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Oral history interview with George Segal, 1973 November 26

Interviewee:
Segal, George, 1924-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Baziotes, William  Search this
Bellamy, Richard  Search this
Delevante, Sidney  Search this
Kaprow, Allan  Search this
Richard Green Gallery (New York, N.Y.)  Search this
Hansa Gallery (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with George Segal, 1973 November 26. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Sculptors -- New Jersey -- Interviews  Search this
Art -- Philosophy  Search this
Record number:
(DSI-AAA_CollID)12613
(DSI-AAA_SIRISBib)213086
AAA_collcode_segal73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213086
Online Media:

Oral history interview with George Segal

Interviewee:
Segal, George, 1924-2000  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Hansa Gallery (New York, N.Y.)  Search this
Richard Green Gallery (New York, N.Y.)  Search this
Baziotes, William, 1912-1963  Search this
Bellamy, Richard  Search this
Delevante, Sidney, 1894-  Search this
Kaprow, Allan  Search this
Extent:
112 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1973 November 26
Scope and Contents:
An interview of George Segal conducted 1973 November 26, by Paul Cummings, for the Archives of American Art.
Segal speaks of his childhood and family life in the Bronx; his education at Rutgers and at Pratt Institute; studying at New York University with William Baziotes; abstract expressionism; his acquaintance with Allan Kaprow and the Hansa Gallery group; his search for an individual language as an artist; life and art on his New Jersey farm; exhibitions at the Hansa and Green galleries; his development of bandage and plaster sculpture. He recalls Sidney Delevante and Richard Bellamy.
Biographical / Historical:
George Segal (1924-2000) was a sculptor and painter from North Brunswick, N.J.
General:
Originally recorded 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 53 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New Jersey -- Interviews  Search this
Topic:
Art, American  Search this
Sculptors -- New Jersey -- Interviews  Search this
Art -- Philosophy  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.segal73
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9000f2886-af1b-443e-8f43-6992efca9211
EDAN-URL:
ead_collection:sova-aaa-segal73
Online Media:

Jane Teller papers

Creator:
Teller, Jane  Search this
Names:
Albright-Knox Art Gallery  Search this
Montclair Art Museum  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Council on the Aging  Search this
Newark Museum  Search this
Noyes Museum  Search this
Parma Gallery (New York, N.Y.)  Search this
Princeton Gallery of Fine Art  Search this
Squibb Gallery (Princeton, N.J.)  Search this
Whitney Museum of American Art  Search this
Brodsky, Judith K.  Search this
Caparn, Rhys, 1909-1997  Search this
Dehner, Dorothy, 1901-1994  Search this
Fuller, Sue, 1914-  Search this
Gatch, Lee, 1902-1968  Search this
Johnson, Margaret K. (Margaret Kennard)  Search this
Kadish, Reuben, 1913-1992  Search this
Lamis, Leroy, 1925-  Search this
Lassaw, Ibram, 1913-2003  Search this
Siskind, Aaron  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Interviews
Prints
Sketchbooks
Slides (photographs)
Motion pictures (visual works)
Sketches
Scrapbooks
Photographs
Sound recordings
Date:
1911-1991
Summary:
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.
Scope and Content Note:
The papers of printmaker and sculptor Jane Teller measure 8.6 linear feet and date from 1911 to 1991. The papers include biographical materials, correspondence, business records, notes, writings, three sketchbooks, sketches and prints, five scrapbooks, printed material, subject files, photographs, sound and video recordings, and motion picture film.

Biographical material includes a birth certificate, school work, and passports. General correspondence includes letters from several artists including Rhys Caparn, Sue Fuller and Lee Gatch, and from art galleries, including the Museum of Modern Art, Albright-Knox Art Gallery and the Whitney Museum of American Art. Additional correspondence is found in the Subject Files.

Business records include an account book, lists of expenses and prices of art works, and sales records. Notes and writings include Teller's notes about art and travel, artists' statements, autobiographical writings, and a compilation of many artists' statements regarding "The Nine Bean Question."

