen. Audio recordings contain a sound tape reel of De Hirsh Margules reciting his poems Rainbow and Mulberry Bend.

Printed material includes newspaper and magazine clippings, press releases, exhibition announcements, catalogues and books. Scrapbooks include printed material, newspaper and magazine clippings, and exhibition announcements on the career of De Hirsh Margules. Also included are two scrapbooks by Blanche London Margules, representing newspaper clippings of her writing, among others.

Works of Art include an oil painting on wood and sketchbooks by Margules. Also included are six collages in a series by Kenneth Lawrence Beaudoin titled "Eye Poems"; and text-based drawings/writings by A. Lincoln Gillespie, Jr.

Photographs, transparencies and slides include works of art by De Hirsh and Blanche London Margules. Also included are personal photographs of the Margules', their friends, family and students, and two folders of photographs of Marieli Kailin Mandel.
Arrangement:
The De Hirsh Margules papers are organized into 8 series:

Missing Title

Series 1: Biographical Material, 1888-1978, undated (Box 1, 6; 0.2 linear feet)

Series 2: Correspondence, 1923-2000, undated (Box 1-3; 2.8 linear feet)

Series 3: Writings, 1936-1965, undated (Box 4; 1.0 linear feet)

Series 4: Printed Material, 1933-2001, undated (Box 5; 0.2 linear feet)

Series 5: Scrapbooks, 1922-1957, undated (Box 5, 7; 0.2 linear feet)

Series 6: Photographs, 1926-1992, undated (Box 5, 7; 0.8 linear feet)

Series 7: Works of Art, 1948, undated (Box 6, 7; 0.4 linear feet)

Series 8: Audio Recordings, undated (Box 6; 1 folder)
Biographical Note:
De Hirsh Margules (1899-1965) was a painter in New York, NY. Margules was born in Jasse, Romania and arrived in New York City at only ten months of age. His parents were in the Yiddish Theater; his father, Edouard was a playwright/director, and his mother, Rosa, was an actress. Margules received much of his art education outside of the conventional art institutional framework. Early on, he studied with Edwin Randby in Pennsylvania from 1917-1918, but it was really his neighbor, the painter Benno Greenstein, who encouraged Margules to pursue a career in the arts. From 1919-1921 he studied period architecture, design and decoration at the New York Evening School of Art and Design.

By 1922, Margules began working nights as a police reporter for the City News Association of New York, a job he would hold until 1942. However, he continued to study and paint during the day, this time working with Myron Lechay.

In 1927 Margules took a leave of absence from the City News Association to travel to Paris. He studied at the Musée du Louvre, and painted landscapes in Montmartre, Paris; Fontenay-près-Vézelay, Burgundy; and Tunis, Africa. In 1929 Margules returned to New York and met artist/dealer Alfred Stieglitz, who quickly became his most trusted friend and advisor. It was through Stieglitz that Margules was introduced to John Marin, Georgia O'Keeffe, Paul Rosenfeld, Stuart Davis and Jan Matulka. While Margules would benefit from his relations with all of these artists, it was John Marin who would become his most important mentor. He felt that Marin was the only one who could help him with the formal problems he was having with painting.

Margules lived most of his life in Greenwich Village and was a well-known member of the colorful and vivacious arts community. He was commonly recognized by his affable demeanor, but mostly it was his attire, particularly the dark blue beret that he was rarely seen without. To his friends he was known simply as "the Baron."

De Hirsh Margules has been called an abstract realist. He used saturated colors and bold textures in the construction of his abstract landscapes, but more specifically it was his interest in the concept of "time painting" or "time perspective" that propelled his work. It was through the physical rendering and representation of his subject matter that he explored the psychological concepts of time. From 1936-1937 Margules established "Another Place," an exhibition space set up in his New York City apartment at 43 West 8th Street. Over a two year period there were fourteen solo-exhibitions by Margules and other artists.

He taught painting in 1951 at Ball State College in Muncie, Indiana, and at the New York Equity Workshop in 1952. In 1951 Elaine de Kooning wrote a piece about his working methods in the December edition of Art News.

De Hirsh Margules died from a heart attack in 1965. He was 65 years old.
Provenance:
The papers were donated to the Archives in 2005 by Elita Agee.
Restrictions:
The De Hirsh Margules papers are open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Poets -- New York (State) -- New York  Search this
Works of art  Search this
Genre/Form:
Writings
Photographs
Notebooks
Sketchbooks
Sound recordings
Poems
Scrapbooks
Oil paintings
Collages
Citation:
De Hirsh Margules papers, 1888-2001, bulk 1923-1965. Archives of America Art, Smithsonian Institution.
Identifier:
AAA.margde
See more items in:
De Hirsh Margules papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96b288528-ce86-4c0a-8b52-8f5eb10f986f
EDAN-URL:
ead_collection:sova-aaa-margde

