Skip to main content Smithsonian Institution

Search Results

Collections Search Center
16 documents - page 1 of 1

Helen Sloan interview, 1991, circa 1950

Creator:
Marshall, Laurie  Search this
Marshall, Laurie  Search this
Sloan, Helen Farr, 1911-2005  Search this
Subject:
Sloan, John  Search this
Type:
Interviews
Sound recordings
Video recordings
Record number:
(DSI-AAA_CollID)17627
(DSI-AAA_SIRISBib)397861
AAA_collcode_sloahelen
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_397861

Helen Sloan interview

Creator:
Marshall, Laurie  Search this
Sloan, Helen Farr, 1911-2005  Search this
Names:
Sloan, John, 1871-1951  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Video recordings
Date:
circa 1950
1991
Summary:
This small collection of a video interview conducted by Laurie Marshall with Helen Sloan, widow of artist John Sloan, measures 0.8 linear feet and dates from circa 1950 and 1991. The bulk of the collection consists of video and audio recordings of the interview, a transcript of the interview, and a rough transfer of a black and white 16 mm film about John Sloan from the circa 1950s. The interview was conducted in preparation for a documentary on John Sloan, "John Sloan's New York". The full documentary was never produced.
Scope and Contents:
This small collection of a video interview conducted by Laurie Marshall with Helen Sloan, widow of artist John Sloan, measures 0.8 linear feet and dates from circa 1950 and 1991. The bulk of the collection consists of video and audio recordings of the interview, a transcript of the interview, and a rough transfer of a black and white 16 mm film about John Sloan. The interview was conducted in preparation for a documentary on John Sloan, "John Sloan's New York". Although full documentary was never produced, a 3:38 demonstration from the interview was produced on June 24, 1992.

The interview offers insight mostly to John Sloan's artistic style and development, but also gives a glimpse into his marriage to his first wife, Anna Maria (Dolly) Wall, and into his relationship with Helen Sloan. Materials include three audio cassettes, five Beta Master tapes, five VHS tapes, a typed master transcript, a transcript copy with reel notations, and one rough transfer of a short black and white 16mm film about John Sloan from circa 1950 on VHS.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Laurie Marshall is a documentary filmmaker and director in New York, New York, who specializes in art and art history. Helen Farr Sloan was a philanthropist, painter, and educator, and was married to artist, John Sloan, from 1945 until his death in 1951.

Helen Sloan had a lifelong dedication to art and in 1996 established the John Sloan Trust to disperse works by John Sloan and support the artistic program of the Delaware Art Museum. John Sloan, one of the founders and members of the Ashcan School, was an American painter and etcher. He was a landscapist and portraitist, but is best known for his depictions of cities and their inhabitants during the early 20th century, often capturing the essence of his New York City neighborhood.
Provenance:
The collection was donated in 2018 by Laurie Marshall.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Filmmakers -- New York (State) -- New York  Search this
Philanthropists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Sound recordings
Video recordings
Citation:
Helen Sloan interview, circa 1950, 1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sloahelen
See more items in:
Helen Sloan interview
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sloahelen

Abraham F. Levinson letters

Creator:
Levinson, Abraham F., 1883-1946  Search this
Names:
Sloan, Helen Farr, 1911-2005  Search this
Sloan, John, 1871-1951  Search this
Extent:
2 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1917 and 1947
Scope and Contents:
A letter to Levinson from John Sloan, June 29, 1917, written from Gloucester, Massachusetts. Sloan wrote that he "will welcome you and Sparrow [to Gloucester]...we have two extra rooms where you can lodge quite comfortably and perhaps work indoors some..."; and a letter, September 26, [1947], from Helen Farr Sloan to Mrs. Levinson enclosing a statement by Sloan on Levinson's work for the catalog of a memorial exhibition at the Art Students League, 1947.
Biographical / Historical:
Painter; Jamaica, N.Y. and Rockport, Mass. Studied with Robert Henri and Max Weber.
Provenance:
Donated 1972 by James L. Woods, executor for the estate of Ray Levinson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Identifier:
AAA.leviabra
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-leviabra

