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Tacha, Athena

Collection Creator:
Henri Gallery (Washington, D.C.)  Search this
Container:
Box 45, Folder 26-27
Type:
Archival materials
Date:
1966-1980
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Henri Gallery records, circa early 1900s, 1940-1996, bulk 1957-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Henri Gallery records
Henri Gallery records / Series 2: Alphabetical Files / 2.1: Name Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-henrgall-ref1023

Gyorgy Kepes papers

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Names:
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano (Milan, Italy)  Search this
Arnheim, Rudolf  Search this
Bertoia, Harry  Search this
Blee, Michael  Search this
Boghosian, Varujan  Search this
Brazdys, Konslancija  Search this
Burgess, Lowry, 1940-  Search this
Burnham, Jack, 1931-  Search this
Calder, Alexander, 1898-1976  Search this
Chermayeff, Serge, 1900-  Search this
Dreyfuss, Henry, 1904-1972  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Egawa, Kazuhiko  Search this
Entwhistle, Clive  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gropius, Walter, 1883-1969  Search this
Hayter, Stanley William, 1901-1988  Search this
Hélion, Jean, 1904-1987  Search this
Johnson, Philip, 1906-2005  Search this
Kepes, Juliet  Search this
Kowalski, Piotry  Search this
Lynch, Kevin, 1918-1984  Search this
McLuhan, Marshall, 1911-1980  Search this
Mead, Margaret, 1901-1978  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Nusberg, Lev, 1937-  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Piene, Otto, 1928-  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richards, I. A. (Ivor Armstrong), 1893-1979  Search this
Rickey, George  Search this
Saarinen, Eero, 1910-1961  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Tacha, Athena, 1936-  Search this
Takis, Vassilakis  Search this
Tange, Kenzō, 1913-  Search this
Thiel, Philip  Search this
Tovish, Harold, 1921-2008  Search this
Tsʻai, Wen-ying, 1928-  Search this
Wolff, Robert Jay, 1905-  Search this
Wurster, William Wilson  Search this
Zvilna, Jēkabs, 1913-1997  Search this
Faculty:
Massachusetts Institute of Technology  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Place:
Times Square (New York, N.Y.)
Date:
1909-2003
bulk 1935-1985
Summary:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.
Scope and Contents:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

Correspondence provides a wide range of documentation on all aspects of Kepes's career including his collaborations and friendships with artists, architects, writers, scientists, and fellow educators including Rudolf Arnheim, Alexander Calder, Henry Dreyfuss, Charles and Ray Eames, Clive Entwhistle, R. Buckminster Fuller, Walter Gropius, S. W. Hayter, Jean Hélion, Laszlo and Sibyl Moholy-Nagy, Lev Nussberg, Robert Osborn, George Rickey, Saul Steinberg, Kenzo Tange, Robert Jay Wolff, and Jekabs Zvilna. Correspondence also documents the evolution of Kepes's vision for the Center for Advanced Visual Studies, which he established in 1967, and his subsequent leadership of CAVS at M.I.T. Records document his collaborations with students and fellows including Lowry Burgess, Jack Burnham, Piotry Kowalski, Margaret Mead, Otto Piene, Alan Sonfist, Athena Tacha, Vassilakis Takis, Philip Thiel, Harold Tovish, and Wen-Ying Tsai. Correspondents also include people who contributed to Kepes's Vision + Value series, including Michael Blee, Kazuhiko Egawa, Jean Hélion, and others. Correspondence includes three motion picture films, including what appears to be an early version of Powers of Ten by Charles and Ray Eames.

Writings include notes and manuscripts for articles and essays in which Kepes explored ideas evident in his books The New Landscape and Language of Vision, and submitted to publications such as Daedalus, Design, Domus, and Leonardo. Writings also include manuscripts for lectures, and draft manuscripts documenting Kepes's collaborative work with fellow M.I.T. professor Kevin Lynch on city planning, which culminated in Lynch's research project "The Perceptual Form of the City."

A small group of "Times Square Project" files documents Kepes's proposal for a lightscape in Times Square that was ultimately not realized.

