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Charles Howard Walker

Artist:
Edmund Charles Tarbell, 26 Apr 1862 - 1 Aug 1938  Search this
Sitter:
Charles Howard Walker, 1857 - 1936  Search this
Medium:
Oil on canvas on masonite
Dimensions:
50.9cm x 41cm (20 1/16" x 16 1/8"), Accurate
Type:
Painting
Date:
c. 1911
Topic:
Interior  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Charles Howard Walker: Male  Search this
Charles Howard Walker: Visual Arts\Architecture Instructor  Search this
Portrait  Search this
Credit Line:
Owner: National Academy of Design
Website: www.nationalacademy.org/
Object number:
1241-P-303
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4b19ce80b-3ac2-4422-917f-5d0426133e29
EDAN-URL:
edanmdm:npg_1241-P-303

Rolland Harty Spaulding

Artist:
Edmund Charles Tarbell, 26 Apr 1862 - 1 Aug 1938  Search this
Sitter:
Rolland Harty Spaulding, 1873 - 1942  Search this
Medium:
Oil on canvas
Dimensions:
125.8cm x 95.7cm (49 1/2" x 37 11/16"), Sight
Type:
Painting
Date:
1917
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Printed Material\Book  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Home Furnishings\Furniture\Table  Search this
Costume\Jewelry\Chain  Search this
Rolland Harty Spaulding: Male  Search this
Rolland Harty Spaulding: Politics and Government\Governor\New Hampshire  Search this
Portrait  Search this
Credit Line:
Owner: State of New Hampshire
Object number:
NH030090
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm463cd0147-fc1b-4350-b69e-fc818883ab7a
EDAN-URL:
edanmdm:npg_NH030090

My Daughter Josephine

Artist:
Edmund Charles Tarbell, 26 Apr 1862 - 1 Aug 1938  Search this
Sitter:
Josephine Tarbell, c. 1890 - ?  Search this
Medium:
Oil on canvas
Dimensions:
68.5cm x 50.7cm (26 15/16" x 19 15/16"), Accurate
Type:
Painting
Date:
c. 1906
Topic:
Interior  Search this
Costume\Headgear\Hat  Search this
Costume\Dress Accessory\Flower  Search this
Josephine Tarbell: Female  Search this
Portrait  Search this
Credit Line:
Owner: National Academy of Design
Website: www.nationalacademy.org/
Object number:
1238-P-762
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm455d1287f-96c9-4611-8647-08cb59a32187
EDAN-URL:
edanmdm:npg_1238-P-762

Edmund Charles Tarbell

Artist:
Edmund Charles Tarbell, 26 Apr 1862 - 1 Aug 1938  Search this
Sitter:
Edmund Charles Tarbell, 26 Apr 1862 - 1 Aug 1938  Search this
Medium:
Oil on canvas
Dimensions:
43.7cm x 35.4cm (17 3/16" x 13 15/16"), Accurate
Type:
Painting
Date:
c. 1889
Topic:
Interior  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Costume\Dress Accessory\Eyeglasses\Pince-nez  Search this
Self-portrait  Search this
Edmund Charles Tarbell: Male  Search this
Edmund Charles Tarbell: Visual Arts\Artist\Painter  Search this
Edmund Charles Tarbell: Visual Arts\Artist\Painter\Portraitist  Search this
Edmund Charles Tarbell: Visual Arts\Art Instructor  Search this
Portrait  Search this
Credit Line:
Owner: National Academy of Design
Website: www.nationalacademy.org/
Object number:
1239-P-1415
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4e4422537-c142-42bb-8172-7b090fffbeb6
EDAN-URL:
edanmdm:npg_1239-P-1415

'The Ten'

Subject:
Benson, Frank Weston  Search this
Chase, William Merritt  Search this
DeCamp, Joseph  Search this
Dewing, Thomas Wilmer  Search this
Hassam, Childe  Search this
Metcalf, Willard Leroy  Search this
Reid, Robert  Search this
Simmons, Edward  Search this
Tarbell, Edmund Charles  Search this
Weir, Julian Alden  Search this
Type:
Photographs
Date:
1908
Topic:
Artists in groups  Search this
Record number:
(DSI-AAA)2574
See more items in:
Macbeth Gallery records, 1947-1948, bulk 1892-1953
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_2574
Online Media:

