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Signa Gallery - Siskind, Aaron

Collection Creator:
Tworkov, Jack  Search this
Container:
Box 3, Folder 95
Type:
Archival materials
Date:
1954-1981
Scope and Contents note:
Signa Gallery

Silk, Gerald D.

Sills, Jeanne Reynal

Silva, Tony

Simms, Mary

Siskind, Aaron
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Reels N70-38 and 62: Authorization to publish, quote, or reproduce requires written permission from Helen Tworkov or Hermine Ford. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jack Tworkov papers, 1926-1993. Archives of American Art, Smithsonian Institution.
See more items in:
Jack Tworkov papers
Jack Tworkov papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw923b051a2-e528-4b70-a346-8410b7218b11
EDAN-URL:
ead_component:sova-aaa-tworjack2-ref372

Eileen Cowin papers, 1961-2015

Creator:
Cowin, Eileen, 1947-  Search this
Cowin, Eileen, 1947-  Search this
Subject:
Heinecken, Robert  Search this
Korsower, Ellen  Search this
Larson, William  Search this
Siskind, Aaron  Search this
Chiarenza, Carl  Search this
Curran, Darryl  Search this
Gonzalez, Maria  Search this
California State University, Fullerton  Search this
Franconia College  Search this
Type:
Transcriptions
Sketchbooks
Video recordings
Sound recordings
Interviews
Visitors' books
Drawings
Photographs
Topic:
Women artists  Search this
Art -- Study and teaching  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)16271
(DSI-AAA_SIRISBib)371328
AAA_collcode_cowieile
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_371328
Online Media:

Eileen Cowin papers

Creator:
Cowin, Eileen, 1947-  Search this
Names:
California State University, Fullerton -- Faculty  Search this
Franconia College -- Faculty  Search this
Chiarenza, Carl  Search this
Curran, Darryl, 1935-  Search this
Gonzalez, Maria  Search this
Heinecken, Robert, 1931-  Search this
Korsower, Ellen  Search this
Larson, William  Search this
Siskind, Aaron  Search this
Extent:
15.7 Linear feet
29.56 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Transcriptions
Sketchbooks
Video recordings
Sound recordings
Interviews
Visitors' books
Drawings
Photographs
Date:
1961-2015
Summary:
The papers of Los Angeles photo and video artist Eileen Cowin measure 15.7 linear feet and 29.56 GB and date from 1961 to 2015. The papers include biographical materials, correspondence, writings, teaching files, project files, exhibition files, printed and digital material, video artwork and sketchbooks, sound and video recordings, and photographic material.
Scope and Contents:
The papers of Los Angeles photo and video artist Eileen Cowin measure 15.7 linear feet and 29.56 GB and date from 1961 to 2015. The papers include biographical materials, correspondence, writings, teaching files, project files, exhibition files, printed and digital material, artwork and sketchbooks, sound and video recordings, and photographic material.

Biographical material consists of diplomas, passports, rolodexes, faculty identification cards, legal papers, interview transcripts, and miscellaneous documents in hard copy and digital formats.

Personal and professional correspondence is with family, friends, artists, collectors, gallery owners, museums, and universities. Notable correspondents include Carl Chiarenza, Darryl Curran, Maria Gonzalez, Robert Heinecken, Ellen Korsower, William Larson, and Aaron Siskind.

Writings include notebooks, annotated appointment calendars and wall calendars, lectures, essays, drafts and notes, artists statements, guest registers, and some writings by others. A few lectures and one essay are on sound and digital video recordings.

Teaching files are mostly related to material from California State University, Fullerton. There are a few documents from Franconia College and other universities where Eileen Cowin taught workshops or had faculty appointments. The files include student evaluations, promotion notifications, and limited correspondence.

Project files include professional files, such as grant applications, artist residencies, and symposiums. Also found are art project proposals, publication agreements for art projects, and commissions,. Files contain correspondence, printed and digital material, application forms, research notes, and photographic material.

Exhibition files include announcements, catalogs, reviews, correspondence, price lists of artwork, and assorted material for Eileen Cowin's group and solo shows.

Printed material consists primarily of clippings, exhibition catalogs, announcements, books, periodicals, and clippings.

Artwork includes 26 videocassettes of Cowin's artwork, 1 sketchbook, drawings, 4 digital audio recordings, and a few college art projects.

Photographic material includes press prints, digital photographs, proofs, contact sheets, slides, negatives, transparencies, and test shots. There are photographs of installations and artwork as well as images for exhibition mock-ups. There are also batches of "research photographs" which were used for reference. There is one folder of photographs of Eileen Cowin.
Arrangement:
The collection is arranged as 9 series.

Missing Title

Series 1: Biographical Material, 1961-2015 (0.8 linear feet; Box 1, ER01; 0.016 GB)

Series 2: Correspondence, 1969-2015 (3 linear feet; Boxes 1-4, ER02-ER03; 0.199 GB)

Series 3: Writings, 1963-2014 (1.6 linear feet; Boxes 4-6, ER04-ER06; 11.88 GB)

Series 4: Teaching Files, 1974-2008 (0.3 linear feet, Box 6, ER07; 0.171 GB)

Series 5: Project Files, 1979-2010 (0.6 linear feet; Boxes 6-7, ER08; 9.35 GB)

Series 6: Exhibition Files, 1979-2011 (1.1 linear feet; Boxes 7-8, ER09; 0.001 GB)

Series 7: Printed Material, 1966-2014 (2.6 linear feet; Boxes 8-10, 17, OV 20, ER10; 0.011 GB)

Series 8: Artwork and Sketchbooks, 1964-2003 (3.2 linear feet; Boxes 10-13, 17, ER11; 0.076 GB)

Series 9: Photographic Material, 1968-2015 (2.5 linear feet; Boxes 13-16, 18-19, OV 21, ER12-ER13; 7.86 GB)
Biographical / Historical:
Eileen Cowin (1947-) is a photographer and video artist who lives in Los Angeles, California.

Eileen Cowin was born in Brooklyn, New York in 1947. She graduated from the State University of New York, New Paltz in 1968 and received her master's degree in photography from the Institute of Design at Illinois Institute of Technology (IIT) in Chicago in 1970. At IIT, she studied with Aaron Siskind and Arthur Siegel.

Cowin was involved in the L.A. experimental photography scene that began in the mid-1970s led by Robert Heinecken and Darryl Curran. In the early 1980s, Cowin gained initial prominence with staged photographs of family and friends in various roles, work in keeping with The Pictures Generation emerging at the same time on the East Coast.

From 1971-1975, Cowin taught photography at Franconia College in New Hampshire, and later became a professor at California State University, Fullerton, where she continued to teach until retiring in 2008.

