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Tamarind Lithography Workshop, Inc.

Collection Creator:
Falkenstein, Claire, 1908-1997  Search this
Container:
Box 17, Folder 24
Type:
Archival materials
Date:
1969-1971
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Claire Falkenstein papers
Claire Falkenstein papers / Series 3: Personal and Business Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw936e86d1e-ccf7-49b1-8e74-37018987dfef
EDAN-URL:
ead_component:sova-aaa-falkclai-ref676

Folder 20 Tamarind Lithography Workshop, Inc., 1963-1969

Container:
Box 37 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
See more items in:
Records
Records / Series 9: Professional Art Organizations, 1955-1978 / Box 37
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0321-refidd1e6668

Tamarind Lithography Workshop, Inc. - Toombs, Amisano & Wells

Collection Creator:
Kadish, Reuben, 1913-1992  Search this
Container:
Box 3, Folder 40
Type:
Archival materials
Collection Restrictions:
The collection is open for research. Use requires an appointment. Microfilmed portion must be consulted on microfilm.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reuben Kadish papers, 1851-1995, bulk 1913-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Reuben Kadish papers
Reuben Kadish papers / Series 2: Letters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw944da6a4e-3425-4e90-99bb-609f7d5e5eb4
EDAN-URL:
ead_component:sova-aaa-kadireub-ref155

Letters

Collection Creator:
Kadish, Reuben, 1913-1992  Search this
Extent:
2.5 Linear feet (Boxes 1-3)
Type:
Archival materials
Date:
1934-1995, undated
Scope and Contents note:
Letters found here are from friends and colleagues including Herman Cherry, Philip Guston, Hilaire Hiler, Jules Langsner, Urban Neininger, Charles Pollock, and Jackson Pollock. One letter from the Leonard Stark family contains a small photograph of Georgia O'Keeffe. Some of the folders contain letters from a single correspondent, and some contain a range of correspondents, all of whom are not listed in the folder title.

See Appendix for a list of correspondents from Series 2.
Arrangement note:
The letters are arranged alphabetically by name of sender.
Appendix: Correspondents from Series 2:
What follows is a complete list of correspondents from Series 2: Letters, which supplements the container list in the finding aid. This list also contains details about the letters sent by each individual listed.

Correspondents Identified by First Name Only

Ab: 1962 (1 postcard)

Alice: 1972-1974 (2 letters)

Barb: undated (1 postcard)

Carleen: 1982 (1 postcard)

Carlotta: 1992 (1 letter to Jenny Lee)

Carol: 1989 (1 letter)

Cathy: undated (1 postcard)

Charley: undated (1 letter)

Clary?: 1995 (1 Christmas card to Jenny Lee)

Clay: 1971 (1 postcard)

Diana: 1971 (1 postcard)

Dolores: 1989 (1 letter)

Doug, Sarah, Molly, and Sam: undated (1 letter)

E., D., and L.: 1990 (1 postcard)

Eddie: 1992 (1 illustrated Christmas card)

Edward: undated (1 postcard)

Ernie: 1980 (1 letter)

Grace?: 1972 (1 postcard)

Honey, Francis, Nick, and Carol: 1995(1 Christmas card to Jenny Lee)

Isabelle: undated (1 letter)

Jeanne: 1987 (2 postcards)

Jeff: undated (1 postcard)

Jeffery: 1979 (1 postcard)

Jennifer: 1987 (1 postcard)

Jim: 1976 (1 letter)

Jin: undated (1 postcard)

Joanna: undated (1 postcard)

Joyce: 1992 (1 postcard)

Kate: 1972 (1 postcard)

Ken and Freida: 1972-1986 (2 letters)

Marina and Bruce: 1987-1989 (1 Christmas card and 2 postcards)

Marion: 1978 (1 postcard)

Martin: 1989-1990 (2 postcards)

Michael: 1985 (1 postcard)

Moira?: 1980 (1 postcard)

Ninette: 1962 (1 postcard)

Patsy: 1985 (1 postcard)

Rene: 1977 (1 postcard)

Roberta: undated (1 postcard)

Robyn: 1988-1989 (2 letters)

Roger and Harriet: undated (1 illustrated postcard)

Ross: 1990 (1 letter)

Sevin?: undated (1 postcard)

Steve: undated and 1994 (4 postcards)

Tom: undated (1 postcard)

Tony: 1978 (1 letter)

Wolfgang: undated (1 postcard)

Correspondents Identified by Surname

Advanced Design: 1989 (1 letter)

Agee, Jon and Carol: undated and 1982-1991 (6 letters, including 2 transparencies and 2 illustrated letters)

Albert, Calvin: 1974 (one postcard with photograph of Albert)

Allan Frumkin Gallery, Inc.: see Frumkin: Allan Frumkin Gallery, Inc.

Allison, Ann: 1964-1976 (2 letters)

American Art and Antiquities: 1978 (1 letter)

American Iris Society: 1988 (1 letter)

American Journal of Archaeology: 1970 (1 letter)

American National Red Cross: 1947 (1 letter)

American Turkish Society: 1973 (1 invitation)

Ames, Arthur: 1938 (1 letter)

AOI Construction, Inc.: 1986 (1 letter)

Archaeological Institute of America, New York Society: 1979 (5 letters)

Archaeometry: 1979 (1 letter)

Archives of American Art: 1976-1991 (5 letters)

Archives of the New York School: 1989 (1 letter)

Art Dealers Association of America, Inc.: 1979 (1 letter)

Art Edifices Enterprises: 1976-1979 (2 letters)

Art for Mexico: 1986 (1 letter)

Art in America: undated (1 letter)

Artists for CORE: 1965 (1 letter)

Artists for SEDF

(Scholarship, Education and Defense Fund for Racial Equality, Inc.): 1967-1968 (3 letters)

Arts Commission of San Francisco: 1988 (1 letter)

Aruz, Joanna: 1972-1986 (4 letters)

Ashford: 1 undated photograph of children

Ashton, Dore and Matti: undated (1 illustrated postcard to Jenny Lee)

Atasoy, Sumer: undated and 1970-1972 (3 letters)

Auerbach, Dorthy: 1989-1990 (2 letters)

Australian National Gallery: see Graham, Lanier

Axe, Martin: undated and 1985-1987 (3 letters)

B., F.: 1964 (1 postcard)

Barger, Illia: 1989 (1 letter including a photograph of an art work)

Barnes Foundation: 1985 (1 letter)

Barnett: David Barnett Gallery: 1971-1973 (4 letters, including a photograph of art work by Kadish)

Barnoya, Miguel Benedict: 1982 (1 letter)

Baskin, David: 1991 (1 letter with illustrated envelope and 6 picture postcards)

