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Oral history interview with Demi

Interviewee:
Demi, 1955-  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item (video files (21 min.) Video, digital, mp4)
6 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Video recordings
Date:
2020 September 2
Scope and Contents:
An interview with Demi conducted 2020 September 2, by Josh Franco, for the Archives of American Art's Pandemic Oral History Project at Demi's home in Miami, Florida.
Biographical / Historical:
Demi (1955-) is a painter in Miami, Florida. Demi (who uses only her first name) is a self-taught artist born in Cuba. Her husband is the painter Arturo Rodriguez.
Related Materials:
The Archives of American Art also holds an interview of Demi conducted 1997 November 20, by Juan A. Martínez and the Demi and Arturo Rodríguez papers.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Florida -- Miami  Search this
Topic:
Women artists  Search this
Cuban American artists  Search this
Latino and Latin American artists  Search this
Pandemics  Search this
COVID-19 (Disease)  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.demi20
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-demi20
Online Media:

Ellen Hale and Hale Family papers

Creator:
Hale, Ellen Day, 1855-1940  Search this
Names:
Hale, Edward Everett, 1822-1909  Search this
Hale, Emily P.  Search this
Hale, Herbert Dudley, 1866-1909  Search this
Hale, Lilian Westcott, 1880-1963  Search this
Hale, Robert Beverly, 1901-1985  Search this
Hale, Susan, 1833-1910  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Diaries
Sketches
Date:
circa 1860-1952
Summary:
The Ellen Hale and Hale family papers measure 3 linear feet and date from circa 1860 to 1952. Found within the papers are biographical material for Ellen Day and Edward Everett Hale; personal correspondence from Ellen Day and Lillian Westcott Hale; diaries by Ellen Day and Susan Hale; an appraisal of the Hale estate and personal business records for Ellen Day and Edward Everett Hale; printed material; sketchbooks and sketches by Ellen Day and Herbert Dudley Hale; and travel photographs of the Hale family.
Scope and Contents:
The Ellen Hale and Hale family papers measure 3 linear feet and date from circa 1860 to 1952. Found within the papers are biographical material for Ellen Day and Edward Everett Hale; personal correspondence from Ellen Day and Lillian Westcott Hale; diaries by Ellen Day and Susan Hale; an appraisal of the Hale estate and personal business records for Ellen Day and Edward Everett Hale; printed material; sketchbooks and sketches by Ellen Day and Herbert Dudley Hale; and travel photographs of the Hale family.

Biographical materials consist of publications related to Edward Everett Hale's 80th birthday celebration; Ellen Day Hale's calling cards, calendar, and engagement books; and Robert Beverly Hale's calendar.

Correspondence is primarily Ellen Day Hale's and Lillian Westcott Hale's personal and business correspondence, and a letter from Margaret C. Hale to Arthur Hale.

Writings include 9 diaries by Ellen Day Hale, 1 diary by Emily P. Hale, and 19 diaries by Susan Hale; an essay by Arthur Hale; Herbert Dudley Hale's word game book; Susan Hale's travel instructions to a niece; and a notebook listing the likes and dislikes of various Hale family members.

Personal business records consist of Edward Everett and Emily P. Hale's account and tax records; Ellen Day Hale's art supply receipts, royalty statements, tax records, and a check register; Lillian Westcott Hale's receipts; and Susan Hale's notes on an appraisal of the Hale estate.

Printed material includes various clippings, invitations, and programs kept by the Hale family, and Ellen Day Hale's travel postcards.

Artwork includes 22 sketchbooks by Ellen Day Hale, 5 sketchbooks by Herbert Dudley Hale; and 7 sketchbooks by other artists.

Photographs are travel snapshots taken during travels in Mexico.
Arrangement:
The collection is arranged as 7 series.

Missing Title

Series 1: Biographical materials, circa 1875-1925 (6 folders; Box 1)

Series 2: Correspondence, circa 1861-1951 (4 folders; Box 1)

Series 3: Writings, 1878-1933 (0.9 linear feet; Box 1-2)

Series 4: Personal business records, 1909-1952 (8 folders; Box 2)

Series 5: Printed material, 1862-1933 (5 folders; Box 2)

Series 6: Artwork, circa 1860-1925 (1.5 linear feet; Box 2-3)

Series 7: Photographs, circa 1890-1901 (1 folder; Box 3)
Biographical / Historical:
Writer, publisher, and clergyman Edward Everett Hale (1822-1909) and his wife, Emily Perkins Hale, were well regarded members of Boston society. After graduating from Boston Latin School at age 13, Hale enrolled directly into Harvard University and graduated second in his class in 1839. He became a licensed Unitarian minister in 1842 and was a church pastor from 1846 to 1899. In the 1860s, Hale began publishing short stories in the Atlantic Monthly, Harper's New Monthly Magazine, and other periodicals. In 1869, he co-founded the Christian Examiner, which later merged with Scribner's Magazine in 1875, and founded Lend a Hand in 1886. He and his wife had one daughter and eight sons. Three of those sons died in childhood, and a fourth, Robert Beverly Hale, died as a young adult.

