Skip to main content Smithsonian Institution

Search Results

Collections Search Center
55 documents - page 1 of 3

Nina Howell Starr papers

Creator:
Starr, Nina Howell  Search this
Names:
International Women's Art Festival  Search this
Museum of American Folk Art  Search this
Photographic Historical Society of New York  Search this
Professional Women's Photographers, Inc.  Search this
Sharon Arts Center  Search this
Southern Regional Council  Search this
Brandt, Helene, 1936-  Search this
Cohen, Stephenie  Search this
Coke, Van Deren, 1921-  Search this
Connor, Linda  Search this
Daitz, Evelyne Z.  Search this
DiSpirito, Henry, 1898-1995  Search this
Evans, Minnie, 1892-  Search this
Evans, Walker, 1903-1975  Search this
Ghent, Henri, 1926-  Search this
Kanaga, Consuelo, 1894-  Search this
Kernan, Margo, 1927-  Search this
Kruger, Louise, 1924-  Search this
Lippard, Lucy R.  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Mainardi, Patricia  Search this
Morgan, Barbara Brooks, 1900-1992  Search this
Putnam, Wallace, 1899-1989  Search this
Ringgold, Faith  Search this
Rose, Ruth Starr, 1887-1965  Search this
Savage, Naomi, 1927-2005  Search this
Sherwood, Maggie, 1922-1984  Search this
Siskind, Aaron  Search this
Strand, Paul, 1890-1976  Search this
Szarwarski, John  Search this
Uelsmann, Jerry, 1934-  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Date:
circa 1933-1996
Summary:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.
Scope and Contents:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

Biographical materials are scattered and include grant and publication applications, curriculum vitae, lists of artwork, and miscellany.

Starr's lectures, writings, and project files are arranged into one series. They include Starr's student writings, a notebook about Civil Rights, files documenting her work on a Florida public housing project, the Southern Regional Council, and the League of Women Voters. A few files of general writings and lectures mostly concern folk artist Minnie Evans and the exhibition Women Photograph Men, held at the International Women's Arts Festival in 1976.

Subject files on artists, art history topics, photographers and photography (including Starr's work), and on folk artist and friend Minne Evans comprise the bulk of the collection. The files are a mix of collated materials and primary sources created by Starr and others and many contain correspondence, notes, photographs, and a few sketches and orginal prints. Also included are materials related to professional and organizational groups in which Starr was involved, including the Professional Women's Photographers, Inc., the Photographic Historical Society of New York, and the Museum of American Folk Art; files on several of Starr's exhibitions; and files on artists that contain printed materials, correspondence, and photographs. The file on Ruth Starr Rose contains prints and drawings. There are also photographs taken by Stephanie Cohen. Particularly rich files are found for Stephanie Cohen; Van Deren Coke, Director of the George Eastman Company; Evelyn Daitz, Director of the Witkin Gallery; Henry DiSpirito; Walker Evans; the Fotofolio printing company; curator Henri Ghent; photographer Consuelo Kanaga and husband Wallace Putnam; Margot Starr Kernan; Lucy Lippard; Stanton Mac-Donald Wright; Sharon Arts Center; photographer Paul Strand; curator John Szarwarski; and photographer Jerry Uelsman.

The collection also documents the friendship between painter Minnie Evans and Starr, and Starr's business dealings on Evans' behalf. There is correspondence about and with Evans, several sound recordings of interviews conducted by Starr and others with Evans, many with transcripts, financial documents, publications about Evans including exhibition catalogs, clippings, journal articles and monographs, two posters, a scrapbook, and one sketch by Evans.

Printed material includes published articles, exhibition catalogs and announcements, and clippings about Starr.

