The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.
The eleven boxes contain documentation relating to project files including business correspondence, invoices, sketches, contracts and agreements, research materials, brochures, photographs, slides and models.
This collection, which includes some biographical material and which is specifically related to the design process and to the use of plastics, is interesting because it sufficiently covers the work of this inventor and experimenter. This collection includes Winfield's work in plastics in conjunction with architecture, building and design.
Biographical / Historical:
Armand G. Winfield, pioneering plastics researcher and consultant. Throughout the past fifty-six years Winfield has done extensive research and development in the areas of plastics in architecture and building, art, museum work, industry (applications engineering), and low cost housing for developing countries. In addition, he has worked in the entertainment field on the application of plastics for stage sets and amusement parks. His career is documented in over 300 published articles, chapters and books on plastics and other subjects, almost 90 of which are concerned with plastics in building and architecture.
Armand G. Winfield has been involved professionally in the plastics and business fields since 1939. He graduated from Franklin & Marshall College in 1941 and did graduate work at the University of New Mexico, the State University of Iowa and at Washington University in St. Louis, Mo. He began his career in museum work using synthetic lattices and acrylics for the preservation of specimens. His interest shifted to the plastics materials in the mid-1940s, and he invented the first mass-producible process for embedding specimens in acrylics. As a principal in Winfield Fine Art in Jewelry in New York City, he conducted precursory work for the electronics encapsulation field and pioneered biological, medical and art embedments in the United States.
Professor Winfield has been on the teaching faculties of Franklin & Marshall College, Lancaster, Pa. (Undergraduate Teaching Fellowship: 1939-1941); Harris Teachers' College (1950) and Washington University School of Engineering (1956) in St. Louis, Mo.; Yale University Art School (1960-1961) in New Haven, Conn.; Pratt Institute Industrial Design Department (1964-1970) in Brooklyn, N.Y.; Visiting Critic in Architecture (Plastics), The College of the City of New York (1968-1969), New York, N.Y.; Adjunct Professor of Plastics Engineering, University of Massachusetts Lowell (1978-1981), Lowell, Mass.; and Research Professor Mechanical Engineering (Plastics), the University of New Mexico (Appointed 1993), Albuquerque, N.M. He has also been an invited lecture at over 40 other colleges and universities in the United States and abroad.
Provenance:
All materials were donated to the museum by Armand G. Winfield in 1992. Transferred to the Archives Center in 2012.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