Writer and artist Susan Hale (1833-1910) was schooled at home by tutors before enrolling in George B. Emerson's school. She was a self-taught artist who learned to paint and draw early in life. In 1872, she traveled to Europe to pursue formal art instruction and, upon her return to Boston, began giving lessons in watercolors. From 1873 to 1885, she maintained a studio at the Boston Art Club, wrote articles for Boston papers, edited literary collections for fundraisers, lectured on popular fiction, and eventually became a literary celebrity. Beginning in the mid-1880s, Hale began traveling the country and abroad giving lectures in the winter and visiting Edward Everett's family in Matunuck, Rhode Island in the summer. In between her travels, she continued to publish books, including a traveling series for young readers, and an instruction book on painting techniques.

Artist and teacher Ellen Day Hale (1854-1939) was the eldest of the Hale children. She received her early art training from her aunt, Susan Hale, and received formal art training from Boston artists William Rimmer, William Morris Hunt, and Helen Knowlton. Hale continued her education at the Pennsylvania Academy of Fine Arts, and in 1877, opened a portrait studio where she taught private students. In the early 1880s, Hale traveled through Europe before settling in Paris to study at the Académie Julian for three years. In 1883, she met fellow artist and lifelong companion Gabrielle de Veaux Clements. In 1893, they purchased a home near Gloucester, Massachusetts named "The Thickets," where they opened their studio to women artists and taught various painting, printing, and etching techniques. After the death of her mother, from 1904 to 1909, Hale moved to Washington, D.C. to act as hostess for her father, who had been appointed Chaplain of the U.S. Senate. After her father's death, Hale continued to produce paintings, and together with Clements, summered at the artists' colony at Folly Cove on Cape Ann, Massachusetts, and frequently traveled abroad in the winters.

Arthur Hale (1859-1939) was a general agent for the American Railway Association and an employee of the Pennsylvania Railroad Company. In 1899, he married Camilla Conner, with whom he had one daughter.

Architect Herbert Dudley Hale (1866-1908) graduated from Harvard in 1888 and studied architecture abroad at the École des Beaux Art in Paris, where he graduated among the first in his class. After his return to Boston around the turn of the century, Hale married Margaret Marquand, with whom he had five children, and established the architecture firm Hale and Rogers with James Gamble Rogers.

Writer Robert Beverly Hale (1869-1895) graduated from Harvard in 1892 and published numerous stories and articles in the Atlantic Monthly, Harper's Weekly, and Youth's Companion. Elsie and Other Poems was published in 1894, and Six Stories and Some Verses was published posthumously after Hale's death in 1895.

Artist Lillian Westcott Hale (1881-1963) was the wife of fellow artist Philip Leslie Hale, the third eldest of the Hale children. Hale received a scholarship to attend the Boston Museum School of Fine Arts, where she met Philip and married him halfway through her studies. Hale held her first solo show in 1908, the same year her daughter was born, and continued to produce work for exhibitions through the 1920s. She was the recipient of the 1915 Panama-Pacific Exposition gold medal, the National Academy's Shaw Memorial Prize (1915), and the National Academy of Design's Altman Prize (1927). She continued producing works until her death in 1963.
Related Materials:
The Archives of American Art also holds two collections related to the Hale family, including the Philip Leslie Hale papers and the Edward Everett Hale letter to an unidentified person. Smith College's Sophia Smith Collection also holds papers of the Hale family, including Nathan, Sr., and Sarah Preston Everett Hale; Edward Everett and Emily Perkins Hale; Ellen Day Hale; and Philip and Lilian Westcott Hale. .
Separated Materials:
Printed books and monographs in the collection were transferred to the National Portrait Gallery Library in 1978.
Provenance:
The Ellen Hale and Hale family papers were donated in 1978 and 1984 by Nancy Hale Bowers, the niece of Ellen Day Hale, and the grand-daughter of Edward Everett and Emily P. Hale.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Topic:
Artists -- Massachusetts  Search this
Watercolorists  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Photographs
Sketchbooks
Diaries
Sketches
Citation:
Ellen Hale and Hale family papers, circa 1860-1952. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.halefami
See more items in:
Ellen Hale and Hale Family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halefami