Photographic materials are extensive and include photographs and slides taken by Starr of friends, family, artwork by Minnie Evans, events, exhibition openings, world travels, and folk art, especially roadside. Prominent artists and art historians photographed include: photographers Maggie Sherwood, Naomi Savage, Barbara Morgan, Linda Connor, Aaron Siskind, Consuelo Kanaga, Faith Ringgold, and Walker Evans; sculptors Louise Kruger and Helene Brandt; feminist and art historian Pat Mainardi; and curators Henri Ghent and John Szarkowski. Starr's artistic photographic work is also represented, and includes two silver gelatin prints of Minnie Evans, and subject studies on hands, people, and nature, among others.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical material, 1954-circa 1990 (8 folders; Box 1)

Series 2: Writings, Speeches and Projects, 1933-1995 (1.1 linear feet; Boxes 1-2)

Series 3: Subject Files, circa 1939-1996 (8.3 linear feet; Boxes 2-10)

Series 4: Minnie Evans, 1962-1996 (3.7 linear feet; Boxes 10-13, 23, OV 24)

Series 5: Printed Material, 1936-1995 (2.7 linear feet; Boxes 13-16, 23)

Series 6: Photographic Material, circa 1939-1993 (5.4 linear feet; Boxes 16-23, OV 24)
Biographical / Historical:
Nina Howell Starr (1903-2000) was a photographer, art dealer, and art historian who worked primarily in New York City. Born in Newark, New Jersey in 1903 as Cornelia Margaret Howell, Starr attended Wellesley College and graduated from Barnard in 1926. Also in 1926, she married Nathan Comfort Starr, an English professor, and, over the years the couple lived in Massachusetts, Maryland, Florida, and New York City.

In 1963, at the age of 60, Starr received the first M.F.A. in photography granted by the University of Florida. Starr exhibited widely in both solo and group exhibitions, including Magic Lantern (Photographer's Gallery, London, 1976), and the Strength of Women (Witken Gallery, 1991), and numerous shows featuring photographs of outsider art. Her "New Yorker" project became an exhibition in 2016. Her work is owned by several prominent museums, including the Metropolitan Museum of Art and the George Eastman House International Museum of Photography.

As art historian, self-proclaimed critic, and civil rights and feminist advocate, Starr lectured widely, wrote articles and letters to editors, and corresponded with many notable art world figures. She became especially interested in outsider and folk art. Starr met outsider artist Minnie Evans in 1962 and became Evans' lifelong friend, advocate, and representative dealer. She wrote about Evans and introduced Evans' works to galleries and other exhibition spaces in New York, including the Whitney Museum, where she guest-curated an exhibition of Evans' work in 1975.

Starr was an active member of professional organizations including the Photographic Historical Society of New York, Professional Women's Photographers, Inc., and the Museum of American Folk Art where she served on the Advisory Committee.

Nina Howell Starr died in 2000 in Connecticut at the age of 97.
Provenance:
The Nina Howell Starr papers were donated by Nina Howell Starr in 1996.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Nina Howell Starr papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Folk art -- United States  Search this
Civil rights  Search this
Art historians -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
African American art  Search this
Folk art -- Photographs  Search this
Women photographers  Search this
Photography  Search this
Photographers -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.starnina
See more items in:
Nina Howell Starr papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-starnina
Online Media:

Aline Meyer Liebman papers

Creator:
Liebman, Aline Meyer, 1879-1966  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Adams, Ansel, 1902-1984  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bluemner, Oscar, 1867-1938  Search this
Borglum, Gutzon, 1867-1941  Search this
Lachaise, Gaston, 1882-1935  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Marin, John, 1870-1953  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Stieglitz, Alfred, 1864-1946  Search this
Strand, Paul, 1890-1976  Search this
Weston, Edward, 1886-1958  Search this
Extent:
1.3 Linear feet
0.4 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1906-1978
Scope and Contents:
Correspondence, photographs, business and financial records, printed matter, scrapbooks, and exhibition catalogs document Mrs. Liebman's acquisition of modern American art, European painting and decorative arts, her interest in and support of photography, her encouragement of individual artists, the inception and early history of the Museum of Modern Art, and her own painting career.
REEL 4203: Correspondence with Ansel Adams, Oscar Bluemner, Gutson Borglum, Gaston Lachaise, Stanton Macdonald-Wright, John Marin, the Museum of Modern Art, Alfred Stieglitz and An American Place, Paul Strand and Edward Weston, among many others. Among the business records are receipts for works of art purchased by Mrs. Liebman. Photographs show a photography exhibition opening (1935). Printed matter, mainly newspaper clippings and gallery announcements, relates to artists represented in the Liebman Collection, exhibitions which included loans from the Liebman Collection, and events in which Aline Meyer Liebman participated. Four scrapbooks (1936-1947), comprised of printed matter, correspondence, and photographs, relate to Aline Meyer Liebman's career as a painter. Six exhibition catalogs date from 1921 to 1935. Other material concerns Edgar Degas, Artistide Maillol, Pablo Picasso, Diego Rivera, and Gino Severini.
ADDITION (NOT MICROFILMED): Letters, 1906-1978; invoices for paintings purchased, 1929-1931; financial statements; photographs of Liebman's apartment, works in the Liebman Collection, paintings by Aline Meyer Liebman, and exhibition installations; and a catalog of Parke-Bernet's 1955 Liebman sale.
Biographical / Historical:
Aline Meyer Liebman (1879-1966) was a painter, art patron, and collector of modern art from New York, N.Y. Born in Los Angeles, Calif., Aline Meyer Liebman studied at Barnard College, and with Stefan Hirsch and Henry Mosler. She exhibited at Walker Galleries (1936), San Francisco Museum of Modern Art (1937), Bennington College (1937), Portland Museum (1939), and Weyhe Gallery (1943), among others.
Provenance:
Donated 1986 and 1989 by Margaret Liebman Berger, Aline Meyer Liebman's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art patrons -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Painters -- United States  Search this
Photographers -- United States  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century -- United States -- Collectors and collecting  Search this
Art patronage -- New York (State) -- New York  Search this
Modernism (Art) -- Collectors and collecting  Search this
Photography, Artistic -- Collectors and collecting  Search this
Women painters -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.liebalin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-liebalin

Oral history interview with Edward Landon

Interviewee:
Landon, Edward, 1911-1984  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
American Artists' Congress  Search this
Artists' Union (New York, N.Y.)  Search this
Federal art project (Mass.)  Search this
National Serigraph Society  Search this
Abbott, Berenice, 1898-1991  Search this
Bridgman, George Brant, 1864-1943  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Gottlieb, Harry, 1895-  Search this
Hartley, Dennis  Search this
Hughes, Marian  Search this
Lozowick, Louis, 1892-1973  Search this
Marin, John, 1870-1953  Search this
Mark, Henry  Search this
Mauer, Alfred  Search this
McCausland, Elizabeth, 1899-1965  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Olds, Elizabeth, 1896-1991  Search this
Perry, Marvo  Search this
Rebay, Hilla, 1890-1967  Search this
Rogers, William T.  Search this
Sabbath, Bernie  Search this
Stein, Gertrude, 1874-1946  Search this
Stieglitz, Alfred, 1864-1946  Search this
Strand, Paul, 1890-1976  Search this
Weber, Max, 1881-1961  Search this
Extent:
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1975 Apr. 17-May 28
Scope and Contents:
An interview of Edward Landon conducted 1975 Apr. 17-May 28, by Robert Brown, for the Archives of American Art.
Landon speaks of working with the local theater in high school; leaving Hartford at age 17 or 18 for Greenwich Village in New York and the Art Students League; studying figure drawing with George Bridgman; getting married and moving to Springfield, Mass.; exhibiting with the Springfield Art League; the Artist Union and the Artist Congress in the 1930s; spending a summer with Georgia O'Keeffe and Paul Strand in Taos, N.M.; the cooperation amongst artists that lasted into the 1950s to establish serigraphs as an American fine art print medium; when he received the Solomon Guggenheim Scholarship for Non-objective Art in 1939; when he made furniture and picture frames and the publishing of his book on making picture frames in 1946; when he began working as an easel painter in the Massachusetts Federal Art Project of the WPA in 1933; becoming president of the Western Chapter of the Artists Union in 1934; when he corresponded and visited Arthur Dove; his friendship with Elizabeth McCausland; his introduction to Harry Gottlieb and silk screen printing; the love of color and currently trying for emotional effects in his work; initiating silk screen exhibitions in the Springfield Museum; the beginning of the National Serigraph Society and his work as the exhibition secretary; his teaching approach; the first class held in his garage with fellow artists; more on his relationship with Elizabeth McCausland; Arthur Dove's influence on a recent painting Landon finished; his trip to Taos in 1930 and the importance of artist colonies for him early on; the feeling of not having roots, but being comfortable with the idea; the purpose of the National Serigraph Society; his feelings about printmakers moving away from traditional printing; organized exhibitions for the United States Information Service; his enjoyment in organizing things; the commercialization of creating "prints;" how photo-realism does not translate well in the print medium; the importance of trying to convey an idea in his work; his success in covering small boxes, address books and other items, as well as book binding; his preference for printing small editions of 25 to 35 prints; of a description of his method of printing; his Fulbright Fellowship in 1950 to travel to Norway and lecture; an interest in early Scandinavian art; publishing a silkscreen portfolio of pre-Viking art for the American Scandinavian Foundation; traveling through Europe; his influence as an innovator in France and Scandinavia; meeting with silk screen artists in Oslo; art forms in his work at this time; his inclusion in "Who's Who in American Art;" the avoidance of art movements; how by the 1950s the reason for the National Serigraph Society no longer existed because the medium was popular by that time; his move to Vermont in 1957 or 1958; work as a color mixer, book binder, and returning to framing because of health reasons; his second illness changing what he found important in his life; and how the content of his work became more emotional. Landon also recalls Louie Lozowick, Gertrude Stein, Marian Hughes, Elizabeth Olds, John Marin, Alfred Stieglitz, Berenice Abbott, Marvo Perry, Hilla Rebay, Sir William T. Rogers, Max Weber, Dennis Hartley, Alfred Maurer, Bernie Sabbath, and Henry Mark.
Biographical / Historical:
Edward Landon (1911-1984) was a printmaker from Weston, Vt.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 39 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Printmakers -- Vermont -- Weston -- Interviews  Search this
Artist colonies  Search this
Printing -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.landon75
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-landon75