Artwork includes three sketchbooks, 30 sketches and three prints primarily depicting nature and sculpture designs.

Five scrapbooks contain clippings, exbition announcements and catalogs. Additional printed material includes magazines, exhibition announcements and catalogs, a booklet by Teller entitled Art, Age and the River, published posthumously by her husband, and a manuscript of Poems or Poetic Expressions of Sculptors, collected by L. Lamis.

Subject files are arranged by name or subject and may contain letters, photographs, and printed material. Many of the files focus on galleries and museums, including the Montclair Art Museum, the Newark Museum, Noyes Museum, Parma Gallery, the Princeton Gallery of Fine Art and the Squibb Gallery. There are also subject files for associations, travel, projects, and colleagues including Margaret K. Johnson, Reuben Kadish, Ibram Lassaw, Aaron Siskind and Dorothy Dehner.

Photographs and slides depict Teller, her friends, works, gallery installations, and travels. Also included are photographs of trees, bark, and other natural formations used by Teller in her work.

The audio-visual materials include several sound recordings, videocassettes and 16 mm motion picture films. The videocassettes include television programs in which Teller, printmaker Judith Brodsky and actor Harry Hamlin are interviewed, a retrospective at Skidmore College and a film featuring Teller speaking for the National Council on Aging. Sound recordings include two interviews and a "Talk on Malta" by Teller and Joan Needham. The 16 mm films are black and white footage of Teller's first Parma Gallery show.
Arrangement:
The collection is arranged as 11 series. Records are generally arranged by material type and chronologically thereafter.

Missing Title

Series 1: Biographical Material, 1911-1985 (Box 1; 4 folders)

Series 2: Correspondence, 1956-1991 (Box 1; 0.3 linear feet)

Series 3: Business Records, 1961-1990 (Box 1; 5 folders)

Series 4: Notes, 1960-1987 (Box 1; 13 folders)

Series 5: Writings, 1960-1989 (Boxes 1 and 9; 5 folders)

Series 6: Artwork, circa 1950s (Boxes 1 and 9; 6 folders)

Series 7: Scrapbooks, 1948-1990 (Boxes 1-2; 0.7 linear feet)

Series 8: Printed Material, 1957-1991 (Boxes 2-3 and 9; 0.6 linear feet)

Series 9: Subject Files, 1951-1990 (Boxes 3-5; 2.5 linear feet)

Series 10: Photographs, 1934-1985 (Boxes 5-9; 2.5 linear feet)

Series 11: Audio-Visual Materials, 1961-1989 (Box 8, FC 10-12; 0.6 linear feet)
Biographical Note:
Jane Teller (1911-1990) worked as a printmaker and sculptor primarily in New Jersey. She specialized in working with wood and studied at the Rochester Institute of Technology, Skidmore College, and Barnard College. She also attended Federal Works Progress Administration (W.P.A.) classes in New York City, studying sculpture with Aaron J. Goodelman and wood carving with Karl Nielson. She later studied welding in the studio of Ibram Lassaw. She was also a lifelong friend of photographer Aaron Siskind. In 1960, she was awarded the Mary and Gustave Kellner Prize at the National Association of Women Artists Annual Exhibition at the National Academy of Design in New York, and in 1966 the Sculpture Prize at the Fiftieth Anniversary Exhibition, Philadelphia Art Alliance in Philadelphia. She exhibited mainly in New York and New Jersey and was married to author and editor Walter Teller.
Provenance:
The Jane Teller papers were donated by Jane Teller in 1990 and in 1991 by Walter Teller, widower of Jane Teller.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- New Jersey  Search this
Sculptors -- New Jersey  Search this
Topic:
Printmakers -- New Jersey  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Genre/Form:
Video recordings
Interviews
Prints
Sketchbooks
Slides (photographs)
Motion pictures (visual works)
Sketches
Scrapbooks
Photographs
Sound recordings
Citation:
Jane Teller papers, 1911-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.telljane
See more items in:
Jane Teller papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95c6d3902-ef80-4ea1-ba58-b2abe402072c
EDAN-URL:
ead_collection:sova-aaa-telljane

