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Creator:

Smithsonian American Art Museum  Search this

Type:

YouTube Videos

Uploaded:

2012-11-08T19:00:31.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

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americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_xq3Ri8O_mNE

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

Symposia

Lectures

YouTube Videos

Uploaded:

2021-05-19T05:21:52.000Z

YouTube Category:

Entertainment  Search this

Topic:

Design  Search this

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cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_OTteyHSB2D0

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

YouTube Videos

Uploaded:

2015-07-09T22:03:59.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

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cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_afv00Y5KlFc

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

YouTube Videos

Uploaded:

2019-12-18T19:55:23.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

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cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_lmflIlAeUZk

Creator:

Doty, Robert M.  Search this

Names:

Akron Art Institute  Search this

Albright-Knox Art Gallery  Search this

Currier Gallery of Art  Search this

George Eastman House  Search this

Whitney Museum of American Art  Search this

Extent:

3.4 Linear feet

Type:

Collection descriptions

Archival materials

Date:

circa 1935-2000

bulk 1960-1992

Summary:

The Robert M. Doty papers measure 4 linear feet and date from circa 1935-2000, with the bulk of the collection dating from 1960-1992. The collection documents Doty's career as a museum curator and director, particularly his involvement with American folk art and photography, through biographical materials, correspondence, writings, artist files, and exhibition and gallery files detailing several exhibitions that Doty curated during his career. Also found are consulting and professional files, subject and research files reflecting a wide variety of research interests, professional projects, and activities, collecting records documenting Doty's personal art collecting, and printed materials related to Doty's career and interests.

Scope and Contents:

The Robert M. Doty papers measure 3.4 linear feet and date from circa 1935-2000, with the bulk of the collection dating from 1960-1992. The collection documents Doty's career as a museum curator and director, particularly his involvement with American folk art and photography through biographical material, personal and professional correspondence, writings including exhibition catalogs and notes, and consulting and professional files documenting positions working with institutions and corporations including the Empire State building's art commission and the XEROX Corporation.

Also found are artist files, exhibition and gallery records including artwork lists, photographs, prints and slides of artwork, press clippings, grant applications and miscellaneous exhibition documents which document several exhibitions that Doty curated or was invited to. Subject and research files reflect a wide variety of research interests, professional projects, and activities notably on American folk art and photography. Materials include notes, annotated articles, and news clippings. Collecting records document Doty's personal art collecting and lending to museums and galleries through loan agreements, checklists, and deeds of gift. Printed materials include news clippings, correspondence, exhibition invitations and publications, reports, slides, and photographs related to Doty's career and interests.

Arrangement:

The collection is arranged as 9 series:

Series 1: Biographical Materials, circa 1959-1992 (2 folders; Box 1)

Series 2: Correspondence, circa 1935-2000 (0.5 Linear feet; Box 1)

Series 3: Writings, circa 1959-1990 (0.3 Linear feet; Box 1)

Series 4: Artist Files, circa 1938-1997 (0.4 Linear feet; Box 1-2)

Series 5: Exhibition and Gallery Files, circa 1957-1994 (0.4 Linear feet; Box 2)

Series 6: Consulting and Professional Files, circa 1959-1985 (0.2 Linear feet; Box 2)

Series 7: Subject and Research Files, circa 1935-1992 (1.1 Linear feet; Box 2-4)

Series 8: Collecting Records, circa 1972-1992 (2 folders; Box 4)

Series 9: Printed Materials, circa 1960-2000 (0.4 Linear feet; Box 4)

Biographical / Historical:

Robert Doty (1933-1992) was a museum curator and director from Rochester, New York.

Doty received a B.A. from Harvard University in 1956 and an M.A. from the University of Rochester in 1961, where he studied the history of photography. In Rochester, he also worked at the George Eastman House, International Museum of Photography, organizing exhibitions of the work of Lewis Hine (1957), the Photo-Secession (1960) and Bill Brandt (1962). Other positions Doty held include research assistant at the Victoria and Albert Museum, (1961-1962); assistant to the director at the Albright-Knox Art Gallery, (1963-1964); and assistant to the director at the Yale University Art Gallery, (1964-1965.

