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American Art in a Global Context: North American Crosscurrents

Creator:
Smithsonian American Art Museum  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2013-07-25T20:20:49.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_-zg185IPti4

2022 Smithsonian American Art Museum Fellows Lectures – May 4, 2022 (Day 1)

Creator:
Smithsonian American Art Museum  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2022-06-22T14:20:29.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_n3SuDyfTDv0

Artist Rachelle Mozman in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2014-12-18T15:29:51.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_PcnWFJjUIjw

José María Mora, Napoleon Sarony, and the Migrant Surround in American Portrait Photography

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2022-01-26T17:45:31.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_vlcKTkZIqS0

Oral history interview with Leroy Davis and Cecily Langdale, 2007 June 26-August 7

Interviewee:
Davis, Leroy, 1922-  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
Langdale, Cecily  Search this
Shikler, Aaron  Search this
Barnes, Albert C. (Albert Coombs)  Search this
Bly, Boris  Search this
De Mazia, Violette  Search this
Davis, Terry Ritter  Search this
Bouché, Louis  Search this
Levine, David  Search this
Penn, Arthur  Search this
Hirschl & Adler Galleries  Search this
Tyler School of Art  Search this
Barnes Foundation  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Leroy Davis and Cecily Langdale, 2007 June 26-August 7. Archives of American Art, Smithsonian Institution.
Topic:
Art dealers -- New York (State) -- New York -- Interviews  Search this
Gallery owners -- New York (State) -- New York -- Interviews  Search this
Art dealers -- New York (State) -- New York -- Interviews  Search this
Gallery owners -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13624
(DSI-AAA_SIRISBib)271983
AAA_collcode_davis07
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_271983
Online Media:

Allan Randall Freelon papers

Creator:
Freelon, Allan Randall, 1895-1960  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Diaries
Drawings
Date:
1830-2018
Summary:
The papers of African American painter and educator Allan Randall Freelon measure 4.4 linear feet and date from 1830 to 2018. The collection contains biographical material, including daily diaries and family history material; correspondence; writings; material related to professional activities, including exhibitions and school visits; personal business records, including estate records; printed material; scrapbooks; photographic material; and artwork and artifacts.
Scope and Contents:
The papers of African American painter and educator Allan Randall Freelon measure 4.4 linear feet and date from 1830 to 2018. The collection contains biographical material, including address lists, certificates, daily diaries, and family history material; family correspondence and professional correspondence with galleries and schools; writings, including Freelon's MFA thesis, notecards and notebooks; and material related to professional activities, including exhibitions and school visits. Also included are personal business records, which contain estate records, auction records, including audiovisual records, condition reports, property records, and sale records; printed material, including clippings, magazines, newsletters, and exhibition catalogs and announcements; and scrapbooks, which primarily include photographic material, correspondence, and printed material. Photographic materials include slides, photographs, and negatives; and artwork and artifacts include sketchbooks, sketches, and one souvenir spoon from the Sesqui-Centennial Exposition of 1926.
Arrangement:
This collection is arranged as nine series.

Series 1: Biographical Material, 1919, circa 1938-2001 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1878-1894, 1920-1968, 1980-2010 (Box 1; 0.3 linear feet)

Series 3: Writings, 1879-1880, 1922-1959, undated (Box 1; 0.3 linear feet)

Series 4: Professional Activities, circa 1935-1957, 2000-2005 (Box 1; 0.3 linear feet)

Series 5: Personal Business Records, 1856-1866, 1928-1957, 1995-2018 (Boxes 1-2; 0.4 linear feet)

Series 6: Printed Material, 1849, 1910, 1926-1961, 1990-2015, undated (Box 2, Box 4; 0.6 linear feet)

Series 7: Scrapbooks, 1830-1960 (Box 2, Boxes 4-5; 0.8 linear feet)

Series 8: Photographic Material, circa 1880-1990s (Boxes 2-3, Box 6, OV 7; 1.4 linear feet)

Series 9: Artwork and Artifacts, circa 1912, 1926-1949, undated (Box 3; 0.2 linear feet)
Biographical / Historical:
Allan Randall Freelon Sr. (1895-1960) was painter and educator in Philadelphia, Pennsylvania known for his impressionist paintings.

