Warner, Deborah Jean. 2009. [Book review] "Raising Cane in the 'Glades. The Global Sugar Trade and the Transformation of Florida." Technology and Culture, 50, (4), 926–927. https://doi.org/10.1353/tech.0.0376.
This collection is composed of two series: (1) 22 stereographs by several publishers, many of which relate to or were actually printed from negatives in the Underwood & Underwood Glass Stereograph Collection; and (2) a pamphlet. The fourth group of cards illustrates certain aspects of how stereographs were used by various companies, including two variant images taken on the sugar levee in New Orleans, apparently in 1893 by a Strohmeyer & Wyman photographer, which later appeared in different versions by other publishers. This demonstrates how two negatives, apparently taken by the same photographer minutes apart, were published by four different publishers, although a nearly identical caption was retained for all five versions of the published photographs.
The other stereographs include comic and genre scenes (posed or staged), travel views, etc. Included is a tinted French tissue published by American Stereoscopic Co.
The pamphlet, published by Underwood & Underwood in 1902, illustrates one of the company's marketing techniques.
Most of these items are in fair to good condition.
The collection is arranged into two series.
Series 1: Stereographs
Series 2: Pamphlet
Biographical / Historical:
Anne E. Peterson, the donor of this material, is a photographic historian who served as project manager for the Underwood & Underwood Videodisc Project in 1990-1992.
Ms. Peterson earned a B.A. in art history at the University of Texas (Austin) in 1970 and an M.A. in American civilization from George Washington University (Washington, D.C.) in 1980, with a concentration in history of photography and American arts. Working for the National Trust for Historic Preservation, Decatur House, and Wilson House from 1975-1980, she was a guest curator at Wilson House for the exhibition and catalogue, Hornblower & Marshall, Architects (1976-1978). From 1978 to 1980 she worked for the Prints and Photographs Division at the Library of Congress, cataloging the Frances Benjamin Johnston photographic collections, and later served as a guest curator at the Library. She was Curator of Photography for the Louisiana State Museum in New Orleans from 1981 1982, and later worked on exhibitions and publications for the Albin O. Kuhn Library and Gallery (University of Maryland Baltimore County) and Lousiana State University (Baton Rouge).
Ms. Peterson became associated with the Archives Center in 1985, working on the Donald Sultner Welles Collection, especially the manuscript material, then worked on the Underwood & Underwood Collection from 1990, during which time she also prepared the Sultner Welles Collection brochure and assisted with the final editing and preparation of the register.
She has lectured and participated in seminars and symposia widely. Her most recent publication at this writing is the book, Frances Benjamin Johnston: The Woman and Her Work.
Collection donated by Anne E. Peterson, 1990, December 31.
Unrestricted research use on site. Photographs must be handled with white cotton gloves, unless they are housed in plastic sleeves.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
2.58 cu. ft. (2 record storage boxes) (1 tall document box)
This accession consists of audiovisual materials created during the production of "Montserrat" (8:15) and "Crow Fair" (6:56). Both films were shown in the National
Museum of Natural History exhibition, "Seeds of Change." The exhibition, planned to observe the quincentenary of Christopher Columbus's arrival in the New World, chronicles
the revolutionary effects of Columbus's discovery of America on the cultures of the New and Old Worlds. "Montserrat" documents the history and culture of the island of the
same name which is used in the exhibition to exemplify the effect of the sugar industry on native life. "Crow Fair" documents the Crow event, held annually in Montana since
1904, for which the horse (introduced by the Europeans) serves as a central symbol. Materials include original footage, narration, stills, mixes, masters, protection masters,
dub masters, protection copies, and final productions on a variety of videotapes and audiotapes.
Restrictions pertaining to the use of these materials may apply (based on contracts/copyright). Access restrictions may also apply if viewing/listening copies are not currently available. Viewing/listening copies can be made for a fee. Contact reference staff for details.