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Harry Warren Papers

Donor:
Riva, Julia  Search this
Jones, Jophe  Search this
Composer:
Warren, Harry, 1893-1981  Search this
Extent:
32 Cubic feet (70 boxes, 26 folders)
Type:
Collection descriptions
Archival materials
Business records
Memorabilia
Awards
Sheet music
Correspondence
Scripts (documents)
Posters
Theater programs
Legal records
Programs
Date:
1894-2000
bulk 1926-1980, undated
Scope and Contents:
The Harry Warren Papers consists of original music manuscripts, scores, song sheets, commercial sheet music, bound scores, scripts, business records, correspondence (business, personal and fan), clippings, magazines, photographs, cassette tapes, LP records, posters and programs and personal memorabilia. The material documents the personal life and professional career of composer, songwriter and lyricist Harry Warren from 1894 to 1981 and to a lesser extent the operation of his Four Jays Music Corporation, circa 1954-2000. The bulk of the collection covers the years 1927-1980. The collection is organized into eight series.
Arrangement:
The collection is divided into eight series.

Series 1: Music Manuscripts, 1928-1987

Subseries 1.1: Original Holographic Theatre and Motion Picture Music Manuscripts, 1930-1960

Subseries 1.2: Bound Presentation Scores, 1931-1982

Subseries 1.3: Original Individual Song Manuscripts, 1938-1965

Subseries 1.4: Published Sheet Music, 1930-1980

Subseries 1.5: Published Songs, Instrumentals, and Song Collections, 1928-1987

Series 2: Correspondence, 1930-1994

Series 3: Business Records, 1894-1996

Series 4: Scripts, 1946-1958

Series 5: Theatre Programs and Posters, 1915-1999

Series 6: News Clippings and Magazines, 1934-2000

Series 7: Recordings, Audio-Visual Materials, and Photographs, 1926-1977

Subseries 7.1: Recordings, Playback Discs, 1934-1961

Subseries 7.2: Cassette Tapes, 1933-1981, undated

Subseries 7.3: Photographs, 1930-1977, undated

Subseries 7.4: Reference Video Tapes, 1933-1957

Subseries 7.5: Compact Discs, undated

Subseries 7.6: Film, 1927-1964

Series 8: Memorabilia, 1918-1990
Biographical / Historical:
With the possible exception of Irving Berlin, no one has contributed as much material to the canon of American popular song in the 20th century as Harry Warren (1893-1981). Warren was born in Brooklyn, New York, December 24, 1893, to Italian immigrant parents. His birth name was Salvatore Anthony Guaragna. By the time he graduated from grade school, he was known as "Harry Warren". He legally changed his name in 1938. He was educated in the public schools of New York but had no formal musical training. He taught himself to play the organ and piano and also sang in the church choir. Both Warren's sister and brother were performers so the theatrical world was not unknown to him. He worked as an actor and assistant director for the Vitagraph film studio in New York and played mood music for actress Corinne Griffith. During World War I, Warren served in the United States Navy at Montauk Point, New York. For a few weeks after the war, he worked as an insurance examiner for The Travellers Agency.

In December 1918, Warren married Josephine Wensler (1897-1993). Their first child was a son named Harry Warren, Jr. (1920-1937). In 1920, Warren became a song plugger for the music publishing firm of Stark & Cowan. Warren continued writing and in 1922 along with lyricist Edgar Leslie produced his first song hit, "Rose of the Rio Grande." From that point on, Warren composed a continuous stream of hits introduced by such artists as Paul Whiteman and others. By 1925, a second child, Joan (1924-1991), nicknamed "Cookie", was born. Warren continued his success with such songs as "I Love My Baby (My Baby Loves Me)," "In My Gondola" and the very popular 1928 hit "Nagasaki."

By 1929, Warren was the director of the American Society of Composers, Authors, and Publishers (ASCAP). He held that position until 1933. He also served on the ASCAP Board of Directors. During this time Warren worked with various musicians including Gus Kahn, Bert Kalmer, and Harry Ruby. In 1930, he wrote his first motion picture score for the film Spring is Here. Al Jolson asked him to compose a song for the show, Wonder Bar (1931). During the 1930s, Warren composed three other Broadway shows, Sweet and Low (1930), Crazy Quilt (1931) featuring Fanny Brice, and Laugh Parade (1931) starring Ed Wynn.

In 1932, Warren was hired by Warner Brothers Studios to help write songs for the Dick Powell, Ruby Keeler film 42nd Street (1933). Along with lyricist, Al Dubin, Warren wrote such hits as "We're in the Money" and "The Shadow Waltz". Warren continued composing memorable songs for motion pictures such as Gold Diggers of 1933, The Singing Marine (1937), and Footlight Parade (1933). Gold Diggers of 1935 included Warren's first Academy Award winning song, "Lullaby of Broadway". Warren made cameo appearances in a few films during his stay at Warner Brothers. He and lyricist Dubin can be seen in 42nd Street, Go Into Your Dance (1935), and A Very Honorable Guy (1934). He also appeared in a Vitaphone short entitled Harry Warren: America's Foremost Composer.

Warren left Warner Brothers for 20th Century Fox in 1940. At Fox he helped compose the scores for such motion pictures as, Sun Valley Serenade (1941), Orchestra Wives (1942), and The Gangs All Here (1943) that included the Carmen Miranda standard, "The Lady in the Tutti-Frutti Hat". During this period, he worked with lyricists Ralph Rainger, Mack Gordon and Leo Robin, and others. Hello Frisco, Hello (1943) garnered Warren his second Academy Award for the song, "You'll Never Know". While at Fox, Warren composed "Chattanooga Choo Choo" a song that became the first gold record in the history of the recording industry.