Ira and William Glackens papers

Creator:
Glackens, Ira, 1907-1990  Search this
Names:
Delaware Art Museum  Search this
Kraushaar Galleries  Search this
National Gallery of Art (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Williams College. Museum of Art.  Search this
Barnes, Albert C. (Albert Coombs), 1872-1951  Search this
Barnes, Laura L., 1875-1966  Search this
Buckley, Charles E.  Search this
Bullard, E. John(Edgar John), 1942-  Search this
Dimock, Ira  Search this
Fitzgerald, Irene Dimock  Search this
Glackens, Edith  Search this
Glackens, William J., 1870-1938  Search this
Kuhn, Walt, 1877-1949  Search this
Liff, Vivian  Search this
Luks, George Benjamin, 1867-1933  Search this
Morse, Stearns  Search this
Perlman, Bennard B.  Search this
Prendergast, Eugénie  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Schwab, Arnold T.  Search this
Shinn, Everett, 1876-1953  Search this
Sloan, Helen Farr, 1911-2005  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Writings
Date:
circa 1900-1990
Summary:
The Ira and William Glackens papers, circa 1900-1990, measure 2.3 linear feet. The collection consists primarily of the papers of Ira Glackens relating to the artwork of his father, William Glackens, but also contains scattered correspondence of William and his wife Edith, including letters from Albert Barnes. Ira Glackens' papers include books written by Ira; exhibition catalogs and clippings about William and others; photographs of the Glackens family and friends, of Ira, and of the Glackens residence; and an audio recording of William Glackens' remarks upon accepting an award at the Carnegie International Exhibition in 1936. There are also records of the Sansom Foundation, which was set up by Ira Glackens and his wife Nancy.
Scope and Content Note:
The Ira and William Glackens papers, circa 1900-1990, measure 2.3 linear feet. The collection consists primarily of the papers of Ira Glackens relating to the artwork of his father, William Glackens, but also contains scattered correspondence of William and his wife Edith, including letters from Albert Barnes. Ira Glackens' papers include books written by Ira; exhibition catalogs and clippings about William and others; photographs of the Glackens family and friends, of Ira, and of the Glackens residence; and an audio recording of William Glackens' remarks upon accepting an award at the Carnegie International Exhibition in 1936. There are also records of the Sansom Foundation, which was set up by Ira Glackens and his wife Nancy.

Biographical information consists of genealogical research on the Glackens family and a copy of Ira Glackens birth certificate.

Correspondence of the artist William Glackens includes letters to his wife, Edith, written while on a trip to Paris in 1912 to purchase paintings for collector Albert C. Barnes. Barnes' letters to William and Edith Glackens are about paintings in the Barnes Collection, the educational plans of his Foundation, and Glackens' work and exhibitions. Letters to Edith Dimock Glackens are from relatives and friends including her father, Ira Dimock, her sister, Irene Dimock FitzGerald, author James L. Ford, and painter Maurice Prendergast. There is also a copy of a letter concerning the estate of Lenna G. Borton, the Glackens' daughter.

Ira Glackens' correspondence largely concerns exhibitions, sales, loans, donations and the authentication of artwork by William Glackens. Correspondents include museums, galleries and artists, in addition to personal correspondence with family and friends. Names of significant correspondents in Ira Glackens' correspondence include Laura (Mrs. Albert C.) Barnes, Charles Buckley, Delaware Art Museum, Kraushaar Gallery, Walt Kuhn, Vivian Liff, George Luks, Stearns Morse, National Gallery, National Portrait Gallery, Bennard Perlman, Eugenie Prendergast, Arnold T. Schwab, Helen (Mrs. John) Sloan, and Williams College Museum of Art.

Noteworthy writings include speeches, a memoir, and a short play by Ira Glackens, and family recollections of Edith Glackens. A 1936 audio recording is of remarks made by William Glackens upon being presented with an award for his entry in the Carnegie Institute's International Exhibition. Writings by others include essays by John Bullard and Everett Shinn about Glackens.

Printed material includes Ira Glackens' books, catalogs of group and solo exhibitions featuring the work of William Glackens, clippings concerning William Glackens, and reviews of Ira Glackens' books.

Records of the Sansom Foundation, Inc., a non-profit organization founded in 1950 by Ira and Nancy Glackens to oversee their art interests, consist of annual reports, a charitable trust registration form, and financial and tax records.

