Winthrop-Steams Inc. Manuf. of Mebarol, Men of genius, Epileptic: Hector Berlioz 1803-1869; Lord Byron 1788-1824; Gustave Flaubert 1821-1880; Torquato Tasso 1544-1549; Vincent Van Gogh 1853-1890
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Medicine, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Tasso Island. Trip to Bunce Island with Joe Opala and Vera Viditz-Ward, Dec. 7-10, 1978. The date on the slide is FEB 79.
Local Numbers:
SL 8-4
U 2 SIL 8.4 CDC 78
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Our boat docking at Tasso Island. Trip to Bunce Island with Joe Opala and Vera Viditz-Ward, Dec. 7-10, 1978. The date on the slide is FEB 79.
Local Numbers:
SL 8-6
R 2 SIL 8.6 CDC 78
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Tasso Island village. Trip to Bunce Island with Joe Opala and Vera Viditz-Ward, Dec. 7-10, 1978. The date on the slide is FEB 79.
Local Numbers:
SL 8-7
U 2 SIL 8.7 CDC 78
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Tasso Island village. Trip to Bunce Island with Joe Opala and Vera Viditz-Ward, Dec. 7-10, 1978. The date on the slide is FEB 79.
Local Numbers:
SL 8-8
U 2 SIL 8.8 CDC 78
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Tasso Island [?; slide is labeled as Bunce Island. Trip to Bunce Island with Joe Opala and Vera Viditz-Ward, Dec. 7-10, 1979. The date on the slide is FEB 79.
Local Numbers:
SL-8-9
U 2 SIL 8.9 CDC 78
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
McGee and courville-Two step Tasso?--Adieu Rosa--My daddy's waltz; Manuel, Menard and Young--Bachelor's life--Bayou waltz--Allons y Lafayette--Jole blon--Jole Catin--I can't forget you--Laccasine special--Back door (La Porte D'en Arriere)
Local Numbers:
FP-1985-7RR-0051
General:
CDR copy
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1985.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Le jig francais / Beausoleil (4:10) -- Chere te mon / Nathan Abshire (2:38) -- Port Arthur blues / Wade Fruge (2:58) -- J'ai passé devant ta porte / Dewey Balfa, Marc Savoy & D.L. Menard (3:02) -- Fiddle stomp / Wallace "Cheese" Read (2:24) -- Chicot two-step / California Cajun Orchestra (2:48) -- Poor hobo / Harry Choates (2:44) -- Jolie blonde / Hackberry Ramblers (2:40) -- Two step D'Amédé / Savoy-Doucet Cajun Band (2:47) -- Bernadette / Canray Fontenot (1:18) -- Bosco stomp / Austin Pitre (2:36) -- La robe barrée = (The striped dress) / Magnolia Sisters (3:15) -- Basile breakdown / Dewey Balfa with Nathan Abshire (3:19) -- Grand tasso / Michael Doucet (2:09) -- Flames De'Enfer / Joe Falcon (4:35).
Local Numbers:
FP-ARH-CD-103
Arhoolie.103
Publication, Distribution, Etc. (Imprint):
El Cerrito, CA Arhoolie 1996
General:
Produced by Chris Strachwitz and Tom Diamant.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Tit Monde (Little Friend) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
102 Chere Bassette (Dear Little Woman) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
103 Sur la Bord de L'eau (By the Water's Edge) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion.
104 Fils a Nonc Hilaire, Les (Uncle Hilaire's Son's) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Guitar,Triangle (Musical instrument).
105 Brasse Donc, le Couche-couche/Grand Texas (Stir the Couche-couche/Big Texas) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
106 Il Savait Pas J'Etais Mariee (He Didn't Know I Was Married) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Guitar,Triangle (Musical instrument).
107 Sept Ans Sur Mer (Seven Years on the Sea) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion.
108 Grande Nuit Special (Big Night Special) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
109 Tits Yeux Bleus (Little Blue Eyes) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
110 Je Voudrais Bien Me Marier, Mais... (I'd Like to Get Married, But...) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion.
111 Un' Piastre Ici, Un' Piestre La-bas (A Dollar Here, a Dollar There) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar.
112 Memoires Dans Mon Coeur, Les (Memories of My Heart) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
113 Prends Courage (Take Courage) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Guitar,Triangle (Musical instrument).
114 Valse de Grande Piniere, La (Waltz of the Big Pines) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
115 Tasso / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion.
116 Derriere Chez Nous (Behind Our House) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
117 Brialle Pas, Jolis 'Tits Yeux Bleus/Don't Cry, My Bonnie Blue Eyes / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
118 Mama Rosanne / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument),Washboard band music.
119 Valse de Courville et McGee, La (The Happy One Step) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
120 Ma Blonde Est Partie (My Blonde Left) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
121 Dors, Dors/Fais Do Do (Sleep, Sleep/Go to Sleep) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Guitar,Triangle (Musical instrument).
122 Robe Barree, La (The Striped Dress) / Magnolia Sisters, Ann Allen Savoy, Jane Vidrine. Accordion,Fiddle,Guitar,Triangle (Musical instrument).