Alu with Claws

Artist:
Jean Arp, French, b. Strasbourg, Alsace, 1886-1966  Search this
Medium:
Bronze
Dimensions:
22 1/4 X 14 1/2 X 12 1/8 IN. (56.4 X 36.6 X 30.8 cm)
Type:
Sculpture
Date:
(1942)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.104
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Dada/Fluxus
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py21482ccca-b3fe-4f6f-b3b8-9d147829104e
EDAN-URL:
edanmdm:hmsg_66.104

Composition No. 11A

Artist:
Cesar Domela, French, b. Amsterdam, Netherlands, 1900–1992  Search this
Medium:
Glass, painted glass, painted metal, chrome- plated brass and painted wood
Dimensions:
35 3/8 X 29 5/8 X 1 3/4 IN. (89.8 X 75.2 X 4.2 CM.)
Type:
Sculpture/relief
Date:
1932
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1397
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2006413e8-a3a6-46cd-972c-fac1035a12ce
EDAN-URL:
edanmdm:hmsg_66.1397

Green Night

Artist:
William Baziotes, American, b. Pittsburgh, Pennsylvania, 1912–1963  Search this
Medium:
Oil on canvas
Dimensions:
36 1/8 X 48 1/8 IN. (91.7 X 122.2 CM.)
Type:
Painting
Date:
1957
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.406
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Abstract Expressionism (First Generation)
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2a2bf9428-d436-44d7-b9da-2218fb7bed04
EDAN-URL:
edanmdm:hmsg_66.406

Crouching Woman (Small Version)

Artist:
Auguste Rodin, French, b. Paris, 1840–1917  Search this
Medium:
Bronze
Dimensions:
12 1/4 x 11 1/8 x 7 7/8 in. (31.1 x 28.2 x 19.7 cm)
Type:
Sculpture
Date:
(1880-1882/cast by 1953)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.4331
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py27175d5ed-f357-4871-83d4-ef161084ccfb
EDAN-URL:
edanmdm:hmsg_66.4331

Whitney Museum of Art

Collection Creator:
Clark, Edward, 1926-2019  Search this
Container:
Box 3, Folder 30
Type:
Archival materials
Date:
1972-1980
1996
2010
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Citation:
Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Ed Clark papers
Ed Clark papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9002f665d-02d5-4e39-aa28-fcb837081535
EDAN-URL:
ead_component:sova-aaa-clarked-ref99
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Whitney Museum of Art digital asset number 1

Clarice Smith Distinguished Lecture Series with Teresita Fernández

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2013-09-19T00:36:08.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_XiVwnTJivdE

Robert Bechtle papers

Creator:
Bechtle, Robert, 1932-2020  Search this
Extent:
13.9 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Drawings
Diaries
Video recordings
Date:
circa 1930s-2020
Summary:
The Robert Bechtle papers measure 13.9 linear feet and date from circa 1930s-2020. The collection documents his career as a photorealist painter in the San Francisco Bay area. Series include biographical material, correspondence, personal business records, exhibition and gallery records, writings which include artist statements interviews and texts by others, teaching files, printed material, photographic material and artwork.
Scope and Contents:
The Robert Bechtle papers measure 13.9 linear feet and date from circa 1930s-2020. The collection documents his career as a photorealist painter in the San Francisco Bay area. Series include biographical material, correspondence, personal business records, exhibition and gallery records, writings which include artist statements interviews and texts by others, teaching files, printed material, photographic material and artwork.

Biographical material includes military service documents including infantry yearbooks, as well as academic records and degrees for Bechtle and his mother, who continued her education later in life. Also included are highschool yearbooks, the senior year issue featuring art direction from Bechtle, as well as resumes and other supplemental material used by Bechtle's employing institutions to grant sabbaticals and other paid leave. Correspondence is mostly from galleries and museums, in addition to letters from various peers. Also included are letters of recommendation written by Bechtle for faculty or graduate art programs, as well as numerous letters by Bechtle to his mother while he was in the military, including photographs of his travels in Europe, especially Germany. Personal business records include grant applications, applications for sabbatical and other paid leave, as well as studio expenses, planners, and miscellaneous travel documents. Exhibition and gallery records include planning documents for key exhibitions, correspondence, financial documents including sales information, and printed materials from galleries Bechtle worked with over the years, as well as mailing lists, print catalogs, print documentation, and inventory records.

Writings include artist statements and interviews, schoolwork including art history and philosophy papers and notebooks, and academic papers written on Bechtle's work. Teaching materials include lessons, readings, materials lists and syllabi particularly concerning painting, design and printmaking courses at San Francisco State University and other schools.

