The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.
Scope and Content Note:
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.
Biographical material includes a birth certificate, school work, and passports. General correspondence includes letters from several artists including Rhys Caparn, Sue Fuller and Lee Gatch, and from art galleries, including the Museum of Modern Art, Albright-Knox Art Gallery and the Whitney Museum of American Art. Additional correspondence is found in the Subject Files.
Business records include an account book, lists of expenses and prices of art works, and sales records. Notes and writings include Teller's notes about art and travel, artists' statements, autobiographical writings, and a compilation of many artists' statements regarding "The Nine Bean Question."
Artwork includes three sketchbooks, 30 sketches and three prints primarily depicting nature and sculpture designs.
Five scrapbooks contain clippings, exbition announcements and catalogs. Additional printed material includes magazines, exhibition announcements and catalogs, a booklet by Teller entitled Art, Age and the River, published posthumously by her husband, and a manuscript of Poems or Poetic Expressions of Sculptors, collected by L. Lamis.
Subject files are arranged by name or subject and may contain letters, photographs, and printed material. Many of the files focus on galleries and museums, including the Montclair Art Museum, the Newark Museum, Noyes Museum, Parma Gallery, the Princeton Gallery of Fine Art and the Squibb Gallery. There are also subject files for associations, travel, projects, and colleagues including Margaret K. Johnson, Reuben Kadish, Ibram Lassaw, Aaron Siskind and Dorothy Dehner.
Photographs and slides depict Teller, her friends, works, gallery installations, and travels. Also included are photographs of trees, bark, and other natural formations used by Teller in her work.
The audio-visual materials include several sound recordings, videocassettes and 16 mm motion picture films. The videocassettes include television programs in which Teller, printmaker Judith Brodsky and actor Harry Hamlin are interviewed, a retrospective at Skidmore College and a film featuring Teller speaking for the National Council on Aging. Sound recordings include two interviews and a "Talk on Malta" by Teller and Joan Needham. The 16 mm films are black and white footage of Teller's first Parma Gallery show.
Arrangement:
The collection is arranged as 11 series. Records are generally arranged by material type and chronologically thereafter.
Missing Title
Series 1: Biographical Material, 1911-1985 (Box 1; 4 folders)
Series 2: Correspondence, 1956-1991 (Box 1; 0.3 linear feet)
Series 3: Business Records, 1961-1990 (Box 1; 5 folders)
Series 4: Notes, 1960-1987 (Box 1; 13 folders)
Series 5: Writings, 1960-1989 (Boxes 1 and 9; 5 folders)
Series 6: Artwork, circa 1950s (Boxes 1 and 9; 6 folders)
Series 7: Scrapbooks, 1948-1990 (Boxes 1-2; 0.7 linear feet)
Series 8: Printed Material, 1957-1991 (Boxes 2-3 and 9; 0.6 linear feet)
Series 9: Subject Files, 1951-1990 (Boxes 3-5; 2.5 linear feet)
Series 10: Photographs, 1934-1985 (Boxes 5-9; 2.5 linear feet)
Series 11: Audio-Visual Materials, 1961-1989 (Box 8, FC 10-12; 0.6 linear feet)
Biographical Note:
Jane Teller (1911-1990) worked as a printmaker and sculptor primarily in New Jersey. She specialized in working with wood and studied at the Rochester Institute of Technology, Skidmore College, and Barnard College. She also attended Federal Works Progress Administration (W.P.A.) classes in New York City, studying sculpture with Aaron J. Goodelman and wood carving with Karl Nielson. She later studied welding in the studio of Ibram Lassaw. She was also a lifelong friend of photographer Aaron Siskind. In 1960, she was awarded the Mary and Gustave Kellner Prize at the National Association of Women Artists Annual Exhibition at the National Academy of Design in New York, and in 1966 the Sculpture Prize at the Fiftieth Anniversary Exhibition, Philadelphia Art Alliance in Philadelphia. She exhibited mainly in New York and New Jersey and was married to author and editor Walter Teller.
Provenance:
The Jane Teller papers were donated by Jane Teller in 1990 and in 1991 by Walter Teller, widower of Jane Teller.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William P. Daley papers, 1905-2004 (bulk 1951-2001). Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
The Gallagher papers consist of materials relating to his major field work in France, India, and the United States.