In 1945, legendary musical film producer Arthur Freed at Metro-Goldwyn-Mayer courted Warren for his MGM production unit. Freed quipped that Warren would have the office right next door to his--and he did. For Warren the offer to write music at the studio that practically invented the movie musical was irresistible and he left 20th Century Fox for MGM. He joined Freed in writing the songs for Yolanda and the Thief (1945) starring Fred Astaire and Freed's protégée Lucille Bremer. The film was directed by the incomparable Vincent Minnelli. His next high profile score was for The Harvey Girls (1946) composed with renowned lyricist Johnny Mercer. The picture starred Judy Garland and John Hodiak. Directed by George Sidney, it was a major success, due in part to Warren's tuneful "On the Atchison, Topeka and Santa Fe". This song brought Warren his third and what would be his final Academy Award.

While at MGM, Warren worked with lyricists Mack Gordon, Ralph Blane, and others. In 1948, he and Blane composed the song score for Freed and director Rouben Mamoulian's ambitious film adaptation of Eugene O'Neills stage play Ah Wilderness entitled Summer Holiday (1948) starring Mickey Rooney and Gloria DeHaven. This is reported to have been Warren's favorite film assignment, but the film was not an unqualified success. Warren remained at MGM until the 1950s composing for such films as The Barkleys of Broadway (1949), starring Astaire and Rogers, Summer Stock (1950), starring Judy Garland and Gene Kelly and his final film for MGM, Skirts Ahoy! (1952), starring Esther Williams and Vivian Blane. After leaving MGM, Warren wrote the score for the Bing Crosby film, Just for You at Paramount. Warren also served on the Board of Directors for the Academy of Motion Picture Arts and Sciences.

Warren went on to write the music for two Jerry Lewis and Dean Martin films, The Caddy (1953) for which he composed "That's Amore", Artists and Models (1955) and for three Jerry Lewis films, Rock-a-Bye Baby (1958), Cinderfella (1960), and The Ladies Man (1961). Warren also composed instrumental pieces one being a "Mass in Honor of St. Anthony".

Warren returned to Broadway in 1956 with the musical Shangri-La, based on the novel Lost Horizon. The show was not a success and closed after fewer than thirty performances. He composed the title song for the Cary Grant, Deborah Kerr film, An Affair to Remember (1957); this song brought him his last nomination for an Academy Award. The song was later used in the motion picture Sleepless in Seattle (1993) starring Tom Hanks and Meg Ryan.

During the 1950s, Warren started his own music publishing company, Four Jays Music Corporation. After writing the songs for The Ladies Man, Warren retired from films but continued to write for piano, even composing the song for the Miss Oklahoma Pageant. His last film effort was to compose one song for the motion-picture Rosie (1968). During the last years of his life Warren composed and ran his music publishing business, but remained largely forgotten as the man who had composed a great deal of America's musical heritage.

With the resurgence in the appreciation of the movie musical in the early 1970s, the tunes composed during Warren's heyday were back in vogue, brought on in a large part by the phenomenal success of MGM's That's Entertainment! (1974). In 1980, he was asked to compose the musical numbers for an upcoming movie musical entitled, Manhattan Melody but it was never produced. 1980 brought the Warren name back to the marquees of Broadway with the David Merrick production of 42nd St.. The full budgeted big Broadway musical used the basic storyline from the 1933 film and drew upon the whole of the Warren and Dubin catalogue for the score. The production proved to be wildly popular, running in excess of five years on Broadway. Warren died in California on September 22, 1981. He was interred in the Sanctuary of Tenderness at Westwood Memorial Park in Los Angeles beside his wife and son. After Warren's death, his daughter Joan "Cookie" Warren Jones administered the music publishing company until her death in 1991.
Key:
OF = Original Film, RV = Reference Video, MV = Master Video
Separated Materials:
The Division of Cultural History has three dimensional objects related to Harry Warren.
Provenance:
Donated to the Archives Center, National Museum of American History, Smithsonian Institution by Julia Riva and Jophe Jones, granddaughters of Harry Warren, on December 15, 2000.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply. All duplication requests must be reviewed and approved by Archives Center staff.
Occupation:
Composers -- 20th century  Search this
Topic:
Musical films  Search this
Popular music -- Writing and publishing  Search this
Musical reviews, comedies, etc.  Search this
Genre/Form:
Business records -- 20th century
Memorabilia -- 20th century
Awards
Sheet music -- Manuscripts -- 20th century
Correspondence -- 20th century
Scripts (documents)
Posters -- 20th century
Theater programs -- 1910-1990
Legal records
Programs
Citation:
Harry Warren Papers, 1909-2000, Archives Center, National Museum of American History. Gift of Jophe Jones and Julia Riva.
Identifier:
NMAH.AC.0750
See more items in:
Harry Warren Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0750
Online Media:

Hawks, Francis. Narrative of the Expedition of an American Squadron to the China Seas and Japan, Performed in the Years 1852, 1853, and 1854, Under the Command of Commodore M.C. Perry, United States Navy, 1856. (2 copies)

