The collection documents the career of Bolivian born painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community. Materials found in the collection include letters, writings, sketches and sketchbooks, printed material and photographs.
Scope and Content Note:
The collection documents the career of Bolivian born painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community.
The collection consists primarily of correspondence, writings, artwork, printed material, and photographs documenting Sotomayor's career, his interest in Latin American art and artists, and his association with the San Francisco arts community.
Arrangement:
The collection is arranged as six series:
Missing Title
Series 1: Correspondence, 1931-1988, undated (box 1, 21 folders)
Series 2: Writings, 1932-1946, undated (box 1, 11 folders)
Series 3: Artwork, 1935, undated (box 1, 23 folders)
Series 4: Printed Material, 1935-1987 (boxes 1-2, 12 folders)
Series 5: Photographs, circa 1920-1984, undated (box 2, 13 folders)
Series 6: Oversized Material, 1941, 1958, undated (2 OV folders)
Biographical Note:
Antonio Sotomayor was born in Bolvia and came to San Francisco in 1923. He was educated at the Escuela de Belleas Arts in La Paz and the Hopkins Institute of Art in San Francisco. Primarily known for his murals and paintings, Sotomayor was also an illustrator, caricaturist, designer, ceramicist, and educator. Over the course of his career his work was exhibited in the United States, France, Italy, Spain, Mexico, and South America and he became known as the popular "artist laureate" of San Francisco where he lived with his wife, Grace. He died of cancer in 1985 at the age of 82.
Provenance:
The Antonio Sotomayor papers were donated to the Archives of American Art by Grace Sotomayor in 1998.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- San Francisco Search this
Cartoonists -- California -- San Francisco Search this
Topic:
Muralists -- California -- San Francisco Search this
Includes images of the indigenous people of Ecuador, primarily the Tsatchela (Tsachila, Colorado) of Pichincha province and the Shuar-Achuar of Oriente province. Also includes 51 images of the indigenous people of Honduras, primarily the Xicaque and Maya.
Scope and Contents:
The von Hagen collection primarily contains photographs and negatives made by von Hagen during his 1935 and 1936 travels in Ecuador on behalf of the Museum of the American Indian, Heye Foundation. The 1935 materials depict adult and child members of the Shuar-Achuar culture group engaged in weaving, drumming, and cooking. In addition there are representations of indigenous dwellings and of individuals dressed for ceremonies and using blow guns. The 1936 materials overwhelmingly depict Tsáchila (Colorado) peoples preparing food, weaving, potting, playing instruments, and participating in ceremonies, but also include depictions of the Runa (Otavaleño/Otavalo) people spinning cotton and sitting for potraits. The collection also contains photographic materials dated to 1937 that depict Mayan artifacts and Jicaque men of Honduras building rafts, fishing, and standing for their poritraits. Von Hagen's Tsáchila and Jicaque photographs illustrated his contributions to the Museum's series Indian Notes and Monographs, The Tsáchila Indians of western Ecuador (no. 51) and The Jicaque (Torrupan) Indians of Honduras (no. 53).
Arrangement note:
Negatives: organized in individual sleeves; arranged by negative number
Prints: organized in folders; arranged by print number
Arrangement:
Negatives Arranged by negative number (N36360, N36648, N36654-N36656, N36661, N36733-N36740, N36749-N36752, N36755, N36758-N36769, N36772-N36779, N36781-N36797, N36803-N36853, N37366, N37386, N41444)
Prints Arranged by photograph number (P11502-P11510, P12316-P12473, P12522-P12525, P12596-P12657, P12855-P12859, P12941-P12949, P13329-P13362, P15428, P15491, P15585, P16246)
Biographical/Historical note:
Victor Wolfgang von Hagen was an American explorer, archaeological historian, anthropologist, naturalist, zoologist, and travel writer. In the 1930s, he led several Museum of the American Indian, Heye Foundation collecting expeditions to Central and South America and continued to travel throughout the region into the 1970s.
Provenance:
Gift of Dr. von Hagen
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Victor Wolfgang von Hagen collection of photographs and negatives, 1935-1937, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or print number).
The life of the white ant, by Maurice Maeterlinck; translated by Alfred Sutro, with a preface and illustrations from photographs by Victor Wolfgang von Hagen
The green world of the naturalists; a treasury of five centuries of natural history in South America. Selected and annotated with biographical sketches and introd. by Victor Wolfgang von Hagen