Photographs are of the Glackens family, travel scenes and artwork by William Glackens, The Eight, and other artists.

A card index of William Glackens' paintings, prepared by Ira Glackens, provides details of artwork in William Glackens' estate.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Information, circa 1900-1990 (Box 1; 2 folders)

Series 2: Correspondence, 1902-1989 (Box 1; 0.7 linear feet)

Series 3: Writings, 1963-1982 (Boxes 1, 3; 0.2 linear feet)

Series 4: Sansom Foundation, Inc., 1957-1973 (Box 2; 0.2 linear feet)

Series 5: Printed Material, 1903-1989 (Boxes 2-3; 0.6 linear feet)

Series 6: Scrapbook, 1956-1980 (Box 3; 0.1 linear feet)

Series 7: Photographs, circa 1900-1986 (Box 2; 0.3 linear feet)

Series 8: Card Index of William Glackens' Paintings, circa 1940-1949 (Box 3; 0.2 linear feet)
Biographical Note:
Ira Dimock Glackens (1907-1990), the first child of painter and illustrator William Glackens and Edith Dimock Glackens, was born in New York City. Raised in the art world, he was well acquainted with his father's friends and colleagues. Upon his father's death in 1938, Ira became responsible for managing and administering the art remaining in William Glackens's estate.

Educated at the Choate School, Ira Glackens became a writer. He published two books about his father: William Glackens and the Ashcan Group: The Emergence of Realism in American Art (1957) and William Glackens and the Eight: The Artists who Freed American Art (1984). An opera expert, Ira Glackens was also the author of Yankee Diva: Lillian Nordica and the Golden Days of Opera (1963) and an authority on apples.

William Glackens (1870-1938) was born in Philadelphia and studied at the Pennsylvania Academy of the Fine Arts with Robert Henri while working as an illustrator for local newspapers, including the Philadelphia Press. In 1895, he departed for a year in Paris and then moved to New York City where he continued to work as an illustrator for various newspapers and periodicals. Before long, Glackens began to focus on scenes of city life and street crowds and, in 1908, he participated in the groundbreaking exhibition of The Eight at the Macbeth Gallery in New York City.

Between 1925 and 1932 William Glackens lived and worked in France and his painting was strongly influenced by Renoir. He spent the remainder of his life in New York City, exhibiting widely from 1894 on. Glackens was named an Associate of the National Academy of Design and was the recipient of several awards including those of the 1901 Pan-American Exposition (gold), the 1904 St. Louis Exposition, the 1915 Pan-Pacific Exposition, the 1933 Society of Independent Artists Exhibition, and the 1936 Carnegie International Exhibition.
Related Materials:
The Archives also holds several collections related to Ira and William Glackens, including the Ira Glackens letters to Jane Wasey; the Illustrations by William Glackens and letter from Ira Glackens; the Lillian E. Travis papers relating to William Glackens and Charles Prendergast; and the Thomas Hart Benton and Ira Glackens letters. Substantial correspondence between William Glackens and the Kraushaar Gallery can also be found in the Kraushaar Galleries records.
Separated Material:
Published books not authored by Glackens family members or related to Glackens' family members were transferred to the Smithsonian's American Art Museum Library in 2007. A few pieces of artwork were given to Williams College, also in 2007.
Provenance:
The Ira and William Glackens papers were donated to the Archives of American Art by Ira Glackens in 1987, and by his estate in 1991. In 2007 a small cache of papers found in the Glackens home was donated by Susan Corn Conway, who had purchased the Glackens' house.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Ira and William Glackens papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Illustrators -- Pennsylvania -- Philadelphia  Search this
Authors -- Pennsylvania -- Philadelphia  Search this
Painting, American  Search this
Eight (Group of American artists) -- Photographs  Search this
Art -- Collectors and collecting  Search this
Painting, Modern -- 20th century -- United States  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Genre/Form:
Photographs
Sound recordings
Writings
Citation:
Ira and William Glackens papers, circa 1900-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.glacwill
See more items in:
Ira and William Glackens papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-glacwill
Online Media:

Richard Fitzgerald papers

Creator:
Fitzgerald, Richard  Search this
Names:
Becker, Maurice, 1889-1975  Search this
Chamberlain, Kenneth Russell, 1892-  Search this
Sloan, Helen Farr, 1911-2005  Search this
Sloan, John, 1871-1951  Search this
Extent:
0.2 Linear feet ((72 items))
Type:
Collection descriptions
Archival materials
Interviews
Date:
1930-1972
Scope and Contents:
Research material used for Fitzgerald's Ph.D. dissertation at University of California, RADICAL ILLUSTRATORS OF THE MASSES AND LIBERATOR and for his book, ART AND POLITICS: CARTOONISTS OF THE MASSES AND LIBERATOR.
Eleven letters and cards from Helen Farr Sloan, widow of John Sloan; unpublished notes from John Sloan's conversations, interviews, and lectures at the Delaware Art Center, Wilmington; eight letters from Kenneth Russell Chamberlain; four interviews with Chamberlain; 28 letters and cards from Maurice Becker; a telephone interview with Becker; four Becker exhibition catalogues; and fifteen letters to Fitzgerald about artists Robert Minor, Art Young, and Maurice Becker written by their friends Gil Wilson, Lawrence Gellert, Joseph North, William Gropper, Daniel Aaron, and Harold Anton.
Biographical / Historical:
Art historian and writer; San Francisco, California.
Provenance:
Donated 1976 by Richard Fitzgerald.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Cartoonists  Search this
Illustrators  Search this
Art historians -- California  Search this
Topic:
Politics in art  Search this
Cartooning -- United States  Search this
Caricatures and cartoons -- United States  Search this
Genre/Form:
Interviews
Identifier:
AAA.fitzrich
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fitzrich

Avis Berman research material on art and artists

Creator:
Berman, Avis  Search this
Names:
Bearden, Romare, 1911-1988  Search this
Breeskin, Adelyn Dohme, 1896-1986  Search this
Brooks, Romaine  Search this
Cassatt, Mary, 1844-1926  Search this
Child, Katherine B.  Search this
Cone, Claribel  Search this
Cone, Etta  Search this
Foster, James W., 1920-  Search this
Gross, Chaim, 1904-1991  Search this
Ivins, William Mills, 1881-1961  Search this
Knight, Gwendolyn  Search this
Lawrence, Jacob, 1917-2000  Search this
Nakian, Reuben, 1897-1986  Search this
Rosenthal, Gertrude, 1903-  Search this
Sloan, Helen Farr, 1911-2005  Search this
Sloan, John, 1871-1951  Search this
Stein, Gertrude, 1874-1946  Search this
Toklas, Alice B.  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1976-1988
Scope and Contents:
Avis Berman research material on art and artists consists of interviews conducted by Berman and scattered correspondence in preparation for various books, articles and exhibitions. Subjects include Romare Bearden, Adelyn Breeskin, Chaim Gross, Jacob Lawrence, Reuben Nakian, and Helen Farr Sloan regarding John Sloan.
Material on art historian and museum director Adelyn Breeskin (microfilm reel 2786) includes an interview conducted by Berman September 8 and November 2, 1976. Breeskin speaks of her educational background; working at the Boston Museum of Fine Arts and the Metropolitan Museum; her early interest in reading and illustrated books; her role as Curator of Prints and Director of the Baltimore Museum of Art; the Sadie May, Claghorn, Garrett, and Cone Collections; the financial management of the Baltimore Museum of Art; the Venice Biennale, 1960; and her research concerning Mary Cassatt and Romaine Brooks. She recalls Katherine B. Child, Claribel and Etta Cone, William Ivins, Jr., Gertrude Stein, Alicie B. Toklas and others. Also included are transcripts of interviews with Gertrude Rosenthal, January 14, 1977, and James Foster, December 10, 1976, in which they discuss working with Breeskin, and a copy of Berman's article "Adelyn Breeskin: 50 Years of Excellence, Part I," which appeared in the Feminist Art Journal, Summer 1977; and a manuscript draft and photocopied pages of "Profile of Adelyn Breeskin, Part 2" by Berman. (An abbreviated version of this article appeared in The Baltimore Sun, Oct. 30, 1977).
Berman's interview of painter Romare Bearden (2 cassettes, 45 page transcript) was conducted 1980 July 31 in Bearden's studio, Long Island City, New York. Bearden discusses his mural commissions; his youth; his time in Paris; working out of the blues tradition; the influence of the South; and changes in his work. He recalls Constantin Brancusi, Jacob Lawrence, Henri Matisse, Duke Ellington, Stuart Davis, and others.
The interview with painter Jacob Lawrence was conducted 1982 July 20-August 4th (3 sound cassettes, 81 page transcript). Also present is Gwendolyn Knight.
The interview with Helen Farr Sloan, widow of painter John Sloan, was conducted by Berman on 1988 July 17 for an audience at the Delaware Art Museum. The interview primarily concerns her husband, painter John Sloan including their marriage and life together as well as his life and work before they married, Farr Sloan's education including being a student of John Sloan's, as well as her own experience as a teacher. She briefly discusses art collecting.
The interview of sculptor Reuben Nakian was conducted 1981 April 1 (1 sound cassette, untranscribed).
The interview of sculptor Chaim Gross and Renee Gross was conducted 1981 March 7 (2 sound cassettes, untranscribed).
The collection also includes 13 letters to Berman from art historians and critics, and copies of 2 letters sent, in response to her query about what books they find indispensable to their work. Berman used the information in an article in ARTnews (Nov. 1983). Correspondents include John Szarkowski, Milton Brown, John Canaday, Robert Rosenblum, Julius Held, Theodore Reff, Linda Nochlin, Albert Elsen, James R. Mellow, Lewis Mumford, Dore Ashton, John Walker, and Robert Rosenblum. This material is on microfilm reel 4909.
Biographical / Historical:
Avis Berman (1949- ) is an art historian, writer, and curator from New York, N.Y.
Related Materials:
Also in the Archives are the Avis Berman research material on Katharine Kuh, 1939-2006 and an interview of Reuben Nakian conducted by Berman for the Archives Oral History Program, June 1981.
Provenance:
The collection was donated incrementally by Avis Berman 1981-1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
Interviews with Gross, Lawrence, and Nakian: Authorization to quote or reproduce for purposes of publication must be obtaind from Avis Berman.
Topic:
Art historians -- United States -- Interviews  Search this
Art historians -- Interviews  Search this
Museum directors -- Interviews  Search this
Genre/Form:
Interviews
Identifier:
AAA.bermavis
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bermavis

