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Texas Gallery

Collection Creator:
Mullican, Matt, 1951-  Search this
Container:
Box 12, Folder 34
Type:
Archival materials
Date:
1987-1991
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of born-digital records requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Matt Mullican papers, circa 1968-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Matt Mullican papers
Matt Mullican papers / Series 4: Gallery and Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mullmatt-ref260

Texas Gallery

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 160, Folder 115
Type:
Archival materials
Date:
1977-1980
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 7: Castelli Graphics / 7.1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref13797

Houses for Sale exhibition poster

Creator:
Texas Gallery  Search this
Texas Gallery  Search this
Subject:
Pelli, Cesar  Search this
Texas Gallery  Search this
Type:
Printed Materials
Date:
1981
Topic:
Architects  Search this
Architects and housing developers  Search this
Architectural design  Search this
Architectural drawing  Search this
Architectural drawings  Search this
Architecture  Search this
Architecture and society  Search this
Record number:
(DSI-AAA)16711
See more items in:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16711
Online Media:

Invitation to a Billy Al Bengston exhibition opening

Creator:
Bengston, Billy Al, 1934-  Search this
Bengston, Billy Al, 1934-  Search this
Subject:
Bengston, Billy Al  Search this
Texas Gallery  Search this
Type:
Artworks
Date:
1973 Oct. 9
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)9070
See more items in:
Billy Al Bengston papers, circa 1940s-1989, bulk 1960-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9070
Online Media:

Architecture: Seven Architects exhibition poster

Subject:
Meier, Richard  Search this
Texas Gallery  Search this
Type:
Printed Materials
Place:
Philadelphia, Pa.
Date:
1977-1978
Topic:
Architects  Search this
Architectural design  Search this
Architectural drawing  Search this
Architectural drawings  Search this
Architecture  Search this
Record number:
(DSI-AAA)16712
See more items in:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16712
Online Media:

Texas Gallery

Collection Creator:
Bengston, Billy Al  Search this
Extent:
(4 folders)
Container:
Box 6, Folder 22-25
Type:
Archival materials
Date:
1970-1984
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Billy Al Bengston papers, circa 1940s-1989 (bulk 1960-1988). Archives of American Art, Smithsonian Institution.
See more items in:
Billy Al Bengston papers
Billy Al Bengston papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bengbill-ref171

Texas Gallery

Collection Creator:
Bengston, Billy Al  Search this
Extent:
(6 folders)
Container:
Box 7, Folder 56-61
Type:
Archival materials
Date:
1971-1984
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Billy Al Bengston papers, circa 1940s-1989 (bulk 1960-1988). Archives of American Art, Smithsonian Institution.
See more items in:
Billy Al Bengston papers
Billy Al Bengston papers / Series 3: Gallery and Museum Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bengbill-ref271

Correspondence

Collection Creator:
Bengston, Billy Al  Search this
Extent:
1.75 Linear feet (Boxes 4-6)
Type:
Archival materials
Date:
1966-1989
Scope and Contents note:
The bulk of this series consists of Bengston's business correspondence, mostly to and from galleries and museums discussing exhibitions, sales, consignments, projects, and agreements. Bengston's relationship with the James Corcoran Gallery, Janie C. Lee Gallery, John Berggruen Gallery, Martha Jackson Gallery, and Texas Gallery are well-documented. Many business letters are written by Penny Little and Gretchen Corners in Bengston's name.

The series also includes a limited amount of personal correspondence including letters with collectors, researchers, and friends. In addition, personal correspondence is often interfiled with the professional correspondence, particularly with gallery owners James Corcoran, Janie C. Lee, and Fredericka Hunter of the Texas Gallery. Also found are a few letters from other artists, including Peter Plagens and a letter from Richard Diebenkorn.
Arrangement note:
Correspondence is arranged alphabetically by surname or business name. Correspondence related to Bengston's commissions can be found in Series 6, Project Files, and correspondence related to loans of artwork can be found in Series 5, Personal Business Records.
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Billy Al Bengston papers, circa 1940s-1989 (bulk 1960-1988). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bengbill, Series 2
See more items in:
Billy Al Bengston papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bengbill-ref45