Worden Day papers, circa 1935-1992

Creator:
Day, Worden, 1912-1986  Search this
Subject:
Barnet, Will  Search this
Bourgeois, Louise  Search this
Dehner, Dorothy  Search this
Fish, Alice  Search this
Foster, Betty  Search this
Fuller, Sue (1914-2006)  Search this
Hofmann, Hans  Search this
Lasansky, Mauricio  Search this
Minewski, Alex  Search this
Moy, Seong  Search this
Peterdi, Gabor  Search this
Rupprecht, Edgar A.  Search this
Rupprecht, Isabell  Search this
Sarton, May  Search this
Schrag, Karl  Search this
Thurn, Ernest  Search this
Vytlacil, Vaclav  Search this
Zigrosser, Carl  Search this
Hans Hofmann School of Fine Arts  Search this
Montclair Art Museum  Search this
State University of Iowa  Search this
Type:
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Woodcuts
Citation:
Worden Day papers, circa 1935-1992. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Women artists  Search this
Prints -- Technique  Search this
Painters -- New Jersey  Search this
Printmakers -- New Jersey  Search this
Sculptors--New Jersey  Search this
Sculpture  Search this
Art, Modern  Search this
Painting  Search this
Pop art  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9297
(DSI-AAA_SIRISBib)211492
AAA_collcode_dayword
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211492
Online Media:

Waylande Gregory papers

Creator:
Gregory, Waylande, 1905-1971  Search this
Names:
Cleveland Museum of Art  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1931-1984
Summary:
The papers of ceramicist and sculptor Waylande Gregory measure 0.6 linear feet and date from 1931 to 1984. The collection consists of advertisements, clippings, exhibition catalogs, and other printed materials featuring Gregory, his writings, and his ceramic work. Other materials include a photocopy of a letter from the Cleveland Museum of Art to Gregory, as well as photographs and slides of Gregory's works of art.
Scope and Contents:
The papers of ceramicist and sculptor Waylande Gregory measure 0.6 linear feet and date from 1931 to 1984. The collection consists of advertisements, clippings, exhibition catalogs, and other printed materials featuring Gregory, his writings, and his ceramic work, many of which are photocopies. Other materials include a photocopy of a letter from the Cleveland Museum of Art to Gregory, as well as photographs and slides of Gregory's works of art.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Waylande DeSantis Gregory (1905-1971) was a ceramicist and sculptor in Bound Brook, New Jersey, known for his innovative techniques in creating Art Deco ceramics. Gregory was also a prominent figure in the studio glass movement

Born in Baxter Springs, Kansas, Gregory began receiving commissions from the University of Kansas and other major organizations in Kansas City while he was attending the Kansas City Art Institute. He later studied under Lorado Taft, working as Taft's assistant at the Art Institute of Chicago and Midway Studios.

In 1928 Gregory moved to Cleveland to be the lead sculptor at Cowan Pottery, and by 1932 he was an artist in residence at the Cranbrook Academy of Art. He eventually moved to New Jersey with his wife, Yolande von Wagner, where he established a workshop and created some of his most significant works including Light Dispelling Darkness located in Menlo Park, New Jersey.

