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Session 1 - Symposium: Nation Building: Welcome and Keynote

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2012-11-08T19:00:31.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
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americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_xq3Ri8O_mNE

Behind the Design | Watercolor Maptiles

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Symposia
Lectures
YouTube Videos
Uploaded:
2021-05-19T05:21:52.000Z
YouTube Category:
Entertainment  Search this
Topic:
Design  Search this
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cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_OTteyHSB2D0

Sue Lawty on the Ainu Robe

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2015-07-09T22:03:59.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
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cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_afv00Y5KlFc

Design Talk | Karl Fritsch: Jewelry on the Edge

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2019-12-18T19:55:23.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
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cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_lmflIlAeUZk

Robert M. Doty papers

Creator:
Doty, Robert M.  Search this
Names:
Akron Art Institute  Search this
Albright-Knox Art Gallery  Search this
Currier Gallery of Art  Search this
George Eastman House  Search this
Whitney Museum of American Art  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1935-2000
bulk 1960-1992
Summary:
The Robert M. Doty papers measure 4 linear feet and date from circa 1935-2000, with the bulk of the collection dating from 1960-1992. The collection documents Doty's career as a museum curator and director, particularly his involvement with American folk art and photography, through biographical materials, correspondence, writings, artist files, and exhibition and gallery files detailing several exhibitions that Doty curated during his career. Also found are consulting and professional files, subject and research files reflecting a wide variety of research interests, professional projects, and activities, collecting records documenting Doty's personal art collecting, and printed materials related to Doty's career and interests.
Scope and Contents:
The Robert M. Doty papers measure 3.4 linear feet and date from circa 1935-2000, with the bulk of the collection dating from 1960-1992. The collection documents Doty's career as a museum curator and director, particularly his involvement with American folk art and photography through biographical material, personal and professional correspondence, writings including exhibition catalogs and notes, and consulting and professional files documenting positions working with institutions and corporations including the Empire State building's art commission and the XEROX Corporation.

Also found are artist files, exhibition and gallery records including artwork lists, photographs, prints and slides of artwork, press clippings, grant applications and miscellaneous exhibition documents which document several exhibitions that Doty curated or was invited to. Subject and research files reflect a wide variety of research interests, professional projects, and activities notably on American folk art and photography. Materials include notes, annotated articles, and news clippings. Collecting records document Doty's personal art collecting and lending to museums and galleries through loan agreements, checklists, and deeds of gift. Printed materials include news clippings, correspondence, exhibition invitations and publications, reports, slides, and photographs related to Doty's career and interests.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Materials, circa 1959-1992 (2 folders; Box 1)

Series 2: Correspondence, circa 1935-2000 (0.5 Linear feet; Box 1)

Series 3: Writings, circa 1959-1990 (0.3 Linear feet; Box 1)

Series 4: Artist Files, circa 1938-1997 (0.4 Linear feet; Box 1-2)

Series 5: Exhibition and Gallery Files, circa 1957-1994 (0.4 Linear feet; Box 2)

Series 6: Consulting and Professional Files, circa 1959-1985 (0.2 Linear feet; Box 2)

Series 7: Subject and Research Files, circa 1935-1992 (1.1 Linear feet; Box 2-4)

Series 8: Collecting Records, circa 1972-1992 (2 folders; Box 4)

Series 9: Printed Materials, circa 1960-2000 (0.4 Linear feet; Box 4)
Biographical / Historical:
Robert Doty (1933-1992) was a museum curator and director from Rochester, New York.

Doty received a B.A. from Harvard University in 1956 and an M.A. from the University of Rochester in 1961, where he studied the history of photography. In Rochester, he also worked at the George Eastman House, International Museum of Photography, organizing exhibitions of the work of Lewis Hine (1957), the Photo-Secession (1960) and Bill Brandt (1962). Other positions Doty held include research assistant at the Victoria and Albert Museum, (1961-1962); assistant to the director at the Albright-Knox Art Gallery, (1963-1964); and assistant to the director at the Yale University Art Gallery, (1964-1965.