Teaching files include sound recordings of circa five symposia and discussions held at M.I.T., the Illinois Institute of Technology, and elsewhere, some featuring Kepes and including Philip Johnson, Eero Saarinen and others.

Exhibition files include documentation of three exhibitions, including Light as a Creative Medium (1968) and a Kepes exhibition at Saidenberg Gallery (1968). They also record Kepes's involvement in designing the 1968 Triennale di Milano.

Printed material includes a substantial collection of announcements and catalogs for Kepes exhibitions, lectures, and other events, and includes catalogs and announcements for scattered exhibitions of his wife, artist and illustrator, Juliet Kepes. Clippings from newspapers and magazines include articles about Kepes, and contain some copies of published writings and designs by him. The series also includes sound recordings and motion picture films containing original material for a CBS television series "The 21st Century," probably as part of the episode "Art for Tomorrow," which appear to feature M.I.T. fellows Jack Burnham and Vassilakis Takis. Another motion picture film of an Italian documentary "Operazione Cometa" can also be found here.

Two sketchbooks contain pen and ink and painted sketches by Kepes. Artwork by Kepes includes original poster designs, caricatures, and many pencil, and pen and ink sketches and paintings on paper and board, including designs for stained glass. Artwork by others includes ink on mylar sketches by D. Judelson and Konstancija Brazdys, and a sketch by Harold Tovish. Also found are circa seventeen motion picture films and four sound recordings, the majority of which are untitled and by unidentified artists, but include films by M.I.T. fellows Otto Piene, Vassilakis Takis, Philip Thiel, Harold Tovish, Wen-Ying Tsai, and others.

Photographs are of Kepes, Juliet Kepes, and other family members; students, colleagues, and friends, including R. Buckminster Fuller, Serge Chermayeff, Harry Bertoia, Varujan Boghosian, Alexander Calder, Marchall McLuhan, Margaret Mead, Herbert Read, I. A. Richards, Saul Steinberg, and William Wurster; and of Kepes in his studio. There are also photos of exhibition installations in which Kepes's work appeared or which he designed, and photos of his artwork and of images for publications which he wrote or edited. Photos by others include artwork by established artists and work by students, as well as photographs arranged by subjects such as cityscapes, forms found in nature, light patterns, mechanical devices, and photomicrographs. A collection of lantern slides with similar content to the photos of artwork and photos by subject is also found in this series and includes a lantern slide of Picasso creating a design with light.
Arrangement:
The collection is arranged as eleven series.

Series 1: Biographical Material, circa 1940-circa 1980 (0.25 linear feet; Boxes 1, 28)

Series 2: Correspondence, 1936-1984 (5.7 linear feet; Boxes 1-7, 28 OV 33, FCs 39-41)

Series 3: Interviews and Transcripts, 1954-1970 (4 folders; Box 7)

Series 4: Writings and Notes, 1948-circa 1980s (1.4 linear feet; Boxes 7-8, 28)

Series 5: Times Square Project Files, 1972-1974 (6 folders; Box 9)

Series 6: Teaching Files Sound Recordings, circa 1953-1972 (0.7 linear feet; Box 9)

Series 7: Exhibition Files, 1958-1973 (0.4 linear feet; Boxes 9-10)

Series 8: Printed Material, circa 1922-1989 (3.6 linear feet; Boxes 10-12, 28-29, OVs 35, 37, FCs 42-49)

Series 9: Sketchbooks, circa 1940s-circa 1970s (2 folders; Box 12)

Series 10: Artwork and Moving Images, circa 1924-2003 (2.5 linear feet; Boxes 12, 13, OVs 33-36, 38, FCs 50-62)

Series 11: Photographs, 1909-1988 (10.4 linear feet; Boxes 13-32)
Biographical / Historical:
Painter, designer, art theorist, and educator, Gyorgy Kepes (1906-2001), was born in Selyp, Hungary, and studied at the Royal Academy of Fine Arts, Budapest. He worked with Moholy-Nagy in Berlin and London before joining him at the New Bauhaus (later the Chicago Institute of Design) in 1937.

