Dole Pineapple Juice from Hawaii. Mural painted by Buk Ulreich, for the Hawaiian Pinapple Company, symbolizes the rhythm, color, and tempo of Hawaii.
Local Numbers:
AC0059-0000087 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Physical Access: Researchers must use microfilm copy. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Technical Access: Viewing the film portion of the collection without reference copies requires special appointment, please inquire; listening to audio discs requires special arrangement. Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Publication and production quality duplication is restricted due to complex copyright, publicity rights, and right to privacy issues. Potential users must receive written permission from appropriate rights holders prior to obtaining high quality copies. Archives Center cost-recovery and use fees may apply when requesting reproductions.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by Stephen Diamond, the Roy Lichtenstein Foundation, and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
An exhibition catalog of 200 American watercolors with a foreword by Edward Bruce and a listing of each artist and the title of his work. The paintings were chosen by a jury including Charles Burchfield, John Marin, Eliot O'Hara, and Buk Ulreich. They were then bought by the U.S. government and hung in the Carville, Louisiana, Marine Hospital.
Biographical / Historical:
Established 1934 under the Treasury Department as the Section of Painting and Sculpture. Name changed to Section of Fine Arts in 1938. In 1939, the Federal Works Agency was established and set up the Public Buildings Administration, which combined the Treasury Department's Public Buildings Branch and the Branch of Public Buildings of the National Park Service. The Section's function was to decorate new federal buildings. Unlike the other New Deal art agencies, it was not a relief project, but awarded contracts through a juried system of competition.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marlene Park and Gerald E. Markowitz research material on New Deal art, circa 1974-1999. Archives of American Art, Smithsonian Institution.
Correspondence with artists, printed material including catalogs, obituaries and resolutions honoring George A. Kamperman, biographical sketches, and 3 photographs of George A. Kamperman. Artists include: William Gaugler, Carl Milles, Hugo de Soto, Arnold Blanch, Charles Culver, Ernest Fiene, Gerald Mast, Yasuo Kuniyoshi, Frederick Papsdorf, Nura and Edward Buk Ulreich, Carl Hofer, Leonard Jungwirth, Hobson Pittman, Guy Palazzola, Franklin Watkins and Sarkis Sarkisian. Also included are letters from Pierre Matisse, Edgar P. Richardson, William Bostick, Gordon Washburn and Clyde Burroughs,
Biographical / Historical:
Art collectors; Detroit, Michigan.
Provenance:
Lent for filming March 1973, subsequently given March 1975, by Johanna Kanenen, foster daughter of the Kampermans.
