Skip to main content Smithsonian Institution

Search Results

Collections Search Center
37 documents - page 1 of 2

Maude Adams

Artist:
Howard Chandler Christy, 10 Jan. 1872 - 3 Mar. 1952  Search this
Sitter:
Maude Adams, 11 Nov 1872 - 17 Jul 1953  Search this
Medium:
Pastel on paper
Dimensions:
101cm x 52.1cm (39 3/4" x 20 1/2"), Accurate
Type:
Drawing
Date:
1899
Topic:
Costume\Dress Accessory\Feather  Search this
Maude Adams: Female  Search this
Maude Adams: Performing Arts\Performer\Actor  Search this
Maude Adams: Education and Scholarship\Educator\Professor\College  Search this
Portrait  Search this
Credit Line:
Owner: Stephens College
Object number:
MO100001
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm48e942d6f-c945-4ccb-8fc0-15126d280b7b
EDAN-URL:
edanmdm:npg_MO100001

St Stephens College (Annandale-on-Hudson, NY)

Collection Creator:
National Air and Space Museum. Archives Division.  Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
See more items in:
National Air and Space Museum Technical Reference Files: Aircraft
National Air and Space Museum Technical Reference Files: Aircraft / Series A: Aircraft / Aircraft S
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg20dd25a7f-7649-49cd-a425-688be32c882f
EDAN-URL:
ead_component:sova-nasm-xxxx-1183-a-ref50274

St Stephens College F-131 Glider (1929) [Documents]

Collection Creator:
National Air and Space Museum. Archives Division.  Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
Identifier:
NASM.XXXX.1183.A, File AS-097000-01
See more items in:
National Air and Space Museum Technical Reference Files: Aircraft
National Air and Space Museum Technical Reference Files: Aircraft / Series A: Aircraft / Aircraft S / St Stephens College (Annandale-on-Hudson, NY)
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2e916a02b-abbc-4fb4-b986-58787a29d5cf
EDAN-URL:
ead_component:sova-nasm-xxxx-1183-a-ref50275

Wood, Grant

Collection Creator:
Curry, John Steuart, 1897-1946  Search this
Container:
Box 3, Folder 44
Type:
Archival materials
Date:
1936-1942
Scope and Contents note:
(contains essay about Wood by Curry)
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Access to undigitized portions requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Steuart Curry and Curry family papers, 1900-1999. Archives of American Art, Smithsonian Institution.
See more items in:
John Steuart Curry and Curry family papers
John Steuart Curry and Curry family papers / Series 3: Correspondence and Project Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw905f0d008-0367-435b-9d60-d6cd714dc9c6
EDAN-URL:
ead_component:sova-aaa-currjohn-ref231
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Wood, Grant digital asset number 1
  • View Wood, Grant digital asset number 2
  • View Wood, Grant digital asset number 3

Michiko Takaki papers

Creator:
Takaki, Michiko, 1930-2014  Search this
Extent:
134.16 Linear feet (167 boxes, 7 rolls, and 7 map-folders)
Culture:
Kalinga (Philippine people)  Search this
Type:
Collection descriptions
Archival materials
Place:
Philippines
Date:
1921-2011
bulk 1960s
Summary:
The papers of Michiko Takaki, 1921-2011 (bulk 1960s), document her field work among the Kalinga people of the northern Philippines and her professional contributions as a faculty member at the University of Massachusetts, Boston. The papers consist primarily of economic and linguistic field data gathered between 1964 and 1968, used in the production of her doctoral dissertation ("Aspects of Exchange in a Kalinga Society, Northern Luzon," 1977) and throughout her anthropological career. The collection consists of field notes, maps, photographic prints, negatives, slides, sound recordings, recorded film, data and analysis, correspondence, working files and drafts, and publications.
Scope and Contents:
The papers of Michiko Takaki, circa 1921-2011 (bulk 1960s), document her research into the Kalinga people of the northern Luzon region of the Philippines as both an economic and lingustic anthropologist. The collection consists of field notes; maps; photographic prints, negatives, and slides; sound recordings; recorded film; data and analysis; correspondence; working files and drafts; and publications.

The bulk of the collection consists of field-gathered data into the economics, culture, and language of the Kalinga people, created and compiled during Takaki's doctoral fieldwork in the Philippines between 1964 and 1968. This data was used in the production of her doctoral dissertation, "Aspects of Exchange in a Kalinga Society, Northern Luzon" (1977) and throughout the remainder of her career as a faculty member at the University of Massachusetts, Boston. In addition to Takaki, this material was often created or edited by her Kalinga research assistants during the period of her fieldwork or by her graduate student assistants at UMass-Boston. The material can be divided into the analytical categories related to the two main threads of Takaki's research: economic and subsistence activities, and linguistics. Economic material in the collection includes tables and tabulations of data on property, rice cultivation, and livestock use, as well as climatic data and cultural stories about exchange systems and subsistence work. Also included is gathered research into the Kalinga response to the Chico River Dam development project of the northern Luzon, an electric power generation project from the 1980s. Language material in the collection includes word lists, vocabulary slips, and morphology and phonology analysis that document the Kalinga language family of the northern Luzon. Also included are working files related to Takaki's project to translate Morice Vanoverbergh's Iloko Grammar into Kalinga.