John Barber papers

Creator:
Barber, John, 1893-1965  Search this
Names:
Becker, Maurice, 1889-1975  Search this
Biddle, George, 1885-1973  Search this
Blackburn, Morris, 1902-1979  Search this
Bullitt, William C. (William Christian), 1891-1967  Search this
Davis, Stuart, 1892-1964  Search this
Durant, Will, 1885-  Search this
Eastman, Max, 1883-1969  Search this
Etting, Emlen, 1905-1993  Search this
Glackens, Edith  Search this
Glackens, Ira, 1907-1990  Search this
Hecht, Ben, 1893-1964  Search this
Laurent, Robert, 1890-1970  Search this
McKinney, Roland J. (Roland Joseph), b. 1898  Search this
Mencken, H. L. (Henry Louis), 1880-1956  Search this
Minor, Robert  Search this
Pascin, Jules, 1885-1930  Search this
Phillips, Duncan, 1886-1966  Search this
Sloan, Helen Farr, 1911-2005  Search this
Sloan, John, 1871-1951  Search this
Taubes, Frederic, 1900-  Search this
Tholen, William B.  Search this
Werner, Albert  Search this
Young, Art, 1866-1943  Search this
Extent:
1,000 Items
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1911-1975
Scope and Contents:
Correspondence, sketches and 46 sketchbooks, a Jules Pascin sketchbook, 1922, photographs of Barber, Pascin, and Helen and John Sloan, personal documents, exhibition catalogues, and clippings. Among the correspondents are George Biddle, Stuart Davis, Maurice Becker, Morris Blackburn, Frederic Taubes, Robert Laurent, Emlen Etting, Duncan Phillips, Edith and Ira Glackens, Max Eastman, Robert Minor, Roland McKinney, Albert Werner, Will Durant, Art Young, H. L. Mencken, William B. Tholen, William C. Bullitt, and Ben Hecht.
Biographical / Historical:
Educator, painter, etcher, illustrator, and lecturer.
Provenance:
Barber's wife, Margaret, gave the papers to Signature Galleries.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Genre/Form:
Sketchbooks
Citation:
John Barber papers, 1911-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.barbjohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-barbjohn