Collection Creator:
United Telegraph Workers.  Search this
Western Union Telegraph Company  Search this
Container:
Box 856
Type:
Archival materials
Collection Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements must be made to view some of the audio visual materials. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Western Union Telegraph Company Records, Archives Center, National Museum of American History
See more items in:
Western Union Telegraph Company Records
Western Union Telegraph Company Records / Series 27: Addenda / Addenda for Miscellaneous
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0205-ref12138

John McLaughlin papers

Creator:
McLaughlin, John, 1898-  Search this
Names:
André Emmerich Gallery  Search this
Corcoran Gallery of Art  Search this
Pasadena Art Museum  Search this
Tamarind Lithography Workshop  Search this
Anderson, Eugene Newton  Search this
Benjamin, Karl  Search this
Felix Landau Gallery  Search this
Hammersley, Frederick, 1919-2009  Search this
Langsner, Jules, 1911-1967  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
McLaughlin, John, 1898- -- Photographs  Search this
Reinhardt, Ad, 1913-1967  Search this
Salz, Peter  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Paintings
Sketches
Collages
Photographs
Date:
1922-1979
bulk 1936-1976
Summary:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.4 linear feet and date from 1922 to 1979. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, artwork, and photographic material.
Scope and Contents:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.4 linear feet and date from 1922 to 1979. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, artwork, and photographic material.

Biographical material includes McLaughlin's military service records, art awards, and resumes. Correspondence is with friends, artists, museums, and galleries. Notable correspondents include Eugene Anderson, Karl Benjamin, Frederick Hammersley, Jules Langsner, Stanton Macdonald-Wright, Ad Reinhardt, and others. Writings and notes include several artist statements, lectures, notes, and lists and descriptions of paintings, some in the form of hand drawn sketches. Users will find McLaughlin's ideas about his work and aesthetics are referenced in much of the correspondence and writings. Some of the letters also document the evolution of the 1959 "Four Abstract Classicists" exhibition, particularly correspondence with Karl Benjamin, Peter Selz, and Jules Langsner. There are also writings about McLaughlin by others, including Jules Langsner. The Tamarind Lithography fellowship files consists of the letter of appointment, printed material, and profiles for fellow artists at the workshop.

Personal business records include assorted legal and financial papers, such as contracts with galleries, art loan agreements, consignment records, and art shipment expenses. There are business papers about McLaughlin's Japanese print gallery, The Tokaido, Inc. Printed material consists of exhibition catalogs for McLaughlin's shows at the Andre Emmerich Gallery, Felix Landau Gallery, a retrospective at the Corcoran Gallery of Art in 1968, and the seminal 1959 "Four Abstract Classicists" in Los Angeles, among others. Also found are exhibition announcements, news clippings, and press releases. Artwork includes a few paintings and collages. Photographs, negatives, and slides are of McLaughlin, including one portrait by John Waggaman), artwork, and exhibition installations. There is one album of photographs from a 1963 retrospective exhibition at the Pasadena Art Museum.
Arrangement:
This collection is arranged as 8 series.

Series 1: Biographical Material, 1942-circa 1969 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1936-1976 (0.7 linear feet; Box 1)

Series 3: Writings and Notes, circa 1934-1976 (0.7 linear feet; Box 1-2)

Series 4: Tamarind Lithography Fellowship Files, 1958-1970 (0.2 linear feet; Box 2)

Series 5: Personal Business Records, circa 1938-1974 (0.2 linear feet; Box 2)

Series 6: Printed Material, 1932-1979 (1.5 linear feet; Box 2-4)

Series 7: Artwork, circa 1958 (0.2 linear feet; Box 3-5)

Series 8: Photographic Material, 1922-1979 (0.2 linear feet; Box 3)
Biographical / Historical:
John Dwyer McLaughlin (1898-1976) was best known as one of the leading Los Angeles "hard-edge" geometric abstractionist painters and one of the artists featured in the seminal 1959 exhibition "Four Abstract Classicists" curated by Jules Langsner. McLaughlin was also a dealer of Japanese art prints.

McLaughlin was born and educated in Massachusetts. He served in the United States Navy during World War I from 1917-1921 and married Florence Emerson in 1928. McLaughlin began painting around 1932 with no formal training. In 1935, the couple moved to Japan and lived for several years before moving back to Boston, where they opened The Tokaido, Inc., a Japanese art print gallery. From this time up to the beginning of World War II, McLaughlin worked primarily as a print dealer, without huge success. During World War II, he served as a language intelligence officer in the Marines, primarily because of his knowledge of Japanese.

After the war, McLaughlin and his wife settled in Dana Point, California, where he began painting in earnest, gaining some early local successes. His painting, Hope Deferred was awarded first prize for oil painting in the 1948 San Diego Art Guild Annual. He became associated with the Felix Landau Gallery in Los Angeles and was one of four painters included in the historic 1959 "Four Abstract Classicists" exhibition at the Los Angeles County Museum of Art organized by critic Jules Langsner which also featured the work of Frederick Hammersley, Lorser Feitelson, and Karl Benjamin. The phrase "hard-edge painting" was first used in association with this exhibition as a description of a unique California style of geometric abstractionist painting.