Gallery and Museum Files

Collection Creator:
Bengston, Billy Al  Search this
Extent:
1.5 Linear feet (Boxes 6-7)
Type:
Archival materials
Date:
1961-1989
Scope and Contents note:
This series consists of a wide variety of materials documenting Bengston's business with galleries, museums, and universities, such as sales, exhibitions, and loans. Files may include consignment lists, price lists, invoices, pages from ledgers, shipping receipts, legal agreements, exhibition checklists, lists of catalog reproductions, floor plans, and mailing lists. Galleries represented in the files include the Ferus Gallery, James Corcoran Gallery, Janie C. Lee Gallery, John Berggruen Gallery, Martha Jackson Gallery, Texas Gallery, and Thomas Babeor Gallery. Extensive documentation exists for Bengston's 1968 retrospective at the Los Angeles County Museum of Art, his 1981 exhibition of watercolors at the Corcoran Gallery of Art, and his 1988 retrospective organized by the Contemporary Arts Museum.
Arrangement note:
Note that the bulk of the correspondence with museums and galleries is found in Series 2 above. Folders relating to university galleries have been titled by the name of the university rather than the name of the gallery.
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Billy Al Bengston papers, circa 1940s-1989 (bulk 1960-1988). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bengbill, Series 3
See more items in:
Billy Al Bengston papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bengbill-ref190

Texas Gallery (Fredericka Hunter)

Collection Creator:
Christine Burgin Gallery  Search this
Container:
Box 18, Folder 24
Type:
Archival materials
Date:
2000-2011
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Christine Burgin Gallery records, 1980-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Christine Burgin Gallery records
Christine Burgin Gallery records / Series 4: Client Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-chriburg-ref248

Texas Gallery

Collection Creator:
Holly Solomon Gallery  Search this
Container:
Box 10, Folder
Type:
Archival materials
Date:
1983-1986
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Holly Solomon Gallery records / Series 2: Dealer Files / Dealers - Texas
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref181

Texas Gallery

Collection Creator:
Holly Solomon Gallery  Search this
Extent:
(2 folders)
Container:
Box 23, Folder
Type:
Archival materials
Date:
1981-1992
Collection Restrictions:
This collection is access restricted. Use requires written permission. Financial and Legal Records (Series 8) are closed to researchers until they can be processed to a more detailed level. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holly Solomon Gallery records, circa 1948-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Holly Solomon Gallery records
Holly Solomon Gallery records / Series 3: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hollsolg-ref519

Billy Al Bengston papers

Creator:
Bengston, Billy Al  Search this
Names:
Ferus Gallery (Los Angeles, Calif.)  Search this
James Corcoran Gallery  Search this
John Berggruen Gallery (San Francisco, Calif.)  Search this
Martha Jackson Gallery  Search this
Alexander, Peter, 1939-  Search this
Altoon, John, 1925-  Search this
Andre, Carl, 1935-  Search this
Chamberlain, John, 1927-2011  Search this
Diebenkorn, Richard, 1922-1993  Search this
Flavin, Dan, 1933-  Search this
Goode, Joe, 1937-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Motherwell, Robert  Search this
Plagens, Peter  Search this
Ruscha, Edward  Search this
Extent:
10.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Date:
circa 1940s-1989
bulk 1960-1988
Summary:
The papers of southern California Pop artist Billy Al Bengston measure 10.4 linear feet and date from circa 1940s to 1989, with the bulk of the materials dating from 1960 to 1988. The collection documents the life and work of the artist through biographical materials, correspondence, personal business records, gallery and museum files, teaching files, project and commission files, scattered artwork, printed materials, and photographs.
Scope and Content Note:
The papers of Billy Al Bengston measure 10.4 linear feet and date from circa 1940s to 1989, with the bulk of the materials dating from 1960 to 1988. The collection documents the life and work of the southern California artist through biographical materials, correspondence, personal business records, gallery and museum files, teaching files, project and commission files, scattered artwork, printed materials, and photographs.

Found within the biographical materials series are three feet of calendars which extensively document Bengston's personal and professional activities for fourteen years, and include ephemera related to these activities. This series also includes health records, wills, and passports.

Correspondence is with galleries, museums, universities, businesses, friends, and colleagues, and primarily concerns exhibitions, sales, consignments, commissions, and Bengston's personal finances. Bengston's relationship with the James Corcoran Gallery, Janie C. Lee Gallery, John Berggruen Gallery, Martha Jackson Gallery, and Texas Gallery are well-documented here, as well as in the Museum and Gallery Files series. Also found is a limited amount of personal correspondence with collectors, researchers, and friends. A few letters from other artists, including Peter Plagens and a letter from Richard Diebenkorn are interfiled here.