Oral history interview with Paul Caponigro

Interviewee:
Caponigro, Paul, 1932-  Search this
Interviewer:
Larsen, Susan C.  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Bufano, Beniamino, 1898-1970  Search this
Bunnell, Peter C.  Search this
Chappell, Walter, 1925-  Search this
Chiarenza, Carl  Search this
Clergue, Lucien.  Search this
Clift, William  Search this
Cosindas, Marie, 1925-  Search this
Cunningham, Imogen, 1883-1976  Search this
Graves, Morris, 1910-  Search this
Lange, Dorothea  Search this
Newhall, Beaumont, 1908-1993  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Ranney, Edward.  Search this
Russek, Janet  Search this
Scheinbaum, David, 1951-  Search this
Singer, Robert T.  Search this
Strand, Paul, 1890-1976  Search this
Szarkowski, John  Search this
Tice, George A.  Search this
Uelsmann, Jerry, 1934-  Search this
Westin, Bert  Search this
White, Minor  Search this
Extent:
87 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1999 July 30-August 12
Scope and Contents:
An interview of Paul Caponigro conducted 1999 July 30-August 12, by Susan C. Larsen, for the Archives of American Art, at Caponigro's home, in Cushing, Maine.
Caponigro describes his childhood, military career, and travels through the southwest and northern California, his association with Minor White, exhibitions, publications, employment, and marriage to wife Eleanor.
Caponigro discusses the significance of his Stonehenge series of photographs; others' interpretations of his work; further exhibitions; and the role that his family's move to Santa Fe, New Mexico, has played in the evolution of his work.
Further discussion of the photographic scene in Santa Fe and its connection to American modernist photographers such as Paul Strand and Ansel Adams; travels; Guggenheim grant; the 1991 fall from a rocky ledge that was a physical and spiritual watershed in his life; and his new home in Cushing, Maine.
He recalls George Tice, Ansel Adams, Minor White, Bert Westin, Imogen Cunningham, Dorothea Lange, Oliver Gagliani, Beniamino Bufano, Morris Graves, Walter Chappell, Jerry Uelsmann, Carl Chiarenza, William Clift, Marie Cosindas, Peter Bunnell, John Szarkowski, Robert Singer, Beaumont Newhall, Georgia O'Keeffe, Ed Ranney, David Scheinbaum, Janet Russek, Lucien Clergue, and many others.
Biographical / Historical:
Paul Caponigro (1932- ) is a photographer and teacher from New England and New Mexico.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 12 digital wav files. Duration is 5 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Photography, Artistic  Search this
Photographers -- Maine -- Cushing -- Interviews.  Search this
Photographers -- New Mexico -- Santa Fe -- Interviews.  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.caponi99
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-caponi99

