Search Results

Collection Creator:

Holt, Nancy, 1938-2014  Search this

Container:

Box 3, Folder 10

Type:

Archival materials

Date:

1982-1983

Collection Restrictions:

Portions of the collection are open for research. Series 4: Unprocessed Papers is currently closed for processing. Financial files, and Nancy Holt's annotated library of books are currently closed to researchers.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Collection Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Nancy Holt Estate records

Nancy Holt Estate records / Series 1: Project Files / 1.1: Projects by Name

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95f8a654a-5d19-4375-b7ce-9e3e90cf18d3

EDAN-URL:

ead_component:sova-aaa-holtnanc-ref166

Collection Creator:

Holt, Nancy, 1938-2014  Search this

Container:

Box 3, Folder 11

Type:

Archival materials

Date:

1984

Collection Restrictions:

Portions of the collection are open for research. Series 4: Unprocessed Papers is currently closed for processing. Financial files, and Nancy Holt's annotated library of books are currently closed to researchers.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Collection Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Nancy Holt Estate records

Nancy Holt Estate records / Series 1: Project Files / 1.1: Projects by Name

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90c528f93-cb8b-489b-9d22-83339cac6a4a

EDAN-URL:

ead_component:sova-aaa-holtnanc-ref167

Collection Creator:

Holt, Nancy, 1938-2014  Search this

Container:

Box 3, Folder 12

Type:

Archival materials

Date:

1985

Collection Restrictions:

Portions of the collection are open for research. Series 4: Unprocessed Papers is currently closed for processing. Financial files, and Nancy Holt's annotated library of books are currently closed to researchers.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Collection Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Nancy Holt Estate records

Nancy Holt Estate records / Series 1: Project Files / 1.1: Projects by Name

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a161ee98-8f9c-4798-b91c-b252ef37e335

EDAN-URL:

ead_component:sova-aaa-holtnanc-ref168

Collection Creator:

Holt, Nancy, 1938-2014  Search this

Container:

Box 3, Folder 13

Type:

Archival materials

Date:

1986

Collection Restrictions:

Portions of the collection are open for research. Series 4: Unprocessed Papers is currently closed for processing. Financial files, and Nancy Holt's annotated library of books are currently closed to researchers.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Collection Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Nancy Holt Estate records

Nancy Holt Estate records / Series 1: Project Files / 1.1: Projects by Name

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9729658eb-3646-4245-9f69-6e66bc770ad8

EDAN-URL:

ead_component:sova-aaa-holtnanc-ref169

Collection Creator:

Holt, Nancy, 1938-2014  Search this

Container:

Box 3, Folder 14

Type:

Archival materials

Date:

1987-1991

1998

2014

Collection Restrictions:

Portions of the collection are open for research. Series 4: Unprocessed Papers is currently closed for processing. Financial files, and Nancy Holt's annotated library of books are currently closed to researchers.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Collection Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Nancy Holt Estate records

Nancy Holt Estate records / Series 1: Project Files / 1.1: Projects by Name

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92fcca451-e33e-4907-81dd-be3d3bb86535

EDAN-URL:

ead_component:sova-aaa-holtnanc-ref170

Collection Creator:

Holt, Nancy, 1938-2014  Search this

Container:

Oversize 14, Folder 2

Type:

Archival materials

Date:

circa 1987-1988

Collection Restrictions:

Portions of the collection are open for research. Series 4: Unprocessed Papers is currently closed for processing. Financial files, and Nancy Holt's annotated library of books are currently closed to researchers.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Collection Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Nancy Holt Estate records

Nancy Holt Estate records / Series 1: Project Files / 1.1: Projects by Name

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw912846dd1-5b0f-4129-b65f-c93a71ef770a

EDAN-URL:

ead_component:sova-aaa-holtnanc-ref171

Collection Creator:

Holt, Nancy, 1938-2014  Search this

Container:

Box 10, Folder 2

Type:

Archival materials

Date:

circa 1985

Collection Restrictions:

Portions of the collection are open for research. Series 4: Unprocessed Papers is currently closed for processing. Financial files, and Nancy Holt's annotated library of books are currently closed to researchers.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Collection Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Nancy Holt Estate records

Nancy Holt Estate records / Series 1: Project Files / 1.1: Projects by Name

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ffabd8ed-d7d0-4e41-b818-07b54a57bc08

