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Sonia Delaunay and "The New Woman"

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2011-05-03T23:18:22.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_rwYhHhnr-Y0

Mind the Gap: Women Designing for Transit

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-12-10T06:33:36.000Z
YouTube Category:
Entertainment  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_QolZs86dyrc

Design at Home: Design a Repeating Pattern

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2020-07-10T20:00:07.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_s2XtsxJDYy4

Horace Greeley

Artist:
Unidentified Artist  Search this
Sitter:
Horace Greeley, 3 Feb 1811 - 29 Nov 1872  Search this
Medium:
Quarter-plate daguerreotype
Dimensions:
Image/Sight: 9 × 6.6 cm (3 9/16 × 2 5/8")
Mat (brass): 10.8 × 8.2 cm (4 1/4 × 3 1/4")
Case open: 12 × 19.4 × 1 cm (4 3/4 × 7 5/8 × 3/8")
Case closed: 12 × 9.7 × 2.1 cm (4 3/4 × 3 13/16 × 13/16")
Type:
Photograph
Date:
c. 1850
Topic:
Interior  Search this
Costume\Dress Accessory\Glove  Search this
Costume\Headgear\Hat\Top hat  Search this
Personal Attribute\Facial Hair\Beard  Search this
Home Furnishings\Blanket  Search this
Cased object  Search this
Horace Greeley: Male  Search this
Horace Greeley: Politics and Government\Presidential Candidate  Search this
Horace Greeley: Communications\Publisher\Magazine  Search this
Horace Greeley: Communications\Publisher\Newspaper  Search this
Horace Greeley: Communications\Journalist\Reporter\Newspaper  Search this
Horace Greeley: Society and Social Change\Reformer\Abolitionist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.77.9
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm47b0f975a-9bac-409a-abc8-ec209061baa1
EDAN-URL:
edanmdm:npg_NPG.77.9

Oral history interview with Jack Lenor Larsen, 1971 Apr. 26-May 3

Interviewee:
Larsen, Jack Lenor  Search this
Interviewer:
Cummings, Paul  Search this
Physical description:
Transcript: 22 p
Type:
Sound recordings
Interviews
Place:
United States
New York (State)
New York
Date:
1971
1971 Apr 26-May 3
Topic:
Art, American  Search this
Textile design  Search this
Designers  Search this
Weavers  Search this
Decorative arts  Search this
Local number:
AAA
AAA larsen71
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_212818

Jack Lenor Larsen papers, 1941-2003

Creator:
Larsen, Jack Lenor  Search this
Subject:
Abakanowicz, Magdalena  Search this
Constantine, Mildred  Search this
Drutt, Helen Williams  Search this
Mondale, Walter F. 1928-  Search this
Noguchi, Isamu 1904-1988  Search this
Tillich, Hanna  Search this
Wood, Beatrice  Search this
Josef Albers Foundation  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Physical description:
3.7 linear ft
Type:
Interviews
Collection descriptions
Sound recordings
Video recordings
Place:
New York (State)
New York
Date:
1941
1941-2003
Topic:
Modernism (Art)  Search this
Textile design  Search this
Local number:
AAA
AAA larsjack
Restrictions & Rights:
Use requires an appointment
See more items in:
Jack Lenor Larsen papers, 1941-2003
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_248960

Textile Design Book

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 12, Folder 21
Type:
Archival materials
Date:
circa 1960
Scope and Contents:
Includes information about textiles, original illustrations, collages, and textile swatches.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 9: Artwork
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98feab762-5572-4be9-9b1f-579ce83e4556
EDAN-URL:
ead_component:sova-aaa-nengseng-ref386

Artwork

Collection Creator:
Nengudi, Senga, 1943-  Search this
Extent:
0.5 Linear feet (Box 12, Box 15)
Type:
Archival materials
Date:
circa 1960s-2004
2014
undated
Scope and Contents:
Artwork includes a "Textile Design" book, sketchbooks, sketches, and leather artwork by Senga Nengudi, as well as works of art by others.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.nengseng, Series 9
See more items in:
Senga Nengudi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91ead5057-4bdb-4630-bea6-8192694bc252
EDAN-URL:
ead_component:sova-aaa-nengseng-ref9