Oral history interview with Aaron Siskind

Interviewee:
Siskind, Aaron  Search this
Interviewer:
Shikler, Barbara  Search this
Creator:
Mark Rothko and His Times Oral History Project  Search this
Names:
Mark Rothko and His Times Oral History Project  Search this
De Kooning, Willem, 1904-1997  Search this
Gottlieb, Adolph, 1903-1974  Search this
Kline, Franz, 1910-1962  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Rothko, Mark, 1903-1970  Search this
Solomon, Joe  Search this
Still, Clyfford, 1904-1980  Search this
Strand, Paul, 1890-1976  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 September 28-October 2
Scope and Contents:
An interview of Aaron Siskind conducted 1982 September 28-October 2, by Barbara Shikler, for the Archives of American Art's Mark Rothko and His Times oral history project.
Siskind recalls his childhood in New York and his early interest in poetry and later photography. He describes the evolution of his own work, the role of various influences upon his work, and the meanings that can be assigned to his work. He discusses the abstract expressionist elements of his photographs and recalls his involvement with painters, including Mark Rothko. He speaks of photographing Rothko's paintings, and describes Rothko's personality. He recalls Barney Newman, Adolph Gottlieb, Paul Strand, Franz Kline, Willem de Kooning, Joe Solomon, Robert Motherwell, Clyfford Still, and others.
Biographical / Historical:
Aaron Siskind (1903-1991) was a photographer from New York, N.Y.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 7 min.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Ben-Zion, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Louis Kaufman, Jack Kufeld, Katharine Kuh, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Sidney Schectman, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Abstract expressionism  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.siskin82
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-siskin82

Paul Strand interview, 1971 Nov

Creator:
Strand, Paul, 1890-1976  Search this
Brown, Milton Wolf, 1911-1998  Search this
Subject:
Rosenblum, Walter  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Photography  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11528
(DSI-AAA_SIRISBib)214239
AAA_collcode_strapaul2
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214239

Paul Strand interviews, 1973 Jan. and undated

Creator:
Strand, Paul, 1890-1976  Search this
Goell, Jon  Search this
Type:
Sound recordings
Interviews
Topic:
Photography  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)6453
(DSI-AAA_SIRISBib)215605
AAA_collcode_strapaul
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215605

Paul Strand interviews

Creator:
Strand, Paul, 1890-1976  Search this
Interviewer:
Goell, Jon  Search this
Extent:
3 Sound cassettes (Sound recording)
Type:
Collection descriptions
Archival materials
Sound cassettes
Sound recordings
Interviews
Date:
1973 Jan. and undated
Scope and Contents:
Interview of Paul Strand conducted by Jon Goell on 2 cassettes. A third cassette contains duplicate excerpts of the Goell interview with Strand, as well as a second, 33-minute interview conducted by an unidentified interviewer.
Biographical / Historical:
Paul Strand (1890-1976) was a photographer from New York, N.Y.
Provenance:
Donated 1975 by Paul Strand.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Photography  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.strapaul
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-strapaul