Beckmann, Hannes: 1969 (1 letter)

Beeblitz, Patricia: 1972 (1 letter)

Bell, Leland: see Parsons School of Design

Benson, Elaine M.. (Benson Gallery): 1975 (1 letter and 1 postcard)

Berns, Lea: 1964 (1 postcard)

Biddle, George: 1943 (1 telegram)

Bigman, Stephanie: 1963 (1 letter)

Bilimer, Sudiba: 1971 (1 letter)

Binh: Madame Binh Graphics Collective: 1980 (1 letter); see Kadish, Reuben

Blane, Marc: 1978 (1 postcard)

Bloom, Charles L.: 1938 (envelope only)

Blum, Judy: 1967 (1 postcard)

Board of Education, Newark, N.J.: 1957 (1 letter)

Bohen, Barbara: 1973 (1 letter)

Borgenicht: Grace Borgenicht Gallery, Inc.: 1977-1993 (16 letters)

Borgenicht, Lois: see Reim, Johannes

Bourne, Robert B.: 1989-1992 (5 letters)

Braczyk, Robert: 1982-1987 (2 letters containing an exhibition announcement and 2 photographs of art work)

Brandt, Warren: 1973-1981 (1 letter and 1 exhibition announcement)

Braunstein, V.: undated (1 letter)

Briggs, Eta and A.: undated and 1962-1969 (3 letters)

Bromberg, Prof. (State University College, New Paltz, N.Y.): see Kadish, Reuben

Brooklyn Botanic Garden: 1979 (2 letters)

Brooklyn Museum: 1961 (1 letter)

Budnik, Dan: undated and 1989 (1 postcard and 1 exhibition announcement)

Burchfield, Joe and Diana: undated (1 Christmas card)

Burne, Bob: 1985-1986 (2 Christmas cards)

Buto, Gian: undated (1 postcard)

Cadwalader, Stephen: 1984-1991 (5 letters)

Canizaro, James T.: undated and 1966 (2 letters)

Capper's Frames & Prints, Inc.: 1967 (1 letter)

Carlsson Gallery, Inc.: 1966 (1 letter)

Carnegie Institute: 1962 (1 letter)

Carpenter, Scott: undated and 1988-1990 (4 letters)

Carrara, Dominique: 1988 (1 postcard)

Cashen, J. F.: undated (1 letter)

CDS Gallery: 1995 (envelope only; addressed to Jenny Lee)

Century Gallery: see Feitelson

Chang, Songsri: see Wong, Jimmy

Cherry, Herman: 1958-1992 (39 letters); see Writings

Chui, Kam Wah: 1984-1985 (2 Christmas cards)

Click, Ashley: 1988 (1 letter)

Cohn, Susanne: 1986-1991 (3 letters)

Committee of Artists for Greek Relief: 1968 (1 letter)

Constan, Eugene: undated and 1981-1982 (3 postcards); see Kadish, Reuben

Contreras, Belisario: 1976 (2 letters)

Cooper Union: 1962-1991 (19 letters)

Copley, Al L.: 1980-1989 (1 letter and 1 postcard)

CORE (Congress of Racial Equality): 1963 (1 letter)

Corwin, Arthur Hill: 1989 (1 letter)

Crawford: undated (envelope only)

David Barnett Gallery: see Barnett: David Barnett Gallery

Davis, Bruce: 1987 (1 letter)

Davis, Jane: 1960-1989 (5 letters)

Davis, Penny: 1990-1991 (2 letters)

Dehner, Dorothy: undated (2 letters)

Democratic National Committee: undated (envelope only)

Dervish, Melek: 1972 (1 letter from Dervish and a letter to him from Barbara Kadish)

Dillon, Tracey: 1984-1988 (2 postcards)

Dlugoszewski, Lucia: undated (1 letter)

Dolan/Maxwell Gallery: 1988 (memorial for Stanley William Hayter)

Donahue, Jim: 1991 (1 postcard)

Doyon-Bernard, Suzette J.: 1991 (2 letters)

Drummond, L.: 1976 (1 letter)

Duback, Charles: undated (1 letter)

Dugmore, Edward and Eadie: undated and 1959-1992 (18 letters)

Einstein: G. W. Einstein Co., Inc.: 1991-1992 (7 letters)

Elston Fine Arts: 1991 (4 letters)

Elvehjem Art Center: 1975-1977 (2 letters)

Engelman, Martin: 1987 (1 letter)

Erim, Kenan: 1964-1971 (4 letters)

Fanshel, Florence: 1969 (1 letter)

Federal Works Agency: 1938 (1 letter)

Feitelson, R. (Century Gallery): 1934 (1 letter)

Feldman, Florence: 1991 (1 letter)

Feltus, Alan: see Irwin, Lani

Finkelstein, Henry: 1980 (1 letter)

Fishman, N. Michael: 1987-1990 (1 letter and 1 Christmas card)

Flinn, Karen, Tom, and Chris: 1984 (1 Christmas card)

Ford Foundation: 1959 (1 letter)

Fordham University: 1975 (1 letter)

Foundry Unit: 1985 (1 brochure)

Fourcade, Droll, Inc.: 1975 (1 letter)

Fox, George: see Lee, Jenny

Fredericks, Karen: 1981 (1 postcard)

Fribourg Office du Livre (Suisse): 1976 (1 letter)

Friedlander, Angela: 1986 (1 letter)

Friends of Figurative Sculpture: 1988 (1 exhibition announcement)

Frumkin: Allan Frumkin Gallery, Inc.: 1974 (1 letter)

G. W. Einstein Co., Inc.: see Einstein: G. W. Einstein Co., Inc.

Galerie de Seine: 1981 (1 letter)

Galerie Silvia Menzel: see Menzel: Galerie Silvia Menzel

Gallo, Bill: 1988 (autographed scarf illustrated with New York baseball players)

Gardere, Paul and Marcia: undated and 1972-1989 (1 letter and 2 postcards)

Garrett, Zena: 1985-1987 (2 Christmas cards)

Georgia Museum of Art: 1969 (1 letter)

Gerard, C. H. Coster: 1990 (1 letter)

German, Mrs. Ulker: 1970-1972 (3 letters)

Gerstenblith, Patty: 1972-1973 (6 letters)

Gnazzo: see Roecker and Gnazzo

Goerits, Mathias: 1973 (1 letter written on 2 photographs of art work)

Goldberg, Lenore: 1987 (1 postcard)

Goldman, Shifra: see Kadish, Reuben

Gollay & Rosenblatt: 1971-1981 (3 letters)

Gormley, Alice M.: 1982 (1 letter)

Gould, Paul and Lil: 1990 (1 letter, including a photograph of their home and brochures about Florida)