Maps, photographic images, sound, and film contained in this collection largely document Takaki's fieldwork and research interests into Kalinga society and culture. Field-gathered data has been separated out into its own series. These materials - field notes and field data, maps, photographs, and sound and film recordings - form the first five series of the collection (Series 1-5). Research and analysis, compiled and refined from field-gathered data on the topics of culture, economics, and language, are arranged into their own three topical series (Series 6-8).

The collection also contains correspondence, as well as material documenting Takaki's professional life as a graduate student and faculty member. It includes grant applications, graduate essays, course preparation materials, professional presentations and publications, a curriculum vitae and tenure dossier from the University of Massachusetts, Boston, and a copy of her master's thesis, "A Case Study of Cross-Cultural Communication: Some Aspects of the Psychological Warfare as Applied by the United States against Japan during the World War II" (1960).
Arrangement:
The Michiko Takaki papers are divided into 10 series:

Series 1: Field data and field notes, 1935-1985 (bulk 1960s)

Series 2: Maps, circa 1950-2003, undated

Series 3: Photographs, circa 1964-2006

Series 4: Sound recordings, circa 1964-1995

Series 5: Films, circa 1964-1968

Series 6: Kalinga texts, circa 1960-2006, undated

Series 7: Economic and subsistence activities research and analysis, circa 1961-1997

Series 8: Lingustic research and analysis, 1921-1993

Series 9: Correspondence, 1960-2002

Series 10: Professional materials, circa 1958-2011
Biographical / Historical:
Michiko "Michi" Takaki was born on September 11, 1930 to Noboru Takaki and Sumiko Kohaka in Tokyo, Japan.

As a GARIOA Scholar (Government Appropriation for Relief in Occupied Areas), Takaki earned an associate's degree from Stephen's College in Columbia, Missouri (1952) and a bachelor's degree in comparative literature from Lindenwood College in St. Charles, Missouri (1953). She also earned a second bachelor's degree from the Tokyo Women's Christian University (1954), returning to the US to earn a master's degree in journalism from Southern Illinois University (1960). In the fall of 1960, Takaki began graduate studies in anthropology under Prof. Harold C. Conklin at Columbia University. Conklin transferred to the Department of Anthropology at Yale University in 1962. Takaki followed, completing her dissertation and earning her PhD from Yale in 1977.

From 1964 to 1968, Takaki completed a 46-month period of ethnographic fieldwork in the Philippines. Her dissertation, published in 1977, was entitled "Aspects of Exchange in a Kalinga Society, Northern Luzon." After a brief stint as a curator of Pacific ethnology at the American Museum of Natural History (1970-1973), Takaki became a faculty member in the Department of Anthropology at the University of Massachusetts, Boston. While teaching, Takaki continued her research into the Northern Luzon region of the Philippines. Her early research into economic and subsistence activities gave way, in later years, to lingustic anthropology centered on the Kalinga language family. Takaki was granted tenure in 1980, and she remained on the UMass-Boston faculty until her retirement in 2002.

Michiko Takaki died in Boston, Massachusetts, on December 5, 2014.

Chronology

1930 September 11 -- Born in Tokyo, Japan

1951-1953 -- GARIOA Scholar (Government Appropriation for Relief in Occupied Areas)

1952 -- A.A. Stephens College

1953 -- B.A. Lindenwood College

1954 -- B.A. Tokyo Women's Christan University

1960 -- M.A. Southern Illinois University (Journalism)

1960-1962 -- Graduate coursework, Columbia University Department of Anthropology

1962-1968 -- Graduate coursework, Yale University Department of Anthropology

1964-1968 -- Field work in the Philippines

1964-1965 -- Research Fellow, International Rice Research Institute

1970-1973 -- Curator, Pacific Ethnology, Division of Anthropology, American Museum of Natural History

1973-2002 -- Faculty, University of Massachusetts, Boston

1977 -- Ph.D. Yale University (Anthropology)

1980 November -- Awarded tenure by the University of Massachusetts, Boston

2014 December 5 -- Died in Boston, Massachusetts
Separated Materials:
The eleven film reels in the collection have been transferred to the Human Studies Film Archives, accession number HSFA 2017-009, but are described in this finding aid in Series 5: Films.
Provenance:
These papers were donated to the National Anthropological Archives by R. Timothy Sieber, Professor and Chair of the Department of Anthropology, University of Massachusetts, Boston, in 2016.
Restrictions:
Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.

