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Vital Visions III

Collection Creator:
Scott, Joyce, 1948-  Search this
Container:
Box 5, Folder 17
Type:
Archival materials
Date:
1992
Scope and Contents:
Prepared in conjunction with Next Generation: Southern Black Aesthetic, Southeastern Center for Contemporary Art.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Joyce Scott papers, 1914-2019. Archives of American Art, Smithsonian Institution.
See more items in:
Joyce Scott papers
Joyce Scott papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9376a9ff1-ab0c-42ac-9752-1a27357f75a1
EDAN-URL:
ead_component:sova-aaa-scotjoyc-ref103

Pepper, Beverly - Biographical Materials

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 61, Folder 36
Type:
Archival materials
Date:
1975, 1992-1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec61759-0e88-4287-8858-77efd96179fe
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3054
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Young Americans : fiber, wood, plastic, leather : a national competition, the one in a series of three to focus on work by young Americans between the ages of eighteen and thirty years : June 7, 1977-July 15, 1977, the Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, October 7, 1977-January 1, 1978, Museum of Contemporary Crafts of the American Crafts Council / sponsored by the American Crafts Council

Author:
Southeastern Center for Contemporary Art  Search this
American Crafts Council Museum of Contemporary Crafts  Search this
American Crafts Council  Search this
Physical description:
[48] p. : ill. (some col.) ; 22 cm
Type:
Exhibitions
Place:
United States
Date:
1977
C1977
20th century
Topic:
Decorative arts--History  Search this
Handicraft  Search this
Young artists  Search this
Call number:
NK808.Y68X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_106545

Southeastern Center for Contemporary Art [Folder]

Additional name:
SECCA  Search this
S.E.C.C.A.  Search this
Gallery of Contemporary Art  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Place:
Winston-Salem (N.C.)
Topic:
Art Organizations  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_102615

Collage : southeast : Kaola Allen, Judy Voss Jones, Marcia Goldenstein, Dale Loy [and] Anne Hanger Markle, 23 April-12 June 1982 / Southeastern Center for Contemporary Art

Author:
Southeastern Center for Contemporary Art  Search this
Subject:
Allen, Kaola 1952-  Search this
Goldenstein, Marcia 1948-  Search this
Jones, Judy Voss 1949-  Search this
Markle, Anne Hanger 1951-  Search this
Physical description:
[13] p., [5] p. of plates : ill. (some col.) ; 25 cm
Type:
Exhibitions
Date:
1982
Topic:
Collage--Southern States  Search this
Call number:
N6512.5.C6 C19
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_201530

William T. Williams : an exhibition of paintings from 1974-1985 : 8 June through 21 July 1985, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina

Author:
Williams, William T (William Thomas) 1942-  Search this
Southeastern Center for Contemporary Art  Search this
Subject:
Williams, William T. 1942-  Search this
Physical description:
[26] p. : ill ; 26 cm
Type:
Exhibitions
Place:
United States
Date:
1985
Topic:
African American artists  Search this
Call number:
N40.1.W717 S7
N40.1.W717S7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_353498

Southeastern Center for Contemporary Art

Collection Creator:
Kainen, Jacob  Search this
Kainen, Ruth Cole.  Search this
Container:
Box 10, Folder 60
Type:
Archival materials
Date:
1979-1989, undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacob Kainen papers
Jacob Kainen papers / Series 2: Correspondence/Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw926fcd2ec-81f2-4db0-b623-e3192540f948
EDAN-URL:
ead_component:sova-aaa-kainjaco-ref372

Andres Serrano papers

Creator:
Serrano, Andres, 1950-  Search this
Names:
Lippard, Lucy R.  Search this
Extent:
2.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1986-2013
Summary:
The papers of photographer Andres Serrano, measure 2.8 linear feet and date from 1986 to 2013. The collection documents Serrano's work as a photographer through correspondence, writings, professional files, personal business records, and printed materials.
Scope and Contents:
The papers of photographer Andres Serrano measure 2.8 linear feet and date from 1986 to 2013. The collection documents Serrano's work as a photographer through correspondence, writings, professional files, personal business records, and printed materials.

Correspondence is primarily professional and concerns photography projects, exhibitions, and events. Writings include artist statements and student papers by Serrano, manuscripts by Lucy R. Lippard and others, and interview transcripts. Professional files for various photography projects, including color photographs of portrait subjects, grant applications, and documentation for charities, travel, and exhibitions. Personal business records documenting Serrano's business dealings with galleries, legal issues, and documentation of artwork sales and consignments. Printed materials, including clippings, announcements, and periodicals document Serrano's career and issues such as free speech.
Arrangement:
The collection is arranged as five series.