Gregory died in 1971 in Elizabeth, New Jersey.
Provenance:
The collection was donated by Bianca Brown, president of the Yolande and Waylande Gregory Foundation, in 1983 and 1984.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Ceramicists -- New Jersey  Search this
Sculptors -- New Jersey  Search this
Topic:
American studio craft movement  Search this
Citation:
Waylande Gregory papers, 1931-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gregwayl
See more items in:
Waylande Gregory papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98bf1ddb4-3301-4a17-a6b6-9501ffb6977b
EDAN-URL:
ead_collection:sova-aaa-gregwayl
Online Media:

Worden Day papers

Creator:
Day, Worden, 1916-1986  Search this
Names:
Hans Hofmann School of Fine Arts  Search this
Montclair Art Museum  Search this
State University of Iowa  Search this
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Dehner, Dorothy, 1901-1994  Search this
Fish, Alice  Search this
Foster, Betty  Search this
Fuller, Sue (1914-2006)  Search this
Hofmann, Hans, 1880-1966  Search this
Lasansky, Mauricio, 1914-  Search this
Minewski, Alex, 1917-1979  Search this
Moy, Seong  Search this
Peterdi, Gabor  Search this
Rupprecht, Edgar A.  Search this
Rupprecht, Isabell  Search this
Sarton, May, 1912-  Search this
Schrag, Karl  Search this
Thurn, Ernest  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
3.5 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Woodcuts
Date:
circa 1935-1992
Summary:
The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 3.5 linear feet and date from circa 1935-1992. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material.

There is a 1.0 linear foot additon, circa 1951-1992, donated in 2020 containing further papers of Worden Day.
Scope and Contents:
The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 3.5 linear feet and date from circa 1935-1992. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material.

Included are biographical material consisting of resumes and an address book. Correspondence is with colleagues, curators, and museum directors including Will Barnet, Carl Zigrosser, May Sarton, Dorothy Dehner, Louise Bourgeois, Sue Fuller, among others. Writings by Day are about sculpture and painting, among them four unpublished manuscripts "Pop Art as an American Cultural Phenomenon," "What is a Print," "The Found Dimension- Aspects in the Development of Modern American Sculpture," and "New Expressions of Woodcut," and reviews for exhibitions written by Day for Art News. Also found in the collection are printed materials; scrapbooks; photographs of Day, her works and photograph albums; and three sketchbooks. Audiovisual material is arranged with biographical material and includes a taped interview on audio cassette with Day and one reel of motion picture film (also available as digital files), "Printmakers," presented by United States Information Service, 1961, showing American printmakers Mauricio Lasansky, Day, Karl Schrag, Seong Moy and Gabor Petredi at work and students in the School of Graphic Arts at the State University of Iowa, founded by Lasansky. Also arranged with biographical material is a file relating to an exhibition on the work of painter Vaclav Vytlacil organized by Day in 1975 at the Montclair Art Museum containing correspondence; letter fragments from Alex Minewski; writings by Vytlacil regarding his career and work with Hans Hofmann; an audio cassette; photographs of Vytlacil, Hofmann teaching in Munich, Ed and Isabell Rupprecht, Ernest Thurn, Betty Foster, and Alice Fish at the Hofmann School of Fine Arts, Munich; and the exhibition catalog.

There is a 1.0 linear foot additon, circa 1951-1992, donated in 2020 containing further papers of Worden Day.
Arrangement:
The collection is arranged as eight series

Series 1: Biographical Material, 1960-1986 (Box 1, FC6; 0.5 linear feet)

Series 2: Correspondence, 1953-1977 (Box 1; 1 folder)

Series 3: Writings, 1955-1985 (Box 1; 0.3 linear feet)

Series 4: Printed Material, 1949-1983 (Box 1; 0.3 linear feet)

Series 5: Scrapbooks, 1940-1984 (Boxes 1, 4; 0.5 linear feet)

Series 6: Photographic Material, 1935-1986 (Boxes 2-3; 0.5 linear feet)

Series 7: Sketchbooks, 1960-1986 (Boxes 3, 5; 0.4 linear feet)