Bob Stocksdale and Kay Sekimachi papers

Creator:
Stocksdale, Bob, 1913-2003  Search this
Names:
Central Utah Relocation Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Tanforan Assembly Center (San Bruno, Calif.)  Search this
War Relocation Authority  Search this
Anderson, Norman  Search this
Collingwood, Peter, 1922-2008  Search this
Larsen, Jack Lenor  Search this
Maloof, Alfreda Ward  Search this
Maloof, Sam  Search this
Merrill, Forrest L.  Search this
Okubo, Miné, 1912-2001  Search this
Shawcroft, Barbara  Search this
Stocksdale, Bob, 1913-2003  Search this
Stocksdale, Kay Sekimachi  Search this
Turner, Tran  Search this
Uchida, Yoshiko  Search this
Former owner:
Stocksdale, Kay Sekimachi  Search this
Extent:
19.5 Linear feet
0.125 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Date:
circa 1900-2015
Summary:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.
Scope and Contents:
The papers of woodturner Bob Stocksdale and fiber artist Kay Sekimachi measure 19.5 linear feet and 0.125 GB and date from circa 1900 to 2015. Found are biographical materials, correspondence, writings, professional files, exhibition files, project files, personal business records, printed and digital material, scrapbooks, photographic material, and artwork. Of note are records from Sekimachi's forced internment during World War II at Tanforan Assembly Center and Topaz War Relocation Center from 1942 to 1944.

The bulk of biographical materials are from Kay Sekimachi with some originating from her time spent in forced internment at Topaz and Tanforan camps. These records include identification cards, War Relocation Authority printed materials, and school records. Also found are awards, resumes, and blank stationery. Some materials are from Stocksdale's 85th birthday and memorial service.

Letters and extensive greeting cards are from friends, family, and professional acquaintances. Correspondents include Norman Anderson, Peter Collingwood, Jack Lenor Larsen, Sam and Alfreda Maloof, Forrest L. Merrill, Miné Okubo, Barbara Shawcroft, and others.

Writings and notes are scattered and include two interviews with Kay Sekimachi, hanging instructions, and notes. Writings by others are by Jack Lenor Larsen, Tran Turner, and Yoshiko Uchida.

Sekimachi's and Stocksdale's professional activities are documented through files relating to their participation at conferences, awards ceremonies, and lectures. Also found are fiber samples, order forms for materials and equipment, and notes on techniques and design by Kay Sekimachi. Exhibition records include extensive documentation on Marriage in Form, In the Realm of Nature, and Loom and Lathe as well as files for various solo and group exhibitions for both Sekimachi and Stocksdale. Gallery and institution files include material on multiple or unnamed exhibitions. Exhibiton documentation may include correspondence, writings, proposals, printed material, financial and loan records, condition reports, and photographs. Project files contain material for proposed book projects, a retrospective, and portfolio, by and about Sekimachi and Stocksdale. Also found are three commissions files for works by Sekimachi. A proposed retrospective on the work of Bob Stocksdale by Kay Sekimachi includes a digital sound recording of recollections.

Personal business records include sales books, purchase records for works of art by others, appraisals, contracts, consignment receipts, and insurance records.

Published books, clippings, exhibition announcements and catalogs, magazines, and newsletters are found within printed materials. Of note is a publication by the San Francisco Chronicle entitled "This World" which features illustrations by Miné Okubo.

Four scrapbooks compiled by Kay Sekimachi date from 1937 to 1944. Most of the scrapbooks contain printed material from magazines and other sources with images such as children, valentines, food, birds, clothing, and may include scattered sketches and notes by Sekimachi. One scrapbook dates from the end of Sekimachi's internment at Topaz and relocation to Cincinnati, Ohio. This scrapbook includes sketches and printed materials concerning local and global events. Loose material found in this series was likely meant to be pasted into a new or the forth scrapbook. These materials include relocation information, Japanese-American publications, maps, clippings, sketches, and printed programs.

The bulk of photographic materials consist of slides of various vacation locations and homes and date from the 1960s to the 1980s. Also found are scattered portraits of Kay Sekimachi and Bob Stocksdale, as well as a photo of Miné Okubo with Roy Leeper and Cecil Thompson. Artworks are largely by Kay Sekimachi and include watercolor and pencil sketches as well as designs for fabrics and a weaving portfolio. Watercolor and pencil sketches are of Tanforan Assembly Center and date from circa 1942.
Arrangement:
The collection is arranged as 11 series.

