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Sidwell Friends School, Soccer Team

Series Creator:
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Custom Craft  Search this
Container:
Box 23, Folder 25
Type:
Archival materials
Date:
undated
Series Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Series 2: Color Photographs
Scurlock Studio Records, Series 2: Color Photographs / 2.1: Clients
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep879b93e4e-f91a-4c3a-a2c1-4c10355100df
EDAN-URL:
ead_component:sova-nmah-ac-0618-s02-ref785

Sidwell Friends School, Soccer Team

Series Creator:
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Custom Craft  Search this
Container:
Box 100, Folder 1
Type:
Archival materials
Date:
undated
Series Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Series 2: Color Photographs
Scurlock Studio Records, Series 2: Color Photographs / 2.1: Clients
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a898c694-ab8e-4633-984b-6fd1dab5261a
EDAN-URL:
ead_component:sova-nmah-ac-0618-s02-ref786

British Airways Britain Great for Sport

Sponsor:
British Airways Ltd.  Search this
Medium:
Poster, Advertising, Commercial Aviation
Dimensions:
2-D - Unframed (H x W): 76.2 × 50.8cm (2 ft. 6 in. × 1 ft. 8 in.)
Type:
ART-Posters, Original Art Quality
Country of Origin:
United Kingdom
Inventory Number:
A19960049000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv98487034e-63c6-40ab-a1d8-48c0bdb4653e
EDAN-URL:
edanmdm:nasm_A19960049000
Online Media:

British Airways Britain Great for Sport

Sponsor:
British Airways Ltd.  Search this
Medium:
Poster, Advertising, Commercial Aviation
Dimensions:
2-D - Unframed (H x W): 76.2 × 50.8cm (2 ft. 6 in. × 1 ft. 8 in.)
Type:
ART-Posters, Original Art Quality
Country of Origin:
United Kingdom
Inventory Number:
A19960050000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv98d314c58-225e-41ed-b45b-4ef83bf53ee5
EDAN-URL:
edanmdm:nasm_A19960050000
Online Media:

Howard University

Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Container:
Box 1
Type:
Archival materials
Date:
1948 November
Scope and Contents note:
Subject/Sitter: Soccer
General note:
Notes: page 2
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.9: Black and white negatives for publication
Scurlock Studio Records, Subseries 4.9: Black and white negatives for publication / 4.9: Black and white negatives for publication
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep816bf8157-e646-45db-8938-bb14a6b42709
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-09-ref112

Howard University

Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Addison N., 1883-1964  Search this
Container:
Box 33
Type:
Archival materials
Date:
1949 October
Scope and Contents note:
Subject/Sitter: Howard University vs. Havana Soccer
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client / 4.3: Black and white negatives in freezer storage arranged by client
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87c13eee3-4e29-4955-9137-e9198f11beec
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-03-ref2186

Howard University

Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Addison N., 1883-1964  Search this
Container:
Box 34
Type:
Archival materials
Date:
1949 November
Scope and Contents note:
Subject/Sitter: Intramural Soccer
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client / 4.3: Black and white negatives in freezer storage arranged by client
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8968255de-2a86-4ecc-966e-cae38ccffad7
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-03-ref2200

Howard University

Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Addison N., 1883-1964  Search this
Container:
Box 3
Type:
Archival materials
Date:
1932
Scope and Contents note:
Subject/Sitter: Soccer
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client / 4.3: Black and white negatives in freezer storage arranged by client
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8565ef1f6-11b8-4692-aa5e-c7a919975c83
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-03-ref396

Howard University

Subseries Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Addison N., 1883-1964  Search this
Container:
Box 4
Type:
Archival materials
Date:
1938
Scope and Contents note:
Subject/Sitter: Soccer Team
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client
Scurlock Studio Records, Subseries 4.3: Black and white negatives in freezer storage arranged by client / 4.3: Black and white negatives in freezer storage arranged by client
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8480a146f-04dc-4eac-8b1b-a586a5c96629
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-03-ref459