Throughout the 1960s and 1970s McLaughlin exhibited widely and became a mentor for many younger Los Angeles area reductive painters. He was widely admired for his integrity and independent position regarding the art market. John McLaughlin died in Dana Point, California in 1976 at the age of 77.
Related Materials:
The Archives of American Art also holds an oral history interview of John D. McLaughlin conducted July 23, 1974, by Paul J. Karlstrom.
Provenance:
The John McLaughlin papers were donated to the Archives of American Art in multiple installments. John McLaughlin donated material in 1973 and his widow Florence McLaughlin donated material in 1976. Additional papers were donated by the artist's nephew John McLaughlin in 1998 and 1999. A painting was donated 2015 by Stephne' Hesen estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The John McLaughlin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art dealers -- California  Search this
Painters -- California  Search this
Topic:
Art, Modern -- California -- Los Angeles  Search this
Painting, Abstract -- California -- Exhibitions  Search this
Prints, Japanese  Search this
Genre/Form:
Paintings
Sketches
Collages
Photographs
Citation:
John McLaughlin papers, 1922-1979, bulk 1936-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mclajohn
See more items in:
John McLaughlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mclajohn

Captain John Rathbone

Attribution:
C. Massue  Search this
Sitter:
John Rathbone, 1790 - 1847  Search this
Medium:
Watercolor on porcelain
Dimensions:
6.4 × 5.1 cm (2 1/2 × 2")
Type:
Painting
Date:
c. 1826
Topic:
Miniature  Search this
John Rathbone: Male  Search this
John Rathbone: Military\Navy\Officer\Captain  Search this
Portrait  Search this
Credit Line:
Owner: Mrs. Walter M. Oates
Object number:
SSSA0570
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4fb92c5cd-8e1c-4505-8880-08c2c7fe924f
EDAN-URL:
edanmdm:npg_SSSA0570

Frederick Chatard

Attribution:
Mary Jane Simes, 1807 - 1872  Search this
Sitter:
Frederick Chatard, 17 May 1807 - 4 Oct 1897  Search this
Medium:
Watercolor on ivory
Dimensions:
Ivory: 6.8 × 5.3cm (2 11/16 × 2 1/16")
Type:
Painting
Date:
1831
Topic:
Miniature  Search this
Costume\Dress Accessory\Stock  Search this
Frederick Chatard: Male  Search this
Frederick Chatard: Military\Navy\Officer  Search this
Frederick Chatard: Military\Navy\Officer\Civil War\Confederate  Search this
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
MO990026
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm49ea3f89b-4fbb-40c3-a66e-1d6368e1f33e
EDAN-URL:
edanmdm:npg_MO990026

Francois J. P. de Grasse

Attribution:
Comte Francois Joseph Paul de Grasse, 1722 - 1788  Search this
Identified as:
Comte Francois Joseph Paul de Grasse, 1722 - 1788  Search this
Medium:
Miniature
Dimensions:
5.1 cm (2")
Type:
Painting
Date:
1750-1790
Topic:
Miniature  Search this
Comte Francois Joseph Paul de Grasse: Male  Search this
Comte Francois Joseph Paul de Grasse: Military\Navy\Officer  Search this
Comte Francois Joseph Paul de Grasse: Military\Navy\Officer\Admiral  Search this
Comte Francois Joseph Paul de Grasse: Rulers and Nobility\Aristocrat\Count  Search this
Comte Francois Joseph Paul de Grasse: Rulers and Nobility\Aristocrat\Marquis  Search this
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
SSSA1607
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm452a204a2-23ec-4e1f-9fde-d524f458e917
EDAN-URL:
edanmdm:npg_SSSA1607

John Paul Visscher Papers

Topic:
The Nature and Extent of Fouling of Ships' Bottoms (Monograph : 1928)
Creator::
Visscher, John Paul, 1895-1950  Search this
Extent:
2.36 cu. ft. (4 document boxes) (1 5x8 box)
Type:
Collection descriptions
Archival materials
Manuscripts
Black-and-white photographs
Date:
circa 1922-1945 and undated
Descriptive Entry:
These papers document Visscher's investigations on marine fouling of ship bottoms and include general correspondence, 1922-1945; photographs of ship fouling; manuscripts; and research notes and reports on ship fouling.
Historical Note:
John Paul Visscher (1895-1950) was born in Holland, Michigan. He received his A.B. degree from Hope College, Holland, Michigan, 1917, and his A.M. and Ph.D. degrees from Johns Hopkins University, 1920 and 1924. Visscher served with the United States Army during World War I, as Lieutenant in the Chemical Warfare Service. His first teaching position was at Washington University, St. Louis, where he served as Instructor of Zoology from 1920 to 1922. In 1924, he joined the staff of Western Reserve University as Assistant Professor of Biology. He was promoted to Associate Professor in 1926, Professor in 1931, and Head of the Biology Department in 1937. Visscher remained at Western Reserve University until his death in 1950.

Visscher's primary interest was protozoology. He also did extensive research on marine fouling of ships' bottoms. From 1922 to 1925, Visscher spent his summers as a special investigator for the United States Bureau of Fisheries, examining marine fouling on United States Navy and commercial ships. This research led to the publication of The Nature and Extent of Fouling of Ships' Bottoms in 1928. During 1935 and 1936, Visscher served as special investigator for the United States Navy's Division of Construction and Repair. In 1945 and 1946, he acted as a consultant at the Naval Research Laboratory in Washington, D.C.
Topic:
Invertebrate zoology  Search this
Protozoology  Search this
Marine fouling organisms  Search this
Genre/Form:
Manuscripts
Black-and-white photographs
Citation:
Smithsonian Institution Archives, Record Unit 7239, John Paul Visscher Papers
Identifier:
Record Unit 7239
See more items in:
John Paul Visscher Papers
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru7239

GENERAL CORRESPONDENCE, 1922-1945. ARRANGED ALPHABETICALLY.