Digital media in the collection is restricted for preservation reasons.

Access to the Michiko Takaki papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Economic anthropology  Search this
Ethnology -- Philippines  Search this
Language and languages -- Documentation  Search this
Kalinga languages  Search this
Women anthropologists  Search this
Citation:
Michiko Takaki papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2016-23
See more items in:
Michiko Takaki papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d1124dfc-79fa-49ad-aa1e-d27b573e8fed
EDAN-URL:
ead_collection:sova-naa-2016-23
Online Media:

Gift to Hinkhouse Collection of Art at Stephens College 1979

Collection Creator:
Falkenstein, Claire, 1908-1997  Search this
Container:
Box 15, Folder 3
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Claire Falkenstein papers
Claire Falkenstein papers / Series 3: Personal and Business Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw939f5c028-7c44-46ae-aaa9-821e5e2da142
EDAN-URL:
ead_component:sova-aaa-falkclai-ref542

Stedelijk Museum "Het Prinsehof" (Delft) - Stephens, Jacqueline

Collection Creator:
Lipchitz, Jacques, 1891-1973  Search this
Container:
Box 4, Folder 26
Type:
Archival materials
Date:
1928-1966
Scope and Contents note:
Stedelijk Museum "Het Prinsehof" (Delft)

Stedelijk van Abbe-museum (Eindhoven)

Steegmuller, Francis

Steendrukkerij de Jong and Co.

Stein, Gertrude (photocopies)

Stein, Jules

Steinbeck, Dietmar

Steinman, Mr. and Mrs.

Stephens College

Stephens, Jacqueline
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz / Series 1: Jacques Lipchitz papers / 1.2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw976a82f2c-ef0c-4377-89fe-1528aabc4ec4
EDAN-URL:
ead_component:sova-aaa-lipcjacq2-ref287

Stephens College

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 76, Folder 7
Type:
Archival materials
Date:
1926-1932
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99d25d984-99ec-4ad7-892a-4d8b2c91b16f
EDAN-URL:
ead_component:sova-aaa-macbgall-ref10540

Albert Christ-Janer papers

Creator:
Christ-Janer, Albert, 1910-1973  Search this
Names:
Michigan State University -- Faculty  Search this
New York University -- Faculty  Search this
Pennsylvania State University -- Faculty  Search this
Pratt Institute -- Faculty  Search this
Stephens College  Search this
University of Chicago -- Faculty  Search this
University of Georgia -- Faculty  Search this
Bingham, George Caleb, 1811-1879  Search this
Christ-Janer, Virginia Morgan Carpenter  Search this
Robinson, Boardman, 1876-1952  Search this
Saarinen, Eliel, 1873-1950  Search this
Zoller, Edwin W., 1900-1967  Search this
Extent:
54.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Date:
1915-circa 1993
bulk 1930-1981
Summary:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.
Scope and Contents:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.

Biographical material includes address books; awards, certificates and diplomas; chronologies, biographies, and resumes; material relating to Albert Christ-Janer's death, including memorial services and a sound tape reel memorial; and information and blueprints for residences, among other materials.

Correspondence includes Christmas cards from other artists and professional correspondence, much of it relating to his work at various institutions, including Michigan State University, New York University, Pennsylvania State University, Pratt Institution, and foundations. Also included is Virginia Christ-Janer's correspondence regarding Christ-Janer's artwork and career, his death in Italy, as well as general correspondence and letters between Virginia and Albert. Additional correspondence is found within the Professional Files, Project Files, and Teaching Files.

Writings by Christ-Janer include articles, book reviews, essays, notes, and eleven notebooks. There are also a few miscellaneous articles and writings about Christ-Janer written by others. There are 38 annotated appointment notebooks and five of Virginia Christ-Janer's annotated appointment books. Annotations are about meetings, travel, and general thoughts.

Albert Christ-Janer's book projects are documented in the Project Files series. There are drafts, manuscripts, research, and correspondence relating to the research, writing, and publication of five of his books, including George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962), and Modern Hymns (1980). Project files also include files regarding proposed projects.

Professional files document Christ-Janer's work at various institutions, as a consultant, on juried art exhibitions, memberships in arts associations, activities at conferences and committees, and the development of art centers in cities and educational institutions. There is significant documentation of his work planning and developing an arts center in New York City and at New York University, as well as his positions at Pennsylvania State University, Pratt Institute, University of Chicago, and University of Georgia. Also found are materials relating to professional trips taken to El Paso, Italy, Scandinavia, and other parts of Europe.