Ten American painters: the first exhibition, catalogue of the pictures

Creator:
Durand-Ruel Galleries (New York, N.Y.)  Search this
Subject:
Benson, Frank Weston  Search this
DeCamp, Joseph  Search this
Dewing, Thomas Wilmer  Search this
Hassam, Childe  Search this
Metcalf, Willard Leroy  Search this
Reid, Robert  Search this
Simmons, Edward  Search this
Tarbell, Edmund Charles  Search this
Twachtman, John Henry  Search this
Weir, Julian Alden  Search this
Type:
Printed Materials
Date:
1898
Topic:
Exhibitions  Search this
Ten American Painters (New York, N.Y.)  Search this
Record number:
(DSI-AAA)14281
See more items in:
Thomas Wilmer Dewing and Dewing family papers, 1876-1963, bulk 1890-1930
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14281

Stanley Woodward papers, 1875-1970, bulk 1905-1970

Creator:
Woodward, Stanley Wingate, 1890-1970  Search this
Subject:
Merrill, Gary  Search this
Nichols, Hobart  Search this
Lee, Madaline  Search this
Lupino, Ida  Search this
Hayworth, Rita  Search this
Kent, Norman  Search this
Fabri, Ralph  Search this
Grant, Gordon  Search this
Tarbell, Edmund Charles  Search this
Thieme, Anthony  Search this
Smith, Alexis  Search this
Smith, Howard (Howard Everett)  Search this
Ryder, Chauncey F.  Search this
Oakley, Thornton  Search this
Powell, Eleanor  Search this
Beal, Gifford  Search this
Cady, Harrison  Search this
Butler, Mary  Search this
Craine, Jeanne  Search this
Carter, Janis  Search this
Darnell, Linda  Search this
Custis, Eleanor Parke  Search this
Day, Laraine  Search this
Davis, Bette  Search this
Salmagundi Sketch Club  Search this
Type:
Photographs
Diaries
Writings
Drawings
Scrapbooks
Topic:
Marine painters -- Massachusetts  Search this
Educators -- Massachusetts  Search this
World War, 1914-1918  Search this
Marine painting -- Technique  Search this
Illustrators -- Massachusetts  Search this
Artists' studios  Search this
World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)8640
(DSI-AAA_SIRISBib)210820
AAA_collcode_woodstan
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210820
Online Media:

Hermann Dudley Murphy papers, circa 1878-1982

Creator:
Murphy, Hermann Dudley, 1867-1945  Search this
Subject:
Abbott, Mary Ogden  Search this
Prendergast, Maurice Brazil  Search this
Barrie, Erwin S.  Search this
Ryder, Chauncey F.  Search this
Sizer, Theodore  Search this
Trowbridge, Alexander Buell  Search this
Tarbell, Edmund Charles  Search this
Vose Galleries of Boston  Search this
Type:
Photographs
Scrapbooks
Prints
Sketches
Sketchbooks
Topic:
Picture frames and framing -- Massachusetts  Search this
Record number:
(DSI-AAA_CollID)7311
(DSI-AAA_SIRISBib)209464
AAA_collcode_murpherm
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209464
Online Media:

Philip Leslie Hale papers, 1818-1962, bulk 1877-1939

Creator:
Hale, Philip Leslie, 1865-1931  Search this
Subject:
Butler, Theodore Earl  Search this
Hale, Nancy  Search this
Cox, Kenyon  Search this
Hart, William H.  Search this
Tarbell, Edmund Charles  Search this
Kennedy, Albert J. (Albert Joseph)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Type:
Photographs
Interviews
Sketchbooks
Sketches
Topic:
Art -- History  Search this
Art -- Study and teaching  Search this
Painting, American  Search this
Art teachers -- Massachusetts -- Boston  Search this
Painters -- Massachusetts -- Boston  Search this
Authors -- Massachusetts -- Boston  Search this
Artists' studios -- Massachusetts -- Boston -- Photographs  Search this
Record number:
(DSI-AAA_CollID)7634
(DSI-AAA_SIRISBib)209797
AAA_collcode_halephil
Theme:
Sketches & Sketchbooks
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209797
Online Media:

Philip Leslie Hale papers

Creator:
Hale, Philip Leslie, 1865-1931  Search this
Names:
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Butler, Theodore Earl, 1861-1936  Search this
Cox, Kenyon, 1856-1919  Search this
Hale, Nancy, 1908-  Search this
Hart, William H., b. 1863  Search this
Kennedy, Albert J. (Albert Joseph), 1879-1968  Search this
Tarbell, Edmund Charles, 1862-1938  Search this
Extent:
7.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Sketchbooks
Sketches
Date:
1818-1962
bulk 1877-1939
Summary:
The papers of Boston painter, teacher, critic, and writer Philip Leslie Hale measure 7.4 linear feet and date from 1818 to 1962, with the bulk of the material dating from 1877 to 1939. Biographical information; correspondence with family, friends, and colleagues, including many artists; sketches and 9 sketchbooks; writings; printed material; and photographs document the artist's career and personal life. The collection also includes research materials and catalogs compiled by Albert J. Kennedy for a never-published Philip Leslie Hale memorial volume.
Scope and Contents note:
The papers of Boston painter, teacher, critic, and writer Philip Leslie Hale measure 7.4 linear feet and date from 1818 to 1962, with the bulk of the material dating from 1877 to 1939. Biographical information; correspondence with family, friends, and colleagues, including many artists; sketches and 9 sketchbooks; writings; printed material; and photographs document the artist's career and personal life. The collection also includes research materials and catalogs compiled by Albert J. Kennedy for a never-published Philip Leslie Hale memorial volume.

