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Hassel Smith: artist file, [photographs]

Artist:
Smith, Hassel 1915-2007  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF002732
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_141446

Hassel Smith papers

Creator:
Smith, Hassel, 1915-2007  Search this
Names:
Gimpel Fils  Search this
New Arts (Art gallery)  Search this
San Francisco Art Institute -- Faculty  Search this
Anglim, Paule  Search this
Bischoff, Elmer, 1916-1991  Search this
Butterfield, Jan  Search this
Emmerich, AndrĂ©  Search this
Fitz Gibbon, John  Search this
Gimpel, Charles  Search this
Still, Clyfford, 1904-  Search this
Still, Patricia  Search this
Swanson, Kathryn  Search this
Thiebaud, Wayne  Search this
Wollard, Robert  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Sketches
Transcripts
Christmas cards
Photographs
Date:
circa 1900-2004
bulk 1930-1995
Summary:
The papers of Southern California painter and instructor Hassel Smith measure 4 linear feet and date from circa 1900 to 2004 with the bulk of the materials dating from 1930-1995. Found within the papers are correspondence, a transcript of an interview conducted by Jan Butterfield in the 1980s, personal business files, teaching files, writings by Smith and others, sketches, printed materials, and photographs of Smith, his family and friends, and his artwork. There are audio recordings of a lecture series organized by Smith and of reviews of Smith's work. Correspondents include Paule Anglim, Elmer Bischoff, Andre Emmerich, Clyfford Still, Wayne Thiebaud, and many others.
Scope and Content Note:
The papers of Southern California painter and instructor Hassel Smith measure 4 linear feet and date from circa 1900 to 2004 with the bulk of the materials dating from 1930-1995. Found within the papers are correspondence, a transcript of an interview conducted by Jan Butterfield in the 1980s, personal business files, teaching files, writings by Smith and others, sketches, printed materials, and photographs of Smith, his family and friends, and his artwork. There are audio recordings of a lecture series organized by Smith and of reviews of Smith's work. Correspondents include Paule Anglim, Elmer Bischoff, Andre Emmerich, Clyfford Still, Wayne Thiebaud, and many others.

Biographical materials include biographical sketches, curriculum vitae, genealogical materials, ephemera, and personal appointment books from the mid to late 1970s. Also found here is a transcript of an in-depth interview of Smith conducted by Jan Butterfield in the 1980s.

There is personal and professional correspondence with Paule Anglim, Elmer Bischoff, Andre Emmerich, Charles Gimpel of Gimpel Fils, Clyfford and Patricia Still, Kathryn Swanson of the New Arts Gallery, Wayne Thiebaud, family members, and many others.

Personal business records include art sales records, exhibition checklists, conservation and condition reports, and personal finance records. Teaching materials include class schedules, student lists, and syllabi. Also found are notes on topics such as American art and literature, artistic traits and forms, illusion, and women artists.

Writings by Smith include artist statements, creative writings, his thoughts on the art market and art institutions, the San Francisco art community, and social criticism. Writings by others consist primarily of essays about Smith and his work. There are also writings by Smith's friend Robert Wollard. Artwork includes sketches, doodles, and Christmas cards done by Smith, and a handful of artwork by others.

Printed materials include clippings, exhibition announcements and catalogs, and posters. Also found here are printed materials about other artists, schools where Smith enrolled or taught, Smith's general interests, and collages and flyers by Robert Wollard. There is a printed copy of the pictorial edition of the Communist Manifesto edited by Smith and other artists.

Photographic materials are of Smith, family members, artwork, his studio, exhibition openings and other art events, and friends and colleagues. A family photograph dates from circa 1900 and negatives date from 1920. Most of the photographs date from the 1940s through the 1990s.

Sound recordings include 1 sound tape reel of the radio show, Art Review, with host John Fitz Gibbon reviewing Smith's artwork, and nine sound cassettes of student critiques overseen by Smith at the San Francisco Art Institute.
Arrangement:
The collection is arranged into 9 series.