Local Numbers:
FP-ARH-CD-0183
Arhoolie.439
Publication, Distribution, Etc. (Imprint):
El Cerrito, CA Arhoolie 1995
Date/Time and Place of an Event Note:
Recorded in: Louisiana, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No Duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
1 Grand Tasso McGee 2:09 2 Valse Acadienne: Medley Duhon/McGee/Perry 3:07 3 One Step d'Amede Doecet 2:13 4 Valse d' Amédée Doecet 4:05 5 Contredanse de Freeman Fontenot 2:00 6 Bee's Blues Doucet/Fontenot 2:57 7 Valse a Pop Mcgee McGee 2:08 8 Blues Acadiens: Medley Carriere/Doucet/Per 2:12 9 Isabeau Se Proméne Public Domain [1] 5:03 10 Grand Mamou Chenier/Public Doma 3:21 11 Perrodin Two-Step Traditional 2:32 12 Chez Varise Connor Connor 3:09 13 Bétaille Fontenot 3:25 14 Gigue d' Acadie Alleman 1:31 15 Wade's Waltz Crevee 2:42 16 Sept Ans Sur Mer Public Domain [1] 3:43 17 Creole French Blues Doucet 1:53 18 Malheureuse 3:44 19 Valse d' Avant-Hier Doucet 4:01 20 Two-Step d'Ambrose Thibodeaux 2:01 21 Valse d'Auguste Breaux Breaux 2:53 22 Two-Step de Maman Ardoin/Doucet 3:53
Track Information:
101 Grand Tasso / Fiddle.
102 Valse Acadienne / Fiddle.
103 One-Step d'Amedee / Fiddle.
104 La Valse d'Amedee / Fiddle.
105 Contredanse de Freeman / Fiddle.
106 Bee's Blues / Fiddle.
107 Valse a Pop McGhee / Fiddle.
108 Blues Acadiens / Fiddle.
109 Isabeau Se Promene (Ballad) / Fiddle.
110 Grand Mamou / Fiddle.
111 Perrodin Two-Step / Fiddle.
112 Chez Varise Conner / Fiddle.
113 La Betaille / Fiddle.
114 Gigue D'Acadie / Fiddle.
115 Wade's Waltz (Caillette Est Crevee) / Fiddle.
116 Sept Ans Sur Mer (Ballad) / Fiddle.
117 Creole French Blues / Fiddle.
118 La Malheureuse / Fiddle.
119 Valse d'Avante-Heir / Fiddle.
120 Two-Step d'Ambrose / Fiddle.
121 La Valse d'Auguste Breaux / Fiddle.
122 Two-Step de Mama / Fiddle.
Local Numbers:
FP-ARH-CD-0097-7
Arhoolie.321
Publication, Distribution, Etc. (Imprint):
El Cerrito, CA Arhoolie 1989
General:
Traditional and original songs, sung in French, and dance music. Compact disc. Includes words of the songs, with English translations, and program notes.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
J'ai passer devant ta porte (Michael & David Doucet) -- La jog a plombeau (Michael & David Doucet) -- Hey! la bas (Miss Lollypop, vocals ; Michael & David Doucet) -- Malinda (Michael & David Doucet) -- Bosco stomp (Michael & David Doucet) -- Tasso (Michael & David Doucet) -- Creole blues (Sammy Rimington, Michael Doucet) -- I'm alone because I love you (Lionel Batiste, Sr., vocals ; Sammy Rimington, Michael Doucet) -- The blues won't let me take my rest (Henry Gray) -- Henry's bounce (Henry Gray) -- The little red rooster (Henry Gray) -- Cold chills (Henry Gray) -- Zydeco et la encore ("Sunpie" Barnes, Michael Doucet) -- Joe Pitre got two women = Joe Pitre et deux femme ("Sunpie" Barnes, Michael Doucet) -- Baby please don't go ("Sunpie" Barnes, Michael Doucet) -- Just a closer walk with thee (Tremer Brass Band) -- I'll fly away (Tremer Brass Band) -- Sing on (Tremer Brass Band).
Local Numbers:
FP-ARH-CD-0534
Arhoolie.534
Publication, Distribution, Etc. (Imprint):
El Cerrito, CA Arhoolie 2008
Date/Time and Place of an Event Note:
Recorded in: United States, Louisiana, New Orleans (La.).
General:
Compact disc. Program notes by Chris Strachwitz on insert.
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Works of art by Blume include sketches, preliminary drawings, prints, and one final drawing. Media include pencil, pen, pastel, and charcoal. Sketches entitled Doodles were likely numbered and identified by Blume. Also found are a series of drawings of heads, some of which are mounted. Studies for Blume's works include: Parade (1930), The Obelisk (1932), Harps (1932), Fracture Ward (1945), The Rock (1948), The Shrine (1950), The Crucifixion (1951), Castle of Euralyus (1952), Landscape in Bali (1954), The Passage to Aetna (1956), Hadrian's Villa (1958), Tasso's Oak (1960), Banyon Trees (1961), Winter (1964), Summer (1966), Satyr with Cock (1967), Recollection of the Flood (1969), Boulders of Avila (1976), From the Metamorphosis (1979), Crashing Surf (1982), and Autumn (1984).
Works by Peter Blume owned by the Craton family are also found. These include three prints, one entitled Harps, and one drawing entitled New England Snow, which was exhibited at the Whitney Museum of American Art in 1938.
Also found is a work by Deborah Nourse Lattimore entitled Gilt Venus.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter Blume papers, 1870-2001. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter Blume papers, 1870-2001. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