Doty became associate curator of the Whitney Museum in 1966, and curator in 1970, and organized several high-profile exhibitions. These included the Whitney's first historical survey of American photography in 1974 and Contemporary Black Artists in America (1971), which generated controversy when 15 of the 75 artists withdrew to protest that Black specialists had not been consulted about selections for the exhibition. Doty left the Whitney in 1974 to become director of the Akron Art Institute until 1977. From 1977 until his retirement in 1987 Doty was director of the Currier Gallery of Art in Manchester, New Hampshire. He subsequently worked part time as the acting director of the New England College Gallery in Henniker, New Hampshire.

During his time at the Akron Art Institute and the Currier Gallery Doty dedicated significant energy and interest towards American folk art, organizing respective exhibitions at both museums: American Folk Art in Ohio Collections (1976) and By Good Hands: New Hampshire Folk Art(1989). His papers reflect this extensive research and interest. Over the course of his career Doty maintained several enduring relationships with other prominent curators and directors such as Grace M. Mayer and Beaumont Newhall. Doty also dedicated his time to several consulting projects with institutions and corporations including the Empire State building's art commission, the National Broadcasting Company (NBC), the National Endowment for the Arts, and the XEROX Corporation, and wrote and edited several exhibition essays, catalogs, and books, including books on the Photo-Secession, American photography, and the artists Will Barnet and Lewis Hine.
Provenance:
The collection was donated in 1994 by Joan Doty, Doty's wife, and in 2018 by Paul Doty, Doty's son.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art museum curators -- New York (State) -- New York  Search this
Art museum directors -- New York (State) -- New York  Search this
Citation:
Robert M. Doty papers, circa 1935-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dotyrobe
See more items in:
Robert M. Doty papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9abfbf89d-42e4-4ea9-9aa2-791e42a602d9
EDAN-URL:
ead_collection:sova-aaa-dotyrobe

Medicine Buddha Bhaishajyaguru

Medium:
High tin bronze
Dimensions:
H x W x D: 31.1 × 18 × 18.2 cm (12 1/4 × 7 1/16 × 7 3/16 in)
Type:
Sculpture
Origin:
Indonesia
Date:
8th-9th century
Topic:
Buddhism  Search this
Buddha  Search this
Indonesia  Search this
Southeast Asian Art  Search this
Credit Line:
Gift of Ann and Gilbert Kinney
Accession Number:
S2015.25
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
F|S Southeast Asia
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye32321aec8-f83a-4094-801d-7cbef1320af9
EDAN-URL:
edanmdm:fsg_S2015.25
Online Media:

Native/American Fashion 11 | Lynette Nylander

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2017-04-25T00:59:23.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_yUN-Rw3LbVE

Victoria and Albert Museum

Collection Creator:
Zabriskie Gallery  Search this
Container:
Box 93, Folder 2
Type:
Archival materials
Date:
1987-2007
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Zabriskie Gallery Records, 1905-2011. Archives of American Art, Smithsonian Institution.
See more items in:
Zabriskie Gallery records
Zabriskie Gallery records / Series 7: Institution Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9045a8f01-867a-4da4-b0c9-0cdd61dd3113
EDAN-URL:
ead_component:sova-aaa-zabrgall-ref3767

Mind the Gap: Women Designing for Transit

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-12-10T06:33:36.000Z
YouTube Category:
Entertainment  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_QolZs86dyrc

Chaim and Dorothy Koppelman papers

Creator:
Koppelman, Chaim, 1920-2009  Search this
Names:
American Federation of Arts  Search this
Associated American Artists  Search this
Audubon Artists (New York, N.Y.)  Search this
DeCordova and Dana Museum and Park  Search this
Pratt Graphics Center  Search this
Print Council of America  Search this
School of Visual Arts (New York, N.Y.)  Search this
Solomon R. Guggenheim Foundation  Search this
Terrain Gallery  Search this
Anuszkiewicz, Richard  Search this
Dienes, Sari  Search this
Herz, Nat, 1920-1964  Search this
Kandinsky, Wassily, 1866-1944  Search this
Koppelman, Dorothy  Search this
Kranz, Sheldon  Search this
Lichtenstein, Roy, 1923-1997  Search this
Ozenfant, Amédée, 1886-1966  Search this
Picasso, Pablo, 1881-1973  Search this
Pond, Clayton, 1941-  Search this
Rebay, Hilla, 1890-1967  Search this
Siegel, Eli, 1902-  Search this
Stamos, Theodoros, 1922-1997  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Date:
circa 1930s-2006
bulk 1942-2005
Summary:
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.
Scope and Content Note:
The papers of Chaim and Dorothy Koppelman measure 4.0 linear feet and date from circa 1930s-2006, bulk 1942-2005. The collection documents the activities of Chaim Koppelman and his wife, Dorothy Koppelman, as artists and educators, and their affiliation with the Terrain Gallery and the Aesthetic Realism Foundation. Materials include biographical material, correspondence, writings and notes, subject files, teaching files, exhibition files, personal business records, scrapbooks, printed material, sketches, sketchbooks, and photographs.