Cowin's artwork has been featured in over 40 solo exhibitions and over 165 group exhibitions in the United States and abroad. She has received numerous awards for her art and worked on many public art projects.
Provenance:
The Eileen Cowin papers were donated to the Archives of American Art by Eileen Cowin in 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

One box of correspondence with Michael Dorris and Louise Erdrich and one box of correspondence with Robert Fichter are ACCESS RESTRICTED; use requires written permission.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Video artists -- California  Search this
Photographers -- California  Search this
Topic:
Women artists  Search this
Art -- Study and teaching  Search this
Genre/Form:
Transcriptions
Sketchbooks
Video recordings
Sound recordings
Interviews
Visitors' books
Drawings
Photographs
Citation:
Eileen Cowin papers, 1961-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cowieile
See more items in:
Eileen Cowin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94268d668-090e-4f26-9621-4e5d875f9d26
EDAN-URL:
ead_collection:sova-aaa-cowieile

Siskind, Aaron

Collection Creator:
Cowin, Eileen, 1947-  Search this
Container:
Box 3, Folder 3
Type:
Archival materials
Date:
1975
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

One box of correspondence with Michael Dorris and Louise Erdrich and one box of correspondence with Robert Fichter are ACCESS RESTRICTED; use requires written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eileen Cowin papers, 1961-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Eileen Cowin papers
Eileen Cowin papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94ab225cf-ae62-43bc-bc71-771b5309e5f7
EDAN-URL:
ead_component:sova-aaa-cowieile-ref78

Eileen Cowin papers, 1961-2015

Creator:
Cowin, Eileen  Search this
Subject:
Chiarenza, Carl  Search this
Curran, Darryl 1935-  Search this
Gonzalez, Maria  Search this
Heinecken, Robert 1931-  Search this
Korsower, Ellen  Search this
Larson, William  Search this
Siskind, Aaron  Search this
California State University, Fullerton Faculty  Search this
Franconia College Faculty  Search this
Physical description:
14.7 linear feet
Type:
Video recordings
Collection descriptions
Sketchbooks
Drawings
Sound recordings
Interviews
Place:
California
Date:
1961
1961-2015
Topic:
Women artists  Search this
Local number:
AAA
AAA cowieile
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice
Correspondence with Louise Eldrich, Michael Dorris, Robert Fichter is ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information
See more items in:
Eileen Cowin papers, 1961-2015
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_371328

Michael Loew papers

Creator:
Loew, Michael, 1907-1985  Search this
Names:
Federation of Modern Painters and Sculptors  Search this
Holland-Goldowsky Gallery  Search this
Landmark Gallery (New York, N.Y.)  Search this
Marilyn Pearl Gallery  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
United States. Work Projects Administration  Search this
University of California, Berkeley  Search this
Albers, Josef  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
De Kooning, Willem, 1904-1997 -- Photographs  Search this
Dehner, Dorothy, 1901-1994  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hasen, Burt  Search this
Jensen, Alfred, 1903-1981  Search this
Johnson, Philip, 1906-2005  Search this
Kahn, Louis I., 1901-1974  Search this
Kaprow, Allan  Search this
Kent, Rockwell, 1882-1971  Search this
Lahey, Richard, b. 1893  Search this
McDarrah, Fred W., 1926-2007  Search this
McNeil, George, 1908-1995  Search this
McPherson, Sarah Freedman, 1895-1978  Search this
Morris, George L. K., 1905-1975  Search this
Odets, Clifford, 1906-1963  Search this
Schempp, Theodore  Search this
Schnitzler, Max, 1903-  Search this
Siskind, Aaron  Search this
Slivka, Rose  Search this
Extent:
1.8 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1930-1997
Scope and Contents:
Biographical material, correspondence, notes, writings, photographs, business and financial records, works of art, and printed material document the career of painter and educator Michael Loew.
REEL N68-94: Biographical material, 1957-1967, includes 5 biographical sketches, a bibliography of Loew's publications, and an artist's statement. Correspondence, 1935-1968, is with colleagues, galleries, and educational institutions. There are one or two letters each from colleagues Josef Albers, Willem de Kooning, Adolph Gottlieb, Philip Johnson, Richard Lahey, George L.K. Morris, and Clifford Odets. Nine letters relate to Loew's work for the U.S. Works Progress Administration and the New York World's Fair. Writings, 1966, consist of several drafts for essay "Is It the Function of the Artist to Communicate with his Audience." A contract, 1938, is between Loew and Willem de Kooning and the New York World's Fair 1939 Inc. Printed material, 1944-1968, consists of exhibition announcements and catalogs. Photographs, 1960-1964, are of Loew and his art works. Notes consist of 2 undated notebooks and a typescript concerning Josef Albers. A scrapbook, 1938-1965, contains 4 photographs of art works, clippings, and exhibition announcements and catalogs.
REEL 5053: Correspondence, 1944-1990, is with galleries, including the Holland-Goldowsky Gallery, educational institutions, including the University of California at Berkeley, and colleagues including Dorothy Dehner, Burt Hasen, and Aaron Siskind. Correspondence, 1956-1957, with Rockwell Kent concerns the rental of Kent's Monhegan Island cabin. One letter, 1959, includes 3 photographs of Loew, Louis Kahn, Allan Kaprow, and George McNeil. Lecture notes are for an Artists Equity symposium, 1956, and a panel discussion on painting, 1968. Writings, 1968-1979, consist of 3 essays by Loew and tributes written to Sarah Freedman McPherson by Loew and others. Printed material, 1932-1992, consists of clippings, exhibition announcements and catalogs, and a book "The Artist's World" by Fred W. McDarrah. Photographs, 1930-1979, are of Loew, his friends, and his art works. One photograph is of Alfred Jensen, Theodore Schempp, Max Schnitzler, and Loew in Tunis, 1930.
UNMICROFILMED Biographical material incudes curriculum vita, obituaries, and birth announcements of Jonathan Loew, Michael Loew's son. Correspondence is with Willem and Elaine de Kooning. Writings include notes and a transcription of Loew's 1966 MoMA talk Must the Artist Communicate with his Audience, drafts of an article by Loew regarding Joseph Albers NEA and Guggenheim grant applications. Photographs are of Loew, his artwork, and his travels in Mexico as well as a color photograph of Loew and Willem de Kooning in de Kooning's studio taken by Rose Slivka. Artwork includes original off-prints for book covers. Business files relate to the 1939 World's Fair mural commission and include information about gifts of artwork to museums. Financial material includes a sales record book and records of sales with the Marilyn Pearl and Landmark galleries. Also included are literature and directories from the Federation of Modern Painters & Sculptors, exhibition announcements,and newspaper clippings.
Biographical / Historical:
Born in New York City, Michael Loew (1907-1985) studied at the Art Students League from 1926-1929, Academie Scandinave in Paris from 1929-1930, the Hans Hofmann School of Fine Art from 1947-1949, and at the Atelier Fernand Leger from 1949-1950. Loew worked as a stained glass artist from 1926 to 1929, and painted murals with Willem de Kooning for the New York World's Fair of 1939. Between 1956 and 1966, he taught painting at the Portland (Oregon) Art Museum, University of California at Berkeley, and at the School of Visual Arts in New York.
Provenance:
Material on reel N68-94 lent for microfilming 1968 by Michael Loew; approximately 50 letters and an artists' statement were later received in subsequent donations. Additional papers were donated in 1981-1982 by Loew, and in 1994 and 2008 by his widow, Mildred C. Loew, a portion of which was microfilmed on reel 5053. The photograph of Loew and de Kooning taken by Rose Slivka was donated by Loew's niece, Jackie Cohen, in 2007.
Restrictions:
Microfilmed portion must be accessed on film. Use of original papers requires an appointment.
Occupation:
Painters  Search this
Art teachers  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Identifier:
AAA.loewmich
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e3d9b795-510f-41a5-8709-a30f19d5425a
EDAN-URL:
ead_collection:sova-aaa-loewmich