Teaching files consist of syllabi, lecture notes and course materials, class record books, and other documents for positions at New York University, Pennsylvania State University, Stephens College, University of Georgia, and other institutions. Exhibition files are comprised of lists, prizes and awards, and other scattered documentation of Christ-Janer's solo and group exhibitions.

Financial and estate records include five account books, miscellaneous bills and receipts, a will and estate taxes and financial papers, and files for gallery transactions, lists of galleries representing Christ-Janer, lists of museum and private collectors of Christ-Janer's artwork. Printed materials include exhibition catalogs and announcements, published versions of Christ-Janer's books, books written by others and annotated by Christ-Janer, clippings, magazines, reviews, and printed material relating to Pratt Institute. There is one bound scrapbook and several files of loose scrapbook materials.

The scrapbooks series consists of one completed scrapbook concerning Christ-Janer's book on George Caleb Bingham, as well as several folders of general scrapbook files.

Photographs and slides depict Albert Christ-Janer, family, friends, artists, colleagues, exhibitions, and also include photographs compiled for published books.

Artwork includes numerous drawings, sketches, one sketchbook, and 111 lithographs by Albert Christ-Janer. There are also sketches and drawings by Charles Massey, John D. Whiting, Edwin Zoller, and others. Miscellaneous artifacts include a business card die, exhibition medals and trophy, handmade paperweight, a block-printed piece of fabric, and three graduation hoods.
Arrangement:
This collection is arranged as 14 series:

Missing Title

Series 1: Biographical Material, circa 1930-circa 1986 (Boxes 1-2, 51, 53, 67, OV 54, OV 57; 2.1 linear feet)

Series 2: Correspondence, circa 1937-1990 (Boxes 2-16, 51, 67, OV 55; 15.1 linear feet)

Series 3: Writings, circa 1930s-1972 (Boxes 16-18, 51; 1.5 linear feet)

Series 4: Appointment Books, 1939-1973 (Boxes 18-21; 2.9 linear feet)

Series 5: Professional Files, circa 1933-circa 1986 (Boxes 21-28, 51-52, 67-69; 10 linear feet)

Series 6: Project Files, 1937-circa 1981 (Boxes 28-34, 51, 69; 6.1 linear feet)

Series 7: Teaching Files, circa 1939-circa 1973 (Boxes 34-35; 0.6 linear feet)

Series 8: Exhibition Files, circa 1938-circa 1992 (Boxes 35-38; 2.7 linear feet)

Series 9: Financial and Estate Records, circa 1947-1992 (Boxes 38-40; 2.4 linear feet)

Series 10: Printed Material, 1915-circa 1993 (Boxes 40-49, 51-52, 69; 8.7 linear feet)

Series 11: Scrapbooks, circa 1936-circa 1952 (Boxes 49, 51; 0.5 linear feet)

Series 12: Photographs, circa 1937-circa 1986 (Boxes 49-51, OV 56; 0.7 linear feet)

Series 13: Artwork, circa 1933-circa 1970s (Boxes 50-52, 69, OV 58-66; 1.1 linear feet)

Series 14: Artifacts, 1923-circa 1986 (Boxes 50, 53; 0.9 linear feet)
Biographical / Historical:
Albert Christ-Janer (1910-1973) was a painter, printmaker, art historian, writer, and educator active at colleges and universities across the U.S.

Albert Christ-Janer was born in Appleton, Minnesota in 1910 and studied at the Art Institute of Chicago, Yale University, and Harvard University. Christ-Janer wrote about American artists Boardman Robinson and John Caleb Bingham, and taught at a variety of institutions, including Stephens College, Cranbrook Academy, Pratt Institute Art School, and the University of Georgia. He was also an artist-in-residence at Tamarind Lithography Workshop in 1972.

Christ-Janer began his teaching career at Stephens College in Columbia, Missouri in 1934, and soon became head of the art department. He moved to Michigan to accept the position of head of the art department and professor of art at Michigan State University in 1942. In 1945, he began working for the Cranbrook Academy in Bloomfield Hills, Michigan, serving as director of the educational program, director of the museum and library, and professor of art history.

In 1947, Christ-Janer moved to Chicago and worked at the University of Chicago and the Arts Center Association, Inc. In the 1950s, he served as director of Arts Center Development at New York University, director of the School of Arts at Pennsylvania State University, and on the Lake Erie College Board of Trustees. In 1958, he moved to New York and become dean of the School of Art and Design at the Pratt Institute in Brooklyn, later becoming director. He left Pratt in 1970 to accept the position of Fuller E. Callaway Professor of Art at the University of Georgia, where he remained until his tragic death in 1973.

Christ-Janer was the author of several books: Art in Child Life (University of Iowa Press, 1938), George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962).