Scope and Contents:
The Gallagher papers consist mainly of materials relating to his major field work. In 1949-1950 and in 1951, he investigated social arrangements, especially kinship, in the rural village of Civaux in the Department of Vienne in central France. In 1953-1954, working for International Public Opinion Research, Inc., which was under contract with the U. S. Air Force Human Resources Research Institute, he returned to France and studied the relations between the people of Chateauroux, a small city in the Department of Indre, and the personnel of a nearby American air base. The great bulk of Gallagher's material relating to France resulted from the work at Civaux. Only a few writings, including his Ph.D. dissertation, reflect the work at Chateauroux.
In 1962-1963, Gallagher was at Ranchi University, in the state of Bihar (now Jharkhand), in central India, on a National Science Foundation Science Faculty Fellowship. From there, he carried out studies in the village of Makhmandro among Oroans (Kurukh), a Dravidian group. Again, his focus was on social relations. His main method consisted of interviews of laborers.
Early in Gallagher's career, in 1951, he worked for the Science Museum in St. Paul, Minnesota, attempting to establish criteria for identifying tribal origins and dates for American Indian beaded artwork. Few materials resulting from this study appear in the collection. Gallagher's interest in isolated communities of northern Saratoga County, New York is represented by a few items, most of them manuscripts of writings.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
The collection is arranged into four series: (1) Studies of French communities; (2) Study of an Indian community; (3) Study of American Indian beaded art; and (4) Studies in Saratoga County, New York.
Biographical note:
Orvoell Roger Gallagher was educated at the University of California at Berkeley, London School of Economics (M.A., 1951), and Columbia University (Ph.D., 1955). He taught at New York University from 1954-1959 and at Skidmore College in Saratoga Springs, New York, from 1959 until his death in 1975.
Restrictions:
The O. Roger Gallagher papers are open for research.
Access to the O. Roger Gallagher requires an appointment.
Writings, art work, miscellaneous items, and photographs were received from the Estate of Sally Kent Gorton in 2001. Although not physically integrated with the main portion of the collection, this addition to the Rockwell Kent papers is described with the appropriate series in the online edition of the finding aid.
Writings consist of Kent's continuation of his autobiography It's Me, O Lord! (1995). The unpublished 185 page manuscript written between 1955 and 1971 recounts the artist's travels, exhibitions, and political activities during the 1950s and 1960s. Among the art work there are many drawings and sketches in pencil and ink, of miscellaneous subjects and various projects circa 1920-1939 including figure studies, landscapes and illustrations for various books by Kent. Also included are a color lithograph study for a war poster, circa 1941, and Kent's 1968 costume and set designs for Benjamin Britten's opera Peter Grimes, along with a recording of Peter Grimes and its libretto. Photographs of people include formal and informal portraits of Rockwell Kent, Kent with others, and each of his wives; other individuals portrayed are Ted R. Lambert and Eugene Vuchatich. Other subjects include views of Asgaard Farm, the rebuilt Kent house at AuSable Forks, NY, and Kent's grave.
Kent presented the manuscripts for most of his books to the USSR, along with the Kent Collection. Included in this series are drafts, notes, and completed manuscripts for monographs, articles, speeches, book reviews, catalog texts and introductory essays, and miscellaneous writings (often unidentified) by Kent. Manuscripts are arranged chronologically, with undated items arranged alphabetically by title. Also included at the end of the series are a small number of manuscripts by other authors.
The unpublished continuation of Kent's autobiography It's Me, O Lord! was received from the estate of his widow, Sally Kent Gorton, 2001.
See Appendix for an itemized list of writings from Series 2.
Arrangement note:
The bulk of this series has been scanned. Poems and political statements written by other authors have not been scanned.