Reimar Horten No.9 - Side 2 of 2

Collection Creator:
Myhra, David  Search this
Container:
Box 18, Disk 48b
Type:
Archival materials
Audio
Date:
August 1986
Scope and Contents:
Reimar continues discussing problems with glue, [3:17]. Did Reimar ask any of his former employees from wartime Horten workshops to join him in Argentina? No, for them, inflation and cost of living too high…[7:00] scientists and engineers paid well, less skilled labor paid low wages, [7:33] laborers about 200 pesos per month, draftsmen about 400, engineers 6-800, Reimar 2,700 per month, Reimar talks about difficulties to design and manufacturer complex components. [11:47] Reimar on the sailplane that competed in 1952 world meet in Spain [I. Ae. 34m], 1 survived to 1986 but only good for museum – not flyable. [14:03] Fate of Pulqui II sailplane prototypes, [16:00] Pulqui II details top secret, Sanders got year-and-a-half in prison for having a small drawing as he went through customs. [18:17] Flight test results – Pulqui II glider, Behrens test pilot: 1st flight, "rudder is impossible … aileron" very difficult. Modifications incorporated into 2nd Pulqui II sailplane, new tail, fin and rudder, aileron control …other problems with Pulqui II [to 26:28]; Reimar blamed for failure of Pulqui II. Tank flew sailplane but he did not stall the aircraft. Reimar arrived in Argentina 10 May 1948 [31:59] and first Pulqui II sailplane flew end of August, [33:00] why two Pulqui II sailplanes required. [35:11] Why use skid gear instead of more conventional (and complex) landing gear on these sailplanes? [39:50] Tank refused to change Pulqui II design as Reimar advised, because Argentine officials already had models of the aircraft that showed design details. [43:37] Who measured Pulqui II design in Cordoba wind tunnel, Buford (sp?) repaired tunnel, improved operation. [47:00] Tank would not accept Reimar's recommendations to improve Pulqui II, Reimar left Tank in 1949. [50:45] Reimar wanted more taper and twist for the wing, other solutions to Pulqui II problems difficult for Tank for various reasons. [51:51] Northrop B-49 had fixed slots with laminar profile wingtips – Reimar: how can you have good laminar flow with the airflow disturbed by the slots? [55:31] Who ordered Pulqui II project terminated? [56:30] Reimar on inferior engines installed in Argentine transport aircraft, used in Ju 52 that Reimar used to tow delta glider, tow plane has engine failure and force-lands in soccer stadium, lucky no injuries.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Walter and Reimar Horten Interviews [Myhra], Acc. 1999-0065, National Air and Space Museum, Smithsonian Institution.
See more items in:
Walter and Reimar Horten Interviews [Myhra]
Walter and Reimar Horten Interviews [Myhra] / Series 3: User CD-Rs
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg244fa53df-cb1f-4728-a4e4-53776af42e89
EDAN-URL:
ead_component:sova-nasm-1999-0065-ref332