EDAN-URL:

ead_component:sova-aaa-holtnanc-ref172

Collection Creator:

Holt, Nancy, 1938-2014  Search this

Container:

Oversize 14, Folder 3

Type:

Archival materials

Date:

circa 1983-1985

Collection Restrictions:

Portions of the collection are open for research. Series 4: Unprocessed Papers is currently closed for processing. Financial files, and Nancy Holt's annotated library of books are currently closed to researchers.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Collection Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Nancy Holt Estate records

Nancy Holt Estate records / Series 1: Project Files / 1.1: Projects by Name

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw967f12fc4-7066-4eb4-abf8-b9a29ebc5ac4

EDAN-URL:

ead_component:sova-aaa-holtnanc-ref173

Collection Creator:

Holt, Nancy, 1938-2014  Search this

Container:

Roll 32, Folder 2

Type:

Archival materials

Date:

circa 1983-1985

Collection Restrictions:

Portions of the collection are open for research. Series 4: Unprocessed Papers is currently closed for processing. Financial files, and Nancy Holt's annotated library of books are currently closed to researchers.

Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.

Collection Citation:

Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Nancy Holt Estate records

Nancy Holt Estate records / Series 1: Project Files / 1.1: Projects by Name

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9beb93809-4895-4330-bdb5-70719380d2d0

EDAN-URL:

ead_component:sova-aaa-holtnanc-ref174

Creator:

McCoy, Esther  Search this

Names:

Historic American Buildings Survey  Search this

Society of Architectural Historians  Search this

University of California, Los Angeles. School of Architecture and Urban Planning  Search this

Ain, Gregory, 1908-1988  Search this

Barragán, Luis, 1902-  Search this

Bradbury, Ray, 1920-2012  Search this

Davidson, Julius Ralph, b. 1889  Search this

Dreiser, Theodore, 1871-1945  Search this

Ellwood, Craig  Search this

Gill, Irving, 1870-1936  Search this

Grotz, Dorothy  Search this

Hollein, Hans, 1934-2014  Search this

Jones, A. Quincy (Archie Quincy), 1913-1979  Search this

Maybeck, Bernard R.  Search this

Neutra, Richard Joseph, 1892-1970  Search this

O'Gorman, Juan, 1905-  Search this

Rand, Marvin  Search this

Schindler, R. M. (Rudolph M.), 1887-1953  Search this

Shulman, Julius  Search this

Soriano, Rafael, 1920-  Search this

Watanabe, Makoto  Search this

Worlidge, T. (Thomas), 1700-1766  Search this

Extent:

44 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Date:

circa 1876-1990

bulk 1938-1989

Summary:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Scope and Content Note:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.0 linear feet and date from 1876 to 1990 (bulk 1938-1989). McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Biographical and family material consists of awards, resumes, identification documents, and other documentation of McCoy's personal life. Included are a transcript of a 1984 interview of McCoy by Makoto Watanabe and material relating to her friend, Theodore Dreiser.

Correspondence focuses on her personal relationships with family, friends, and lovers, and general correspondence relating primarily to her work as a writer. McCoy's personal correspondence is valuable to researchers who are interested in her personal life, her struggles as a young writer, and the way in which her family, friends, lovers, mentors, and colleagues helped to shape her work and career. As documented in this correspondence, her life offers a glimpse into twentieth-century American social and political history, especially the radical leftist movements of the 1920s and 1930s. Researchers interested in the roots of feminism in the United States should also find these papers useful in documenting the life of a creative and productive woman who was successful in a field then almost entirely dominated by men. Correspondents of note include her husband Berkeley Tobey, lovers Geoffrey Eaton and Albert Robert, writers Ray Bradbury and Theodore Dreiser, and artists and architects, such as Dorothy Grotz, Craig Ellwood, A. Quincy Jones, Hans Hollein, and J. R. Davidson. General correspondence is primarily with researchers, professors, architects, publishers, and professional organizations.

Personal writings include McCoy's diaries, notebooks, and memoirs, and writings by others including friends, lovers, and colleagues. Also included are drafts of McCoy's fictional works, both published and unpublished, including short stories, teleplays, and novels.