Ruth Bowman papers

Creator:
Bowman, Ruth, 1923-  Search this
Names:
American Association of Museums  Search this
American Federation of Arts  Search this
Brooklyn Museum  Search this
Canadian Museums Association  Search this
Craft and Folk Art Museum  Search this
KUSC (Radio station : Los Angeles, Calif.)  Search this
Long Beach Museum of Art  Search this
Los Angeles County Museum of Art  Search this
Massachusetts Institute of Technology  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New York University  Search this
Newark Museum  Search this
WNYC (Radio station : New York, N.Y.)  Search this
Albers, Josef  Search this
Anshutz, Thomas Pollock, 1851-1912  Search this
Bengelsdorf, Rosalind, 1916-1979  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Burkhardt, Hans Gustav, 1904-1994  Search this
Cézanne, Paul, 1839-1906  Search this
Diller, Burgoyne, 1906-1965  Search this
Eakins, Thomas, 1844-1916  Search this
Ferren, John, 1905-1970  Search this
Holty, Carl, 1900-1973  Search this
Holtzman, Harry  Search this
Lassaw, Ibram, 1913-2003  Search this
Levine, Les, 1935-  Search this
Lipchitz, Jacques, 1891-1973  Search this
MacDonald, Duncan (Broadcaster)  Search this
Mason, Alice Trumbull, 1904-1971  Search this
McNeil, George, 1908-1995  Search this
Morris, George L. K., 1905-1975  Search this
Noguchi, Isamu, 1904-1988  Search this
Picasso, Pablo, 1881-1973  Search this
Reinhardt, Ad, 1913-1967  Search this
Sloan, Helen Farr, 1911-2005  Search this
Wilfred, Thomas, 1889-1968  Search this
Extent:
26.7 Linear feet
21.99 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Interviews
Sound recordings
Scripts (documents)
Date:
1936-2006
bulk 1963-1999
Summary:
The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writings and related research materials include her thesis,"Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.
Scope and Contents:
The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writing and related research materials include her thesis, "Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.

Biographical materials consist of certificates, resumes, and a few photographs of Ruth Bowman. Correspondence concerns Bowman's professional activities and interests. Among the most frequent correspondents are: American Association of Museums, Craft and Folk Art Museum (Los Angeles), Massachusetts Institute of Technology, The Metropolitan Museum of Art, and The Museum of Modern Art.

Writings by Ruth Bowman, published and unpublished, include a thesis and articles about Thomas Pollock Anshutz, catalogs for American Federation of Arts and The Newark Museum exhibitions, lectures, as well as articles about museum education and visual arts programs. Research relates to her writings about Anshutz, and to unrealized projects concerning Anshutz, Cézanne, Eakins, Picasso, and other subjects. Also found are two brief writings about Bowman.

Subject files--general subjects, artists' files, Ruth Bowman activities, and "Sunrise Semester"--contain the majority of Bowman's professional correspondence along with printed material, writings, photographs, and sound recordings. Among the most thoroughly documented general subjects are: The Brooklyn Museum's Trustees Retreat, Canadian Museums Association, a 1981 Craft Symposium, International Network for the Arts, Long Beach Museum of Art, Los Angeles County Museum of Art, "Museum Directors' Forum", New York University Art Collection, and Massachusetts Institute of Technology Council for the Arts. Artists' files are comprised mainly of printed material with a small amount of correspondence and some photographs. The Les Levine file consists of the first issue of Art-Rite featuring a brief article about Levine on its cover; Thomas Wilfred's file includes information about Lumia. Ruth Bowman activities include lectures, radio and television appearances, and participation in professional events. "Sunrise Semester," a collaboration between CBS television and New York University, offered early morning courses for college credit. Ruth Bowman was the instructor for "20th Century American Art," which is documented by general information, scripts, and sound recordings of all 46 classes.