Scattered biographical material includes resumes, artist's statements, copies of entries in Who's Who directories, and miscellaneous items.

Correspondence includes personal correspondence and general correspondence. Personal correspondence mostly consists of Chaim Koppelman's letters written to Dorothy while he was serving in the U.S. Army during World War II. He describes his daily activities, observations on army life, and his travels while stationed in England, France, and Germany. Of interest is Chaim Koppelman's letter to Dorothy describing his meeting Picasso and visiting the artist's studio. Personal correspondence also includes Chaim and Dorothy Koppelman's letters with family and friends. Notable correspondents include Sari Dienes, Nat Herz, Sheldon Kranz, Amédée Ozenfant, Hilla Rebay, and Theodoros Stamos. Hilla Rebay's letters to Chaim Koppelman discuss museum-related activities at the Solomon R. Guggenheim Foundation, including the Guggenheim's memorial exhibition for Wassily Kandinsky. There is also a file of letters from Eli Siegel to Chaim Koppelman. General correspondence includes mostly incoming letters to Chaim Koppelman from collectors, colleagues, students, and arts institutions. Frequent correspondents include: Associated American Artists, American Federation of the Arts, Audubon Artists, DeCordova and Dana Museum and Park, Pratt Graphics Center and Print Council of America.

Writings and notes contain annotated typescripts and handwritten drafts by Chaim and Dorothy Koppelman. Chaim Koppelman's writings include essays and talks on art, artists, and printmaking based on Aesthetic Realism; also found are some poems. Dorothy Koppelman's writings consist of artist's statements and essay-length pieces that were prepared for Aesthetic Realism talks on the work and lives of artists, held at the Terrain Gallery of the Aesthetic Realism Foundation and other venues. Also found is a sound recording of Chaim Koppelman's 1968 conversation with Richard Anuszkiewicz, Roy Lichtenstein, and Clayton Pond; the artists discuss the influence of the Siegel Theory of Opposites on their work.

Subject files document the activities, projects, and professional affiliations of Chaim and Dorothy Koppelman. Included are materials on exhibitions, applications for fellowships and grants, awards, drafts of writings, donations and acquisitions of artwork by museums. Teaching files provide an overview of the faculty positions held by Chaim and Dorothy Koppelman over the course of their careers. Found are extensive files on Chaim Koppelman's tenure at the School of Visual Arts. Exhibition files chronicle the Koppelmans' solo and group shows at the Terrain and other venues; substantive files contain Chaim Koppelman's correspondence with museums and arts institutions and sales information.

Two scrapbooks contain exhibition-related materials, such as artists' statements, press releases, awards, printed material, and photographs of artwork. Artwork includes sketches and illustrated letters by Chaim Koppelman. There are twenty annotated sketchbooks by Chaim Koppelman and a sketchbook by Dorothy Koppelman. Photographs and snapshots are of Chaim and Dorothy Koppelman; many of the snapshots of Chaim Koppelman and others document his army service while stationed in the United States and Europe. Four photograph albums include black and white photographs of Chaim and Dorothy Koppelman in their studio; included are snapshots of the Koppelmans with family and friends at exhibition openings, gatherings, and on their travels. There are photographs of Regina Dienes, Gerson Lieber, Bernard Olshan, Joseph Solman, and Theodoros Stamos.
Arrangement:
The collection is arranged as 12 series:

Missing Title

Series 1: Biographical Material, 1940-2001 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1942-2003 (Box 1; 0.6 linear feet)

Series 3: Writings and Notes, 1930s-1989, 2005 (Box 1; 0.2 linear feet)

Series 4: Subject Files, 1942-2004 (Boxes 1-2; 0.8 linear feet)