Printed material includes press clipping and a press scrapbook, as well as invitations and posters, press releases and exhibition catalogs, as well as other types of publications featuring Bechtle's artwork and miscellaneous books and pamphlets from Bachtle's European travel.Photographic material includes photographs of Bechtle and his friends and family, his classmates at CCAC and his military colleagues in Germany. Also included are photographs and slides of artwork by Bechtle and others, as well as photographs and slides used to make Bechtle's photorealistic paintings, drawings, and prints. The artwork series includes childhood and early career drawings including sketchbooks by Bechtle, as well as original materials made by Bechtle for his design work including the Kaiser Company, as well as watercolor and tempera works on paper including demonstration works made in the classroom setting.
Arrangement:
The collection is arranged as nine series:

Series 1: Biographical Material , circa 1940s-1999 (1 Linear foot: Box 1)

Series 2: Correspondence, circa 1950-2017 (1.2 Linear feet: Boxes 2-3)

Series 3: Personal Business Records (1 Linear foot: Boxes 3-4)

Series 4: Exhibition and Gallery Records, circa 1960s-2019 (1.3 Linear feet: Boxes 4-5)

Series 5: Writings, circa 1950-2015 (0.8 Linear feet: Boxes 5-6)

Series 6: Teaching Files, circa 1956-1988 (0.2 Linear feet: Box 6)

Series 7: Printed Material, circa 1939-2020 (4.6 Linear feet: Boxes 6-10, 13, Oversize 21)

Series 8: Photographic Material , circa 1930s-2010 (2.8 Linear feet: Boxes 10-15)

Series 9: Artwork, circa 1930s-1999 (1 Linear foot: Box 12, Oversize 16-20)
Biographical / Historical:
Robert Bechtle (1932-2020) was a photorealist painter, educator, and printmaker born in Alameda, California, and lived and worked primarily in the San Francisco Bay Area including a long-time residence in Oakland.

Bechtle completed both undergraduate and Master of Fine Arts degrees at the California College of Arts and Crafts by 1958, in between which he served a few year in the United States Military, primarily stationed in Germany. Like the other photorealist painters of his era, Bechtle engineered a style of painting which was based more on keen observation and excruciating detail than any visually discernible stylism. His subjects were largely suburban and mundane and often incorporated images of himself and family members. He would project photographs and incorporate those copied images directly into paintings. In addition to paintings, Bechtle eventually translated his practice into both charcoal drawing and printmaking. He taught at the San Francisco State University where he was named Professor Emeritus in 1999, as well as other schools.

One of the milestones of his career was a retrospective exhibition organized in 2005 by the San Francisco Museum of Modern Art, also traveling to the Corcoran Museum of Art in 2006. Robert Bechtle's work has been exhibited internationally and his paintings and other artworks are held in numerous collections including the San Francisco Museum of Modern Art, Oakland Museum of California, Museum of Modern Art, Metropolitan Museum of Art, Whitney Museum of American Art,and the Guggenheim Museum in New York City, the Walker Art Center in Minneapolis, and the Smithsonian American Art Museum in Washington. Bechtle passed in October 2020 from Lewy Dementia and is survived by his second wife Whitney Chadwick and his two children Max and Anne, who were born from his first marriage to Nancy Dalton.
Related Materials:
The Archives of American Art also holds a 1978 September 13- 1980 February 1 oral history intereview with Robert A. Bechtle and a 2010 February 8-9 oral history interview with Robert A. Bechtle.
Provenance:
Donated 2022 by the Robert Bechtle and Whitney Chadwick Revocable Trust via Robert Firehock, representative of the Estate of Robert Bechtle.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The donor has retained all intellectual property rights, including copyright, that they may own in the following material: 40 demonstration works of art on papers by Robert Bechtle.
Occupation:
Printmakers -- California -- San Francisco  Search this
Painters -- California -- San Francisco  Search this
Educators -- California -- San Francisco  Search this
Topic:
Photo-realism  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Drawings
Diaries
Video recordings
Citation:
Robert Bechtle papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bechrobe
See more items in:
Robert Bechtle papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b997eb71-56ba-4747-8ad4-676d3e3b5e20
EDAN-URL:
ead_collection:sova-aaa-bechrobe

Presentations, "Artist Talk: Emma Amos" at Walker Art Center

Collection Creator:
Amos, Emma, 1937-2020  Search this
Container:
Box 23, Folder 11
Type:
Archival materials
Date:
2001
Collection Restrictions:
Material regarding the Guerilla Girls is access restricted; written permission is required. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Emma Amos papers, circa 1900-2019. Archives of American Art, Smithsonian Institution.
See more items in:
Emma Amos papers
Emma Amos papers / Series 7: Other Professional Activities
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97ec81c4a-8613-4eab-9705-74b492136ae1
EDAN-URL:
ead_component:sova-aaa-amosemma-ref447

George Washington, (painting)

Painter:
Maurer, Alfred H. 1868-1932  Search this
Subject:
Washington, George  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Portland Art Museum 1219 S. W. Park Avenue Portland Oregon 97205
Date:
1932
Topic:
Abstract  Search this
Portrait male--Head  Search this
Control number:
IAP 44260053
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_17670

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