Biographical materials include financial and legal records; personal documents, such as educational records and biographical notes; printed material; and notes concerning art classes and teaching. Also included are scattered letters, invitations, schoolwork, and notebooks from his youth. Ten notebooks contain sketches, along with some class notes and essays.

Family, general, and business correspondence document the personal and professional life of Philip Leslie Hale and, to a lesser extent, several of his relatives. Family correspondence includes Hale's exchanges with various relatives, and some of their correspondence with others. General correspondence with friends, colleagues, and other artists is both personal and professional in nature. Correspondents include Theodore Butler, Kenyon Cox, Nancy Hale, William H. Hart, and Edmund C. Tarbell. Business correspondence concerns many aspects of Hale's career. Correspondents include students, arts institutions, models, and publishers.

Writings by Philip L. Hale consist of lectures on anatomy, art history, and various art topics; miscellaneous articles; notes on artists, esthetics and philosophy either for classroom use or his writings; character sketches, a play, poems, and political writings.

Artwork consists of 9 sketchbooks and loose sketches in pencil and ink of heads, figures, anatomical studies, landscapes, and miscellaneous subjects. A much smaller number of pastels, prints, and oil sketches are included. This series also includes a few items by other artists.

Research files and catalogs, compiled from 1932 to 1939 by Hale's friend Albert J. Kennedy for a never-published memorial volume, include extensive correspondence and notes of interviews with friends, relatives, colleagues, former students, and models recording their reminiscences of Hale. Kennedy collected exhibition catalogs and a variety of other printed material, along with biographical and genealogical information, and photographs of Hale's work. Many of his research notes consist of handwritten transcriptions of published articles by and about Hale.

Printed material about Philip L. Hale includes articles, reviews, and miscellaneous newspaper clippings mentioning him or containing reproductions of his work. Printed items by Hale consist of art reviews, miscellaneous articles on art topics, copies of his columns that appeared in Arcadia: A Journal Devoted to Music, Art and Literature, and the text of a speech.

The majority of photographs record works of art, mainly by Philip L. Hale, and also by Lilian Westcott Hale, Robert Payne, and Edmund C. Tarbell. Personal photographs include images of Hale, his relatives, and friends. There are also several group portraits of the 1915 Panama-Pacific Exhibition Jury, a group portrait with students, views of Hale at work in his studio and in the classroom, pictures of a summer house, and landscapes.
Arrangement note:
The collecion is arranged as 7 series:

Series 1: Biographical Materials, 1875-1939 (0.4 linear feet; Box 1)

Series 2: Correspondence, 1818-1944 (2 linear feet; Boxes 1-3)

Series 3: Writings, circa 1910-1930 (0.8 linear feet; Boxes 3-4)

Series 4: Artwork, circa 1870-1930 (0.4 linear feet; Box 4)

Series 5: Memorial Book, circa 1862-1962 (2.8 linear feet; Boxes 4-8, OV 9)

Series 6: Printed Material, 1883-1951 (8 folders; Box 7)

Series 7: Photographic Material, 1868-1931 (12 folders; Box 7)
Biographical/Historical note:
Philip Leslie Hale (1865-1931) was the son of prominent Unitarian minister and well-known author, Edward Everett Hale. Members of this distinguished old Boston family included such ancestors as Revolutionary War hero Nathan Hale, influential preacher Lyman Beecher, educator Catherine Beecher, and Harriet Beecher Stowe, author of Uncle Tom's Cabin. From a young age Philip's talent and interest in drawing was encouraged by his parents, especially his mother. An older artist sister, Ellen Day Hale (1855-1940) and an aunt, Susan Hale (1834-1910), a trained painter, provided Philip with his first art lessons.

Family tradition and expectations decreed that after completing studies at the Boston Latin School and Roxbury Latin School, Hale would attend Harvard. After passing Harvard's entrance examination, as required by his father, Philip was free to pursue art. He enrolled in the School of the Museum of Fine Arts, Boston, in the fall of 1883, where he was an early pupil of Edmund C. Tarbell. The following year he continued his studies in New York at the Art Students League under J. Alden Weir and Kenyon Cox.