Albert Christ-Janer was a Guggenheim Fellow in 1950, awarded the Rockefeller Award in 1954, and the Guggenheim Award in 1960. He was also awarded multiple grants from the American Philosophical Society and the J. M. Kaplan Fund for research and work in lithography, as well as multiple Arthur Judson grants. In 1972 Christ-Janer was the Tamarind artist-in-residence at the University of New Mexico in Albuquerque.

Christ-Janer traveled often. In 1962 he was a guest of the Bonn government for two months to visit museums and schools of design in Germany. And in 1964, he was a guest of the governments of Denmark, Norway, Finland, and Sweden for two months to study schools, museums, and cultural centers. In July of 1973, Christ-Janer was the official NASA artist for the Skylab III launch, and in October of 1973, he was the studio guest of the Norway-America Association and the Norwegian government in Oslo. From November to December of 1973, Christ-Janer was the scholar-in-residence at the Study and Conference Center of the Rockefeller Foundation (Centro Culturale delle Fondazione Rockefeller), at the Villa Serbelloni in Bellagio (Como), Italy.

Albert Christ-Janer was killed in an automobile accident in Bellagio (Como), Italy on December 12, 1973.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Albert Christ-Janer conducted by Dorothy Seckler, March 21, 1964.

Albert Christ-Janer's research materials for his book American Hymns Old and New (1980) are found at the St Olaf College in Northfield, Minnesota, a center for the study of hymns.
Provenance:
The Albert Christ-Janer papers were donated by Virginia Christ-Janer in 1980-1981 and 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- Georgia  Search this
Painters -- Georgia  Search this
Art historians -- Georgia  Search this
Topic:
Art -- Study and teaching  Search this
Genre/Form:
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chrialbe
See more items in:
Albert Christ-Janer papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9584bb216-26f7-46c7-9acc-dd6fe21ea117
EDAN-URL:
ead_collection:sova-aaa-chrialbe

Professional Files

Collection Creator:
Christ-Janer, Albert, 1910-1973  Search this
Extent:
10 Linear feet (Boxes 21-28, 51-52, 67-69)
Type:
Archival materials
Date:
circa 1933-circa 1986
Scope and Contents:
Found here are documents relating to Christ-Janer's professional positions and activities, including art associations, various conferences and committees, consulting positions, and work with the planning and development of art centers in cities and educational institutions. Organizations represented include the American Council on Education, American Federation of Arts, Century Association, New School Art Center, National Art Education Association, National Association of Schools of Art, National Council of the Arts in Education, New York City Arts Center, NYU Arts Center and Self-Study, Pennsylvania State University, Pratt Institute, Stephens College, University of Chicago, University of Georgia, and others. Also found are materials relating to speaking engagements, jury participation, and professional trips taken to Italy, Scandinavia, and other parts of Europe.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chrialbe, Series 5
See more items in:
Albert Christ-Janer papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b8d1fe05-1d29-4cef-af7b-9e764ca40ea2
EDAN-URL:
ead_component:sova-aaa-chrialbe-ref14

Teaching Files

Collection Creator:
Christ-Janer, Albert, 1910-1973  Search this
Extent:
0.6 Linear feet (Boxes 34-35)
Type:
Archival materials
Date:
circa 1939-circa 1973
Scope and Contents:
Found here are materials documenting Albert Christ-Janer's teaching positions as adjunct instructor and professor of art and art history at New York University, Pennsylvania State University, Stephens College, University of Georgia, and other institutions. Files contain class and lecture notes, syllabi, class record books, appointment letters, and committee correspondence, among other materials.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chrialbe, Series 7
See more items in:
Albert Christ-Janer papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ad1a8ebb-49fb-4350-89ea-2d0c36ac437f
EDAN-URL:
ead_component:sova-aaa-chrialbe-ref16

Stephens College

Collection Creator:
Christ-Janer, Albert, 1910-1973  Search this
Container:
Box 26, Folder 28-30
Type:
Archival materials
Date:
circa 1959
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Albert Christ-Janer papers
Albert Christ-Janer papers / Series 5: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw952c248f7-9d07-4af4-91d1-f6440291fab7
EDAN-URL:
ead_component:sova-aaa-chrialbe-ref329

Stephens College, Syllabus Material

Collection Creator:
Christ-Janer, Albert, 1910-1973  Search this
Container:
Box 35, Folder 5
Type:
Archival materials
Date:
circa 1939
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Albert Christ-Janer papers
Albert Christ-Janer papers / Series 7: Teaching Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw963cd1549-7365-49bc-9e08-6c9c896c8295
EDAN-URL:
ead_component:sova-aaa-chrialbe-ref498