Freelon studied at the Pennsylvania Museum and School of Industrial Art (now the University of the Arts), the University of Pennsylvania, and the Tyler School of Art of Temple University. He also spent summers studying painting with Hugh Breckenridge in Gloucester, Massachusetts.

His work was included in exhibitions at the Schomburg Center for Research in Black Culture, traveling exhibitions with the William E. Harmon Foundation, the Albright-Knox Gallery, the National Gallery of Art, the Howard University Gallery of Art, and the Whitney Museum of American Art. He was also one of seven Black artists included in the exhibition Art Commentary on Lynching, organized by the NAACP.

Freelon taught art in the Philadelphia public school system and in 1921 was appointed as assistant director of art education. In 1939 he was named the special assistant to the director of art in the Philadelphia public schools. Freelon also taught painting at Windy Crest, his studio in Telford, Pennsylvania.
Provenance:
The collection was donated in 2019 by Nnenna and Maya Freelon as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation. Nnenna is the widow of Phil Freelon, Allan Randall Freelon's grandson. Maya Freelon is Nnenna and Phil's daughter.
Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. For more information, please contact Reference Services.

Access to nitrate negatives is restricted. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Pennsylvania -- Philadelphia  Search this
Educators -- Pennsylvania -- Philadelphia  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American educators  Search this
Impressionism (Art)  Search this
Genre/Form:
Scrapbooks
Diaries
Drawings
Citation:
Allan Randall Freelon papers, 1830-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.freealla
See more items in:
Allan Randall Freelon papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97f25a9d8-30fc-4ede-a04a-ff439b2e418d
EDAN-URL:
ead_collection:sova-aaa-freealla

Biographical Data and Chronologies

Collection Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Container:
Box 7, Folder 14
Type:
Archival materials
Date:
1964-1983, undated
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Jackson Pollock and Lee Krasner papers
Jackson Pollock and Lee Krasner papers / Series 2: Lee Krasner Papers / 2.1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b0d8ec7-f1fe-4d08-b41c-2ba3d8d636e1
EDAN-URL:
ead_component:sova-aaa-polljack-ref235
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Biographical Data and Chronologies digital asset number 1
  • View Biographical Data and Chronologies digital asset number 2

Oral history interview with Robert Winokur

Interviewee:
Winokur, Robert, 1933-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Alfred University -- Students  Search this
Helen Drutt Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
National Council on Education for the Ceramic Arts (U.S.)  Search this
North Texas State University -- Faculty  Search this
Tyler School of Art -- Faculty  Search this
Tyler School of Art -- Students  Search this
Babu, Victor, 1936-  Search this
De Kooning, Willem, 1904-1997  Search this
Ferguson, Ken, 1928-2004  Search this
Giacometti, Ignazio  Search this
Hamada, Shōji, 1894-1978  Search this
Hay, Dick  Search this
Klee, Paul, 1879-1940  Search this
Kline, Franz, 1910-1962  Search this
Levy, Marge  Search this
Minter, Myrna  Search this
Notkin, Richard  Search this
Randall, Theodore, 1914-1985  Search this
Reitz, Don, 1929-2014  Search this
Rhodes, Daniel, 1911-1989  Search this
Schulman, Norman, 1924-  Search this
Staffel, Rudolf, 1911-2002  Search this
Vavrek, Ken  Search this
Voulkos, Peter, 1924-2002  Search this
Wildenhain, Marguerite  Search this
Wood, John, 1922-2012  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 35 min.))
159 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2011 July 23-24
Scope and Contents:
An interview of Robert Winokur conducted 2011 July 23 and 24, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Winokur's home and studio, in Horsham, Pennsylvania.
Robert speaks of his mother earning an award for her artwork; his father and other family members being Communists and having to distance himself in being identified with them; his mother making ceramic jewelry while his father was working as a welder at Cramps Shipyard in Philadelphia during World War II; feeling like he had an attention deficit disorder of some kind, which prevented him from doing well in school, so he took ceramics classes in high school to bring his grades up; starting in painting at the Tyler School of Art, finishing in sculpture, clay, and ceramics; appreciating the Abstract Expressionist work of Franz Kline; of the opinion that one learns art by doing and that the teachers are there to direct you only; feeling that he did not have the freedom to experiment with clay as he wished at Alfred University, School of Art and Design for fear of being compared to Peter Voulkos; his first job teaching at North Texas State University in Denton, Texas; teaching in Peoria, Illinois for a year; beginning Cape Street Pottery in Ashfield, Massachusetts; when he began salt firing and working more in sculptural forms; his work influenced by Abstract Expressionism, Paul Klee, Willem de Kooning, Ignazio Giacometti, Zen master calligraphers, Peter Voulkos, and others; feeling that the computer cannot, as of yet, produce the quality of art that humans can through repetition; that the process of creating is more important than the subject; starting his 30-year teaching career at Tyler School of Art in 1966; that students today are approaching ceramics conceptually and academically rather than through a relationship with the material; the beginning of NCECA [National Council on Education for the Ceramic Arts]; and how he enjoys making what he wants to, now that he is retired. Robert also recalls Rudolf Staffel, John Wood, Ted Randall, Daniel Rhodes, Shoji Hamada, Marguerite Wildenhain, Ken Ferguson, Norm Schulman, Victor Babu, Myrna Minter, Don Reitz, Helen Drutt English, Richard Notkin, Dick Hay, Marge Levy, and Ken Vavrek.
Biographical / Historical:
Robert Winokur (1933- ) is a ceramist in Horsham, Pennsylvania. Mija Riedel (1958- ) is an independent scholar in San Francisco, California.
General:
Originally recorded as 7 sound files. Duration is 5 hr., 35 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Abstract expressionism  Search this
Ceramicists -- Pennsylvania -- Interviews  Search this
Ceramics -- Study and teaching  Search this
Communism  Search this
Painting -- Study and teaching  Search this
Sculpture -- Study and teaching  Search this
World War, 1939-1945  Search this
Ceramics  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.winokr11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bbe0c1c7-246e-45b7-966f-6278587c8612
EDAN-URL:
ead_collection:sova-aaa-winokr11
Online Media:

Oral history interview with Bruce Metcalf, 2009 June 10

Interviewee:
Metcalf, Bruce, 1949-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Subject:
Adamson, Glenn  Search this
Arneson, Robert  Search this
Bauer, Fred  Search this
Bennett, Jamie  Search this
Burns, Mark  Search this
Church, Sharon  Search this
Clark, Garth  Search this
Craig, Gabriel  Search this
Cummins, Susan  Search this
Daley, William  Search this
Ebendorf, Robert  Search this
Eidelberg, Martin P.  Search this
Flynn, Pat  Search this
Getty, Nilda  Search this
Gill, John  Search this
Griffin, Gary  Search this
Halem, Henry  Search this
Hammer, Wayne  Search this
Hash, Arthur  Search this
Jerry, Michael John  Search this
Long, Randy  Search this
Kington, L. Brent (Louis Brent)  Search this
Koplos, Janet  Search this
Koss, Gene  Search this
Kumata, Carol  Search this
La Plantz, David  Search this
Lechtzin, Stanley  Search this
Matzdorf, Kurt  Search this
Mawdsley, Richard  Search this
Moran, Lois  Search this
Morris, William  Search this
Pritchard, Marian  Search this
Rogers, Harriet  Search this
Rogers, Steve  Search this
Ruskin, John  Search this
Schaechter, Judith  Search this
Shaw, Richard  Search this
Slivka, Rose  Search this
Slosberg, Jill  Search this
Wilson, Anne  Search this
Woell, J. Fred  Search this
Colorado State University  Search this
Kent State University  Search this
Montana State University (Bozeman, Mont.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
State University of New York at New Paltz  Search this
Syracuse University  Search this
Tyler School of Art  Search this
University of the Arts (Philadelphia, Pa.)  Search this
Type:
Sound recordings
Interviews
Place:
California -- description and travel
Seoul (Korea) -- Description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Bruce Metcalf, 2009 June 10. Archives of American Art, Smithsonian Institution.
Topic:
Ceramics  Search this
Communism  Search this
Deconstructivism (Architecture)  Search this
Conceptual art  Search this
Formalism (Art)  Search this
Jewelers -- Pennsylvania -- Interviews  Search this
Metal-work  Search this
Jewelry making  Search this
Record number:
(DSI-AAA_CollID)16051
(DSI-AAA_SIRISBib)310185
AAA_collcode_metcal09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_310185
Online Media:

Oral history interview with Bruce Metcalf

Interviewee:
Metcalf, Bruce, 1949-  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Colorado State University -- Faculty  Search this
Kent State University -- Faculty  Search this
Montana State University (Bozeman, Mont.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
State University of New York at New Paltz -- Students  Search this
Syracuse University -- Students  Search this
Tyler School of Art -- Students  Search this
University of the Arts (Philadelphia, Pa.) -- Faculty  Search this
Adamson, Glenn  Search this
Arneson, Robert, 1930-1992  Search this
Bauer, Fred  Search this
Bennett, Jamie, 1948-  Search this
Burns, Mark, 1950-  Search this
Church, Sharon, 1948-  Search this
Clark, Garth, 1947-  Search this
Craig, Gabriel  Search this
Cummins, Susan  Search this
Daley, William, 1925-2002  Search this
Ebendorf, Robert, 1938-  Search this
Eidelberg, Martin P.  Search this
Flynn, Pat, 1954-  Search this
Getty, Nilda  Search this
Gill, John, 1949-  Search this
Griffin, Gary, 1945-  Search this
Halem, Henry  Search this
Hammer, Wayne  Search this
Hash, Arthur, 1976-  Search this
Jerry, Michael John, 1937-  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Koplos, Janet  Search this
Koss, Gene  Search this
Kumata, Carol  Search this
La Plantz, David  Search this
Lechtzin, Stanley, 1936-  Search this
Long, Randy  Search this
Matzdorf, Kurt  Search this
Mawdsley, Richard, 1945-  Search this
Moran, Lois  Search this
Morris, William, 1834-1896  Search this
Pritchard, Marian  Search this
Rogers, Harriet  Search this
Rogers, Steve  Search this
Ruskin, John, 1819-1900  Search this
Schaechter, Judith, 1961-  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Slivka, Rose  Search this
Slosberg, Jill  Search this
Wilson, Anne, 1949-  Search this
Woell, J. Fred, 1934-  Search this
Extent:
96 Pages (Transcript)
5 Items (Sound recording: 5 sound files (4 hr., 10 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
California -- description and travel
Seoul (Korea) -- Description and Travel
Date:
2009 June 10
Scope and Contents:
An interview of Bruce Metcalf conducted 2009 June 10, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Metcalf's home, in Bala Cynwyd, Pennsylvania. Mr. Metcalf discusses his early years in Amherst, Massachusetts; beginnings as a maker with modeling clay and plastic airplane models; undergraduate years at Syracuse University, Syracuse, New York in the late 1960s; early interest in architecture; early disenchantment with modernist discourse and theory; introduction to Marxist theory and idealism of the 1960s; summer trip to California in 1970; return to the East Coast upon the death of his father; return to college, transferring into jewelry in his senior year; influence of his teacher Michael Jerry; seeing the work in "Objects: USA" exhibition (1969) and influence of the work of J. Fred Woell, Richard Mawdsley, L. Brent Kington; rejection of current trends in art, including conceptual art and formalism; his affinity for the medium of metal, and hammersmithing; influence of funk ceramics, including work by Fred Bauer and Richard Shaw; brief stint at Montana State University, Bozeman; working in cardboard and wood; graduate school at the State University of New York, New Paltz; working with Robert Ebendorf and Kurt Matzdorf at New Paltz; work as a production artist/craftsperson; attending Rhinebeck, New York, craft fair in the mid-1970s; the influence of writings by William Morris and John Ruskin and the notion of "dignified labor"; graduate school at Tyler School of Art, Philadelphia, Pennsylvania; formulating his aesthetic of narrative symbolism; publication of his first article in 1977 as a response to review of the exhibition "Forms in Metal: 275 Years of Metalsmithing in America" (1975); yearlong teaching position at Colorado State University, Fort Collins, Colorado; taking a teaching position at Kent State University, Kent, Ohio (1986-1991); publication of his article "Crafts: Second-Class Citizens?" in the first issue of Metalsmith, 1980; growing involvement with the Society of North American Goldsmiths; development of his notion of "social utility" and the role and function of crafts and making; expansion of his writing on craft; rejection of the deconstructivist school of thought in the 1980s; abandonment of sculptural objects for jewelry in the early 1990s; return to Philadelphia in 1991; early teaching of history of craft, first at Kent, then on a Fulbright scholarship in Seoul, South Korea (1990), later at the University of the Arts, Philadelphia, in the early 1990s; influence of Martin Eidelberg; development of his vision for a history of craft course; collaboration with Janet Koplos on "Makers: A History of American Studio Craft"; use of his medium and craft to explore issues of nurturing and anxiety; the psychological/social effect and aesthetic importance of wearing jewelry (for the wearer and the artist); the pros and cons of craft collectors; the problematics of installation work by craft artists; recent trends in craft, including Anne Wilson's notion of "sloppy craft" and an "anti-craft" attitude; recent artists, including Arthur Hash and Gabriel Craig; lack of exhibition opportunities for younger/emerging artists; influential recent texts, including "Shards," by Garth Clark. He also recalls Robert Arneson, Randy Long, Carol Kumata, Jamie Bennett, Steve and Harriet Rogers, Wayne Hammer, Stanley Lechtzin, Gene Koss, Henry Halem, Mark Burns, Rose Slivka, Nilda Getty, Jill Slosberg, Sharon Church, John Gill, David La Plantz, Lois Moran; Gary Griffin; William Daley, Marian Pritchard, Glenn Adamson, Pat Flynn, Susan Cummins, and Judith Schaechter.
The following oral history transcript is the result of a recorded interview with Bruce Metcalf on June 10, 2009. The interview took place in Bala Cynwyd, Penn., and was conducted by Edward S. Cooke, Jr. for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Bruce Metcalf has reviewed the transcript. His corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose.
Biographical / Historical:
Bruce Metcalf (1949- ) is a jeweler and writer in Bala Cynwyd, Pennsylvania.
General:
Originally recorded as 5 sound files. Duration is 4 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Ceramics  Search this
Communism  Search this
Deconstructivism (Architecture)  Search this
Conceptual art  Search this
Formalism (Art)  Search this
Jewelers -- Pennsylvania -- Interviews  Search this
Metal-work  Search this
Jewelry making  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.metcal09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974054f15-9dfd-4aea-98f7-707fd609918e
EDAN-URL:
ead_collection:sova-aaa-metcal09
Online Media:

Oral history interview with Joseph J. Greenberg, 1991 Mar. 19

Interviewee:
Greenberg, Joseph J., 1915-1991  Search this
Interviewer:
Veloric, Cynthia  Search this
Subject:
Blai, Boris  Search this
Abels, Alexander  Search this
Fink, Ferman  Search this
Horter, Earl  Search this
Sabatini, Raphael  Search this
Watkins, Franklin Chenault  Search this
Tyler School of Art  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Joseph J. Greenberg, 1991 Mar. 19. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Sculptors -- Pennsylvania -- Philadelphia -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12576
(DSI-AAA_SIRISBib)214484
AAA_collcode_greenb91
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214484

Oral history interview with Joseph J. Greenberg

Interviewee:
Greenberg, Joseph J., 1915-1991  Search this
Interviewer:
Veloric, Cynthia  Search this
Names:
Tyler School of Art  Search this
Abels, Alexander  Search this
Blai, Boris, 1893-1985  Search this
Fink, Ferman  Search this
Horter, Earl, 1881-1940  Search this
Sabatini, Raphael, b. 1898  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
2 Sound cassettes (Sound recording)
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1991 Mar. 19
Scope and Contents:
An interview of Joseph J. Greenberg, Jr. conducted 1991 Mar. 19, by Cynthia Haveson Veloric, for the Archives of American Art Philadelphia Project.
Greenberg discusses his family and early education; attending the Tyler School of Art; instructors including Boris Blai, Raphael Sabatini, Franklin Watkins, Earl Horter, Ferman Fink, and Alexander Abels; fellow students; Army service in WWII; his early career and years in Italy.
Biographical / Historical:
Joseph J. Greenberg, Jr. (1915-1991) was a sculptor and wood-carver from Philadelphia, Pa.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Art teachers -- Pennsylvania -- Philadelphia -- Interviews  Search this
Wood-carvers -- Pennsylvania -- Philadelphia -- Interviews  Search this
Topic:
Sculpture, Modern -- 20th century -- Pennsylvania -- Philadelphia  Search this
Sculptors -- Pennsylvania -- Philadelphia -- Interviews  Search this
Function:
Art Schools -- Pennsylvania -- Philadelphia
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.greenb91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e60aeb00-228d-4516-88d1-386387d58a8a
EDAN-URL:
ead_collection:sova-aaa-greenb91
Online Media:

Oral history interview with Gary Griffin, 2004 August 4

Interviewee:
Griffin, Gary, 1945-  Search this
Interviewer:
Adamson, Glenn, 1972-  Search this
Subject:
Cranbrook Academy of Art  Search this
Rochester Institute of Technology  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Gary Griffin, 2004 August 4. Archives of American Art, Smithsonian Institution.
Topic:
Metal-workers -- Michigan -- Bloomfield Hills -- Interviews  Search this
Decorative arts  Search this
Metal-work  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12630
(DSI-AAA_SIRISBib)249180
AAA_collcode_griffi04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249180
Online Media:

Oral history interview with Adela Akers, 2008 March 4-6

Interviewee:
Akers, Adela, 1933-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Art Institute of Chicago  Search this
Cranbrook Academy of Art  Search this
Penland School of Handicrafts  Search this
Tyler School of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Adela Akers, 2008 March 4-6. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women textile artists  Search this
Women educators  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13680
(DSI-AAA_SIRISBib)274892
AAA_collcode_akers08
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_274892
Online Media:

Oral history interview with Harlan Butt, 2009 July 27-28

Interviewee:
Butt, Harlan, 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Brooks, Jan  Search this
Glantz, Ken  Search this
Kington, L. Brent (Louis Brent)  Search this
Lechtzin, Stanley  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene  Search this
Pijanowski, Hiroko Sato  Search this
Pujol, Elliot  Search this
Scanga, Italo  Search this
Shirk, Helen Z.  Search this
Snyder, Gary  Search this
Staffel, Rudolf  Search this
Winokur, Robert  Search this
American Craft Council  Search this
Arrowmont School of Arts and Crafts  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Rhode Island School of Design  Search this
San Diego State University  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
Tyler School of Art  Search this
University of North Texas  Search this
Type:
Interviews
Sound recordings
Place:
Australia -- description and travel
India -- description and travel
Japan -- Description and Travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Harlan Butt, 2009 July 27-28. Archives of American Art, Smithsonian Institution.
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving  Search this
Japanese tea ceremony  Search this
Record number:
(DSI-AAA_CollID)15907
(DSI-AAA_SIRISBib)296475
AAA_collcode_butt09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_296475
Online Media:

Oral history interview with Adela Akers

Interviewee:
Akers, Adela, 1933-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Art Institute of Chicago -- Student  Search this
Cranbrook Academy of Art -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Faculty  Search this
Tyler School of Art -- Faculty  Search this
Extent:
113 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2008 March 4-6
Scope and Contents:
An interview of Adela Akers conducted 2008 March 4-6, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Akers' studio, in Guerneville, California.
Akers speaks of her California studio; moving from Spain to Cuba at a young age; earning a degree in pharmacy before pursuing art at the Art Institute of Chicago, Illinois; her parents' businesses; struggling with English and becoming a citizen; the influence of architecture, geometry, and math in her work; her first big show at the American Craft Museum; working at Penland School of Crafts and Cranbrook Academy of Art; her several commissioned works; light and shadow in her accordion-shaped pieces; working with the Peace Corps and weaving in Peru; learning pre-Colombian weaving techniques; working on a commissioned project in Mexico with native weavers; experimenting with size and color in weaving; teaching at the Tyler School of Art; the influence of travel in her work; the qualities of jute, sisal, metal, and horsehair in weaving. Akers also recalls Cindy Cleary, Guido Llinas, Abelardo Estorino, Marianne Strengell, Ed Rossback, Glen Kaufman, Julia and Isiah Zagar, Joyce Chow, Katie and Billy Bernstein, Tom Suomalainen, Ron Garfinkel, Lee Nordness, Janet Taylor, Leora Stewart, Aron Siskin, Lewis Knauss, Agnes Martin, and others.
Biographical / Historical:
Adela Akers (1933- ) is a fiber artist from Guerneville, California. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 59 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Weavers -- California  Search this
Fiber artists -- California  Search this
Educators -- California  Search this
Topic:
Women artists  Search this
Women textile artists  Search this
Women educators  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.akers08
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98a3d8c10-03c4-482a-831c-5d479db4a89c
EDAN-URL:
ead_collection:sova-aaa-akers08
Online Media:

Oral history interview with Harlan Butt

Interviewee:
Butt, Harlan W., 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Arrowmont School of Arts and Crafts -- Faculty  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Rhode Island School of Design -- Faculty  Search this
San Diego State University -- Faculty  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
Tyler School of Art -- Students  Search this
University of North Texas -- Faculty  Search this
Brooks, Jan  Search this
Glantz, Ken  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Lechtzin, Stanley, 1936-  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene, 1938-  Search this
Pijanowski, Hiroko Sato, 1942-  Search this
Pujol, Elliot  Search this
Scanga, Italo, 1932-2001  Search this
Shirk, Helen Z., 1942-  Search this
Snyder, Gary, 1930-  Search this
Staffel, Rudolf, 1911-2002  Search this
Winokur, Robert, 1933-  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 19 min.), digital, wav)
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
India -- description and travel
Japan -- Description and Travel
Date:
2009 July 27-28
Scope and Contents:
An interview of Harlan W. Butt conducted 2009 July 27-28, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Butt's studio, in Ptarmigan Meadows, Colorado.
Harlan Butt speaks of the influence of Asian art on his work; the use of text and imagery in his work; the use of pattern in his work; his undergraduate minor in weaving; the influence of Asian religion and mythology; series The Earth Beneath Our Feet , Garden Anagogies, and Snakes in Heaven; his childhood growing up in Hopewell, New Jersey, near Princeton; undergraduate work at Tyler School of Art, Philadelphia, Pennsylvania; discovery of Buddhism and Eastern religions; his mother's death when he was 20; studying with Stanley Lechtzin and Elliot Pujol at Tyler; graduate school at Southern Illinois University, Carbondale; interest in Japanese tea ceremony; more exploration of Zen Buddhism; use of color in his work; studying with L. Brent Kington; reliquary series; move to Connecticut in 1974; second trip to Japan in 1984 to co-curate Kyoto Metal: An Exhibition of Contemporary Japanese Art Metalwork; introduction to Japanese system of artisan apprenticeship; early efforts as a writer and poet; the influence of poet Gary Snyder; summer teaching position at Rhode Island School of Design, Providence; teaching job at San Diego [California] State University in the mid-1970s; rattles and pipes series; exploring the Western landscape; the power of the snake image; taking a teaching position at University of North Texas, Denton (1976- ); first trip to Japan in 1980; differences in artisanal/metalworking practices in Japan and the United States; teaching workshops at various craft schools, Penland School of Crafts, Penland, North Carolina; Haystack School of Crafts, Deer Isle, Maine; and Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee, compared with teaching in a university; the pros and cons of the gallery system; work with the Nancy Yaw Gallery, Birmingham, Michigan; the challenge of commission work; National Parks Project, Denton Center for the Visual Arts, Denton, Texas; the role of haiku and text in his pieces; series 1,001 Views of Mt. Mu; series Snakes in Heaven; the influence of his wife and children; trip to India and organizing Colour & Light: The Art and Craft of Enamel on Metal, National Gallery of Modern Art, Mumbai, 2001; trip to Australia; involvement with the Society of North American Goldsmiths, Enamelist Society, and American Craft Council; subtle issues of environmentalism in his work; his affinity for metalsmithing and enameling. He also recalls [Rudolf] Staffel, Robert Winokur, Italo Scanga, Jan Brooks, Mike Riegel, Rachelle Thiewes, Eleanor Moty, Albert Paley, Shumei Tanaka, Ken Glantz (Ken Chowder), Randy Thelma Coles, Sandy Green, Mickey McCarter, Gene Pijanowski, Hiroko Pijanowski, Toshihiro Yamanaka, Helen Shirk, Ana Lopez, and Sarah Perkins.
Biographical / Historical:
Harlan W. Butt (1950- ) is an artist, metalsmith, and educator in Denton, Texas. Mija Riedel (1958- ) is a writer and independent scholar in San Francisco, California.
General:
Originally recorded on 4 sound mini discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- Interviews  Search this
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving  Search this
Japanese tea ceremony  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.butt09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw990c0174f-3e27-4a2f-bccb-8d302a50d30d
EDAN-URL:
ead_collection:sova-aaa-butt09
Online Media:

Oral history interview with Gary Griffin

Interviewee:
Griffin, Gary, 1945-  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Rochester Institute of Technology -- Faculty  Search this
Extent:
73 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 August 4
Scope and Contents:
An interview of Gary Griffin conducted 2004 August 4, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Bloomfield Hills, Michigan.
Griffin speaks of the opening of the new studio building at Cranbrook; growing up in Los Angeles, California; spending summers in Taos, N.M. with his grandmother; his mother's antique and decorating business; going to Catholic high school; working in a furniture repair shop as a teenager; taking college courses in welding and art; transferring to California State University, Long Beach, and getting a dual degree in industrial and fine arts; deciding to focus on metalwork; getting his M.F.A. at Tyler School of Art; metalsmiths who influenced his early work; the role of functional and conceptual art; having Stanley Lechtzin as a teacher and mentor; the craft community in Philadelphia, attending metalsmith workshops and conferences; and being influenced by decorative arts. Griffin also speaks of becoming head of the jewelry program at Rochester Institute of Technology; working with Hans Christensen; participating in the Society of North American Goldsmiths; his interest in machine technology; deciding to turn from jewelry to blacksmithing; finding dealers for his work; the art community in Rochester; keeping variety in his work; teaching at Cranbrook and rebuilding the metals program; how material culture influences his teaching and artwork; how economics impacts his work; working on commission; making the entrance gates at Cranbrook; working on some of his other important pieces; his current project; the difference between craft and fine arts; and his plans for the future. Griffin also recalls Al Pine, Jack Prip, John Marshall, Philip Fike, Olaf Skoogfors, Elliot Pujol, Rudolf Staffel, Albert Paley, Mary Jane Leland, and others.
Biographical / Historical:
Gary Griffin (1945- ) is a metalsmith and educator from Bloomfield Hills, Michigan. Glenn Adamson is a curator and art historian from Wisconsin.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 52 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Metal-workers -- Michigan -- Bloomfield Hills -- Interviews  Search this
Decorative arts  Search this
Metal-work  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.griffi04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw933eb11f5-709d-4f6c-8646-723d70252a65
EDAN-URL:
ead_collection:sova-aaa-griffi04
Online Media:

Oral history interview with Albert Paley, 1982 Dec. 2

Interviewee:
Paley, Albert, 1944-  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Lechtzin, Stanley  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Albert Paley, 1982 Dec. 2. Archives of American Art, Smithsonian Institution.
Topic:
Jewelry making  Search this
Ironwork  Search this
Jewelers -- New York (State) -- Interviews  Search this
Metal-workers -- New York (State) -- Interviews  Search this
Decorative arts  Search this
Metal-work  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12256
(DSI-AAA_SIRISBib)212348
AAA_collcode_paley82
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212348
Online Media:

Oral history interview with Albert Paley

Interviewee:
Paley, Albert  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Lechtzin, Stanley, 1936-  Search this
Extent:
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 Dec. 2
Scope and Contents:
An interview of Albert Paley conducted 1982 Dec. 2, by Robert F. Brown, for the Archives of American Art.
Paley speaks of his training at the Tyler School of Art under Stanley Lechtzin; his early and continuing compulsion to explore difficult techniques; his rapid rise to prominence through his ornamental ironwork; and his important commissions.
Biographical / Historical:
Albert Paley (1944- ) is an art metal worker and jewelry designer from Rochester, N.Y.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hrs., 44 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Jewelry making  Search this
Ironwork  Search this
Jewelers -- New York (State) -- Interviews  Search this
Metal-workers -- New York (State) -- Interviews  Search this
Decorative arts  Search this
Metal-work  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.paley82
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99883e431-511b-4634-aedf-1958dde25d40
EDAN-URL:
ead_collection:sova-aaa-paley82
Online Media:

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