Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
John Calvin Ferguson Family Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution. Washington, D. C., Gift of Peter Ferguson.
Sponsor:
Funding for the processing of this collection was provided by the
Smithsonian Institution Collections Care and Preservation Fund.
Currently stored in box 3.2.42 [2]. Company acc. no. 195042.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Reimar continues discussing problems with glue, [3:17]. Did Reimar ask any of his former employees from wartime Horten workshops to join him in Argentina? No, for them, inflation and cost of living too high…[7:00] scientists and engineers paid well, less skilled labor paid low wages, [7:33] laborers about 200 pesos per month, draftsmen about 400, engineers 6-800, Reimar 2,700 per month, Reimar talks about difficulties to design and manufacturer complex components. [11:47] Reimar on the sailplane that competed in 1952 world meet in Spain [I. Ae. 34m], 1 survived to 1986 but only good for museum – not flyable. [14:03] Fate of Pulqui II sailplane prototypes, [16:00] Pulqui II details top secret, Sanders got year-and-a-half in prison for having a small drawing as he went through customs. [18:17] Flight test results – Pulqui II glider, Behrens test pilot: 1st flight, "rudder is impossible … aileron" very difficult. Modifications incorporated into 2nd Pulqui II sailplane, new tail, fin and rudder, aileron control …other problems with Pulqui II [to 26:28]; Reimar blamed for failure of Pulqui II. Tank flew sailplane but he did not stall the aircraft. Reimar arrived in Argentina 10 May 1948 [31:59] and first Pulqui II sailplane flew end of August, [33:00] why two Pulqui II sailplanes required. [35:11] Why use skid gear instead of more conventional (and complex) landing gear on these sailplanes? [39:50] Tank refused to change Pulqui II design as Reimar advised, because Argentine officials already had models of the aircraft that showed design details. [43:37] Who measured Pulqui II design in Cordoba wind tunnel, Buford (sp?) repaired tunnel, improved operation. [47:00] Tank would not accept Reimar's recommendations to improve Pulqui II, Reimar left Tank in 1949. [50:45] Reimar wanted more taper and twist for the wing, other solutions to Pulqui II problems difficult for Tank for various reasons. [51:51] Northrop B-49 had fixed slots with laminar profile wingtips – Reimar: how can you have good laminar flow with the airflow disturbed by the slots? [55:31] Who ordered Pulqui II project terminated? [56:30] Reimar on inferior engines installed in Argentine transport aircraft, used in Ju 52 that Reimar used to tow delta glider, tow plane has engine failure and force-lands in soccer stadium, lucky no injuries.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Walter and Reimar Horten Interviews [Myhra], Acc. 1999-0065, National Air and Space Museum, Smithsonian Institution.
DELROY DOVE- JAMAICAN SOCCER PLAYER; ANTHONY CARR- MANAGER OF JAMAICAN RECORD STORE-KILIMANJARO INTERNATIONAL RECORDS; KIMBERLY HERON-
Local Numbers:
FP-1988-CT-0692
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
INTERVIEW WITH FRANCISCO FRANCES ORTIZ, PAINTER AND SOCCER COACH OF LOS PIPILES. DISCUSSES SOCCER AND ROLE IN HIS FAMILY. TAPE 1 OF 2
Local Numbers:
FP-1988-CT-0790
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, January 27, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
INTERVIEW WITH FRANCISCO FRANCES ORTIZ, PAINTER AND SOCCER COACH OF LOS PIPILES. DISCUSSES SOCCER AND ROLE IN HIS FAMILY. TAPE 2 OF 2
Local Numbers:
FP-1988-CT-0791
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, January 27, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
INTERVIEW WITH ELISEO VENTURA. WAITER AND PRESIDENT OF SOCCER LEAGUE.CONVERSATION OF FORMING OF SOCCER TEAMS., EVENTS AROUND SOCCER- FOOD, PARTIES. EL FARO RESTAURANT SOCIAL CENTER FOR TEAMS.
Local Numbers:
FP-1988-CT-0793
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, February 4, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
INTERVIEW WITH ALBERTO BUSTILLO. CONSTRUCTION AND PAINTING, REFEREE FOR SOCCER GAMES, SON ALSO PLAYS WITH LOS PIPILES, INVOLVEMENT WITH SOCCER; ALSO OWNER OF MUSICAL GROUP, JUVENTUD LATINA SEE CADAVAL FW LOGS
Local Numbers:
FP-1988-CT-0797
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, February 6, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
INTERVIEW WITH ANNA JULIA ALBARENGA. DOMESTIC. STORY OF COMING TO D.C.. FOODWAYS, TRADITIONAL CELEBRATIONS. SOCCER AND SONS, HOME REMEDIES. SEE CADAVAL FW LOGS
Local Numbers:
FP-1988-CT-0806
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, February 12, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
INTERVIEW WITH LUIS ANTONIO CORTES, "TONIN", PLASTER, SHEETROCK AND PAINTER, CONVERSATION ON "FUTBOLITO" AND THE INFORMAL SOCCER TEAMS IN THE AREA IN THE NEIGHBORHOOD WHICH ALSO OPERATE AS LA MARA OR GANG, CALICHE, NICKNAMING SEE CADAVAL FW LOGS
Local Numbers:
FP-1988-CT-0808
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, February 13, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
United States of America -- Oregon -- Multnomah County -- Portland
Scope and Contents:
The folder includes worksheets.