Series 1: Biographical Materials, 1930-2004 (0.25 linear feet; Box 1)

Series 2: Correspondence, 1930s-2003 (1.0 linear foot; Boxes 1-2)

Series 3: Personal Business Materials, 1953-2003 (0.25 linear feet; Box 2)

Series 4: Teaching Materials, 1960s-1980s (18 folders; Box 2)

Series 5: Writings, 1940s-1994 (0.25 linear feet; Box 2)

Series 6: Artwork, 1928-1995 (8 folders; Box 2)

Series 7: Printed Materials, 1928-2003 (1.25 linear feet; Boxes 3-4)

Series 8: Photographic Materials, 1900s-2004 (0.5 linear feet; Box 4)

Series 9: Sound Recordings, 1965-1980 (10 items; Box 4)
Biographical Note:
Hassel Smith (1915-2007) was a California Bay area abstract expressionist painter, painting instructor at the California School of Fine Arts, and a lecturer at the University of California. His students included Roy De Forest, Sonia Gechtoff, and Frank Lobdell. Smith was also associated with the famed Los Angeles Ferus Gallery.

Hassel Smith was born on April 27, 1915, in Sturgis, Michigan, settling later with his family in San Mateo, California. He attended Northwestern University with the intention of becoming a chemist, but switched his majors to English and Art History and graduated in 1936. Returning to California, Smith enrolled at the California School of Fine Arts (CSFA), and studied with the painter Maurice Sterne.

In 1937, he left school and shared housing with his adopted brother Lewis in the Haight-Ashbury district, where he maintained a studio on Steiner Street. At the same time, as a social worker for the California Relief State Administration, he worked with men on "skid row" in San Francisco. Declared 4F by the draft board, Smith served various government agencies during World War II, including the Farm Security Administration and the U.S. Forest Service. During this period, he met and married June Meyers. He later described his government service and social work as having a strong influence on his art and politics.

In 1941, Smith was awarded the Abraham Rosenberg Fellowship from the University of California, Berkeley, which allowed him to travel and paint outdoors at Angel's Camp in the Mother Lode of the Sierra foothills, along with Richard Hackett.

At the end of the war, Smith began teaching at the CSFA, joining faculty members Richard Diebenkorn, David Park, and Clyfford Still. Smith taught there until 1952. His students included Roy De Forest, Sonia Gechtoff, and Frank Lobdell. Smith continued to paint and exhibit work throughout the 1950s, and in 1958 became affiliated with the Ferus Gallery founded by Walter Hopps and Ed Kienholz. His wife June passed away in 1958. One year later, Smith remarried Donna Rafferty Harrington, and they had their son Bruce in 1960.

After an exhibition at the New Arts Gallery in Houston, London-based dealer Charles Gimpel invited Smith to exhibit his work in England. As a result of this, Smith moved to England in 1962, and spent a year living in Mousehole, a fishing village in Cornwall. He moved back to California and between 1963 to 1966 was a visiting lecturer at the University of California, Berkeley and the University of California, Los Angeles. In 1966, Smith accepted a position as Senior Lecturer at the West England College of Art in Bristol, England where he stayed until 1978. He finished his teaching career as a Principal Lecturer at the Cardiff College of Arts in Wales from 1978 to 1979.

Smith spent most of the next two decades painting and exhibiting, which included exhibitions at the Oakland Museum and the San Jose Museum of Art. In 1991, he was awarded an honorary doctorate by the San Francisco Art Institute (formerly the California School of Fine Arts). Due to failing health, Smith was forced to stop painting in 1997. Smith died in 2007 in Warminster, England, at the age of 91.
Related Material:
Also found in the Archives of American Art is an oral history interview with Hassel Smith conducted by Paul Karlstrom, September 5, 1978 and a video interview with Hassel Smith conducted by Paul Karlstrom, January 15, 1986.
Provenance:
Hassel Smith donated most of his papers in several increments between 1980 and 1998. His son Joseph donated audio recordings in 1980, and Hassel Smith's widow Donna donated additional materials in 2004.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Educators -- California -- Berkeley  Search this
Artists' studios -- Photographs  Search this
Abstract expressionism  Search this
Women artists  Search this
Art -- California -- San Francisco Bay Area  Search this
Art teachers -- California -- Berkeley  Search this
Art, American  Search this
Painters -- California  Search this
Genre/Form:
Interviews
Sound recordings
Sketches
Transcripts
Christmas cards
Photographs
Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smithass
See more items in:
Hassel Smith papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smithass
Online Media:

Oral history interview with Elmer Bischoff

Interviewee:
Bischoff, Elmer, 1916-1991  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
San Francisco Art Institute  Search this
University of California, San Francisco. School of Fine Arts  Search this
Brown, Joan, 1938-1990  Search this
Brown, William Theo, 1919-2012  Search this
Geis, Bill  Search this
Hudson, Robert, 1938-  Search this
MacAgy, Douglas, 1913-  Search this
Neri, Manuel, 1930-  Search this
Park, David, 1911-1960  Search this
Smith, Hassel, 1915-2007  Search this
Spohn, Clay Edgar, 1898-1977  Search this
Still, Clyfford, 1904-1980  Search this
Wiley, William T., 1937-  Search this
Extent:
82 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1977 August 10-September 1
Scope and Contents:
An interview of Elmer Bischoff conducted 1977 August 10-September 1, by Paul J. Karlstrom, for the Archives of American Art.
Bischoff speaks of his family background; the influence of art teachers and attitudes at the University of California, Berkeley in the 1930s; his years of teaching at the California School of Fine Arts (San Francisco Art Institute), first under the directorship of Douglas MacAgy and then under Ernst Mundt and Gurdon Woods; his fellow faculty members Clyfford Still, David Park, Clay Spohn and Hassel Smith, and their work in abstract expressionism. He recalls some of his most successful students, including Joan Brown, Manuel Neri, and William T. Wiley.
Bischoff explains his turning away from abstract expressionism toward figurative painting, and cites the influence of David Park. He credits George Staempfli as the first New York art dealer to be interested in Bay Area figurative painting. He discusses the origins of the Bay Area funk movement. He speaks of teaching at the University of California, Berkeley, and reflects on the differences between teaching in a university environment and an art school. He discusses his move away from the figure to large scale abstraction.
Biographical / Historical:
Elmer Bischoff (1916-1991) was a painter and educator from San Francisco, California.
General:
Originally recorded 3 sound tape reels. Reformatted in 2010 as 5 digital wav files. Duration is 5 hr., 24 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Abstract expressionism -- California  Search this
Figurative art -- California -- San Francisco  Search this
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bischo77
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bischo77

James W. Boynton papers

Creator:
Boynton, Jack, 1928-2010  Search this
Tamarind Lithography Workshop  Search this
Names:
Barthelme, Donald  Search this
Calcagno, Lawrence, 1913-  Search this
Calhoun, Haydon  Search this
Leavin, Margo  Search this
Long, Meredith, 1928-  Search this
Love, Jim, 1927-  Search this
Smith, Hassel, 1915-2007  Search this
Staempfli, George W.  Search this
Stout, Richard, 1934-  Search this
Swenson, Kathryn  Search this
Taub, John B.  Search this
Extent:
1.1 Items (linear ft. (on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1951-1984
Scope and Contents:
Biographical information; printed materials; correspondence; photographs; a 30-second film; and price lists.
REEL 3476: Biographical data; a letter to Boynton from Bill Jacklin; handwritten drafts of letters to Mimi Crosley; a price list of works by Boynton; an unsigned agreement from the Bolles Gallery, San Francisco; exhibition announcements, catalogs, and invitations, 1952-1984; newspaper and magazine clippings, 1951-1983; photographs of Boynton and his works; and ca. 100 drawings.
REELS 1781-1782: Business and personal correspondence with Haydon Calhoun, Margo Leavin, Meredith Long, George W. Staempfli, the Tamarind Lithography Workshop, John B. Taub, and others; fellowship and job applications; 34 sketches; exhibition catalogs and announcements; and clippings and other printed material. Also includes a 30-second film concerning Boynton's commissioned work for the Houston National Bank (not microfilmed).
REEL 1781, frames 450-632: Letters from friends and artists, including Donald Barthelme, Lawrence Calcagno, Jim Love, Hassel and Donna Smith, Richard Stout and Kathryn Swenson.
Biographical / Historical:
Painter and printmaker; Houston, Tex. Nickname is Jack.
Provenance:
Lent and donated by Jack Boynton, 1979.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Painting, American -- Texas -- Houston  Search this
Identifier:
AAA.boynjame
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-boynjame