The collection contains in-depth documentation of McCoy's pioneering study of the modernist work of twentieth-century architects in Southern California. The bulk of her papers consist of her writing files for books, exhibition catalogs, articles, and lectures on architecture. Because many of the architects about whom McCoy wrote were her contemporaries, she developed personal relationships with several of them through her research and writing. Her writing files include drafts, notes, research material, photographs, and correspondence. McCoy also traveled extensively, particularly in Italy and Mexico, and wrote about architecture, craft, and culture in those countries. Project files document McCoy's other activities related to architectural history, such preservation projects, juries, grants, the Dodge House Preservation Campaign and related film project, her work for the Society of Architectural Historians and the Historic American Buildings Survey (HABS), and her work at the UCLA School of Architecture and Urban Planning, compiling a slide library and cataloging the Richard Neutra's papers. McCoy also maintained architect files which may contain correspondence, notes, photographs, research material, interview transcripts, about architects and their works. Among these extensive records, the files documenting the careers of R. M. Schindler, Irving Gill, Richard Neutra, and Juan O'Gorman are particularly rich.

Printed material in this collection documents McCoy's career as well as her personal interests. Included are books, clippings, magazines, newsletters, press releases, as well as publications arranged by subject such as architecture, art, Italy, and Mexico. McCoy also collected literary and leftist publications. The small amount of artwork in this collection consists of artwork sent to her by friends, including a drawing of her by Esther Rollo and etchings by various artists including Thomas Worlidge.

There are personal photographs of family and friends and of McCoy at different times in her life, as well as photographs gathered during the course of her research on architecture. Found here are photographs of architects and their works, including a large number depicting the work of Gregory Ain, Luis Barragan, J. R. Davidson, Irving Gill, Bernard Maybeck, Juan O'Gorman, R. M. Schindler, and Raphael Soriano. Many of these photographs were taken by notable architectural photographers Julius Shulman and Marvin Rand. Also found are photographs of architecture designed for the Case Study House program of Arts & Architecture magazine; exhibition photographs, primarily for the exhibition "Ten Italian Architects" in 1967; and other research photographs primarily documenting architecture and craft in other countries and the history of architecture in California. This series also includes approximately 3,600 slides of architecture.

Audio and video recordings include a videocassette of McCoy's 80th birthday party and 55 taped interviews with architects, people associated with architectural projects, and artists.

Arrangement:

The collection is arranged into 10 series:

Missing Title

Series 1: Biographical and Family Material, 1881-1989 (boxes 1, 48; 0.6 linear feet)

Series 2: Correspondence, 1896-1989 (boxes 1-6, 4.9 linear feet)

Series 3: Personal Writings, 1919-1989 (boxes 6-14; 8.1 linear feet)

Series 4: Architectural Writings, 1908-1990 (boxes 14-24, 42, 49, 50; 10.2 linear feet)

Series 5: Projects, circa 1953-1988 (boxes 24-26, 47, FC 53-56; 2.5 linear feet)

Series 6: Architect Files, 1912-1990 (boxes 26-28, 42; 2.2 linear feet)

Series 7: Printed Material, circa 1885-1990 (boxes 28-31, 42; 2.9 linear feet)

Series 8: Artwork, 1924-1967, undated (box 31; 0.4 linear feet)

Series 9: Photographs and Slides, circa 1876-1989 (boxes 31-38, 41-46, 51; 8.3 linear feet)

Series 10: Audio and Video Recordings, 1930-1984 (boxes 38-40, 47; 2.5 linear feet)

Biographical Note:

Esther McCoy (1904-1989) is remembered best for her pioneering work as an architectural historian, critic, and proponent of Southern California modern architecture of the early to mid-twentieth century. McCoy was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. Although her professional interests ranged from writing fiction to studying the folk architecture and crafts of Mexico, McCoy achieved her most notable success for her numerous articles, books, and exhibitions about Southern California architecture and the architects associated with the modernist movement.

Born in Arkansas in 1904, Esther McCoy grew up in Kansas and attended various schools in the Midwest. In 1926 she left the University of Michigan to launch a writing career in New York, where she moved in avant-garde literary circles and conducted research for Theodore Dreiser. She began writing fiction in New York and continued to write after moving to Los Angeles in 1932, working on short stories, novels, and screenplays. She published numerous short stories between 1929 and 1962, with works appearing in the New Yorker, Harper's Bazaar, and university quarterlies. Her short story, "The Cape," was reprinted in Best Short Stories of 1950. Many of the novels that she wrote from the mid-1960s through the 1980s were related thematically to architects and architecture.