Doty became associate curator of the Whitney Museum in 1966, and curator in 1970, and organized several high-profile exhibitions. These included the Whitney's first historical survey of American photography in 1974 and Contemporary Black Artists in America (1971), which generated controversy when 15 of the 75 artists withdrew to protest that Black specialists had not been consulted about selections for the exhibition. Doty left the Whitney in 1974 to become director of the Akron Art Institute until 1977. From 1977 until his retirement in 1987 Doty was director of the Currier Gallery of Art in Manchester, New Hampshire. He subsequently worked part time as the acting director of the New England College Gallery in Henniker, New Hampshire.

During his time at the Akron Art Institute and the Currier Gallery Doty dedicated significant energy and interest towards American folk art, organizing respective exhibitions at both museums: American Folk Art in Ohio Collections (1976) and By Good Hands: New Hampshire Folk Art(1989). His papers reflect this extensive research and interest. Over the course of his career Doty maintained several enduring relationships with other prominent curators and directors such as Grace M. Mayer and Beaumont Newhall. Doty also dedicated his time to several consulting projects with institutions and corporations including the Empire State building's art commission, the National Broadcasting Company (NBC), the National Endowment for the Arts, and the XEROX Corporation, and wrote and edited several exhibition essays, catalogs, and books, including books on the Photo-Secession, American photography, and the artists Will Barnet and Lewis Hine.

Provenance:

The collection was donated in 1994 by Joan Doty, Doty's wife, and in 2018 by Paul Doty, Doty's son.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art museum curators -- New York (State) -- New York  Search this

Art museum directors -- New York (State) -- New York  Search this

Citation:

Robert M. Doty papers, circa 1935-2000. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.dotyrobe

See more items in:

Robert M. Doty papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9abfbf89d-42e4-4ea9-9aa2-791e42a602d9

EDAN-URL:

ead_collection:sova-aaa-dotyrobe

Medium:

High tin bronze

Dimensions:

H x W x D: 31.1 × 18 × 18.2 cm (12 1/4 × 7 1/16 × 7 3/16 in)

Type:

Sculpture

Origin:

Indonesia

Date:

8th-9th century

Topic:

Buddhism  Search this

Buddha  Search this

Indonesia  Search this

Southeast Asian Art  Search this

Credit Line:

Gift of Ann and Gilbert Kinney

Accession Number:

S2015.25

Restrictions & Rights:

Usage conditions apply

Related Online Resources:

F|S Southeast Asia

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye32321aec8-f83a-4094-801d-7cbef1320af9

EDAN-URL:

edanmdm:fsg_S2015.25

Creator:

National Museum of the American Indian  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2017-04-25T00:59:23.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_yUN-Rw3LbVE

Collection Creator:

Zabriskie Gallery  Search this

Container:

Box 93, Folder 2

Type:

Archival materials

Date:

1987-2007

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Zabriskie Gallery Records, 1905-2011. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Zabriskie Gallery records

Zabriskie Gallery records / Series 7: Institution Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9045a8f01-867a-4da4-b0c9-0cdd61dd3113

EDAN-URL:

ead_component:sova-aaa-zabrgall-ref3767

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2021-12-10T06:33:36.000Z

YouTube Category:

Entertainment  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_QolZs86dyrc

Creator:

Koppelman, Chaim, 1920-2009  Search this

Names:

American Federation of Arts  Search this

Associated American Artists  Search this

Audubon Artists (New York, N.Y.)  Search this

DeCordova and Dana Museum and Park  Search this

Pratt Graphics Center  Search this

Print Council of America  Search this

School of Visual Arts (New York, N.Y.)  Search this

Solomon R. Guggenheim Foundation  Search this

Terrain Gallery  Search this

Anuszkiewicz, Richard  Search this

Dienes, Sari  Search this

Herz, Nat, 1920-1964  Search this

Kandinsky, Wassily, 1866-1944  Search this

Koppelman, Dorothy  Search this

Kranz, Sheldon  Search this

Lichtenstein, Roy, 1923-1997  Search this

Ozenfant, Amédée, 1886-1966  Search this

Picasso, Pablo, 1881-1973  Search this

Pond, Clayton, 1941-  Search this

Rebay, Hilla, 1890-1967  Search this

Siegel, Eli, 1902-  Search this

Stamos, Theodoros, 1922-1997  Search this

Extent:

4 Linear feet

Type:

Collection descriptions

Archival materials

Illustrated letters

Sketchbooks

Photographs

Sound recordings

Scrapbooks

Sketches

Date:

circa 1930s-2006

bulk 1942-2005

Summary:

The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

Scope and Content Note:

The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

Scattered biographical material includes resumes, artist's statements, copies of entries in Who's Who directories, and miscellaneous items.