Appendix: Writings from Series 2:
Writings by Rockwell Kent"Men as Animals," 1906-1912
"The False Life," 1906-1912
"True Life," 1906-1912
"A Tragedy of Newfoundland," 1914 (with 1961 revision)
"Alaska Drawings by Rockwell Kent, With a letter from Rockwell Kent to Christian Brinton, M. Knoedler & Co.," 1919
"Greenland for the Painters," 1919
"Art," 1919
"The Tierra del Fuego Journal of Rockwell Kent," 1922
"Voyaging," 1924
"Tristan and Iseult," 1927
"George W. Bellows: His Lithography," 1927
"A Social Evolutionist's View of the War," 1928
Introduction to book about Patagonia, 1931
"Alias Kent by Hogarth, Jr.." 1933
"Rockwellkentiana," 1933
Greenland journal in the form of letters to Frances, 1934-1935
"What Is an American?," 1936
"In the Name of the Great Jehovah," 1936
Van Loon Review, 1937
"What Is an American?" (revised version), 1938
"People's Platform," 1938
"Good Old Loyalty," 1938
"Original Etchings, Lithographs and Woodcuts by American Artists published by the American Artists Group, Inc." (review), 1938
"Introduction by Rockwell Kent to 'Story of the White Collar Worker' by Giacomo Patri," 1940
Introduction to "Portinari and His Art," 1940
"Rockwell Kent: A Short Autobiography," 1940
"Rockwell Kent at Bookshop," 1940
"Statement by Rockwell Kent," 1940
"Introduction to Book on the Work of Candido Portinari," 1940
"Louis Untermeyer," 1940
Love poem to Sally (untitled, illustrated), 1940
"Outline of Address Delivered by Rockwell Kent," 1940
"To Louis and Esther" (poem), 1940
"Christmas 1940" (poem), 1940
"Review of -- Kabloona -- by Gontran de Poncins," 1941
"Portion of Address for Delivery June 5th at National Conference of Social Work, by Rockwell Kent," 1941
"Radio Address, by Rockwell Kent, to Be Delivered at Progressive Librarians Council Broadcast, Sunday, June 22nd," 1941
"Statement on Nazi-Soviet War, by Rockwell Kent," 1941
" 'The Intent of the Artist,' reviewed by Rockwell Kent," 1941
"A Northern Christmas," 1941
"Outline of Address for Fourth American Writers Congress," 1941
"Editorial for -- Junior Guide -- of International Workers Order," 1941
"Introduction to Book-Plate Catalog," 1941
"Article for Adirondack Mountain Club, Inc. Year Book," 1941
"Introduction for Catalog of American Library of Color Slides," 1941
"Statement for American Council on Soviet Relations," 1941
"To Sally" (illustrated poem), 1941
"Article for UOPWA News," 1942
"Introduction to Catalog of Rockwell Kent Exhibition at the Wildenstein Galleries," 1942
"Tierra del Fuego," 1942
Article for -- Script -- , 1942
"Introduction to Democracy," 1942
"Statement for Use of Artists League of America," 1942
"Introduction by Rockwell Kent to 'Silk Screen Stenciling as a Fine Art,'" 1942
"On Earth Peace," 1942
"Foreword by Rockwell Kent to -- American Pioneer Arts & Artists -- by Carl Drepperd," 1942
"Article for Use of American Russian Cultural Association Inc. in -- Novosselye -- ," 1942
"WQXR Broadcast 'Other Peoples's Business Program,'" 1943
"Article for Use of the Alumni of the Columbia School of Architecture," 1943
"Art and the People," 1943
"Article for AAA News," 1943
"Statement to AP, UP, -- Herald Tribune, Times, Daily Worker -- on Death of Art Young," 1943
"To Sally" (poem), 1943
"Statement by Rockwell Kent, Famous Landscape and Figure Painter and Wood Engraver, on the Presentation of His Mural-- -- Airplane View of America at Peace-- -- to the Committee on Interstate and Foreign Commerce"
"Article on Art Young, For Use of -- New Masses -- Memorial Number," 1944
"Article for Use of the American Artists Group," 1944
"Memorandum on the Proposed Organization for the Publication of Reproductions of American Art," 1944
" -- Arctic Fish Story -- by Otto Wm. Geist" (book review), 1944
"Article for Use of -- Tomorrow -- ," 1944
"Review of -- Horizon Is Calling -- by Taro Yashima," 1944
"Opening Address, Seventh General Convention, IWO," 1944
Obituary of mother, Sarah Holgate Kent, 1944
"Statement for Use of Philadelphia Council of American-Soviet Friendship," 1944
"To Voters of the Thirty-Third New York Congressional District," 1944
"Introduction ALA Fourth Annual Exhibition Catalog," 1944
"Introduction by Rockwell Kent, -- Drawings by American Artists -- ," 1944