Kepes taught courses at the New Bauhaus from 1937 to 1945, and published Language of Vision in 1944, summarizing the educational ideas and methods he had developed during his time at the institute. In 1946 he accepted a teaching position at the Massachusetts Institute of Technology (M.I.T.) where he initiated a program in visual design.

In 1956 Kepes published The New Landscape in Art and Science, in which he presented images from nature that were newly accessible due to developments in science and technology, and explored his ideas for a common language between science and the visual arts.

In 1965, these ideas were apparent in Kepes's proposal of an expanded visual arts program at M.I.T., which would "build new as yet undetermined bridges between art and engineering and science," according to the minutes of an M.I.T. Art Committee meeting in March of that year. Kepes's vision dovetailed with M.I.T.'s vested interest in promoting the arts, and faculty and administrators were open to the argument that "The scientific-technical enterprise needs schooling by the artistic sensibilities." In 1967, they appointed Kepes Director of M.I.T.'s Center for Advanced Visual Studies (CAVS).

Kepes retired from the regular faculty at M.I.T. in 1967, to focus on his role as director of CAVS, where he worked to provide artists with opportunities for exploring new artistic forms on a civic scale through a working dialogue with scientists and engineers. Early fellows of the center included Maryanne Amacher, Joan Brigham, Lowry Burgess, Jack Burnham, Piotry Kowalski, Otto Piene, Vassilakis Takis, and Wen-Ying Tsai.

In 1965-1966 Kepes edited a six-volume series entitled Vision + Value, published by George Braziller, Inc. Each volume featured essays that centered around a core theme: The Education of Vision; Structure in Art and Science; The Nature and Art of Motion; Module, Symmetry, Proportion, Rhythm; Sign, Image, Symbol; and Man-Made Object. Contributions came from prominent artists, designers, architects, and scientists of the time including Rudolf Arnheim, Saul Bass, Marcel Breuer, John Cage, R. Buckminster Fuller, Johannes Itten, Marshall McLuhan, and Paul Rand.

Kepes experimented widely with photography, producing abstract images through the application of fluids and objects to photographic paper. He also took commercial work throughout his career, producing designs for all kinds of objects, including books and stained glass windows for churches. He returned to painting in the 1950s, and his development as a painter continued throughout his career at M.I.T., where he remained until his retirement in 1974, and beyond. His paintings, which were abstract and often incorporated organic shapes and hints of landscapes, can be found in museums such as the Brooklyn Museum of Art, the Corcoran Gallery of Art, and the Whitney Museum of American Art.

Kepes received many awards during his lifetime, including a Guggenheim Fellowship (1958); the Gold Star Award of the Philadelphia College of Art (1958); the National Association of Art Colleges Annual Award (1968); the California College of Art Award (1968); and the Fine Arts Medal from the American Institute of Architects (1968). In 1973 he was elected into the National Academy of Design as an associate member, and became a full academician in 1978. He was a member of the National Institute of Arts and Letters and Fellow of the American Academy of Arts and Sciences.
Related Materials:
Additional papers of Gyorgy Kepes can be found at Stanford University and the Massachusetts Institute of Technology Center for Advanced Visual Studies Special Collection.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 1211) including ninety-eight letters to Kepes from colleagues, 1946-1974. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Gyorgy Kepes lent papers for microfilming in 1974 and donated material to the Archives of American Art in a series of gifts between 1974 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
Authorization to publish, quote, or reproduce requires written permission from Juliet Kepes Stone or Imre Kepes. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Philosophy  Search this
Artists' studios--Photographs  Search this
City planning  Search this
Educators--Massachusetts--Cambridge  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Citation:
Gyorgy Kepes papers, 1909-2003, bulk 1935-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kepegyor
See more items in:
Gyorgy Kepes papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kepegyor

Tacha, Athena

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 18, Folder 43
Type:
Archival materials
Date:
1989-1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref2946