Correspondence includes personal correspondence and general correspondence. Personal correspondence mostly consists of Chaim Koppelman's letters written to Dorothy while he was serving in the U.S. Army during World War II. He describes his daily activities, observations on army life, and his travels while stationed in England, France, and Germany. Of interest is Chaim Koppelman's letter to Dorothy describing his meeting Picasso and visiting the artist's studio. Personal correspondence also includes Chaim and Dorothy Koppelman's letters with family and friends. Notable correspondents include Sari Dienes, Nat Herz, Sheldon Kranz, Amédée Ozenfant, Hilla Rebay, and Theodoros Stamos. Hilla Rebay's letters to Chaim Koppelman discuss museum-related activities at the Solomon R. Guggenheim Foundation, including the Guggenheim's memorial exhibition for Wassily Kandinsky. There is also a file of letters from Eli Siegel to Chaim Koppelman. General correspondence includes mostly incoming letters to Chaim Koppelman from collectors, colleagues, students, and arts institutions. Frequent correspondents include: Associated American Artists, American Federation of the Arts, Audubon Artists, DeCordova and Dana Museum and Park, Pratt Graphics Center and Print Council of America.

Writings and notes contain annotated typescripts and handwritten drafts by Chaim and Dorothy Koppelman. Chaim Koppelman's writings include essays and talks on art, artists, and printmaking based on Aesthetic Realism; also found are some poems. Dorothy Koppelman's writings consist of artist's statements and essay-length pieces that were prepared for Aesthetic Realism talks on the work and lives of artists, held at the Terrain Gallery of the Aesthetic Realism Foundation and other venues. Also found is a sound recording of Chaim Koppelman's 1968 conversation with Richard Anuszkiewicz, Roy Lichtenstein, and Clayton Pond; the artists discuss the influence of the Siegel Theory of Opposites on their work.

Subject files document the activities, projects, and professional affiliations of Chaim and Dorothy Koppelman. Included are materials on exhibitions, applications for fellowships and grants, awards, drafts of writings, donations and acquisitions of artwork by museums. Teaching files provide an overview of the faculty positions held by Chaim and Dorothy Koppelman over the course of their careers. Found are extensive files on Chaim Koppelman's tenure at the School of Visual Arts. Exhibition files chronicle the Koppelmans' solo and group shows at the Terrain and other venues; substantive files contain Chaim Koppelman's correspondence with museums and arts institutions and sales information.

Two scrapbooks contain exhibition-related materials, such as artists' statements, press releases, awards, printed material, and photographs of artwork. Artwork includes sketches and illustrated letters by Chaim Koppelman. There are twenty annotated sketchbooks by Chaim Koppelman and a sketchbook by Dorothy Koppelman. Photographs and snapshots are of Chaim and Dorothy Koppelman; many of the snapshots of Chaim Koppelman and others document his army service while stationed in the United States and Europe. Four photograph albums include black and white photographs of Chaim and Dorothy Koppelman in their studio; included are snapshots of the Koppelmans with family and friends at exhibition openings, gatherings, and on their travels. There are photographs of Regina Dienes, Gerson Lieber, Bernard Olshan, Joseph Solman, and Theodoros Stamos.