Collection Creator::
Visscher, John Paul, 1895-1950  Search this
Type:
Archival materials
Note:
This series consists of incoming and outgoing correspondence of John Paul Visscher. Most of the correspondence concerns Visscher's work examining United States Navy ships, for marine fouling as Special Investigator for the United States Bureau of Fisheries, 1922-1925. Also included is correspondence regarding his service as Special Investigator for the Navy's Division of Construction and Repair, 1935-1936 and correspondence with paint companies concerning anti-fouling paints.
Collection Citation:
Smithsonian Institution Archives, Record Unit 7239, John Paul Visscher Papers
Identifier:
Record Unit 7239, Series 1
See more items in:
John Paul Visscher Papers
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7239-refidd1e217

Folder 14 Notes on United States Navy Ships examined for fouling, 1922-1923

Collection Creator::
Visscher, John Paul, 1895-1950  Search this
Container:
Box 3 of 5
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 7239, John Paul Visscher Papers
See more items in:
John Paul Visscher Papers
John Paul Visscher Papers / Series 4: RESEARCH NOTES AND REPORTS ON SHIP FOULING, CIRCA 1922-1925. / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7239-refidd1e597

Thomas Wayland Vaughan Papers

Creator::
Vaughan, Thomas Wayland, 1870-1952  Search this
Extent:
9.5 cu. ft. (9 record storage boxes) (1 document box)
Type:
Collection descriptions
Archival materials
Manuscripts
Architectural drawings
Black-and-white photographs
Date:
1908-1947 and undated
Descriptive Entry:
These papers consist of Vaughan's professional correspondence with American and foreign scientists concerning descriptions of fossil localities; the identification, description and exchange of specimens; research in coral foraminifera and oceanography; research conditions in Europe around the time of World War II; and the activities of scientific committees on which Vaughan served. Correspondence with detailed locality information has been flagged. Also included are writings, reports, correspondence, and notes by Vaughan and other scientists concerning specimen collections, analyses of core bottom samples, descriptions and lists of new species, activities of the Committee of Sedimentation of the National Research Council, and field notebooks, including photographs, of corals of the Bahamas and the Pacific Ocean. Additional field notebooks on corals are located in the Department of Invertebrate Zoology.
Historical Note:
T. Wayland Vaughan (1870-1952), geologist and oceanographer, was educated at Tulane University, B.S., 1889; and Harvard University, A.B., 1893, A.M., 1894, and Ph.D., 1903. He began collecting fossils when he was an Instructor at Mount Lebanon College, Tennessee, from 1889 to 1892. From 1894 to 1903, he was an Assistant Geologist with the United States Geological Survey (USGS). Between 1901 and 1923, Vaughan participated in several geological investigations of the West Indies and Puerto Rico which were sponsored by the USGS, the Smithsonian Institution, the Carnegie Institution of Washington, and the United States Navy. The USGS and the Carnegie Institution also helped to finance his investigations of the Atlantic and Gulf Coast states in cooperation with several state geological surveys and his investigations of the corals and coral reefs of the Bahamas. In 1924, Vaughan became Director of the Scripps Institution of Oceanography, a position which he held until his retirement in 1936. In addition, he was an Associate in Marine Sediments, 1924-1942, and Associate in Paleontology, 1942-1952, at the United States National Museum.

Vaughan's research focused on three areas of science: the study of corals and coral reefs; the investigation of larger foraminifera; and oceanography. He was an authority on the corals of the United States, eastern Mexico, the West Indies, and Panama. As an oceanographer, Vaughan was interested in sedimentology and physical and chemical oceanography. With his work on oceanography, Vaughan served as Chairman, 1919 to 1923, of the Committee on Sedimentation of the National Research Council's Division of Geology and Geography; Chairman, 1926 to 1935, of the Pacific Science Association's International Committee on the Oceanography of the Pacific; and member of the National Academy of Science's Committee on Oceanography. This last committee was largely responsible for the founding of the Woods Hole Oceanographic Institution.

Vaughan held membership in numerous scientific and professional societies. In 1897 he was a delegate to the International Geological Congress in Russia, and between 1920 and 1936 he served as a delegate from the United States to six Pan-Pacific Science Congresses.
Topic:
Paleontology  Search this
Corals  Search this
Coral reefs and islands  Search this
Foraminifera  Search this
Oceanography  Search this
Research  Search this
Genre/Form:
Manuscripts
Architectural drawings
Black-and-white photographs
Citation:
Smithsonian Institution Archives, Accession 99-124, Thomas Wayland Vaughan Papers
Identifier:
Accession 99-124
See more items in:
Thomas Wayland Vaughan Papers
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa99-124

The History of Aircraft Carriers

Creator:
National Air and Space Museum  Search this
Type:
YouTube Videos
Uploaded:
2020-12-19T15:00:12.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_mSfIoXNyaTg

The History of The Blue Angels

Creator:
National Air and Space Museum  Search this
Type:
YouTube Videos
Uploaded:
2020-12-21T16:00:28.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_pb89sXidZN8