Gouquet-Yurewutz, Claire and Julie: 1970 (1 postcard)

Grace Borgenicht Gallery: see Borgenicht: Grace Borgenicht Gallery

Graham Gallery, Ltd.: 1962-1967 (2 letters)

Graham, Lanier (Australian National Gallery): 1984-1990 (12 letters)

Greenfield-Sanders, Timothy: 1982 (1 postcard)

Greyhound Travel Services, Inc.: 1990 (1 letter)

Guggenheim Gallery: 1986-1987 (5 letters, including a contract, floor-plan, and clippings)

Guggenheim, John: see Kadish, Reuben

Guston, Philip: undated and 1936-1976 (20 letters, including one with an illustration)

Hackman, William: 1989 (1 letter)

Hagel, Hansel and Otto: undated and 1938 (1 letter and 1 photograph of a landscape used as a Christmas card)

Hague, R.: 1969-1975 (2 letters)

Hampton Day School: 1969-1970 (2 letters)

Harris, George: 1947 (1 letter)

Hauptmann, H. (Freie Universitat Berlin): 1973 (1 letter)

Hayter, Stanley William: 1967 (1 letter and 1 illustrated Christmas card) see: Dolan/Maxwell Gallery; see Reddy, Krishna

Haywood, Richard M.: 1966 (1 letter to Prof. Downes)

Heliker, John: undated (1 exhibition announcement)

Herbert F. Johnson Museum of Art: see Johnson: Herbert F. Johnson Museum of Art

Hesse, Brian: 1970 (1 letter)

Hiler, Hilaire: 1941-1965 (4 letters)

Hios, Theo: 1987 (1 letter)

Hirsh, Hy: 1960 (1 letter)

Holloway: Jan Holloway Gallery: 1987 (1 letter)

Hong Ying Restaurant: 1989 (1 letter)

Houstoun, Pud: 1983-1986 (1 letter, including a resume and photograph of family, and 1 postcard)

Hunterdon Art Center: 1981 (1 letter)

Hurlburt, Larry: 1978-1980 (1 letter and 1 postcard) see Mexican Muralists in the United States

Ilya Schor Foundation, Inc.: see Schor: Ilya Schor Foundation, Inc.

Independent Curators, Inc.: 1988-[1990] (2 letters)

Ironmite Corporation: see Lee, Jenny

Irwin, Lani, and Alan Feltus: 1974-1986 (3 letters)

Istituto Nazionale per la Grafica: 1988-1990 (5 letters, including one in Spanish)

Jackman: undated (envelope only)

Jamaica Center: 1975 (2 letters)

Jan Holloway Gallery: see Holloway: Jan Holloway Gallery

Johnson, Daniel LaRue: 1991 (1 letter)

Johnson: Herbert F. Johnson Museum of Art: 1987 (5 letters)

Johnson, Una E.: 1978 (1 letter)

Jorgensen, Henry and Elizabeth: 1964-1985 (6 family photograph Christmas cards)

Judah L. Magnes Museum: see Magnes: Judah L. Magnes Museum

Kadish, Barbara: undated and 1963-1974 (19 letters to Hilda O'Connell)

Kadish, Dan: 1964-1973 (6 letters, including one with illustrations, and 3 photographs of art work)

Kadish, David: 1990 (1 letter)

Kadish, Frank and Lorain: 1983-1991 (6 letters)

Kadish, Jonathan: 1970-1973 (3 letters)

Kadish, Julian: 1970 (1 letter)

Kadish, Kennan: 1970-1990 (4 letters, including one to Jenny Lee)

Kadish, Morris [Moishe] and Ruth: 1973-1998 (28 letters); see Kadish, Reuben

Kadish, Philip: undated and 1990 (1 letter and 1 postcard)

Kadish, Reuben, to Binh: Madame Binh Graphics Collective: 1982 (1 letter)

Kadish, Reuben, to Bromberg, Prof. (State University College, New Paltz, N.Y.): 1968 (1 letter)

Kadish, Reuben, to Constan, Eugene: undated (1 letter)

Kadish, Reuben, to Goldman, Shifra: undated (1 letter)

Kadish, Reuben, to Guggenheim, John: 1986-1987 (3 letters)

Kadish, Reuben, to Kadish family: 1990 (1 letter)

Kadish, Reuben, to Kadish, Ruth and Moishe: 1984 (1 letter)

Kadish, Reuben, to Kyle, Mr.: 1967 (2 letters)

Kadish, Reuben, to Lee, Jenny: 1987-1992 (66 letters)

Kadish, Reuben, to Mayer, Musa (Ingie): [1988] (1 letter)

Kadish, Reuben, to Mitchel, Julio: 1988 (1 postcard)

Kadish, Reuben, to Page, Lee: 1981 (1 letter)

Kadish, Reuben, to Pound, Brandy: undated (2 letters)

Kadish, Reuben, to Reed, Susan: 1992 (1 letter)

Kadish, Reuben, to Rodriguez family: undated and 1989 (2 letters)

Kadish, Reuben, to Spring, Bob: 1992 (1 letter)

Kaufman, B. John: undated (5 photographs of art work)

Kean College of New Jersey: 1981 (1 letter)

Kenkeleba House, Inc.: 1987 (2 letters and an exhibition announcement)

Kettenbach, Friedel: 1985 (1 Christmas card)

Klayman, Toby Judith: 1981 (1 letter)

Klinger, Randy: 1988 (1 letter)

Kohn, Gabe: 1959-1962 (6 letters)

Krafft, Jo: undated (1 letter)

Kroeplin, Jim: 1974 (1 letter)

Kupferman, Lawrence: 1943-1944 (6 letters)

Kyle, Thomas: see Kadish, Reuben; see Museum of Contemporary Crafts

L., Howard: 1980 (1 letter)

Lacy, Bill: see Lee, Jenny

Landmark Gallery, Inc.: 1977-1978 (2 letters)

Langsner, Jules: undated and 1937-1963 (36 letters, including a photograph of a railroad yard, and 9 photographs of Delhi, India)

Lebt?, Bill: 1967 (1 letter)

Lee, Jenny: undated and 1985-1992 (61 letters, including clippings, exhibition announcements, 2 books -- Dreams: Visions of the Night -- by David Coxhead and Susan Hiller, and -- Italian Renaissance Sculpture -- by John Pope-Hennessy, and 8 photographs of the Watts Towers; 7 letters are illustrated); see Kadish, Reuben. Letters to: Fox, George: 1987 (1 letter); Lacy, Bill: 1987 (1 letter); McNamara, Mary: 1987 (1 letter); Miller, Lee Ann (Cooper Union): 1987 (1 letter)