Arrangement:

The collection is arranged as 12 series:

Missing Title

Series 1: Biographical Material, 1940-2001 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1942-2003 (Box 1; 0.6 linear feet)

Series 3: Writings and Notes, 1930s-1989, 2005 (Box 1; 0.2 linear feet)

Series 4: Subject Files, 1942-2004 (Boxes 1-2; 0.8 linear feet)

Series 5: Teaching Files, 1940s-2006 (Box 2; 0.4 linear feet)

Series 6: Exhibition Files, 1940s-2005 (Boxes 2-3; 0.6 linear feet)

Series 7: Personal Business Records, 1944-1969 (Box 3; 3 folders)

Series 8: Scrapbooks, 1942-2003 (Box 3; 2 folders)

Series 9: Printed Material, 1937-1971, 2004 (Box 3; 0.25 linear feet)

Series 10: Artwork, 1933-1949, 1980-2000 (Box 3; 3 folders)

Series 11: Sketchbooks, 1944-2005 (Boxes 3-4; 0.8 linear feet)

Series 12: Photographs, 1930-circa 2004 (Box 4; 0.25 linear feet)

Biographical Note:

Chaim Koppelman (1920-2009) lived and worked in New York as a printmaker, educator, and Aesthetic Realism consultant. Painter, gallery director, Aesthetic Realism consultant, and educator Dorothy Koppelman (1920-) resides and works in New York City.

Chaim Koppelman was born in Brooklyn in 1920. Koppelman studied at the American Artists School with Carl Holty and at the Art Students League with Jose De Creeft and Will Barnet. Simultaneously, he began to study in classes taught by Eli Siegel, critic, poet, and founder of the philosophy Aesthetic Realism. In 1942, Koppelman was drafted in the U.S. Army. Before going overseas in 1943, he married Dorothy Myers. In the army, Koppelman continued his studies in painting and sculpture, where he attended the Art College in Western England, Bristol, and the Beaux Arts School in Reims, France. Chaim Koppelman took part in the Normandy invasion and was awarded the Bronze Star for his service.

After Koppelman returned to New York in 1944, he studied at the Amédée Ozenfant School, where he eventually became Ozenfant's assistant. Around this time, Koppelman turned from painting and sculpture to printmaking. In 1955, Chaim Koppelman, his wife, Dorothy, and other artists and poets studying Aesthetic Realism established the Terrain Gallery. For many years, Koppelman was the head of the gallery's Print Division and then later became an advisory director.

Chaim Koppelman held a number of teaching positions in universities and arts institutions. He lectured at Brooklyn College, the Art Education Department from 1950-1960. In 1959, Koppelman founded the Printmaking Division at the School of Visual Arts, where he served on the school's faculty until 2007. At the Aesthetic Realism Foundation, he taught artists how to relate their artwork and their everyday lives. He wrote: "After having tested his aesthetic concepts in literally thousands of works of different periods, in different styles, in different media, I say that Eli Siegel's Theory of Opposites is the key to what is good or beautiful in art….When Eli Siegel showed that what makes a work of art beautiful—the oneness of opposites—is the same as what every individual wants, it was one of the mightiest and kindest achievements of man's mind."

Among the awards Chaim Koppelman received were: two Tiffany Grants, 1956, 1959; New York Artists Equity Annual Awards Honoring Will Barnet, Robert Blackburn, Chaim Koppelman, 1992; and the Purchase Prize, Art Students League in 2005. Koppelman was a member of the National Academy and a member of the Society of American Graphic Artists (SAGA). In 2004, SAGA presented him with the Lifetime Achievement Award. In addition to his solo and group exhibitions at the Terrain Gallery, Chaim Koppelman's work was featured at the Beatrice Conde Gallery, International Print Center (New York), Library of Congress, and Minneapolis Institute of Arts. His prints are in the collections of the Guggenheim Museum, Museum of Modern Art (New York), Metropolitan Museum of Art, Victoria and Albert Museum in London, and the National Gallery.

In December 2009, Koppelman died at age 89 in New York City.

Born in 1920, Dorothy Koppelman attended Brooklyn College, the Art Students League, and American Artists School where she trained under Joseph Solman. During this time, she began to study poetry, and the relation of art and the self in classes with Eli Siegel, the founder of Aesthetic Realism.

Dorothy Koppelman has had a number of solo and group exhibitions at the Terrain Gallery. She has also shown her paintings at the Atlantic Gallery, Art Gallery of Binghamton, New York, Beatrice Conde Gallery, the Broome Street Gallery, and at MoMA, Brooklyn Museum, Newark Museum, the Whitney Biennial 2006 Peace Tower, the National Academy, and the Butler Art Institute.