Printed Matter, Inc. records, 1970-1990

Creator:
Printed Matter, Inc.  Search this
Printed Matter, Inc.  Search this
Subject:
Davis, Douglas  Search this
DeAk, Edit  Search this
Fasnacht, Heide  Search this
Huebler, Douglas  Search this
Lawler, Louise  Search this
LeWitt, Sol  Search this
Linn, Nancy  Search this
Lippard, Lucy R.  Search this
Nonas, Richard  Search this
Rosler, Martha  Search this
Princenthal, Nancy  Search this
Ruscha, Edward  Search this
Sischy, Ingrid  Search this
Spiegelman, Art  Search this
Stuart, Michelle  Search this
Tacha, Athena  Search this
Weiner, Lawrence  Search this
Type:
Photographs
Architectural drawings
Topic:
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)5968
(DSI-AAA_SIRISBib)227906
AAA_collcode_prinmati
Theme:
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_227906
Online Media:

Printed Matter, Inc. records

Creator:
Printed Matter, Inc.  Search this
Names:
Davis, Douglas  Search this
DeAk, Edit  Search this
Fasnacht, Heide, 1951-  Search this
Huebler, Douglas  Search this
Lawler, Louise  Search this
LeWitt, Sol, 1928-2007  Search this
Linn, Nancy  Search this
Lippard, Lucy R.  Search this
Nonas, Richard, 1936-  Search this
Princenthal, Nancy  Search this
Rosler, Martha  Search this
Ruscha, Edward  Search this
Sischy, Ingrid  Search this
Spiegelman, Art  Search this
Stuart, Michelle, 1933-  Search this
Tacha, Athena, 1936-  Search this
Weiner, Lawrence, 1942-  Search this
Extent:
24.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Architectural drawings
Date:
1970-1990
Summary:
The records of Printed Matter, Inc., a non-profit artists' book publisher and distributor in New York, measure 24.9 linear feet and date from 1970 to 1990. Documentation on this organization includes artist, distributor, and client files; inventory records; legal and administrative records; general correspondence; ledgers, invoices, and other financial records; files arranged by subject; and architectural drawings of the interior office space. The administrative correspondence scattered across the various series shows Printed Matter's philosophy, operations, and relationships to artists. Many early notes and minutes are in Sol LeWitt's handwriting. Among the names to be found in the files are former staff members Edith deAk, Mike Glier, Nancy Linn, Ingrid Sischy, and Nancy Princenthal; founders Sol LeWitt and Lucy Lippard; and contracted artists, such as Douglas Davis, Heidi Fasnacht, Jenny Holzer, Douglas Huebler, Louise Lawler, Richard Nonas, Martha Rosler, Ed Ruscha, Art Spiegelman, Michelle Stuart, Athena Tacha, and Lawrence Weiner.
Scope and Contents:
The records of Printed Matter, Inc., a non-profit artists' book publisher and distributor in New York, measure 24.9 linear feet and date from 1970 to 1990. Documentation on this organization includes artist, distributor, and client files; inventory records; legal and administrative records; general correspondence; ledgers, invoices, and other financial records; files arranged by subject; and architectural drawings of the interior office space. The administrative correspondence scattered across the various series shows Printed Matter's philosophy, operations, and relationships to artists. Many early notes and minutes are in Sol LeWitt's handwriting. Among the names to be found in the files are former staff members Edith deAk, Mike Glier, Nancy Linn, Ingrid Sischy, and Nancy Princenthal; founders Sol LeWitt and Lucy Lippard; and contracted artists, such as Douglas Davis, Heidi Fasnacht, Jenny Holzer, Douglas Huebler, Louise Lawler, Richard Nonas, Martha Rosler, Ed Ruscha, Art Spiegelman, Michelle Stuart, Athena Tacha, and Lawrence Weiner.
Arrangement:
The collection is arranged as 9 series.

