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Bargain Day -14th Street, New York, 1905

Creator:
National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2011-01-31T16:09:45.000Z
YouTube Category:
Education  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_R50ue3ngfsA

Rebolu - "La sorpresa (The Surprise)" (Official Audio)

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2022-04-28T15:17:37.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_o6h1fOvYc4Y

Rebolu - "Los herederos (The Heirs)" (Official Audio)

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2022-04-12T14:57:55.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_tIhIotPSbfA

Rebolu - "Los Herederos (The Heirs)" (Live at Queens Theater)

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2022-06-27T15:53:52.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_teOFU2EsrFQ

Carol and Katie Davis Collection of Adams Morgan Ephemeral

Extent:
1.29 Linear feet (1 box)
Container:
Box 1
Type:
Collection descriptions
Archival materials
Ephemera
Newspapers
Place:
Washington (D.C.) -- 20th century
Adams Morgan (Washington, D.C.)
Date:
1973-1974
Summary:
Carol and Katie Davis Collection of Adams Morgan Ephemera, which dates from 1973-1974 and measures 1.29 linear feet, documents the growth and flourishing of neigborhood activism in Washington, DC both before and after the arrival of Home Rule. The collection includes copies of The Columbian newspaper, the self-proclaimed "Community Newspaper of Adams Morgan," also published as "Noticierio Columbian."
Scope and Contents:
Carol and Katie Davis Collection of Adams Morgan Ephemera, which dates from 1973-1974 and measures 1.29 linear feet, documents the growth and flourishing of neigborhood activism in Washington, DC both before and after the arrival of Home Rule. The collection includes copies of The Columbian newspaper, the self-proclaimed "Community Newspaper of Adams Morgan," also published as "Noticierio Columbian." Present in the collection are also flyers, brochures, and a report which documents the organization's efforts to fight the impending gentrification, speculation, and displacement that was threatening the neighborhood in the 1970s.
Biographical / Historical:
Adams Morgan Organization (AMO), founded in 1972 by neighborhood advocates Marie Nahikian, Walter Pierce, Topper Care, Josephine "Jo" Butler, Edward G. Jackson Sr., Charlotte Fillmore, and Milton Kotler among others, tackled urgent issues in their community like real estate speculation and residential displacement. AMO convened regular and well-attended assembly meetings where residents shared an equal vote with AMO's elected chairperson and 25 representatives. When the Advisory Neigbhorhood Commissions (ANCs) were created as part of DC's transition to Home Rule, AMO served as a model of how local self-government could thrive. The tenant protections that AMO advocated for-including the 1975 Rental Accommodations Act, the 1978 Residential Real Property Transfer Excise Tax, and the 1980 Rental Housing Conversion and Sale Act-have helped preserve what affordable housing has remained in the District of Columbia.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at ACMarchives@si.edu
Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
Community activists  Search this
Urban Life  Search this
Community Organizations  Search this
Genre/Form:
Ephemera -- 20th century
Newspapers
Citation:
Anacostia Community Museum Archives,Smithsonian Institution,gift of Carol and Katie Davis.
Identifier:
ACMA.06-084
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa73a67ffb4-db5f-412e-b407-878e68a6f04a
EDAN-URL:
ead_collection:sova-acma-06-084
Online Media:

Marie Satenik Nahikian papers

Creator:
Nahikian, Marie Satenik, 1946-  Search this
Names:
Barry, Marion, 1936-2014  Search this
Clarke, David "Dave", 1943-1997  Search this
Fauntroy, Walter E.  Search this
Hill, Fannie, 1923-1987  Search this
Pierce, Walter C., 1946-1991  Search this
Pinkett, Flaxie Madison, 1918-1995  Search this
Shackleton, Polly Shackleton, 1910-1997  Search this
Shia, Nancy, 1947-  Search this
Sizemore, Barbara , 1927-2004  Search this
Washington, Walter E., 1915-2003  Search this
Extent:
3.46 Linear feet (3 boxes)
Type:
Collection descriptions
Archival materials
Contact sheets
Photographs
Audio cassettes
Place:
Adams Morgan (Washington, D.C.)
Date:
1971-1998
Scope and Contents:
The papers of community organizer and affordable housing developer Marie Satenik Nahikian measure 3.46 linear feet and date from 1971 to 1998. The collection contains correspondence; certificates; photographs; newsletters; campaign ephemera; editions of various Washington, DC community newspapers; as well as recordings of Nahikian's speeches. The bulk of the collection contains documents pertaining to Nahikian's work with the Adams Morgan Organization.
The papers of community organizer and affordable housing developer Marie Satenik Nahikian measure 3.46 linear feet and date from 1971 to 1998. The collection includes copies of the Rock Creek Monitor, the newspaper of Dupont Circle, Adams Morgan and Mt. Pleasant communities of Washington, DC. Present in the collection are also proclamations, newspaper clippings, writings by Nahikian and materials related to her role for Advisory Neighborhood Commissioner for ANC-1C (in Adams Morgan) and unsuccessfully campaign for D.C. City Council.
Biographical / Historical:
Marie Satenik Nahikian was a co-founder and the first Executive Director of the Adams Morgan Organization (AMO – founded in 1972). Prior to Washington, DC having Home Rule, AMO put into practice a local, elected self-governance structure that advocated for issues of concern to neighborhood residents. AMO served as the main model for the Advisory Neighborhood Commissions that were created as part of Home Rule's implementation in Washington, DC. Marie S. Nahikian, particularly through her work with AMO, was a staunch advocate and partial architect of three landmark pieces of tenant rights and anti-displacement legislation in DC: the 1975 Rental Accommodations Act, the 1978 Residential Real Property Transfer Excise Tax, and the 1980 Rental Housing Conversion and Sale Act.

Nahikian successfully ran for Advisory Neighborhood Commissioner for ANC-1C (in Adams Morgan) and twice ran for D.C. City Council (unsuccessfully). She was appointed by Mayor Walter Washington (1915-2003) to serve two terms as a Tenant Commissioner on the D.C. Rental Accommodations Commission. She later served under Mayor Marion Barry (1936-2014) as head of the Tenant Purchase Program that enabled largely low- and moderate-income tenants to purchase and become cooperative owners of their buildings.

After leaving Washington, DC, she went on to work for Mayors in Philadelphia and New York City. Nahikian also worked in the U.S. Department of Housing & Urban Development under President Barack Obama.

Marie Satenik Nahikian currently hosts the Usable Past podcast, where activists share their stories of past and present organizing to create better lives for as many people as possible.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Marie Satenik Nahikian papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Urban Life  Search this
Community activists  Search this
Community Organizations  Search this
Newspapers -- Washington (D.C.).  Search this
Genre/Form:
Contact sheets
Photographs -- Black-and-white negatives -- 20th century
Audio cassettes -- 20th century
Citation:
Marie Satenik Nahikian papers, Anacostia Community Museum, Smithsonian Institution. Gift of Marie Satenikn Nahikian.
Identifier:
ACMA.06-123
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa76d1f22f0-800a-4d07-829f-f92dfb4a81cd
EDAN-URL:
ead_collection:sova-acma-06-123

Ebony Vol. XXII No. 12

Published by:
Johnson Publishing Company, American, 1942 - 2019  Search this
Created by:
Ebony, American, founded 1945  Search this
Photograph by:
Bill Gillohm  Search this
Subject of:
The 5th Dimension, American, founded 1966  Search this
Ronald Townson, American, 1933 - 2001  Search this
Florence LaRue, American, born 1944  Search this
Billy Davis Jr., American, born 1938  Search this
Marilyn McCoo, American, born 1943  Search this
LaMonte McLemore, American, born 1935  Search this
Ernie Banks, American, born 1931  Search this
Used by:
Rock Rest Tourist Home, American, 1948 - 1976  Search this
Owned by:
Clayton Sinclair, American  Search this
Hazel Sinclair, American  Search this
Medium:
ink on paper (fiber product) with metal
Dimensions:
H x W x D: 13 3/8 × 10 1/4 × 1/4 in. (34 × 26 × 0.6 cm)
Type:
magazines (periodicals)
Place collected:
Kittery, York County, Maine, United States, North and Central America
Place printed:
Chicago, Cook County, Illinois, United States
Place depicted:
West Indies, Caribbean, Latin America
Date:
October 1967
Topic:
African American  Search this
Advertising  Search this
Black Enterprise  Search this
Black Press  Search this
Business  Search this
Fashion  Search this
Journalism  Search this
Mass media  Search this
Popular music  Search this
Segregation  Search this
Singers (Musicians)  Search this
Travel  Search this
U.S. History, 1961-1969  Search this
Urban life  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Portsmouth Black Heritage Trail, Inc.
Object number:
2011.12.53.6
Restrictions & Rights:
© Ebony Media Group LLC. Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c6762429-d01c-4f8f-b3dd-77b2af9d5f45
EDAN-URL:
edanmdm:nmaahc_2011.12.53.6
Online Media:

Oyster jar from the Thomas Downing oyster house

Created by:
Unidentified  Search this
Subject of:
Thomas Downing, American, 1791 - 1866  Search this
Medium:
glaze and cobalt oxide on ceramic with paint and cork (bark)
Dimensions:
H x W x D: 6 5/16 × 4 3/16 × 4 3/16 in. (16 × 10.7 × 10.7 cm)
Type:
jars
Place used:
New York City, New York, United States, North and Central America
Place made:
New York City, New York, United States, North and Central America
Date:
ca 1840
Topic:
African American  Search this
Black Enterprise  Search this
Business  Search this
Cooking and dining  Search this
Design  Search this
Foodways  Search this
Free communities of color  Search this
Urban life  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2019.52
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Decorative Arts, Craft, and Design
Exhibition:
Cultural Expressions
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 050
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5276f8068-e102-477a-a68d-36592e390510
EDAN-URL:
edanmdm:nmaahc_2019.52
Online Media:

Memory

Alternate Title:
John Sloan; Dolly Sloan; Robert Henri; Linda Henri
Artist:
John French Sloan, 2 Aug 1871 - 8 Sep 1951  Search this
Sitter:
John French Sloan, 2 Aug 1871 - 8 Sep 1951  Search this
Dolly Sloan, 1876 - 1943  Search this
Robert Henri, 25 Jun 1865 - 12 Jul 1929  Search this
Linda Henri, 19 Jan 1875 - 8 Dec 1905  Search this
Medium:
Etching on paper
Dimensions:
Image: 18.5 × 22.4 cm (7 5/16 × 8 13/16")
Sheet: 27.8 × 35.3 cm (10 15/16 × 13 7/8")
Type:
Print
Date:
1906
Topic:
Printed Material\Book  Search this
Equipment\Smoking Implements\Cigar  Search this
Artist's Effects  Search this
Artist's Effects\Drawing board  Search this
Equipment\Smoking Implements\Pipe  Search this
Nature & Environment\Fruit  Search this
Interior\Domestic  Search this
Self-portrait  Search this
John French Sloan: Male  Search this
John French Sloan: Visual Arts\Artist\Painter  Search this
John French Sloan: Visual Arts\Artist\Illustrator  Search this
John French Sloan: Visual Arts\Art instructor  Search this
Linda Henri: Visual Arts\Artist  Search this
Linda Henri: Female  Search this
Dolly Sloan: Female  Search this
Dolly Sloan: Society and Social Change\Philanthropist\Patron of the arts  Search this
Dolly Sloan: Visual Arts\Artist's model  Search this
Robert Henri: Male  Search this
Robert Henri: Literature\Writer  Search this
Robert Henri: Visual Arts\Artist\Painter  Search this
Robert Henri: Visual Arts\Art instructor  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.69.37
Restrictions & Rights:
Usage conditions apply
Copyright:
© Delaware Art Museum / Artists Rights Society (ARS), New York.
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm420cf99c6-3795-45b3-b058-b5fad63be1ab
EDAN-URL:
edanmdm:npg_NPG.69.37