1946 Panama City Night- Panama

Creator:
Human Studies Film Archives  Search this
Type:
YouTube Videos
Uploaded:
2013-08-06T18:46:03.000Z
YouTube Category:
Education  Search this
Topic:
Anthropology  Search this
See more by:
HSFAFilmClips
Data Source:
Human Studies Film Archives
YouTube Channel:
HSFAFilmClips
EDAN-URL:
edanmdm:yt_KsdpcMEAUAk

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Crispus Attucks, American, 1723 - 1770  Search this
Sojourner Truth, American, 1797 - 1883  Search this
Harriet Tubman, American, 1822 - 1913  Search this
Sarah C. Roberts, American, born 1844  Search this
Susan McKinney Steward, American, 1847 - 1918  Search this
Dred Scott, American, ca 1800 - 1858  Search this
Frederick Douglass, American, 1818 - 1895  Search this
Booker T. Washington, American, 1856 - 1915  Search this
George Washington Carver, American, 1860s - 1943  Search this
W.E.B. Du Bois, American, 1868 - 1963  Search this
Scott Joplin, American, 1867 - 1917  Search this
Marcus Garvey, Jamaican, 1887 - 1940  Search this
James Weldon Johnson, American, 1871 - 1938  Search this
Father Divine, American, ca. 1876 - 1965  Search this
A. Philip Randolph, American, 1889 - 1979  Search this
Adam Clayton Powell Jr., American, 1908 - 1972  Search this
Rosa Parks, American, 1913 - 2005  Search this
Medgar Evers, American, 1925 - 1963  Search this
Dr. Martin Luther King Jr., American, 1929 - 1968  Search this
President Lyndon Baines Johnson, American, 1908 - 1973  Search this
Mary McLeod Bethune, American, 1875 - 1955  Search this
National Association of Black Social Workers, American, founded 1968  Search this
Congressional Black Caucus, American, founded 1971  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Shriners International, American, founded 1870  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
National Dental Association, American, founded 1913  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Democratic Party, American, founded 1828  Search this
Republican Party, American, founded 1854  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Urban League, American, founded 1910  Search this
Sigma Gamma Rho Sorority, Inc., founded 1922  Search this
National Medical Association, American, founded 1895  Search this
Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this
National Council of Negro Women, founded 1935  Search this
Daughters of Isis, American, founded 1910  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
369th Veterans Association, American  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Langston Hughes, American, 1902 - 1967  Search this
Paul Robeson, American, 1898 - 1976  Search this
Ezzard Mack Charles, American, 1921 - 1975  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 3/8 in. (27.5 × 21.4 × 1 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Date:
1976
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Caricature and cartoons  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
U.S. History, Colonial period, 1600-1775  Search this
United States History  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.10
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e57ffdd9-2ab1-46da-b6e7-10757007351f
EDAN-URL:
edanmdm:nmaahc_2012.167.10
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Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 9/16 in. (27.5 × 21.4 × 1.5 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Houston, Harris County, Texas, United States, North and Central America
San Francisco, California, United States, North and Central America
Oakland, Alameda County, California, United States, North and Central America
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1984
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Caricature and cartoons  Search this
Communities  Search this
Dance  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
Hollywood (Film)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Olympics  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.18
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5a99826b2-563a-492a-9d22-e03c2c02f99c
EDAN-URL:
edanmdm:nmaahc_2012.167.18
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Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
New York Giants, American, founded 1925  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
United Negro College Fund, American, founded 1944  Search this
Adam Clayton Powell Jr., American, 1908 - 1972  Search this
President Lyndon Baines Johnson, American, 1908 - 1973  Search this
Jackie Robinson, American, 1919 - 1972  Search this
President Harry S. Truman, American, 1884 - 1972  Search this
National Association of Black Social Workers, American, founded 1968  Search this
National Medical Association, American, founded 1895  Search this
Howard University Medical Alumni Association, Inc., American, founded 1871  Search this
Army Reserve Officers' Training Corps, American, founded 1916  Search this
Sovereign Military Order of Malta, founded 1099  Search this
Steven N. Lockett, American  Search this
The Girl Friends, Inc., American, founded 1927  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
Simeon Golar, American, 1929 - 2013  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Gordon Parks, American, 1912 - 2006  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Urban League, American, founded 1910  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Dr. Kenneth Clark, American, 1914 - 2005  Search this
Whitney Moore Young Jr., American, 1921 - 1971  Search this
National Dental Association, American, founded 1913  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Association of Broadcasters, American  Search this
Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
Dr. Martin Luther King Jr., American, 1929 - 1968  Search this
Spelman College, American, founded 1881  Search this
Morehouse College, American, founded 1867  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Gladys W. Dixon, American, born 1901  Search this
Daughters of Isis, American, founded 1910  Search this
369th Veterans Association, American  Search this
National Insurance Association, American, founded 1921  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Clara Hale, American, 1905 - 1992  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 3/8 × 3/8 in. (27.5 × 21.2 × 0.9 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Jamaica, Caribbean, North and Central America
Bahamas, Caribbean, North and Central America
Date:
1973
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Caricature and cartoons  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
Travel  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.7
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5cfb9effd-68b5-4246-b12a-9179d2fdce82
EDAN-URL:
edanmdm:nmaahc_2012.167.7
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  • View <I>Delegate</I> digital asset number 1
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Old Jim Crow Has Got to Go!