Series 1: Correspondence, 1987-2013 (Box 1; 0.5 linear feet)

Series 2: Writings, circa 1990-2008 (Box 1; 0.2 linear feet)

Series 3: Professional Files, 1987-2008 (Box 1-2; 1.0 linear feet)

Series 4: Personal Business Records, 1986-2012 (Box 2-4; 0.6 linear feet)

Series 5: Printed Materials, 1987-2008 (Box 4; 0.2 linear feet)
Biographical / Historical:
Andres Serrano (1950- ) is a photographer in New York, New York.

Serrano was born in New York City to Honduran and Afro-Cuban parents. He attended the Brooklyn Museum Art School from 1967 to 1969. In the late 1980s, he gained notoriety because of the controversy surrounding Piss Christ, a photograph depicting a crucifix submerged in Serrano's urine. The photograph was part of an exhibition, partially funded by the National Endowment for the Arts, at the Southeastern Center for Contemporary Art. Along with Robert Mapplethorpe and other artists, Serrano became the target of conservative politicians who viewed the photograph as blasphemous resulting in pressure on the National Endowment for the Arts to stop using government money to fund artists deemed as offensive. Serrano's continued exploration of provocative subjects such as the Ku Klux Klan, the deceased, and human sexuality keeps him at the center of debates focused on the freedom of speech in art.

Serrano married artist Julie Ault in 1980. They separated in 1990 and divorced in 2005. He is now married to Irina Movmyga.
Related Materials:
Also at the Archives of American Art is an interview of Andres Serrano conducted by Frank H. Goodyear from July 29 to July 30, 2009 at Serrano's home in New York, N.Y. for the Archives of American Art.
Provenance:
The papers were donated by Andres Serrano in 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Latino and Latin American artists  Search this
Genre/Form:
Interviews
Citation:
Andres Serrano papers, 1986-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.serrandr
See more items in:
Andres Serrano papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a57dce86-4dfc-44f6-8dbb-8c50ab76047b
EDAN-URL:
ead_collection:sova-aaa-serrandr

Piss Christ Press

Collection Creator:
Serrano, Andres, 1950-  Search this
Container:
Box 2, Folder 19-22
Type:
Archival materials
Date:
1988-1989
Scope and Contents:
Includes a statement by Serrano attached to letter from Ted Potter, Executive Director at the Southeastern Center for Contemporary Art, to Representative Sidney Yates regarding a proposed amendment to the National Endowment for the Arts funding procedures.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Andres Serrano papers, 1986-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Andres Serrano papers
Andres Serrano papers / Series 3: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95de2e83c-37ce-4b4f-bc27-29ea7d2d8340
EDAN-URL:
ead_component:sova-aaa-serrandr-ref61

Miscellaneous Slides 6

Collection Creator:
National Endowment for the Arts. Visual Arts Program  Search this
Container:
Box 16, Folder 6
Type:
Archival materials
Slides [31027000528303]
Date:
circa 1970-1980
Scope and Contents:
N.A.M.E., Chicago, IL, The New Museum, 112 Workshop, Inc., Open Ring Galleries,, Painted Bridge Art Center for Bricolage Theater, The Printmaking Workshop, Richmond Printmaking Workshop, Rosewell Museum and Art Center, Southeastern Center for Contemporary Art, Winston-Salem, NC, San Francisco Art Institute, Studio Z, Inc., Sun Valley Center for Arts and Humanities, University City Science Center, Washington Women's Art Center, Women's Interart Center
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Endowment for the Arts, Visual Arts Program selected records, 1970-1980. Archives of American Art, Smithsonian Institution.
See more items in:
National Endowment for the Arts, Visual Arts Program selected records
National Endowment for the Arts, Visual Arts Program selected records / Series 2: Slides
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99c1aec8a-c903-4162-b65d-7e40f4b30858
EDAN-URL:
ead_component:sova-aaa-natiendo-ref297

Southeastern Center for Contemporary Art

Collection Creator:
Kohlmeyer, Ida, 1912-1997  Search this
Container:
Box 7, Folder 42
Type:
Archival materials
Date:
1978-1982
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ida Kohlmeyer papers, circa 1890-circa 1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Ida Kohlmeyer papers
Ida Kohlmeyer papers / Series 5: Professional Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw981df19ad-b2c1-4432-98aa-edb0f342d286
EDAN-URL:
ead_component:sova-aaa-kohlida-ref184

R-S, Miscellaneous

Collection Creator:
Parrish, David, 1939-  Search this
Container:
Box 1, Folder 40
Type:
Archival materials
Date:
1978-1993
Scope and Contents note:
Richards, Norm

San Antonio Museum Association

San Jose State University

Sheinkopf, Paul R.