Revision Path: Episode 191; Craig Wilkins

Produced by:
Maurice Cherry, American  Search this
Interview of:
Craig Wilkins, American  Search this
Subject of:
Cooper Hewitt, Smithsonian Design Museum, American, founded 1897  Search this
Medium:
digital
Dimensions:
Duration: 59 min., 15 sec.
Type:
sound recordings
digital media - born digital
Place made:
United States, North and Central America
Place depicted:
Detroit, Wayne County, Michigan, United States, North and Central America
Date:
May 15, 2017
Topic:
African American  Search this
Architecture  Search this
Civil Rights  Search this
Design  Search this
Hip-hop (Music)  Search this
Urban life  Search this
Urban planning  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Maurice Cherry and Glitch, Inc.
Object number:
2019.47.8.1
Restrictions & Rights:
© Maurice Cherry and Glitch, Inc.
See more items in:
National Museum of African American History and Culture Collection
Portfolio/Series:
Revision Path
Classification:
Media Arts-Audio Recordings
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd56b24c51b-4603-4616-8beb-3382430a7c2e
EDAN-URL:
edanmdm:nmaahc_2019.47.8.1

Nation of Islam Sister Clara Muhammad School uniform worn by Medina Rowell

Created by:
Unidentified  Search this
Issued by:
Sister Clara Muhammad Schools, renamed 1975  Search this
Worn by:
Medina Rowell, American  Search this
Subject of:
Nation of Islam, American, founded 1930  Search this
Medium:
synthetic fiber and plastic button
Dimensions:
H x W x D (.1-.2 on form): 33 × 14 × 14 1/2 in. (83.8 × 35.6 × 36.8 cm)
H x W x D (.1 Jumper on form): 32 3/4 × 9 × 14 1/2 in. (83.2 × 22.9 × 36.8 cm)
H x W (.1 Jumper flat): 32 1/4 × 13 3/4 in. (81.9 × 34.9 cm)
H x W x D (.2 Shirt on form): 20 1/4 × 14 × 6 in. (51.4 × 35.6 × 15.2 cm)
H x W (Shirt flat): 20 5/8 × 12 1/4 in. (52.4 × 31.1 cm)
Type:
blouses
jumpers (dresses)
Place used:
Chicago, Cook County, Illinois, United States, North and Central America
Date:
1978-1979
Topic:
African American  Search this
Clothing and dress  Search this
Education  Search this
Nation of Islam  Search this
Religion  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Jamilah Sahib
Object number:
2013.224.7.1-.2
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Clothing-Historical
Exhibition:
Making a Way Out of No Way
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Community/Third Floor, 3 050
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5cf906888-dd4f-4aff-b956-473de7ae0c4c
EDAN-URL:
edanmdm:nmaahc_2013.224.7.1-.2
Online Media:

Nation of Islam Sister Clara Muhammad School uniform beret worn by Medina Rowell

Created by:
Unidentified  Search this
Issued by:
Sister Clara Muhammad Schools, renamed 1975  Search this
Worn by:
Medina Rowell, American  Search this
Subject of:
Nation of Islam, American, founded 1930  Search this
Medium:
polyester
Dimensions:
H x W x D (On form): 9 1/2 × 11 × 6 1/2 in. (24.1 × 27.9 × 16.5 cm)
H x W (Flat): 12 × 11 3/4 in. (30.5 × 29.8 cm)
Type:
berets
Place used:
Chicago, Cook County, Illinois, United States, North and Central America
Date:
1978-1979
Topic:
African American  Search this
Clothing and dress  Search this
Education  Search this
Nation of Islam  Search this
Religion  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Jamilah Sahib
Object number:
2013.224.8
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Clothing-Historical
Exhibition:
Making a Way Out of No Way
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Community/Third Floor, 3 050
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c32e4de4-2e87-48f2-a2e8-4310fe7643a5
EDAN-URL:
edanmdm:nmaahc_2013.224.8

"Say Her Name" protest, artist Janelle Monae and Wondaland Records members perform "Hell You Talmbout" protest song, Atlanta, GA