Alice Yamin papers, 1927-1998

Creator:
Yamin, Alice  Search this
Landmark Gallery (New York, N.Y.)  Search this
Subject:
Siskind, Aaron  Search this
Lipkind, William 1904-1974  Search this
Lipkind, Maria  Search this
Bolotowsky, Ilya 1907-1981  Search this
Ginsberg, Henry  Search this
Aziz, Barbara Nimri  Search this
Bernard, Frank S  Search this
Brody, Lily  Search this
Fromboluti, Sideo 1921-  Search this
De Kooning, Elaine  Search this
Bultman, Fritz 1919-1985  Search this
Briggs, Ernest 1923-  Search this
Aach, Herbert 1923-1985  Search this
Littlefield, William Horace 1902-1969  Search this
Johnson, Buffie  Search this
Gottlieb, Adolph 1903-1974  Search this
Katz, Alex 1927-  Search this
Mason, Alice Trumbull 1904-1971  Search this
Glarner, Fritz 1899-1972  Search this
McFadden, Elizabeth  Search this
Grillo, John 1917-  Search this
Mumford, Daphne 1934-  Search this
Schmid, Elsa 1897-  Search this
Oeri, Georgine  Search this
Oeri-Sarasin, Gertrude  Search this
Newman, Barnett 1905-1970  Search this
Pavia, Philip 1915-2005  Search this
Teller, Jane  Search this
Rothko, Mark 1903-1970  Search this
Yamin, Leo  Search this
Physical description:
2.0 linear ft
Type:
Mixed archival materials
Collection descriptions
Place:
New York (State)
Date:
1927
1927-1998
Topic:
Painting  Search this
Women artists  Search this
Local number:
AAA
AAA yamialic
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information
See more items in:
Alice Yamin papers, 1927-1998
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_209026

Michael Loew papers, 1930-1997

Creator:
Loew, Michael 1907-1985  Search this
Subject:
Albers, Josef  Search this
Jensen, Alfred 1903-1981  Search this
Kahn, Louis I. 1901-1974  Search this
Kaprow, Allan  Search this
McNeil, George 1908-1995  Search this
McPherson, Sarah Freedman 1895-1978  Search this
Schempp, Theodore  Search this
Schnitzler, Max 1903-  Search this
De Kooning, Willem 1904-1997  Search this
Slivka, Rose  Search this
De Kooning, Elaine  Search this
Dehner, Dorothy 1901-1994  Search this
De Kooning, Willem 1904-1997  Search this
Gottlieb, Adolph 1903-1974  Search this
Hasen, Burt  Search this
Johnson, Philip 1906-2005  Search this
Kent, Rockwell 1882-1971  Search this
Lahey, Richard b. 1893  Search this
McDarrah, Fred W. 1926-2007  Search this
Morris, George L. K. 1905-1975  Search this
Odets, Clifford 1906-1963  Search this
Siskind, Aaron  Search this
Marilyn Pearl Gallery  Search this
Landmark Gallery (New York, N.Y.)  Search this
Federation of Modern Painters and Sculptors  Search this
Holland-Goldowsky Gallery  Search this
United States Work Projects Administration  Search this
University of California, Berkeley  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Physical description:
1.8 linear feet (partially microfilmed on 2 reels)
Type:
Mixed archival materials
Collection descriptions
Photographs
Place:
New York (State)
New York
Date:
1930
1930-1997
20th century
Topic:
Painting, Modern  Search this
Local number:
AAA N/68-94
AAA 5053
AAA loewmich
Restrictions & Rights:
Microfilmed portion must be accessed on film. Use of original papers requires an appointment
See more items in:
Michael Loew papers, 1930-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_211356

B.C. Holland Gallery records, 1942-1991, bulk 1959-1965

Creator:
B.C. Holland Gallery  Search this
Subject:
Bouras, Harry  Search this
Burlin, Paul 1886-1969  Search this
Callery, Mary 1903-1977  Search this
De Kooning, Elaine  Search this
De Kooning, Willem 1904-1997  Search this
Dubuffet, Jean 1901-1985  Search this
Dugmore, Edward 1915-  Search this
Ginzel, Roland 1921-  Search this
Goldberg, Michael 1924-2007  Search this
Goodnough, Robert 1917-  Search this
Goto, Joseph 1920-  Search this
Guston, Philip 1913-1980  Search this
Hatofsky, Jerry 1922-  Search this
Hunt, Richard 1935-  Search this
Johnson, Lester 1919-2010  Search this
Lanyon, Ellen  Search this
Leslie, Alfred 1927-  Search this
Lipchitz, Jacques 1891-1973  Search this
Loew, Michael 1907-1985  Search this
Oppenheim, Dennis 1938-2011  Search this
Pace, Stephen 1918-2010  Search this
Resnick, Milton 1917-2004  Search this
Rivers, Larry 1925-2002  Search this
Spaventa, George 1918-  Search this
Siskind, Aaron  Search this
Steinberg, Saul  Search this
Tworkov, Jack  Search this
Vicente, Esteban 1903-2001  Search this
Goldowsky, Noah  Search this
Holland, B. C Bud C 1922-1994  Search this
Holland-Goldowsky Gallery  Search this
Physical description:
2.1 linear ft
Type:
Mixed archival materials
Collection descriptions
Place:
United States
Date:
1942
1942-1991
bulk 1959-1965
20th century
Topic:
Art, Modern  Search this
Local number:
aaa
AAA bcholl
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information
See more items in:
B.C. Holland Gallery records, 1942-1991, bulk 1959-1965
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_215949

Jane Teller papers

Creator:
Teller, Jane  Search this
Names:
Albright-Knox Art Gallery  Search this
Montclair Art Museum  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Council on the Aging  Search this
Newark Museum  Search this
Noyes Museum  Search this
Parma Gallery (New York, N.Y.)  Search this
Princeton Gallery of Fine Art  Search this
Squibb Gallery (Princeton, N.J.)  Search this
Whitney Museum of American Art  Search this
Brodsky, Judith K.  Search this
Caparn, Rhys, 1909-1997  Search this
Dehner, Dorothy, 1901-1994  Search this
Fuller, Sue, 1914-  Search this
Gatch, Lee, 1902-1968  Search this
Johnson, Margaret K. (Margaret Kennard)  Search this
Kadish, Reuben, 1913-1992  Search this
Lamis, Leroy, 1925-  Search this
Lassaw, Ibram, 1913-2003  Search this
Siskind, Aaron  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Interviews
Prints
Sketchbooks
Slides (photographs)
Motion pictures (visual works)
Sketches
Scrapbooks
Photographs
Sound recordings
Date:
1911-1991
Summary:
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.
Scope and Content Note:
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.

Biographical material includes a birth certificate, school work, and passports. General correspondence includes letters from several artists including Rhys Caparn, Sue Fuller and Lee Gatch, and from art galleries, including the Museum of Modern Art, Albright-Knox Art Gallery and the Whitney Museum of American Art. Additional correspondence is found in the Subject Files.

Business records include an account book, lists of expenses and prices of art works, and sales records. Notes and writings include Teller's notes about art and travel, artists' statements, autobiographical writings, and a compilation of many artists' statements regarding "The Nine Bean Question."

Artwork includes three sketchbooks, 30 sketches and three prints primarily depicting nature and sculpture designs.

Five scrapbooks contain clippings, exbition announcements and catalogs. Additional printed material includes magazines, exhibition announcements and catalogs, a booklet by Teller entitled Art, Age and the River, published posthumously by her husband, and a manuscript of Poems or Poetic Expressions of Sculptors, collected by L. Lamis.

Subject files are arranged by name or subject and may contain letters, photographs, and printed material. Many of the files focus on galleries and museums, including the Montclair Art Museum, the Newark Museum, Noyes Museum, Parma Gallery, the Princeton Gallery of Fine Art and the Squibb Gallery. There are also subject files for associations, travel, projects, and colleagues including Margaret K. Johnson, Reuben Kadish, Ibram Lassaw, Aaron Siskind and Dorothy Dehner.

Photographs and slides depict Teller, her friends, works, gallery installations, and travels. Also included are photographs of trees, bark, and other natural formations used by Teller in her work.