Published by:
New Age Publishers, American  Search this
Written by:
Henry Winston, American, 1911 - 1986  Search this
Subject of:
Communist Party of the United States of America, American, founded 1919  Search this
Medium:
ink on paper
Dimensions:
H x W: 7 7/8 x 5 1/8 in. (20 x 13 cm)
Type:
pamphlets
Date:
1941
Topic:
African American  Search this
American South  Search this
Civil Rights  Search this
Lynching  Search this
Mass media  Search this
Political organizations  Search this
Politics  Search this
Segregation  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the family of Dr. Maurice Jackson and Laura Ginsburg
Object number:
2010.55.19
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Memorabilia and Ephemera-Political and Activist Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd53d7fbf63-5680-4147-a3e3-4efa18b9339e
EDAN-URL:
edanmdm:nmaahc_2010.55.19
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Online Media:

Volume 19

Collection Creator:
Meigs, Montgomery C., 1816-1892  Search this
Collection Photographer:
Russell, Andrew J., 1829-1902  Search this
Container:
Box 10
Type:
Archival materials
Text
Date:
1884 July 3 to 1884 November 29
Scope and Contents:
Volume 19 is a bound scrapbook that contains newspaper clippings and handwritten notes by Meigs. There are small notes scattered throughout the scrapbook.

The bulk of the articles in Volume 19 deal with British campaigns in the Sudan and Egypt, especially as they pertain to the relief of British General Gordon. There are also stories about Grover Cleveland, the United States Navy, and general foreign news. Stories relating to violence with Native Americans and to new and notable constructions from around the world are also included.

Some of the newspapers featured in Volume 19 include the Army and Navy Journal, The Evening Star, The Daily Graphic, The Daily Times, and the The New-York Daily Tribune.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Montgomery C. Meigs Papers, Archives Center, National Museum of American History.
See more items in:
Montgomery C. Meigs Papers
Montgomery C. Meigs Papers / Series 1: Scrapbooks
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0984-ref64

Hildreth Meière papers

Creator:
Meiere, M. Hildreth, d. 1961  Search this
Names:
Exposition internationale (1937 : Paris, France)  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Peter A. Juley & Son  Search this
United States. Navy  Search this
Abbott, Berenice, 1898-1991  Search this
Dunn, Louise Meière  Search this
Extent:
27.3 Linear feet
0.068 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Slides (photographs)
Transcripts
Video recordings
Photographs
Poetry
Diaries
Sketchbooks
Place:
Spain -- History -- Civil War, 1936-1939
Date:
1901-2011
bulk 1911-1960
Summary:
The papers of Hildreth Meière measure 27.3 linear feet and 0.068 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.
Scope and Contents:
The papers of Hildreth Meière measure 27.3 linear feet and 0.068 GB and date from 1901 to 2011, with the bulk of material dating from 1911 to 1960. The collection documents Meière's life and travels, and her long and prolific career as an architectural muralist through biographical material, correspondence, writings, thirteen diaries, files regarding her war relief work during the Spanish Civil War and World War II, printed and digital materials, extensive photographs and slides, eight sketchbooks, and two videocassettes and 93 reels of motion picture film documenting her travels, her volunteer efforts in Spain following the civil war, artwork, and home movies.

Biographical material includes an autobiographical narrative written by Meière, her many awards and certificates, membership information, passports, her U.S. Navy service records from World War I, documentation of her brief marriage and family genealogy, obituaries, and memorial service documentation. Also found are extensive writings and research conducted by Meière's daughter, Louise Meière Dunn, which include a complete list of Meière's commissions, detailed biographical narratives, and records of Meière's works held elsewhere.

The papers contain Meière's personal and family correspondence, travel correspondence, and business correspondence regarding professional activities. Much of the correspondence with family and friends was written during Meière's extensive travels over the world. Both family and travel correspondence have extensive indexes, summaries, and in some cases, transcripts prepared by Meière's daughter, Louise Meière Dunn. Some of the indexes, summaries and transcripts are digital. Writings include poetry and diaries kept during childhood and school years, travel diaries, essays and talks written about Meière's work, writings Meière prepared for committees of the National Mural Painters Association, and detailed travelogues of her trips to Constantinople and the Balkans in 1933, to Russia in 1936, her "Grand Tour" to Australia, Southeast Asia, India, Africa, and Europe in 1952-1953, and her "Holy Land" tour of the Middle East in 1954.

Civilian War Service Records document Meière's efforts at war relief organization during and after the Spanish Civil War and during World War II. The Spanish Civil War files include extensive photographs provided by the Spanish government as well as three motion picture films documenting refugees and damaged architecture and public artwork shot by Meière during a trip sponsored by Franco's government. World War II activities concern Meière's efforts to organize artists in the United States to design and execute murals and other works of public art at military facilities around the U.S.

Travel records include maps, ephemera, slides, and 83 motion picture films taken on trips abroad between 1933 and 1958. Trips include Eastern and Western Europe, the Mediterranean Region and the Middle East, South America, Mexico and Guatemala, India, Sub-Saharan Africa, Southeast Asia, Australia, New Zealand, Scandinavia, and the UK. The motion picture films are mostly shot in Kodachrome color and many contain intertitles prepared by Meière to identify locations for travel lectures.