Dorothy Koppelman has served on the faculty at several arts institutions: the National Academy, Brooklyn College School of Education, and the School of Visual Arts. She has given presentations on Aesthetic Realism at the Fondazione Piero della Francesa in Italy, and with Carrie Wilson at the 31st World Congress of the International Society for Education through Art (InSEA). On August 16, 2002, in a talk given on Eli Siegel Day in Baltimore, she said, "Eli Siegel explained the true meaning of art for our lives. No one—no scholar, no artist, no person—in all the centuries ever saw this before: that we can learn about ourselves from the very technique of art!...He showed that far from being in a separate world, art has the answer to the trouble in this one."

She is a member of several professional organizations including the American Society of Contemporary Artists and New York Artists Equity. She has received an Honorable Mention from the Brooklyn Society of Artists, 1957; a Tiffany Grant for painting, 1965; and awards from the American Society of Contemporary Artists, 1996, 1999. Dorothy Koppelman's work has been included in the collections of Hampton University, Virginia; Rosenzweig Museum, Durham, North Carolina; New-York Historical Society; Yale University; the National Museum of Women in the Arts, as well as other institutions.

Dorothy Koppelman lives in New York City. She is a consultant on the faculty of the Aesthetic Realism Foundation, where she also teaches the Critical Inquiry, a workshop for artists. She serves on the Board of Directors of the Aesthetic Realism Foundation, and is President of the Eli Siegel/Martha Baird Foundation. She continues her study in classes with Ellen Reiss, Aesthetic Realism Chairman of Education.

Related Materials:

The Archives of American Art also holds the Terrain Gallery records of which Dorothy Koppelman is the director.

Provenance:

The collection was donated by Chaim and Dorothy Koppelman in 2006.

Restrictions:

Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Artists' studios  Search this

Gallery owners -- New York (State) -- New York  Search this

World War, 1939-1945  Search this

Art -- Study and teaching  Search this

Prints -- Technique  Search this

Printmakers -- New York (State) -- New York  Search this

Genre/Form:

Illustrated letters

Sketchbooks

Photographs

Sound recordings

Scrapbooks

Sketches

Citation:

Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.koppchai

See more items in:

Chaim and Dorothy Koppelman papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw988e54036-6f92-4d0d-89e9-c638ba3bf216

EDAN-URL:

ead_collection:sova-aaa-koppchai

Author:

Victoria and Albert Museum  Search this

Laver, James 1899-1975  Search this

Physical description:

10 p. 96 (i.e. 86) pl. 25 cm

Type:

Books

Place:

Great Britain

France

Date:

1951

Topic:

Costume--History  Search this

Costume  Search this

Call number:

GT595.V64 1951

GT595.V64 1951

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_207266

Author:

Victoria and Albert Museum  Search this

Rothstein, Natalie  Search this

Ginsburg, Madeleine  Search this

Hart, Avril  Search this

Mendes, Valerie D  Search this

Barnard, Philip  Search this

Subject:

Victoria and Albert Museum  Search this

Physical description:

176 p. : ill. ; 28 cm

Type:

Books

Exhibitions

Place:

England

Date:

1984

Topic:

Costume--History  Search this

Call number:

GT733.V53 1984X

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_259211

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2014-01-30T00:56:59.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_GpMsTKSePa4

Artist:

Adrian George, born 1944  Search this

Sitter:

Igor Feodorovich Stravinsky, 5 Jun 1882 - 6 Apr 1971  Search this

Medium:

Pen and ink drawing over pencil sketch on paper

Dimensions:

Sheet (estimate): 41.3 × 36.9cm (16 1/4 × 14 1/2")

Type:

Drawing

Date:

c. 1960s

Topic:

Costume\Dress Accessory\Eyeglasses  Search this

Costume\Dress Accessory\Neckwear\Tie  Search this

Equipment\Drafting & Writing Implements\Writing implement\Pen  Search this

Caricature  Search this

Artwork\Drawing  Search this

Igor Feodorovich Stravinsky: Male  Search this

Igor Feodorovich Stravinsky: Performing Arts\Performer\Musician\Composer  Search this

Portrait  Search this

Credit Line:

Owner: Victoria and Albert Museum

Object number:

S.407-1982

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm470e194f8-bd17-4740-a49a-d0b2cfdf4fbb

EDAN-URL:

edanmdm:npg_S.407-1982

Container:

Box 22 of 23

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 03-018, Freer Gallery of Art and Arthur M. Sackler Gallery, Central Files

See more items in:

Central Files

Central Files / Box 22

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa03-018-refidd1e7416

Creator:

Jacques Seligmann & Co.  Search this

Subject:

Hauke, Cesar M. de (Cesar Mange)  Search this

Glaenzer, Eugene  Search this

Haardt, Georges  Search this

Seligman, Germain  Search this

Seligmann, Arnold  Search this

Parker, Theresa D.  Search this

Waegen, Rolf Hans  Search this

Trevor, Clyfford  Search this

Seligmann, René  Search this

Seligmann, Jacques  Search this

De Hauke & Co., Inc.  Search this

Jacques Seligmann & Co  Search this

Eugene Glaenzer & Co.  Search this

Germain Seligmann & Co.  Search this

Gersel  Search this

Type:

Gallery records

Citation:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.

Topic:

Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this

Schiff, Mortimer L. -- Art collections  Search this

Arenberg, duc d' -- Art collections  Search this

Liechtenstein, House of -- Art collections  Search this

Art -- Collectors and collecting -- France -- Paris  Search this

Art -- Collectors and collecting  Search this

World War, 1939-1945 -- Art and the war  Search this

La Fresnaye, Roger de, 1885-1925  Search this

Art, Renaissance  Search this

Decorative arts  Search this

Art treasures in war  Search this

Art, European  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)9936

(DSI-AAA_SIRISBib)212486

AAA_collcode_jacqself

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212486

Creator:

Saylan, Merryll B., 1936-  Search this

Subject:

Stocksdale, Kay Sekimachi  Search this

Scarpino, Betty  Search this

Mississippi, Connie  Search this

Working, Susan  Search this

Type:

Drawings

Sound recordings

Citation:

Merryll Saylan papers, 1975-2008. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women educators  Search this

American studio craft movement  Search this

Theme:

Women  Search this

Craft  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)13703

(DSI-AAA_SIRISBib)279578

AAA_collcode_saylmerr

Theme:

Women

Craft

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_279578

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Item (photographic print, b&w, 11.9 cm. x 17 cm.)

Type:

Archival materials

Photographic prints

Place:

Asia

Iraq

Mesopotamia

Sāmarrāʼ (Iraq)

Iraq -- Salah ad-Din -- Samarra -- West of Sur Isa

Date:

1911-1913

Scope and Contents:

Original publication caption reads, "Orn. 172."

Additional information in publication reads, "172. Haus XIII, Zimmer 11; Bruchstücke teils im Kaiser-Friedrich-, teils im British- oder Victoria and Albert-Museum; Tafel LXIV und LXV, Abb. 172 a-c."

Additional information in Finds Journal reads, "IN-218: Kiste 15, 16, 17, 18, 19 u. 20; Haus XIII (früher IX) Zimmer 12; [Excavated on] April, 11, 1911."

Additional information from Archives staff reads, "No existing negative."

Arrangement:

Prints are organized in sequential number following publication series, "Die Ausgrabungen von Samarra." They are arranged in photo file folders which are housed in document boxes, and stored on shelves.

Local Numbers:

Box 11, File 19, Folder 4, Image 70a

FSA A.06 04.PF.19.144

General:

Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld's publication, "Die Ausgrabungen von Samarra, vol. 1: Der Wandschmuck der Bauten von Samarra und seine Ornamentik."

Date/Time and Place of an Event Note:

Prints related primarly to the first campaign of excavation at Sāmarrāʼ (Iraq), carried out by Ernst Herzfeld on behalf of the Kaiser Friedrich Museum in Berlin in 1911.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Abbasids  Search this

Architecture  Search this

Art of the Islamic World  Search this

Excavations (Archaeology)  Search this

Decoration and ornament  Search this

Genre/Form:

Photographic prints

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946

Identifier:

FSA.A.06, Item FSA A.06 04.PF.19.144

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 4: Photographic Files / 4.19: Photo File 19: Samarra: Wandschmuck / are from the volume

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3fd00dcb2-a438-43e5-ac17-766d3842e11b

EDAN-URL:

ead_component:sova-fsa-a-06-ref25106

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Item (photographic print, b&w, 11.5 cm. x 16.4 cm.)

