Files on ca. 150 American artists and art subjects, selected from Duveen's art reference files. Included are photographs of paintings in other collections, auction and exhibition catalogs, miscellaneous publications.
Files include: Francis Alexander, Washington Allston, William H. Bartlett, Ben-Zion, Thomas Birch, Joseph Blackburn, Ralph A. Blakelock, Charles F. Blauvelt, Peter Blume, Emile Branchard, Albertis D. O. Browere, John G. Brown, Jonathan Buddington, James E. Buttersworth, Carra, Dennis M. Carter, Mary Cassatt, George Catlin, Centurion, Paul Cezanne, Moura Chabor, Marc Chagall, T. Chambers, Jean Charlot, Thomas Cole, John Constable, George Cope, John S. Copley, Ralston Crawford, Jasper F. Cropsey, Arthur B. Davies, Charles Despiau, Roland Detre, Thomas R. Dibble, Enrico Donati, William Doriani, Thomas Doughty, Jessie Drew-Bear, Robert S. Duncanson, Dunlap, Asher B. Durand, George H. Durrie, Frank Duveneck, Evert Duyckinck, Thomas Eakins, Jacob Eichholtz, Louis M. Eilshemius, Charles L. Elliott, Robert Field, Emil Ganso, Pablo Gargallo, Jan Gelb, Paul Gillman, Christian Gullager, George H. Hall, Chester Harding, William M. Harnett, George Harvey, William J. Hays, George P. A. Healy, Edward L. Henry, John Hesselius, Edward Hicks, Thomas Hicks, Holland House, Charles Fevret de Saint-Memin, Winslow Homer, S. A. Hudson, Daniel Huntington, Henry Inman, George Inness, John W, Jarvis, Eastman Johnson, Henrietta Johnston, John Johnston, Hilde B. Kayn, Dikran K. Kelekian, Fitz Hugh Lane, Ernest Lawson, M. F. Lefferts, William R. Leigh, Abraham Lincoln, George B. Luks, Edward G. Malbone, Alfred H. Maurer, Louis Maurer, McKay, Alfred J. Miller, Louis C. Moeller, Samuel F. B. Morse, John Neagle, Donald Organ, Bass Otis, Walter Pach, Charles W. Peale, James Peale, Rembrandt Peale, William Penn, Enoch W. Perry, F. E. H. Philippoteaux, Charles P. Polk, T. B. Pope, Rufus Porter, William M. Prior, Walter Quirt, William T. Ranney, Reinhardt, Frederic Remington, Louisa Robins, Severin Roesen, Thomas P. Rossiter, Peter F. Rothermel, Charles M. Russell, Edward Savage, William Sawitzky, Nikol Schattenstein, Christian Schussele, D. Serres, James Sharples, Morris Shulman, John Smibert, Sergei Soudeikin, Haim Soutine, Frederick R. Spencer, Albert Stewart, Robert Street, William J. Strong, Gilbert Stuart, C. (Charles ?) Sullivan, Thomas Sully, Arthur F. Tait, G. Tirrell, John Trumbull, John Vanderlyn, Pieter Vanderlyn, William Von Schlegell, Samuel L. Waldo, Abraham Walkowitz, George Washington, Elbert Weinberg, Julian A. Weir, Thomas B. Welch, Adolph U. Wertmuller, Benjamin West, Anne Whitney, Arnold Wiltz, William E. Winner, S. Wood, and Thomas W. Wood.
The Saint-Memin, Stuart, B. West and Wertmuller files contain material from Albert Rosenthal relating to the above artists.
Files are arranged alphabetically by artist and subject, rolls NDU1-NDU3; publications and other miscellany were filmed on rolls NDU4-NDU5.
Biographical / Historical:
Albert Duveen was an art dealer and collector with offices in New York, N.Y., specializing in early American art. He was a cousin to Joseph Duveen (1869-1939), 1st Baron Duveen, president of Duveen Brothers art dealers.
Lent for microfilming 1958 by Duveen.
The Archives does not own the original papers. Microfilmed materials must be consulted on microfilm.
Correspondence, printed material, and photographs relating to Rosenthal's work, primarily as a portrait painter and collector of American art and artists' papers. Some material pertains to Rosenthal's father, the engraver Max Rosenthal.
Included are: biographical notes and articles by and about Rosenthal and his father, Max; writings by Albert about his father; and reproductions of Albert's work.
Rosenthal's research material on early American art consists of articles on artists, notes about portrait painters, typescript copies of letters of or about early American artists, among them Rembrandt Peale, G.P.A. Healy, and John Rampage, several original letters, including 5 from John Quincy Adams Ward to various people, and one from Ben Silliman to Asher B. Durand, and an engraved copy of a letter from Ben Franklin to Mr. Strahan, July 5, 1775.
Other material includes files on Rosenthal's portraits of French officers who served in the American Revolution; Gilbert Stuart's (George) Washington portraits, 1922-1923; the Rodin Museum in Philadelphia (includes correspondence with Jules Mastbaum, the founder of the museum, and others, 1925-1932); Jean Antoine Houdon's busts of Washington and Lafayette, 1925-1932; Harry T. Peters' book "America on Stone", 1931; and on "Rosen-Thal," Albert's home that was originally the Huffinagle mansion in Buck's County, Pa.
There is voluminous business and other correspondence, 1860-1940, relating to Max, Louis, and Albert Rosenthal's work and to Albert's portraits of Supreme Court Justices. Among the diverse group of correspondents are: Samuel Putnam Avery, William Hunt Diederich, Charles Henry Hart, Sakakichi Hartmann, Oliver Wendell Holmes, A. Mitchell Palmer, Alfred Stieglitz, William Howard Taft, and J. Alden Weir.
Photographs are of Rosenthal's work and of unidentified portraits possibly by Rosenthal; reproductions of European paintings, miniatures, sculptures; and miscellaneous portraits by various artists.
Unmicrofilmed material (0.4 feet) consists of miscellaneous photographs and reproductions.
Biographical / Historical:
Albert Rosenthal (1863-1939) was a portrait painter, printmaker, writer, and collector in Philadelphia, Pa. Rosenthal was a student of his father, engraver Max Rosenthal, and later published a book about him. He is also known for his portraits of Supreme Court Justices, and his collection of American drawings, which he donated to the Free Library of Philadelphia in 1927.
Donated by Albert Duveen, 1959. Duveen collected American artists' and art related papers with the intention of forming an American artists reference facility. He purchased at least some of Rosenthal's papers and much correspondence from the Albert Rosenthal Estate, and subsequently gave them to AAA upon its formation.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.