Printed materials consist primarily of clippings and publications that reference Meière's work, contain profiles of her, or contain published writings by her. A single published educational film is also found, given to her by an Australian filmmaker friend. Additional photographs, digital photographs and moving images include personal photographs of Meière, with portraits by Peter A. Juley and Sons and Berenice Abbott, photographs of many of her commissioned works, and a few photographs of artwork by others. Home movies show Meière with friends in 1926 and 1940. Among the photographic documentation of artworks by Meière and others are motion picture films of the 1939 New York World's Fair, the D.C. Municipal Building Frieze, and the 1937 Paris Fair; also found are 311 lantern slides and 201 glass copy negatives of her own completed works as well as murals she documented while traveling, notably murals in Norway and Oberammergau, Bavaria, taken in the 1930s.

Eight sketchbooks date to her early years as an art student and artist and include many figure studies, landscapes, and theatrical sketches made at home and abroad.
Arrangement:
This collection is arranged in 8 series. Indexes, summaries, and transcripts prepared by Louise Meière Dunn that relate directly to archival materials in the collection are found throughout the collection with the material they describe. These indices are particularly rich in Series 2, Correspondence.

Series 1: Biographical Material, 1915-2003 (0.6 linear feet; Boxes 1, 14, OV18)

Series 2: Correspondence, 1901-2011 (3 linear feet; Boxes 1-4, RD19, 0.038 GB; ER01-ER03)

Series 3: Writings, 1904-1960 (1.3 linear feet; Boxes 4-5)

Series 4: Civilian War Service Records, 1938-2006 (1.3 linear feet; Boxes 5-6, 15, FC 28-30)

Series 5: Travel Records, 1933-1958 (12.8 linear feet; Boxes 6-10, 15, OV18, FC 31-111)

Series 6: Printed Material, 1913-1998 (2.1 linear feet; Boxes 10-12, 15, FC 112)

Series 7: Photographs and Moving Images, 1915-1966 (5.8 linear feet; Boxes 12-13, 16, 20-27, FC 17, 113-127, 0.029 GB; ER04)

Series 8: Sketchbooks, 1911-1922 (0.4 linear feet; Box 13)
Biographical / Historical:
Hildreth Meière (1892-1961) was born in Flushing, New York, and had a prolific career from 1921-1961 as an architectural muralist working primarily in an Art Deco style. Meière painted murals and designed for various mediums including mosaic, metal, and stained glass. In 1956 the American Institute of Architects awarded Meière their Fine Arts Medal.

Meière was educated at New York's Convent of the Sacred Heart, Manhattanville, the Art Students League in New York, the California School of Fine Arts (now San Francisco Art Institute), and the School of the Art Institute of Chicago, in addition to pursuing studies in Italy. Her major commissions include the Nebraska State Capitol at Lincoln, the National Academy of Sciences, the Resurrection Chapel of the National Cathedral in Washington, D.C. In New York, she designed the Art Deco plaques on the exterior wall of Radio City Music Hall; created mosaic interiors for the Irving Trust Building at 1 Wall Street; and provided ecclesiastical decorations for St. Patrick's Cathedral, St. Bartholomew's Episcopal Church, Temple Emanu-El, and elsewhere. She also created murals for the Chicago 1933 Century of Progress Fair, and the 1939 New York World's Fair.

She was also an active officer in the Art Students League and the National Society of Mural Painters. Some of her most inspired collaborations were with the architect Bertram Goodhue in the 1920s, and only his sudden death in 1924 put an end to them, although some projects were finished with the successor firm.

Meière died in 1961 at the age of 68. Her work is remembered in several major publications, including The Art Deco Murals of Hildreth Meière by Catherine Coleman Brawer and Kathleen Murphy Skolnik, with photographs by Meière's granddaughter, Hildreth Meière Dunn, published in 2014; and the catalog of the 2009 exhibition at St. Bonaventure University, curated by Brawer and photographed by Dunn, entitled Walls Speak: the Narrative Art of Hildreth Meière.
Provenance:
A majority of the collection placed on deposit 2001 by Louise Meière Dunn, daughter of Hildreth Meière. The collection was donated incrementally by Dunn through 2012. Donations occurred 2001-2007, and again in 2010-2012.
Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Hildreth Meière papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
War relief  Search this
Travel  Search this
Painters -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
World War, 1939-1945  Search this
World War I, 1914-1918  Search this
Women artists  Search this
Mosaicists -- New York (State) -- New York  Search this
Art commissions  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Slides (photographs)
Transcripts
Video recordings
Photographs
Poetry
Diaries
Sketchbooks
Citation:
Hildreth Meière papers, 1901-2011, bulk 1911-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.meiemari
See more items in:
Hildreth Meière papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-meiemari
Online Media:

James Hosken

Artist:
Auguste Edouart, 1788 - 1861  Search this
Sitter:
James Hosken, 1798 - 1885  Search this
Medium:
Lithograph, pencil and cut paper on paper
Dimensions:
Image/Sheet: 27.8cm x 19.9cm (10 15/16" x 7 13/16")
Type:
Silhouette
Place:
United States\New York\Saratoga
Date:
1841
Topic:
Exterior\Waterscape\Seascape  Search this
Equipment\Optical Devices\Telescope  Search this
Vehicle\Boat\Sailboat  Search this
Nature & Environment\Animal\Bird  Search this
Silhouette  Search this
James Hosken: Male  Search this
James Hosken: Military\Navy\Officer\Vice Admiral  Search this
James Hosken: Science and Technology\Navigator\Ship\Steamship  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Robert L. McNeil, Jr.
Object number:
S/NPG.91.126.129.A
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4e796241f-61bc-4759-a6a2-6fe56dfd9d4b
EDAN-URL:
edanmdm:npg_S_NPG.91.126.129.A

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