Photograph by:
Sheila Pree Bright, American, born 1967  Search this
Subject of:
Janelle Monáe, American, born 1985  Search this
Felecia Christian, American  Search this
Alexia Christian, American, died 2015  Search this
Nate "Rocket" Wonder, American  Search this
Unidentified Woman or Women  Search this
Wondaland Records, American, founded 2015  Search this
Medium:
digital
Dimensions:
H x W: 6000 pixels × 6000 pixels
File size (Total): 103.09 MB
Type:
digital images
digital media - born digital
Place captured:
Atlanta, Fulton County, Georgia, United States, North and Central America
Date:
2016
Topic:
African American  Search this
Activism  Search this
Actors  Search this
American South  Search this
Civil Rights  Search this
Composers (Musicians)  Search this
Gospel (Music)  Search this
Justice  Search this
Photography  Search this
Police brutality  Search this
Popular music  Search this
Race relations  Search this
Rappers (Musicians)  Search this
Singers (Musicians)  Search this
U.S. History, 2001-  Search this
Urban life  Search this
Violence  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Sheila Pree Bright
Object number:
2021.56.1
Restrictions & Rights:
© Sheila Pree Bright
See more items in:
National Museum of African American History and Culture Collection
Portfolio/Series:
#1960Now
Classification:
Media Arts-Photography
Movement:
Black Lives Matter
Exhibition:
Reckoning: Protest. Defiance. Resilience.
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 052
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd554d7c112-e745-4ad5-a391-32394e6e049b
EDAN-URL:
edanmdm:nmaahc_2021.56.1

#ReclaimMLKDay, Black Lives Matter disrupts MLKDay parades across the country, Atlanta, GA

Photograph by:
Sheila Pree Bright, American, born 1967  Search this
Subject of:
Unidentified Woman or Women  Search this
Unidentified Man or Men  Search this
Dr. Martin Luther King Jr., American, 1929 - 1968  Search this
Medium:
digital
Dimensions:
H x W: 6000 pixels × 6000 pixels
File size (Total): 103.08 MB
Type:
digital images
digital media - born digital
Place captured:
Atlanta, Fulton County, Georgia, United States, North and Central America
Date:
2015
Topic:
African American  Search this
Activism  Search this
American South  Search this
Black power  Search this
Civil Rights  Search this
Gender  Search this
Identity  Search this
Justice  Search this
LGBTQ  Search this
Photography  Search this
Race relations  Search this
U.S. History, 2001-  Search this
Urban life  Search this
Violence  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Sheila Pree Bright
Object number:
2021.56.2
Restrictions & Rights:
© Sheila Pree Bright
See more items in:
National Museum of African American History and Culture Collection
Portfolio/Series:
#1960Now
Classification:
Media Arts-Photography
Movement:
Black Lives Matter
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd58023aa52-ea5a-48b7-b821-5a139ab18cd7
EDAN-URL:
edanmdm:nmaahc_2021.56.2

The People's Uprising, Justice for Breonna Taylor, protesting the decision by the Kentucky grand jury to indict former officers in connection to the shooting death of Breonna Taylor, Atlanta, GA.

Photograph by:
Sheila Pree Bright, American, born 1967  Search this
Subject of:
Unidentified  Search this
Breonna Taylor, American, 1993 - 2020  Search this
Trayvon Martin, American, 1995 - 2012  Search this
The People's Uprising, American  Search this
Medium:
digital
Dimensions:
H x W: 9000 pixels × 6006 pixels
File size (Total): 453.29 MB
Type:
digital images
digital media - born digital
Place captured:
Atlanta, Fulton County, Georgia, United States, North and Central America
Date:
2020
Topic:
African American  Search this
Activism  Search this
American South  Search this
Civil Rights  Search this
Justice  Search this
Photography  Search this
Police brutality  Search this
Race relations  Search this
U.S. History, 2001-  Search this
Urban life  Search this
Violence  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Sheila Pree Bright
Object number:
2021.56.3
Restrictions & Rights:
© Sheila Pree Bright
See more items in:
National Museum of African American History and Culture Collection
Portfolio/Series:
#1960Now
Classification:
Media Arts-Photography
Movement:
Black Lives Matter
Exhibition:
Reckoning: Protest. Defiance. Resilience.
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 052
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e116f12a-d745-4cb4-a2fb-645468853376
EDAN-URL:
edanmdm:nmaahc_2021.56.3