Portland -- Josselyn Garden

Architect:
Graham, Rod  Search this
Landscape architect:
Kiest, Craig  Search this
Provenance:
The Portland Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Josselyn Garden (Portland, Oregon)
United States of America -- Oregon -- Multnomah County -- Portland
Scope and Contents:
The folder includes worksheets.
General:
A 1922 Tudor-style house with three acres, listed on the National Historic Register, required extensive renovation by the current owners to preserve the original craftsmanship. The grounds were in need of reconditioning as well, including an original Japanese garden whose pond had to be re-dug, rocks repositioned, and plantings restored with more than 40 different Japanese maple trees. Landscape architect Craig Kiest's (ASLA) plan includes garden rooms, paths and hardscape, described by the owner as a classic design that features their plant collections. A circular driveway in front of the house surrounds a boxwood knot garden punctuated with container plantings. The uphill walk to the garden runs along a wall with espaliered camellias and is overlooked by a balcony for viewing the knot garden that has a wrought iron railing assembled from old gates found on the property. A serpentine rose border with more than one hundred plants is a colorful connector along the back driveway between the house and garage. An orchard, perennial bed, soccer field and upper lawn are arrayed between the house and the streets that border this corner lot.
Several bluestone terraces with stone steps and balustrades accommodate the terrain behind the house and lead to a formal garden that is on an axis with the dining room. A pergola planted with wisteria japonica crosses the entrance to the formal garden. In this garden surrounded by a hedge of holly there are boxwood parterres centered by a circular patch of lawn with an enormous restored stone planter with white Iceland roses and white alyssum in the summer. Large cast iron planters on bluestone platforms contain Japanese maples. The formal garden terminates in a seating area backed by a semi-circle of four columns and an old planting of English holly. Other features include a grotto with granite semi-circular steps and a grindstone, a wall fountain with a bronze frog, and an Italianate cobblestone patio with beds of hydrangea. Frogs and dragonflies are recurring motifs in the iron hardware on the buildings and in garden ornaments. Flowering vines and container gardens, climbing roses, and a rose and wild geranium parterre add color to the vigorous greenery that grows in this favorable climate.
The Japanese garden features the colorful Japanese maple tree collection and a pond stocked with koi. Additional trees from the earlier garden include copper beech, gingko, and Japanese umbrella pine. There is a raised vegetable garden for berries, grapes, pumpkins and artichokes with a custom made wooden fence, and wooded areas underplanted with hosta and other shade-tolerant perennials. A large lawn bisecting these forests leads to a rectangular reflecting pool with a colonnade that was found buried in an old laurel hedge on the property and restored.
Persons associated with the garden include Percy Smith family (former owners, 1922-1994); Craig Kiest, ASLA (landscape architect, 1997-1999); Dave Sexton (gardener, 1999-present)
Related Materials:
Josselyn Garden related holdings consist of 1 folder (26 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Oregon -- Portland  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File OR050
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Oregon
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb66099b348-e089-478c-bb8b-7203eaa24392
EDAN-URL:
ead_component:sova-aag-gca-ref10146

Memoirs

Collection Creator:
Davidovich, Jaime, 1936-2016  Search this
Container:
Box 1, Folder 30
Type:
Archival materials
Date:
circa 2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jaime Davidovich papers, 1949-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Jaime Davidovich papers
Jaime Davidovich papers / Series 3: Writings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw946daf330-7692-4fbc-86a9-5bb57290623c
EDAN-URL:
ead_component:sova-aaa-davijaim-ref31
4 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Memoirs digital asset number 1
  • View Memoirs digital asset number 2
  • View Memoirs digital asset number 3
  • View Memoirs digital asset number 4

Odd Lots: Revisiting Gordon Matta-Clark's Fake Estates (2005), Cabinet Magazine

Collection Creator:
Davidovich, Jaime, 1936-2016  Search this
Container:
Box 1, Folder 35
Type:
Archival materials
Date:
2005
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jaime Davidovich papers, 1949-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Jaime Davidovich papers
Jaime Davidovich papers / Series 4: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96b918182-ae68-46c4-adb0-46d763c051a1
EDAN-URL:
ead_component:sova-aaa-davijaim-ref35
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Odd Lots: Revisiting Gordon Matta-Clark's Fake Estates (2005), Cabinet Magazine digital asset number 1