Adolf Dehn papers

Creator:
Dehn, Adolf, 1895-1968  Search this
Names:
American Artists Group  Search this
Associated American Artists  Search this
Atelier Desjobert  Search this
Kennedy Galleries  Search this
University of Missouri Press  Search this
Bohrod, Aaron  Search this
Castellón, Federico, 1914-1971  Search this
Christ-Janer, Albert, 1910-1973  Search this
Dehn, Mura  Search this
Dehn, Virginia E. (Virginia Engleman), 1922-2005  Search this
Eastman, Max, 1883-1969  Search this
Freeman, Joseph  Search this
Gag, Wanda, 1893-1946  Search this
Goetsch, Gustav F. (Gustav Frederick), 1877-1969  Search this
Grosz, George, 1893-1959  Search this
Hayter, Stanley William, 1901-1988  Search this
Kuh, Frederick, 1895-1978  Search this
Lake, Eileen Hall  Search this
Marsh, Reginald, 1898-1954  Search this
Mitchell, Olivia Dehn  Search this
Olds, Elizabeth, 1896-1991  Search this
Rattner, Abraham  Search this
Robinson, Boardman, 1876-1952  Search this
Shane, Fred, 1906-  Search this
Smith, William Arthur, 1918-1989  Search this
Spruance, Benton, 1904-1967  Search this
Thayer, Scofield, b. 1889  Search this
Zigrosser, Carl, 1891-  Search this
Photographer:
Kertész, André  Search this
Extent:
6.6 Linear feet
Type:
Collection descriptions
Archival materials
Manuscripts
Sketches
Etchings
Scrapbooks
Photographs
Poems
Date:
1912-1987
Summary:
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.
Scope and Content Note:
The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.

Found within the biographical materials are several address books, official travel documents, exhibition price lists, and a biographical sketch.

Correspondence, both personal and business, makes up the bulk of this collection. Dehn maintained long friendships with many fellow artists and his correspondence includes letters from Aaron Bohrod, Federico Castellon, Albert Christ-Janer, Wanda Gág, Gustav Goetsch, George Grosz, Reginald Marsh, Elizabeth Olds, Abraham Rattner, Boardman Robinson, Frederick Shane, William Smith, and Benton Spruance. Additional notable correspondents include print dealer and curator Carl Zigrosser; journalists Max Eastman, Joseph Freeman, Frederick Kuh; editor Scofield Thayer, and his former wife, the Russian dancer Mura Dehn (neé Tsiperovitch). Business correspondence includes letters from art schools, associations, museums, and galleries affiliated with Dehn, including the Weyhe Gallery; Associated American Artists, a gallery that promoted American art to the middle classes; and the Kennedy Gallery, which represented the Dehn estate upon the artist's death. There is also correspondence from companies and organizations that commissioned commercial work from Dehn, such as greeting card publisher, American Artists Group . Finally the correspondence of Virginia Dehn includes letters to and from the University of Missouri Press related to the publication of Adolf Dehn Drawings and condolence cards and letters from friends and associates after the Adolf Dehn's death in May 1968.

Writings include manuscripts for Adolf Dehn's manual on painting technique, Watercolor, Gouache, and Casein Painting (Studio Publications, 1955), as well as his entries on technique and watercolor painting for Encyclopedia Britannica. Writings by others includes the catalog Adolf Dehn Drawings, prepared by his wife Virginia Dehn, and published in 1971 by the University of Missouri Press. There is also a journal with handwritten poems attributed to Eileen Hall Lake.

Printed materials consists of exhibition announcements and catalogs from galleries featuring Dehn's work including the Weyhe Gallery and Associated American Artists; art school brochures and newsletters from programs which Dehn attended or taught; and newspaper and magazine clippings including examples of his editorial cartoons, which appeared in The Liberator, The New Yorker, and Vanity Fair, among other publications as well as clippings of news items related to the artist. This series also includes examples of Dehn's commercial work, such as book covers, calendars, and Christmas cards. Additional similar printed materials can be found in the scrapbooks. Artwork consists of only a few sketches attributed to Dehn, others to Eileen Lake Hall, and an etching by S.W. Hayter.