The audio-visual materials include several sound recordings, videocassettes and 16 mm motion picture films. The videocassettes include television programs in which Teller, printmaker Judith Brodsky and actor Harry Hamlin are interviewed, a retrospective at Skidmore College and a film featuring Teller speaking for the National Council on Aging. Sound recordings include two interviews and a "Talk on Malta" by Teller and Joan Needham. The 16 mm films are black and white footage of Teller's first Parma Gallery show.
Arrangement:
The collection is arranged as 11 series. Records are generally arranged by material type and chronologically thereafter.

Missing Title

Series 1: Biographical Material, 1911-1985 (Box 1; 4 folders)

Series 2: Correspondence, 1956-1991 (Box 1; 0.3 linear feet)

Series 3: Business Records, 1961-1990 (Box 1; 5 folders)

Series 4: Notes, 1960-1987 (Box 1; 13 folders)

Series 5: Writings, 1960-1989 (Boxes 1 and 9; 5 folders)

Series 6: Artwork, circa 1950s (Boxes 1 and 9; 6 folders)

Series 7: Scrapbooks, 1948-1990 (Boxes 1-2; 0.7 linear feet)

Series 8: Printed Material, 1957-1991 (Boxes 2-3 and 9; 0.6 linear feet)

Series 9: Subject Files, 1951-1990 (Boxes 3-5; 2.5 linear feet)

Series 10: Photographs, 1934-1985 (Boxes 5-9; 2.5 linear feet)

Series 11: Audio-Visual Materials, 1961-1989 (Box 8, FC 10-12; 0.6 linear feet)
Biographical Note:
Jane Teller (1911-1990) worked as a printmaker and sculptor primarily in New Jersey. She specialized in working with wood and studied at the Rochester Institute of Technology, Skidmore College, and Barnard College. She also attended Federal Works Progress Administration (W.P.A.) classes in New York City, studying sculpture with Aaron J. Goodelman and wood carving with Karl Nielson. She later studied welding in the studio of Ibram Lassaw. She was also a lifelong friend of photographer Aaron Siskind. In 1960, she was awarded the Mary and Gustave Kellner Prize at the National Association of Women Artists Annual Exhibition at the National Academy of Design in New York, and in 1966 the Sculpture Prize at the Fiftieth Anniversary Exhibition, Philadelphia Art Alliance in Philadelphia. She exhibited mainly in New York and New Jersey and was married to author and editor Walter Teller.
Provenance:
The Jane Teller papers were donated by Jane Teller in 1990 and in 1991 by Walter Teller, widower of Jane Teller.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- New Jersey  Search this
Sculptors -- New Jersey  Search this
Topic:
Printmakers -- New Jersey  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Genre/Form:
Video recordings
Interviews
Prints
Sketchbooks
Slides (photographs)
Motion pictures (visual works)
Sketches
Scrapbooks
Photographs
Sound recordings
Citation:
Jane Teller papers, 1911-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.telljane
See more items in:
Jane Teller papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c6d3902-ef80-4ea1-ba58-b2abe402072c
EDAN-URL:
ead_collection:sova-aaa-telljane

Nina Howell Starr papers

Creator:
Starr, Nina Howell, 1903-2000  Search this
Names:
International Women's Art Festival  Search this
Museum of American Folk Art  Search this
Photographic Historical Society of New York  Search this
Professional Women's Photographers, Inc.  Search this
Sharon Arts Center  Search this
Southern Regional Council  Search this
Brandt, Helene, 1936-  Search this
Cohen, Stephenie  Search this
Coke, Van Deren, 1921-  Search this
Connor, Linda  Search this
Daitz, Evelyne Z.  Search this
DiSpirito, Henry, 1898-1995  Search this
Evans, Minnie, 1892-  Search this
Evans, Walker, 1903-1975  Search this
Ghent, Henri, 1926-  Search this
Kanaga, Consuelo, 1894-  Search this
Kernan, Margo, 1927-  Search this
Kruger, Louise, 1924-  Search this
Lippard, Lucy R.  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Mainardi, Patricia  Search this
Morgan, Barbara Brooks, 1900-1992  Search this
Putnam, Wallace, 1899-1989  Search this
Ringgold, Faith  Search this
Rose, Ruth Starr, 1887-1965  Search this
Savage, Naomi, 1927-2005  Search this
Sherwood, Maggie, 1922-1984  Search this
Siskind, Aaron  Search this
Strand, Paul, 1890-1976  Search this
Szarwarski, John  Search this
Uelsmann, Jerry, 1934-  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Date:
circa 1933-1996
Summary:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.
Scope and Contents:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

Biographical materials are scattered and include grant and publication applications, curriculum vitae, lists of artwork, and miscellany.

Starr's lectures, writings, and project files are arranged into one series. They include Starr's student writings, a notebook about Civil Rights, files documenting her work on a Florida public housing project, the Southern Regional Council, and the League of Women Voters. A few files of general writings and lectures mostly concern folk artist Minnie Evans and the exhibition Women Photograph Men, held at the International Women's Arts Festival in 1976.

Subject files on artists, art history topics, photographers and photography (including Starr's work), and on folk artist and friend Minne Evans comprise the bulk of the collection. The files are a mix of collated materials and primary sources created by Starr and others and many contain correspondence, notes, photographs, and a few sketches and orginal prints. Also included are materials related to professional and organizational groups in which Starr was involved, including the Professional Women's Photographers, Inc., the Photographic Historical Society of New York, and the Museum of American Folk Art; files on several of Starr's exhibitions; and files on artists that contain printed materials, correspondence, and photographs. The file on Ruth Starr Rose contains prints and drawings. There are also photographs taken by Stephanie Cohen. Particularly rich files are found for Stephanie Cohen; Van Deren Coke, Director of the George Eastman Company; Evelyn Daitz, Director of the Witkin Gallery; Henry DiSpirito; Walker Evans; the Fotofolio printing company; curator Henri Ghent; photographer Consuelo Kanaga and husband Wallace Putnam; Margot Starr Kernan; Lucy Lippard; Stanton Mac-Donald Wright; Sharon Arts Center; photographer Paul Strand; curator John Szarwarski; and photographer Jerry Uelsman.

The collection also documents the friendship between painter Minnie Evans and Starr, and Starr's business dealings on Evans' behalf. There is correspondence about and with Evans, several sound recordings of interviews conducted by Starr and others with Evans, many with transcripts, financial documents, publications about Evans including exhibition catalogs, clippings, journal articles and monographs, two posters, a scrapbook, and one sketch by Evans.

Printed material includes published articles, exhibition catalogs and announcements, and clippings about Starr.

Photographic materials are extensive and include photographs and slides taken by Starr of friends, family, artwork by Minnie Evans, events, exhibition openings, world travels, and folk art, especially roadside. Prominent artists and art historians photographed include: photographers Maggie Sherwood, Naomi Savage, Barbara Morgan, Linda Connor, Aaron Siskind, Consuelo Kanaga, Faith Ringgold, and Walker Evans; sculptors Louise Kruger and Helene Brandt; feminist and art historian Pat Mainardi; and curators Henri Ghent and John Szarkowski. Starr's artistic photographic work is also represented, and includes two silver gelatin prints of Minnie Evans, and subject studies on hands, people, and nature, among others.
Arrangement:
The collection is arranged as 6 series.

Missing Title

Series 1: Biographical material, 1954-circa 1990 (8 folders; Box 1)

Series 2: Writings, Speeches and Projects, 1933-1995 (1.1 linear feet; Boxes 1-2)

Series 3: Subject Files, circa 1939-1996 (8.3 linear feet; Boxes 2-10)

Series 4: Minnie Evans, 1962-1996 (3.7 linear feet; Boxes 10-13, 23, OV 24)

Series 5: Printed Material, 1936-1995 (2.7 linear feet; Boxes 13-16, 23)

Series 6: Photographic Material, circa 1939-1993 (5.4 linear feet; Boxes 16-23, OV 24)
Biographical / Historical:
Nina Howell Starr (1903-2000) was a photographer, art dealer, and art historian who worked primarily in New York City. Born in Newark, New Jersey in 1903 as Cornelia Margaret Howell, Starr attended Wellesley College and graduated from Barnard in 1926. Also in 1926, she married Nathan Comfort Starr, an English professor, and, over the years the couple lived in Massachusetts, Maryland, Florida, and New York City.