In early 1887, Hale went to Paris, adopted a bohemian lifestyle, and studied at the Ecole des Beaux-Arts and the Académie Julian. He became friends with fellow students Theodore Butler and William Howard ("Peggy") Hart. In the summer of 1888, the three made their first trip to Giverny, where they were among the first Americans to experiment with Impressionism. They met other American artists, including Theodore Robinson, John Leslie Breck, and Theodore Wendel, who also had been drawn to Giverny by the presence of Claude Monet. Hale returned to Boston in the summer of 1890, but was soon drawn back to Paris to be with his sweetheart Katharine Kinsella. He spent the summers of 1891-1893 continuing his experiment with Impressionism in Giverny, and during that period traveled to London, Paris, and Spain, periodically returning home and to the family's Rhode Island summer place.

In 1893 Hale began teaching cast drawing at the School of the Museum of Fine Arts, Boston, where he remained on the faculty until his death in 1931. Eventually he became the chief instructor of drawing, and also offered courses in life drawing, artistic anatomy, and art history. Hale also taught at the Worcester Art Museum (1898-1910), the Pennsylvania Academy of the Fine Arts (1913-1928), and Boston University (1926-1928).

Hale's first solo exhibition, held in 1899 at Durand-Ruel Galleries in New York City, consisted of Impressionist paintings and pastels that received mixed reviews. In subsequent years his work became increasingly academic and focused on figure paintings and portraits. He exhibited frequently in national and international shows, won numerous medals and prizes, and was elected an Associate National Academician of the National Academy of Design in 1917.

In 1902, Hale married former student, Lilian Westcott, a painter and portraitist whose success during some periods eclipsed that of her husband.

Philip Leslie Hale, like many of his relatives, was a noted writer and speaker. His column "Art in Paris" appeared regularly in the Canadian-based periodical Arcadia: A Journal Devoted to Music, Art and Literature between 1892 and 1893 and discussed Impressionism, Post-Impressionism, and Symbolism. Hale regularly contributed art columns, reviews, and miscellaneous articles to the Boston Daily Advertiser, Boston Commonwealth, Boston Herald, and Boston Evening Transcript during the first decade of the twentieth century.

Hale's teaching stressed the importance of learning Old Master's techniques. He had a life-long interest in Vermeer, and as a writer and critic he generated quite a bit of enthusiasm for that artist among the figurative painters of the Boston School, his own students, and others. Jan Vermeer of Delft, a highly regarded monograph by Philip Leslie Hale - the first on the subject published in the United States - appeared in 1913. He wrote several other books on art subjects, and his services as a lecturer on art topics were sought after by a variety of organizations both locally and nationally.

Philip Leslie Hale died following emergency surgery in Dedham, Massachusetts, on February 2, 1931.
Related Archival Materials note:
The Archives of American Art also holds a separately cataloged collection of Philip Leslie Hale drawings on microfilm reel 3766 and two collections related to the Hale family, including the Ellen Hale and Hale family papers and the Edward Everett Hale letter to an unidentified person.
Provenance:
The Philip Leslie Hale papers were donated to the Archives of American Art in 1962 by the artist's daughter, Nancy Hale Bowers. Additionally, notes written by Mrs. Nathan Hale were donated by Lilian Westcott Hale in 1963.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Philip Leslie Hale papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art critics -- Massachusetts -- Boston  Search this
Topic:
Art -- History  Search this
Art -- Study and teaching  Search this
Painting, American  Search this
Art teachers -- Massachusetts -- Boston  Search this
Painters -- Massachusetts -- Boston  Search this
Authors -- Massachusetts -- Boston  Search this
Artists' studios -- Massachusetts -- Boston -- Photographs  Search this
Genre/Form:
Photographs
Interviews
Sketchbooks
Sketches
Citation:
Philip Leslie Hale papers, 1818-1962, bulk 1877-1939. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.halephil
See more items in:
Philip Leslie Hale papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halephil
Online Media:

Beatrice Whitney Van Ness papers

Creator:
Van Ness, Beatrice Whitney, 1888-1981  Search this
Progressive Education Association (U.S.)  Search this
Names:
D'Amico, Victor, 1904-1987  Search this
Hale, Philip Leslie, 1865-1931  Search this
Rebay, Hilla, 1890-1967  Search this
Tarbell, Edmund Charles, 1862-1938  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1883-1985
Scope and Contents:
Letters, writings and notes, art works, printed material and photographs.
Brief resumes, a genealogy of Van Ness' family and a citation from Beaver Country Day School for "Meritorious Service"; correspondence from family members, colleagues and friends includes 5 letters from Victor D'Amico and the Progressive Education Association regarding her participation in upcoming events; extensive notes and writings by Van Ness and others regarding art education theory and practice and a brief history of Beaver Country Day School written by Van Ness in 1981; teaching files, undated and 1932-1944, containing course outlines, exams and class assignments for courses taught at BCDS;
a notebook describing the dimensions, locations and types of various picture frames; a card file describing paintings by Van Ness; figure drawings, still lifes, contour drawings and charcoal studies done when she was a student; studies of people done in preparation for paintings, portrait sketches and 2 sketches of Van Ness done by her students; photographs of Van Ness, her family, models (for paintings), colleagues and teachers (includes a photo of Philip Hale and Edmund Tarbell, ca. 1905-1980), numerous photos of paintings by Van Ness, ca. 1910-1980, and photos of drawings by her students.
Printed materials include 2 articles by Van Ness on art education published in ART EDUCATION TODAY (1939) and HIGH SCHOOL JOURNAL (1940); exhibition catalogs, announcements, clippings and an essay by Hilla Rebay entitled "The Beauty of Non-Objectivity."
Biographical / Historical:
Painter, educator; Chesnut Hill, Mass. Founder and head of the Art Department at Beaver Country Day School in Chestnut Hill (1921-1949). She studied child and adolescent behavior as applied to art education practice. Through articles, essays and presentations she advocated a more vital and integral role for art education in overall curriculum strategy.
Provenance:
Donated 1983 by Van Ness's daughters Mary Crocker and Silvia Martin.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art -- Study and teaching -- United States  Search this
Women artists  Search this
Identifier:
AAA.vanness
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vanness

Lilla Cabot Perry and Perry family papers [microfilm]

Creator:
Perry, Lilla Cabot  Search this
Names:
Berenson, Bernard, 1865-1959  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
James, Henry, 1843-1916  Search this
Lowell, James Russell, 1819-1891  Search this
Monet, Claude, 1840-1926  Search this
Perry, Margaret  Search this
Perry, Thomas Sergeant, 1845-1928  Search this
Robinson, Edwin Arlington, 1869-1935  Search this
Tarbell, Edmund Charles, 1862-1938  Search this
Extent:
4 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1861-[ca. 1943]
Scope and Contents:
Biographical documents; correspondence; diaries; writings; photographs; and printed material. Included are letters to and from Lilla Cabot Perry, and selected letters to and from her husband Thomas Sergeant Perry and daughter Margaret Perry from family members, artists, writers, poets and friends. Correspondents include: Bernard Berenson, Henry James, James Russell Lowell, Claude Monet, Edwin Arlington Robinson, and Edmund Charles Tarbell. Also included are French identification cards for Lilla Cabot Perry and her husband, 1897; diaries of Lilla Cabot Perry, 1874?/1875, 1886, and of Thomas Perry, 1887-1894; guest book of Thomas and Margaret Perry; poems, and "Reminiscences of Claude Monet" by Lilla Cabot Perry; typed commentary by Edwin Arlington Robinson for the jacket of Perry's THE JAR OF DREAMS, with notes by her; "Reminiscences of Edwin Arlington Robinson" by Margaret Perry; inscribed photographs of Henry James and James Russell Lowell, and a signed photograph of Claude Monet; an obituary of Perry; and a Memorial Exhibition catalog.
Biographical / Historical:
Impressionist painter and author; Boston, Mass., Giverny, France, and Hancock, N.H.; b. 1848; d. 1933. Thomas Sergeant Perry, author, educator; Boston, Mass., Giverny, France, and Hancock, N.H. Lilla Cabot Perry studied painting at Cowles Art School in Boston with Dennis Miller Bunker and Robert Vonnoh, and in Paris at the Julian and Colarossi academies, and at Alfred Stevens' studio. She had a house in Giverny, France and introduced numerous American artists, who came to Giverny to paint, to her neighbor, Claude Monet. She wrote several books of poetry including FROM THE GARDEN OF HELLAS, THE HEART OF THE WEED and THE JAR OF DREAMS. In 1874, she married Thomas Sergeant Perry, a tutor in French and German at Harvard University and later an instructor in English. He was also the author of several books. The Perrys had three daughters, Margaret, Alice, and Edith. Alice married Joseph Clark Grew, a diplomat who was United States ambassador to Turkey and Japan, and undersecretary of state.
Provenance:
Lent for microfilming 1992 by Colby College Library, Special Collections.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Painters -- New Hampshire -- Hancock  Search this
Painters -- France -- Giverny  Search this
Painters -- France -- Giverny  Search this
Painters -- Massachusetts -- Boston  Search this
Painters -- New Hampshire -- Hancock  Search this
Topic:
Women painters -- Massachusetts -- Boston  Search this
Women painters -- New Hampshire -- Hancock  Search this
Painting, Modern -- 20th century -- United States  Search this
Impressionism (Art) -- United States  Search this
Impressionism (Art) -- France -- Giverny  Search this
Identifier:
AAA.perrlill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-perrlill

