Tibetan Nomad Material Culture Documentation Project Collection
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
4.4 Terabytes (4050 videos, 1301 photographs, born digital)
Digital moving image formats
Tibet, Plateau of
Scope and Contents:
The Tibetan Nomad Material Culture Documentation Project collection contains 4.4 terabytes of born digital video and photographic material collected by four teams in four traditionally Tibetan counties in three provinces in Western China.
The materials document traditional nomadic life: herding, gender roles, the making of household items like baskets and textiles, clothing, games, foodways, religious events and celebrations, traditional tools, and the history, social life, and struggles of each community as expressed through interviews with community members.
The files in this collection are arranged in chronological order within four series, named for the four fieldworkers or fieldworker teams and containing their respective video and photographic documentation. The four series are as follows: (1) Lhamo Drolma, (2) Puhua, (3) rGyalthar and Nathaniel Sims, and (4) Wuqi.
Biographical / Historical:
The Nomad Material Culture Documentation Project holds documentation from five different culturally nomadic communities in Qinghai, Gansu, and Sichuan Provinces, China. Starting in 2016, the Smithsonian Center for Folklife and Cultural Heritage contracted local researchers, filmmakers, community members, and scholars to document aspects of current nomadic life, including customs, tools, traditional knowledge, and ways of life.
All materials have been shared with the originating communities.
Materials in the Tibetan Nomad Material Culture Documentation Project Collection were created in 2016 by local researchers, filmmakers, community members, and scholars Llamo Drolma, Nathaniel Sims, Puhua, rGyalthar, Tsehua, and Wuqi. Their work was supported by the Smithsonian Center for Folklife and Cultural Heritage. After the fieldworkers completed their projects, their documentation, associated metadata, and trip reports were acquired by the Ralph Rinzler Folklife Archives in the Center for Folklife and Cultural Heritage in 2017.
This collection is born digital; access for research and educational purposes is available by request . Contact the Ralph Rinzler Folklife Archives and Collections at (202) 633-7322 or email@example.com for additional information.
Copyright restrictions apply. Contact archives staff for additional information. Restrictions may apply concerning the use, duplication, or publication of items in these collections. Consult the archivists for additional information.
Smithsonian Institution. Program in African American Culture Search this
100 Cubic feet (309 boxes)
The collection primarily documents the activities of the National Museum of American History's Program in African American Culture (PAAC) dating from 1979 through 2004. The Program in African American Culture (PAAC) created public programs documenting the black experience in the United States, as well as, other countries. Archival materials include photographs, programs, administrative files, magnetic tape, audiocassettes, U-matic and VHS video cassettes.
Scope and Contents:
The collection consists primarily of administrative files, audio, video, and photographic documentation of the programs presented by the Program in African American Culture (PAAC) from 1979 through 2004. There is a substantial amount of material documenting research conducted by the Program in African American Culture (PAAC) for its programming. In addition, administrative paperwork relating to the day-to-day activities of the Program in African American Culture (PAAC) are also included in the materials.
The collection is divided into four series. Series one consists of the material created for each program and is arranged in chronological order. Series two contains background materials and publications relating to subjects of program interest and is arranged in alphabetical order. Series three includes correspondence, contracts, resumes of presenters and performers and other forms of administrative files. Series four are materials relating to Smithsonian Institution or outside programs and performances.
The collection is arranged into four series.
Series 1, Programs Files, 1979-2004, undated
Series 2, Research Files, 1850-1995, undated
Series 3, Administrative Files, 1850-1995, undated
Series 4, Interviews, Speaking Engagements and Performances, 1964-2000, undated
Biographical / Historical:
The Program in African American Culture (PAAC) is a Smithsonian Institution research and programming office located in the National Museum of American History that was created as an outgrowth of the African Diaspora component of the 1975 and 1976 Festival of American Folklife. Founding director, Bernice Johnson Reagon, developed the Program in Black Culture, as the PAAC was originally, as a center for researching and presenting topics of interest to the study of African American history and culture. Reagon is a song leader, composer, scholar, and social activist, who was a founding member of the Student Nonviolent Coordinating Committee (SNCC) Freedom Singers in the Albany Movement in Georgia. The Program, which was transferred to the National Museum of American History in 1983, provided, and continues to provide, a forum for the presentation of traditional and historical forms of African American cultural expression. To accomplish this, Program in African American Culture (PAAC) staff conducted thorough research, which resulted in public programs including conferences, concerts, colloquia, and seminars on a wide range of topics.
Archives Center, National Museum of American History
Duke Ellington Collection (NMAH.AC.0301)
Ruth Ellington Collection of Duke Ellington Materials (NMAH.AC.0415)
Eugene D. Smallwood Gospel Music Collection (NMAH.AC.0456)
Wade in the Water Radio Series Collection (NMAH.AC.0516)
Moses Moon Civil Rights Movement Audio Collection (NMAH.AC.0556)
Bernice Reagon Johnson Collection of African American Sacred Music (NMAH.AC0653)
Edward and Gaye Collection of Duke Ellington Materials (NMAH.AC.0704)
Ralph Rinzler Folklife Archives and Collections
Smithsonian Institution Center for Folklife and Cultural Heritage, June 25-July 6, 1997 (CFCH.SFF.1997)
Smithsonian Institution Archivesemph>
Oral History Interview with Bernice Reagon Johnson, 1986
National Museum of American History, Program in African American Culture, 1982-2002 (Accession 05-116)
National Museum of American History, Program in African American Culture, 1983-2004 (Accession 06-002)
National Museum of American History, Program in African American Culture, 1972-1999 (Accession 08-107)
National Museum of American History, Program in African American Culture, 1975-2000 (Accession 12-102)
National Museum of American History, Program in African American Culture, 1976-1999 (Accession 12-358)
National Museum of American History, Program in African American Culture, 1980-1992, 1961 (Accession 96-147)
Duke Ellington Collection Records, circa 1985-1993 (Accession 98-129)
National Museum of American History, Program in Black American Culture, circa 1976-1987 (Accession 98-136)
Collection created by the Program in African Amerian Culture at the Smithsonian Institution from 1979-1986.
Collection is open for research. Use of reference audio and video cassette copies only.
Reproduction fees for commercial use. Copyright restrictions. Contact staff for information.