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Dale-Patterson Family collection

Creator:
Dale, Dianne  Search this
Polk, P. H., 1898-1985  Search this
Names:
Barry, Marion, 1936-2014  Search this
Dale, Almore M., 1911-1984  Search this
Dale, Dianne  Search this
Dale, John Henry, Jr., 1888-1973  Search this
Dale, Lucille Emma Patterson, 1889-1973  Search this
Dale, Marie Howard, 1914-2011  Search this
Dale, Norman Edward, 1908-1991  Search this
Garner, Araminta Dale, 1913-1987  Search this
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Patterson, Wilhelmina Bessie, 1888-1962  Search this
Extent:
6 Linear feet (9 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Place:
Anacostia (Washington, D.C.)
Date:
1866 - 1990.
Summary:
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
Scope and Contents note:
The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.
Arrangement note:
The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files
Biographical/Historical note:
The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.
General Note:
Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883
Provenance:
The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African Americans  Search this
African American families  Search this
Genre/Form:
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Citation:
Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.
Identifier:
ACMA.06-074
See more items in:
Dale-Patterson Family collection
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885
EDAN-URL:
ead_collection:sova-acma-06-074
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Dale-Patterson Family collection digital asset number 1
  • View Dale-Patterson Family collection digital asset number 2
  • View Dale-Patterson Family collection digital asset number 3
Online Media:

Sally Ride: An Inspiration for a Generation

Creator:
National Air and Space Museum  Search this
Type:
YouTube Videos
Uploaded:
2019-10-08T19:00:01.000Z
YouTube Category:
Education  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_GtRqsMpf0v8

Conversations in Context: Media šŸŽ„ Hosted by Yoonj Kim | Smithsonian Channel

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2021-06-03T23:45:57.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_QOQnVpZtlVU

St. Vincent on The Art of Music

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2013-12-09T21:22:37.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_e_K081cHYY4

Inventive Minds: Marilyn Hamilton

Creator:
Lemelson Center, National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2021-08-23T19:24:46.000Z
YouTube Category:
Science & Technology  Search this
Topic:
American History  Search this
See more by:
LemelsonCenter
Data Source:
Lemelson Center, National Museum of American History
YouTube Channel:
LemelsonCenter
EDAN-URL:
edanmdm:yt_CjXGnN6ESMQ

Origami Universe: Hyperbolic Paraboloid: A Mini-Sunshade

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
YouTube Videos
Uploaded:
2020-05-13T14:09:29.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
cxcpub
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
cxcpub
EDAN-URL:
edanmdm:yt_TXb-ugb8kX4

Using Biography and Portraiture to Learn about Asian Pacific American History | Cultivating Learning

Creator:
Smithsonian Education  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2023-01-23T21:53:24.000Z
YouTube Category:
Entertainment  Search this
Topic:
Education  Search this
See more by:
SmithsonianEducation
Data Source:
Smithsonian Education
YouTube Channel:
SmithsonianEducation
EDAN-URL:
edanmdm:yt_s6WrXnRH2Iw

Barry Goldwater

Artist:
Amalgamated Lithographers of America, founded 1882  Search this
Printer:
Tenny Press, Inc, active 1960s  Search this
Sitter:
Barry Morris Goldwater, 1 Jan 1909 - 29 May 1998  Search this
Medium:
Color photolithographic halftone poster
Dimensions:
Sheet: 137.5 x 101.7 cm (54 1/8 x 40 1/16")
Mount: 142.2 x 106.7 cm (56 x 42")
A to G depth: 1 1/2"
Type:
Print
Date:
1964
Topic:
Costume\Dress Accessory\Eyeglasses  Search this
Poster  Search this
Poster\Political  Search this
Barry Morris Goldwater: Male  Search this
Barry Morris Goldwater: Politics and Government\Presidential candidate  Search this
Barry Morris Goldwater: Military and Intelligence\Army\Officer\General  Search this
Barry Morris Goldwater: Business and Finance\Businessperson\Merchant  Search this
Barry Morris Goldwater: Politics and Government\US Senator\Arizona  Search this
Barry Morris Goldwater: Presidential Medal of Freedom  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2006.45
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm480aa60ba-dd72-450b-83c3-553ec55b7939
EDAN-URL:
edanmdm:npg_NPG.2006.45