Paul Strand interview

Creator:
Strand, Paul, 1890-1976  Search this
Interviewer:
Brown, Milton W. (Milton Wolf), 1911-1998  Search this
Names:
Rosenblum, Walter, 1919-2006  Search this
Extent:
3 sound tapes (Sound recording, 7 in.)
67 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tapes
Pages
Sound recordings
Interviews
Date:
1971 Nov
Scope and Contents:
Interview of Paul Strand conducted by Milton Brown and Walter Rosenblum.
Biographical / Historical:
Paul Strand (1890-1976) was a photographer in New York, N.Y.
Provenance:
Donated 1972 by Milton Brown.
Topic:
Art, American  Search this
Photography  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.strapaul2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-strapaul2

Jacob Landau papers

Creator:
Landau, Jacob, 1917-  Search this
Names:
Pratt Institute  Search this
Hirsch, Joseph, 1910-1981  Search this
Strand, Paul, 1890-1976  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca.1950-1980]
Scope and Contents:
Files for exhibitions, sales, projects, grants, commissions, and studio business, containing correspondence, financial papers, sketches, writings, clippings, and photographs, including one of Paul and Hazel Strand with Joseph Hirsch in the "J.L. Works... Paris Show 1952" file. Also included are biographical material; engagement calendars; and proposal, notes and correspondence about a grant for a University without walls at the Pratt Institute.
Biographical / Historical:
Illustrator, painter, printmaker; born in Philadelphia and studied at the Museum Art School and the New School for Social Research. Began career as an illustrator while editor of the magazine "At Ease."
Provenance:
Donated 1979 and 1981 by Jacob Landau.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Printmakers  Search this
Graphic artists  Search this
Illustrators  Search this
Painters  Search this
Printmakers  Search this
Topic:
Painting  Search this
Art, American  Search this
Identifier:
AAA.landjaco
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-landjaco

Arnold Crane interviews of photographers

Creator:
Crane, Arnold H.  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Blatas, Arbit  Search this
Brassaï, 1899-  Search this
Cunningham, Imogen, 1883-1976  Search this
Evans, Walker, 1903-1975  Search this
Jammes, André  Search this
Kertész, André  Search this
Ray, Man, 1890-1976  Search this
Rothstein, Arthur, 1915-1985  Search this
Siskind, Aaron  Search this
Smith, W. Eugene, 1918-  Search this
Strand, Paul, 1890-1976  Search this
White, Minor  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
[ca. 1968-1971]
Scope and Contents:
Transcripts of interviews conducted by Arnold Crane. Interviewees include Ansel Adams, Berenice Abbott, Gyula Brassai, Imogen Cunningham, Walker Evans, Andre Jammes, Andre Kertesz, Man Ray, Arthur Rothstein, Aaron Siskind, W. Eugene Smith, Paul Strand and Minor White.
Biographical / Historical:
Photographer, and photograph collector; Chicago, Illinois.
Provenance:
Donated by Arnold Crane.
Restrictions:
All interviews are ACCESS RESTRICTED; written permission required of Cynthia Crane.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Photographers  Search this
Topic:
Photographers -- Interviews  Search this
Photography -- United States  Search this
Genre/Form:
Interviews
Identifier:
AAA.cranarno
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cranarno

Arnold Crane portfolio of photographs, "Portraits of the Photographers,"

Creator:
Crane, Arnold H.  Search this
Names:
Alvarez Bravo, Manuel, 1902-  Search this
Blatas, Arbit  Search this
Brandt, Bill  Search this
Brassaï, 1899-  Search this
Callahan, Harry M.  Search this
Cunningham, Imogen, 1883-1976  Search this
Doisneau, Robert  Search this
Evans, Walker, 1903-1975  Search this
Kertész, André  Search this
Ray, Man, 1890-1976  Search this
Rothstein, Arthur, 1915-1985  Search this
Siskind, Aaron  Search this
Smith, W. Eugene, 1918-  Search this
Steichen, Edward, 1879-1973  Search this
Strand, Paul, 1890-1976  Search this
White, Minor  Search this
Extent:
50 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1968-1969
Scope and Contents:
Fifty silver gelatin print photographs which Arnold Crane took of other photographers. Among the subjects are Berenice Abbott, Bill Brandt, Gyula Halász Brassei, Harry Callahan, Imogen Cunningham, Manuel Alvarez Bravo, Robert Doisneau, Walker Evans, André Kertész, Man Ray, Arthur Rothstein, Aaron Siskind, W. Eugene Smith, Edward Steichen, Paul Strand, Minor White.
Biographical / Historical:
Photographer, and photograph collector; Chicago, Illinois.
Provenance:
Donated 1978 by Herbert Molner, a photograph collector.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Photographers  Search this
Photographers -- Illinois -- Chicago  Search this
Identifier:
AAA.cranarnh
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cranarnh