Leggist?, Gihuan: 1937 (1 letter)

Lehman: Herbert H. Lehman College: 1976 (1 letter)

Leong, Jim: 1990 (1 letter, including a resume)

Lesher, Derek: 1992 (1 letter)

Levine, Marsha: undated and 1973-1986 (12 letters)

Life -- magazine: 1944-1960 (2 letters)

Lightfoot, Cathy: 1981 (1 exhibition announcement)

Littlefield, William H.: 1969 (1 letter)

Los Angeles Sanatorium and Expatients Home: 1936 (1 letter)

Lukela?, Bob: 1962 (1 postcard)

Lynch, Bill: undated and 1991 (6 postcards and 1 letter, all illustrated)

Madame Binh Graphics Collective: see Binh: Madame Binh Graphics Collective

Magnes: Judah L. Magnes Museum: undated (1 letter)

Magnus, Rhonda: 1990 (1 illustrated letter)

Mallary, R.: 1938 (1 letter)

Mandel, Johanna and Aaron: 1974-1991 (3 letters, including a photograph of children)

Manhattanville College: 1969-1971 (3 letters)

Manning: undated (1 Christmas card)

Marciano, Shirley: 1964-1970 (6 letters)

Marcus, Joel: 1977 (1 letter)

Marrero, Onelio: 1988 (1 letter)

Marsh, Catherine: 1990 (1 letter)

Martin, Fletcher: 1937-1979 (4 letters, including one illustration)

Masini, Donna, and William Pitt Root: 1987-1991 (3 letters, including a decorated frame and photograph)

Mason, William and Melanie: 1984

Matisse, Henri: 1948 (photocopy of letter from Matisse to Mr. Clifford)

Matlin, David and Gail: 1981-1990 (2 letters)

Mayer, Musa (Ingie): 1987-1989 (5 letters); see Kadish, Reuben

McCoy, Sande (nee Pollock): undated and 1935-1986 (6 letters)

McDermott, Paul M.: 1972 (1 letter)

McFadden, Elizabeth: 1984 (1 letter)

McGowan, Mary Beth: 1988 (1 letter)

McH.: undated (1 letter to E. E. L.)

McHale, Rachel: 1990 (1 Christmas card and 1 postcard)

McLaughlin, Janie: 1967-1968 (3 letters and 1 postcard)

McNamara, Mary: see Lee, Jenny

Meert, Joseph: see Potter, Jeffrey

Menil Collection: 1989 (1 letter)

Menzel: Galerie Silvia Menzel: 1987 (2 exhibition catalogs)

Metropolitan Museum of Art: 1975- 1986 (2 letters)

Mexican Muralists in the United States: Their Work and Influence (NEH research project): 1980-1982 (7 letters)

Michigan State University: 1966 (1 letter)

Millburn Corporation: 1988 (1 announcement for New York Aegean Bronze Age Colloquium)

Miller, Lee Ann (Cooper Union): see Lee, Jenny

Mills, J. D.: 1984-1986 (3 Christmas cards)

Ministero per i Beni Culturali e Ambientali: 1989 (2 letters in Spanish)

Minneapolis Institute of Arts: 1959 (2 letters)

Mirski, Boris: 1945 (1 letter)

Mitchel, Julio: see Kadish, Reuben

Montgomery family: 1973-1986 (14 letters, including 19 photographs of family members and sculpture)

Moore, Lucile and Jim Al: 1985-1986 (2 Christmas cards)

Morgan, Dane D.: 1963 (1 letter)

Moss, Tobey C.: 1986 (1 letter)

Museu de Arte Moderna de Sao Paulo: 1959 (1 letter)

Museum of Contemporary Crafts: 1967 (1 letter)

Museum of Modern Art: 1963 (1 letter)

Mythic Arts Africa: 1987 (1 letter from Jenny Lee)

National Academy of Design: undated (1 letter)

National Gallery of Art: 1975 (1 letter)

National Geographic Society: undated (1 form letter)

National Museum of American Art: 1986-1990 (7 letters)

National Social Welfare Assembly, Inc.: 1967 (1 letter)

NBC News: undated (1 letter)

Neininger, Urban and Jean: undated and 1937-1989 (28 letters)

Nemanic, Todd: 1981 (1 exhibition announcement)

Newark Museum: 1968 (1 letter)

Newark Public School of Fine and Industrial Art: undated and 1956-1960 (4 letters)

Newbill, Al: 1976-1987 (4 letters)

New Jersey State Council on the Arts: 1989 (1 letter)

New Jersey State Museum: 1976-1991 (10 letters)

New York Civil Liberties Union: 1972 (1 postcard)

New York Studio School: 1971-1977 (5 letters)

New York University: 1963 (1 letter)

North Jersey Cultural Council: 1970-1974 (2 letters)

O'Connell, Hilda: undated and 1963-1990 (18 letters); see Kadish, Barbara

Odate, Gerlinde: 1966-1974 (2 letters, including one with an illustration)

O'Keeffe, Georgia: see Stark, Leonard

Oles, James: 1991 (1 postcard)

Oord, A. and B.: 1984 (1 postcard)

Oregon: University of Oregon: 1973-1976 (4 letters)

Pace, Stephen: 1976-1987 (1 letter and an exhibition announcement)

Page, Lee: see Kadish, Reuben

Panero, Lorenza (Laurie): 1989-1991 (1 letter enclosing a typescript "The Three Masters of Mexican Muralism and Their Impact on the Development of American Art", and 1 exhibition announcement in Spanish)

Parsons School of Design: 1991 (1 announcement for memorial for Leland Bell)

Pekarsky, Mel: 1992 (7 letters)

Perrone, Francis S., M.D.: 1972 (1 invoice)

Phillips, Bill and Helen: 1947-1981 (2 letters and a press release)

Pollock: see McCoy, Sande

Pollock, Charles and Sylvia: undated and 1972-1990 (18 letters)

Pollock, Jackson: 1944-1947 (5 letters)

Pollock-Krasner Foundation: 1988-1992 (6 letters)

Polyn, Winifred: 1989 (1 postcard)

Port Authority of N.Y. & N.J.: 1979 (1 letter)

Potter, Jeffrey: 1990-1991 (2 letters, including a typescript "A Note on Joseph Meert")

Pound, Brandy: 1976 (1 letter); see Kadish, Reuben

Preston, Joanna: 1969-1989 (11 letters)

Printmaking Workshop: 1976-1980 (4 letters)

Pritchard, Norman: 1976 (1 Christmas card)

Provost, Larry: 1990 (1 letter)

Pye, Elizabeth: 1970 (1 letter)

Queens College: 1969 (2 letter)

