Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Duane Hanson papers, 1935-2006. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Billy Al Bengston papers, circa 1940s-1989 (bulk 1960-1988). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation.
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Billy Al Bengston papers, circa 1940s-1989 (bulk 1960-1988). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Getty Foundation.
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard McDermott Miller papers, 1962-2001. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacqueline Gourevitch papers, 1949-2019. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of born-digital records requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Matt Mullican papers, circa 1968-2017. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and electronic records with no duplicate access copies requires advance notice.
Collection Citation:
Rudolf Arnheim papers, 1919-1998. Archives of American Art, Smithsonian Institution.
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacqueline Gourevitch papers, 1949-2019. Archives of American Art, Smithsonian Institution.
The 9 New Project Gemini Astronauts Press Conference at the University of Houston, Texas, Spetember 17, 1962. John A. "Shorty" Powers introduces Robert Gilruth. Robert Gilruth introduces the nine new astronauts: Mr. Neil A. Armstrong; Major Frank Borman, USAF; Lieutenant Charles Conrad, Jr., (USN); Lieutenant Commander James A. Lovell, (USN); Captain James A. McDivitt, (USAF); Mr. Elliot M. Sea, Jr.; Captain Thomas B. Stafford, (USAF); Captain Edward H. White II, (USAF); Lieutenant Commander John W. Young, (USN). Gilruth explains the necessity for recruiting and selecting more astronauts. The astronauts are photographed. Tape pauses. Stuart Clark describes the astronaut requirements and selection process. Walter C. Williams comments on the role and training of the new astronauts and the role of Donald K. "Deke" Slayton as coordinator of astronaut activities. Questions and answers begin at 11 minutes. Copied from 16mm to 1/4-inch.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Space Program Oral History Collection [Kapp], Acc. NASM.XXXX.0138, National Air and Space Museum, Smithsonian Institution.
The 9 New Project Gemini Astronauts Press Conference at the University of Houston, Texas September 17, 1962 (9/17/1962). John A. 'Shorty' Powers introduces Robert Gilruth. Questions and answers continue.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Space Program Oral History Collection [Kapp], Acc. NASM.XXXX.0138, National Air and Space Museum, Smithsonian Institution.
The 9 New Project Gemini Astronauts Press Conference at the University of Houston, Texas September 17, 1962 (9/17/1962). John A. 'Shorty' Powers introduces Robert Gilruth. Questions and answers continue.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Space Program Oral History Collection [Kapp], Acc. NASM.XXXX.0138, National Air and Space Museum, Smithsonian Institution.
New Astronauts Press Conference - Introduction of 14 New Astronauts at University of Houston, Texas, October 18, 1963 (10/18/1963). Deke Slayton introduces the program. Explanation of the selection criteria and the selection process: 500 military pilots, 71 were recommended; 225 civilian pilots, 65 were recommended; 34 were interviewed, six dropped for medical reasons; out of the remaining 28, 14 were selected. Seven US Air Force pilots, four US Navy pilots and two civilian pilots. Eight are test pilots, one PhD and six Master's degrees. the have an average of 5.6 years of college. The pilots introduce themselves and mention their hometowns. Questions and answers: why volunteer? Do you select a number of trainees for attrition? What will be the training program? Was there a Negro candidate? Picture taking begins at 3:30.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Space Program Oral History Collection [Kapp], Acc. NASM.XXXX.0138, National Air and Space Museum, Smithsonian Institution.