In 1963, at the age of 60, Starr received the first M.F.A. in photography granted by the University of Florida. Starr exhibited widely in both solo and group exhibitions, including Magic Lantern (Photographer's Gallery, London, 1976), and the Strength of Women (Witken Gallery, 1991), and numerous shows featuring photographs of outsider art. Her "New Yorker" project became an exhibition in 2016. Her work is owned by several prominent museums, including the Metropolitan Museum of Art and the George Eastman House International Museum of Photography.

As art historian, self-proclaimed critic, and civil rights and feminist advocate, Starr lectured widely, wrote articles and letters to editors, and corresponded with many notable art world figures. She became especially interested in outsider and folk art. Starr met outsider artist Minnie Evans in 1962 and became Evans' lifelong friend, advocate, and representative dealer. She wrote about Evans and introduced Evans' works to galleries and other exhibition spaces in New York, including the Whitney Museum, where she guest-curated an exhibition of Evans' work in 1975.

Starr was an active member of professional organizations including the Photographic Historical Society of New York, Professional Women's Photographers, Inc., and the Museum of American Folk Art where she served on the Advisory Committee.

Nina Howell Starr died in 2000 in Connecticut at the age of 97.
Provenance:
The Nina Howell Starr papers were donated by Nina Howell Starr in 1996.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Topic:
Folk art  Search this
Civil rights  Search this
African American art  Search this
Folk art -- Photographs  Search this
Women photographers  Search this
Photography  Search this
African American artists  Search this
Genre/Form:
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.starnina
See more items in:
Nina Howell Starr papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dccd352c-b391-49d6-ae20-8b00e1e280d3
EDAN-URL:
ead_collection:sova-aaa-starnina
Online Media:

Siskind, Aaron

Collection Creator:
Starr, Nina Howell, 1903-2000  Search this
Container:
Box 9, Folder 17
Type:
Archival materials
Date:
1965-1985
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Nina Howell Starr papers
Nina Howell Starr papers / Series 3: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a57013fa-cc1b-4cbb-8bd4-1660605709b1
EDAN-URL:
ead_component:sova-aaa-starnina-ref464

Jane Teller papers, 1911-1991

Creator:
Teller, Jane  Search this
Subject:
Brodsky, Judith K  Search this
Dehner, Dorothy 1901-1994  Search this
Johnson, Margaret K (Margaret Kennard)  Search this
Kadish, Reuben 1913-1992  Search this
Lassaw, Ibram 1913-2003  Search this
Siskind, Aaron  Search this
Caparn, Rhys 1909-1997  Search this
Fuller, Sue 1914-2006  Search this
Gatch, Lee 1902-1968  Search this
Lamis, Leroy 1925-  Search this
Montclair Art Museum  Search this
National Council on the Aging  Search this
Newark Museum  Search this
Noyes Museum  Search this
Parma Gallery (New York, N.Y.)  Search this
Princeton Gallery of Fine Art  Search this
Skidmore College  Search this
Squibb Gallery (Princeton, N.J.)  Search this
Albright-Knox Art Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Physical description:
8.6 linear ft
Type:
Interviews
Collection descriptions
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Place:
United States
New Jersey
Date:
1911
1911-1991
20th century
Topic:
Sculpture, Modern  Search this
Women artists  Search this
Local number:
AAA
AAA telljane
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information
See more items in:
Jane Teller papers, 1911-1991
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_214368

Nina Howell Starr papers, 1933-1996

Creator:
Starr, Nina Howell 1903-2000  Search this
Subject:
Brandt, Helene 1936-  Search this
Cohen, Stephanie  Search this
Coke, Van Deren 1921-  Search this
Connor, Linda 1944-  Search this
Daitz, Evelyne Z  Search this
DiSpirito, Henry 1898-1995  Search this
Evans, Minnie 1892-  Search this
Evans, Walker 1903-1975  Search this
Ghent, Henri 1926-  Search this
Kanaga, Consuelo 1894-  Search this
Kernan, Margo 1927-  Search this
Kruger, Louise 1924-  Search this
Lippard, Lucy R  Search this
Macdonald-Wright, Stanton 1890-1973  Search this
Mainardi, Patricia  Search this
Morgan, Barbara Brooks 1900-  Search this
Putnam, Wallace 1899-1989  Search this
Ringgold, Faith  Search this
Rose, Ruth Starr 1887-1965  Search this
Savage, Naomi 1927-2005  Search this
Sherwood, Maggie 1922-1984  Search this
Siskind, Aaron  Search this
Strand, Paul 1890-1976  Search this
Szarwarski, John  Search this
Uelsmann, Jerry 1934-  Search this
Museum of American Folk Art  Search this
Professional Women's Photographers, Inc  Search this
Photographic Historical Society of New York  Search this
Sharon Arts Center  Search this
Southern Regional Council  Search this
International Women's Art Festival  Search this
Physical description:
21.2 linear feet
Type:
Drawings
Collection descriptions
Photographs
Interviews
Scrapbooks
Sound recordings
Place:
United States
Date:
1933
1933-1996
Topic:
African American art  Search this
Civil rights  Search this
Folk art  Search this
Photography  Search this
Women photographers  Search this
Local number:
aaa
AAA starnina
Restrictions & Rights:
Use requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice
See more items in:
Nina Howell Starr papers, 1933-1996
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_216034

Alice Yamin papers

Creator:
Yamin, Alice  Search this
Names:
Landmark Gallery (New York, N.Y.)  Search this
Aach, Herbert, 1923-1985  Search this
Aziz, Barbara Nimri  Search this
Bernard, Frank S.  Search this
Bolotowsky, Ilya, 1907-  Search this
Briggs, Ernest, 1923-  Search this
Brody, Lily  Search this
Bultman, Fritz, 1919-1985  Search this
De Kooning, Elaine  Search this
Fromboluti, Sideo, 1921-  Search this
Ginsberg, Henry  Search this
Glarner, Fritz, 1899-1972  Search this
Gottlieb, Adolph, 1903-1974  Search this
Grillo, John, 1917-  Search this
Johnson, Buffie  Search this
Katz, Alex, 1927-  Search this
Lipkind, Bill  Search this
Lipkind, Maria  Search this
Littlefield, William Horace, 1902-1969  Search this
Mason, Alice Trumbull, 1904-1971  Search this
McFadden, Elizabeth  Search this
Mumford, Daphne, 1934  Search this
Newman, Barnett, 1905-1970  Search this
Oeri, Georgine  Search this
Oeri-Sarasin, Gertrude  Search this
Pavia, Philip, 1915-2005  Search this
Rothko, Mark, 1903-1970  Search this
Schmid, Elsa, 1897-  Search this
Siskind, Aaron  Search this
Teller, Jane  Search this
Yamin, Leo  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1927-1998
Summary:
The papers of painter, draftsperson, and art consultant Alice Yamin date from 1927-1998, and measure 2.0 linear feet. Found within the papers are letters from artists, writers, galleries, and CIGY-GEIGY Corporation for whom Yamin worked as an art consultant. The collection also contains exhibition files, printed material, and photographs of Yamin, family members, and colleagues.
Scope and Content Note:
The papers of painter, draftsperson, and art consultant Alice Yamin date from 1927-1998, and measure 2.0 linear feet. Found within the papers are letters from artists, writers, galleries, and CIGY-GEIGY Corporation for whom Yamin worked as an art consultant. The collection also contains exhibition files, printed material, and photographs of Yamin, family members, and colleagues.