Gertrude Vanderbilt Whitney papers

Creator:
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Names:
American Ambulance Field Hospital (Juilly, France)  Search this
Greenwich House (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Whitney Studio Club  Search this
Cushing, Howard Gardiner, 1869-1916  Search this
De Meyer, Adolf, Baron, 1868-1949  Search this
Miller, Flora Whitney  Search this
Strelecki, Jean de, count  Search this
Watson, Forbes, 1880-1960  Search this
Whitney, Harry Payne, 1872-1930  Search this
Extent:
36.1 Linear feet
Type:
Collection descriptions
Archival materials
Lithographs
Photographs
Interviews
Sketchbooks
Diaries
Scrapbooks
Blueprints
Sketches
Date:
1851-1975
bulk 1888-1942
Summary:
The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.
Scope and Content Note:
The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Material relating to more personal aspects of Whitney's life include school papers, a paper doll book dating from her childhood, financial material, interviews, awards and honorary degrees, address and telephone books, committee files, and other items. Correspondence consists of incoming and outgoing letters concerning both personal and professional matters, including her patronage of the arts and sponsorship of artists, her sculpture commissions and exhibitions, and her war relief work and other philantrophic activities. Also found are family correspondence and correspondence received by the Flora Whitney Miller and the Whitney Museum of American Art after Whitney's death. Journals include personal ones that she kept periodically from the time she was a child to near the end of her life, in which she recorded her travels, her impressions of people, her experiences with friends, and her thoughts on art, among other topics; and social ones, in which she recorded dinners and dances attended, and people invited to different social gatherings, and in which she collected invitations received and accepted.

Scattered files can be found that relate to the Whitney Studio Club and the Whitney Museum of American Art, consisting of notebooks, catalogs, a financial report, and other material. Files relating to Whitney's own sculpture projects are more extensive and consist of correspondence, contracts, printed material, notes, financial material for proposed and completed commissions for fountains, memorials, and monuments. The Whitney Museum of American Art, rather than Whitney herself, seems to have kept these files. Files relating to Whitney's philanthropic activities span from the time just before to just after the First World War and consist of correspondence, minutes, reports, and printed material stemming from her contributions to charities and war relief organizations, her sponsorship of the war hospital in Juilly, France, and her support of the Greenwich House Social Settlement.

Whitney's writings include extensive drafts, and handwritten and typed manuscripts and copies of novels, plays, and stories, as well as some autobiographical and early writings, notes and writings on art, and clippings of published writings, documenting her principle means of creative expression towards the end of her life. Also found are some writings by others. Scrapbooks consist of clippings, photographs, letters and other material, compiled by Whitney, Flora Whitney Miller, and possibly others, documenting Whitney's public life, her sculpture commissions and exhibitions, exhibitions at the Whitney Studio, the war hospital in Juilly, France, the death of Harry Payne Whitney in 1930, and the sickness and death of Whitney in 1942.

Photographs include ones of the Whitney and Vanderbilt families, ones of Gertrude Vanderbilt Whitney (including portraits taken by Baron Adolf de Meyer and Count Jean de Strelecki), ones of various Vanderbilt and Whitney residences and of Whitney's studios, ones of Whitney's sculpture exhibitions as well as exhibitions at her studio, and ones of her sculptures, as well as some miscellaneous and unidentified ones. Artwork consists of sketchbooks and sketches by Whitney (including sketches for sculptures) and artwork by others (including a sketchbook of Howard Cushing's containing a sketch of her and albums of World War I lithographs) collected by Whitney. Also found amongst the collection are printed material (clippings, exhibition catalogs, programs, and publications) and blueprints (including drawings for Whitney's studio on MacDougal Alley and various of her sculptures).
Arrangement:
The Gertrude Vanderbilt Whitney papers are arranged into twelve series:

Missing Title

Series 1: Miscellaneous Personal Papers, 1888-1947, 1975 (Boxes 1-3, 33-34, OV 42; 2.5 linear feet)

Series 2: Correspondence, 1889-1949, 1959 (Boxes 3-9; 6 linear feet)

Series 3: Journals, circa 1886-1939 (Boxes 9-12, 33; 2.5 linear feet)

Series 4: Whitney Studio Club and Whitney Museum of American Art Files, 1921-1943 (Box 12; 0.2 linear feet)

Series 5: Sculpture Files, 1900-1960 (bulk 1909-1942) (Boxes 12-15; 3 linear feet)

Series 6: Philanthropy Files, 1902-1923 (bulk 1915-1920) (Boxes 15-17; 2 linear feet)

Series 7: Writings, 1889-1942, 1974 (Boxes 17-26; 10 linear feet)

Series 8: Scrapbooks, 1893-1942 (Boxes 26-27, 33, 35; 1.5 linear feet)

Series 9: Printed Material, 1859-1942 (Boxes 27-28, 36; 0.8 linear feet)

Series 10: Photographs, 1862-1942 (Boxes 28-32, 36-41, OV 43-51; 6.4 linear feet)

Series 11: Artwork, 1871-1930s (Boxes 32, 41, OV 52-54; 0.8 linear feet)

Series 12: Blueprints, 1913-1945 (OV 55; 0.1 linear feet)
Biographical/Historical note:
New York art patron and sculptor, Gertrude Vanderbilt Whitney (1875-1942), was the eldest daughter of Cornelius Vanderbilt II and Alice Gwynne Vanderbilt, and founder of the Whitney Museum of American Art.

Whitney was born January 9, 1875 in New York City, the. She was educated by private tutors and attended Brearley School in New York. From the time she was a young girl, she kept journals of her travels and impressions of the people she met, and engaged in creative pursuits such as sketching and writing stories. In 1896, she was married to Harry Payne Whitney. They had three children, Flora, Cornelius, and Barbara.

In 1900, Whitney began to study sculpture under Hendrik Christian Anderson, and then under James Fraser. Later, she studied with Andrew O'Connor in Paris. From the time she started studying sculpture, her interest in art grew, as did her particular concern for American art and artists. In 1907, she organized an art exhibition at the Colony Club, which included several contemporary American paintings. She also opened a studio on MacDougal Alley, which became known as the Whitney Studio and was a place where shows and prize competitions were held. (She also had other studios in Westbury, Long Island and Paris, France.) Over the years, her patronage of art included buying work, commissioning it, sponsoring it, exhibiting it, and financially supporting artists in America and abroad. From 1911 on, she was aided in her work by Juliana Force, who started out as Whitney's secretary, was responsible for art exhibitions at the Whitney Studio, and became the first director of the Whitney Museum of American Art.

The first recognition Whitney received for her sculpture came in 1908 when a project on which she had collaborated (with Grosvenor Atterbury and Hugo Ballin) won a prize for best design from the Architectural League of New York. The following year she received a commission to do a fountain sculpture for the Pan-American Building in Washington, D. C. She went on to do numerous other commissioned works over the next several decades, including: a fountain for the New Arlington Hotel in Washington D.C. (the design of which was reproduced in various sizes and materials, one cast being submitted to the 1915 Panama-Pacific International Exposition where it won a bronze medal and a later cast being installed on the campus of McGill University, Montreal, Canada in 1930); the Titanic Memorial (designed in 1913 and erected in 1930); the Buffalo Bill Memorial (1924) in Cody, Wyoming; the Columbus Memorial (1929) in Port of Palos, Spain; the Peter Stuyvesant statue in Stuyvesant Square (1939); and The Spirit of Flight (1939) for the New York World's Fair. In 1916, she had her first one-man show at the Whitney Studio, another at the Newport Art Association, and a retrospective at the San Francisco Art Association Palace of Fine Arts. A traveling exhibition in the Midwest followed in 1918.