During the late 1920s and throughout the 1930s, McCoy participated in the politically radical movements of the period and wrote for leftist publications. Her interest in the lowcost housing projects of modern architects was prompted by one of her articles about slums for Epic News. During World War II she entered a training program for engineering draftsmen at Douglas Aircraft and in 1944 was hired as an architectural draftsman for the architect R.M. Schindler. As she became increasingly interested in modern architecture and design, she combined her two major career interests and began to focus her energies on architectural research, writing, and criticism. Her first article on architecture, "Schindler: Space Architect," was published in 1945 in the journal Direction.

McCoy began writing about architecture in earnest in 1950 as a free-lance contributor to the Los Angeles Times. From then until her death in 1989, she wrote prolifically for Arts & Architecture magazine, Los Angeles Times, Los Angeles Herald Examiner, Architectural Record, L'Architectura, Zodiac (Italy), Progressive Architecture, Lotus (Italy), and Architectural Forum. In addition to her numerous articles, McCoy wrote several books on Southern California modern architecture and architects. Her first major work, Five California Architects, published in 1960, is now recognized as a classic work in modern architectural history. It promoted a serious study of modern architecture in Southern California and introduced to the world several leading California architects and their work: Bernard Maybeck, Irving Gill, Charles and Henry Greene, and R.M. Schindler. That same year, she published another important book focusing on the work of the California architect Richard Neutra. Other books by McCoy include Modern California Houses: Case Study Houses (1962), Craig Ellwood (1968), Vienna to Los Angeles: Two Journeys (1979), and The Second Generation (1984).

In addition to these books, McCoy organized and wrote catalogs for several significant exhibitions focusing on contemporary architects. Her first was the R.M. Schindler Retrospective, a 1954 exhibition at the Landau Art Gallery in Los Angeles. Her other exhibitions and accompanying catalogs include Roots of California Contemporary Architecture, 1956, Los Angeles Municipal Art Department; Felix Candela, 1957, University of Southern California, Los Angeles; Irving Gill, 1958, Los Angeles County Museum of Art; Juan O'Gorman, 1964, San Fernando Valley State College; and Ten Italian Architects, 1967, Los Angeles County Museum of Art. Moreover, McCoy contributed numerous essays to other exhibition catalogs and publications, lectured at the University of Southern California, participated in preservation projects, organized tours for the Society of Architectural Historians, and contributed to a number of documentary films. Her energy and interests also led her to catalog and transcribe Richard Neutra's papers at the University of California Los Angeles Archives.

McCoy received national recognition from the American Institute of Architects for her seminal and prolific work in the field of Southern California modern architectural history and criticism. Her interests, however, were not exclusively bound to California. She traveled the world and was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. She made five extended trips to Italy during the 1950s and 1960s, publishing regularly about the architecture there and curating the exhibition Ten Italian Architects. She was a contributing editor to two Italian journals, Zodiac and Lotus, and was awarded the Star of Order of Solidarity in 1960 by the Republic of Italy for her research and writing.

Esther McCoy died of emphysema on December 30, 1989, at the age of eighty-five. Her last contribution was an essay for the exhibition catalog Blueprints for Modern Living: History and Legacy of the Case Study House. The show opened at the Museum of Contemporary Art in Los Angeles one month before her death.

Missing Title

1904 -- Born November 18 in Horatio, Arkansas. Raised in Kansas.

1920 -- Attended preparatory school at Central College for Women, Lexington, Missouri.

1922-1925 -- College education: Baker University, Baldwin City, Kansas; University of Arkansas, Fayetteville; Washington University, St. Louis, Missouri; University of Michigan.

1924 -- Visited Theodore Dreiser in Michigan.

1926-1938 -- Began writing in New York City.

1926-1938 -- Researched and read for Theodore Dreiser.

1926-1938 -- Worked for editorial offices and publishers.

1926-1938 -- Traveled to write in Paris (1928), Key West, Florida (1930), and Los Angeles, California (1932-1935).

1938 -- Moved to Santa Monica, California.

1941 -- Married Berkeley Greene Tobey.

