Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Paul E. Garber Collection, Acc. NASM.1991.0063, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Paul E. Garber Collection, Acc. NASM.1991.0063, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Paul E. Garber Collection, Acc. NASM.1991.0063, National Air and Space Museum, Smithsonian Institution.
An interview of Paul Marioni conducted 2006 September 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, Seattle, Washington. Marioni speaks of his childhood in Ohio; excelling in math as a young student; being labeled a troublemaker in high school; his interest and skill in fixing cars and motorcycles; attending the University of Dayton, the University of Cincinnati, and San Francisco State University; receiving bachelor's degrees in English and philosophy; an interest in filmmaking; the joys and struggles of raising two children by himself; his unorthodox parenting philosophy; learning glass techniques from Judy Raffeal North; teaching experiences at College of Marin, California College of Arts and Crafts, Pilchuck Glass School, and Penland School of Crafts, among others; the importance of fostering idea formation and creativity in educational institutions; his experiences as Artist-in-Residence at A.C. Fischer Glashutte and Spectrum Glass Co.; the development of his process for producing cast glass; the great number of public architectural commissions that resulted from the ability to work with cast glass; the more than 85 commissions he has completed alone and in collaboration with Ann Troutner; the difference between his gallery work and commission work; the pleasure he gets from working in the studio; travels throughout Europe, South America, Japan, Thailand, Mexico; his use of ambient light; strong responses received from his political artwork; his dislike of art critics; the vital role Glass Art Society played in supporting the studio glass art movement; the emphasis of human nature in his art; and plans for the future. Marioni also recalls Robert Nelson, Gunvar Nelson, John Bolles, Cecile McCann, Marvin Lipofsky, Dale Chihuly, Tom Bosworth, Fritz Dreisbach, Richard Marquis, Howard Ben Tré, Bertil Vallien, Jaroslava Brychtová, Stanislav Libenský, Randy Milhoan, Dante Marioni, Pino Signoretto, Sandy Blaine, Allan and Lenore Sindler, and others.
Biographical / Historical:
Paul Marioni (1941- ) is a glass artist from Seattle, Washington. Mija Riedel (1958- ) is a curator and writer, from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 8 hrs., 18 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
The Evolution of aircraft wing design / [sponsored by the] Dayton-Cincinnati Section, American Institute of Aeronautics and Astronautics in cooperation with the Air Force Museum and the University of Dayton
Author:
American Institute of Aeronautics and Astronautics Dayton-Cincinnati Section Search this
Physical description:
vi, 154 p. : ill. ; 28 cm
Type:
Congresses
Date:
1980
C1980
Topic:
Airplanes--Wings--Design and construction--History Search this
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation. Funding for the digitization was provided by the Roy Lichtenstein Foundation and the Alice L. Walton Foundation.
Knabenshue, A. Roy (Augustus Roy), 1876-1960 Search this
Container:
Box 1, Folder 11
Type:
Archival materials
Date:
1966 - 1971
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
A. Roy Knabenshue Collection, Acc. NASM.XXXX.0136, National Air and Space Museum, Smithsonian Institution.
20.03 Cubic feet ((17 records center boxes) (1 flatbox) (3 tubes))
Type:
Collection descriptions
Archival materials
Correspondence
Photographs
Drawings
Publications
Awards
Brochures
Clippings
Date:
[ca. 1930s-1980s]
Scope and Contents:
This collection documents Hans von Ohain's professional career in propulsion. While there is documentation on both his work in Germany and the United States, the majority of the collection covers his career in the latter -- especially his positions at Wright-Patterson Air Force Base. The following types of material are included: magazine articles written by, or about, von Ohain; engine manufacturing brochures; awards and recommendations for von Ohain; books; drawings of the He S 3B turbojet engine; photographs; flow charts; correspondence; and historical papers.
Biographical / Historical:
Hans von Ohain is the developer of the first turbojet engine used in flight and is a renowned expert in the field of propulsion and energy conversion. Von Ohain received a doctorate in Physics and Allied Mechanics in 1935 at the University of Goetingen, Germany, and was employed by Ernst Heinkel during the 1930s. In 1939 the first turbojet flight took place with the flight of the Heinkel He 178, which had the He S 3B engine. Two years later, von Ohain developed the He S 8A, which was the first jet fighter aircraft. In 1947 von Ohain came to the United States and became a research scientist at Wright-Patterson Air Force Base in Ohio. In 1963 he became chief scientist of the Aerospace Research Laboratory and in 1975, chief scientist of the Aero Propulsion Laboratory. After retiring in 1979, von Ohain served as Professor of Mechanical Engineering at the University of Dayton and as a consultant to both government and industry. Von Ohain has published more than 30 technical papers and has registered 19 United States patents.
General:
NASMrev
Provenance:
Hans von Ohain, Gift, 1995, 1995-0059, NASM
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