Missing Title

Series 1: Biographical Material, circa 1920-2003 (1.5 linear feet; Box 1-2)

Series 2: Correspondence, 1943-2014 (7.6 linear feet; Box 2-10)

Series 3: Writings and Notes, 1960s-2008 (0.2 linear feet; Box 10)

Series 4: Professional Files, 1950s-2011 (1.1 linear feet; Box 10-11, 22)

Series 5: Exhibition Files, 1951-2015 (2.9 linear feet; Box 11-14, ER01; 0.125 GB)

Series 6: Project Files, circa 1900-2004 (0.3 linear feet; Box 14)

Series 7: Personal Business Records, 1970s-2010 (0.7 linear feet; Box 14-15)

Series 8: Printed Material, 1943-2011 (2.3 linear feet; Box 15-17, 22)

Series 9: Scrapbooks, 1937-1946 (0.9 linear feet; Box 17, 21)

Series 10: Photographic Material, circa 1950-2001 (0.9 linear feet; Box 18)

Series 11: Artwork, 1942-circa 1970 (1.1 linear feet; Box 18-20, 22-23)
Biographical / Historical:
Bob Stocksdale (1913-2003) was a woodturner active in California. He was known for bowls he formed from rare types of wood. Kay Sekimachi (1926- ) is a Japanese-American fiber artist and educator also active in California. She began her career in weaving on and off the loom and was part of the New Basketry movement.

Born in Indiana, Bob Stocksdale began his interest in carving by whittling with a pocket knife. Later, he created his own lathe with a washing machine motor and turned items such as baseball bats. During World War II, he was a conscientious objector and worked at various camps performing forestry work. It was in one of the camps that he turned his first bowl on a lathe.

After the war, Stocksdale settled in the Bay Area of California where he established his own woodturning shop in his basement. He concentrated on making bowls out of rare woods. His work has been recognized throughout the world and in 1998, he received the American Association of Woodturners Lifetime Achievement Award. In 2003, he received the James Renwick Alliance Masters of the Medium Award.

Kay Sekimachi was born in San Francisco, California in 1926. As a high school student, she was forcibly interned through Executive Order 9066 issued by President Franklin D. Roosevelt which incarcerated approximately 120,000 Japanese and Japanese-American citizens during World War II. Along with her mother and siblings, Kay lived at Tanforan Assembly Center and later moved to Topaz War Relocation Center in Utah. She continued her schooling at Topaz and after 1944, was resettled in Cincinnati, Ohio.

After graduating from high school, Kay Sekimachi enrolled at the California College of Arts and Crafts and the Haystack Mountain School of Crafts where she learned the craft of weaving under Trude Guermonprez and Jack Lenor Larsen. Her early works were tapestries and garments. She later used her weaving techniques as part of the New Basketry movement to create baskets and boxes out of fibers. Also an educator, Kay taught weaving at San Francisco Community College. She received the American Craft Council Gold Medal for Consummate Craftsmanship in 2002.

After the dissolution of his first marriage through which he had two children, son Kim and daughter Joy Stocksdale, Bob married Kay Sekimachi in 1972. The two had been acquainted for many years as they were both craft artists living in the Bay Area. Although they married later in life, Kay and Bob travelled the world and exhibited their art together in many exhibitions including Marriage in Form and Loom and Lathe.

Bob Stocksdale died in Oakland, California in 2003. Kay Sekimachi continues to exhibit her work and lives in Berkeley, California.
Related Materials:
Also found in the Archives of American Art are an oral history interview of Bob Stocksdale conducted February 16-March 21, 2001, by Signe Mayfield and an oral history interview of Kay Sekimachi [Stocksdale] conducted July 26-August 6, 2001, by Suzanne Baizerman. Both interviews were conducted in Berkeley, California, during the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Provenance:
The Bob Stocksdale and Kay Sekimachi papers were donated in 2003, 2004, and 2015 by Kay Sekimachi Stocksdale as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of original audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Fiber artists -- California  Search this
Topic:
Concentration camps -- United States  Search this
Textile design  Search this
Decorative arts  Search this
Women artists  Search this
Fiberwork -- Technique  Search this
Woodwork -- Study and teaching  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Textile crafts -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American fiber artists  Search this
Asian American educators  Search this
Genre/Form:
Interviews
Sound recordings
Sketches
Scrapbooks
Watercolors
Photographs
Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stockbob
See more items in:
Bob Stocksdale and Kay Sekimachi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d7db1c3a-95bc-44e4-92d5-382fb539e654
EDAN-URL:
ead_collection:sova-aaa-stockbob