Series 5: Teaching Files, 1940s-2006 (Box 2; 0.4 linear feet)

Series 6: Exhibition Files, 1940s-2005 (Boxes 2-3; 0.6 linear feet)

Series 7: Personal Business Records, 1944-1969 (Box 3; 3 folders)

Series 8: Scrapbooks, 1942-2003 (Box 3; 2 folders)

Series 9: Printed Material, 1937-1971, 2004 (Box 3; 0.25 linear feet)

Series 10: Artwork, 1933-1949, 1980-2000 (Box 3; 3 folders)

Series 11: Sketchbooks, 1944-2005 (Boxes 3-4; 0.8 linear feet)

Series 12: Photographs, 1930-circa 2004 (Box 4; 0.25 linear feet)
Biographical Note:
Chaim Koppelman (1920-2009) lived and worked in New York as a printmaker, educator, and Aesthetic Realism consultant. Painter, gallery director, Aesthetic Realism consultant, and educator Dorothy Koppelman (1920-) resides and works in New York City.

Chaim Koppelman was born in Brooklyn in 1920. Koppelman studied at the American Artists School with Carl Holty and at the Art Students League with Jose De Creeft and Will Barnet. Simultaneously, he began to study in classes taught by Eli Siegel, critic, poet, and founder of the philosophy Aesthetic Realism. In 1942, Koppelman was drafted in the U.S. Army. Before going overseas in 1943, he married Dorothy Myers. In the army, Koppelman continued his studies in painting and sculpture, where he attended the Art College in Western England, Bristol, and the Beaux Arts School in Reims, France. Chaim Koppelman took part in the Normandy invasion and was awarded the Bronze Star for his service.

After Koppelman returned to New York in 1944, he studied at the Amédée Ozenfant School, where he eventually became Ozenfant's assistant. Around this time, Koppelman turned from painting and sculpture to printmaking. In 1955, Chaim Koppelman, his wife, Dorothy, and other artists and poets studying Aesthetic Realism established the Terrain Gallery. For many years, Koppelman was the head of the gallery's Print Division and then later became an advisory director.

Chaim Koppelman held a number of teaching positions in universities and arts institutions. He lectured at Brooklyn College, the Art Education Department from 1950-1960. In 1959, Koppelman founded the Printmaking Division at the School of Visual Arts, where he served on the school's faculty until 2007. At the Aesthetic Realism Foundation, he taught artists how to relate their artwork and their everyday lives. He wrote: "After having tested his aesthetic concepts in literally thousands of works of different periods, in different styles, in different media, I say that Eli Siegel's Theory of Opposites is the key to what is good or beautiful in art….When Eli Siegel showed that what makes a work of art beautiful—the oneness of opposites—is the same as what every individual wants, it was one of the mightiest and kindest achievements of man's mind."

Among the awards Chaim Koppelman received were: two Tiffany Grants, 1956, 1959; New York Artists Equity Annual Awards Honoring Will Barnet, Robert Blackburn, Chaim Koppelman, 1992; and the Purchase Prize, Art Students League in 2005. Koppelman was a member of the National Academy and a member of the Society of American Graphic Artists (SAGA). In 2004, SAGA presented him with the Lifetime Achievement Award. In addition to his solo and group exhibitions at the Terrain Gallery, Chaim Koppelman's work was featured at the Beatrice Conde Gallery, International Print Center (New York), Library of Congress, and Minneapolis Institute of Arts. His prints are in the collections of the Guggenheim Museum, Museum of Modern Art (New York), Metropolitan Museum of Art, Victoria and Albert Museum in London, and the National Gallery.

In December 2009, Koppelman died at age 89 in New York City.

Born in 1920, Dorothy Koppelman attended Brooklyn College, the Art Students League, and American Artists School where she trained under Joseph Solman. During this time, she began to study poetry, and the relation of art and the self in classes with Eli Siegel, the founder of Aesthetic Realism.

Dorothy Koppelman has had a number of solo and group exhibitions at the Terrain Gallery. She has also shown her paintings at the Atlantic Gallery, Art Gallery of Binghamton, New York, Beatrice Conde Gallery, the Broome Street Gallery, and at MoMA, Brooklyn Museum, Newark Museum, the Whitney Biennial 2006 Peace Tower, the National Academy, and the Butler Art Institute.