Ledger, volume number 2

Author:
Scurlock Studio (Washington, D.C.)  Search this
Series Creator:
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Extent:
1 Item (45.3" x 34.0".)
Container:
Box 1, Folder 2
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Ledgers (account books)
Place:
Washington (D.C.) -- 20th century
Date:
1922-1927
Scope and Contents:
Job Numbers: 15,000-21,400
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Listing of photo orders.
Subseries Restrictions:
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details..
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Ledgers (account books) -- 20th century
Series Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Series 8: Scurlock Studio Business Records
Scurlock Studio Records, Series 8: Scurlock Studio Business Records / 8.1: Administrative Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80035691f-30d1-4235-a95a-be1bfcc2567d
EDAN-URL:
ead_component:sova-nmah-ac-0618-s08-ref18
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Ledger, volume number 2 digital asset number 1

Ledger, volume number 3

Author:
Scurlock Studio (Washington, D.C.)  Search this
Series Creator:
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Extent:
1 Item (45.3" x 34.0".)
Container:
Box 1, Folder 3
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Ledgers (account books)
Place:
Washington (D.C.) -- 20th century
Date:
1928-1935
Scope and Contents:
Job Numbers: 21,500-27,200
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Listing of photo orders.
Subseries Restrictions:
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details..
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Ledgers (account books) -- 20th century
Series Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Series 8: Scurlock Studio Business Records
Scurlock Studio Records, Series 8: Scurlock Studio Business Records / 8.1: Administrative Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep88e89fbaa-c944-43f6-9734-c23bc3c7f150
EDAN-URL:
ead_component:sova-nmah-ac-0618-s08-ref21
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Ledger, volume number 3 digital asset number 1

Black and Decker Collection

Creator:
Black & Decker Corporation (Towson, Md.)  Search this
Extent:
1 Cubic foot (5 boxes)
Type:
Collection descriptions
Archival materials
Clippings
Patents
Photographs
Date:
1914-1992
Summary:
Approximately 150 photographic negatives, 54 photographic prints, and two rolls of film negatives documenting the history of the Black and Decker Corporation, from a few years after its founding in Baltimore, Maryland, in 1910, through the 1990s.
Content Description:
Approximately 150 photographic negatives, 54 photographic prints, and two rolls of film negatives documenting the history of the Black and Decker Corporation, from a few years after its founding in Baltimore, Maryland, in 1910, through the 1990s. The photographs depict company executives and employees in portraits, at work, and at company functions and conferences; company recreational activities, including bowling, soccer, picnics and a minstrel show; office and factory interiors and exteriors; Black and Decker products; and company vehicles.
Arrangement:
Collection is arranged into two series.

Series 1: Company Files, 1910-1975

Series 2: Photographs, 1914-1992
Provenance:
Immediate source of acquisition unknown.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Clippings -- 20th century
Patents -- 20th century
Photographs
Citation:
Black and Decker Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1441
See more items in:
Black and Decker Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep89e8a35f8-012d-46e7-8d71-3e6c09c290a6
EDAN-URL:
ead_collection:sova-nmah-ac-1441
Online Media:

Daily Reminder 1918 (Diary 2)

Collection Creator:
Miller, Zenos Ramsey, 1895-1922  Search this
Type:
Archival materials
Date:
1918
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
See more items in:
Zenos R. Miller World War I Diaries
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2750f3f11-a50a-470e-a5fc-6588f189ab89
EDAN-URL:
ead_component:sova-nasm-1994-0038-ref507
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Harry Kroto Innovative Lives Presentation and Interview

Creator:
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this
Names:
Nobel Voices: Celebrating 100 Years of the Nobel Prize (Exhibition).  Search this
Extent:
0.75 Cubic feet (4 boxes)
Type:
Collection descriptions
Archival materials
Oral history
Videotapes
Interviews
Betacam sp (videotape format)
Photographs
Date:
2001-10-01
Summary:
Approximately five hours of video footage documenting Harold Kroto, chemist and Nobel Laureate (Chemistry, 1996) discussing carbon structures called "bucky balls" named after architect Buckminster Fuller's geodesic domes. Kroto describes properties and mathematical principles represented by these structures and he discusses his background and winning the Nobel Prize.
Scope and Contents:
This collection contains five (5) hours of original (BetaCam SP), master (BetaCam SP), reference videos (VHS) and one (1) audio cassette documenting Harold Kroto, chemist and Nobel Laureate (Chemistry, 1996). Kroto discusses carbon structures called "bucky balls" named after architect Buckminster Fuller's geodesic domes and describes properties and mathematical principles represented by these structures. Kroto also discusses his background and winning the Nobel Prize. Audience participants are students from Queen Anne School (Upper Marlboro, Maryland) and Nysmith School for the Gifted (Herndon, Virginia). There are two sets of reference viewing copies; the Innovative Lives Presentation was filmed using two different camera angles (camera 1 and camera 2). The content is the same.
Arrangement:
The collection is divided into three series.