Racz, David: undated (1 postcard)

Rantz, Clark T.: 1979 (1 letter)

Rapee, George and Jody: 1992 (1 letter)

Reddy, Krishna: 1974-1980 (1 letter and 9 letters from other concerning Reddy, including one letter from Stanley William Hayter)

Reed, Susan: see Kadish, Reuben

Reim, Johannes and Lois Borgenicht: 1987 (1 birth announcement)

Renfro, Claudia: undated and 1988-1992 (7 letters, including an illustrated Christmas card)

Resika, Paul: 1989 (1 postcard)

Richards: 1990 (2 photographs of a man with a child)

Richardson, Louise and Joe: undated and 1985-1986 (1 letter and 3 Christmas cards)

Ringwood Manor Association of Arts: 1975 (1 letter)

Ripton, June and James: 1984-1986 (3 Christmas cards)

Rodriguez, Melinda and Nickolas: 1989-1991 (4 letters, including a photograph of Nickolas); see Kadish, Reuben

Roecker and Gnazzo: 1986 (1 postcard)

Root, William Pitt: see Masini, Donna

Ross, Tim: 1985 (illustrated New Year's announcement)

Ru, Ridley: see San, Tamar

Ruben, Richards: 1991 (1 wedding announcement)

Rubenfeld, Florence: 1989 (2 letters)

Rubinson, Karen S.: 1987 (1 letter)

Sacartoff, Elizabeth: 1946 (3 letters)

San, Tamar, and Ridley Ru: undated (1 letter)

San Francisco Friends of the Urban Forest: 1993 (1 certificate for memorial trees for Reuben and Barbara Kadish)

Saunders, David: 1988 (1 letter)

Schor: Ilya Schor Foundation, Inc.: 1963 (1 letter)

Schramm, James S.: 1961 (1 letter)

Schwartz, Ersy: 1974-1983 (2 letters)

Schwartz, Jan and Hank: undated and 1976-1995 (3 letters)

Schwebel, Ivan: 1961-1991 (7 letters, including 6 illustrated letters)

Sears, Arthur Wellington (Pete): 1937 (1 letter)

Selby, Sally and James: 1969-1988 (8 letters and 1 postcard)

Shaltiel, J.: undated (1 postcard)

Shirer, Tess: 1984 (1 Christmas card)

Silverman, Joan and Charlie: 1971 (3 letters and 1 postcard)

Silverman, Pauline: 1972 (2 letters)

Silverstein, Sasha: 1989 (1 exhibition announcement)

Sirugo, Sol: 1977 (1 letter)

Smith, Benjamin B.: 1976 (2 letters)

Sokoloff, Beryl: 1944-1992 (21 letters)

South Bank Show: 1987 (2 letters)

Spanish Bay Galleries: 1991 (1 illustrated letter)

Spring, Bob: see Kadish, Reuben

Stable Gallery: 1958 (1 letter)

Stanzl, Gouter: 1970 (1 letter)

Stark, Leonard: undated and 1937-1966 (73 letters, including one with illustrations, one enclosing a cut-out silhouette portrait, one enclosing a photograph of a boy with a raccoon and one, dated 1947, enclosing a photograph of a film shoot with Georgia O'Keeffe)

Stewart, Jack: 1972 (1 postcard)

Stony Brook: 1990-1992 (6 letters)

Sun, Carol: 1990 (2 letters, including an exhibition announcement and clippings)

Suzuki, Margi: 1962 (1 letter)

Szeto, Nam: 1991 (1 letter, including a resume)

Tamarind Lithography Workshop, Inc.: 1961-1969 (4 letters)

Taylor, John Lloyd: 1975 (3 letters)

Tebow, Elizabeth: 1982-1992 (3 illustrated Christmas cards)

Teller, Jane: 1986 (1 letter)

Terry, James G.: 1948 (1 letter)

The Gallery: 1969 (1 exhibition prospectus)

Toombs, Amisano & Wells: 1970 (1 letter)

Tully, Judd: undated and 1985-1992 (10 letters)

Umbreit, William and Cindy: 1968-1980 (2 letters)

University of Oregon: see Oregon: University of Oregon

Unver, Huseyin: 1968 (2 letters)

Vergette, Helen: 1978 (1 postcard)

Vidal, Francine: 1986 (1 letter)

Vulliemoz, Yvonne: 1987-1995 (1 postcard and 1 Christmas card)

Waxman, Wendy: 1989 (1 letter)

Wayne, June: see Tamarind Lithography Workshop, Inc.

Weatherspoon Art Gallery: 1973 (1 letter)

Weeks, Leigh K.: 1974-1987 (2 letters)

Welles, Halsted (Hal): undated and 1962-1966 (3 postcards and a calling card)

Wibroe-Sanders, Suzi: 1989-1990 (2 letters)

Williams, Govaine: 1986 (1 letter)

Williams, Julian and Le: undated and 1977-1990 (1 letter, 1 wedding invitation, and 3 Christmas cards [2 with photos of microbes and a forest])

Wines, Gul and Suzan: 1986 (1 Christmas card)

Witkin, Joy: 1990 (1 letter)

Wong, Jimmy, and Songsri Chang: 1985 (1 Christmas card)

Wood, Betty: 1975 (1 letter and a postcard)

Woodward/White, Inc.: 1983 (1 letter)

Works Progress Administration - California: 1937 (1 letter)

Wu, Nancy: 1987 (6 letters)

Zogbaum, Wilfrid: 1960-1962 (2 letters)
Collection Restrictions:
The collection is open for research. Use requires an appointment. Microfilmed portion must be consulted on microfilm.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reuben Kadish papers, 1851-1995, bulk 1913-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kadireub, Series 2
See more items in:
Reuben Kadish papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9906effb0-a5ec-449c-b52b-2460532218f5
EDAN-URL:
ead_component:sova-aaa-kadireub-ref18

Tamarind Institute (formerly Tamarind Lithography Workshop), Albuquerque, N. Mex.