New Astronauts Press Conference - Introduction of 14 New Astronauts at University of Houston, Texas, October 18, 1963. Donald K. "Deke" Slayton introduces the program. Explanation of the selection criteria and the selection process: 500 military pilots, 71 were recommended; 225 civilian pilots, 65 were recommended; 34 were interviewed, six dropped for medical reasons; out of the remaining 28, 14 were selected. Seven US Air Force pilots, four US Navy pilots and two civilian pilots. Eight are test pilots, one PhD and six Master's degrees. They have an average of 5.6 years of college. The pilots introduce themselves and mention their hometowns. Major Edwin E. Aldrin, Jr. (USAF) Montclair, New Jersey; Captain Bill Anders (USAF) Kirtland AFB, New Mexico; Captain Charles A. Bassett (USAF) Dayton, Ohio; Lieutenant Alan Bean (USN) Jacksonville, Florida; Lieutenant Eugene Cernan (USN) Beladon, Illinois; Lieutenant Roger B. Chafee (USN) Grand Rapids Michigan; Captain Mike Collins (USAF) Edwards AFB, California; R. W. (Walter) Cunningham (RAND) Santa Monica, Captain Don Eisele (USAF) Columbus, Ohio; Captain Ted Freeman (USAF) Louis, Delaware, Commander Dick Gordon (USN) Seattle, Washington; Russell Schweickart (MIT) Lexington, Massachusetts; David R. Scott (USAF) Lajolla California; Clifton C. Williams (USMC) Mobile, Alabama. Questions and answers start at four and a half minutes. They all explain why they volunteered. What is the status of personal contracts? Could the money be better spent on Earth? Is there a military necessity for the moon program? What are their religious preferences? How important is a science degree? How many astronauts will be needed by 1970? Were any of the astronauts Boy Scouts? What areas will they be assigned? What will the systems engineering training be like? What is the possibility of a joint Soviet US moon shot? Was there a budget restriction for the selection of 14 astronauts? What activities are planned for the next week? What are the flying qualifications of the civilian pilots? Will the original astronauts be too old to fly to the moon? Who makes up the selection board? Any unusual replies to the invitations? Do the wives support the selection?
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Space Program Oral History Collection [Kapp], Acc. NASM.XXXX.0138, National Air and Space Museum, Smithsonian Institution.
A Friend Indeed! Development of first non-commercial TV station; educational television. Donors: Mr. and Mrs. Roy Cullen. University of Houston, Houston, TX.
Parade of Progress! Parade of progress in industry. General Motors Corporation.
Caretakers of Our Teeth! Researching dental care. Bristol-Myers, Hillside, NJ.
Making Haste With the Waste! Collecting and recycling waste paper. Benner Box Co., Miami, FL.
Reference video, Box 7
Collection Restrictions:
Collection is open for research but the films are stored off-site. Special arrangements must be made directly with the Archives Center staff to view episodes for which no reference copy exists. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees will be charged for reproductions.
Collection Citation:
Industry on Parade Film Collection, 1950-1959, Archives Center, National Museum of American History, Smithsonian Institution.
Chisholm trail --Long summer day --Cowboy's dream -- Streets of Laredo --T for Texas --The Tex-i-an Boys -- Remember the Alamo --Texas dance tunes --Ain't no more cane on the Brazos --Red River Valley --Austin blues -- Billy Barlow --Boll weevil song --Galveston flood (Wasn't that a mighty storm) --Leave old Texas.
Local Numbers:
FW-ASCH-7RR-1009
Date/Time and Place of an Event Note:
Recorded in: United States, Texas, Houston (Tex.).
General:
Folkways 5328
CDR copy--Sung by the Tex-i-an Boys. Production notes: Recorded at the University of Houston. FW-ASCH-7RR-1009, in a black tape box, is identical to the Smithsonian Folkways recording, "Songs of Texas - Sixteen popular folk songs of the Lone Star State, sung by the TEX-I-AN Boys" (FW05328), issued in 1961. The TEX-I-AN Boys are John A. Lomax, Jr., Pete Rose, Ed Badeaux, Jim McConnell, and Howard Porper, all of whom live in the vicinity of Houston, TX. They are basically Folk Revival singers in nonmusical professions, e.g., geologist, real estate developer, music teacher, etc. They accompany themselves on guitar, banjo, mandolin and autoharp.
Five men from the Houston area perform "Sixteen popular folk songs of the Lone Star State," most of which have become well-known throughout the country. The songs reflect some of the realities and history of Texan life: cowboys, farming, love, a powerful hurricane, the Alamo, the blues, and a country dance. One song with an interesting history (Billy Barlow) has been traced back to 14th Century England. The Tex-i-an Boys hope that you will find their songs "singable"; and they promise that when you can sing them with "proper reverence," you will be made "honorary Texans!" Extensive liner notes provide the background of each song, as well as the lyrics.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Smithsonian Institution. Program in African American Culture Search this
Container:
Box 25, Folder 10
Type:
Archival materials
Date:
1998 January 18
Scope and Contents:
Annual commemoration of the birthday of Martin Luther King, Jr. Program presented in conjunction with the exhibition "We Shall Overcome: Photographs from America's Civil Rights Era", on Saturday, January 18, 1998, in the Carmichael Auditorium, National Museum of American History, Smithsonian Institution. The program included a welcome from Niani Kilkenny, images of challenge and change, slide lecture presentations, audience questions and discussion, a son workshop, and a museum tour related to the history of social change in America, including the "Field to Factory" exhibition and the Greensboro Lunch Counter.