1942-1944 -- Employed as engineering draftsman at Douglas Aircraft.

1944-1947 -- Worked as architectural draftsman for R.M. Schindler.

1945 -- Began architectural writing career.

1950 -- Wrote script for film Architecture West.

1950 -- Joined editorial board of Arts & Architecture.

1950-1968 -- Worked as free-lance writer for the Los Angeles Times.

1951-1955 -- Traveled to, researched, and wrote about Mexico and Mexican art and architecture.

1954 -- R.M. Schindler Retrospective exhibition at the Landau Art Gallery, Los Angeles.

1956 -- Roots of California Contemporary Architecture exhibition, Los Angeles Municipal Art Department.

1957 -- Felix Candela exhibition, University of Southern California, Los Angeles.

1958 -- Irving Gill exhibition, Los Angeles County Museum of Art. Traveled to Italy.

1959-1968 -- Contributing editor to Italian periodicals Zodiac and Lotus.

1960 -- Five California Architects (New York: Reinhold).

1960 -- Richard Neutra (New York: G. Braziller).

1960 -- Awarded Star of Order of Solidarity by the Republic of Italy for reporting on arts and crafts in Italy.

1962 -- Death of Berkeley Greene Tobey.

1962 -- Modern California Houses: Case Study Houses (New York: Reinhold) (reprinted as Case Study Houses, Los Angeles: Hennessey and Ingalls, 1978).

1963 -- Resident Fellow at Huntington Hartford Foundation.

1964 -- Juan O'Gorman exhibition, San Fernando Valley State College, Northridge, Calif.

1965 -- Consultant for the California Arts Commission.

1965-1966 -- Wrote and produced the film Dodge House.

1965-1968 -- Lecturer at University of California at Los Angeles, School of Architecture and Urban Planning.

1966 -- Resident Fellow at MacDowell Colony, New Hampshire.

1967 -- Ten Italian Architects exhibition, Los Angeles County Museum of Art.

1967 -- Honorary Associate of the Southern California Chapter of the American Institute of Architects.

1967 -- Regents' Lecturer at University of California, Santa Barbara.

1968 -- Craig Ellwood (New York: Walker).

1968 -- Distinguished Service Citation from the California Council of AIA.

1969-1970 -- Lecturer at the University of California, Santa Barbara.

1969-1989 -- Contributing editor of Progressive Architecture.

1971-1978 -- Graham Foundation Grants.

1974 -- Regents' Lecturer at the University of California,Santa Cruz.

1979 -- Vienna to Los Angeles: Two Journeys (Santa Monica, Calif.: Arts & Architecture Press).

1979 -- Guggenheim Foundation Fellowship.

1981 -- Los Angeles Chapter Women's Architectural League Honorary Member.

1982 -- Los Angeles County Museum of Art's Modern and Contemporary Art Council Award for Distinguished Achievement.

1983 -- Home Sweet Home: The California Ranch House exhibition at California State University.

1984 -- The Second Generation (Salt Lake City: Peregrine Smith Books).

1985 -- American Institute of Architects, Institute Honor.

1986 -- High Styles exhibition at the Whitney Museum of American Art.

1987 -- Vesta Award for outstanding scholarship.

1989 -- Award from the Historical Society of Southern California.

1989 -- Award from the City of Los Angeles Department of Cultural Affairs.

1989 -- Blueprints for Modern Living: History and Legacy of the Case Study House exhibition at the Museum of Contemporary Art, Los Angeles. Died in Santa Monica, California, December 30.

Related Material:

Also in the Archives of American Art are eight sound cassettes of a transcribed interview with Esther McCoy conducted by Joseph Giovannini, June 8-November 14, 1987.

Provenance:

The collection was given to the Archives of American Art by Esther McCoy in 1986. Before her death in 1989, McCoy assisted in the organization and identification of the papers. Original pre-print film elements for Dodge House 1916 were donated to the Archives of American Art by the Academy Film Archive in 2018.

Restrictions:

Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Architectural historians -- California  Search this

Art critics -- California  Search this

Topic:

Architecture, Modern -- 20th century -- Mexico  Search this

Architects -- Italy  Search this

Architecture, Domestic -- California  Search this

Authors -- California  Search this

Architecture, Modern -- 20th century -- California  Search this

Architecture, Modern -- 20th century -- Europe  Search this

Architects -- California  Search this

Feminism and art  Search this

Latino and Latin American artists  Search this

Genre/Form:

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Citation:

Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the John Randolph Haynes and Dora Haynes Foundation and the Terra Foundation for American Art.