Edward Robinson

Artist:
Edmund Charles Tarbell, 26 Apr 1862 - 1 Aug 1938  Search this
Sitter:
Edward Robinson, 1858 - 1931  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 117 × 86.3 cm (46 1/16 × 34")
Type:
Painting
Date:
1906
Topic:
Home Furnishings\Furniture\Table  Search this
Home Furnishings\Furniture\Seating\Chair\Armchair  Search this
Printed Material\Papers  Search this
Interior\Office  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Edward Robinson: Male  Search this
Edward Robinson: Visual Arts\Art Collector  Search this
Edward Robinson: Visual Arts\Curator  Search this
Edward Robinson: Humanities and Social Sciences\Classicist  Search this
Edward Robinson: Humanities and Social Sciences\Archaeologist  Search this
Edward Robinson: Society and Social Change\Benefactor  Search this
Edward Robinson: Visual Arts\Administrator\Art Museum\Director  Search this
Edward Robinson: Visual Arts\Art Director  Search this
Portrait  Search this
Credit Line:
Owner: Museum of Fine Arts, Boston
Website: https://www.mfa.org/collections/search
Object number:
06.1895 MFAB
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm42b797d2d-3cc5-4d6c-91d4-0502dfd4c01b
EDAN-URL:
edanmdm:npg_06.1895_MFAB

Stanley Woodward papers

Creator:
Woodward, Stanley Wingate, 1890-1970  Search this
Names:
Salmagundi Sketch Club  Search this
Beal, Gifford, 1879-1956  Search this
Butler, Mary  Search this
Cady, Harrison, 1877-1970  Search this
Carter, Janis, 1921-  Search this
Craine, Jeanne  Search this
Custis, Eleanor Parke, 1897-1983  Search this
Darnell, Linda, 1921-1965  Search this
Davis, Bette, 1908-1989  Search this
Day, Laraine, 1920-2007  Search this
Fabri, Ralph, 1894-1975  Search this
Grant, Gordon, 1875-1962  Search this
Hayworth, Rita, 1918-1987  Search this
Kent, Norman, 1903-1972  Search this
Lee, Madaline  Search this
Lupino, Ida, 1918-1995  Search this
Merrill, Gary  Search this
Nichols, Hobart, 1869-1962  Search this
Oakley, Thornton, 1881-1953  Search this
Powell, Eleanor, 1912-1982  Search this
Ryder, Chauncey F., 1868-1949  Search this
Smith, Alexis, 1921-1993  Search this
Smith, Howard (Howard Everett), 1885-1970  Search this
Tarbell, Edmund Charles, 1862-1938  Search this
Thieme, Anthony, 1888-1954  Search this
Extent:
6.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Writings
Drawings
Scrapbooks
Date:
1875-1970
bulk 1905-1970
Summary:
The papers of marine painter, illustrator, writer and art instructor Stanley Woodward date from 1875-1970, bulk 1905-1970, and measure 6.6 linear feet. Found within the papers are biographical materials, family and personal correspondence, seventeen diaries, notes, notebooks and other writings, business records, a scrapbook and printed material including exhibition announcements and catalogs; and photographs of Woodward, members of his family, friends, his studio, and artwork. Files containing letters, clippings, and photographs concern actresses including Janis Carter, Linda Darnell, Bette Davis, and Eleanor Powell. Writings include drafts of Woodward's book Adventure in Marine Painting.
Scope and Content Note:
The papers of marine painter, illustrator, writer and art instructor Stanley Woodward date from 1875-1970, bulk 1905-1970, and measure 6.6 linear feet. Found within the papers are biographical materials, artworks, family and personal correspondence, seventeen diaries, notes, notebooks and other writings, business records, a scrapbook and printed material including exhibition announcements and catalogs; and photographs of Woodward, members of his family, friends, and his studio. Files containing letters, clippings, and photographs concern actresses including Janis Carter, Linda Darnell, Bette Davis, and Eleanor Powell. Writings include drafts of Woodward's book Adventure in Marine Painting.

Biographical material includes miscellaneous accounts of Woodward's life, cards and certificates of membership in various organizations including the Massachusetts Society of the Sons of the American Revolution, the Salmagundi Club, and the Academic Artist Association, military records of his service in both World Wars, and scattered artwork. A file concerning Woodward's portrait of Abraham Lincoln contains letters primarily discussing a reproduction of the portrait in The Boston Globe and the painting's eventual sale, in addition to notes, clippings, an ink drawing, and a photographic negative of the drawing.