Dorothy Koppelman has served on the faculty at several arts institutions: the National Academy, Brooklyn College School of Education, and the School of Visual Arts. She has given presentations on Aesthetic Realism at the Fondazione Piero della Francesa in Italy, and with Carrie Wilson at the 31st World Congress of the International Society for Education through Art (InSEA). On August 16, 2002, in a talk given on Eli Siegel Day in Baltimore, she said, "Eli Siegel explained the true meaning of art for our lives. No one—no scholar, no artist, no person—in all the centuries ever saw this before: that we can learn about ourselves from the very technique of art!...He showed that far from being in a separate world, art has the answer to the trouble in this one."

She is a member of several professional organizations including the American Society of Contemporary Artists and New York Artists Equity. She has received an Honorable Mention from the Brooklyn Society of Artists, 1957; a Tiffany Grant for painting, 1965; and awards from the American Society of Contemporary Artists, 1996, 1999. Dorothy Koppelman's work has been included in the collections of Hampton University, Virginia; Rosenzweig Museum, Durham, North Carolina; New-York Historical Society; Yale University; the National Museum of Women in the Arts, as well as other institutions.

Dorothy Koppelman lives in New York City. She is a consultant on the faculty of the Aesthetic Realism Foundation, where she also teaches the Critical Inquiry, a workshop for artists. She serves on the Board of Directors of the Aesthetic Realism Foundation, and is President of the Eli Siegel/Martha Baird Foundation. She continues her study in classes with Ellen Reiss, Aesthetic Realism Chairman of Education.
Related Materials:
The Archives of American Art also holds the Terrain Gallery records of which Dorothy Koppelman is the director.
Provenance:
The collection was donated by Chaim and Dorothy Koppelman in 2006.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists' studios  Search this
Gallery owners -- New York (State) -- New York  Search this
World War, 1939-1945  Search this
Art -- Study and teaching  Search this
Prints -- Technique  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Citation:
Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.koppchai
See more items in:
Chaim and Dorothy Koppelman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw988e54036-6f92-4d0d-89e9-c638ba3bf216
EDAN-URL:
ead_collection:sova-aaa-koppchai
Online Media:

Costume illustration: the seventeenth and eighteenth centuries ..

Author:
Victoria and Albert Museum  Search this
Laver, James 1899-1975  Search this
Physical description:
10 p. 96 (i.e. 86) pl. 25 cm
Type:
Books
Place:
Great Britain
France
Date:
1951
Topic:
Costume--History  Search this
Costume  Search this
Call number:
GT595.V64 1951
GT595.V64 1951
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_207266

Four hundred years of fashion / foreword by Sir Roy Strong ; editor, Natalie Rothstein ; text by Madeleine Ginsburg, Avril Hart, Valerie D. Mendes, with other members of the Department of Textiles and Dress ; photography by Philip Barnard

Author:
Victoria and Albert Museum  Search this
Rothstein, Natalie  Search this
Ginsburg, Madeleine  Search this
Hart, Avril  Search this
Mendes, Valerie D  Search this
Barnard, Philip  Search this
Subject:
Victoria and Albert Museum  Search this
Physical description:
176 p. : ill. ; 28 cm
Type:
Books
Exhibitions
Place:
England
Date:
1984
Topic:
Costume--History  Search this
Call number:
GT733.V53 1984X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_259211

Design Talks | Fashion Designer Behnaz Sarafpour

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2014-01-30T00:56:59.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_GpMsTKSePa4

Igor Fyodorovich Stravinsky

Artist:
Adrian George, born 1944  Search this
Sitter:
Igor Feodorovich Stravinsky, 5 Jun 1882 - 6 Apr 1971  Search this
Medium:
Pen and ink drawing over pencil sketch on paper
Dimensions:
Sheet (estimate): 41.3 × 36.9cm (16 1/4 × 14 1/2")
Type:
Drawing
Date:
c. 1960s
Topic:
Costume\Dress Accessory\Eyeglasses  Search this
Costume\Dress Accessory\Neckwear\Tie  Search this
Equipment\Drafting & Writing Implements\Writing implement\Pen  Search this
Caricature  Search this
Artwork\Drawing  Search this
Igor Feodorovich Stravinsky: Male  Search this
Igor Feodorovich Stravinsky: Performing Arts\Performer\Musician\Composer  Search this
Portrait  Search this
Credit Line:
Owner: Victoria and Albert Museum
Object number:
S.407-1982
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm470e194f8-bd17-4740-a49a-d0b2cfdf4fbb
EDAN-URL:
edanmdm:npg_S.407-1982