Bengston's professional relationships with galleries, museums, and universities are well-documented in the gallery and museum files, including the galleries mentioned above, Ferus Gallery, and others. Lists of consignments and prices, invoices, records of sales, loan agreement forms, shipping receipts, exhibition checklists, and exhibition floor plans provide information about sales, exhibitions, and loans. A few files provide further information about Bengston teaching activities. His personal business records include art sales records, price lists, lists of purchases, records of investment, and personal finance records. Project files include correspondence, notes, and printed materials related to Bengston's commissions for artwork and personal projects, including a book he worked on with Ed Ruscha, Business Cards.

Writings by Bengston include responses to exhibitions of West Coast art and his thoughts on his career, art, the artistic community, motorcycles, as well as a recollection of John Altoon. Also found are questionnaires sent out by Bengston for an art survey, with responses from Peter Alexander, Carl Andre, John Chamberlain, Dan Flavin, Joe Goode, Robert Graham, Roy Lichtenstein, Robert Motherwell, Ed Ruscha, and others. Writings by others consist primarily of exhibition catalog essays, manuscripts of interviews with Bengston, and other writings about Bengston. Also found is an essay by Walter Hopps. Photographs of Bengston include a family picture from the 1940s, Bengston at work on projects in Los Angeles and Syracuse, New York, and Bengston at social events. Other photographs consist of pictures of friends and artists, Bengston's artwork, documentary evidence of damaged artwork, and of commission sites.

Printed materials from the 1960s - 1980s include clippings, full articles, exhibition announcements and catalogs, and posters. They document exhibitions, art in southern California, and society and art events. The collection houses limited amounts of artwork including sketches, cut-outs, doodles and drawings.
Arrangement:
The collection is arranged into 10 series:

Series 1: Biographical Materials, 1958-1987 (Boxes 1-4, 11; 3.7 linear feet)

Series 2: Correspondence, 1966-1989 (Boxes 4-6; 1.75 linear feet)

Series 3: Gallery and Museum Files, 1961-1989 (Boxes 6-7; 1.5 linear feet)

Series 4: Teaching Records, 1968-1982 (Box 7; 7 folders)

Series 5: Personal Business Records, circa 1960-1987 (Boxes 7-8; 1.0 linear foot)

Series 6: Project Files, 1968-1987 (Boxes 8-9; 0.25 linear feet)

Series 7: Writings, 1967-circa 1988 (Box 9, OV 12; 0.25 linear feet)

Series 8: Artwork, 1960s-1987 (Box 9; 7 folders)

Series 9: Printed Materials, 1958-1988 (Boxes 9-10, OV 12-13; 1.25 linear feet)

Series 10: Photographs, circa 1940s-1987 (Box 10; 0.5 linear feet)
Biographical Note:
Billy Al Bengston was born in Dodge City, Kansas on June 7, 1934. After moving back and forth from Kansas to California multiple times, he and his family settled in Los Angeles in 1948. While attending the Manual Arts High School, Bengston became interested in art, especially ceramics. After a brief stint at Los Angeles Junior College, Bengston worked as a beach attendant at Doheny State Beach. While working there he met fellow surfer and future ceramicist Kenneth Price, who became one of Bengston's closest friends. In 1953, he reenrolled in Los Angeles Junior College to study ceramics. For the next four years he attended both the California College of Arts and Crafts and the Los Angeles County Art Institute (now the Otis Art Institute of Parsons School of Design). At these institutions he studied with Richard Diebenkorn, Sabro Hasegawa, Nathan Oliveira, and Peter Voulkos.

Around 1957, Bengston shifted his emphasis from ceramics to painting, and became affiliated with the Ferus Gallery in Los Angeles, founded that same year by Edward Kienholz and Walter Hopps. Bengston's first solo exhibition was held at the Ferus Gallery in 1958, and a second followed in 1960. At this time Bengston began to work with Pop icons combined with Color Field abstractions. His early bold paintings often featured symmetrical strong color compositions with a central image of a valentine, star, cross, chevron, or iris. The irises he called "draculas," after Kenneth Price remarked that they resembled Dracula flying through a window. He first showed his chevron paintings in 1962 at the Martha Jackson Gallery in New York. In the early 1960s, Bengston extended his imagery to the California subculture and created paintings of leisure time activities, focusing on motorcycles, racing, and scuba diving - his own interests as well.

Throughout his career, Bengston experimented with technique and materials. He experimented with automobile lacquer and spray painting techniques associated with car customization. He also used non-traditional surfaces, such as masonite and aluminum. In 1965, Bengston began creating paintings on sheets of aluminum into which he hammered dents and sometimes bent and buckled; these subsequently came to be known as "dentos." Along with painting, Bengston has also created watercolors, ceramics, and furniture. He was also one of the artists selected by Carol and Roy Doumani to design their home.