Type:

Archival materials

Photographic prints

Place:

Asia

Iraq

Mesopotamia

Sāmarrāʼ (Iraq)

Iraq -- Salah ad-Din -- Samarra -- West of Sur Isa

Date:

1911-1913

Scope and Contents:

Original publication caption reads, "Orn. 172."

Additional information in publication reads, "172. Haus XIII, Zimmer 11; Bruchstücke teils im Kaiser-Friedrich-, teils im British- oder Victoria and Albert-Museum; Tafel LXIV und LXV, Abb. 172 a-c."

Additional information in Finds Journal reads, "IN-218: Kiste 15, 16, 17, 18, 19 u. 20; Haus XIII (früher IX) Zimmer 12; [Excavated on] April, 11, 1911."

Additional information from Archives staff reads, "No existing negative."

Arrangement:

Prints are organized in sequential number following publication series, "Die Ausgrabungen von Samarra." They are arranged in photo file folders which are housed in document boxes, and stored on shelves.

Local Numbers:

Box 11, File 19, Folder 4, Image 70b

FSA A.06 04.PF.19.145

General:

Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld's publication, "Die Ausgrabungen von Samarra, vol. 1: Der Wandschmuck der Bauten von Samarra und seine Ornamentik."

Date/Time and Place of an Event Note:

Prints related primarly to the first campaign of excavation at Sāmarrāʼ (Iraq), carried out by Ernst Herzfeld on behalf of the Kaiser Friedrich Museum in Berlin in 1911.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Abbasids  Search this

Architecture  Search this

Art of the Islamic World  Search this

Excavations (Archaeology)  Search this

Decoration and ornament  Search this

Genre/Form:

Photographic prints

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946

Identifier:

FSA.A.06, Item FSA A.06 04.PF.19.145

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 4: Photographic Files / 4.19: Photo File 19: Samarra: Wandschmuck / are from the volume

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3ac084ede-ae83-4740-935c-a629edb7f3e3

EDAN-URL:

ead_component:sova-fsa-a-06-ref25107

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Item (photographic print, b&w, 13.8 cm. x 11.7 cm.)

Type:

Archival materials

Photographic prints

Place:

Asia

Iraq

Mesopotamia

Sāmarrāʼ (Iraq)

Iraq -- Salah ad-Din -- Samarra -- West of Sur Isa

Date:

1911-1913

Scope and Contents:

Original publication caption reads, "Orn. 172."

Additional information in publication reads, "172. Haus XIII, Zimmer 11; Bruchstücke teils im Kaiser-Friedrich-, teils im British- oder Victoria and Albert-Museum; Tafel LXIV und LXV, Abb. 172 a-c."

Additional information in Finds Journal reads, "IN-218: Kiste 15, 16, 17, 18, 19 u. 20; Haus XIII (früher IX) Zimmer 12; [Excavated on] April, 11, 1911."

Additional information from Archives staff reads, "No existing negative."

Arrangement:

Prints are organized in sequential number following publication series, "Die Ausgrabungen von Samarra." They are arranged in photo file folders which are housed in document boxes, and stored on shelves.

Local Numbers:

Box 11, File 19, Folder 4, Image 71a

FSA A.06 04.PF.19.146

General:

Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld's publication, "Die Ausgrabungen von Samarra, vol. 1: Der Wandschmuck der Bauten von Samarra und seine Ornamentik."

Date/Time and Place of an Event Note:

Prints related primarly to the first campaign of excavation at Sāmarrāʼ (Iraq), carried out by Ernst Herzfeld on behalf of the Kaiser Friedrich Museum in Berlin in 1911.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Abbasids  Search this

Architecture  Search this

Art of the Islamic World  Search this

Excavations (Archaeology)  Search this

Decoration and ornament  Search this

Genre/Form:

Photographic prints

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946

Identifier:

FSA.A.06, Item FSA A.06 04.PF.19.146

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 4: Photographic Files / 4.19: Photo File 19: Samarra: Wandschmuck / are from the volume

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3592fba19-f083-4ff6-94fb-9686e2a853ac

EDAN-URL:

ead_component:sova-fsa-a-06-ref25108