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Universal Network Television, American, founded 1950  Search this
Alex Haley, American, 1921 - 1992  Search this
Percy Ellis Sutton, American, 1920 - 2009  Search this
Columbia Records, American, founded 1888  Search this
Brown & Williamson, American, born 1894  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
National Association of Market Developers, American, founded 1953  Search this
National Medical Association, American, founded 1895  Search this
Prince Hall Freemasonry, founded 1784  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Roy Wilkins, American, 1901 - 1981  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Association of Black Social Workers, American, founded 1968  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Medical Association, American, founded 1895  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
National Urban League, American, founded 1910  Search this
National Dental Association, American, founded 1913  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
National Medical Association, American, founded 1895  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
President Jimmy Carter, American, born 1924  Search this
Shriners International, American, founded 1870  Search this
Daughters of Isis, American, founded 1910  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Urban League Guild, American, founded 1946  Search this
Tuskegee Airmen, 1941 - 1946  Search this
Congressional Black Caucus, American, founded 1971  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
National Council of Negro Women, founded 1935  Search this
Muhammad Ali, American, 1942 - 2016  Search this
369th Veterans Association, American  Search this
Southern Christian Leadership Conference, American, founded 1957  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Northside Center for Child Development, Inc., founded 1946  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 5/16 in. (27.5 × 21.4 × 0.8 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1977
Topic:
African American  Search this
Advertising  Search this
Aeronautics  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
Sports  Search this
Tennis  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.11
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5a191f832-64ab-4d62-81fe-a2bc53493bea
EDAN-URL:
edanmdm:nmaahc_2012.167.11

Patricia Hills papers

Creator:
Hills, Patricia  Search this
Names:
Women's Caucus for Art  Search this
Lawrence, Jacob, 1917-2000  Search this
Neel, Alice, 1900-1984  Search this
Sargent, John Singer, 1856-1925  Search this
Stevens, May  Search this
Extent:
47.5 Linear feet
0.113 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Date:
circa 1900-2022
bulk 1968-2009
Summary:
The papers of art historian, curator, and educator Patricia Hills measure 47.5 linear feet and 0.113 GB and date from circa 1900-2022, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some of this material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

There is an 8.4 linear foot unprocssed addition to this collection donated in 2022 that includes Patricia Hills' research material regarding Eastman Johnson, consisting of biographical information; professional correspondence; printed material; institutional, exhibition, subject and genre files for Eastman Johnson's works of art; photographs of works of art; writings and lectures; catalog cards; and files regarding works not by Johnson.
Scope and Contents:
The papers of art historian, curator, and educator Patricia Hills measure 47.5 linear feet and 0.113 GB and date from circa 1900-2022, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. Some material is in digital format. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed and digital material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

There is an 8.4 linear foot unprocssed addition to this collection donated in 2022 that includes Patricia Hills' research material regarding Eastman Johnson, consisting of biographical information; professional correspondence; printed material; institutional, exhibition, subject and genre files for Eastman Johnson's works of art; photographs of works of art; writings and lectures; catalog cards; and files regarding works not by Johnson.
Arrangement:
The collection is arranged as 13 series.

Series 1: Correspondence, circa 1958-2019 (2.6 Linear Feet; Boxes 1-2, 25)

Series 2: Project Files, circa 1900-2011 (15.2 Linear Feet; Boxes 3-13, 25-30, OV24, 0.041 GB; ER01-ER02)

Series 3: Whitney Museum Files, circa 1900-2015, bulk 1973-1987 (4.1 Linear Feet; Boxes 13-16, 30)

Series 4: Boston University Files, circa 1974-2015 (1.3 linear feet; Boxes 30-31)

Series 5: Professional Files, circa 1959-2019 (2.4 linear feet; Boxes 17-18, 32)

Series 6: Membership and Affiliation Records, circa 1969-2013 (2 linear feet; Boxes 18-20, 32)

Series 7: Museum of Fine Arts Restructuring Files, circa 1997-2005 (1.2 linear feet; Boxes 32-33)

Series 8: Writings, circa 1962-2019 (5.4 linear feet; Boxes 20-21, 34-38, 0.068 GB; ER03, ER05)

Series 9: Teaching Files, circa 1974-2019 (0.9 linear feet; Box 39)

Series 10: Artist Files, circa 1958-2014 (0.9 Linear Feet; Box 21)

Series 11: Subject Files, circa 1961-2007 (1.0 linear Feet; Box 22, 0.004 GB; ER04)

Series 12: Printed Material, circa 1970-2010 (1.0 linear Feet; Box 23)