Series 8: Unprocessed Addition, circa 1951-1992 (Box 7; 1.0 linear feet)
Biographical / Historical:
Worden Day (1916-1986) was a sculptor, painter, printmaker and curator in Montclair, New Jersey. Born in Columbus, Ohio, Day graduated from Randolph-Macon College in 1934. She then moved to New York City, and over the next few decades, studied drawing with Maurice Sterne and George Grosz; drawing, painting, and printmaking with William Von Schlegell, Harry Sternberg, Hans Hofmann, Will Barnet, and Vaclav Vytlacil at the Art Students League; and etching with Stanley William Hayter at the New School for Social Research. After earning her M.A. from New York University in 1966, Day taught as an instructor and lecturer in color theory, drawing, printmaking, sculpture, design, collage, American art history, modern art theory, and women artists. Her written reviews and essays were featured in publications such as Art News, Art Voices, and Impressions, and she had solo exhibitions throughout the United States, including at the Smithsonian Institution, Baltimore Museum of Art, Cincinnati Art Museum, and Montclair Art Museum.
Provenance:
The papers were donated to the Archives of American Art from 1972-1983 by Worden Day. Additional material was donated in 2017 by Constance Duhamel, Day's friend. Additional material was donated in 2020 by the Maier Museum of Art at Randoph College via Constance Duhamel.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Landscape painters -- Massachusetts -- Provincetown  Search this
Art museum curators  Search this
Topic:
Art, American  Search this
Women artists  Search this
Prints -- Technique  Search this
Painters -- New Jersey  Search this
Printmakers -- New Jersey  Search this
Sculptors--New Jersey  Search this
Sculpture  Search this
Art, Modern  Search this
Painting  Search this
Pop art  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Woodcuts
Citation:
Worden Day papers, 1935-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dayword
See more items in:
Worden Day papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a6c6f8cb-63d3-4da6-ba8e-3b86ac3fb343
EDAN-URL:
ead_collection:sova-aaa-dayword

Dorothea S. Greenbaum papers

Creator:
Greenbaum, Dorothea S.  Search this
Names:
Artists for Victory, Inc.  Search this
Sculptors Guild (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Mechlin, Leila, 1874-1949  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Date:
1923-1980
Scope and Contents:
The papers of painter and sculptor Dorothea S. Greenbaum measure 2.2 linear feet and date from 1923-1980. A majority of the collection includes photographs of works of art by Greenbaum and few photographs of Greenbaum. Also included are card catalogs of Greenbaum's work; a scrapbook of clippings compiled by Greenbaum relating to the Sculptor's Guild, 1938-1939; biographical material; professional correspondence; and a sketchbook by Greenbaum.
Biographical / Historical:
Dorothea S. Greenbaum (1893-1986) was a painter and sculptor in Princeton, N.J.
Related Materials:
Also in the Archives is material lent for microfilming on reel N/70-77 and includes clippings, poems, photographs and a scrapbook, 1923-1960, containing letters from John Taylor Arms, writing for Artists for Victory, Leila Mechlin, Yasuo Kuniyoshi, for Artists Equity.
Provenance:
The scrapbook donated in 1970 by Dorothea S. Greenbaum. Additional material was donated in 2020 by Susan Greenbaum, Dorothea's granddaughter. Material on reel N70-77 was lent for microfilming in 1970 by Greenbaum.
Occupation:
Sculptors -- New Jersey -- Princeton  Search this
Painters -- New Jersey -- Princeton  Search this
Topic:
Sculpture, American  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Identifier:
AAA.greedoro
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c03e9344-0122-45a1-b68f-d5bb8152e4a1
EDAN-URL:
ead_collection:sova-aaa-greedoro

Paul Henry Ramirez papers

Creator:
Ramirez, Paul Henry, 1963-  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1995-2017
Scope and Contents:
The Paul Henry Ramirez papers measure 1.6 linear feet and date from 1995-2017. Included are commission files for Ramirez's projects containing correspondence, printed material, sketches, and guestbooks.
Biographical / Historical:
Paul Henry Ramirez (1963- ) is a contemporary artist in Hamilton, New Jersey. Ramirez is known for biomorphic abstraction, using his signature forms and style in paintings and in largescale architectural interventions.
Provenance:
Donated 2018 by Paul Henry Ramirez.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- New Jersey  Search this
Printmakers -- New Jersey  Search this
Sculptors -- New Jersey  Search this
Topic:
Art, Abstract  Search this
Installations (Art)  Search this
Identifier:
AAA.ramipahe
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d82d5568-8f47-4e68-8f45-51c62fedd20e
EDAN-URL:
ead_collection:sova-aaa-ramipahe