The most significant series consists of letter files, which also contain scattered printed material and photographs collected by Yamin, concerning specific individuals and organizations. Represented within the files are artists Herb Aach, Ilya Bolotowsky, Ernest Briggs, Lily Brody, Fritz Bultman, Elaine DeKooning, Sideo Fromboluti, Fritz Glarner, Adolph Gottlieb, John Grillo, Buffie Johnson, Alex Katz, William H. Littlefield, Alice Trumbull Mason, Elizabeth McFadden, Daphne Mumford, Barnett Newman, Philip Pavia, Mark Rothko, Elsa Schmid, and Jane Teller; curator Henry Ginsburg; writers Barbara Nimri Aziz, Georgine Oeri, Gertrud Oeri-Sarasin, and Leo Yamin; and galleries including the Ingber Gallery and the Landmark Gallery. There are also letter files concerning the CIGY-GEIGY Corporation; for Alice Yamin's brother, businessman Frank S. Bernard, and the town of Chilmark, Massachusetts, where the Yamins spent their summers. Even though Yamin's responses to the letters are not included in the collection, this series illustrates the wide range of her friendships and associates in the art business.

Also found are exhibition files containing letters, prospectuses, business records such as loan agreements, clippings, and exhibition announcements and catalogs concerning the inclusion of Yamin's art work primarily in group exhibitions. Printed material consists of miscellaneous clippings, and exhibition announcements and catalogs that do not relate to the exhibition files, as well as miscellaneous booklets, brochures, and a copy of the book American Drawings, Watercolors, Pastels, and Collages published by the Corcoran Gallery of Art which contains a reproduction of Yamin's work. Photographs are of Yamin, family members, and colleagues including Bill and Maria Lipkind, and Aaron Siskind.
Arrangement:
The collection is arranged into 4 series. Letter files pertaining to specific individuals and organizations are arranged alphabetically; miscellaneous letters, exhibition files, printed material, and photographs are arranged chronologically.

Missing Title

Series 1: Letter Files, 1927-1998 (Boxes 1-2; 1.5 linear feet)

Series 2: Exhibition Files, 1956-1982 (Box 2; 18 folders)

Series 3: Printed Material, 1949-1992 (Box 2; 22 folders)

Series 4: Photographs, 1923-1978 (Box 2; 2 folders)
Biographical Note:
Alice Bernard was born on April 8, 1905 in Paris, France. She was brought to the United States as a child and spent most of her life in New York City. She married writer Leo Yamin who died on January 20, 1999.

Alice Yamin was a painter and draftsperson influenced by Abstract Expressionism. Beginning in 1950, she worked with a carbon medium, primarily producing dramatic black and white works on paper. She was also an art consultant for the international chemical firm CIBA-GEIGY Corporation that began collecting contemporary art in 1959 when it moved its headquarters from Manhattan to Ardsley, New York, a suburb of New York City.

Alice Yamin died on April 4, 2002.
Provenance:
The Alice Yamin papers were donated in 1981 by the artist and in 2002 by Harry Smith, her nephew.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Consultants -- New York (State) -- New York  Search this
Painting -- New York (State) -- New York  Search this
Draftsman -- New York (State) -- New York  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Photographs
Citation:
Alice Yamin papers, 1927-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.yamialic
See more items in:
Alice Yamin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9450adfab-29f0-4402-900d-5c3676da8b95
EDAN-URL:
ead_collection:sova-aaa-yamialic
Online Media:

B. C. Holland Gallery records

Creator:
B.C. Holland Gallery  Search this
Holland, B. C. (Bud C.), 1922-1994  Search this
Names:
Holland-Goldowsky Gallery  Search this
Bouras, Harry  Search this
Burlin, Paul, 1886-1969  Search this
Callery, Mary, 1903-1977  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Dubuffet, Jean, 1901-  Search this
Dugmore, Edward, 1915-  Search this
Ginzel, Roland, 1921-  Search this
Goldberg, Michael, 1924-  Search this
Goldowsky, Noah  Search this
Goodnough, Robert, 1917-  Search this
Goto, Joseph, 1920-  Search this
Guston, Philip, 1913-1980  Search this
Hatofsky, Jerry, 1922-  Search this
Hunt, Richard, 1935-  Search this
Johnson, Lester, 1919-2010  Search this
Lanyon, Ellen  Search this
Leslie, Alfred, 1927-  Search this
Lipchitz, Jacques, 1891-1973  Search this
Loew, Michael, 1907-1985  Search this
Oppenheim, Dennis, 1938-2011  Search this
Pace, Stephen, 1918-2010  Search this
Resnick, Milton, 1917-2004  Search this
Rivers, Larry, 1925-2002  Search this
Siskind, Aaron  Search this
Spaventa, George, 1918-  Search this
Steinberg, Saul  Search this
Tworkov, Jack  Search this
Vicente, Esteban, 1903-2001  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1942-1991
bulk 1959-1965
Summary:
The records of the B. C. Holland Gallery measure 2.1 linear feet and date from 1942-1991 (bulk dates 1959-1965). Founded in Chicago, Illinois by Bud C. Holland and Noah Goldowsky, the collection documents over 98 artists associated with the gallery. Documentation includes invoices, correspondence between artists and gallery owners, price lists, exhibition catalogs and print materials, magazine and newspaper clippings, photographs, and slides, and some business records of the gallery.
Scope and Contents:
The records of the B. C. Holland Gallery measure 2.1 linear feet and date from 1942-1991 (bulk dates 1959-1965). Founded in Chicago, Illinois by Bud C. Holland and Noah Goldowsky, the collection documents over 98 artists associated with the gallery. Documentation includes invoices, correspondence between artists and gallery owners, price lists, exhibition catalogues and print materials, magazine and newspaper clippings, photographs, and slides, and some business records of the gallery.

Artists of note include: Harry Bouras, Paul Burlin, Mary Callery, Elaine de Kooning, Willem de Kooning, Jean Dubuffet, Edward Dugmore, Roland Ginzel (including 2 ink drawings), Michael Goldberg, Robert Goodnough, Joseph Goto, Philip Guston, Julius Hatofsky, Richard Hunt (includes 18 files and a landscape plan of John J. Madden Clinic sculpture installation), Lester Johnson, Ellen Lanyon, Alfred Leslie, Jacques Lipchitz, Michael Loew, Knox Martin, Dennis Oppenheim, Stephen Pace, Milton Resnick, Larry Rivers, Aaron Siskind, George Spaventa, Saul Steinberg, Jack Tworkov, and Estaban Vicente.
Arrangement:
The collection is arranged as 2 series.

Missing Title

Series 1: Artist files, 1942-1991 (2.1 linear feet; Boxes 1-2, OV 3)

Series 2: Business records, 1961-1963 (1 folder; Box 2)
Biographical / Historical:
B. C. Holland Gallery (1957-1994) was founded by Bud C. Holland and Noah Goldowsky, and was initially known as the Holland-Goldowsky Gallery. It held exhibitions and sold artwork for Chicago artists and many artists of the New York School. Holland bought out his partner and renamed the gallery the B. C. Holland Gallery in August 1961. The gallery closed upon Holland's death in 1994.