Series 13: Unprocessed Addition, circa 1970-2022 (8.4 linear feet; Boxes 40-49)
Biographical / Historical:
Patricia Hills (1936-) is an art historian, curator, and Professor Emerita of American Art and African American Art at Boston University. Hills obtained a B.A. from Stanford University in Modern European Literature, an M.A. from Hunter College in 1968, where she was advised by Leo Steinberg, and her PhD. from New York University's Institute of Fine Arts. Hills worked as Associate and later Adjunct Curator of 18th and 19th Century American Art at the Whitney Museum of American Art from 1972 until 1987. During that time she organized exhibitions including John Singer Sargent (1986) while progressively becoming more invested as an educator, with teaching positions at Hunter College and the Institute of Fine Arts. In February 2011 she received the Distinguished Teaching of Art History award from the College Art Association.

Hills served as the Director of the Boston University Art Gallery from 1980-1989, and began her tenure in the art history department as Associate Professor in 1978. She was co-founder of the Boston Chapter of the Women's Caucus for Art and was highly active in the College Art Association and American Studies Association. She has held fellowships at numerous institutions including the W.E.B. DuBois Institute for African and African American Research at Harvard University, the Smithsonian American Art Museum, the Georgia O'Keeffe Museum Research Center, and the Gilder Lehrman Institute of American History.

As a principal author she is responsible for organizing a number of monograph and exhibition catalog publishing efforts including Painting Harlem Modern: The Art of Jacob Lawrence (2010), May Stevens (2005), Eastman Johnson: Painting America (co-authored, 1999), John Singer Sargent (1986), Alice Neel (1983), Social Concern and Urban Realism: American Painting of the 1930s (1983), Turn-of-the-Century America: Paintings, Graphics, Photographs, 1890-1910 (1977), The Painters' America: Rural and Urban Life, 1810-1910 (1974), and The American Frontier: Images and Myths (1973). In addition, Patricia Hills has authored numerous articles for art publications, served as reviewer for College Art Association's CAA Reviews, and has contributed greatly as a peer reviewer and editor. From 1990 to 1999, she served as series editor for six books in the Cambridge Studies in American Visual Culture series, published by Cambridge University Press.
Provenance:
Donated in 2006, 2018, 2019 and 2022 by Patricia Hills.
Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Occupation:
Educators -- Massachusetts -- Boston  Search this
Art historians -- Massachusetts -- Boston  Search this
Museum curators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Art, American -- 19th century  Search this
Art -- Political aspects  Search this
Women artists  Search this
Women educators  Search this
Women art historians  Search this
Women museum curators  Search this
Citation:
Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hillspat
See more items in:
Patricia Hills papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94c3f79a5-92b6-4d74-8ddb-d1957923a415
EDAN-URL:
ead_collection:sova-aaa-hillspat

The Painters' America: Rural and Urban Life (Sep.-Nov. 1974)

Collection Creator:
Hills, Patricia  Search this
Type:
Archival materials
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Collection Citation:
Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 3: Whitney Museum of American Art Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99f613e5f-86a7-4f91-90d5-7c1abb84f49e
EDAN-URL:
ead_component:sova-aaa-hillspat-ref398

Catalog

Collection Creator:
Hills, Patricia  Search this
Container:
Box 13, Folder 26
Type:
Archival materials
Date:
circa 1973
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Collection Citation:
Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 3: Whitney Museum of American Art Files / The Painters' America: Rural and Urban Life (Sep.-Nov. 1974)
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95bd8eb52-73c9-43d8-aa86-cada5c2c7801
EDAN-URL:
ead_component:sova-aaa-hillspat-ref407

Correspondence

Collection Creator:
Hills, Patricia  Search this
Container:
Box 13, Folder 27
Type:
Archival materials
Date:
circa 1973-1975
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Collection Citation:
Patricia Hills Papers, circa 1900-2022, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Patricia Hills papers
Patricia Hills papers / Series 3: Whitney Museum of American Art Files / The Painters' America: Rural and Urban Life (Sep.-Nov. 1974)
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw925cdc988-12c9-4f35-82e4-ca395667b267
EDAN-URL:
ead_component:sova-aaa-hillspat-ref408

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