Correspondence is between various family members, but also includes letters to Woodward from colleagues including Harrison Cady, Eleanor Parke Custis, Ralph Fabri, Chauncey F. Ryder, and Howard E. Smith. There are also scattered letters from other artists including Gifford Beal, Mary Butler, Gordon Grant, Norman Kent, Hobart Nichols, Thornton Oakley, Edmund Tarbell, and Anthony Thieme. Correspondence primarily concern his painting career, and includes lists of art work and financial material.

Artwork consists of a sketchbook and three sketches.

Files concerning actresses reflect Woodward's life-long friendship with former teenaged neighbor Bette Davis, who later introduced Woodward and his art work to her show business friends. The files contain letters, clippings, and photographs of actresses Janis Carter, Linda Darnell, Bette Davis, Laraine Day, Madaline Lee, Ida Lupino, Eleanor Powell, and Alexis Smith.

Seventeen diaries contain relatively detailed daily entries describing Woodward's art-related activities, experiences during World War II, and various travels, including a trip to Los Angeles to be a house guest of Bette Davis and visit her on the set of the motion picture Elizabeth and Essex. The 1905 diary contains photographs of Woodward's school friends.

Notes, notebooks, and writings include lists of art works, exhibition guest books, and miscellaneous writings by Woodward including drafts of his book Adventure in Marine Painting.

Business records include an auction catalog, account books for the sale of Woodward's book and art work, and miscellaneous receipts. Records of art classes taught by Woodward include lists of participants, accounts of fees paid, and printed advertisements.

A scrapbook containing clippings and exhibition announcements and catalogs illustrates Woodward's early interests and art-related activities.

Additional printed material consists of clippings, copies of the U. S. Air Corps Magazine The Rip Chord for which Woodward did the cover illustrations, prospectuses with annotations of titles and prices of art work, exhibition announcements and catalogs, reproductions of art work, a booklet, and brochures for books and for art schools. Miscellaneous printed material includes reproductions of a photograph of Woodward's father, Frank E. Woodward, and a program for an event honoring Dr. T. Tertius Noble.

Photographs are of Woodward, family members, friends connected with the U. S. Army Air Force including Jack Dempsey, Woodward's studio, and art work. Three albums contain photographs of art classes and Woodward painting outdoors at various locations including Laguna Beach and Palm Springs, California, St. Augustine, Florida, and Rockport, Massachusetts. A third album also contains photographs of notable friends including Janis Carter, Jeanne Craine, Bette Davis, Rita Hayworth, and Gary Merrill.
Arrangement:
The collection is arranged into 10 series. Each series is arranged chronologically.

Series 1: Biographical Material, 1918-1968 (Boxes 1, 8; 15 folders)

Series 2: Artwork, circa 1920s (Boxes 1; 2 folders)

Series 3: Correspondence, 1910-1969 (Boxes 1-3; 2.9 linear feet)

Series 4: Files Concerning Actresses, 1931-1970 (Boxes 4, 8; 0.75 linear feet)

Series 5: Diaries, 1905-1969 (Boxes 4-5; 10 folders)

Series 6: Notes, Notebooks, and Writings, 1915-1969 (Boxes 5, 8; 21 folders)

Series 7: Business Records, 1924-1969 (Boxes 5-6; 15 folders)

Series 8: Scrapbook, 1875-1919 (Box 6; 1 folder)

Series 9: Printed Material, 1916-1970 (Boxes 6-7; 0.75 linear feet)

Series 10: Photographs, 1920-1969 (Boxes 7-8, OV 9; 11 folders)
Biographical Note:
Stanley Wingate Woodward was born on December 11, 1890, in Malden, Massachusetts, son of Alice E. (Colesworthy) and Frank E. Woodward. He was one of eight children and a twin of Sidney, who later became an art dealer and critic.

In 1909, Woodward graduated from Malden High School and the family moved to Wellesley Hills. He studied at the Eric Pape School of Art, the School of the Boston Museum of Fine Arts, and the Pennsylvania Academy of the Fine Arts. He left school to serve in France as a Corporal in the Field Artillery 28th Division during World War I. After the war, he settled in Ogunquit, Maine, and became a free lance illustrator for Collier's and the Christian Science Monitor, where his brother Sidney was art editor.

In 1925, he held his first solo show of marine oils at Casson Galleries, Boston, where his twin brother Sidney was manager. He was encouraged to continue painting the ocean after the entire exhibition sold out.

Woodward married Ruth Brainerd in 1926 and they settled in Newton, Massachusetts, where they were neighbors to a young Bette Davis, who had recently graduated from high school. Woodward maintained contact with the actress for the rest of his life, and through Ms. Davis, he befriended other show business personalities.