Ben and Evelyn Wilson papers

Creator:
Wilson, Ben, 1913-  Search this
Wilson, Evelyn, 1915-  Search this
Names:
American Artists School (New York, N.Y.)  Search this
Modern Artists Guild  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca. 1939-1982]
Scope and Contents:
Biographical data; letters from dealers, galleries and others; and undated draft of a letter of resignation from the Modern Artists Guild; an etching by Evelyn Wilson; exhibition catalogs and announcements for the Wilsons; a book, J'AI VU VIVRE L'AMERIQUE by Georges Blond, and a translation of an excerpt from the book describing a visit with Ben and Evelyn Wilson in New Jersey; magazine and newspaper clipppings about both artists; printed material relating to the American Artists School, New York City and the City College where Ben Wilson taught classes; and 7 photographs of Ben Wilson and his paintings.
Biographical / Historical:
Ben Wilson is a painter, teacher and lecturer; Evelyn Wilson is a sculptor; Blairstown, N.J.
Provenance:
Donated 1983 by Ben Wilson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- New Jersey  Search this
Sculptors -- New Jersey  Search this
Topic:
Painting, Modern -- 20th century -- New Jersey  Search this
Sculpture, Modern -- 20th century -- New Jersey  Search this
Identifier:
AAA.wilsben
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ac83210e-d75b-488e-a86f-2c9b4cd11b1a
EDAN-URL:
ead_collection:sova-aaa-wilsben

Rutherford Boyd papers

Creator:
Boyd, Rutherford, 1882-1951  Search this
Architectural League of New York  Search this
Names:
Albers, Josef  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Blake, Elizabeth J.  Search this
Bragdon, Claude Fayette, 1866-1946  Search this
Conrow, Wilford Seymour  Search this
Edwards, Edward B., b. 1873  Search this
Fiske, Edwin W.  Search this
Kroll, Leon, 1884-1974  Search this
Williams, J. Scott (John Scott), b. 1877  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
1900-1983
Scope and Contents:
Biographical information; correspondence; writings; financial records; sketches; photographs; and printed material.
Biographical information on Rutherford, Harriet and Lydia Boyd; awards and membership certificates; correspondence (some illustrated) with Boyd's wife, Harriet A. Repplier Boyd, and other family members; letters from Josef Albers, Architectural League of New York, Alfred Barr, Elizabeth J. Blake, Claude Bragdon, Central Manual Training School, Philadelphia, Wilford S. Conrow, Edward B. Edwards, Edwin W. Fiske, Leon Kroll, J. Scott Williams and others; and letters of condolence to Boyd's widow; a photocopy of a letter to David Boyd from Conway Scott Williams regarding Dynamic Symmetry; a subject file on the film "Parabola" by Boyd; manuscripts and typescripts of articles by Boyd on design theory; financial documentations and legal records; 2 poems, "Harriet" and Catching the Cat"; sketches; annotated illustration proofs; exhibition announcements and catalogs; photographs of Boyd and his work; and miscellaneous printed materials.
Biographical / Historical:
Magazine illustrator and sculptor; Leonia, New Jersey. Influenced by Jay Hambidge's theory of Dynamic Symmetry.
Provenance:
Donated 1984 by David Boyd, son of Rutherford Boyd.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Illustrators -- New Jersey  Search this
Sculptors -- New Jersey  Search this
Topic:
Sculpture, Modern -- United States  Search this
Symmetry  Search this
Proportion (Art)  Search this
Design  Search this
Identifier:
AAA.boydruth
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9158a1d8d-70df-4b97-8fd4-60bfd5b7f7ef
EDAN-URL:
ead_collection:sova-aaa-boydruth

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