Artwork

Collection Creator:
Stocksdale, Bob, 1913-2003  Search this
Extent:
1.1 Linear feet (Box 18-20, 22-23)
Type:
Archival materials
Date:
1942-circa 1970
Scope and Contents:
Artworks by Kay Sekimachi include pencil and watercolor sketches of Tanforan Assembly Center, designs for garments, fabrics, and tapestries, and a sketch of an exhibition announcement. Weaving portfolios contain finished examples of Kay's textile designs and patterns. Also found is a sketch, likely by Roy Leeper.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of original audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bob Stocksdale and Kay Sekimachi papers, circa 1900-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stockbob, Series 11
See more items in:
Bob Stocksdale and Kay Sekimachi papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90241109f-09b5-4881-b169-75653dc3b5ab
EDAN-URL:
ead_component:sova-aaa-stockbob-ref17

Oral history interview with Jack Lenor Larsen

Interviewee:
Larsen, Jack Lenor  Search this
Interviewer:
Cummings, Paul  Search this
Extent:
22 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 Apr. 26-May 3
Scope and Contents:
An interview of Jack Lenor Larsen conducted 1971 Apr. 26-May 3, by Paul Cummings, for the Archives of American Art.
Biographical / Historical:
Jack Lenor Larsen (1927-2020) was a designer and a weaver from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 6 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Weavers -- New York (State) -- New York -- Interviews  Search this
Weavers  Search this
Topic:
Art, American  Search this
Textile design -- United States  Search this
Designers -- New York (State) -- New York -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.larsen71
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93065f081-662c-4b2d-abd1-60570fd2965f
EDAN-URL:
ead_collection:sova-aaa-larsen71

Oral history interview with Jack Lenor Larsen

Interviewee:
Larsen, Jack Lenor  Search this
Interviewer:
Fisch, Arline M.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of Washington -- Students  Search this
Adamson, Glenn  Search this
Rossbach, Ed  Search this
Extent:
78 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 February 6-8
Scope and Contents:
An interview of Jack Lenor Larsen conducted 2004 February 6-8, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Longhouse, East Hampton, N.Y.
Larsen speaks of his childhood in Seattle, Washington; his parents and other adults who had a positive impact on his development; building things with his friends; attending the University of Washington to study architecture and deciding to study textiles instead; visiting Dorothy Liebes's textile studio; leaving school and moving to Los Angeles; attending the University of Southern California and eventually returning to the University of Washington; becoming a teaching assistant to Ed Rossbach; getting a Masters degree at Cranbrook Academy of Art; meeting many influential people in San Francisco and New York; moving to New York and setting up a studio; working on commission for several companies including Thaibok; expanding his offices to include larger looms and a showroom; setting up a branch of production in Haiti; working in the fashion industry and designing home decor; and working in Southeast Asia developing handcrafted woven exports. He also speaks of his involvement with the American Craft Council and the World Crafts Council, re-organizing and building the new campus at the Haystack Mountain School of Crafts; traveling to Central Asia, Africa, Europe, and his desire to travel more; working and exhibiting in Japan; experiencing the Japanese textile industry; writing numerous books on fiber arts including, "The Dyer's Art," often collaborating with other fiber artists; developing a classification system for interlacing; collecting art; gardening and its relation to art and design; building Round House and the inspiration behind it; building LongHouse using the Japanese Ise Shrine as a model and plans for further expansion; retiring and difficulties writing, "A Weaver's Memoir." Larsen also recalls Dorothy Liebes, Marianne Strengell, Florence Knoll, Edgar Kaufman, Ed Rossbach, Toshiko Takaezu, Francis Merritt, Mary Bishop, Garth Clark, Issey Miyake, Mildred Constantine, and others.
Biographical / Historical:
Jack Lenor Larsen (1927-2020) was a weaver and textile designer from East Hampton, N.Y. Arline M. Fisch (1931- ) is a jeweler from San Diego, Cailfornia.
General:
Originally recorded on 7 sound discs and 1 sound cassette. Reformatted in 2010 as 19 digital wav files. Duration is 6 hrs., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Textile designers -- New York (State) -- New York  Search this
Topic:
Textile crafts  Search this
Textile industry -- Japan  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.larsen04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98c0a4574-4f94-4ed0-87e7-4413a53ec3c1
EDAN-URL:
ead_collection:sova-aaa-larsen04
Online Media:

Jack Lenor Larsen papers

Creator:
Larsen, Jack Lenor  Search this
Names:
Josef Albers Foundation  Search this
Abakanowicz, Magdalena  Search this
Constantine, Mildred  Search this
Drutt, Helen Williams  Search this
Mondale, Walter F., 1928-  Search this
Noguchi, Isamu, 1904-1988  Search this
Tillich, Hanna  Search this
Wood, Beatrice  Search this
Extent:
3.7 Linear feet
Type:
Collection descriptions
Archival materials
Audiocassettes
Photographs
Sound recordings
Interviews
Video recordings
Date:
1941-2003
Summary:
The Jack Lenor Larsen papers measure 3.7 linear feet and date from 1941-2003. Larsen was a renowned weaver and designer, entrepreneur, and a scholar who wrote and lectured on modernist design. His career in the New York design world is documented by biographical materials, correspondence, writings by and about him, various printed materials and photographs.
Scope and Content Note:
The Jack Lenor Larsen papers measure 3.7 linear feet and date from 1941-2003. Larson was a renowned weaver and designer, entrepreneur, and a scholar who wrote and lectured on modernist design. His career in the New York design world is documented by biographical materials, correspondence, writings by and about him, various printed materials and photographs.

Found are biographical materials and artifacts including items from his early years, 4 volumes of daily planners and numerous awards. Correspondence includes letters from notables such as Isamu Noguchi, Walter F. Mondale, and various craft artists such as Helen W. Drutt English, Magdalena Abakanowicz, and Beatrice Wood, and author Hannah Tillich, widow of Paul Tillich. Business correspondence is from museums, professional societies, magazines and other organizations such as the Josef Albers Foundation. Larsen also curated textile exhibitions and there are records pertaining to these exhibitions.

There are a substantial number of writings, lectures and speeches by Larsen, and proofs of a book he co-authored with Mildred Constantin, Beyond Craft: The Art of Fabric. Also found are writings about Larsen and 3 interviews with him including a 1965 videotaped interview, 2 transcribed interviews, and an audio tape of Larsen's talk "Personal Perspective," presented at a conference of the American Craft Council.

Photographs show Larsen and his employees at work and at professional events. Photographs removed from albums retain their original order. Lastly, there are printed materials include catalogs and announcements, newspaper and magazine clippings, and press and promotional materials.
Arrangement:
The Jack Lenor Larsen papers are organized into 7 series based primarily on record type and arranged chronologically.

Missing Title

Series 1: Biographical Material, 1941-2001, (Box 1, 5; 0.6 linear feet)

Series 2: Correspondence, 1958-2003, (Box 1; 0.2 linear feet)

Series 3: Exhibition Records, 1986-1990, (Boxes 1-2; 0.7 linear feet)

Series 4: Writings, 1950-2003, (Boxes 2-3; 1.3 linear feet)

Series 5: Photographs, 1970-1992, (Box 3, 5; 0.5 linear feet)

Series 6: Printed Material, 1972-2002, (Boxes 4-5; 0.3 linear feet)

Series 7: Audio Recordings, 1965, (Box 4; 0.1 linear feet)
Biographical Note:
Jack Lenor Larsen (b. 1927), based in New York and of international reputation, has been deeply involved in the design of hand woven fabric and its application to modernist interior design. An international entrepreneur, Larsen also has written books on design and has been a frequent lecturer.