Dehn is well documented through numerous photographs, both alone and with others, including a portrait by the renowned photographer André Kertész. Additional vintage photographs include Dehn with family members, friends, and a series of photographs taken with his wife, Virginia Dehn at Atelier Desjobert, where he had been making lithographs since the 1920s.
Arrangement:
The collection is arranged into 8 series:

Missing Title

Series 1: Biographical Material, circa 1920-1968 (Box 1; 10 folders)

Series 2: Correspondence, 1919-1982 (Boxes 1-4; 3.75 linear feet)

Series 3: Writings, circa 1920-1971 (Boxes 4-5; 0.25 linear feet)

Series 4: Financial Records, 1936-1965 (Box 5; 0.5 linear feet)

Series 5: Printed Materials, circa 1915-1987 (Boxes 5-6; 1.2 linear feet)

Series 6: Scrapbooks, 1912-1968(Boxes 6-7; 0.5 linear feet)

Series 7: Artwork, circa 1920-1945 (Box 6; 3 folders)

Series 8: Photographs, circa 1912-1961 (Boxes 6 and 8; 7 folders)
Biographical Note:
Adolf Dehn (1895-1968) was well-known for his drawings, lithographs and watercolors which satirically chronicled the social and political milieu of his times, as well as poetic landscapes, many of which depicted the rolling hills and farmlands of his native Midwest. Although he worked mostly in New York, Dehn also spent substantial time traveling and working in Europe, the Middle East, South America, and the American mid-west.

Dehn was born on a farm in Waterville, Minnesota on November 22, 1895, he began his formal art education in 1914 at the Minneapolis School of Art (currently known as the Minneapolis College of Art and Design). As a student, his drawings were featured in the school's humor journal, The Minne-Ha-Ha and by 1917 he had published his first drawing in one of his favorite political journals, The Masses. Later that year he and fellow Minneapolis School of Art student Wanda Gág were among a select group of art students nationwide who won scholarships to the Art Students League of New York. After only eight months in New York, however, Dehn was drafted into the Army to serve in the final months of World War I, but he proclaimed himself as a conscientious objector and was sent to Camp Wadsworth in South Carolina for several months.

Dehn returned to New York, where his friend and mentor Boardman Robinson introduced him to lithography through the master printer George Miller and brought him to the Weyhe Gallery to meet Carl Zigrosser, an avid supporter of American printmakers. However, he soon left New York for Europe in September 1921 where he spent most of the following eight years. There he traveled with his sketchbooks to the cafes and opera houses of Berlin, Paris, and Vienna, as well as on hiking trips in the Alps. He became friends with the poet E.E. Cummings, Scofield Thayer, editor of The Dial, who published many of his drawings, and met the German artist, George Grosz, whose work he so admired. In addition to The Dial, his satirical drawings of jazz-age entertainments and European cafe life also appeared in , The Liberator, Jugend, Vanity Fair, and Simplicissimus. Finally during his stint in Europe, Dehn met and married the Russian dancer Mura Tsiperovitch. They were married in Vienna in 1926, but divorced sometime in the early 1930s.

Unfortunately Dehn's return to the United States coincided with the Great Depression of 1929 and sales of his work were slim. However in the 1930s, The New Yorker and Vogue began to publish his work. He continued to work in lithography and returned to Paris to work at the Atelier Desjobert, the print studio with whom he worked most closely throughout his life. In the late 1930s, Dehn began working in watercolors, mostly rural landscapes, and had a one man show of works in his new medium at Weyhe Gallery in 1938. In 1939 Dehn traveled through the Southwest and Mexico on his first Guggenheim Fellowship (he was awarded his second in 1951).

By the 1940s Dehn was an active member of both the American Artists Group and Associated American Artists; both organizations sought to popularize contemporary American Art, primarily through reproductions of fine art prints and commercial use of artists' designs on greeting card, calendars, and even wall paper. Appreciation for his lithographs and watercolors grew, and along with it his recognition. He also taught art classes a few summers; in the late 1930s at Stephens College, Columbia, Missouri where his friend Albert Janner-Christ was head of the art department and in the early 1940s at the Colorado Springs Fine Arts Center, where friend and mentor Boardman Robinson was the director. In 1955 he published Watercolor, Gouache, and Casein Painting, a manual on technique. Throughout the rest of his life he continued to travel, not only returning to Europe, but also visiting Afganistan, Cuba, Haiti, and a trip to Venuzuala on assignment from Standard Oil to document the oil industry there. On many of his later trips, he was accompanied by his wife, fellow artist, Virginia Engleman Dehn, whom he had married in November 1947.