Bud C. Holland entered the jewelry business, after serving in WWII as a bomber pilot, where he began collecting artwork. He opened his first art gallery in 1957. During the 1960s pop trend, Holland was drawn towards abstract expressionism and other art forms, which he focused on in his gallery. He began selling his collection when he was diagnosed with cancer, and died at 72 in Chicago, Illinois, 29 December 1994.
Provenance:
The B. C. Holland Gallery records were donated to the Archives of American Art by Bud C. Holland's widow, Claire Y. Holland, in 1995.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- New York (State) -- New York  Search this
Artists -- Illinois -- Chicago  Search this
Art, Modern -- 20th century -- United States  Search this
Function:
Art galleries, Commercial -- Illinois
Genre/Form:
Photographs
Citation:
B. C. Holland Gallery records, 1942-1991, bulk 1959-1965. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bcholl
See more items in:
B. C. Holland Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9728eec2f-f3b7-4c08-a13d-26a52477ea6e
EDAN-URL:
ead_collection:sova-aaa-bcholl
Online Media:

Siskind, Aaron

Collection Creator:
B.C. Holland Gallery  Search this
Holland, B. C. (Bud C.), 1922-1994  Search this
Container:
Box 2, Folder 33-35
Type:
Archival materials
Date:
1959-1989
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
B. C. Holland Gallery records, 1942-1991, bulk 1959-1965. Archives of American Art, Smithsonian Institution.
See more items in:
B. C. Holland Gallery records
B. C. Holland Gallery records / Series 1: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9afcb9392-5b0e-4c95-aa7f-22aa5ea903f4
EDAN-URL:
ead_component:sova-aaa-bcholl-ref113

Judith Wechsler papers

Creator:
Wechsler, Judith  Search this
Names:
Museum at Large Ltd.  Search this
Universal Limited Art Editions (Firm)  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Cage, John, 1912-1992  Search this
Callahan, Harry M.  Search this
Cohen, John, 1932-2019  Search this
Falkenberg, Paul  Search this
Hockney, David  Search this
Hopps, Walter  Search this
Johns, Jasper, 1930-  Search this
Menil, Dominique de  Search this
Meyerowitz, Joel, 1938-  Search this
Namuth, Hans  Search this
Pearlstein, Philip, 1924-  Search this
Siskind, Aaron  Search this
Steichen, Edward, 1879-1973  Search this
Stella, Frank  Search this
Stieglitz, Alfred, 1864-1946  Search this
Extent:
17.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Motion pictures (visual works)
Sound recordings
Date:
circa 1940-2003
bulk 1971-1994
Summary:
The papers of filmmaker and art historian Judith Wechsler measure 17.4 linear feet and consist of film production material from several of Wechsler's documentary films released between 1989 and 1994. Most of the collection consists of sound recordings and motion picture film. Notable content includes interviews with Jasper Johns, Frank Stella, David Hockney, Philip Pearlstein, Joel Meyerowitz, Jo Spence, Yolanda Sonnabend, Dominique de Menil, Walter Hopps, Aaron Siskind, and Harry Callahan, as well as footage of artists working in their studios. Production elements found include original sound recordings, original camera negative outtakes, work print picture and soundtrack, trims, various pre-print master material, and video copies of completed works.
Scope and Contents:
The papers of filmmaker and art historian Judith Wechsler measure 17.4 linear feet and consist of film production material from several of Wechsler's documentary films released between 1989 and 1994. Most of the collection consists of sound recordings and motion picture film. Notable content includes interviews with Jasper Johns, Frank Stella, David Hockney, Philip Pearlstein, Joel Meyerowitz, Jo Spence, Yolanda Sonnabend, Dominique de Menil, Walter Hopps, Aaron Siskind, and Harry Callahan, as well as footage of artists working in their studios. Production elements found include original sound recordings, original camera negative outtakes, work print picture and soundtrack, trims, various pre-print master material, and video copies of completed works.

Documentaries with production material in the collection include Jasper Johns: Take An Object, produced with Hans Namuth, Harry Callahan (1994), Aaron Siskind: Making Pictures (1991), and five episodes of The Painter's World: Changing Constants of Art from the Renaissance to the Present (1989), a six-part television series produced by WGBH in Boston. Episodes of the series for which records are found include "The Training of Painters," "The Arrested Moment," "Portraits," "Abstraction," and "Painting and the Public". Also found are two reels of soundtrack labeled "Two Photographers," a title for which no other documentation is found.

The Painter's World episodes "Abstraction," "The Arrested Moment," and "Portraits" address the evolution of painting style and traditions, and the "Painting and the Public" episode addresses the role of patronage and the evolution of art museums. Footage found for "The Training of Painters" consists of footage of Josef Albers teaching at Yale University shot around 1955, likely shot by John Cohen.

Jasper Johns: Take An Object was a collaborative project between Wechsler, Hans Namuth, and Paul Falkenberg, who worked together under the corporate name of Museum at Large. Footage consists of multiple interviews with Johns, a 1971 session of Johns working in his Houston Street studio, and a 1989 session of Johns working at Universal Limited Art Editions, as well as additional material of John Cage and others speaking about Johns' work.

In Harry Callahan, Callahan discusses the inspiration behind his work and recollects about his time with Ansel Adams, Alfred Stieglitz, Edward Steichen, and Aaron Siskind. For Aaron Siskind: Making Pictures, Siskind covers the beginning of his career, and the inspiration and methods behind his work. The "Two Photographers" content and relationship to the collection is unknown.
Arrangement:
The collection is arranged as 5 series.

Missing Title

Series 1: -- The Painters World: Changing Constants of Art from the Renaissance to the Present -- Production Records, 1985-1989 (5.5 linear feet; Boxes 1, 3-6, 15, 20)

Series 2: -- Jasper Johns: Take an Object -- Production Records, 1971-1972, 1989-1990 (5.9 linear feet, Boxes 2, 7-11, 20-24)

Series 3: -- Aaron Siskind: Making Pictures -- Production Records, 1990-2003 (2.5 linear feet; Boxes 2, 11-12, 16-18, 21)

Series 4: -- Harry Callahan -- Production Records, 1992-1994 (3.3 linear feet; Boxes 2, 12-14, 18-19, 21)

Series 5: Unidentified Program Material, circa 1940-1994 (0.3 linear feet; Boxes 2, 14, FC 147)
Biographical / Historical:
Judith Wechsler is an art historian, professor, and filmmaker. Wechsler studied at Brandeis University, Columbia University, and earned her Ph.D. at Univeristy of California, Los Angeles in 1972. She published On Aesthetics in Science in 1978 and A Human Comedy: Physiognomy and Human Caricature in 19th Century Paris, focusing on the work of Honoré Daumier, in 1982. She edited the memoirs of her father, literary scholar Nahum N. Glatzer, published in 1998, and has published dozens of articles, reviews, and catalog essays for American and European institutions and publications.

She has taught at Brown University, Harvard University, Massachusetts Institute of Technology, Hebrew University, and Rhode Island School of Design and joined the faculty at Tufts University in 1989, where she remained until her retirement in 2011.

Wechsler first worked on films with designer Charles Eames, co-directing films on her early scholarly subjects, Daumier and CĂ©zanne. In the mid-1980s, she wrote and directed a series of art documentaries for television with the series title The Painter's World: Changing Constants of Art from the Renaissance to the Present. Since that time, Wechsler has directed dozens of films, primarily on artists and photographers, and in recent years has focused on the history of ideas in early twentieth century Europe, with films on Nahum Glatzer, Walter Benjamin, Aby Warburg, and Svetlana Boym.