Larsen was born in Seattle, Washington to parents of Canadian/Scandinavian descent; his father was a building contractor. Larsen studied architecture at the University of Washington and became interested in materials design, receiving his M.F.A. from Cranbrook Academy of Art in Michigan in 1951. Following graduation, he opened a studio in New York and established Jack Lenor Larsen Incorporated. Just months later, Larsen successfully competed for the commission to design draperies for the important glass walled Lever House building on Park Avenue designed by Skidmore, Owings and Merrill.

Larsen was highly successful in marketing his ideas and innovations, which included combining metallic thread with natural polished linen and hand woven fabrics consisting of varied yarns in random and repeating patterns. This later style of fabric became known as the "Larsen Look" and was synonymous with modern design. Larsen's firm successfully adapted technological advances to fabric design but also used ancient techniques; they were first to design fabrics for jet air planes, stretch upholsestry and printed velvets.

In 1958-1960, Larsen represented the United States Department of State in Vietnam and Taiwan, studying those countries' crafts with the goal of developing industry to create jobs and products for export. Larsen then saw the opportunity for international fabric design and production. He travelled to Latin America, Africa and Asia to study local crafts and weaving with an eye towards business opportunites, focusing on hand spun and hand woven silks. By the 1990s Larsen was producing fabric in over 30 countries. In 1997, Jack Lenor Larsen, Inc. merged with the British fabric house, Cowtan and Tout and became the United States subsidiary of the British company, Colefax and Fowler.

Many museums have collected and/or exhibited Larsen fabrics. Notable among them are The Metropolitan Museum of Art, Musee des Arts Decoratifs (in the Louvre Museum), Museum of Modern Art, Stedelijk Museum in Amsterdam, and the Victoria and Albert Museum in London. In addition, Larsen is the author of several books relating to fabric and fabric design including Material Wealth: Living with Luxurious Fabrics (an international survey of contemporary fabric design) and an autobiography, Jack Lenor Larsen: A Weaver's Memoir.
Provenance:
The records were donated to the Archives in 2004 by Jack Lenor Larsen in connection with the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Weavers -- New York (State) -- New York  Search this
Topic:
Textile design -- New York (State) -- New York  Search this
Modernism (Art)  Search this
Genre/Form:
Audiocassettes
Photographs
Sound recordings
Interviews
Video recordings
Citation:
Jack Lenor Larsen papers, 1941-2003. Archives of America Art, Smithsonian Institution.
Identifier:
AAA.larsjack
See more items in:
Jack Lenor Larsen papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95e987001-3318-425b-8b00-4af714dd07fd
EDAN-URL:
ead_collection:sova-aaa-larsjack
Online Media:

Oral history interview with Chunghi Choo

Interviewee:
Choo, Chunghi  Search this
Interviewer:
Milosch, Jane  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Students  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Ihwa Yŏja Taehakkyo  Search this
Museum für Kunsthandwerk Frankfurt am Main  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Students  Search this
University of Iowa -- Faculty  Search this
University of Northern Iowa  Search this
Victoria and Albert Museum  Search this
Bush, Cody  Search this
Chateauvert, Jocelyn  Search this
Fujio, Yuho  Search this
Grotell, Maija  Search this
Kao, Ruth  Search this
Kaufman, Glen  Search this
Larsen, Jack Lenor  Search this
Lechtzin, Stanley, 1936-  Search this
Lee, Sang-Bong  Search this
Mayer-VanderMey, Sandra  Search this
McFadden, David Revere  Search this
Merkel-Hess, Mary  Search this
Park, No Soo  Search this
Raab, Rosanne  Search this
Saarinen, Loja  Search this
Smith, Paul J.  Search this
Thomas, Richard C., 1917-1988  Search this
Yeun, Kee-ho  Search this
Extent:
75 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Korea (South) -- History -- April Revolution, 1960
Date:
2007 July 30-2008 July 26
Scope and Contents:
An interview of Chunghi Choo conducted 2007 July 30-2008 July 26, by Jane Milosch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Iowa City, Iowa.
Choo speaks of establishing the Metalsmithing and Jewelry program at the University of Iowa in Iowa City; the elaborate equipment, tools, and safety protection used in the studio; her experience teaching silent metalforming at Haystack Mountain School of Crafts in Deer Isle, Maine; participating in international workshops and seminars in Korea; the extensive world traveling she does with her husband, Dr. Charles Read, including destinations in Scandinavia, Thailand, Austria, Italy, and South Africa, among others; the house she designed in Iowa City; her love of the city and being surrounded by treasured friends, a supportive university, and beautiful environments; an interest in creative cooking and appreciation for diverse dishes from all around the world; her childhood and young adulthood in Inchon, Korea; growing up with an appreciation for beautiful art objects and classical music; an early interest and talent in drawing; attending Ewha Women's University as generations of women in her family had previously; experiences during the Korean War and April 19 Revolution in 1961; coming to the United States in 1961 as a student; studying English, ceramics, enameling, and stone cutting for one semester at Penland School of Crafts in Penland, N.C.; attending Cranbrook Art Academy in Bloomfield Hills, Michigan and studying metalsmithing with Richard Thomas, ceramics with Maija Grotell, and weaving with Glen Kaufman; living with Mrs. Loja Saarinen during her three and a half years at Cranbrook; teaching general craft at the University of Northern Iowa in Cedar Rapids from 1965-1968; pioneering the mixed-media studies with her students at UNI; accepting the challenge to build a metalsmithing and jewelry program at the University of Iowa in Iowa City in 1968; learning and teaching electroforming; the development of the electro-appliqué technique; extensive donor support and fundraising for the Metalsmithing and Jewelry program and its students; finding inspiration in nature, East Asian calligraphy, classical music, and travel; her long friendship with Jack Lenor Larsen and the great influence he has had on her work; being represented in major art museums and institutions world-wide, including the Museum of Modern Art in New York City, Victoria and Albert Museum in London, Museum fur Kunsthandwerk in Frankfurt, Germany, and many others; the joy she has when her students succeed and surpass her; and plans for future work, writing projects, and travel. Choo also speaks of the 2008 flooding of Iowa City and the state of Iowa during which her studio was severely damaged and many things were lost. Choo also recalls Park, No Soo; Lee, Sang Bong; Ruth Kao; Stanley Lechtzin; Yuho Fujio; David McFadden; Paul J. Smith; Rosanne Raab; Cody Bush; Jocelyn Chateauvert; Mary Merkel Hess; Sandra Mayer-VanderMey; Kee-ho Yeun, and others.
Biographical / Historical:
Chunghi Choo (1938- ) is a Korean American educator, metalsmith, jeweler, and textile and mixed media artist based in Iowa City, Iowa. Interviewer Jane Milosch is a curator from Silver Spring, Maryland.
General:
Originally recorded 5 sound discs. Reformatted in 2010 as 27 digital wav files. Duration is 5 hr., 22 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Metal-workers -- Iowa -- Iowa City  Search this
Jewelers -- Iowa -- Iowa City  Search this
Textile designers -- Iowa -- Iowa City  Search this
Mixed-media artists -- Iowa -- Iowa City  Search this
Topic:
Decorative arts  Search this
Metal-work  Search this
Jewelers -- Interviews  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Korean War, 1950-1953  Search this
Korean American art  Search this
Korean American Artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Women artists  Search this
Women textile artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.choo07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91d0f3d3d-e648-47b2-9282-e395b73f635f
EDAN-URL:
ead_collection:sova-aaa-choo07
Online Media:

Oral history interview with Ward Bennett, 1973 February 13

Interviewee:
Bennett, Ward 1917-2003  Search this
Interviewer:
Cummings, Paul  Search this
Physical description:
Transcript: 33 pages
Type:
Interviews
Place:
New York (State)
New York
Date:
1973
1973 February 13
Topic:
Designers  Search this
Local number:
aaa
AAA bennet73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_226335

Oral history interview with Ward Bennett

Interviewee:
Bennett, Ward, 1917-2003  Search this
Interviewer:
Cummings, Paul  Search this
Extent:
33 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1973 February 13
Scope and Contents:
An interview of Ward Bennett, conducted 1973 February 13, by Paul Cummings, for the Archives of American Art.
Biographical / Historical:
Ward Bennett (1917-2003) was an interior, furniture, and textile designer, and sculptor from New York, New York. Bennett is credited as the originator of the high-tech interior style, conversation pit, sunken living room, and U-shaped sofa.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 6 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Furniture designers -- New York (State) -- New York  Search this
Topic:
Designers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Identifier:
AAA.bennet73
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96e02a1b3-3096-440c-805b-bad1144c1827
EDAN-URL:
ead_collection:sova-aaa-bennet73
Online Media:

Meet Consuelo Jimenez Underwood

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-05T14:06:36.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_j25Z8jzqWo0

María Luisa Pacheco papers

Creator:
Pacheco, María Luisa, 1918-1982  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1951-circa 1980
Summary:
The papers of Bolivian born painter María Luisa Pacheco measure 0.5 linear feet and date from 1951 to circa 1979. The collection is comprised of exhibition announcements and catalogs; greeting cards including one card designed by Pacheco; newsletters; photographs and transparencies of Pacheco, an exhibition catalog, and works of art; and Pacheco's student card from La Escuela Central de Bellas Artes de San Fernando de Madrid.
Scope and Contents:
The papers of Bolivian born painter María Luisa Pacheco measure 0.5 linear feet and date from 1951 to circa 1979. The collection is comprised of exhibition announcements and catalogs; greeting cards including one card designed by Pacheco; newsletters; photographs and transparencies of Pacheco, an exhibition catalog, and works of art; and Pacheco's student card from La Escuela Central de Bellas Artes de San Fernando de Madrid.
Arrangement:
The collection is arranged as one series.

Series 1: María Luisa Pacheco papers, 1951-circa 1979 (Box 1, OV 2; 0.5 linear feet)
Biographical / Historical:
María Luisa Pacheco (1918-1982) was a painter in New York, N.Y. She was born in La Paz, Bolivia and studied at the Academia de Bellas Artes in La Paz where she later taught. She also studied with Velasquez Diaz. In La Paz she worked as an illustrator and editor for the newspaper La Razón. In 1951 Pacheco was allowed to attend La Escuela Central de Bellas Artes de San Fernando in Madrid, Spain as a graduate student and instructor. She moved to New York in 1956 as a Guggenheim Fellowship Award recipient. She also worked as a textile designer and as an illustrator at Life magazine.

Pacheco painted archaeological and mountain shapes translating them into semi-abstract forms. Her preferred media was wood, sand, acrylic, oil, and collage. She has been called a pioneer in the development of Bolivian contemporary art. Pacheco lived in New York until her death in 1982.
Provenance:
The papers were donated in 1982 by Maria Eugenia Ascarrunz, daughter of María Luisa Pacheco.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Latino and Latin American artists  Search this
Women painters  Search this
Genre/Form:
Photographs
Citation:
María Luisa Pacheco papers, 1951-circa 1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pachmari
See more items in:
María Luisa Pacheco papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9887c42ea-50ab-4a8d-8515-9c5511ca7a4a
EDAN-URL:
ead_collection:sova-aaa-pachmari
Online Media:

Indigo tie-dyed textile designs, Kano, Nigeria

Photographer:
Rohrmann, G. F. (George F.)  Search this
Collection Photographer:
Rohrmann, G. F. (George F.)  Search this
Extent:
1 Color slide (35mm)
Type:
Archival materials
Color slides
Place:
Kano (Nigeria)
Date:
1974
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Hausa (African people)  Search this
Collection Citation:
George Rohrmann Collection, EEPA 2018-003, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2018-003, Item EEPA 2018-003-0127
See more items in:
George Rohrmann Collection
George Rohrmann Collection / Series 1: Nigeria / Kano
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo718f59179-a58b-42a6-9db1-53d579349edc
EDAN-URL:
ead_component:sova-eepa-2018-003-ref258

Indigo tie-dyed textile designs, Kano, Nigeria

Photographer:
Rohrmann, G. F. (George F.)  Search this
Collection Photographer:
Rohrmann, G. F. (George F.)  Search this
Extent:
1 Color slide (35mm)
Type:
Archival materials
Color slides
Place:
Kano (Nigeria)
Date:
1974
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Topic:
Hausa (African people)  Search this
Collection Citation:
George Rohrmann Collection, EEPA 2018-003, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2018-003, Item EEPA 2018-003-0128
See more items in:
George Rohrmann Collection
George Rohrmann Collection / Series 1: Nigeria / Kano
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo727d9e7c5-ba81-47a8-8dbb-ddbd1db49f1b
EDAN-URL:
ead_component:sova-eepa-2018-003-ref259

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