Oral history interview with Claudia DeMonte

Interviewee:
DeMonte, Claudia, 1947-  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
Gracie Mansion Gallery  Search this
McGowin, Ed, 1938-  Search this
Extent:
54 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 February 13- April 24
Scope and Contents:
An interview of Claudia DeMonte conducted 1991 February 13-1991 April 24, by Liza Kirwin, for the Archives of American Art.
DeMonte recalls her childhood and growing up in Astoria, New York; her Italian heritage and Catholic education; her early work including the "trade pieces"; the calendar she produced for the Corcoran Gallery show "Five Plus One" in 1976; her marriage to artist Ed McGowin; moving from Washington, D.C. to New York; the making and meaning of her "Claudia dolls"; exhibiting at the Gracie Mansion Gallery; the art community in the East Village in the early 1980's; the dealer Gracie Mansion; gallery representation outside of New York; critical acceptance of her art; collecting the work of Southern self-taught artists and the influence of Sister Gertrude Morgan and James Son Ford Thomas; work methods and techniques; autobiographical and feminist themes; teaching at the university of Maryland from 1972 to the present; and new directions in her art.
Biographical / Historical:
Claudia DeMonte (1947- ) is a painter, mixed-media artist, and instructor of College Park, Maryland and New York, New York.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 22 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Educators -- Maryland -- College Park  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Art -- East Village (New York, N.Y.)  Search this
Women artists  Search this
Women educators  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.demont91
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-demont91
Online Media:

Oral history interview with Billie Ruth Sudduth

Interviewee:
Sudduth, Billie Ruth  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Arrowmont School of Arts and Crafts -- Faculty  Search this
Huntingdon College (Montgomery, Ala.) -- Students  Search this
John Campbell Folk School -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Smithsonian Craft Show  Search this
University of Alabama -- Students  Search this
Bringle, Cynthia, 1939-  Search this
Gingrass, Katie  Search this
Risatti, Howard, 1943-  Search this
Ross, Caroline Sedestrom  Search this
Trapp, Kenneth R.  Search this
Extent:
3 Sound discs (Sound recording (4 hr., 42 min.), digital, 2 5/8 in.)
81 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound discs
Pages
Interviews
Sound recordings
Date:
2007 July 26-27
Scope and Contents:
An interview of Billie Ruth Sudduth conducted 2007 July 26-27, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, in Bakersville, North Carolina.
Sudduth speaks of her childhood in Alabama; her adoptive family; growing up in a creative and musical environment; an early exposure to women working with their hands; buying a Cherokee basket at age 12; childhood piano lessons and later exploring rhythm in her baskets; attending Huntingdon College; a strained relationship with her mother; meeting her biological family; attending the University of Alabama, Tuscaloosa and earning a Master's degree in social work; working as a social worker and psychologist for over 20 years; balancing a career with family; taking a basket-making class in an effort to relax and do something for herself; making baskets in spare time and teaching herself new techniques; her family's move to Las Vegas, Nevada; teaching basket-making classes to adults; developing Math in a Basket curriculum; an interest in Fibonacci and the inclusion of its ratio in her baskets; an interest in color and natural dyes; returning to North Carolina and focusing full time on basket making; receiving a North Carolina Arts Council Emerging Artists grant to photo-document her body of work; becoming interested in chaos theory and its application to her basketry; the popularity and success of Math in a Basket; teaching experiences at Penland School of Crafts, Arrowmont School of Arts and Crafts, and John Campbell Folk School; receiving a North Carolina Arts Council Visual Artist grant to study Cherokee, Choctaw, and other Native American tribes' basketry; her extensive basket collection; the honor of being named a North Carolina Living Treasure; participating in juried shows, including exhibiting at the Smithsonian Craft Show for 12 years and the Philadelphia Museum of Art Craft Show for seven years; the evolution of her workspace and studio; making the Carolina snowflake, which was exhibited at the White House; her exhibition history; an increasing respect for and recognition of baskets as art objects; the advantages university-trained artists have over self-taught artists; learning the business side of art making through trial and error; living and working in an incredible community of artists and collectors in North Carolina; a growing interest and participation in donating her baskets for fundraisers; and looking forward to spending more time with her grandchildren. Sudduth also recalls Cynthia Bringle, Carol Sedestrom Ross, Kenneth Trapp, Howard Risatti, Katie Gingrass, and others.
Biographical / Historical:
Billie Ruth Sudduth is a basketmaker from Bakersville, North Carolina. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 15 digital wav files. Duration is 4 hr., 42 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Psychologists -- North Carolina  Search this
Social workers -- North Carolina  Search this
Topic:
Basket makers -- North Carolina -- Interviews  Search this
Basket making -- Cherokee  Search this
Basket making -- Choctaw  Search this
Basket making -- Study and teaching  Search this
Decorative arts  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.suddut07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-suddut07
Online Media:

Oral history interview with Howard Finster, 1984 June 11

Interviewee:
Finster, Howard, 1916-2001  Search this
Finster, Howard, 1916-2001  Search this
Interviewer:
Kirwin, Liza, 1957-  Search this
Type:
Sound recordings
Interviews
Topic:
Art and religion -- Georgia  Search this
Folk art  Search this
Self-taught artists -- Georgia -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12492
(DSI-AAA_SIRISBib)212043
AAA_collcode_finste84
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212043
Online Media:

Oral history interview with William Dawson, 1990 April 11-23

Interviewee:
Dawson, William, 1901-1990  Search this
Dawson, William, 1901-1990  Search this
Interviewer:
Blum, Betty  Search this
Subject:
Brown, Roger  Search this
Kind, Phyllis  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
African American artists  Search this
Sculptors -- Illinois -- Chicago -- Interviews  Search this
Self-taught artists -- Illinois -- Chicago -- Interviews  Search this
Theme:
African American  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)11468
(DSI-AAA_SIRISBib)213037
AAA_collcode_dawson90
Theme:
African American
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213037

Oral history interview with John Ollman, 1990 Mar. 15

Interviewee:
Ollman, John E., 1942-  Search this
Ollman, John E., 1942-  Search this
Interviewer:
Kirwin, Liza, 1957-  Search this
Subject:
Hemphill, Herbert Waide  Search this
Cavin Morris Gallery  Search this
Janet Fleisher Gallery (Philadelphia, Pa.)  Search this
Phyllis Kind Gallery  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Art -- Collectors and collecting -- Pennsylvania -- Philadelphia  Search this
Folk art  Search this
Self-taught artists -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12595
(DSI-AAA_SIRISBib)213410
AAA_collcode_ollman90
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213410

Oral history interview with Jack Savitsky, 1990 July 9

Interviewee:
Savitsky, Jack, 1910-1991  Search this
Savitsky, Jack, 1910-1991  Search this
Interviewer:
Lindsey, Jack  Search this
Subject:
McCarthy, Justin  Search this
Strauser, Sterling  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Painters -- Pennsylvania -- Lansford -- Interviews  Search this
Self-taught artists -- Pennsylvania -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12320
(DSI-AAA_SIRISBib)213633
AAA_collcode_savits90
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213633

Oral history interview with Arturo Rodríguez, 1997 November 14

Interviewee:
Rodríguez, Arturo, 1956-  Search this
Rodríguez, Arturo, 1956-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
De Kooning, Willem  Search this
Type:
Sound recordings
Interviews
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13542
(DSI-AAA_SIRISBib)216456
AAA_collcode_rodrig97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216456

Oral history interview with Billie Ruth Sudduth, 2007 July 26-27

Interviewee:
Sudduth, Billie Ruth, 1945-  Search this
Sudduth, Billie Ruth, 1945-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Bringle, Cynthia  Search this
Gingrass, Katie  Search this
Risatti, Howard  Search this
Ross, Caroline Sedestrom  Search this
Trapp, Kenneth R.  Search this
Arrowmont School of Arts and Crafts  Search this
Huntingdon College (Montgomery, Ala.)  Search this
John Campbell Folk School  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
University of Alabama  Search this
Smithsonian Craft Show  Search this
Type:
Interviews
Sound recordings
Topic:
Basket makers -- North Carolina -- Interviews  Search this
Basket making -- Cherokee  Search this
Basket making -- Choctaw  Search this
Basket making -- Study and teaching  Search this
Decorative arts  Search this
Women artists  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13623
(DSI-AAA_SIRISBib)271795
AAA_collcode_suddut07
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_271795

Oral history interview with Jack Savitsky

Interviewee:
Savitsky, Jack, 1910-1991  Search this
Interviewer:
Lindsey, Jack  Search this
Names:
McCarthy, Justin, 1891-1977  Search this
Strauser, Sterling, 1907-  Search this
Extent:
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1990 July 9
Scope and Contents:
An interview of Jack Savitsky conducted 1990 July 9, by Jack Lindsey, for the Archives of American Art.
Savitsky speaks about his family background; his early life as a miner and its effect on his life; his work, including subjects, materials, style, and gallery exhibitions; Sterling Strauser's promotion of his work, and other collectors. He recalls Justin McCarthy.
Biographical / Historical:
Jack Savitsky (1910-1991) was a folk artist and painter from Lansford, Pa.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Folk artists -- Pennsylvania -- Interviews  Search this
Topic:
Art, American  Search this
Painters -- Pennsylvania -- Lansford -- Interviews  Search this
Self-taught artists -- Pennsylvania -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.savits90
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-savits90
Online Media:

Oral history interview with Arturo Rodríguez

Interviewee:
Rodríguez, Arturo, 1956-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
De Kooning, Willem, 1904-1997  Search this
Extent:
63 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 November 14
Scope and Contents:
An interview of Arturo Rodríguez conducted 1997 November 14, by Juan A. Martínez, in Rodriquez's home/studio, Miami, Fla., for the Archives of American Art.
Rodriguez speaks of his birthplace, Ranchuelo, Cuba, his early interest in drawing, his move to Madrid at 16, and his self-directed art education. He discusses the intertwined relationship of literature, poetry, and music. He comments on Spanish realists such as Antonio Lopez Quintanilla and American expressionists Willem de Kooning and others. He also recalls his exhibitions and art collectors, particularly Judith and William Ladner. He describes his paintings as a combination of expressionism, realism, surrealism, abstraction, and a pessimistic vision of the human condition.
Biographical / Historical:
Arturo Rodríguez (1956- ) is a painter from Miami, Fla. Rodriguez is a self-taught artist born in Cuba. His wife is the painter, Demi.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rodrig97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rodrig97
Online Media:

Oral history interview with John Ollman

Interviewee:
Ollman, John E., 1942-  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
Cavin Morris Gallery  Search this
Janet Fleisher Gallery (Philadelphia, Pa.)  Search this
Phyllis Kind Gallery  Search this
Hemphill, Herbert Waide  Search this
Extent:
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1990 Mar. 15
Scope and Contents:
An interview of John Ollman conducted 1990 Mar. 15, by Liza Kirwin for the Archives of American Art Philadelphia Project.
Ollman speaks of his studies at the Philadelphia College of Art and at Indiana University before becoming director of the Janet Fleisher Gallery; the gallery's change of focus towards American Art, specifically the work of folk and self-taught artists, and visionary artists. He discusses the changes in collecting over the past twenty years; collectors, such as Bert Hemphill; trends in collecting; artists whose work he has sold; other galleries with which he has worked, including the Phyllis Kind and Cavin Morris Galleries.
Biographical / Historical:
John E. Ollman (1942- ) is an art dealer from Philadelphia, Pa.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hrs., 34 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Art dealers -- Pennsylvania -- Philadelphia  Search this
Topic:
Art, American  Search this
Art -- Collectors and collecting -- Pennsylvania -- Philadelphia  Search this
Folk art  Search this
Self-taught artists -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ollman90
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ollman90
Online Media:

Oral history interview with Cindy Kolodziejski

Interviewee:
Kolodziejski, Cindy, 1962-  Search this
Interviewer:
Lloyd, Frank, 1951-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University, Long Beach -- Faculty  Search this
Frank Lloyd Gallery  Search this
Garth Clark Gallery (New York, N.Y.)  Search this
J. Paul Getty Museum  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Otis College of Art and Design -- Students  Search this
University of California, Los Angeles. Library  Search this
Albuquerque, Lita  Search this
Bacerra, Ralph, 1938-2008  Search this
Caroompas, Carole  Search this
Clark, Garth, 1947-  Search this
Delisle, Roseline  Search this
Dowell, Roy  Search this
Giegerich, Jill, 1952-  Search this
Lauria, Jo  Search this
Lodato, Peter  Search this
Marsh, Tony, 1954-  Search this
Mason, John, 1927-2019  Search this
Nagle, Ron  Search this
Pagel, David  Search this
Saxe, Adrian Anthony, 1943-  Search this
Sturman, Eugene  Search this
Thomason, Barbara A.  Search this
Extent:
7 Items (Sound recording: 7 wav files (4 hr., 10 min.), digital)
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
New York (N.Y.) -- Description and views
Arizona -- Description and Travel
California -- description and travel
China -- Description and Travel
Greece -- description and travel
Italy -- description and travel
Nepal -- Description and Travel
Date:
2007 May 5-16
Scope and Contents:
An interview of Cindy Kolodziejski conducted 2007 May 5-16, by Frank Lloyd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Frank Lloyd Gallery, in Santa Monica, California.
Kolodziejski speaks of moving in her early childhood from Germany to Arizona and finally to California; the divorce of her parents at a young age and her feelings of abandonment; her desire as a young child to be an artist; the early influence of her grandmother, an art teacher; teaching herself how to draw by copying images and creating still-lifes; an influential art teacher in high school who encouraged her to pursue college-level art classes and attend art school after graduation; her decision to enroll at Otis College of Art and Design; her foundation art classes at Otis and increasing interest in ceramics; choosing ceramics as a medium because of its flexibility and of form and potential for imagery; the value of her art education to her career; earning a Master of Fine Arts degree while teaching at California State University, Long Beach; the union of form, function, and imagery in her work, especially seen in a recent exhibition at the Frank Lloyd Gallery titled "Reversal of Fountain"; using the University of California, Los Angeles, libraries to find images at first, and later searching the internet for inspiration; creating pieces which play with and explore gender issues and sexuality; being reviewed and featured in articles which are especially concerned with issues of the body and femininity; the documentation of her art in various periodicals and texts, including a piece she wrote for Ceramics Monthly concerning her own work; gaining exposure through these articles, which helped to advance her career; the painstaking and technical process required to fashion her works of art; showing at the Garth Clark Gallery very quickly after graduation; traveling to Greece, China, Nepal, New York, and Italy, and being influenced by the exposure to the different art and cultures; recent travels with her daughter to Italy and feeling excited and humbled by the beauty of certain works; giving a talk at the Getty Museum about a show entitled "The Royal Menagerie" featuring the Meissen large-scale porcelain animals; participating in group shows in museums, particularly the "Color and Fire" exhibit which showcased important ceramicists from 1950 to 2000; being awarded various grants and feeling that applying for those awards is a very worthwhile experience for many artists; teaching first at the high school level and then in college; her teaching methods; forming friendships with fellow artists and art teachers; integrating the use of technology into her art-making process by finding and manipulating images on the computer; feeling motivated to produce in a positive way for exhibition deadlines; the support and friendships that developed through exhibiting with the Clark Garth and Frank Lloyd galleries; the encouragement and support she has been shown by her family throughout her career; and categorizing herself first and foremost as an artist rather than a craft artist or ceramicist. Kolodziejski recalls, Lita Albuquerque, Jill Giegerich, Peter Lodato, Barbara Thomason, Roy Dowell, Eugene Sturman, Carol Caroompas, Tony Marsh, Ralph Baccera, Adrian Saxe, Ron Nagle, Roseline Delisle, John Mason, Jo Lauria, David Pagel, Garth Clark, and others.
Biographical / Historical:
Cindy Kolodziejski (1962- ) is a sculptor and painter from Venice, California. Frank Lloyd (1951- ) is a gallery owner from Santa Monica, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Self-taught artists  Search this
Topic:
Ceramics  Search this
Ceramics -- Technique  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.kolodz07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kolodz07
Online Media:

Oral history interview with Ron Kent

Interviewee:
Kent, Ron, 1931-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 April 20-22
Scope and Contents:
An interview of Ron Kent conducted 2010 April 20 and 22, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Kent's home and studio in Kailua, Hawaii.
Kent discusses his first entry into Easter show (at Honolulu Academy of Arts) in late 1960s/early 1970s; the challenge of figuring of making objects; the notion of limitations as an important factor in his work; growing up in Los Angeles of the 1930s; an ethic of frugality and a father who could make and repair things around the house; his first career as an engineer; influential books, including works by Ayn Rand and Franz Kafka; a new career as a stockbroker in San Diego in the early 1960s; making a small kayak; his willingness to push boundaries and the need for a certain amount of anxiety in his creative process; discovery of Norfolk/Cook pine as main medium; his wife Myra's gift of his first lathe in the early 1970s; influential shapes and vessels, including the ovoid shape and long-necked bottles; the need for "heft" in his pieces; the advantages and disadvantages of being a self-taught artist; early exhibitions of bottles, and first purchase by del Mano Gallery, Los Angeles; the notion of "dialog" with wood; the creative perils of too much technical and technological facility; his first trip to New York City; the emergence of translucence in his work, and oil-sandpaper techniques; the evolution of the pedestal foot; the series Guardian, from the mid-2000s; marketing efforts and gallery recognition, including one-man show at Barry Friedman, Ltd., New York, NY; the imposter syndrome; acquisition of a piece by the Metropolitan Museum of Art, New York, New York in the 1980s; acquisition of work by Jonathan Fairbanks at the Museum of Fine Arts, Boston; his dishwashing liquid formula for treating wood; experimentation with wave forms, including a bench for the for 20th anniversary of the Contemporary Museum in Honolulu; early artistic pioneers and influences, including James Prestini, Rude Osolnik, and Palmer Sharpless; the notion of value in art and in life; the importance of breakage, and the series Post-Nuclear of stitched vessels; collaboration with fiber artist Pat Hickman in the 1990s; retirement from stockbroker job in 1997 to become a woodturner full time and negative effect on artistic productivity; initial commissions, and the decision not to accept more of them; brief series Calabash; the happenstance nature of using wood as a medium; the importance of American woodturning for the international recognition of the movement; work he finds interesting, including that of Ron Gerton and Michael Bauermeister; a philosophy of continually trying new approaches or inventing unconventional approaches. He recalls David Ellsworth, Dale Nish, John Perreault, Hap Sakw, Albert LeCoff, Vladimir Ossipoff, Bob Stocksdale, and Jerry Glaser.
Biographical / Historical:
Ron Kent (1931- ) is a wood artist in Kailua, Hawaii.
General:
Originally recorded on 6 memory cards as 9 digital sound files. Duration is 5 hr., 18 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Woodworkers -- Hawaii -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kent10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kent10
Online Media:

Oral history interview with Michelle Holzapfel

Interviewee:
Holzapfel, Michelle, 1951-  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Marlboro College -- Students  Search this
Museum of Fine Arts, Boston  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Norwich University  Search this
Rhode Island School of Design. Museum of Art  Search this
Wood Turning Center (Philadelphia, Pa.)  Search this
Worcester Center Crafts  Search this
Adamson, Glenn  Search this
Ancell, Nathan  Search this
Blake, Audrey  Search this
Friedman, Barry  Search this
Holzapfel, David, 1950-  Search this
Joseph, Peter T. (Peter Thomas), 1950-1998  Search this
LeCoff, Albert B., 1950-  Search this
Taylor, Gilbert  Search this
Trapp, Kenneth R.  Search this
Tyler, Chris  Search this
Extent:
4 Items (Sound recording: 4 sound files (3 hr., 10 min.), digital, wav)
42 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Italy -- description and travel
Rhode Island -- Description and Travel
Date:
2008 January 26 and March 1
Scope and Contents:
An interview of Michelle Holzapfel conducted 2008 January 26-March 1, by Josephine Shea, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Holzapfel's home and studio, Applewoods Studio and Gallery, in Marlboro, Vermont.
Holzapfel speaks of her childhood in Rhode Island; her large extended family and their French-Canadian heritage; working with her father in his machine shop; early art education and exposure from elementary school through high school; the influence of high school art teacher Audrey Blake; trips to Rhode Island School of Design Museum and Boston Museum of Fine Arts; attending Marlboro College; meeting her husband, David, at Marlboro; traveling in Italy with friends and David; earning her B.A. from Norwich College; participating in craft shows; having two children in two years; teaching experiences at Worcester Center for Crafts and Wood Turning Center; the difference in relationships with galleries and museums; the woodturning field; and the struggles and success of women artists; and plans for the future. Holzapfel recalls Gilbert Taylor, Barry Friedman, Glenn Adamson, Nathan Ancell, Peter Joseph, Kenneth Trapp, Chris Tyler, Albert LeCoff, and others.
Biographical / Historical:
Michelle Hozapfel (1951- ) is a self-taught woodworker in Marlboro, Vermont.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Woodworkers -- Vermont  Search this
Topic:
Decorative arts  Search this
Self-taught artists -- Vermont -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.holzam08
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-holzam08
Online Media:

Oral history interview with Howard Finster

Interviewee:
Finster, Howard, 1916-2001  Search this
Interviewer:
Kirwin, Liza  Search this
Extent:
2 Sound cassettes (Sound recording, analog)
60 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1984 June 11
Scope and Contents:
An interview of Howard Finster conducted 1984 June 11, by Liza Kirwin, for the Archives of American Art at the National Portrait Gallery in Washington, D.C.
Finster speaks of his early childhood; his earliest vision; working as a preacher and a repairman; the construction of his GARDEN OF PARADISE; his mission in life; dealers and exhibitions; and his Chapel of the World's Folk Art Church, Inc.
Biographical / Historical:
Howard Finster (1916-2001) was a self-taught visionary artist and minister from Georgia. Full name: William Howard Finster.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Folk artists -- Georgia -- Interviews  Search this
Topic:
Art and religion -- Georgia  Search this
Folk art  Search this
Self-taught artists -- Georgia -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.finste84
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-finste84
Online Media:

Oral history interview with Demi

Interviewee:
Demi, 1955-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Rodríguez, Arturo, 1956-  Search this
Extent:
22 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 November 20
Scope and Contents:
An interview of Demi conducted 1997 November 20, by Juan A. Martínez, in Demi's home/studio, Miami, Florida, for the Archives of American Art.
Demi speaks of her birthplace, Camaguey, Cuba; the death of her father in 1960, and being sent to Puerto Rico in 1971; her move to New York, and arrival in Miami in 1978; her theater studies at Miami Dade Community College. She recalls an opening at the Meeting Point Gallery in Coral Gables in 1980, where she met her husband, painter Arturo Rodriguez. She talks about her first painting in 1984, the role Arturo plays in her life, her first exhibition at the Cuban Museum of Arts and Culture in 1987, and the importance of touching the human spirit.
Biographical / Historical:
Demi (1955- ) is a painter from Miami, Florida. Demi (who uses only her first name) is a self-taught artist born in Cuba. Her husband is the painter Arturo Rodriguez.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 9 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Latino and Latin American artists  Search this
Cuban American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.demi97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-demi97
Online Media:

Oral history interview with William Dawson

Interviewee:
Dawson, William, 1901-1990  Search this
Interviewer:
Blum, Betty  Search this
Names:
Brown, Roger, 1941-1997  Search this
Kind, Phyllis, 1933-2018  Search this
Extent:
173 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1990 April 11-23
Scope and Contents:
An interview of William Dawson conducted 1990 April 11-23, by Betty Blum, for the Archives of American Art.
Dawson speaks of his childhood in Alabama; coming to Chicago in 1923; working as a porter and janitor; the beginnings of his art career after retiring in 1965; making carvings from found objects; the process of discovering and creating forms; his first exhibition at the Lincoln Park Public Library; his first sales to collectors, including Phyllis Kind and Roger Brown; gaining exposure through collectors and eventually getting discovered; the beginning of his work in painting; his exhibition at the Corcoran in 1982; work methods; and inspirations and ideas.
Biographical / Historical:
William Dawson (1901-1990) was a self-taught painter and sculptor from Chicago, Illinois. Dawson was born in 1901 in Huntsville, Alabama, came to Chicago in 1923, and after retiring from a career as a janitor and porter, he began sculpting and painting. He died July 1, 1990.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 58 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Illinois -- Chicago -- Interviews  Search this
Folk artists -- Illinois -- Chicago -- Interviews  Search this
Topic:
Art, American  Search this
African American artists  Search this
Sculptors -- Illinois -- Chicago -- Interviews  Search this
Self-taught artists -- Illinois -- Chicago -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.dawson90
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dawson90
Online Media:

Oral history interview with Walter Nottingham

Interviewee:
Nottingham, Walter, 1930-2012  Search this
Interviewer:
Owen, Carol, 1936-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Catholic Church  Search this
Cranbrook Academy of Art -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
St. Cloud State University -- Students  Search this
United States -- Montgomery G.I. Bill  Search this
University of Wisconsin--River Falls -- Faculty  Search this
Constantine, Mildred  Search this
Crane, Jim  Search this
Drutt, Helen Williams  Search this
Johnson, Meda  Search this
Kaufman, Glen  Search this
Knodel, Gerhardt  Search this
Larsen, Jack Lenor, 1927-2020  Search this
Merritt, Francis Sumner, 1913-2000  Search this
Miller, Don  Search this
Moran, Lois  Search this
Nordness, Lee  Search this
Nottingham, Karron  Search this
Penning, Pauline  Search this
Ross, Shelley  Search this
Rossbach, Ed  Search this
Strengell, Marianne, 1909-1998  Search this
Extent:
29 Pages (Transcript)
4 Items (Sound recording: 4 sound files (1 hr., 41 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Mexico City (Mexico) -- description and travel
Date:
2002 July 14-18
Scope and Contents:
An interview of Walter Nottingham conducted 2002 July 14-18, by Carol Owen, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the studios of Idyllwild Arts, in Idyllwild, California. Nottingham speaks of his enthusiasm for basketball; being an altar boy and, as such, surrounded by beautiful fabrics at an early age; attending St. Cloud State University on the GI Bill; his teachers Jim Crane and Pauline Penning; serving as an art consultant for public schools in Jackson, Michigan; the lasting influence of an exhibition of battle flags at the Metropolitan Museum; articulating aging and decay through self-taught weaving; developing a fiber art program at University of Wisconsin, River Falls; attending Cranbrook Academy of Art and working with Glen Kaufman and Meda Johnson. He discusses specific works including his "Yahooties", that combine both his grandmother's and mother's crochet work; his trip to Mexico City on a National Endowment for the Arts grant in 1974; forming the company Off the Wall with his eldest daughter Karron and their decorative design commissions; the influence of his Catholic upbringing, oriental philosophy, and spirituality in his work; and techniques and materials. Nottingham recalls Shelly Ross, Helen Drutt, Francis Merritt, Don Miller, Lois Moran, Jack Lenor Larsen, Marianne Strengell, Mildred Constantine, Gerhardt Knodel, Lee Nordness, Ed Rossbach, and others.
Biographical / Historical:
Walter Nottingham (1930-2012) is a fiber artist from Hilo, Hawaii. Carol Owen is a fiber artist from Pittsboro, North Carolina.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 1 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Weavers -- Wisconsin -- Interviews  Search this
Self-taught artists  Search this
Topic:
Art -- Technique  Search this
Crocheting  Search this
Decorative arts  Search this
Fiber artists -- Hawaii -- Interviews  Search this
Weavers -- Hawaii -- Interviews  Search this
Weaving -- Equipment and supplies  Search this
Weaving -- Study and teaching  Search this
Weaving -- Technique  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.nottin02
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nottin02
Online Media:

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