Identifier:

AAA.mccoesth

See more items in:

Esther McCoy papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93ee58e3b-f2fc-4d98-acf9-de6f76bfed63

EDAN-URL:

ead_collection:sova-aaa-mccoesth

Collection Creator:

Ukeles, Mierle  Search this

Container:

Box 51, Folder 21

Type:

Archival materials

Date:

1988

Collection Restrictions:

This collection is temporarily closed for processing. Contact References Services for more information.

See more items in:

Mierle Laderman Ukeles papers

Mierle Laderman Ukeles papers / Unrealized Projects

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw979f400b7-c2c1-4883-9b59-37a4ea99ec33

EDAN-URL:

ead_component:sova-aaa-ukelmier-ref1017

Collection Creator:

Ukeles, Mierle  Search this

Container:

Box 53, Folder 15-16

Type:

Archival materials

Date:

1990-1992

Collection Restrictions:

This collection is temporarily closed for processing. Contact References Services for more information.

See more items in:

Mierle Laderman Ukeles papers

Mierle Laderman Ukeles papers / Unrealized Projects / MTA Arts for Transit

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw96fb5f461-8531-4653-9f4d-504a409f7bcb

EDAN-URL:

ead_component:sova-aaa-ukelmier-ref1081

Variant company name:

Washington, D.C.  Search this

Company Name:

Union Pacific Corp.  Search this

Related companies:

Union Pacific Railroad Co. (Omaha, NE) ; Union Pacific Resources Co. (Fort Worth, TX) ; Overnite Transportation Co. (Richmond, VA) ; USPCI, Inc. (Houston, TX) ; Union Pacific Realty Co. (Dallas, TX) ; Union Pacific Technologies (St. Louis, MO) ; Union Pacific Railway Co. ; Union Pacific Overland Women's Travel Dept.  Search this

Notes content:

Railroad ; shipping / freight transport ; etc. ; "Locomotives, Snow Plows, Flangers and Passenger and Freight Car Equipment" (1885, 1889 ; photocopies)

Includes:

Trade catalog and histories

Black and white images

Color images

Physical description:

7 pieces; 4 boxes

Language:

English

Type of material:

Trade catalogs

Trade literature

Place:

Bethlehem, Pennsylvania, United States

Date range:

1800s-1900s

Topic (Romaine term):

Packaging materials and shipping  Search this

Railroad; streetcar; subway and tramway equipment and supplies  Search this

Topic:

Packaging machinery  Search this

Railroad equipment industry  Search this

Street-railroads  Search this

Subways  Search this

Record ID:

SILNMAHTL_26446

Location:

Trade Literature at the American History Museum Library

Collection:

Smithsonian Libraries Trade Literature Collections

Data source:

Smithsonian Libraries

EDAN-URL:

edanmdm:SILNMAHTL_26446

Variant company name:

Established 1831  Search this

Company Name:

Baldwin Locomotive Works  Search this

Related companies:

Burnham, Williams & Co. (proprietors) ; Standard Steel Works Co. ; Baldwin-Lima-Hamilton Corp.  Search this

Notes content:

Description of locomotives exhibit at the International Universal Exposition, Paris, 1900. Includes information about locomotive steel tires manufactured by Standard Steel Works. Baldwin marine and railroad diesel engines

Includes:

Trade catalog

Black and white images

Physical description:

6 pieces; 5 boxes

Language:

English

Type of material:

Trade catalogs

Trade literature

Place:

Philadelphia, Pennsylvania, United States

Date:

1900s

Topic (Romaine term):

Boats and ships (including marine hardware and supplies)  Search this

Engines and motors: steam; oil; gas; etc.  Search this

Fairs and exhibitions  Search this

Railroad; streetcar; subway and tramway equipment and supplies  Search this

Topic:

Boats and boating  Search this

Engines  Search this

Fairs  Search this

Marine machinery  Search this

Motors  Search this

Railroad equipment industry  Search this

Ships  Search this

Street-railroads  Search this

Subways  Search this

Trade shows  Search this

Record ID:

SILNMAHTL_27859

Location:

Trade Literature at the American History Museum Library

Collection:

Smithsonian Libraries Trade Literature Collections

Data source:

Smithsonian Libraries

EDAN-URL:

edanmdm:SILNMAHTL_27859

Variant company name:

The following information comes from "A Brief History of Page Fence" by Beryle G. Sweet, who retired in 1992 as chairman and CEO of Page Aluminized Steel Corp. (See http://users.telerama.com/~cass/Pagefence.html online or hard copy of text in file box.) Founded 1885 as Page Woven Wire Fence Co in Adrian Michigan. Incorporated in 1889 and changed name to Page Steel & Wire Co. In 1902, the company moved to Monessen Pennsylvania, to be closer to the steel billets of the Pittsburgh Steel Co. Purchased by American Chain Co. in 1920. In 1976 changed name to American Chain & Cable Co. Also in 1976, bought by Babcock & Wilcox Ltd. of the UK and renamed Acco Industries Inc. and later Acco Babcock. In 1982 the fencing division was spun off to form Page-Wilson Corp. In 1987, Page-Wilson was liquidated and the fencing division was sold separately, becoming Page Aluminized Steel Corp. and Page Two Inc. (of Bartonville, IL.) The Monessen factory was closed down in 1991, following a United Steel Workers strike. The Bartonsville factory continues to produce for both Page Aluminized Steel Corp. and Page Two Inc.  Search this

Company Name:

Page Steel & Wire Co. Inc.  Search this

Related companies:

Page Woven Wire Fence Co. ; American Chain Co. ; American Chain & Cable Co. ; Acco Industries Inc. ; Acco Babcock ; Page-Wilson Corp. ; Page Two Inc. ; Page Aluminized Steel Corp.  Search this

Notes content:

Brochures primarily from 1910s-1930s. "Ornamental Fences and Specialties, catalogue No. 52" dating from 1914 or 1915 shows on cover Adrian, Michigan address as "offices and specialty mill" of Page Woven Wire Fence Co. but lists Monessen, Pennsylvania as address of "steel and wire mills" ; in addition to woven fences, catalog also features hitching posts, door mats, tree guards, mail boxes and arches. "Aristos 'Copperweld' Copper Clad Steel Wire" (1918): trolley wiretwisted pair, electrical strand, transmission lines. "Welding Wire Research" (1930). "Page-Armco Welding Rods and Electrodes hand book" catalog no. 500, fourth edition, (1922) for oxy-acetylene and electric welding. "Page Fence: For Home, Factory & Institution" catalog no. 616-B (c. 1937): chain link fence ; wrought iron fence. "America Ingot Iron Wire: Electrical and Mechanical" (1920). "Armco Iron Rods and Wire" for oxy-acetylene and electric welding (1919). "Page hi-tensile Electrodes" (1941). "Standard Specifications Woven Wire Fabric Guard: Page Hi-Way Guard" (1926). "Page Traffic Tape: little changes big results" (1933): woven construction. "An Outstanding Improvement in Highway Guard Rails" (1933): Page Traffic Tape. "Page Protection Fence Styles OTR and OW." "Page Hi-Tensile Electrodes: Data of Interest to Every User of Welding Wires" (1934). "Page Welding Wires and Electrodes" (1934). "An Outstanding Improvement in Highway Guard Rails: The Most Important Announcement in years on Highway Improvement" (1934): Page Traffic Tape. "Page Steel Wire Products" (1934) : bond wires, bridge wire, electrodes welding, farm fence, gas rods welding, highway guard, chain link fence, page fence, rope wire, spring wire, steel wire products, telegraph wire, telephone wire. "Page Strand" (1934). "Page Fence for Profitable Farming" (1934) catalogue No. 500-A, sheep and cattle fence, poultry fence, wolf-proof Texas styles, farm gates, ornamental and trellis, barbed wire. "Page Panel Partitions" (1934). "Page-Allegheny Alloys: 'the wonder wire' / round-shaped and flat wire welding wire products" (1934). "Page Fence" Page Steel and Wire Division of American Chain Co. Inc., catalog number 616. "Page Welding Wires and Electrodes" (1934). "Page Highway Guard : the Life Line of the Highway", catalog No. 169 (1928). "The Border Patrol" (1931) fencing. "Page Hard Facing Welding Rods : for gas and electric welding" (c. 1934/1935). "Page Traffic Tape for Modern Roads (c. 1934/1935) guard rail, four strand. "Page Allegheny Stainless Steel Weld Electrodes" (c. 1945). Page Welding Hand Books Page-Armco Processed Welding Wire and Electrodes" catalogue #34 (1926). "Page Lawn Fence" (1935): hot zinc coating. "Pages Stainless Steel Tennis Court Net" (1935). "Page Outdoor Advertising Signs" on chain link fence (c 1932-1935).