Bengston first visited Hawaii in 1974, and after several subsequent trips, established a second studio there in 1979. The work Bengston created in the following years was characterized by the use of tropical colors and representational images of running figures, airplanes, and the moon. In 1988, the Contemporary Arts Museum in Houston organized a retrospective entitled "Billy Al Bengston: Paintings of Three Decades," which traveled to the Oakland Museum, the Los Angeles County Museum of Art, and the Contemporary Museum of Art, Honolulu. Bengston also completed several years as an art instructor and lecturer at the Chouinard Art Institute in Los Angeles and The University of California at Los Angeles. Bengston continues to create and exhibit new work.
Related Material:
Found in the Archives of American Art are oral history interviews with Bengston conducted by Susan Larsen, September 9, 1980, and Susan Ford Morgan, August 2-October 7, 2002. Also found are portraits of Bengston in the Photographs of artists taken by Mimi Jacobs collection, and a rare copy of the book Business Cards by Bengston and Ed Ruscha in the Wallace Berman papers.
Provenance:
The collection was donated to the Archives of American Art by Billy Al Bengston in 1990.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Topic:
Works of art  Search this
Art galleries, Commercial  Search this
Art -- Study and teaching  Search this
Art -- Economic aspects  Search this
Genre/Form:
Interviews
Photographs
Citation:
Billy Al Bengston papers, circa 1940s-1989 (bulk 1960-1988). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bengbill
See more items in:
Billy Al Bengston papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bengbill

Geronimo homeland a short walk in the Gila Hamish Fulton

Author:
Fulton, Hamish  Search this
Author:
Christine Burgin Gallery  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Texas Gallery  Search this
Subject:
Fulton, Hamish  Search this
Physical description:
1 volume (unpaged) illustrations 15 x 22 cm
Type:
Books
Exhibitions
Artists' books (books).)
Artists' books (books)
Artists' books
Exhibition catalogs
Place:
Gila National Forest (N.M.)
New Mexico
Gila National Forest
Date:
2006
Call number:
N7433.4.F85 G47 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_959545

Texas Gallery [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
Houston (Tex.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_104130

Comic release : negotiating identity for a new generation / curated by Vicky A. Clark and Barbara Bloemink, with Ana Merino and Rick Gribenas

Author:
Clark, Vicky A  Search this
Bloemink, Barbara J  Search this
Merino, Ana  Search this
Gribenas, Rick  Search this
Physical description:
176 p. : ill. (some col.) ; 26 cm
Type:
Exhibitions
Date:
2002
C2002
Topic:
Comic books, strips, etc--History and criticism  Search this
Comic books, strips, etc--Social aspects  Search this
Comic books, strips, etc., in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_721398

Melissa Miller : paintings, 1986-1995

Title:
Paintings, 1986-1995
Author:
Miller, Melissa 1951-  Search this
Holly Solomon Gallery  Search this
Texas Gallery  Search this
Subject:
Miller, Melissa 1951- Exhibitions  Search this
Physical description:
23 p. : ill. (some col.) ; 22 cm
Type:
Books
Date:
1995
C1995
Call number:
ND237.M48 A4 1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_614051

Dot drawings : 1973 to 1975 / Chuck Close

Author:
Close, Chuck 1940-  Search this
Laguna Gloria Art Museum  Search this
Subject:
Close, Chuck 1940-  Search this
Physical description:
[32] p. : chiefly ill. ; 23 cm
Type:
Exhibitions
Date:
1975
1975?]
Topic:
Geometrical drawing  Search this
Call number:
NC139.C54 A4 1976
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_641678

Michael Lucero, Italo Scanga, James Surls : [Exhibition / text by William Zimmer.]

Author:
Zimmer, William 1946-2007  Search this
Lucero, Michael 1953-  Search this
Scanga, Italo 1932-  Search this
Surls, James 1943-  Search this
Delahunty (Gallery)  Search this
Texas Gallery  Search this
Physical description:
18 p. : ill. ; 27 cm
Type:
Exhibitions
Date:
1982
C1982
20th century
Topic:
Sculpture, Modern  Search this
Call number:
NB212 .M53 1982
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_646810

Dot drawings, 1973 to 1975 / Chuck Close

Author:
Close, Chuck 1940-  Search this
Laguna Gloria Art Museum  Search this
Subject:
Close, Chuck 1940-  Search this
Physical description:
[32] p. : chiefly ill. ; 23 cm
Type:
Books
Date:
1975
1975?
Call number:
N40.1.C628x L18
N40.1.C628xL18
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_301587

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