Artist Files, circa 1970-1990 (Boxes 1-3; 3.0 linear feet)

Distributor Files, 1976-1988 (Boxes 4-6; 3.0 linear feet)

Client Files, 1971-1989 (Boxes 7-8; 2.0 linear feet)

Inventory Cards, circa 1970s-1980s (Boxes 9-10; 2.0 linear feet)

Legal and Administrative Records, 1976-1989 (Boxes 11-13; 2.6 linear feet)

Correspondence, 1975-1986 (Boxes 13-14; 0.7 linear feet)

Subject Files, 1972-1990 (Boxes 14-20; 6.0 linear feet)

Financial Records, 1975-1989 (Boxes 20-25; 5.5 linear feet)

Architectural Drawings, circa 1985 (OV 26; 0.1 linear feet)
Biographical / Historical:
Printed Matter, Inc., a non-profit artists' book publisher and distributor in New York was established in 1976 by Sol LeWitt, Lucy Lippard, and others. The organization grew from a small business coalition of artists into the largest facility dedicated to publications made by artists in book form. By 1986, Printed Matter had published or disseminated books by more than 1800 artists. Its history also mirrors the trajectory of the downtown art scene in the 1970s and 1980s, for which it became a matrix, an outlet, and a representative.
Provenance:
Donated in 2001 by David Platzker for Printed Matter, Inc.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Function:
Publishing houses -- New York (State)
Genre/Form:
Photographs
Architectural drawings
Citation:
Printed Matter, Inc. records, 1970-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.prinmati
See more items in:
Printed Matter, Inc. records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-prinmati
Online Media:

Tacha, Athena

Collection Creator:
Printed Matter, Inc.  Search this
Container:
Box 3, Folder 34
Type:
Archival materials
Date:
1976-1981
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Printed Matter, Inc. records, 1970-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Printed Matter, Inc. records
Printed Matter, Inc. records / Series 1: Artist Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-prinmati-ref775

Zabriskie Gallery records, 1951-2010

Creator:
Zabriskie Gallery  Search this
Zabriskie Gallery  Search this
Subject:
Archipenko, Alexander  Search this
Baizerman, Saul  Search this
Benglis, Lynda  Search this
Christenberry, William  Search this
Crawford, Ralston  Search this
Davis, Stuart  Search this
Frank, Mary  Search this
Hartley, Marsden  Search this
King, William  Search this
Lozowick, Louis  Search this
Nordfeldt, Bror Julius Olsson  Search this
Siskind, Aaron  Search this
Snelson, Kenneth  Search this
Sugarman, George  Search this
Tacha, Athena  Search this
Tworkov, Jack  Search this
Vytlacil, Vaclav  Search this
Wilmarth, Christopher  Search this
Yunkers, Adja  Search this
Zabriskie, Virginia M., 1927-1991  Search this
Stankiewicz, Richard  Search this
Galerie Zabriskie  Search this
Topic:
Art, American  Search this
Art, Modern -- 20th century  Search this
Theme:
Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)10983
(DSI-AAA_SIRISBib)214845
AAA_collcode_zabrgall
Theme:
Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214845

Athena Tacha response to "What is Feminist Art?"

Creator:
Tacha, Athena, 1936-  Search this
Tacha, Athena, 1936-  Search this
Subject:
Iskin, Ruth  Search this
Lippard, Lucy R.  Search this
Raven, Arlene  Search this
Snyder, Joan  Search this
Type:
Writings
Date:
1976 or 1977
Topic:
Feminism  Search this
Record number:
(DSI-AAA)22405
See more items in:
Woman's Building records, 1970-1992
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_22405

William Wegman letter to Athena Tacha

Creator:
Wegman, William, 1943-  Search this
Tacha, Athena, 1936-  Search this
Wegman, William, 1943-  Search this
Type:
Correspondence
Date:
ca. 1974
Record number:
(DSI-AAA)5888
See more items in:
Athena Tacha papers, 1960-2019
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5888

William Wegman letter to Ellen H. Johnson and Athena Tacha

Creator:
Wegman, William, 1943-  Search this
Johnson, Ellen H., 1910-1992  Search this
Wegman, William, 1943-  Search this
Subject:
Tacha, Athena  Search this
Type:
Correspondence
Date:
1974 Apr. 19
Record number:
(DSI-AAA)6097
See more items in:
Ellen Hulda Johnson papers, 1872-2018
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_6097
Online Media:

Oral history interview with Athena Tacha, 2009 December 4-6

Interviewee:
Tacha, Athena, 1936-  Search this
Tacha, Athena, 1936-  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15749
(DSI-AAA_SIRISBib)287094
AAA_collcode_tacha09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_287094
Online Media:

Theodore F. Wolff papers, 1920-2013, bulk 1977-2013

Creator:
Wolff, Theodore F., 1926-2012  Search this
Wolff, Theodore F., 1926-2012  Search this
Subject:
Stamos, Theodoros  Search this
Tacha, Athena  Search this
Miller, Melissa  Search this
Natkin, Robert  Search this
Landeck, Armin  Search this
Kohlmeyer, Ida  Search this
Hogue, Alexandre  Search this
Johnston, Ynez  Search this
Diebenkorn, Richard  Search this
Donati, Enrico  Search this
Witkin, Jerome  Search this
Turrell, James  Search this
Type:
Sketches
Video recordings
Sound recordings
Photographs
Interviews
Topic:
Painters -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6269
(DSI-AAA_SIRISBib)216612
AAA_collcode_wolftheo
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216612
Online Media:

Athena Tacha papers, 1960-2019

Creator:
Tacha, Athena, 1936-  Search this
Tacha, Athena, 1936-  Search this
Subject:
Brancusi, Constantin  Search this
Rodin, Auguste  Search this
Nadelman, Elie  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
Women artists  Search this
Theme:
Women  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6242
(DSI-AAA_SIRISBib)216555
AAA_collcode_tachathe
Theme:
Women
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216555

Gyorgy Kepes papers, 1909-2003, bulk 1935-1985

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Kepes, Gyorgy, 1906-2001  Search this
Subject:
Arnheim, Rudolf  Search this
Bertoia, Harry  Search this
Blee, Michael  Search this
Boghosian, Varujan  Search this
Brazdys, Konslancija  Search this
Burgess, Lowry  Search this
Burnham, Jack  Search this
Calder, Alexander  Search this
Chermayeff, Serge  Search this
Dreyfuss, Henry  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Egawa, Kazuhiko  Search this
Entwhistle, Clive  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gropius, Walter  Search this
Hayter, Stanley William  Search this
Hélion, Jean  Search this
Johnson, Philip  Search this
Kepes, Juliet  Search this
Kowalski, Piotry  Search this
Lynch, Kevin  Search this
McLuhan, Marshall  Search this
Mead, Margaret  Search this
Moholy-Nagy, Sibyl  Search this
Moholy-Nagy, László  Search this
Nusberg, Lev  Search this
Osborn, Robert Chesley  Search this
Piene, Otto  Search this
Read, Herbert Edward, Sir  Search this
Richards, I. A. (Ivor Armstrong)  Search this
Rickey, George  Search this
Saarinen, Eero  Search this
Sonfist, Alan  Search this
Tacha, Athena  Search this
Takis, Vassilakis  Search this
Tange, Kenzō  Search this
Thiel, Philip  Search this
Steinberg, Saul  Search this
Tovish, Harold  Search this
Tsʻai, Wen-ying  Search this
Wolff, Robert Jay  Search this
Wurster, William Wilson  Search this
Zvilna, Jēkabs  Search this
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Massachusetts Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano (Milan, Italy)  Search this
Type:
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Place:
Times Square (New York, N.Y.)
Topic:
Art -- Philosophy  Search this
Artists' studios--Photographs  Search this
City planning  Search this
Educators--Massachusetts--Cambridge  Search this
Motion pictures (visual works)  Search this
Theme:
Sketches & Sketchbooks  Search this
Art Movements and Schools  Search this
Architecture & Design  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)7252
(DSI-AAA_SIRISBib)209402
AAA_collcode_kepegyor
Theme:
Sketches & Sketchbooks
Art Movements and Schools
Architecture & Design
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209402
Online Media:

Interviews of Ohio artists, 1975-1979

Creator:
McClelland, Elizabeth  Search this
McClelland, Elizabeth  Search this
Subject:
Mieczkowski, Ed  Search this
Miller, Frederick A.  Search this
Miller, John Paul  Search this
Ouich, David  Search this
Pearson, John  Search this
Sloane, Phyllis  Search this
Stanczak, Julian  Search this
Tacha, Athena  Search this
Davis, David E.  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American -- Ohio  Search this
Designers -- Ohio -- Interviews  Search this
Educators -- Ohio -- Interviews  Search this
Sculptors -- Ohio -- Interviews  Search this
Theme:
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)10649
(DSI-AAA_SIRISBib)214227
AAA_collcode_mccleliz
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214227

Ellen Hulda Johnson papers, 1872-2018

Creator:
Johnson, Ellen H., 1910-1992  Search this
Johnson, Ellen H., 1910-1992  Search this
Subject:
Hesse, Eva  Search this
Tworkov, Jack  Search this
Cézanne, Paul  Search this
Milles, Carl  Search this
Wilke, Wendell  Search this
Kensett, John Frederick  Search this
Saunders, David  Search this
Picasso, Pablo  Search this
Oldenburg, Claes  Search this
Tacha, Athena  Search this
Stieglitz, Alfred  Search this
Venturi, Robert  Search this
Archipenko, Alexander  Search this
Dine, Jim  Search this
American-Scandinavian Foundation  Search this
Oberlin College  Search this
College Art Association (U.S.)  Search this
Allen Memorial Art Museum  Search this
Place:
Ossabaw Island (Ga.)
Topic:
Pop art  Search this
Art, Modern -- 20th century -- Study and teaching  Search this
Art, Scandinavian  Search this
Art, Modern -- 19th century -- Study and teaching  Search this
Art -- Study and teaching  Search this
Theme:
Art Theory and Historiography  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)6514
(DSI-AAA_SIRISBib)215772
AAA_collcode_johnelle
Theme:
Art Theory and Historiography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215772
Online Media:

Model for Ripples

Artist:
Athena Tacha, born Larissa, Greece 1936  Search this
Medium:
mixed media: wax, polystyrene foam, paper and fiberboard
Dimensions:
2 1/4 x 46 3/8 x 24 in. (5.7 x 117.8 x 61.0 cm)
Type:
Sculpture
Date:
1979
Topic:
Abstract  Search this
Study\sculpture model  Search this
Credit Line:
Smithsonian American Art Museum, Gift of the artist
Object number:
1980.49.12
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7b340ecdb-16e2-426c-80c7-9950e842cc56
EDAN-URL:
edanmdm:saam_1980.49.12

Maquette for Ripples

Artist:
Athena Tacha, born Larissa, Greece 1936  Search this
Medium:
paperboard and polystyrene foam mounted on fiberboard
Dimensions:
5/8 x 16 x 8 1/4 in. (1.5 x 40.5 x 21.0 cm)
Type:
Sculpture-Maquette
Date:
1979
Topic:
Abstract  Search this
Study\sculpture model  Search this
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration
Object number:
1980.49.13
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk779e465c4-3c6c-4e70-9250-7cf13751b405
EDAN-URL:
edanmdm:saam_1980.49.13

Scale drawing for "Ripples", Federal Office Building, Granby Mall and City Hall Avenue, Norfolk, Virginia

Artist:
Athena Tacha, born Larissa, Greece 1936  Search this
Medium:
felt-tipped pen and ink and pencil on graph paper
Dimensions:
sheet: 41 3/4 x 50 in. (106.0 x 127.0 cm)
Type:
Drawing
Date:
1979
Credit Line:
Smithsonian American Art Museum, Transfer from the General Services Administration
Object number:
1980.49.21
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Graphic Arts
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk7fcf1d79e-485c-44d2-a5e6-42810239b774
EDAN-URL:
edanmdm:saam_1980.49.21

Land Marks

Artist:
Athena Tacha, American, b. Larissa, Greece, 1936  Search this
Medium:
Ink, oil pastel, and pencil on paper mounted on foamcore
Dimensions:
31 x 48 in. (78.7 x 122.0 cm)
Type:
Drawing
Date:
1984
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the artist, 1999
Accession Number:
99.31
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py24e63825c-6ddb-4cb4-a566-91f23590feb6
EDAN-URL:
edanmdm:hmsg_99.31

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