Skip to main content Smithsonian Institution

Search Results

Collections Search Center
459 documents - page 1 of 23

Frances and Mary Virginia Greer papers relating to Grandma Moses, circa 1890-1981

Creator:
Greer, Frances, 1885-1978  Search this
Greer, Mary Virginia, 1889-1976  Search this
Subject:
Moses, Grandma  Search this
Moses, Dorothy  Search this
Moses, Molly  Search this
Citation:
Frances and Mary Virginia Greer papers relating to Grandma Moses, circa 1890-1981. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Folk artists  Search this
Self-taught artists  Search this
Theme:
Lives of American Artists  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)9543
(DSI-AAA_SIRISBib)211743
AAA_collcode_greefran
Theme:
Lives of American Artists
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211743
Online Media:

James Hampton's "The Throne of the Third Heaven" – American Art Moments

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2021-12-16T14:49:09.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_amqtOp-HPos

"We Are Made of Stories: Self-Taught Artists in the Robson Family Collection" Introduction

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2022-07-08T14:35:11.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_ljJ6JsHlQVI

Frances and Mary Virginia Greer papers relating to Grandma Moses

Creator:
Greer, Frances, d. 1978  Search this
Greer, Mary Virginia, b. 1889  Search this
Names:
Moses, Dorothy  Search this
Moses, Grandma, 1860-1961  Search this
Moses, Molly, d. ca. 1976  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1890-1981
Summary:
The scattered papers of Frances and Mary Greer relating to folk artist Grandma Moses (Anna Mary Robertson Moses) measure 0.2 linear feet and date from circa 1890 to 1981. Found are letters from Grandma Moses and members of the Moses family, including daughters-in-law Dorothy and Molly, to Frances and Mary Greer, and scattered notes, photographs of the Moses family and others, and printed material.
Scope and Contents:
The scattered papers of Frances and Mary Greer relating to folk artist Grandma Moses (Anna Mary Robertson Moses) measure 0.2 linear feet and date from circa 1890 to 1981. Found are letters from Grandma Moses and members of the Moses family, including daughters-in-law Dorothy and Molly, to Frances and Mary Greer, and scattered notes, photographs of the Moses family and others, and printed material.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Frances Greer (1895-1975) and Mary Greer (1889-1993) were sisters who lived near Staunton, Virginia. They were acquainted with the Moses family when Anna Mary Robertson Moses (1860-1961) and her family settled in Staunton in 1887. When the Moses family moved back to New York in 1905, Grandma Moses and daughters-in-law Mary and Dorothy corresponded with the Greers.

Grandma Moses was a self-taught, "modern primitive" painter, who did not start painting until she was seventy-seven years old when arthritis forced her to give up yarn needlework. She initially sold her work at county fairs but became known across the country when Hallmark purchased the rights to reproduce her paintings on greeting cards. At the time of her death at 101, she had painted more than fifteen hundred images.
Provenance:
Donated 1988 by Miss Frances G. Brown, the niece of the Greers.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Women artists  Search this
Women painters  Search this
Folk artists  Search this
Self-taught artists  Search this
Citation:
Frances and Mary Virginia Greer papers relating to Grandma Moses, circa 1890-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.greefran
See more items in:
Frances and Mary Virginia Greer papers relating to Grandma Moses
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d76ebf29-e097-4ca5-9618-a4410011f6b0
EDAN-URL:
ead_collection:sova-aaa-greefran

Groundwaters a century of art by self-taught and outsider artists by Charles Russell

Author:
Russell, Charles 1944-  Search this
Subject:
Hirshfield, Morris  Search this
Physical description:
240 pages illustrations (chiefly color) 29 cm
Type:
Books
Date:
2011
Topic:
Outsider art  Search this
Art  Search this
Art brut  Search this
Art and society  Search this
Art et société  Search this
outsider art  Search this
Art and Design  Search this
Naive Kunst  Search this
Psychopathologie  Search this
Autodidakt  Search this
Bildband  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_975312