Victoria and Albert Museum, 1959: Correspondents include Richard Ettinghausen, Esin Atil, John Pope and Bill Archer of the Victoria & Albert Museum; correspondence is of a curatorial/scholarly nature, as well as for granting permission-to-publish

Container:
Box 22 of 23
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 03-018, Freer Gallery of Art and Arthur M. Sackler Gallery, Central Files
See more items in:
Central Files
Central Files / Box 22
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa03-018-refidd1e7416

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
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Online Media:

Merryll Saylan papers, 1975-2008

Creator:
Saylan, Merryll B., 1936-  Search this
Subject:
Stocksdale, Kay Sekimachi  Search this
Scarpino, Betty  Search this
Mississippi, Connie  Search this
Working, Susan  Search this
Type:
Drawings
Sound recordings
Citation:
Merryll Saylan papers, 1975-2008. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women educators  Search this
American studio craft movement  Search this
Theme:
Women  Search this
Craft  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13703
(DSI-AAA_SIRISBib)279578
AAA_collcode_saylmerr
Theme:
Women
Craft
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_279578
Online Media:

Excavation of Samarra (Iraq): Fragments of Wall with Ornamentation, Found in House XIII, Room 11

Topic:
Islamic art and architecture series
Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (photographic print, b&w, 11.9 cm. x 17 cm.)
Type:
Archival materials
Photographic prints
Place:
Asia
Iraq
Mesopotamia
Sāmarrāʼ (Iraq)
Iraq -- Salah ad-Din -- Samarra -- West of Sur Isa
Date:
1911-1913
Scope and Contents:
Original publication caption reads, "Orn. 172."
Additional information in publication reads, "172. Haus XIII, Zimmer 11; Bruchstücke teils im Kaiser-Friedrich-, teils im British- oder Victoria and Albert-Museum; Tafel LXIV und LXV, Abb. 172 a-c."
Additional information in Finds Journal reads, "IN-218: Kiste 15, 16, 17, 18, 19 u. 20; Haus XIII (früher IX) Zimmer 12; [Excavated on] April, 11, 1911."
Additional information from Archives staff reads, "No existing negative."
Arrangement:
Prints are organized in sequential number following publication series, "Die Ausgrabungen von Samarra." They are arranged in photo file folders which are housed in document boxes, and stored on shelves.
Local Numbers:
Box 11, File 19, Folder 4, Image 70a

FSA A.06 04.PF.19.144
General:
Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld's publication, "Die Ausgrabungen von Samarra, vol. 1: Der Wandschmuck der Bauten von Samarra und seine Ornamentik."
Date/Time and Place of an Event Note:
Prints related primarly to the first campaign of excavation at Sāmarrāʼ (Iraq), carried out by Ernst Herzfeld on behalf of the Kaiser Friedrich Museum in Berlin in 1911.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Abbasids  Search this
Architecture  Search this
Art of the Islamic World  Search this
Excavations (Archaeology)  Search this
Decoration and ornament  Search this
Genre/Form:
Photographic prints
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.06 04.PF.19.144
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 4: Photographic Files / 4.19: Photo File 19: Samarra: Wandschmuck / are from the volume
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3fd00dcb2-a438-43e5-ac17-766d3842e11b
EDAN-URL:
ead_component:sova-fsa-a-06-ref25106

Excavation of Samarra (Iraq): Fragment of Wall with Ornamentation, Found in House XIII, Room 11