Southeastern Center for Contemporary Art

Spacex '89 Exhibition

Sparks, Mrs. H. Claxton

Stewart, Boardman
Collection Restrictions:
Use of original papers requires an appointment. Use of video recording requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David Parrish papers, 1940-2009, bulk 1964-1998. Archives of American Art, Smithsonian Institution.
See more items in:
David Parrish papers
David Parrish papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw994787a1b-f78e-4db4-8eb1-01b9b59e9cb1
EDAN-URL:
ead_component:sova-aaa-parrdavi-ref65

Southeastern Center for Contemporary Art, Parallel Worlds (1998)

Collection Creator:
Mullican, Matt, 1951-  Search this
Container:
Box 12, Folder 29
Type:
Archival materials
Date:
1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of born-digital records requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Matt Mullican papers, circa 1968-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Matt Mullican papers
Matt Mullican papers / Series 4: Gallery and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9997575d4-7043-40ef-9316-331773220009
EDAN-URL:
ead_component:sova-aaa-mullmatt-ref255

Marvin Harden papers

Creator:
Harden, Marvin, 1935-  Search this
Names:
California State University, Northridge -- Faculty  Search this
Dobrick Gallery  Search this
Eugenia Butler Gallery  Search this
Gloria Cortella, Inc.  Search this
Hank Baum Gallery  Search this
Jan Turner Gallery  Search this
Los Angeles County Museum of Art  Search this
Los Angeles Institute of Contemporary Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Anderson, Eugene Newton  Search this
Ballatore-Nelson, Sandy  Search this
Brice, William, 1921-2008  Search this
Chicago, Judy, 1939-  Search this
Conwill, Houston, 1947-2016  Search this
Everts, Connor  Search this
Fine, Jud  Search this
Lerner Levine, Marion  Search this
Miller, Lura Harden  Search this
Plagens, Peter  Search this
Riegelman, Nancy  Search this
Stussy, Jan, 1921-1990  Search this
Toon, Caroll  Search this
Wilson, Willam, 1934-2013  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Etchings
Scrapbooks
Sketches
Visitors' books
Photographs
Date:
circa 1936-2005
Summary:
The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Correspondents include Joyce Tremain, Judy Chicago, Marion Lerner Levine, Jud Fine, Houston Conwill, Sandy Ballatore-Nelson, Nancy Lee Riegelmen, Eugene Anderson, Connor Everts, Pleter Plagens, Jan Stussy, Caroll Toon, William Wilson, and others. Artwork includes a book of etchings Natural Selections (1991).
Scope and Contents:
The papers of African American painter, printmaker, and educator Marvin Harden measure 2.2 linear feet and date from circa 1936 to 2005. Found within the papers are biographical materials, correspondence, teaching files, exhibition files, printed material, artwork, and photographs. Artwork includes a book of etchings Natural Selections (1991).

Biographical material includes papers pertaining to Harden's education and family history, including an essay written by his sister Lura Harden Miller.

Correspondence is with artists, colleagues, and organizations, including Eugene Anderson, Sandy Ballatore-Nelson, William Brice, Judy Chicago, Houston Conwill, Connor Everts, Jud Fine, Marion Lerner Levine, Pleter Plagens, Nancy Lee Riegelmen, Jan Stussy, Caroll Toon, William Wilson, Dobrick Gallery, Eugenia Butler Gallery, Gloria Cortella, Inc., Hank Baum Gallery, Jan Turner Gallery, Los Angeles County Museum of Art, and the Museum of Modern Art, among others.

Teaching files primarily document Harden's career as an art educator at California State University, Northridge. Materials include teaching awards, assignments, course outlines, notes, and miscellaneous writings by Harden about his teaching philosophy. The files also contain correspondence and photographs with students, a student exhibition guest register, committee notes, memorandums, and evidence pertaining to an employment-related grievance with the university.

Exhibition files include announcements, correspondence, exhibition catalogs, floor plans, insurance documents, loan agreements, photographs, press releases, and price lists.

Printed material consists of announcements and invitations, exhibition catalogs, and a loose clippings scrapbook with articles and reviews about Harden's artwork and exhibitions. Also found is a copy of the first volume of the Journal published by the Los Angeles Institute of Contemporary Art, which includes a photograph of Harden and references to his involvement in developing the organization.

Artwork includes two sketches and an artists' book entitled natural selections which contains 12 aquatint etchings by Marvin Harden.

Among the black and white and color photographs are portraits and snapshots of Marvin Harden, family members, and colleagues, as well as Harden's home, studio, and land at Inwardness Ranch located near Cambria, California.
Arrangement:
The collection is arranged as 7 series.