" -- Mathematical Basis of the Arts -- , by Joseph Schillinger, Reviewed by Rockwell Kent," 1944
"We Hold These Truths," 1944
"Review for the -- New Masses -- of Steffanson's -- Greenland -- ," 1944
"Synopsis: -- This Is My Own -- by Rockwell Kent," 1944
"Story for -- Readers Digest -- 'Life in America' Series," 1944
"Greetings to the Red Army & Navy," 1944
"Introduction for -- This Is Our War -- Catalog," 1944
"Art with a Little a," 1944
"Small Town War," 1944
"How Not to Get a Seeder," 1944
"Statement for use of International Workers Order," 1945
"Introduction for Exhibition Catalog," 1945
"Shadows of Evening," 1945
"Stories for -- Readers Digest -- 'Life in America' Series," 1945
"Article for Use of Vet," 1946
"Statement for Use of Artists for Action," 1946
"The Artist in America Today," 1946
"Rockwell Kent Biographical Sketch for Use of General Electric Company," 1946
"Statement for Use of International Workers Order," 1947
"John Trumbull" and "Frederick Remington," supplementary text for -- World Famous Paintings -- , 1947
"To Thee" (history of the Rahr Malting Co.), 1947
"We Hold These Truths" (articles for use of -- Fraternal Outlook -- ), 1948
" -- The Mathematical Basis of the Arts -- , by Joseph Schillinger, Reviewed by R.K. for -- Music News -- ," 1948
"Radio Script--O. John Rogge Program, Tuesday, July 12, 1948, Introduction by Rockwell Kent," 1948
"An Artist in Politics," 1948
"Text of Address to Be Given by Rockwell Kent at Meeting of Business and Professional Women's Club, Plattsburgh, N.Y.," 1948
"Radio Script, Rockwell Kent Address at Skidmore College Forum," 1948
"Radio Address to Be Given by Rockwell Kent, American Labor Party Candidate for Congress, 33d District, New York," 1948
"Radio Script, Christmas Greetings from Rockwell Kent for Arthur Gaeth Program," 1948
"Wallace Speech," 1948
"To Voters of the Thirty-Third New York Congressional District," 1948
"Rsum of Still-Born Address to World Congress for Peace, Paris, 1949," 1949
"Statement on Conviction of the Twelve by Rockwell Kent (for Use of the International Workers Order)," 1949
"We Hold These Truths" (articles for use by -- Fraternal Outlook -- ), 1949
"Introduction by Rockwell Kent to -- Southern Cross -- , by Lawrence O. Hyde," 1950
"We Hold These Truths" (article for use of the -- Fraternal Outlook -- ), 1950
"Article for Use of VOKS," 1950
"Copy for Sabattis Ranch Booklet (Rough Draft)," 1950
"Radio Address Delivered by Rockwell Kent Sunday, April 15, 1950, Croton-on-Hudson, N.Y.," 1950
"Greetings from Rockwell Kent to the Congress of the Peoples for Peace," 1952
Article for Use of International Workers Order, 1952
"Stenographic Record of a Meeting of the VOKS Section of Fine Arts," 1953
"Statement by Rockwell Kent" (re: McCarthy hearings), 1953
"Christmas Record 1953," 1953
"Place Card Poems--New Year's Eve, 1953," 1953
"Silas Timberman -- , by Howard Fast, Reviewed by Rockwell Kent for Use of -- New World Review -- ," 1954
"Realism in Art by Sidney Finkelstein, Reviewed by Rockwell Kent for Use of -- Masses & Mainstream -- ," 1954
Unpublished continuation of autobiography, -- It's Me, O Lord! -- (1955), recounting the artist's travels, exhibitions and political activities during the 1950s and 1960s, circa 1955-1971
"Article for Publication in the USSR," 1957
"Article for Use of -- New World Review -- ," 1957
"Article for Use of -- New World Review -- ," 1958
Trip Book (diary detailing trip to USSR), 1958
"Article for Use of -- Standard Times -- (New Bedford, Mass.)," 1959
"Of Men and Mountains," 1959
"Remarks for Tolstoi Jubilee," 1960
"Gift of Peace--An Account of Rockwell Kent's Presentation of a Collection of His Works to the People of the Soviet Union," 1961
"Article for Use of -- New World Review -- ," 1962
"Statement for November 26th Meeting, NCASF, by Rockwell Kent," 1962
"To Major Gherman Titov, Greeting!" 1962
"World Conference on Disarmament and Peace--Statement by Rockwell Kent," 1962
"Message for November 28th Carnegie Hall Meeting of National Council of American-Soviet Friendship from Rockwell Kent," undated
"The Missing Lynx, New Light on Human Nature, Told by the Lynx. (`Might Is Right und Lynx Ist Rechts'.)," undated
"The Most Unforgettable Character I Have Ever Met," undated