Wechsler received a Chevalier dans l'Ordre des Arts et des Lettres from the French government in 2007, and became professor emerita at Tufts in 2011. She lives and works in Massachusetts.
Related Materials:
Release prints of each of the titles represented in the collection are held by the Harvard Film Archive. Digital video copies of edited films are available on Judith Wechsler's website (http://www.judithwechsler.com/films, accessed 2017).
Provenance:
Donated 2008, 2017, and 2019 by Judith Wechsler.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Painter's World: Copyright retained by Judith Wechsler.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- Massachusetts -- Boston  Search this
Topic:
Art patronage  Search this
Art museums  Search this
Filmmakers--Massachusetts--Boston  Search this
Women art historians  Search this
Women filmmakers  Search this
Women educators  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Sound recordings
Citation:
Judith Wechsler papers, 1940-2003, bulk 1971-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wechjudi
See more items in:
Judith Wechsler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fc8cc499-eb07-4514-a5ce-77f018cb7e0d
EDAN-URL:
ead_collection:sova-aaa-wechjudi

Oral history interview with Rosanne Somerson

Topic:
Fine woodworking
Interviewee:
Somerson, Rosanne, 1954-  Search this
Interviewer:
Michie, Thomas S.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Haystack Mountain School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Peters Valley (Craft center)  Search this
Rhode Island School of Design -- Faculty  Search this
Rhode Island School of Design -- Students  Search this
Richard Kagan Gallery  Search this
Snyderman Gallery  Search this
Abramson, Ron  Search this
Callahan, Harry M.  Search this
Capanigro, Paul  Search this
Cooke, Ned  Search this
Dunnigan, John, 1950-  Search this
Fairbanks, Jonathan L.  Search this
Follen, Eck  Search this
Frid, Tage  Search this
Jackson, Dan  Search this
Joseph, Peter T. (Peter Thomas), 1950-1998  Search this
Kagan, Richard  Search this
Keck, Hardu  Search this
Kranov, James  Search this
Maruyama, Wendy, 1952-  Search this
Mattia, Alphonse  Search this
Melanson, Gracie  Search this
Osgood, Jere, 1936-  Search this
Sfirri, Mark  Search this
Siskind, Aaron  Search this
Swanson, Charlie  Search this
Szasz, Merlin  Search this
White, Leroy  Search this
Wolf, Hans  Search this
Extent:
61 Pages (Transcripts)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2006 August 7 and 2007 June 22
Scope and Contents:
An interview of Rosanne Somerson conducted 2006 August 7-2007 June 22, by Thomas Michie, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Rhode Island School of Design, in Providence, Rhode Island. In part one of this interview, Somerson speaks of growing up outside of Philadelphia, Pennsylvania; attending RISD beginning in 1971; being asked to teach there nine years later; creating a new department of furniture design; tailoring that furniture design program to encompass the development from design to manufacture; introducing materials other than wood into the program; garnering international attention through worldwide exhibits; her first show at the Richard Kagan Gallery in Philadelphia; participating in a group show in New York City for female woodworkers; making connections through the Snyderman Gallery and Pritam and Eames Gallery; working directly with clients on commissioned pieces; the financial stability of teaching; designing a piece for the headquarters of Khon, Peterson Fox, and Conway in New York; the sculptural elements present in many of her works; moving from a small studio in Boston, Massachusetts, to a larger studio in Westport, Connecticut, and finally to a shared studio in Fall River, Massachusetts; the supportive and proud reaction of her children to her work; creating a production company with colleagues and designing furniture for the RISD dormitories; attempting to make these designs both flexible and environmentally-friendly; putting aside teaching for an administrative position in the department; recent travel to Japan, Australia, England, Israel, and France; enrolling in summer programs with art schools like Haystack Mountain School of Craft in Maine and others; and excitement for her upcoming sabbatical.
In the second portion of the interview, she discusses living in a house built by her father in Wyncote, Pennsylvania; enjoying the location of the house on a former cherry orchard and consequently being drawn cherry wood as a medium; the feeling of her parents that anything could be accomplished with a certain amount of study; her mother's interest in weaving and spinning later in life; the creative pursuits of her older brothers, including creative writing and photography; verbally communicating the outside world to her blind grandfather and gaining an aptitude for interpreting visual imagery; being more academically than artistically focused in her youth; visiting art museums and having other cultural experiences with her family; being fascinated with photography by seeing her brother's work; deciding to put off college in order to spend a year in Denmark studying photography; enrolling in RISD and feeling overwhelmed at first by her inexperience; taking a winter course in wood-working and preferring it to photography; being advised by her teacher Tage Frid to gain a wood-working education by pursuing sculpture at RISD; transferring into industrial design later; learning a great deal from and being extraordinarily influenced by Tage Frid as a furniture designer and teacher; taking a semester off to attend Peters Valley Craftsmen in New Jersey; spending a few years after graduation assisting Frid with the writing and publication of his articles; working as an assistant editor for Fine Woodworking magazine; being offered a job at RISD in the furniture department; creating the furniture design program; using RISD's collection as inspiration for her work and as a teaching tool; moving towards using more local woods in her designs; her recent lecture and travel in China; and looking forward to focusing on her work in the new studio.
Somerson recalls John Dunnigan, Dick Kagan, Ned Cooke, Jonathan Fairbanks, Wendy Maruyama, James Krenov, Dan Jackson, Jere Osgood, Alphonse Mattia, Peter Joseph, Ron Abramson, Charlie Swanson, Eck Follen, Peter Walker, and others. In the second part, Somerson recalls Merlin Szasz, LeRoy White, Hardu Keck, Gracia Melanson, Harry Callahan, Aaron Siskind, Paul Crot, Paul Capanigro, Tage Frid, Hans Wolfe, Mark Sfirri, and others.
Biographical / Historical:
Rosanne Somerson (1954- ) is a professor of furniture design and furniture designer and maker in Westport, Massachusetts. Thomas Michie is a curator of decorative arts, Los Angeles County Museum of Art, Los Angeles, California.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 3 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Furniture designers -- Rhode Island  Search this
Topic:
Decorative arts  Search this
Educators -- Rhode Island -- Interviews  Search this
Furniture design -- Study and teaching  Search this
Photography  Search this
Women artists  Search this
Women designers  Search this
Women educators  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.somers06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9db2e506b-fd9b-42d1-b6a2-f24d806027dc
EDAN-URL:
ead_collection:sova-aaa-somers06
Online Media:

Aaron Siskind papers

Creator:
Siskind, Aaron  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Arnheim, Rudolf  Search this
Caponigro, Paul, 1932-  Search this
Chermayeff, Ivan  Search this
Cunningham, Imogen, 1883-1976  Search this
Jachna, Joseph D.  Search this
Kepes, Gyorgy, 1906-2001  Search this
Lewis, Golda, d. 2005  Search this
Ostrow, Stephen E.  Search this
Robbins, Daniel  Search this
Savage, Naomi, 1927-2005  Search this
Shestack, Alan  Search this
Teller, Jane  Search this
Weber, Hugo, 1918-1971  Search this
Extent:
1,257 Items ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1967-1977
Scope and Contents:
Correspondence; biographical information; financial papers; clippings; exhibition catalogs and announcements. Correspondents include Ansel Adams, Rudolf Arnheim, Paul Caponigro, Ivan Chermayeff, Imogen Cunningham, Joseph Jachna, Gyorgy Kepes, Golda Lewis, Stephen Ostrow, Daniel Robbins, Naomi Savage, Alan Shestack, Jane Teller, and Hugo Weber, among others.
Biographical / Historical:
Photographer; Providence, R.I., Born 1903. Died 1991.
Provenance:
Lent for microfilming 1977 by Aaron Siskind.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Photographers -- Rhode Island -- Providence  Search this
Topic:
Photography  Search this
Identifier:
AAA.siskaaro
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f96dcc92-3688-4d17-8139-ac13c8b77b78
EDAN-URL:
ead_collection:sova-aaa-siskaaro

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