Interviews conducted by Bowman are with English museum administrators and educators; people knowledgeable about a controversial proposal for an Annenberg Fine Arts Center at The Metropolitan Museum of Art; guests on KUSC radio shows "Sounds of Seeing" and "Live from Trump's"; and guests on the WNYC radio program "Views on Art." Interviews with miscellaneous individuals include Josef Albers, Hans Burkhardt, Carl Holty, Isamu Noguchi, and Helen Farr Sloan. Bowman interviewed a dozen American abstract artists, including Ilya Bolotowsky, Rosalind Bengelsdorf Browne, Burgoyne Diller, John Ferren, Carl Holty, Harry Holtzman, Ibram Lassaw, Jacques Lipchitz, Alice Mason, George McNeil, George L. K. Morris, and Ad Reinhardt for a thesis on the subject, but eventually wrote on a different topic. Two interviews with Bowman were conducted by Duncan MacDonald and an unidentified interviewer.
Arrangement:
This collection is arranged as 5 series:

Series 1: Biographical Materials, 1964-1984 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1963-1996 (Box 1; 0.7 linear feet)

Series 3: Writings and Related Research, 1942-1999 (Boxes 1-3; 1.5 linear feet)

Series 4: Subject Files, 1936-2006 (Boxes 3-12, 26; 9.6 linear feet)

Series 5: Interviews, 1963-1989 (Boxes 12-25; 9.2 linear feet, ER01-ER70; 21.99 GB)
Biographical / Historical:
Ruth Bowman (b. 1923) is an art historian and museum educator who worked in New York City and Los Angeles. She is known for her interest in using new communications technology for museum education, discovering Arshile Gorky's long forgotten murals at Newark Airport, and expertise in the work of Thomas Anshutz.

A graduate of Bryn Mawr College (B.A. 1944), where she had studied art history and classical archaeology, Ruth Bowman began a museum career in New York as an assistant curator at the Jewish Museum in the early 1960s. From 1963-1974 Ruth Bowman served as curator of the York University Art Collection and was involved in its transition to the Grey Art Gallery and Study Center. Bowman wrote her master's thesis on Philadelphia artist Thomas Pollock Anshutz and received a degree from the Institute of Fine Arts, New York University in 1971. During this same period, she was a staff lecturer at The Museum of Modern Art and taught art history in divisions of New York University. She was the instructor for a "Sunrise Semester" 20th century American art course broadcast nationally on CBS.

In 1974 Bowman and her family moved to California and she began an association with the Los Angeles County Museum of Art as Director of Education. She attended summer courses in arts administration at Harvard University (1975) and similar training provided by the British Arts Council (1976). She taught at University of California Santa Barbara, as well as at California State University at Fullerton and Long Beach. Bowman was active in the Council of the American Association of Museums (vice president), the Craft and Folk Art Museum in Los Angeles (vice president), and has served as a consultant to several museums and a corporate collection.

Ruth Bowman with her friend Harry Kahn (1916-1999) developed a collection of self-portraits by 20th century American artists, which she donated to the National Portrait Gallery in 2002. Mrs. Bowman is the widow of R. Wallace Bowman and currently resides in New York City.
Provenance:
Donated by Ruth Bowman in 2004.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Ruth Bowman papers are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote, publish or reproduce her unpublished writings and related research materials requires written permission from Ruth Bowman, 200 East 66th Street, Apt. B-2101, New York, New York 10021.
Topic:
Art -- Study and teaching  Search this
Art historians -- California -- Los Angeles  Search this
Art, American -- 20th century  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Interviews
Sound recordings
Scripts (documents)
Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bowmruth2
See more items in:
Ruth Bowman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bowmruth2
Online Media:

Interview with Helen Farr Sloan

Creator:
Sloan, Helen Farr, 1911-2005  Search this
Berman, Avis, 1949-  Search this
Subject:
Sloan, Helen Farr  Search this
Sloan, John French  Search this
Type:
Sound Recording
Date:
1988 July 17
Record number:
(DSI-AAA)15317
See more items in:
Avis Berman research material on art and artists, 1976-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15317