"Notes by Rockwell Kent for Use of Miss Marie B. Ryan, Editor of the -- Sketch Book of Kappa pi -- in an Article Titled: `The Things I Wish They'd Taught Me'," undated
"Nuremberg--And After," undated
"On Being Famous," undated
"On the Writings of Rockwell Kent," undated
"Original Page of -- Salamina -- Manuscript," undated
"Preface," undated
"Preface to the Monhegan Edition," undated
"Proposal for the Solution of the Liquor Problem," undated
"Review, by Rockwell Kent, of -- The Game of Death -- ," undated
"Review of -- Eskimo -- , by Peter Freuchen," undated
"Rockwell Kent," undated
"Rockwell Kent Biographical Data," undated
" -- Salome -- , by Oscar Wilde. -- Inventions -- , by John Vassos. -- The Marriage of Heaven and Hell -- , by William Blake" (book review), undated
"A Second Preface--Eleven Years Later," undated
"Speech for Opening of Exhibition," undated
"Statement for November 26th Meeting, NCASF," undated
"Statement for Use of National Council for American-Soviet Friendship," undated
"Statement for Use of the Teachers Union," undated
"Statement on 'American Art Today,'" undated
"Statement on the Arrest of the Communist Leaders," undated
"Story for -- Reader's Digest -- 'Life in America' Series," undated
"Text for -- The Lovers -- , Wood Engraving by Rockwell Kent" undated
"Unpublished Manuscript," undated
"Vegetarianism," undated
"We Hold these Truths" (Article for Use of -- Fraternal Outlook -- , by Rockwell Kent), (2 separate articles), undated
"What Home Means to Me," undated
"When I Was a Teener," undated
"Winslow Homer at Prout's Neck" (draft of book review by Kent), undated
" -- Winslow Homer at Prout's Neck -- , by P. Beam," undated
Greenland Journal -- , undated
"A Voyager's Log, Part II," undated
Wilderness -- , undated
World Famous Paintings -- , undated
Untitled, undated
Poems, undated
Fragments and Miscellaneous Notes, undated
Writings by Sarah Holgate Kent [mother]"The Little I Know of My Ancestors. As Far Back As I Can Remember," 1941
Writings by Sally Kent (Gorton)"Monhegan Notebook," 1950
"Article for R.K. Memorial Booklet--First Rough Draft," 1971
"Article for Rockwell Kent Memorial Portfolio," 1971
" -- Bulgaria Today: The Land and the People -- , by William Cary" (review), 1971
"Greeting for World Peace Council Meeting, Budapest--First Rough," 1971
"Greeting in Memory of Rockwell Kent for World Peace Council, Meeting in Budapest--3d Best," 1971
"Greeting in Memory of Rockwell Kent for World Peace Council, Meeting in Budapest--2d Best," 1971
"The Happiest Day," 1971
Drafts of Memoir ("Introduction," "Living on and off--The Land!," "Memoirs," "Chapter I--Save, Use," "First Chapter--Passages to Add Perhaps," "Chapter 2," "1971 Later--31 Years Later," "Use," "July 3, 1972"), 1971
Memoir Notes ("Monhegan Notes," "Notes and Quotes for Use in Book--'Rockwell Kent--Some Fireside Reminiscences,' " "Possibly for Use," "Random Notes," "R.K. on Homes"), 1971
"Suggested Copy: -- New York Times -- Ad to Be Sponsored by Committee of Concerned Citizens" ("Rockwell Kent's Engagement with Life"--Draft), 1971
"Rockwell Kent's Engagement with Life for Use of -- American Dialogue -- ," 1971
"Rockwell Kent--Glimpses" (notes), 1971
"The Making of -- It's Me, O Lord -- , Draft," 1974
"The Making of -- It's Me, O Lord -- For Use in -- The Kent Collector -- ," 1974
"And Now Monhegan Again!," 1977
"The Jay Taxpayers Association in 1933: A Good Fight," 1977
"Muddling Through" (shorthand), 1978
"Dedication Words" (notes, some in shorthand), 1978
"Rockwell Kent Gallery Dedication Words," 1978
"Story" (shorthand), 1978
"Story 'In the Drawer' for Time Being," 1978
"The Happiest Day," undated
Poem, undated
Writings by Others About KentReviews of Books by Rockwell Kent, 1931-1941
Poems, undated
"The Beautiful American," undated
"Biographical Notes--Rockwell Kent," undated
" -- It's Me, O Lord -- , Introduction, On Rockwell Kent and His Autobiography," undated
"Kent--The Writer," undated
"Message by Y. A. Malik on the Occasion of the Opening of the Exhibition of Soviet and American Prints," undated
"Part One, Books Written and Illustrated by Rockwell Kent, by Dan Burne Jones," undated
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