During the First World War, Whitney was involved with numerous war relief activities, most notably establishing and supporting a hospital in Juilly, France. She made several trips to France during the war, keeping a journal and eventually publishing a piece on the hospital in several newspapers. Her sculpture during this period was largely focused on war themes. In 1919, she exhibited some of these works at the Whitney Studio in a show called "Impressions of War." In the years after the war, she was also commissioned to do several war memorials, including the Washington Heights War Memorial (1922) and the St. Nazaire Memorial (1926) commemmorating the landing of the American Expeditionary Force in France in 1917.

In 1918, Whitney opened the Whitney Studio Club, which served as pioneering organization for American art, putting on exhibition programs and offering social space and recreational amenities to its members (one point numbering over four hundred artists living in New York). She planned an "Overseas Exhibition" of American art, which traveled to Paris and other European cities in 1920-1921, and had her own shows in Paris and London in 1921. In 1928, the Whitney Studio Club was transformed into an art gallery, known as the Whitney Studio Galleries and directed by Juliana Force, which eventually became the Whitney Museum of American Art in 1931.

Whitney pursued creative writing throughout her life, but beginning in the 1930s writing became her principle means of creative expression. Over the years, she produced numerous manuscripts for stories, novels, and play. One novel, Walking the Dusk, was published in 1932 under the pseudonym L. J. Webb. Beginning in 1940, Whitney took a "Professional Writing" course at Columbia University with Helen Hull, which resulted in the production of numerous short stories. In 1941, she collaborated with Ronald Bodley to adapt one of her stories as a play and attempted to get it produced, although unsuccessfully.

In 1934, Whitney was involved in a custody battle for her niece, Gloria Vanderbilt (daughter of her late brother, Reginald Vanderbilt and his wife, Gloria Morgan Vanderbilt). In an agreement reached by the court, custody was awarded to Whitney and visitation rights to Gloria's mother. Litigation continued in the ensuing years.

In 1935, Whitney established the World's Fair Five Organization, with Juliana Force and four architects, to work on preparing a plan for the site of the 1939 New York World's Fair at Flushing Meadow, although the fair's own Board of Design ended up coming up with its own plan.

Whitney continued her work in sculpture, writing, art patronage, and philanthropy throughout the remaining years of her life. She died on April 18, 1942.
Related Archival Materials note:
Related material found in the Archives includes Research Material on Gertrude Vanderbilt Whitney compiled by Flora Miller Irving and the Whitney Museum of American Art artists' files and records, available on microfilm only (originals are located in the Whitney Museum of American Art). Also found in the Archives of American Art's Miscellaneous Exhibition Catalog Collection are a bundle of Whitney Studio Club and Mrs. H. P. Whitney's Studio catalogs and announcements.
Provenance:
The Gertrude Vanderbilt Whitney papers were donated in 1981 and 1991 by Whitney's granddaughter, Flora Miller Irving.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Philanthropists -- New York (State) -- New York  Search this
Topic:
Art patrons -- New York (State) -- New York  Search this
Women artists  Search this
Women sculptors  Search this
World War, 1914-1918  Search this
Genre/Form:
Lithographs
Photographs
Interviews
Sketchbooks
Diaries
Scrapbooks
Blueprints
Sketches
Citation:
Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitgert
See more items in:
Gertrude Vanderbilt Whitney papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9db113d72-cc31-4974-85fe-3e99c53dd62e
EDAN-URL:
ead_collection:sova-aaa-whitgert
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  • View Gertrude Vanderbilt Whitney papers digital asset number 1
Online Media:

Two unidentified women on tennis court with racquets

Collection Donor:
Hiller, John  Search this
Extent:
1 Autochromes (photographs)
Container:
Box 4
Type:
Archival materials
Slides
Autochromes (photographs)
Date:
circa 1920
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Sports  Search this
Tennis  Search this
Women  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, John Hiller lantern slide collection.
Identifier:
AAG.HLR, Item HLR176
See more items in:
John Hiller lantern slide collection
John Hiller lantern slide collection / Series 1: Gardens and Sites / Unidentified Location / Miscellaneous Subjects
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6e1615dc1-24f1-4f3d-a5ef-ebf8e460f3a6
EDAN-URL:
ead_component:sova-aag-hlr-ref746

Handstamp

Medium:
rubber
Dimensions:
0.125 x 1.125 x 2.25 in. (0.3175 x 2.8575 x 5.715 cm)
Type:
Mail Processing Equipment
Place:
Indiana
Date:
1987
Object number:
1991.0073.113
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm8fc7b4cd6-6cf4-4f4f-b5c3-26fa77d8b8ff
EDAN-URL:
edanmdm:npm_1991.0073.113

Handstamp

Medium:
rubber
Dimensions:
0.125 x 1.125 x 2.25 in. (0.3175 x 2.8575 x 5.715 cm)
Type:
Mail Processing Equipment
Place:
Indiana
Date:
1987
Object number:
1991.0073.311
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm83b26a3cd-d35c-41c5-86fc-731ba7334def
EDAN-URL:
edanmdm:npm_1991.0073.311

Warshaw Collection of Business Americana Subject Categories: Concrete

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
0.72 Cubic feet (consisting of 1.5 boxes, 1 folder, 1 oversize folder.)
Type:
Collection descriptions
Archival materials
Business ephemera
Ephemera
Date:
circa 1891-1959
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Concrete forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material consists primarily of trade catalogs, manuals, reference books, primers, handbooks, pamphlets, printed advertisements, caricatures, scattered correspondence on letterhead stationery, articles, instruction books and bulletins from manufacturers of cement and products made of concrete.

Most of the products produced by these companies are for home, industrial and public use. Concrete home products include garden furniture, porches, terraces, garages, walls, gateways, steps, walkways, driveways, pools and bird baths. Industrial and public concrete products include pipes, roads, highways, bridges, septic tanks, sewers and tennis courts. A number of the companies manufactured other products such as plates for reinforced concrete construction of roofs, floors and siding; collapsible steel forms; culverts; lime and plaster.

There are a number of publications included in the materials. Most of these are organized alphabetically by name of company and are found with the rest of the company related materials. Topics include concrete construction about the home and on the farm, concrete highway construction, design and control of concrete mixtures and concrete building frames. Many of these publications include a variety of photographs, diagrams and building specifications. Literature that is not an official publication of a manufacturing company is found at the end of company related materials.

The bulk of the material dates from the twentieth century. Box one is organized alphabetically by name of company. Materials in box two are also organized by company name. There are four folders arranged by type: related publications including bulletins, periodicals, pamphlets and books. There also is a folder of miscellaneous materials.
Arrangement:
Arranged into 2 subseries:

Subseries 1: Manufacturers and Distributors, circa 1891-1952

Subseries 2: Related Publications, circa 1907-1959
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Concrete is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cement  Search this
Building materials  Search this
Concrete  Search this
garden furniture  Search this
Roofing  Search this
Genre/Form:
Business ephemera
Ephemera
Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Concrete
See more items in:
Warshaw Collection of Business Americana Subject Categories: Concrete
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a64bea57-483b-46bc-a470-28593ca54cc3
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-concrete

Innovative Lives: Quickie Wheelchair Inventor Marilyn Hamilton

Creator:
Lemelson Center, National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2021-04-29T16:40:52.000Z
YouTube Category:
Science & Technology  Search this
Topic:
American History  Search this
See more by:
LemelsonCenter
Data Source:
Lemelson Center, National Museum of American History
YouTube Channel:
LemelsonCenter
EDAN-URL:
edanmdm:yt_zeElXpQ9KS8