Series 1, Original Videos and Audio Cassette, 2001

Series 2, Master Videos, 2001

Series 3, Reference Videos and Audio Cassette, 2001
Biographical / Historical:
Harry Kroto (1939-) was born in Wisbech, Cambridegshire, England and raised and educated in Bolton, Lancashire, England. He attended Bolton School where he studied art, geography, gymnastics, and woodwork. He later graduated from the University of Sheffield earning a BSc degree (1958-1961) and a Ph.D. (1961-1964) in chemistry. Kroto's doctorate work focused on "Spectroscopy of Free Radicals Produced by Flash Photolysis." Kroto's postdoctoral work in electronic and microwave spectroscopy was conducted at the National Research Council in Ottawa, Canada, and at Bell Laboratories in New Jersey studying liquid phase interactions by Raman Spectroscopy. In 1967, Kroto joined the staff at the University of Sussex (Brighton) where he became a professor in 1985 and in 1991 was made Royal Society Research Professor. At Sussex, Kroto began exploring the possible source of carbon chains in space. Based on this research along with his colleagues Robert Curl and Richard Smalley, both of Rice University, Kroto received the 1996 Nobel Prize in Chemistry for the discovery of "fullerenes." Named after architect Buckminster Fuller's soccer-ball shaped geodesic dome, fullerenes are formed when vaporized carbon condenses in an atmosphere of inert gas.

The Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation was founded in 1995 at the Smithsonian Institution's National Museum of American History through a generous gift from the Lemelson Foundation. The Center's mission is: to document, interpret, and disseminate information about invention and innovation; to encourage inventive creativity in young people; and to foster an appreciation for the central role invention and innovation play in the history of the United States. The Innovative Lives series brings together museum visitors and, especially, school aged children, and American inventors to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product. This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.
Provenance:
This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation on October 1, 2001.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Signed release forms on file.
Topic:
Nobel Prizes  Search this
Chemists -- 20th century  Search this
Chemistry -- 20th century  Search this
Slides  Search this
Genre/Form:
Oral history -- 2000-2010
Videotapes
Interviews -- 2000-2010
BetaCam SP (videotape format)
Photographs
Citation:
Harry Kroto Innovative Lives Presentation and Interview, October 1, 2001, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0792
See more items in:
Harry Kroto Innovative Lives Presentation and Interview
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8fbc29a95-cf23-40af-8a02-67270d5e3905
EDAN-URL:
ead_collection:sova-nmah-ac-0792
Online Media:

Audio Log Sheets

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1983 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 1983 Festival of American Folklife
Smithsonian Folklife Festival records: 1983 Festival of American Folklife / Series 6: New Jersey / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5824e8355-028a-4765-8adb-dca563ef0fd4
EDAN-URL:
ead_component:sova-cfch-sff-1983-ref2706
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Audio Log Sheets

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1986 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 1986 Festival of American Folklife
Smithsonian Folklife Festival records: 1986 Festival of American Folklife / Series 4: Cultural Conservation: Traditional Crafts in a Post-Industrial Age / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5a31b2a90-150b-4b60-8275-83b77cef13dc
EDAN-URL:
ead_component:sova-cfch-sff-1986-ref1308
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