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 81, Folder 15-17
Type:
Archival materials
Date:
1960-1995, undated
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 6: Subject Files / Fine Art Printers & Publishers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a509a9f3-4284-4db2-ae37-9dbdf806537b
EDAN-URL:
ead_component:sova-aaa-fendgall-ref1172

Oral history interview with Clinton Adams, 1995 August 2-3

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Altoon, John  Search this
Delano, Annita  Search this
Edmondson, Leonard  Search this
Feitelson, Lorser  Search this
Johnston, Ynez  Search this
Kistler, Lynton R.  Search this
Langsner, Jules  Search this
Lebrun, Rico  Search this
Macdonald-Wright, Stanton  Search this
Price, Vincent  Search this
Scholder, Fritz  Search this
Tamarind Lithography Workshop  Search this
Tamarind Institute  Search this
University of California, Los Angeles  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Clinton Adams, 1995 August 2-3. Archives of American Art, Smithsonian Institution.
Topic:
Modernism (Art)  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Prints -- Technique  Search this
Record number:
(DSI-AAA_CollID)12197
(DSI-AAA_SIRISBib)215892
AAA_collcode_adams95
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215892
Online Media:

Oral history interview with Clinton Adams

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Tamarind Institute  Search this
Tamarind Lithography Workshop  Search this
University of California, Los Angeles -- Faculty  Search this
Altoon, John, 1925-  Search this
Delano, Annita, 1894-  Search this
Edmondson, Leonard, 1916-  Search this
Feitelson, Lorser, 1898-1978  Search this
Johnston, Ynez, 1920-  Search this
Kistler, Lynton R., , 1897-1993  Search this
Langsner, Jules, 1911-1967  Search this
Lebrun, Rico, 1900-1964  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Price, Vincent, 1911-1993  Search this
Scholder, Fritz, 1937-2005  Search this
Extent:
149 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1995 August 2-3
Scope and Contents:
An interview of Clinton Adams conducted 1995 August 2-3, by Paul Karlstrom, for the Archives of American Art, at his home, in Albuquerque, New Mexico.
Adams discusses his family background; involvement in Hollywood "industry"; teaching at University of California, Los Angeles; service during WWII; first contact with New York's Museum of Modern Art; his decision to return to California; teaching painting at UCLA from 1946-1954, and friends and colleagues at that time including Lorser Feitelson, Stanton Macdonald-Wright, Lynton R. Kistler and Annita Delano; the difficult political situation at UCLA and the "modernist" conflicts; his views on modernist and conservative groups; Stanton Macdonald-Wright; Adams' own work; his relationship to the ideas and nature of modernism; the Sanity in Art group and other art groups in Los Angeles; his opinion on which artists should have been included in the exhibition/catalogue "Turning the Tide: Early Los Angeles Modernists"; his observations on art historical constructs; the history of New Mexican art; the idea of regionalism; the mythology of Santa Fe, New Mexico.; Southwestern art; the Tamarind Lithography Workshop during its New Mexico phase, its background and changes after the move from Los Angeles to the University of New Mexico, his fifteen years as director, major artists involved, and his desire to publish overlooked artists. Adams recalls Fritz Scholder, John Altoon, Leonard Edmondson, Ynez Johnston, Vincent Price, Jules Langsner, and Rico Lebrun.
Biographical / Historical:
Clinton Adams (1918-2002) was a printmaker, painter, and art administrator of Los Angeles, California and Albuquerque, New Mexico.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 16 digital wav files. Duration is 3 hrs., 28 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for the transcription provided by the Pasadena Art Alliance.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- New Mexico -- Albuquerque -- Interviews  Search this
Topic:
Modernism (Art)  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Prints -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.adams95
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a4f3f80a-765d-4b7d-a804-2a859e14d459
EDAN-URL:
ead_collection:sova-aaa-adams95
Online Media:

John McLaughlin papers

Creator:
McLaughlin, John, 1898-  Search this
Names:
Tamarind Lithography Workshop  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Photographs
Date:
1922-1979
bulk 1936-1976
Summary:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.2 linear feet and date from 1922 to 1979, bulk 1936 to 1976. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, preliminary sketches and designs, and photographic material.
Scope and Contents:
The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.2 linear feet and date from 1922 to 1979, bulk 1936 to 1976. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, preliminary sketches and designs, and photographic material.

Biographical material includes McLaughlin's military service records, art awards, and resumes.

Correspondence is with friends, artists, museums, and galleries. Notable correspondents include Eugene Anderson, Karl Benjamin, Frederick Hammersley, Jules Langsner, Stanton Macdonald-Wright, and others.

Writings include artist statements, lectures, and notes. Researchers will find McLaughlin's ideas about his work and aesthetics are also referenced in much of the correspondence. There are also writings about McLaughlin by others.

The Tamarind Lithography fellowship files consists of the letter of appointment, printed material, and profiles for fellow artists at the workshop.

Personal business records include assorted legal and financial papers, such as contracts with galleries, art loan agreements, consignment records, and art shipment expenses. There are business papers about McLaughlin's Japanese print gallery, The Tokaido, Inc.

Printed material consists of exhibition catalogs for McLaughlin's shows at the Andre Emmerich Gallery, Felix Landau Gallery, a retrospective at the Corcoran Gallery of Art in 1968, and the seminal 1959 Four Abstract Classicists exhibition in Los Angeles, among others. Also included are exhibition announcements, news clippings, and press releases.

Artwork includes annotated sketches, collages and designs for paintings, and one painting.

Photographs, negatives, and slides are of McLaughlin, artwork, and exhibition installations. There is one album of photographs from a 1963 retrospective exhibition at the Pasadena Art Museum.
Arrangement:
This collection is arranged as 8 series.

Series 1: Biographical Material, 1941-circa 1975 (8 folders; Box 1)

Series 2: Correspondence, 1936-1976 (0.6 linear feet; Box 1)

Series 3: Writings, circa 1936-1976 (0.2 linear feet; Box 1)

Series 4: Tamarind Lithography Fellowship Files, 1958-1970 (0.2 linear feet; Box 1)

Series 5: Personal Business Records, circa 1937-1975 (0.2 linear feet; Box 2)

Series 6: Printed Material, 1932-1979 (1.5 linear feet; Boxes 2-3, 5)

Series 7: Artwork, circa 1948-circa 1976 (0.2 linear feet; Boxes 4-6)

Series 8: Photographic Material, 1922-1979 (0.3 linear feet; Box 4)
Biographical / Historical:
John Dwyer McLaughlin (1898-1976) was best known as one of the leading Los Angeles "hard-edge" geometric abstractionist painters and one of the artists featured in the seminal 1959 exhibition "Four Abstract Classicists" curated by Jules Langsner. McLaughlin was also a dealer of Japanese art prints.

McLaughlin was born and educated in Massachusetts. He served in the United States Navy during World War I from 1917-1921 and married Florence Emerson in 1928. McLaughlin began painting around 1932 with no formal training. In 1935, the couple moved to Japan and lived there for several years before moving back to Boston, where they opened The Tokaido, Inc., a Japanese art print gallery. From this time up to the start of World War II, McLaughlin worked primarily as a print dealer. During World War II, he served as a language intelligence officer in the Marines, thanks to his knowledge of Japanese.