Imogen Cunningham papers

Creator:
Cunningham, Imogen, 1883-1976  Search this
Names:
George Eastman House  Search this
Group f.64  Search this
Henry Art Gallery  Search this
Witkin Gallery  Search this
Aalto, Alvar, 1898-1976  Search this
Adams, Ansel, 1902-1984  Search this
Andreson, Laura  Search this
Bissantz, Edgar, 1901-  Search this
Bourke-White, Margaret, 1904-1971  Search this
Bristol, Horace  Search this
Bullock, Wynn  Search this
Butler, John Davidson, 1890-1974  Search this
Coburn, Alvin Langdon, 1882-1966  Search this
Feininger, Lyonel, 1871-1956  Search this
Graves, Morris, 1910-  Search this
Hellman, Lillian, 1905-1984  Search this
Kanaga, Consuelo, 1894-  Search this
Lange, Dorothea  Search this
Mann, Margery  Search this
Moholy-Nagy, László, 1895-1946  Search this
Newhall, Beaumont, 1908-1993  Search this
Newman, Arnold, 1918-2006  Search this
Noskowiak, Sonya, d. 1975  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Partridge, Roi, 1888-1984  Search this
Schoener, Allon  Search this
Sheeler, Charles, 1883-1965  Search this
Steichen, Edward, 1879-1973  Search this
Steinert, Otto, 1915-  Search this
Strand, Paul, 1890-1976  Search this
Struss, Karl, 1886-  Search this
Toklas, Alice B.  Search this
Van Dyke, Willard  Search this
Weston, Edward, 1886-1958  Search this
White, Minor  Search this
Witkin, Lee D.  Search this
Zorach, William, 1887-1966  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Illustrated letters
Photographs
Date:
1903-1991
Summary:
The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.
Scope and Content Note:
The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career. 3.6 linear feet of correspondence comprise the bulk of the collection.
Arrangement:
The collection is arranged into ten series according to material type:

Series 1: Biographical Material, 1907-1981, undated (box 1; 4 folders)

Series 2: Correspondence, 1909-1991, undated (boxes 1-4; 3.6 linear feet)

Series 3: Personal Business Records, 1944-1976 (box 4; 15 folders)

Series 4: Notes, 1959-1968 (box 4; 10 folders)

Series 5: Teaching Files, 1964-1971 (box 5; 4 folders)

Series 6: Writings, circa 1910-1976 (box 5; 21 folders)

Series 7: Interview Transcripts, 1951, undated (box 5; 2 folders)

Series 8: Printed Material, 1903-1991 (boxes 5-7; 1.2 linear feet)

Series 9: Photographs, 1916-1976 (box 7; 12 folders)

Series 10: Oversized Material, 1947-1948, 1967, undated
Biographical Note:
Born in Portland, Oregon on April 12, 1883, Cunningham's family moved to Seattle in 1889. Inspired by Gertrude Kasebier's work, she purchased her first camera in 1901. After studying chemistry and botany at the University of Washington, she worked for the Edward S. Curtis Studio, Seattle, from 1907 to 1909. Receiving a scholarship, Cunningham studied for a year at the Technische Hochschule, Dresden.

Upon her return to Seattle in 1910, she opened a studio and had the first major exhibition of her work at the Brooklyn Institute of Arts and Sciences in 1912.

In 1915, Cunningham married printmaker Roi Partridge and gave birth to her first son, Gryffyd. Two years later, her family moved to California, where she gave birth to twin sons, Padraic and Rondal. In 1920, the family moved to Oakland, where her husband taught at Mills College. During the 1920s, she exhibited her art work and began photographing plant forms.