Conner, Mary Robinson, diaries

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Container:
Box 64, Folder 1-4
Type:
Archival materials
Date:
1943-1957
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 2: Robinson Family / 2.5: Conner, Mary Robinson
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f819162c-7555-4912-9bb4-e97e9e9d4d2c
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref988
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Conner, Mary Robinson, diaries digital asset number 1

Travel guide published by the Afro-American

Published by:
The Afro-American, American, founded 1892  Search this
Distributed by:
Allen Hotel, American  Search this
Medium:
ink on paper
Dimensions:
H x W: 9 x 4 1/4 in. (22.9 x 10.8 cm)
Type:
travel guidebooks
Place made:
Baltimore, Maryland, United States, North and Central America
Place used:
Louisville, Jefferson County, Kentucky, United States, North and Central America
Date:
1940s
Topic:
African American  Search this
Advertising  Search this
Black Press  Search this
Business  Search this
Recreation  Search this
Segregation  Search this
Travel  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Stephanie Capparell, author of The Real Pepsi Challenge
Object number:
2011.35.2.50
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e496b5f0-700d-4c4f-bc4b-3443e8d7f3a5
EDAN-URL:
edanmdm:nmaahc_2011.35.2.50
5 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Travel guide published by the Afro-American digital asset number 1
  • View Travel guide published by the Afro-American digital asset number 2
  • View Travel guide published by the Afro-American digital asset number 3
  • View Travel guide published by the Afro-American digital asset number 4
  • View Travel guide published by the Afro-American digital asset number 5

Vacations at Taylor's Playfair

Photograph by:
Ouida F. Taylor, American, died 2001  Search this
Medium:
digital
Dimensions:
File size (overall): 62.47 MB
Type:
brochures
digital media - born analog
Place depicted:
Oak Bluffs, Dukes County, Massachusetts, United States, Martha's Vineyard, North and Central America
Date:
1950s
Topic:
African American  Search this
Communities  Search this
Domestic life  Search this
Families  Search this
Photography  Search this
Recreation  Search this
Segregation  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Teletia R. Taylor and descendants of Geraldine A. Taylor, Proprietor, "Taylor's Playfair"
Object number:
2014.112.113
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Collection title:
Taylor Family Album: Martha's Vineyard Memories
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd532174525-3eec-4f88-a183-8acc631ad0c6
EDAN-URL:
edanmdm:nmaahc_2014.112.113
Online Media:

Interview with Marat Safin

Creator:
Safin, Marat, 1980-  Search this
Kazanjian, Dodie, 1952-  Search this
Type:
Sound Recording
Date:
2005 April 5
Citation:
Marat Safin and Dodie Kazanjian. Interview with Marat Safin, 2005 April 5. Dodie Kazanjian papers, 1949-2017. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)23986
See more items in:
Dodie Kazanjian papers, 1949-2017, bulk 1980-2017
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_23986

Interview with Cindy Sherman, Interview with Vanessa Beecroft and Interview with a man named Max

Creator:
Sherman, Cindy  Search this
Kazanjian, Dodie, 1952-  Search this
Subject:
Beecroft, Vanessa  Search this
Type:
Sound Recording
Date:
2005 September 22
Citation:
Cindy Sherman and Dodie Kazanjian. Interview with Cindy Sherman, Interview with Vanessa Beecroft and Interview with a man named Max, 2005 September 22. Dodie Kazanjian papers, 1949-2017. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)24004
See more items in:
Dodie Kazanjian papers, 1949-2017, bulk 1980-2017
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_24004

Deportes the making of a sporting Mexican diaspora JoseĢ M. Alamillo

Author:
Alamillo, JoseĢ M. 1969-  Search this
Physical description:
1 online resource (vii, 279 pages) illustrations
Type:
Electronic resources
Electronic books
Place:
Mexico
Mexique
Date:
2020
Topic:
Sports  Search this
Athletes  Search this
Mexican American athletes  Search this
Sportifs ameĢricains d'origine mexicaine  Search this
SOCIAL SCIENCE / General  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155930

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