After the war, McLaughlin and his wife settled in Dana Point, California, where he began painting in earnest, gaining some early local success. His painting, Hope Deferred was awarded first prize for oil painting in the 1948 San Diego Art Guild Annual. He became associated with the Felix Landau Gallery in Los Angeles and was one of four painters included in the historic 1959 Four Abstract Classicists, exhibition at the Los Angeles County Museum of Art organized by critic Jules Langsner which also featured the work of Frederick Hammersley, Lorser Feitelson, and Karl Benjamin. The phrase "hard-edge painting" was first used in association with this exhibition as a description of a unique California style of geometric abstractionist painting.

Throughout the 1960s and 1970s McLaughlin exhibited widely and became a mentor for many younger Los Angeles area reductive painters. He was admired for his integrity and independent position regarding the art market. John McLaughlin died in Dana Point, California in 1976 at the age of 77.
Related Materials:
The Archives of American Art also holds an oral history interview of John D. McLaughlin conducted July 23, 1974, by Paul J. Karlstrom.
Provenance:
The John McLaughlin papers were donated to the Archives of American Art in multiple installments. John McLaughlin donated material in 1973 and his widow Florence McLaughlin donated material in 1976. Additional papers were donated by the artist's nephew John McLaughlin in 1998 and 1999. A painting was donated 2015 by the Stephne' Hesen estate.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- California  Search this
Painters -- California  Search this
Topic:
Art, Modern -- California -- Los Angeles  Search this
Painting, Abstract -- California -- Exhibitions  Search this
Genre/Form:
Sketches
Photographs
Citation:
John McLaughlin papers, 1922-1979, bulk 1936-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mclajohn
See more items in:
John McLaughlin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90baa8e3e-4554-441e-beef-c10b28d25768
EDAN-URL:
ead_collection:sova-aaa-mclajohn
Online Media:

Oral history interview with Clinton Adams, 1974 March 29

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Adams, Kenneth M.  Search this
Antreasian, Garo Z.  Search this
Berman, Eugene  Search this
Charlow, Jean  Search this
Funk, Joseph  Search this
Grosman, Tatyana  Search this
Hollander, Irwin  Search this
Horak, Bohuslav  Search this
Kistler, Lynton R.  Search this
Macdonald-Wright, Stanton  Search this
Ray, Man  Search this
Sommers, John  Search this
Tyler, Kenneth E.  Search this
Viesulas, Romas  Search this
Wayne, June  Search this
Tamarind Lithography Workshop  Search this
University of New Mexico. College of Fine Arts  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Clinton Adams, 1974 March 29. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Painters -- New Mexico -- Albuquerque -- Interviews  Search this
Art -- Study and teaching -- New Mexico -- Albuquerque  Search this
Record number:
(DSI-AAA_CollID)11669
(DSI-AAA_SIRISBib)216442
AAA_collcode_adams74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216442
Online Media:

Oral history interview with Clinton Adams

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Tamarind Lithography Workshop  Search this
University of New Mexico. College of Fine Arts  Search this
Adams, Kenneth M.  Search this
Antreasian, Garo Z., 1922-2018  Search this
Berman, Eugene, 1899-1972  Search this
Charlow, Jean  Search this
Funk, Joseph, 1917-1981  Search this
Grosman, Tatyana, 1904-1982  Search this
Hollander, Irwin  Search this
Horak, Bohuslav, 1914-2004  Search this
Kistler, Lynton R., , 1897-1993  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Ray, Man, 1890-1976  Search this
Sommers, John, 1927-  Search this
Tyler, Kenneth E.  Search this
Viesulas, Romas, 1918-  Search this
Wayne, June, 1918-2011  Search this
Extent:
49 Pages (Transcription)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1974 March 29
Scope and Contents:
An interview of Clinton Adams conducted 1974 March 29, by Paul Cummings, for the Archives of American Art.
Adams speaks of how he got involved with the Tamarind Lithography Workshop; how and why Tamarind came about; the lack of artists doing lithographs; the need for the artist to collaborate with the printmaker in order to make a good print; writing a book about the workshop; how in order to interest American Artists into making lithographs, there needs to be a market for it; how it was difficult collecting works of art for the University of New Mexico (UNM); the current art scene in Albuquerque; the arts programs at UNM; moving the workshop to UNM in order to make Tamarind a permanent institute and get more funding; and how more women are becoming printers. He recalls June Wayne, Lynton R. Kistler, Man Ray, Jean Charlow, Eugene Berman, Stanton Macdonald-Wright, Garo Antreasian, Joe Funk, Romas Viesulas, Tatyana Grosman, Irwin Hollander, Ken Tyler, Julie Duristo, Bohuslav Horak, Kenneth Adams, John Sommers, and many others.
Biographical / Historical:
Clinton Adams (1918-2002) was a printmaker, painter, and art administrator from Albuquerque, New Mexico.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 57 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- New Mexico -- Albuquerque -- Interviews  Search this
Topic:
Painting, Modern -- 20th century  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Painters -- New Mexico -- Albuquerque -- Interviews  Search this
Art -- Study and teaching -- New Mexico -- Albuquerque  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.adams74
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96bee3149-c1b5-40a4-b8c6-b7a586cde8ed
EDAN-URL:
ead_collection:sova-aaa-adams74
Online Media:

Print Making, Tamarind Lithography Workshop, Inc.

Collection Creator:
Hadzi, Dimitri, 1921-2006  Search this
Container:
Box 18, Folder 28
Type:
Archival materials
Date:
1960-1964, 1991
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dimitri Hadzi papers, 1910s-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Dimitri Hadzi papers
Dimitri Hadzi papers / Series 9: Personal Business Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d426b7aa-87f9-451a-87a3-8b888af45008
EDAN-URL:
ead_component:sova-aaa-hadzdimi-ref113

Tamarind Lithography Workshop

Collection Creator:
Seitz, William C. (William Chapin)  Search this
Extent:
2 Folders
Container:
Box 17, Folder 3-4
Type:
Archival materials
Date:
1960s
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William C. Seitz papers, circa 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
William C. Seitz papers
William C. Seitz papers / Series 4: Research and Writing Files / 4.2: People and Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d280780f-eed9-4232-898d-4bb6e1404528
EDAN-URL:
ead_component:sova-aaa-seitwill-ref472

Tamarind Lithography Workshop

Collection Creator:
Swetzoff Gallery  Search this
Container:
Box 10, Folder 17
Type:
Archival materials
Date:
1967
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Swetzoff Gallery records, 1941-1968. Archives of American Art, Smithsonian Institution.
See more items in:
Swetzoff Gallery Records
Swetzoff Gallery Records / Series 3: Named Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9da967a61-2332-464d-ab23-04edf07b2fbc
EDAN-URL:
ead_component:sova-aaa-swetgall-ref215