Participants:
Adele Logan Alexander, Ph.D., assistant professor of history, George Washington University
Ira Berlin, Ph.D., professor of history, University of Maryland, College Park
Richard J.M. Blackett, Moores Distinguished Chair of History and African American Studies, University of Houston
David W. Blight, professor of history and black studies, Amherst College
W. Jeffrey Bolster, associate professor and director of the graduate program in history, University of New Hampshire
Laurence Glasco, Ph.D., associate professor of history and director of the Program for the Study of Race and Ethnicity in World Perspective, University of Pittsburgh
James Oliver Horton, Benjamin Banneker Professor of American Studies and History, George Washington University
Lois E. Horton, Ph.D., professor of sociology, George Mason University
Leon Litwack, Ph.D., Alexander F. and May T. Morrison Professor of American History and chair of the Committee on the Library, Academic Senate, University of California, Berkeley
Marie Tyler-McGraw, Ph.D., historian and education specialist, History Office of the National Park Service, Washington, DC
Joanne Pope Melish, Ph.D., visiting assistant professor, Department of History, Brown University
Fred Morsell, president of Fremarjo Enterprises, Incorporated; a nonprofit organization that produces cultural events and seminars on race relations
Carla L. Peterson, Ph.D., professor, Department of English and the comparative literature program
Joseph P. Reidy, Ph.D., professor of history, Howard University
Richard Allen Singers, Evelyn Simpson Curenton, Director
Rita Roberts, Ph.D., associate professor, Department of History and Black Studies, Scripps College, Claremont, California
James Brewer Stewart, James Wallace Professor of History, Macalester College
Rosalyn Terborg-Penn, professor of history and coordinator of graduate programs in history, Morgan State University
Program number AC408.103.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
Smithsonian Institution. Program in African American Culture Search this
Container:
Box 25, Folder 11
Type:
Archival materials
Date:
1998 February 6-7
Scope and Contents:
The Program in African American Culture in conjunction with the African
American Communities Project presented Free People of Color and the
Coming of the Civil War on February 6-7, 1998, in the Carmichael Auditorium, National Museum of American History, Smithsonian Institution, in honor of the seventeenth annual national observance of African American History Month. The program included lectures, performances, and a book signing.
Participants:
Adele Logan Alexander, Ph.D., assistant professor of history, George Washington University
Ira Berlin, Ph.D., professor of history, University of Maryland, College Park
Richard J.M. Blackett, Moores Distinguished Chair of History and African American Studies, University of Houston
David W. Blight, professor of history and black studies, Amherst College
W. Jeffrey Bolster, associate professor and director of the graduate program in history, University of New Hampshire
Laurence Glasco, Ph.D., associate professor of history and director of the Program for the Study of Race and Ethnicity in World Perspective, University of Pittsburgh
James Oliver Horton, Benjamin Banneker Professor of American Studies and History, George Washington University
Lois E. Horton, Ph.D., professor of sociology, George Mason University
Leon Litwack, Ph.D., Alexander F. and May T. Morrison Professor of American History and chair of the Committee on the Library, Academic Senate, University of California, Berkeley
Marie Tyler-McGraw, Ph.D., historian and education specialist, History Office of the National Park Service, Washington, DC
Joanne Pope Melish, Ph.D., visiting assistant professor, Department of History, Brown University
Fred Morsell, president of Fremarjo Enterprises, Incorporated; a nonprofit organization that produces cultural events and seminars on race relations
Carla L. Peterson, Ph.D., professor, Department of English and the comparative literature program
Joseph P. Reidy, Ph.D., professor of history, Howard University
Richard Allen Singers, Evelyn Simpson Curenton, Director
Rita Roberts, Ph.D., associate professor, Department of History and Black Studies, Scripps College, Claremont, California
James Brewer Stewart, James Wallace Professor of History, Macalester College
Rosalyn Terborg-Penn, professor of history and coordinator of graduate programs in history, Morgan State University
Program number AC408.104.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