Topic:
Islamic art and architecture series
Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (photographic print, b&w, 11.5 cm. x 16.4 cm.)
Type:
Archival materials
Photographic prints
Place:
Asia
Iraq
Mesopotamia
Sāmarrāʼ (Iraq)
Iraq -- Salah ad-Din -- Samarra -- West of Sur Isa
Date:
1911-1913
Scope and Contents:
Original publication caption reads, "Orn. 172."
Additional information in publication reads, "172. Haus XIII, Zimmer 11; Bruchstücke teils im Kaiser-Friedrich-, teils im British- oder Victoria and Albert-Museum; Tafel LXIV und LXV, Abb. 172 a-c."
Additional information in Finds Journal reads, "IN-218: Kiste 15, 16, 17, 18, 19 u. 20; Haus XIII (früher IX) Zimmer 12; [Excavated on] April, 11, 1911."
Additional information from Archives staff reads, "No existing negative."
Arrangement:
Prints are organized in sequential number following publication series, "Die Ausgrabungen von Samarra." They are arranged in photo file folders which are housed in document boxes, and stored on shelves.
Local Numbers:
Box 11, File 19, Folder 4, Image 70b

FSA A.06 04.PF.19.145
General:
Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld's publication, "Die Ausgrabungen von Samarra, vol. 1: Der Wandschmuck der Bauten von Samarra und seine Ornamentik."
Date/Time and Place of an Event Note:
Prints related primarly to the first campaign of excavation at Sāmarrāʼ (Iraq), carried out by Ernst Herzfeld on behalf of the Kaiser Friedrich Museum in Berlin in 1911.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Abbasids  Search this
Architecture  Search this
Art of the Islamic World  Search this
Excavations (Archaeology)  Search this
Decoration and ornament  Search this
Genre/Form:
Photographic prints
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.06 04.PF.19.145
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 4: Photographic Files / 4.19: Photo File 19: Samarra: Wandschmuck / are from the volume
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3ac084ede-ae83-4740-935c-a629edb7f3e3
EDAN-URL:
ead_component:sova-fsa-a-06-ref25107

Excavation of Samarra (Iraq): Fragment of Wall with Ornamentation, Found in House XIII, Room 11

Topic:
Islamic art and architecture series
Creator:
Herzfeld, Ernst, 1879-1948  Search this
Names:
Herzfeld, Ernst, 1879-1948  Search this
Collection Creator:
Herzfeld, Ernst, 1879-1948  Search this
Extent:
1 Item (photographic print, b&w, 13.8 cm. x 11.7 cm.)
Type:
Archival materials
Photographic prints
Place:
Asia
Iraq
Mesopotamia
Sāmarrāʼ (Iraq)
Iraq -- Salah ad-Din -- Samarra -- West of Sur Isa
Date:
1911-1913
Scope and Contents:
Original publication caption reads, "Orn. 172."
Additional information in publication reads, "172. Haus XIII, Zimmer 11; Bruchstücke teils im Kaiser-Friedrich-, teils im British- oder Victoria and Albert-Museum; Tafel LXIV und LXV, Abb. 172 a-c."
Additional information in Finds Journal reads, "IN-218: Kiste 15, 16, 17, 18, 19 u. 20; Haus XIII (früher IX) Zimmer 12; [Excavated on] April, 11, 1911."
Additional information from Archives staff reads, "No existing negative."
Arrangement:
Prints are organized in sequential number following publication series, "Die Ausgrabungen von Samarra." They are arranged in photo file folders which are housed in document boxes, and stored on shelves.
Local Numbers:
Box 11, File 19, Folder 4, Image 71a

FSA A.06 04.PF.19.146
General:
Title is provided by Xavier Courouble, FSg Archives cataloger, based on Ernst Herzfeld's publication, "Die Ausgrabungen von Samarra, vol. 1: Der Wandschmuck der Bauten von Samarra und seine Ornamentik."
Date/Time and Place of an Event Note:
Prints related primarly to the first campaign of excavation at Sāmarrāʼ (Iraq), carried out by Ernst Herzfeld on behalf of the Kaiser Friedrich Museum in Berlin in 1911.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Abbasids  Search this
Architecture  Search this
Art of the Islamic World  Search this
Excavations (Archaeology)  Search this
Decoration and ornament  Search this
Genre/Form:
Photographic prints
Collection Citation:
Ernst Herzfeld Papers. FSA.A.06. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Ernst Herzfeld, 1946
Identifier:
FSA.A.06, Item FSA A.06 04.PF.19.146
See more items in:
Ernst Herzfeld Papers
Ernst Herzfeld Papers / Series 4: Photographic Files / 4.19: Photo File 19: Samarra: Wandschmuck / are from the volume
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3592fba19-f083-4ff6-94fb-9686e2a853ac
EDAN-URL:
ead_component:sova-fsa-a-06-ref25108

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