Along with Ansel Adams, John Paul Edwards, Sonya Noskowiak, Henry Swift, Willard Van Dyke, and Edward Weston, Cunningham formed the f/64 Group, a society of purist photographers in 1932. During the same year she began working for Vanity Fair and other magazines and began a career as a portrait photographer, including Martha Graham, Cary Grant, Morris Graves, Alfred Stieglitz, and Spencer Tracy as her subjects. She divorced her husband in 1934.

In 1947, Cunningham established a studio in her San Francisco home, and continued to exhibit extensively until her death on June 24, 1976.
Provenance:
The collection was donated to the Archives of American Art by Imogen Cunningham in 1974 and 1976, and by her son, Gryffyd Partridge, in 1991.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Imogen Cunningham papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Photography, Artistic  Search this
Photographers -- California -- San Francisco Bay Area  Search this
Photographers  Search this
Women photographers  Search this
Portrait photography  Search this
Genre/Form:
Interviews
Illustrated letters
Photographs
Citation:
Imogen Cunningham papers, 1903-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cunnimog
See more items in:
Imogen Cunningham papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cunnimog

Interview with Paul Strand

Creator:
Strand, Paul, 1890-1976  Search this
Brown, Milton Wolf, 1911-1998  Search this
Type:
Sound Recording
Date:
1971 November
Record number:
(DSI-AAA)16131
See more items in:
Paul Strand interview, 1971 Nov
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16131

Interview with Paul Strand

Creator:
Strand, Paul, 1890-1976  Search this
Goell, Jon  Search this
Type:
Sound Recording
Date:
1973 January
Topic:
Photography  Search this
Record number:
(DSI-AAA)20814
See more items in:
Paul Strand interviews, 1973 Jan. and undated
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20814

Excerpts of interviews with Paul Strand

Creator:
Strand, Paul, 1890-1976  Search this
Type:
Sound Recording
Date:
circa 1973
Topic:
Color photography  Search this
Photography  Search this
Record number:
(DSI-AAA)20832
See more items in:
Paul Strand interviews, 1973 Jan. and undated
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20832

Marsden Hartley

Photographer:
Strand, Paul, 1890-1976  Search this
Subject:
Hartley, Marsden  Search this
Type:
Photographs
Date:
1927
Record number:
(DSI-AAA)5516
See more items in:
Elizabeth McCausland papers, 1838-1995, bulk 1920-1960
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5516

Strand, Paul, 1890-1976

Collection Creator:
Rosenblum, Walter, 1919-2006  Search this
Extent:
1 Photograph
Container:
Binder 48
Type:
Archival materials
Photographs
Photographs
Collection Restrictions:
Researcher may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Collection Rights:
Copyright to photographs from the Walter Rosenblum Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Walter Rosenblum Collection, Photograph Archives, Smithsonian American Art Museum
See more items in:
Walter Rosenblum photographs
Walter Rosenblum photographs / Series 1: Photographs of artists' works
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-ros-ref610

Paul Strand : essays on his life and work / Robert Adams [and others] ; edited by Maren Stange

Author:
Adams, Robert 1937-  Search this
Stange, Maren  Search this
Subject:
Strand, Paul 1890-1976 Aesthetics  Search this
Physical description:
ix, 319 pages : illustrations ; 24 cm
Type:
Books
Essays
Place:
U.S.A
Date:
1990
[©1990]
Topic:
Photography, Artistic  Search this
Call number:
TR647.S89 S78 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_408666

Paul Strand : the world on my doorstep : an intimate portrait / Catherine Duncan

Author:
Duncan, Catherine  Search this
Strand, Paul 1890-1976  Search this
Montoya, Anthony  Search this
Hoffman, Michael E  Search this
Museum Folkwang Essen  Search this
Aperture Foundation  Search this
Subject:
Strand, Paul 1890-1976  Search this
Physical description:
125 p. : ill. ; 29 cm
Type:
Books
Exhibitions
Date:
1994
C1994
Call number:
TR647.S89 D92 1994
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_463561

Modify Your Search







or


Narrow By