Harry Bowden papers

Creator:
Bowden, Harry, 1907-1965  Search this
Names:
American Abstract Artists  Search this
Bransom, Paul, 1885-  Search this
Campbell, Charles, 1905-  Search this
Cunningham, Imogen, 1883-1976  Search this
De Kooning, Willem, 1904-1997  Search this
Hirsch, Hy  Search this
Hobbs, Fredric  Search this
Hofmann, Hans, 1880-1966  Search this
Huxley, Aldous, 1894-1963  Search this
Johnson, Robert E. (Robert Emory), 1932-  Search this
Krasner, Lee, 1908-1984  Search this
McNeil, George, 1908-1995  Search this
Onslow-Ford, Gordon  Search this
Pollock, Jackson, 1912-1956  Search this
Post, George, 1906-1997  Search this
Reinhardt, Ad, 1913-1967  Search this
Schevill, James Erwin, 1920-  Search this
Smith, Hassel, 1915-2007  Search this
Steichen, Edward, 1879-1973  Search this
Weston, Brett  Search this
Weston, Edward, 1886-1958  Search this
White, Minor  Search this
Extent:
2 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1922-1972
Scope and Contents:
Correspondence, photographs, writings, sketches, drawings, paintings, and printed material.
REELS 1880-1882: Extensive correspondence with Bowden's wife, Lois; letters from Paul Bransom, Imogen Cunningham, Hi Hirsch, Hans Hofmann, Robert Johnson, George McNeil, George Post, James Schevill, Hassel Smith, Brett Weston, and Edward Weston; notes and writings on photography and art; sketches, drawings, and paintings; business papers and business correspondence from museum and gallery directors including Edward Steichen, Fred Hobbs, Charles Campbell, Minor White, and others; catalogs, clippings, and other printed materials.
REEL 1885: Ca. 500 photographs, mostly by Bowden, including photos of George Abend, Al and Frances Bernstein, Richard and Pat Bowman, M. Carles, Walter Chabrow, Imogen Cunningham, Willem de Kooning, Vic and Jeanne Di Suvero, Loyola and Ed Fourtane, Mrs. Gibson, Grabhorn, Robinson Jeffers, Aristodemos Kaldis, Lee Krasner, Darius Milhaud, Gordon Onslow-Ford, Phylis and Bob Pauey, Jackson Pollock's studio, Otis Oldfield, George Post, Kenneth Price, Ad Reinhardt, Kenneth Rexroth, Serge Trubach, Edward and Brett Weston, Yvor Winters, Wilfred Zogbaum, and Aldous Huxley. Also included are photographs Bowden, Bowden's family, his wife, Lois, nudes, his works, and exhibits.
Biographical / Historical:
Painter and photographer; San Francisco, California. Studied with Hans Hofmann; founding member of the American Abstract Artists and was associated with the Artists' Gallery; photography influenced by Edward Weston.
Provenance:
Lois Bowden, Harry Bowden's widow, donated the greater part of this collection to the Archives of American Art via Charles Campbell of the Charles Campbell Gallery, San Francisco, Calif. Mr. Campbell subsequently donated 28 additional photographs.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Painters -- California -- San Francisco  Search this
Photographers -- California -- San Francisco  Search this
Topic:
Photography, Artistic -- California -- San Francisco  Search this
Painting, Abstract -- New York (State) -- New York  Search this
Identifier:
AAA.bowdharr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bowdharr

Martin, Peter and Madeline

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 1, Folder 93
Type:
Archival materials
Date:
1975-1989
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref100

McChesney, Robert and Mary

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 1, Folder 94
Type:
Archival materials
Date:
1968-1985
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref101

N

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 1, Folder 95
Type:
Archival materials
Date:
1968-1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref102

Natsoulas Novelozo Gallery

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 1, Folder 96
Type:
Archival materials
Date:
1989-1994
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref103

Neri, Manuel

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 1, Folder 97
Type:
Archival materials
Date:
1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref104

Northwestern University

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 1, Folder 98
Type:
Archival materials
Date:
1934-1996
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref105

O

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 1, Folder 99
Type:
Archival materials
Date:
1978-1983
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref106

Oakland Museum

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 1, Folder 100
Type:
Archival materials
Date:
1965-1985
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref107

Oliveira, Nathan

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 1, Folder 101
Type:
Archival materials
Date:
1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref108

P

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 2, Folder 1
Type:
Archival materials
Date:
1972-2003
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref109

Petty, Ralph

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 2, Folder 2
Type:
Archival materials
Date:
1976-1991
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref110

Power, Kevin

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 2, Folder 3
Type:
Archival materials
Date:
1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref111

R

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 2, Folder 4
Type:
Archival materials
Date:
1964-1990
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref112

Remington, Deborah

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 2, Folder 5
Type:
Archival materials
Date:
1977-1993
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref113

S-Sh

Collection Creator:
Smith, Hassel, 1915-2007  Search this
Container:
Box 2, Folder 6
Type:
Archival materials
Date:
1965-1997
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Hassel Smith papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Hassel Smith papers
Hassel Smith papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-smithass-ref114

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