Missing Title

Series 1: Biographical Material, 1950-1991 (Box 1; 5 folders)

Series 2: Correspondence, 1964-2005 (Box 1; 0.6 linear feet)

Series 3: Teaching Files, circa 1964-2003 (Box 1; 0.4 linear feet)

Series 4: Exhibition Files, 1966-2004 (Boxes 1-2; 0.6 linear feet)

Series 5: Printed Material, circa 1964-2003 (Box 2; 0.6 linear feet)

Series 6: Artwork, 1989-2000 (Box 2; 2 folders)

Series 7: Photographs, circa 1936-2001 (Box 2; 7 folders)
Biographical / Historical:
Marvin Harden (1935- ) is an African American painter, printmaker, and educator living and working in California. Harden received a Master of Fine Arts from the University of California, Los Angeles (UCLA) in 1963. While there, Harden studied under John Paul Jones, Jan Stussy, and William Brice. He also became friends with UCLA classmate and feminist artist, Judy Chicago.

Harden's first solo exhibition was in 1964 at Ceeje Galleries in Los Angeles, California. His drawings, paintings, and prints have been exhibited widely in museums, galleries, and universities in southern California, and also in New Mexico, New York, and Texas, among other locations. Harden has also been the recipient of artists' fellowships awarded by the National Endowment for the Arts, John Simon Guggenheim Memorial Foundation, and Southeastern Center for Contemporary Art.

Harden became a Professor of Art at California State University, Northridge (CSUN) in 1968, and in 1984 he received a Distinguished Teaching Award and Exceptional Merit Service Award. During his career at CSUN, Harden established the art department's graduate teaching assistant program.
Provenance:
The Marvin Harden papers were donated to the Archives of American Art by Marvin Harden in 2005.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Topic:
Printmakers -- California  Search this
African American artists  Search this
Art -- Study and teaching  Search this
Art -- Study and teaching -- Philosophy  Search this
Educators -- California  Search this
Genre/Form:
Etchings
Scrapbooks
Sketches
Visitors' books
Photographs
Citation:
Marvin Harden papers, circa 1936-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hardmarv
See more items in:
Marvin Harden papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901e28ad3-87bf-4434-9e5c-a6c609ffd9e7
EDAN-URL:
ead_collection:sova-aaa-hardmarv

Fellowship, Awards in the Visual Arts, Southeastern Center for Contemporary Art

Collection Creator:
Harden, Marvin, 1935-  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1982-1991
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Harden papers, circa 1936-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Marvin Harden papers
Marvin Harden papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw976240b6b-e767-43a2-9a08-4ffff7245c99
EDAN-URL:
ead_component:sova-aaa-hardmarv-ref27

Awards in the Visual Arts, Southeastern Center for Contemporary Art

Collection Creator:
Harden, Marvin, 1935-  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
1981-1987
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marvin Harden papers, circa 1936-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Marvin Harden papers
Marvin Harden papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw915fb30aa-0749-4928-bd2f-553a45e07a21
EDAN-URL:
ead_component:sova-aaa-hardmarv-ref32

Southeastern Center for Contemporary Art

Collection Creator:
Hanson, Duane  Search this
Container:
Box 7, Folder 61
Type:
Archival materials
Date:
1984
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Duane Hanson papers, 1935-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Duane Hanson papers
Duane Hanson papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a28c2411-9cfb-4e0c-8ce7-e5137e28e8d2
EDAN-URL:
ead_component:sova-aaa-hansduan-ref199

SECCA (Southeastern Center for Contemporary Art), Winston-Salem, N. C.

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 70, Folder 32
Type:
Archival materials
Date:
1981-1984
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 5: Museums and Galleries Files / 5.1: Domestic Museums and Galleries / North Carolina
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9709bf81d-8411-49de-9029-1df98d32ccc2
EDAN-URL:
ead_component:sova-aaa-fendgall-ref997

Southeastern Center for Contemporary Art Show (1993)

Collection Creator:
Dorothy Goldeen Gallery (Santa Monica, Calif.)  Search this
Container:
Box 12, Folder 21
Type:
Archival materials
Date:
1992-1993
Collection Restrictions:
Boxes 19-21 are access restricted; written permission is required. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
All correspondence: Permission to publish, quote or reproduce requires written permission from Dorothy Goldeen. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Goldeen Gallery Records, 1960-circa 2014, bulk 1987-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy Goldeen Gallery records
Dorothy Goldeen Gallery records / Series 4: Artists' Files / Rath, Alan
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ca10418b-4d76-411f-ab9e-6be36b0984f0
EDAN-URL:
ead_component:sova-aaa-dorogolg-ref547

Southeastern Center for Contemporary Art

Collection Creator:
Davis, Gene, 1920-1985  Search this
Container:
Box 2, Folder 95
Type:
Archival materials
Date:
1982
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Gene Davis papers, 1920-2000, bulk 1942-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Gene Davis papers
Gene Davis papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fe0f1256-a1e7-47e5-a270-31761eed0c4c
EDAN-URL:
ead_component:sova-aaa-davigene-ref214

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