Untitled

Culture/People:
Diné (Navajo)  Search this
Artist/Maker:
R. C. Gorman (Rudolph Carl Gorman), Diné (Navajo), 1931-2005; printed by Harry Westlund, Non-Indian, b. 1941  Search this
Tamarind Institute (Tamarind Lithography Workshop, Inc.), 1960-  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
Publisher:
Art Consultants Inc. (Art Consultants LTD)  Search this
Navajo Gallery  Search this
IACB source:
Art Consultants Inc. (Art Consultants LTD)  Search this
Title:
Untitled
Object Name:
Print
Media/Materials:
Arches paper, ink
Techniques:
Lithographed
Dimensions:
30.5 x 38.2 cm
Object Type:
Painting/Drawing/Print
Place:
Albuquerque; Bernalillo County; New Mexico; USA (inferred)
Date created:
1972
Catalog Number:
25/8938
Barcode:
258938.001
See related items:
Diné (Navajo)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6023d26c6-b0e4-435d-aef6-a31deb82a279
EDAN-URL:
edanmdm:NMAI_274904
Online Media:

Blue Door At Hano

Culture/People:
Hopi-Tewa  Search this
Artist/Maker:
Dan Namingha, Hopi-Tewa, b. 1950; printed by the Tamarind Institute (Tamarind Lithography Workshop, Inc.), 1960-  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
IACB source:
Gallery Wall (Phoenix, AZ)  Search this
Title:
Blue Door At Hano
Object Name:
Print
Media/Materials:
Arches paper, ink
Techniques:
Lithographed
Dimensions:
57 x 71 cm
Object Type:
Painting/Drawing/Print
Place:
Albuquerque; Bernalillo County; New Mexico; USA (inferred)
Date created:
1978
Catalog Number:
25/9556
Barcode:
259556.000
See related items:
Hopi-Tewa
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6d528d9bb-2262-4eb6-8a2a-43c83d614c39
EDAN-URL:
edanmdm:NMAI_275618
Online Media:

Frontispiece

Culture/People:
Diné (Navajo)  Search this
Artist/Maker:
R. C. Gorman (Rudolph Carl Gorman), Diné (Navajo), 1931-2005 and Tamarind Institute (Tamarind Lithography Workshop, Inc.), 1960-  Search this
IACB source:
Art Consultants Inc. (Art Consultants LTD)  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
Title:
Frontispiece
Object Name:
Print
Media/Materials:
Arches paper, ink
Techniques:
Lithographed
Dimensions:
56.6 x 76.3 cm
Object Type:
Painting/Drawing/Print
Place:
Albuquerque; Bernalillo County; New Mexico; USA (inferred)
Date created:
1972
Catalog Number:
25/9597
Barcode:
259597.000
See related items:
Diné (Navajo)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws694dd51fc-7c4b-4983-b7da-9c3d94e4a153
EDAN-URL:
edanmdm:NMAI_275676
Online Media:

Title page

Culture/People:
Diné (Navajo)  Search this
Artist/Maker:
R. C. Gorman (Rudolph Carl Gorman), Diné (Navajo), 1931-2005 and Tamarind Institute (Tamarind Lithography Workshop, Inc.), 1960-  Search this
Tamarind Institute (Tamarind Lithography Workshop, Inc.), 1960-  Search this
IACB source:
Art Consultants Inc. (Art Consultants LTD)  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
Title:
Title page
Object Name:
Print
Media/Materials:
Arches paper, ink
Techniques:
Lithographed
Dimensions:
76.4 x 57 cm
Object Type:
Painting/Drawing/Print
Place:
Albuquerque; Bernalillo County; New Mexico; USA (inferred)
Date created:
1972
Catalog Number:
25/9597
Barcode:
259597.001
See related items:
Diné (Navajo)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6889d8dec-3cb4-4e76-95f2-0539f2febfdc
EDAN-URL:
edanmdm:NMAI_275677
Online Media:

Walking Women

Culture/People:
Diné (Navajo)  Search this
Artist/Maker:
R. C. Gorman (Rudolph Carl Gorman), Diné (Navajo), 1931-2005 and Tamarind Institute (Tamarind Lithography Workshop, Inc.), 1960-  Search this
IACB source:
Art Consultants Inc. (Art Consultants LTD)  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
Title:
Walking Women
Object Name:
Print
Media/Materials:
Arches paper, ink
Techniques:
Lithographed
Dimensions:
76.4 x 57 cm
Object Type:
Painting/Drawing/Print
Place:
Albuquerque; Bernalillo County; New Mexico; USA (inferred)
Date created:
1972
Catalog Number:
25/9597
Barcode:
259597.002
See related items:
Diné (Navajo)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws69fa78bf9-b0b2-46bb-9006-55d5bfdc19b4
EDAN-URL:
edanmdm:NMAI_275678
Online Media:

Noon Meditation

Culture/People:
Diné (Navajo)  Search this
Artist/Maker:
R. C. Gorman (Rudolph Carl Gorman), Diné (Navajo), 1931-2005 and Tamarind Institute (Tamarind Lithography Workshop, Inc.), 1960-  Search this
IACB source:
Art Consultants Inc. (Art Consultants LTD)  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
Title:
Noon Meditation
Object Name:
Print
Media/Materials:
Arches paper, ink
Techniques:
Lithographed
Dimensions:
56.6 x 76 cm
Object Type:
Painting/Drawing/Print
Place:
Albuquerque; Bernalillo County; New Mexico; USA (inferred)
Date created:
1972
Catalog Number:
25/9597
Barcode:
259597.003
See related items:
Diné (Navajo)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6354fa15a-1872-4f25-8fa0-6053bf4fffc9
EDAN-URL:
edanmdm:NMAI_275679
Online Media:

Corn Mother

Culture/People:
Diné (Navajo)  Search this
Artist/Maker:
R. C. Gorman (Rudolph Carl Gorman), Diné (Navajo), 1931-2005 and Tamarind Institute (Tamarind Lithography Workshop, Inc.), 1960-  Search this
IACB source:
Art Consultants Inc. (Art Consultants LTD)  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
Title:
Corn Mother
Object Name:
Print
Media/Materials:
Arches paper, ink
Techniques:
Lithographed
Dimensions:
76.5 x 56.7 cm
Object Type:
Painting/Drawing/Print
Place:
Albuquerque; Bernalillo County; New Mexico; USA (inferred)
Date created:
1972
Catalog Number:
25/9597
Barcode:
259597.004
See related items:
Diné (Navajo)
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6b110373f-69b5-4ceb-aaca-6e6103ac0121
EDAN-URL:
edanmdm:NMAI_275680
Online Media:

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