Helen Sloan interview about John Sloan

Collection Creator:
Marshall, Laurie  Search this
Sloan, Helen Farr, 1911-2005  Search this
Extent:
5 videocassettes (betacam) (original, tapes are numbered reels 1-5)
Container:
Box 1, Item 1
Type:
Archival materials
Videocassettes (betacam)
Date:
1991
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Helen Sloan interview, circa 1950, 1991. Archives of American Art, Smithsonian Institution.
See more items in:
Helen Sloan interview
Helen Sloan interview / Series 1: Interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sloahelen-ref1

Helen Sloan interview about John Sloan

Collection Creator:
Marshall, Laurie  Search this
Sloan, Helen Farr, 1911-2005  Search this
Extent:
5 videocassettes (vhs) (copies, tapes are numbred reels 1-5)
3 Sound cassettes (tapes are numbered reels 1-3)
Container:
Box 2, Item 1
Type:
Archival materials
Videocassettes (vhs)
Sound cassettes
Date:
1991
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Helen Sloan interview, circa 1950, 1991. Archives of American Art, Smithsonian Institution.
See more items in:
Helen Sloan interview
Helen Sloan interview / Series 1: Interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sloahelen-ref2

John Sloan black and white film

Collection Creator:
Marshall, Laurie  Search this
Sloan, Helen Farr, 1911-2005  Search this
Extent:
1 videocassettes (vhs) (label reads "Rough Transfer from 16mm Original;" original film not found in collection)
Container:
Box 1, Item 2
Type:
Archival materials
Videocassettes (vhs)
Date:
circa 1950
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Helen Sloan interview, circa 1950, 1991. Archives of American Art, Smithsonian Institution.
See more items in:
Helen Sloan interview
Helen Sloan interview / Series 1: Interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sloahelen-ref3

John Sloan artwork

Collection Creator:
Marshall, Laurie  Search this
Sloan, Helen Farr, 1911-2005  Search this
Extent:
1 videocassettes (vhs) (label reads "WRS Camera Stand with Visual T.C. #6")
Container:
Box 2, Item 3
Type:
Archival materials
Videocassettes (vhs)
Date:
1991
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Helen Sloan interview, circa 1950, 1991. Archives of American Art, Smithsonian Institution.
See more items in:
Helen Sloan interview
Helen Sloan interview / Series 1: Interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sloahelen-ref4

Transcript of Helen Sloan interview

Collection Creator:
Marshall, Laurie  Search this
Sloan, Helen Farr, 1911-2005  Search this
Container:
Box 2, Item 2
Type:
Archival materials
Date:
1991
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Helen Sloan interview, circa 1950, 1991. Archives of American Art, Smithsonian Institution.
See more items in:
Helen Sloan interview
Helen Sloan interview / Series 1: Interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sloahelen-ref6

Interviews

Collection Creator:
Marshall, Laurie  Search this
Sloan, Helen Farr, 1911-2005  Search this
Extent:
0.8 Linear feet (Box 1-2)
Type:
Archival materials
Date:
1991
Scope and Contents:
This series contains Laurie Marshall's interview of Helen Farr Sloan for a documentary about artist, John Sloan, that was never produced. The interview offers insight mostly to John Sloan's artistic style and development, but also gives a glimpse into his marriage to his first wife, Anna Maria (Dolly) Wall, and into his relationship with Helen Sloan. Materials include three audio cassettes, five Beta Master tapes, five VHS tapes, a typed master transcript, a transcript copy with reel notations, and one rough transfer of a short black and white 16mm film about John Sloan from circa 1950 on VHS.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Helen Sloan interview, circa 1950, 1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sloahelen, Series 1
See more items in:
Helen Sloan interview
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sloahelen-ref7

Snow Scene, (painting)

Painter:
Sloan, Helen Farr 1911-2005  Search this
Medium:
Oil on paper board
Type:
Paintings
Date:
1939
Topic:
Cityscape--New York--New York City  Search this
Cityscape--Street  Search this
Cityscape--Weather--Snow  Search this
Cityscape--Season--Winter  Search this
Architecture exterior--Commercial--Store  Search this
Architecture exterior--Commercial--Restaurant  Search this
Figure group  Search this
Architecture--Vehicle--Automobile  Search this
Architecture--Vehicle--Subway  Search this
Control number:
IAP 63810019
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_465519

Modify Your Search







or


Narrow By