General:
A 1922 Tudor-style house with three acres, listed on the National Historic Register, required extensive renovation by the current owners to preserve the original craftsmanship. The grounds were in need of reconditioning as well, including an original Japanese garden whose pond had to be re-dug, rocks repositioned, and plantings restored with more than 40 different Japanese maple trees. Landscape architect Craig Kiest's (ASLA) plan includes garden rooms, paths and hardscape, described by the owner as a classic design that features their plant collections. A circular driveway in front of the house surrounds a boxwood knot garden punctuated with container plantings. The uphill walk to the garden runs along a wall with espaliered camellias and is overlooked by a balcony for viewing the knot garden that has a wrought iron railing assembled from old gates found on the property. A serpentine rose border with more than one hundred plants is a colorful connector along the back driveway between the house and garage. An orchard, perennial bed, soccer field and upper lawn are arrayed between the house and the streets that border this corner lot.
Several bluestone terraces with stone steps and balustrades accommodate the terrain behind the house and lead to a formal garden that is on an axis with the dining room. A pergola planted with wisteria japonica crosses the entrance to the formal garden. In this garden surrounded by a hedge of holly there are boxwood parterres centered by a circular patch of lawn with an enormous restored stone planter with white Iceland roses and white alyssum in the summer. Large cast iron planters on bluestone platforms contain Japanese maples. The formal garden terminates in a seating area backed by a semi-circle of four columns and an old planting of English holly. Other features include a grotto with granite semi-circular steps and a grindstone, a wall fountain with a bronze frog, and an Italianate cobblestone patio with beds of hydrangea. Frogs and dragonflies are recurring motifs in the iron hardware on the buildings and in garden ornaments. Flowering vines and container gardens, climbing roses, and a rose and wild geranium parterre add color to the vigorous greenery that grows in this favorable climate.
The Japanese garden features the colorful Japanese maple tree collection and a pond stocked with koi. Additional trees from the earlier garden include copper beech, gingko, and Japanese umbrella pine. There is a raised vegetable garden for berries, grapes, pumpkins and artichokes with a custom made wooden fence, and wooded areas underplanted with hosta and other shade-tolerant perennials. A large lawn bisecting these forests leads to a rectangular reflecting pool with a colonnade that was found buried in an old laurel hedge on the property and restored.
Persons associated with the garden include Percy Smith family (former owners, 1922-1994); Craig Kiest, ASLA (landscape architect, 1997-1999); Dave Sexton (gardener, 1999-present)
Related Materials:
Josselyn Garden related holdings consist of 1 folder (26 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Black & Decker Corporation (Towson, Md.) Search this
Extent:
1 Cubic foot (5 boxes)
Type:
Collection descriptions
Archival materials
Date:
1914-1992
Summary:
Approximately 150 photographic negatives, 54 photographic prints, and two rolls of film negatives documenting the history of the Black and Decker Corporation, from a few years after its founding in Baltimore, Maryland, in 1910, through the 1990s.
Content Description:
Approximately 150 photographic negatives, 54 photographic prints, and two rolls of film negatives documenting the history of the Black and Decker Corporation, from a few years after its founding in Baltimore, Maryland, in 1910, through the 1990s. The photographs depict company executives and employees in portraits, at work, and at company functions and conferences; company recreational activities, including bowling, soccer, picnics and a minstrel show; office and factory interiors and exteriors; Black and Decker products; and company vehicles.
Arrangement:
Collection is arranged into two series.
Series 1: Company Files, 1910-1975
Series 2: Photographs, 1914-1992
Provenance:
Immediate source of acquisition unknown.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Citation:
Black and Decker Collection, Archives Center, National Museum of American History
The Greater Game ... "No Doubt You Can Make Money in This Field, My Friend, but There's Only One Field To-Day Where You Can Get Honour" (October 21, 1914). Punch.
Main Image: Mr. Punch talking to a soccer player ho is about to go onto the soccer field
Local numbers:
Princeton Poster# 9926
General:
Issued by: "Punch"
Artist(s): L. Ravenhill
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
World War, 1914-1918 -- Posters -- Great Britain Search this
Genre/Form:
Posters
Posters -- World War, 1914-1918 -- Great Britain
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the John Randolph Haynes and Dora Haynes Foundation and the Terra Foundation for American Art.
Film reels (12 minutes, color silent; 441 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1954
Scope and Contents:
Footage shot in Accra, Gold Coast (Ghana) depicts domestic life in an extended family compound of an important chief of the Kwahu who was an important supporter of Kwame Nkrumah. Shots include: boys playing soccer, a seated circle game, and board game; washing clothes and ironing with coal heated iron; food preparation and cooking; nursing; children bathing; and sweeping compound. Additional footage shot in Ghana contains a rally in Black Star Square with Kwame Nkrumah and a market. Non-Ghana footage includes shipping port in Canada and Bedouin camp and market in North Africa.
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Colin Turnbull films, Human Studies Film Archives, Smithsonian Institution
Lynch, Patsy, photographs: March on Washington; Equality March; Protest to repeal "Don't Ask, Don't Tell" (DADT) policy; Lambda Rising Bookstore; Coleman, Juicy; marriage of Coleman, Joseph H., Jr. and Epinger, Chris F.; marriage of Taylor, Frank and M...
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