During the 1930s, Woodward taught painting at the Woodward Outdoor Painting School of Rockport, Massachusetts, at the University of North Carolina at Chapel Hill, at the Ringling School of Art in Sarasota, Florida, and at the Laguna Beach School in California. In 1937, he established his residence and studio in Rockport, Massachusetts.

Woodward served as an Air Corps captain and director of camouflage training at McChord Field in Tacoma, Washington, during World War II. In 1947, he published a book on painting techniques entitled Adventure in Marine Painting. He was also the author of Marine Paintings in Oil and Water Color.

Woodward was a member of the Chicago Society of Etchers, the Concord Art Association, the Print Makers Society of California, the Boston Society of Water Color Painters, Allied Artists of America, the Guild of Boston Artists, the North Shore Art Association, the American Water Color Society, the Grand Central Galleries Association, and the Rockport Art Association. His work is in the collections of the Boston Museum of Fine Arts, Bowdoin College, Amherst College, Lehigh University, and the Prudential Life Insurance Collection.

Stanley Wingate Woodward died on March 21, 1970 in Gloucester, Massachusetts.
Provenance:
The Stanley Woodward papers were donated in two installments in 1973 by Stanley Woodward's daughter, Patricia Woodward Smith.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Stanley Woodward papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Marine painters -- Massachusetts  Search this
Educators -- Massachusetts  Search this
World War, 1914-1918  Search this
Marine painting -- Technique  Search this
Illustrators -- Massachusetts  Search this
Artists' studios  Search this
World War, 1939-1945  Search this
Genre/Form:
Photographs
Diaries
Writings
Drawings
Scrapbooks
Citation:
Stanley Woodward papers, 1875-1970, bulk 1905-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.woodstan
See more items in:
Stanley Woodward papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woodstan

Beatrice Whitney Van Ness papers, 1883-1985

Creator:
Van Ness, Beatrice Whitney, 1888-1981  Search this
Progressive Education Association (U.S.)  Search this
Subject:
Hale, Philip Leslie  Search this
Tarbell, Edmund Charles  Search this
Rebay, Hilla  Search this
D'Amico, Victor  Search this
Topic:
Art -- Study and teaching -- United States  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)7185
(DSI-AAA_SIRISBib)209322
AAA_collcode_vanness
Theme:
Women
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209322

Edmund C. Tarbell papers, circa 1855-circa 2000, bulk 1885-1938

Creator:
Tarbell, Edmund Charles, 1862-1938  Search this
Record number:
(DSI-AAA_CollID)8487
(DSI-AAA_SIRISBib)210663
AAA_collcode_tarbedmu
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210663
Online Media:

Charlotte Barton West letters, 1907-1940

Creator:
West, Charlotte Barton, 1887-  Search this
Subject:
Tarbell, Edmund Charles  Search this
Pratt, Bela Lyon  Search this
Record number:
(DSI-AAA_CollID)8758
(DSI-AAA_SIRISBib)210939
AAA_collcode_westchar
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210939

Marguerite S. Pearson papers, 1887-1977

Creator:
Pearson, Marguerite Stuber, 1898-1978  Search this
Subject:
Tarbell, Edmund Charles  Search this
Woodward, Stanley Wingate  Search this
Brewster, Daniel  Search this
Topic:
Painting, American -- Massachusetts  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)8808
(DSI-AAA_SIRISBib)210993
AAA_collcode_pearmarg
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210993

Lilla Cabot Perry and Perry family papers [microfilm], 1861-[ca. 1943]

Creator:
Perry, Lilla Cabot, 1848-1933  Search this
Subject:
Davis, Charles H. (Charles Harold)  Search this
James, Henry  Search this
Lowell, James Russell  Search this
Monet, Claude  Search this
Robinson, Edwin Arlington  Search this
Tarbell, Edmund Charles  Search this
Berenson, Bernard  Search this
Perry, Thomas Sergeant  Search this
Perry, Margaret  Search this
Topic:
Women painters -- Massachusetts -- Boston  Search this
Women painters -- New Hampshire -- Hancock  Search this
Painting, Modern -- 20th century -- United States  Search this
Impressionism (Art) -- United States  Search this
Impressionism (Art) -- France -- Giverny  Search this
Record number:
(DSI-AAA_CollID)10933
(DSI-AAA_SIRISBib)214710
AAA_collcode_perrlill
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214710

Lucy Hayward Barker papers, 1898-1992

Creator:
Barker, Lucy Hayward, 1872-1948  Search this
Subject:
McCargar, Eleanor Barker  Search this
Hale, Philip Leslie  Search this
Tarbell, Edmund Charles  Search this
Type:
Video recordings
Topic:
Women painters  Search this
Record number:
(DSI-AAA_CollID)6373
(DSI-AAA_SIRISBib)215253
AAA_collcode_barklucy
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215253

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