Includes:

Trade catalog and histories

Black and white images

Color images

Physical description:

37 pieces; 2 boxes

Language:

English

Type of material:

Trade catalogs

Trade literature

Place:

Monessen, Pennsylvania, United States

Date:

1900s

Topic (Romaine term):

Agricultural tools and machinery  Search this

Architectural designs and building materials  Search this

Electrical apparatus and equipment  Search this

Farm equipment and supplies (including dairy and poultry equipment)  Search this

Fences  Search this

Iron and steel products (castings; sheet steel; steel wire; wire rope; pig iron and structural steel products )  Search this

Railroad; streetcar; subway and tramway equipment and supplies  Search this

Road building machinery and equipment  Search this

Telephone; telegraph and telecommunications equipment and supplies  Search this

Topic:

"Decoration and ornament, Architectural"  Search this

Agricultural implements  Search this

Agricultural machinery  Search this

Architectural design  Search this

Building materials  Search this

Dairying  Search this

Electric apparatus and appliances  Search this

Farm equipment  Search this

Fence industry  Search this

Iron industry and trade  Search this

Railroad equipment industry  Search this

Road machinery  Search this

Roads -- Design and construction  Search this

Steel industry and trade  Search this

Street-railroads  Search this

Subways  Search this

Telecommunication systems  Search this

Telephone  Search this

Telephone supplies industry  Search this

Record ID:

SILNMAHTL_27228

Location:

Trade Literature at the American History Museum Library

Collection:

Smithsonian Libraries Trade Literature Collections

Data source:

Smithsonian Libraries

EDAN-URL:

edanmdm:SILNMAHTL_27228

Composer:

Ellington, Duke, 1899-1974  Search this

Collection Creator:

Ellington, Duke, 1899-1974  Search this

Extent:

1 Item (Ink on paper.)

Type:

Archival materials

Manuscripts

Arrangement:

Box No. 374.

Local Numbers:

AC0301-0000012.tif (AC Scan No.: first page)

General:

This record accompanies an image of the first page, and may duplicate the record for this composition.

Collection Restrictions:

Collection is open for research but the original and master audiovisual materials are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.

Topic:

Drums  Search this

Trains -- New York (N.Y.)  Search this

Subways  Search this

Genre/Form:

Manuscripts -- Music -- 20th century

Collection Citation:

Duke Ellington Collection, Archives Center, National Museum of American History

Sponsor:

Processing and encoding partially funded by a grant from the Council on Library and Information Resources.

See more items in:

Duke Ellington Collection

Duke Ellington Collection / Series 1: Music Manuscripts / 1.1: Music Manuscripts

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c7fc8b6c-34e8-48da-a3b2-238b8cc60ddf

EDAN-URL:

ead_component:sova-nmah-ac-0301-ref53235

Creator:

Smithsonian American Art Museum  Search this

Type:

YouTube Videos

Uploaded:

2021-05-20T19:17:02.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_7euB-jHf8U4

Creator:

Smithsonian Institution  Search this

Type:

YouTube Videos

Uploaded:

2023-11-24T07:01:10.000Z

YouTube Category:

Travel & Events  Search this

See more by:

SmithsonianVideos

Data Source:

Smithsonian Institution

YouTube Channel:

SmithsonianVideos

EDAN-URL:

edanmdm:yt_TxeZnp2fFo0

Creator:

National Portrait Gallery  Search this

Type:

YouTube Videos

Uploaded:

2011-04-08T14:54:25.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

See more by:

NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_qx1aIEm3Pko

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

YouTube Videos

Uploaded:

2018-05-14T16:48:43.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_4vCmLsIYw84