Near the end of his long career, Dehn was elected in 1961 to the National Academy of Design as a full academician. He was later elected to the National Academy of Arts and Letters. After his death in 1968, his wife Virginia worked with the University of Missouri Press on the catalog Adolf Dehn Drawings (Columbia: University of Missouri, 1971).
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 287 contains printed materials, including exhibition announcements, catalogs, magazines, and newspaper and magazine clippings. After filming, these materials were transferred to the Smithsonian American Art Museum/National Portrait Gallery Library. Reels 2938-2939 include 750 letters from Adolf Dehn to various family members. This material was returned to the lender and is not described in the collection container inventory.
Provenance:
The Adolf Dehn papers were donated in several installments from 1966 to 1985 by Adolf Dehn and his wife Virginia. Dehn's sisters, Viola Dehn Tiala and Olivia Dehn Mitchell, separately donated additional materials in 1971 and 1972. Olivia Dehn Mitchell also loaned the Archives letters from Adolf in 1983 for microfilming. Finally in 1989, Lillian Morrison, a friend and editor, donated a published book of Mura Dehn's poetry and a four page draft of a letter signed by Adolf Dehn.
Restrictions:
Use of originals requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting -- Technique  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Graphic arts -- New York (State) -- New York  Search this
Genre/Form:
Manuscripts
Sketches
Etchings
Scrapbooks
Photographs
Poems
Citation:
Adolf Dehn papers, 1912-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dehnadop
See more items in:
Adolf Dehn papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92c8a7afd-8bd9-4c4c-935d-90de370a645e
EDAN-URL:
ead_collection:sova-aaa-dehnadop

Biographical Material, Eero Saarinen

Collection Creator:
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Container:
Box 1, Folder 9
Type:
Archival materials
Date:
1961-1963
Collection Restrictions:
The collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
NBC TV scripts or film prepared for television: Authorization to publish, quote or reproduce requires written permission from NBC Studios. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Aline and Eero Saarinen Papers, 1906-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Aline and Eero Saarinen papers
Aline and Eero Saarinen papers / Series 1: Aline and Eero Saarinen Personal Papers / 1.1: Miscellaneous Personal Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e0452013-214e-4537-813a-7be3fac2032a
EDAN-URL:
ead_component:sova-aaa-saaralin-ref22
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Biographical Material, Eero Saarinen digital asset number 1

National Sports Vol. VII No. 7

Owned by:
Althea Gibson, American, 1927 - 2003  Search this
Published by:
National Sports Magazine, Indian  Search this
Medium:
ink on paper
Dimensions:
10 3/4 × 8 1/2 × 1/8 in. (27.3 × 21.6 × 0.3 cm)
Type:
magazines (periodicals)
Place made:
New Delhi, Delhi, India, Asia
Date:
1957
Topic:
African American  Search this
Athletes  Search this
Sports  Search this
Tennis  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Donald Felder and family
Object number:
2014.205.7
Restrictions & Rights:
No Known Copyright Restrictions
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c56e5209-78f6-4b1a-a86e-a862a1731309
EDAN-URL:
edanmdm:nmaahc_2014.205.7
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>National Sports Vol. VII No. 7</I> digital asset number 1

Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981

Creator:
Christ-Janer, Albert, 1910-1973  Search this
Subject:
Saarinen, Eliel  Search this
Zoller, Edwin W.  Search this
Bingham, George Caleb  Search this
Robinson, Boardman  Search this
Christ-Janer, Virginia Morgan Carpenter  Search this
University of Georgia  Search this
University of Chicago  Search this
Pratt Institute  Search this
Stephens College  Search this
Michigan State University  Search this
Pennsylvania State University  Search this
New York University  Search this
Type:
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7415
(DSI-AAA_SIRISBib)209572
AAA_collcode_chrialbe
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209572
Online Media:

Toby Felker

Collection Creator:
Douglas, Deborah G.  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
United States Women in Aviation 1940-1985 Research Materials, NASM.1995.0062, National Air and Space Museum, Smithsonian Institution.
See more items in:
United States Women in Aviation 1940-1985 Research Materials
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg22d402fe1-ffd6-4176-9e25-6d694845a10c
EDAN-URL:
ead_component:sova-nasm-1995-0062-ref513
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Toby Felker digital asset number 1

Sp-St

Designer:
Henry Dreyfuss, American, 1904–1972  Search this
Medium:
B&W Printed Material
Type:
archive
Archive folder
Object Name:
Archive folder
Date:
1968-1972
Credit Line:
Henry Dreyfuss Archive, gift of Various Donors
Accession Number:
Dreyfuss Symbol Sourcebook Working Papers Folder 107
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Archives Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq438f190a1-2e19-4caa-983a-63a4f48e9399
EDAN-URL:
edanmdm:chndm_Dreyfuss_Symbol_Sourcebook_Working_Papers_Folder_107

Stage Design: Everyman

Designer:
Jay Keene  Search this
Client:
Stephens College Playhouse  Search this
Medium:
Brush and watercolor, ink on heavy paper
Dimensions:
H x W: 36.5 × 54.5 cm (14 3/8 × 21 7/16 in.)
Type:
theater
Drawing
Object Name:
Drawing
Made in:
USA
Date:
1958
Credit Line:
Gift of Jay Keene
Accession Number:
1970-51-11
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq456798b1b-a381-4821-8e05-1a88fcb8d114
EDAN-URL:
edanmdm:chndm_1970-51-11

Modify Your Search







or


Narrow By