Sterling Strauser collection of Louis Eilshemius and Justin McCarthy materials

Creator:
Strauser, Sterling, 1907-  Search this
Names:
Bethlehem Steel Company  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
McCarthy, Justin, 1891-1977  Search this
Extent:
0.4 Linear feet ((on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Date:
1882-1934
Scope and Contents:
Eilshemius's journal and essays, and McCarthy's sketchbooks and a scrapbook, collected by Sterling Strauser.
REEL 4398: Eilshemius's 125-page journal (1882-1884) discusses classes, student life, and sketching at Cornell University and an 1884 stay in New York City, including his studies at the Art Students League. Sixteen two- to five-page manuscripts (n.d. and 1934), titled "Experiences of Louis Eilshemius" and numbered from 2 to 18, discuss his studies at the Art Students League in New York City and the Academie Julian in Paris, technical matters, and other memories. A 1932 pamphlet by Eilshemius concerns "Some New Discoveries in Science and Art."
REEL 4408: Eight manila folders, each with 2 pages of poems concerning food and eating glued inside, were designed for lunch wagons and diners. One of the three sketchbooks contains drawings of Bethlehem Steel workers, some identified by name and shift number. A notebook (1920-1921) includes crayon and ink, watercolor, and pencil sketches; cartoons; and clippings of women. Seven pages of cartoons are attached to a manila folder. A scrapbook, labeled "made in Ritterville State Hospital, 1920," is filled with clippings of actresses, models, society women, and women athletes, some of whom are identified. Several clippings have been colored over with colored pencil.
Biographical / Historical:
Folk art collector and dealer, painter; Philadelphia, Pennsylvania. Discovered and helped popularize many folk or self-taught artists, including Justin McCarthy.
Other Title:
Sterling Strauser collection of Louis Eilshemius writings and pamphlet (microfilm title)
Sterling Strauser collection of Justin McCarthy materials (microfilm title)
Provenance:
Microfilmed in 1990 as part of AAA's Philadelphia Arts Documentation Project. Strauser purchased the Eilshemius materials from New York artist Esther Pressoir, who received the materials from Eilshemius. Strauser received the McCarthy materials directly from Justin McCarthy.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art students -- France -- Paris  Search this
Art students -- New York (State) -- New York  Search this
Folk artists -- Pennsylvania  Search this
Painters -- New York (State) -- New York  Search this
Self-taught artists -- Pennsylvania -- Weatherly  Search this
Topic:
Folk art  Search this
Iron and steel workers -- Pennsylvania  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Identifier:
AAA.strastec
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw957d71ee3-8b29-4df9-8976-a01a04cbe685
EDAN-URL:
ead_collection:sova-aaa-strastec

Oral history interview with Arturo Rodríguez

Interviewee:
Rodríguez, Arturo, 1956-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
De Kooning, Willem, 1904-1997  Search this
Extent:
63 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 November 14
Scope and Contents:
An interview of Arturo Rodríguez conducted 1997 November 14, by Juan A. Martínez, in Rodriquez's home/studio, Miami, Fla., for the Archives of American Art.
Rodriguez speaks of his birthplace, Ranchuelo, Cuba, his early interest in drawing, his move to Madrid at 16, and his self-directed art education. He discusses the intertwined relationship of literature, poetry, and music. He comments on Spanish realists such as Antonio Lopez Quintanilla and American expressionists Willem de Kooning and others. He also recalls his exhibitions and art collectors, particularly Judith and William Ladner. He describes his paintings as a combination of expressionism, realism, surrealism, abstraction, and a pessimistic vision of the human condition.
Biographical / Historical:
Arturo Rodríguez (1956- ) is a painter from Miami, Fla. Rodriguez is a self-taught artist born in Cuba. His wife is the painter, Demi.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rodrig97
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b113f4cd-5eff-4134-a012-6af0c155ab01
EDAN-URL:
ead_collection:sova-aaa-rodrig97
Online Media:

Oral history interview with Michelle Holzapfel, 2008 January 26 and March 1

Interviewee:
Holzapfel, Michelle, 1951-  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Subject:
Adamson, Glenn  Search this
Ancell, Nathan  Search this
Blake, Audrey  Search this
Friedman, Barry  Search this
Holzapfel, David  Search this
Joseph, Peter T. (Peter Thomas)  Search this
LeCoff, Albert B.  Search this
Taylor, Gilbert  Search this
Trapp, Kenneth R.  Search this
Tyler, Chris  Search this
Marlboro College  Search this
Museum of Fine Arts, Boston  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Norwich University  Search this
Rhode Island School of Design. Museum of Art  Search this
Wood Turning Center (Philadelphia, Pa.)  Search this
Worcester Center Crafts  Search this
Type:
Sound recordings
Interviews
Place:
Italy -- description and travel
Rhode Island -- Description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Michelle Holzapfel, 2008 January 26 and March 1. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Self-taught artists  Search this
Women artists  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)15619
(DSI-AAA_SIRISBib)281471
AAA_collcode_holzam08
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_281471
Online Media:

Oral history interview with Michelle Holzapfel

Interviewee:
Holzapfel, Michelle, 1951-  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Marlboro College -- Students  Search this
Museum of Fine Arts, Boston  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Norwich University  Search this
Rhode Island School of Design. Museum of Art  Search this
Wood Turning Center (Philadelphia, Pa.)  Search this
Worcester Center Crafts  Search this
Adamson, Glenn  Search this
Ancell, Nathan  Search this
Blake, Audrey  Search this
Friedman, Barry  Search this
Holzapfel, David, 1950-  Search this
Joseph, Peter T. (Peter Thomas), 1950-1998  Search this
LeCoff, Albert B., 1950-  Search this
Taylor, Gilbert  Search this
Trapp, Kenneth R.  Search this
Tyler, Chris  Search this
Extent:
4 Items (Sound recording: 4 sound files (3 hr., 10 min.), digital, wav)
42 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Italy -- description and travel
Rhode Island -- Description and Travel
Date:
2008 January 26 and March 1
Scope and Contents:
An interview of Michelle Holzapfel conducted 2008 January 26-March 1, by Josephine Shea, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Holzapfel's home and studio, Applewoods Studio and Gallery, in Marlboro, Vermont.
Holzapfel speaks of her childhood in Rhode Island; her large extended family and their French-Canadian heritage; working with her father in his machine shop; early art education and exposure from elementary school through high school; the influence of high school art teacher Audrey Blake; trips to Rhode Island School of Design Museum and Boston Museum of Fine Arts; attending Marlboro College; meeting her husband, David, at Marlboro; traveling in Italy with friends and David; earning her B.A. from Norwich College; participating in craft shows; having two children in two years; teaching experiences at Worcester Center for Crafts and Wood Turning Center; the difference in relationships with galleries and museums; the woodturning field; and the struggles and success of women artists; and plans for the future. Holzapfel recalls Gilbert Taylor, Barry Friedman, Glenn Adamson, Nathan Ancell, Peter Joseph, Kenneth Trapp, Chris Tyler, Albert LeCoff, and others.
Biographical / Historical:
Michelle Hozapfel (1951- ) is a self-taught woodworker in Marlboro, Vermont.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Woodworkers -- Vermont  Search this
Topic:
Decorative arts  Search this
Self-taught artists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.holzam08
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99a91d3ab-f577-4dff-be25-fe3cf1d63d19
EDAN-URL:
ead_collection:sova-aaa-holzam08
Online Media:

Oral history interview with Carolyn Mazloomi, 2002 September 17-30

Interviewee:
Mazloomi, Carolyn, 1948-  Search this
Interviewer:
Cubbs, Joanne  Search this
Subject:
Adkins, Minnie  Search this
Benberry, Cuesta  Search this
Cargo, Robert T.  Search this
Connell, Martha Stamm  Search this
Freeman, Roland L.  Search this
Hill, Lauryn  Search this
Johnson, Nkosi  Search this
Miller, Edjohnetta  Search this
Sisto, Penny  Search this
Wilson, Marie  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Women of Colour Quilters Network  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Carolyn Mazloomi, 2002 September 17-30. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Women artists  Search this
Baltimore album quilts  Search this
African American artists  Search this
African American quiltmakers  Search this
African American art -- African influences  Search this
Women textile designers  Search this
Quilting  Search this
Theme:
African American  Search this
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11504
(DSI-AAA_SIRISBib)240143
AAA_collcode_mazloo02
Theme:
African American
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_240143
Online Media:

Oral history interview with Carolyn Mazloomi

Interviewee:
Mazloomi, Carolyn  Search this
Interviewer:
Cubbs, Joanne  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Women of Colour Quilters Network  Search this
Adkins, Minnie, 1934-  Search this
Benberry, Cuesta  Search this
Cargo, Robert T.  Search this
Connell, Martha Stamm  Search this
Freeman, Roland L., 1936-  Search this
Hill, Lauryn  Search this
Johnson, Nkosi, 1989-2001  Search this
Miller, Edjohnetta  Search this
Sisto, Penny  Search this
Wilson, Marie  Search this
Extent:
16 Items (Sound recording: 16 sound files (4 hr., 33 min.), digital, wav)
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 September 17-30
Scope and Contents:
An interview of Carolyn Mazloomi conducted 2002 September 17 and 30, by Joanne Cubbs, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in West Chester, Ohio. Mazloomi speaks of growing up in Baton Rouge, Louisiana, with a family of self-taught artists; the positive influence of her aunt and teacher Dr. Carter; the generation of African American quilt-makers who followed a gap in quilt-making post-slavery; she describes her previous career as an aeronautical engineer and her transition to quilt-making; how she identifies herself as a craftsperson, not an artist; her experience with Baltimore album and Appalachian quilts; learning to quilt; the Women of Color Quilter's Network and its economic and social development programs; her book, "Spirits of the Cloth"; the positive and negative aspects of travel; the false generalizations of African American quilts in academic circles; the importance of gender, race, and ethnicity in her work; her connection to "praise songs"; she discusses functional vs. nonfunctional quilts; the market for "hand-crafted" quilts; agents and galleries; she describes her working environment; adopting the use of a sewing machine in her work; the importance of community; her technique; her accomplishment of placing African-American quilts in the Renwick Gallery; the influence of magazines, including "Raw Vision;" her aversion to commissions; expanding her use of materials and technology; her exhibitions; her role as an advocate and dealer; finding inspiration in black and white linocuts and her use of color in quilts; and making a connection with her audience. Mazloomi also recalls Marie Wilson, Cuesta Benberry, Edjohnetta Miller, Roland Freeman, Robert Cargo, Martha Connell, Penny Sisto, Minnie Adkins, Nkosi Johnson, and Lauryn Hill.
Biographical / Historical:
Carolyn Mazloomi (1948- ) is a quilt maker from West Chester, Ohio.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 16 digital wav files. Duration is 4 hrs., 33 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Quiltmakers -- Ohio  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Baltimore album quilts  Search this
African American artists  Search this
African American quiltmakers  Search this
African American art -- African influences  Search this
Women textile designers  Search this
Quilting  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mazloo02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d9a5becc-43a8-46ff-8692-ae6babf46aac
EDAN-URL:
ead_collection:sova-aaa-mazloo02
Online Media:

Emery Blagdon

Author:
Umberger, Leslie  Search this
Editor:
Rousseau, Valerie  Search this
Object Type:
Smithsonian staff publication
Year:
2017
Citation:
Umberger, Leslie. 2017. "Emery Blagdon." In The Hidden Art: 20th & 21st Century Self-Taught Artists from the Audrey B. Heckler Collection. Rousseau, Valerie, editor. 128–131. New York: Skira Rizzoi / American Folk Art Museum.
Identifier:
164873
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_164873

Minutes

Extent:
8.70 cu. ft. (9 document boxes) (7 12x17 boxes) (1 16x20 box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1846-1995
Descriptive Entry:
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead. Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from 1907 to 1946 and can be useful.
Historical Note:
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives; two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice since that time.

The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A. Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A. Wallace, William A. Wheeler, Henry Wilson.

Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White, William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.

Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell, Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin, Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey, Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull, Wallace H. White, Jr., Robert Enoch Withers.

Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth, Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton, Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce, Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R. Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.

Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings, John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley, John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton, Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson, Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.
Topic:
Museums -- Administration  Search this
Museum trustees  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Record Unit 1, Smithsonian Institution, Board of Regents, Minutes
Identifier:
Record Unit 1
See more items in:
Minutes
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru0001
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Minutes digital asset number 1

Oral history interview with Demi, 1997 November 20

Interviewee:
Demi, 1955-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
Rodríguez, Arturo  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Demi, 1997 November 20. Archives of American Art, Smithsonian Institution.
Topic:
Latino and Latin American artists  Search this
Cuban American art  Search this
Cuban American artists  Search this
Art, Modern  Search this
Self-taught artists  Search this
Women artists  Search this
Women painters  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13571
(DSI-AAA_SIRISBib)216455
AAA_collcode_demi97
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216455
Online Media:

Oral history interview with Arturo Rodríguez, 1997 November 14

Interviewee:
Rodríguez, Arturo, 1956-  Search this
Interviewer:
Martínez, Juan A  Search this
Subject:
De Kooning, Willem  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Arturo Rodríguez, 1997 November 14. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami -- Interviews  Search this
Artists -- Cuba -- Interviews  Search this
Cuban American artists  Search this
Hispanic American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13542
(DSI-AAA_SIRISBib)216456
AAA_collcode_rodrig97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216456
Online Media:

Oral history interview with Cindy Kolodziejski, 2007 May 5-16

Interviewee:
Kolodziejski, Cindy, 1962-  Search this
Interviewer:
Lloyd, Frank, 1951-  Search this
Subject:
Albuquerque, Lita  Search this
Bacerra, Ralph  Search this
Caroompas, Carole  Search this
Clark, Garth  Search this
Delisle, Roseline  Search this
Dowell, Roy  Search this
Giegerich, Jill  Search this
Lauria, Jo  Search this
Lodato, Peter  Search this
Marsh, Tony  Search this
Mason, John  Search this
Nagle, Ron  Search this
Pagel, David  Search this
Saxe, Adrian Anthony  Search this
Sturman, Eugene  Search this
Thomason, Barbara A.  Search this
California State University, Long Beach  Search this
Frank Lloyd Gallery  Search this
Garth Clark Gallery (New York, N.Y.)  Search this
J. Paul Getty Museum  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Otis College of Art and Design  Search this
University of California, Los Angeles. Library  Search this
Type:
Interviews
Sound recordings
Place:
New York (N.Y.) -- Description and views
Arizona -- Description and travel
California -- description and travel
China -- description and travel
Greece -- description and travel
Italy -- description and travel
Nepal -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Cindy Kolodziejski, 2007 May 5-16. Archives of American Art, Smithsonian Institution.
Topic:
Ceramics  Search this
Ceramics -- Technique  Search this
Self-taught artists  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13604
(DSI-AAA_SIRISBib)270853
AAA_collcode_kolodz07
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_270853
Online Media:

Oral history interview with Billie Ruth Sudduth, 2007 July 26-27

Interviewee:
Sudduth, Billie Ruth, 1945-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Bringle, Cynthia  Search this
Gingrass, Katie  Search this
Risatti, Howard  Search this
Ross, Caroline Sedestrom  Search this
Trapp, Kenneth R.  Search this
Arrowmont School of Arts and Crafts  Search this
Huntingdon College (Montgomery, Ala.)  Search this
John Campbell Folk School  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
University of Alabama  Search this
Smithsonian Craft Show  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Billie Ruth Sudduth, 2007 July 26-27. Archives of American Art, Smithsonian Institution.
Topic:
Basket makers -- North Carolina -- Interviews  Search this
Basket making  Search this
Decorative arts  Search this
Women artists  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13623
(DSI-AAA_SIRISBib)271795
AAA_collcode_suddut07
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_271795
Online Media:

Oral history interview with Ron Kent, 2010 April 20-22

Interviewee:
Kent, Ron, 1931-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ron Kent, 2010 April 20-22. Archives of American Art, Smithsonian Institution.
Topic:
Woodworkers -- Hawaii -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15794
(DSI-AAA_SIRISBib)288885
AAA_collcode_kent10
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_288885
Online Media:

Oral history interview with Cindy Kolodziejski

Interviewee:
Kolodziejski, Cindy, 1962-  Search this
Interviewer:
Lloyd, Frank, 1951-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University, Long Beach -- Faculty  Search this
Frank Lloyd Gallery  Search this
Garth Clark Gallery (New York, N.Y.)  Search this
J. Paul Getty Museum  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Otis College of Art and Design -- Students  Search this
University of California, Los Angeles. Library  Search this
Albuquerque, Lita  Search this
Bacerra, Ralph, 1938-2008  Search this
Caroompas, Carole  Search this
Clark, Garth, 1947-  Search this
Delisle, Roseline  Search this
Dowell, Roy  Search this
Giegerich, Jill, 1952-  Search this
Lauria, Jo  Search this
Lodato, Peter  Search this
Marsh, Tony, 1954-  Search this
Mason, John, 1927-2019  Search this
Nagle, Ron  Search this
Pagel, David  Search this
Saxe, Adrian Anthony, 1943-  Search this
Sturman, Eugene  Search this
Thomason, Barbara A.  Search this
Extent:
7 Items (Sound recording: 7 wav files (4 hr., 10 min.), digital)
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
New York (N.Y.) -- Description and views
Arizona -- Description and Travel
California -- description and travel
China -- Description and Travel
Greece -- description and travel
Italy -- description and travel
Nepal -- Description and Travel
Date:
2007 May 5-16
Scope and Contents:
An interview of Cindy Kolodziejski conducted 2007 May 5-16, by Frank Lloyd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Frank Lloyd Gallery, in Santa Monica, California.
Kolodziejski speaks of moving in her early childhood from Germany to Arizona and finally to California; the divorce of her parents at a young age and her feelings of abandonment; her desire as a young child to be an artist; the early influence of her grandmother, an art teacher; teaching herself how to draw by copying images and creating still-lifes; an influential art teacher in high school who encouraged her to pursue college-level art classes and attend art school after graduation; her decision to enroll at Otis College of Art and Design; her foundation art classes at Otis and increasing interest in ceramics; choosing ceramics as a medium because of its flexibility and of form and potential for imagery; the value of her art education to her career; earning a Master of Fine Arts degree while teaching at California State University, Long Beach; the union of form, function, and imagery in her work, especially seen in a recent exhibition at the Frank Lloyd Gallery titled "Reversal of Fountain"; using the University of California, Los Angeles, libraries to find images at first, and later searching the internet for inspiration; creating pieces which play with and explore gender issues and sexuality; being reviewed and featured in articles which are especially concerned with issues of the body and femininity; the documentation of her art in various periodicals and texts, including a piece she wrote for Ceramics Monthly concerning her own work; gaining exposure through these articles, which helped to advance her career; the painstaking and technical process required to fashion her works of art; showing at the Garth Clark Gallery very quickly after graduation; traveling to Greece, China, Nepal, New York, and Italy, and being influenced by the exposure to the different art and cultures; recent travels with her daughter to Italy and feeling excited and humbled by the beauty of certain works; giving a talk at the Getty Museum about a show entitled "The Royal Menagerie" featuring the Meissen large-scale porcelain animals; participating in group shows in museums, particularly the "Color and Fire" exhibit which showcased important ceramicists from 1950 to 2000; being awarded various grants and feeling that applying for those awards is a very worthwhile experience for many artists; teaching first at the high school level and then in college; her teaching methods; forming friendships with fellow artists and art teachers; integrating the use of technology into her art-making process by finding and manipulating images on the computer; feeling motivated to produce in a positive way for exhibition deadlines; the support and friendships that developed through exhibiting with the Clark Garth and Frank Lloyd galleries; the encouragement and support she has been shown by her family throughout her career; and categorizing herself first and foremost as an artist rather than a craft artist or ceramicist. Kolodziejski recalls, Lita Albuquerque, Jill Giegerich, Peter Lodato, Barbara Thomason, Roy Dowell, Eugene Sturman, Carol Caroompas, Tony Marsh, Ralph Baccera, Adrian Saxe, Ron Nagle, Roseline Delisle, John Mason, Jo Lauria, David Pagel, Garth Clark, and others.
Biographical / Historical:
Cindy Kolodziejski (1962- ) is a sculptor and painter from Venice, California. Frank Lloyd (1951- ) is a gallery owner from Santa Monica, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- California -- Venice  Search this
Sculptors -- California -- Venice  Search this
Topic:
Ceramics  Search this
Ceramics -- Technique  Search this
Self-taught artists  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.kolodz07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec3e455-7879-43de-ba7b-9db80c22c835
EDAN-URL:
ead_collection:sova-aaa-kolodz07
Online Media:

Oral history interview with Demi

Interviewee:
Demi, 1955-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Rodríguez, Arturo, 1956-  Search this
Extent:
22 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 November 20
Scope and Contents:
An interview of Demi conducted 1997 November 20, by Juan A. Martínez, in Demi's home/studio, Miami, Florida, for the Archives of American Art.
Demi speaks of her birthplace, Camaguey, Cuba; the death of her father in 1960, and being sent to Puerto Rico in 1971; her move to New York, and arrival in Miami in 1978; her theater studies at Miami Dade Community College. She recalls an opening at the Meeting Point Gallery in Coral Gables in 1980, where she met her husband, painter Arturo Rodriguez. She talks about her first painting in 1984, the role Arturo plays in her life, her first exhibition at the Cuban Museum of Arts and Culture in 1987, and the importance of touching the human spirit.
Biographical / Historical:
Demi (1955- ) is a painter from Miami, Florida. Demi (who uses only her first name) is a self-taught artist born in Cuba. Her husband is the painter Arturo Rodriguez.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 9 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Occupation:
Painters -- Florida -- Miami  Search this
Topic:
Latino and Latin American artists  Search this
Cuban American art  Search this
Cuban American artists  Search this
Art, Modern  Search this
Self-taught artists  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.demi97
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90393fffb-da33-4aa6-8c10-79031b32cc0e
EDAN-URL:
ead_collection:sova-aaa-demi97
Online Media:

Modify Your Search







or


Narrow By